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blinkvideo - research of video art, performance and multimedia installations.

blinkvideo - research of video art, performance and multimedia installations.


blinkvideo the platform for . . .

artists we provide a platform for extensive presentation of media works, gallerists get a direct contact to international professional audiences, collectors find a worldwide overview of contemporary trends in moving image, curators can do research via keywords and compilations, teachers use presentation opportunities for students and all professionals get password protected, extensive information about video works worldwide.

Moving Images / Moving Bodies
Online screening programme in cooperation
with the Goethe-Institut Bulgaria

Curated by Ludwig Seyfarth

Research into the human body and interpersonal relationships remain central themes in video and moving image art. Artists from Bulgaria and Germany, whose work is related in content, will be shown in pairs over the next weeks. The exhibition planned for November 2020 in Sofia has been postponed until 2021. Instead, a consecutive presentation of selected films by artists from Moving Bodies/Moving Images is presented on blinkvideo.
image: © Elitsa Dimitrova

Shooting Ghosts
Online screening programme in cooperation
with the Goethe-Institut Bulgaria

Curators: Kalin Serapionov, Krassimir Terziev

What we propose in this programme is a highly subjective and fragmented view on current practices in moving image in the Bulgarian art scene. We focused on practices that show affinity with speculative narratives - narratives that not just record what is in front of the cinematic eye, but also capture all the ghosts that are unreachable by the apparatus, thus projecting speculative views that intend not merely to describe, but to transform the world.
image: © Veneta Androva

UNSTILLED LIFE: Artist Animations 1980-2020
Curated by Emma Cousin and Paul Carey-Kent

Why this show, here and now? British artist-curator Emma Cousin and writer-curator Paul Carey-Kent recently pulled together a choice of artist animations, thinking that the increasingly vibrant medium is especially suited to the online emphasis of the locked down art world of 2020. Three of them turned out to be represented by Ron Mandos, making the Amsterdam gallery ideal hosts. The cast is international, and to reflect that Tintype gallery in London and Hamburg’s blinkvideo have joined in with variations on the programme. 
Markus Vater Worlds don’t come easy, 2020

Expanding Bauhaus.
New Reflections on the Bauhaus Movement in Time-Based Media Art / Goethe Institute Netherlands

A screening series selected by Elke Kania (Cologne), Julia Sökeland (Hamburg) and Ludwig Seyfarth (Berlin)

With its combination of various arts such as painting, photography film, architecture, fashion, product and interior design and textile art, the Bauhaus is still considered the epitome of a technologically advanced modernity. Last but not least, the attempt to create the whole society aesthetically, inspired many artists worldwide.
Image: © Adnan Softic

Featured videos

Alexandra Meijer-Werner
Kreislauf / cycle … revolution … circulation, 1997

Kreislauf is an oneiric trip about the continuous cycle of human rebirth. Our dreams create the fabric in which the threads or individual tendencies appear and disappear, only to become visible once again. The dynamic of this video is a weave of repetitions and juxtapositions of the experiences that create the dance of life. Everything is cyclic, nothing disappears; everything is perpetually mutating in landscapes of anguish and joy, violence and calm, solitude and union. The traveler is the active force of his own fate when he realizes that what is most significant in life is the act of living itself.

Björn Braun
without title (excerpt), 2012

Sandra Boeschenstein
Besuchte Linie auf Granit, 2014

I encountered the roundworm in the Alps when I attempted to repair the water catchment of the cabin after a storm. I wished for this animal found at the spring to be a visited line, then searched for potential visitors and found, just nearby, a nest of firebugs in a dried chestnut leaf, which I placed just outside of the image field. The granite slab, roundworm, bugs’ nest and a fly lived their lives within a radius of 100 meters. My part in this was to bring them into direct proximity for the duration of an hour, to focus my camera and to breathe onto the upper part of the lens, in order to increase the atmospheric depth of the picture. Finally, to come to the allegation I’ve made via the title that something was a line that actually is an animal (when normally, in a contrary approach, characteristically formed lines represent animals or the like). The combination of the simplicity in the foundation / bedrock with a simultaneous insecurity in view of scale and nature of this white line, holds my fascination.

Isabella Fürnkäs
In Ekklesia, 2015

The title, ‘In Ekklesia,’ comes from the Greek word ‘ecclesia,’ which refers to the democratic parliament that served Athens in its halcyon days by being open to male citizens every other year. Solon, an Athenian legislator and a sage, allowed all citizens to serve the parliament regardless of their social class in BC 594. The Ecclesia made decisions about war, military strategies, and all judicial and administrative issues. This work satirizes various facets of humans and machines in the 21st century, unconsciously within a dystopian environment. Isabella Fürnkäs introduces a method of combining and overlaying countless images in her work, providing the new experience of sensations that act in ambiguous flows, movements, interference, and interjection. The piece is about the new metaphysical and material connections appearing through digital conversations that are divorced from the general notion of time and space, as well as isolation and alienation. Text by Hyun Jeung Kim (Nam June Paik Art Center Seoul)

Ryan Gander
Man on a bridge - (A study of David Lange) , 2008

A digital video transferred from 16 mm film shows a number of slightly differing takes of the same short sequence: A man walks over a bridge and seems to notice something over the railing to his left hand side. As he moves in for a closer inspection, the film cuts, which is then followed by another take of the same shot.

Wim Catrysse
MSR, 2014

On the Kuwait roads the journey goes in a western direction, past military bases and a line of oil transporters. Dreary sound sequences are pumped out by the radio. In the middle of rubbish heaps by the roadside a pack of wild dogs is trying to find shelter from the wind. Wim Catrysse presents the Kuwait desert both as a post-apocalyptic setting and as protagonist. During the journey, the car window is an obstacle, made even more so by the screen. The viewer, dumped in the desert, does not manage to reach it through the window. MSR, the Main Supply Route, is the main highway used to coordinate military operations in the Gulf War in 1990/91 and the War in Iraq in 2003. Filming is forbidden here, so the pack of wild dogs carries the story at first. But their behaviour keeps on bringing the desert into focus as the principal actor. Underlined by the sound track, its seeming hostility to life awakens the impression of a dystopian timelessness reminiscent of the apocalyptic scenarios in films and makes the viewer feel ill at ease. Catrysse examines conventions, both in a political-dogmatic and in a filmic sense.Nathalie Ladermann

Johanna Reich
CRAWLER, 2020

A crawler is a searchbot in the internet which Johanna Reich uses to collect special comments or phrases about the most discussed topics during the last years like A.I., climate change, digital revolution, gender and the turn of democratic systems. Johanna Reich selects several of the collected phrases composing a robot performance: self-driving projectors move across the exhibition space and project comments about a.i., gender or climate change onto the audience and architecture.

Annika Kahrs
solid surface, with hills, valleys, craters and other topographic...., 2014

solid surface,with hills,valleys,craters and other topographic features,primarily made of ice„solid surface, with hills, valleys, craters and other topographic features, primarily made of ice“ is set in a planetarium with a projected starry sky, in the center of which is situated a light spot, that explores the space. The Film deals with the moment, shortly before the actual visualization of pluto’s surface properties, whereas the entire cupola hall of the planetarium serves as a metaphorical projection surface of Pluto. The round light spot formally points to the shape of the celestial object and functions as placeholder for its soon arising image.

Ann Oren
The World Is Mine, 2017

In cosplay of the Japanese cyber diva Hatsune Miku, the artist moved to Tokyo, seeking an identity in the world of Miku fanatics, where she was drawn into a love affair with one of the fans. Miku is a Vocaloid, a vocal synthesizer software personified by a cute animated character. Her entire persona: lyrics, music and animation – is fan created, and that's her charm. She even performs sold out concerts as a hologram. By transforming herself into a Miku character through cosplay, Oren enters a world of real hardcore fans where fantasy is more real than reality and the differentiation between the two becomes obsolete. The film examines the performative nature of cosplaying – dressing up and playing the role of fictional characters – as a hybrid space where reality blurs into fetishistic fantasies and pop culture clichés. Combining fan-made lyrics and songs, Oren's trials and tribulations in the fictional Miku world unfolds through vague erotic episodes and encounters with characters whose ontological status remains mysterious, bringing to mind the adventures of a modern Alice in a virtual Wonderland.

Jonathan Monaghan
Den of Wolves, 2020

Den of Wolves is a seamlessly-looping video installation drawing on a range of references to weave a new multi-layered mythology. The work follows three bizarre wolves through a series of increasingly surreal retail stores as they search for the regalia of a monarch. Composed of one continuous camera shot, the work is an immersive, dreamlike journey drawing connections between popular culture, institutional authority and technological over-dependence.

Stefan Panhans
HOSTEL Sequel #1: Please Be Careful Out There, Lisa Marie – H.V.Installation Mix, 2018

At transmediale, Stefan Panhans and Andrea Winkler show their work HOSTEL Sequel #1: Please Be Careful Out There, Lisa Marie – Hybrid Version, a new project that combines film, installation, and staccato stage reading (on blinkvideo we are showing a trailer of the integrated film). With everyday racism, celebrity worship, stereotypes, and the dominating power of the economic all on the rise, precariously and flexibly traveling cultural workers of different origin deliver a sort of spoken word battle about their experiences and dreams. They constantly switch roles and, at the same time, form a choir that clashes with the rapped reports of everyday life. As in a collaborative gymnastic exercise—surrounded by scenery made up of set pieces from outfits of airports, hostels, and courier services, from self-optimization tools and game show displays—they fight for a voice and to be heard, building new alliances along the way. for more information: opening of transmediale

Mariola Brillowska
Children Of The Devil, 2011

Mariola Brillowska’s animation film relates the total collapse of the family system in the 21st century. Six cartoon episodes present an unsparing account of how children become murderers of their parents.

Julia Charlotte Richter
Point Blank, 2019

“Point Blank” refers to a film scene from "The Misfits" (1961) that is now re-enacted and further contextualized. In the original scene, the recently divorced main character Roslyn (Marilyn Monroe) rises up against three worn-out cowboys and, in the middle of the desert, confronts the men with all their lacks and lost dreams. In “Point Blank”, we see a young woman wandering around in surreal desert landscapes, a journey into the remoteness of the world and her own inner life. With every step out into the desert, the girl descends into her own depths searching for a place that seems to be suitable for her emotions and words. Unlike Roslyn, the young woman now refers to absent addressees: "Liars", "Murderers" and "Dead Men" she screams and turns around wildly. The words, which spread like bullets in the air, fall back on her. Except for a faint echo, there is no resonance at this place that depicts the obsessions of a distorted, patriarchal society and has become a dramatic backdrop of yearnings within the collective history of cinema. Where Roslyn was able to elicit a terrified astonishment from the three men, the character in Julia Charlotte Richter's video remains to herself and unheard, the desert as the only witness of her manifesto, her anger and her strength.

Ulrich Polster
Frost, 2003 / 2004

The night city. Industrial ruins filmed in contrejour. Memories from childhood. Different places and times combined at the mountain. It is a hollow portrait of Eastern Europe that carries the traces of its history.

Ene-Liis Semper
FF REW, 1998

Dimitri Venkov
The Hymns of Muscovy, 2018

The film is a trip to the planet Muscovy, which is an upside down space twin of the city of Moscow. As the title of the work suggests, the journey also takes us back in time. Gliding along the surface of the planet, we look down to the sky and see historic architectural styles fly by - the exuberant Socialist Classicism aka Stalinist Empire, the laconic and brutish Soviet Modernism, and the hodgepodge of contemporary knock-offs and revivals of the styles of the past. An essential companion to this journey through time and space are Hymnic Variations on the Soviet anthem by the composer Alexander Manotskov. The anthem was written in 1943 and has undergone three editions of lyrics yet musically remained unchanged to now serve as the official anthem of the Russian Federation. Manotskov used an early recording of the anthem as source material to create three electronic variations each corresponding to an architectural style. As if in a twist of Goethe’s phrase, architecture plays its frozen music. Look closely, can you hear it?

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blinkvideo is a website for the research of video art. Founders: Julia Sökeland, Anita Beckers. blinkvideo ist eine Plattform zur Recherche nach Videokunst

Jennifer Reeder

Works


Galleries

for further information contact blinkvideo
Germany

Phone: +49 40 22748986
E-Mail: info@blinkvideo.de




Statement

Jennifer Reeder is a film-maker from Ohio. She constructs personal stories about female relationships, trauma and coping. Her award-winning narratives are unconventional and borrow from a range of forms including after school specials, amateur music videos and magical realism. She has 45 film/video projects and has written 12 scripts. Her work is shown consistently around the world. In 2015 a recent collection of her short films was featured in a solo event at the London Short Film Festival, the Wisconsin Film Festival, the Glasgow Short Film Festival and at the Museum of Contemporary Art in Chicago. Her films were additionally featured in a profile at the 2013 Viennale in Vienna Austria. She was nominated for the 2000, 2001, 2002 and 2008 Rockefeller Grant for Film/Video/New Media and was also nominated for a 2001 Louis Comfort Tiffany Award for visual art, a 2004 Richard H. Dreihaus Foundation Award and a 2012 A-38 Production Grant (Kassel, Germany). She is a 2010 Efroymson Family Fund Fellow. She is currently nominated for a USA Artist Grant and is the recipient of a Creative Capitol Award, which will fund her first feature length film.


Biography

Education

1996 The School of the Art Institute of Chicago Master of Fine Arts, Video Chicago, IL
1994 The Ohio State University Bachelor of Fine Arts, Film and Video Columbus, Ohio

Exhibitions/screenings

2014
International Film Festival Rotterdam, Holland (tiger award nomination)
Filmwinter, Stuttgart, Germany
Ann Arbor Film Festival, Ann Arbor MI – award winner
Chicago Underground Film Festival, Chicago, IL – award winner
Wexner Center for the Arts, solo screening, Columbus Ohio
FrauenFIlmFest, Cologne Germany
Why Marriage, curated by Tricia Van Eck, Chicago IL
IndieLisboa, Lisbon, Portugal
BAFISI, film festival of Argentina
Kurzfilmtage, Oberhausen, Germany
Curtas Vila do Conde, short film festival, Portugal
Melbourne Film Festival, Australia
Rough and Ready curated by Christy Lemaster at the MCA – Chicago
Viennale – Vienna Austria
Kurzfilmtage, Hamburg Germany
Vienna Independent Shorts, Vienna Austria
Lucca Film Festival, Lucca Italy
Identity for WCA, Gallery Nine5, NY, NY
Kurzfilmtage, Hamburg Germany
Milwaukee Underground Film Festival
Spitalfields Festival film program, London, UK
Microlight Cinema anniversary screening, Milwaukee WI
BAM Cinemafest, NY
Festival de Cine, Lima Peru

2013
Chicago Underground Film Festival
Ann Arbor Film Festival
EMAF, Osnabruck Germany
Filmwinter, Stuttgart Germany
Brakhage Symposium solo installation
Julius Caesar Gallery, solo exhibition,Chicago, IL
Winterthur film Festival, Zurich Switzerland
Chicago Hearts Iowa City, curated by Christy LeMaster
Chicago Hearts Boston, curated by Christy LeMaster
Grrls on Grrls curated by Jane Harris, NY
Onion City Film Festival, Chicago
CUFF retrospective, Spectacle Theatre, NYC
Extremists and Transgressors, Texas Theater, Dallas
Rises Zora Project Screening, Kansas City, Kansas
Videofest, Dallas Texas
Contruction, screening, A/D Gallery, Columbia College Chicago
Viennale, Viennia Austria

2012
Ann Arbor Film Festival, MI
Kurzfilmtage, Oberhausen, Germany
IFFF, Dortmund/Koln, German
Solo Screening, Nightingale Theatre, Chicago, IL
Chicago Underground Film Festival, Chicago, IL
New Filmmakers, NY at Anthology Film Archive, NY NY
Dallas Video Festival, Dallas Texas
Athens Film Festival, Athens OH
Dokfest, Kassel Germany
Impakt Festival, Utrecht, The Netherlands
FFOCOL, Columbus Ohio

2011
Dallas Videofest, Dallas TX
Chicago Undergroud Film Festival, Chicago, IL
Oberhausen Short Film Festival, Germany
Wexner Center For the Arts, Solo Black Box project, Columbus, Ohio
20th Century Independents Series, Wexner Center for the Arts
49th Ann Arbor Film Festival
Bard College, Dylan Peet Thesis exhibition
Solo Retrospective Screening, Towle Theater, Hammond IN
CUFF Salon, Chciago, IL
Indianapolis Museum of Contemporary Art, Fast Forward

2010
Ann Arbor Film Festival, Ann Arbor, MI (winner, best narrative)
New Filmmaker series, Los Angeles, CA
Oberhausen Short Film Festival, Oberhausen Germany
Blackbird Salon, Chicago, IL
Ribsii Microcinema, reykjavik, Iceland
Props Lottery: solo screening, itlooksopen, Columbus Oh
Hamburg Short Film Festival, Hamburg Germany
Fall Screening Series, Bongout Gallery, Berlin Germany
New Filmmakers NY Summer Fest. Anthology Film Archive, NYC
Dallas Video Festival, Dallas, TX
Impakt Festival, Utrecht, The Netherlands
Indie Producer’s Short Film Competition, Los Angeles, CA
Solo Gallery Exhibition, Andrew Rafacz Gallery, Chicago, IL
Kinosmidja, Reykjvik Art Museum, Iceland
Chicago Underground Film Festival, Chicago, IL

2009
Underground Film Festival of Arad/Romania

2008
CUFF/IFP Chicago, Film Festival and Filmmaker’s Summit, Chicago, IL
Conversations at the Edge, Gene Siskel Film Center, Chicago, IL
Yuerba Buena Center for the Arts, Joanie 4 Jackie Archive
Girls On Film, Garage Biennial, San Francisco, CA
Wexner Center for the arts, solo screening

2007
Solo screening, Visiting Artist, Ann Hamilton’s Studio Columbus

2006
35th International Film Festival, Rotterdam, Netherlands
EMAF, Osnabruck, Germany
Seattle International Film Festival, Seattle WA
Solo Screening, Conversations at the Edge, SAIC, Chicago, IL
Mujeres y Electronica, group screening at La Casa Encendida, Madrid Spain
Solo screening, Arizona State University Museum of Art, Tempe, AZ
Two-Person screening, Pacific Film Archive, Berkeley, CA
Black Maria Film Festival, Jury Citation Award winner, touring
Adolescent Boys and Living Rooms, group screening, Aurora Picture Show, Houston, AZ

2005
Solo Screening, San Francisco Art Institute, San Francisco, CA
First Person Cinema , solo screening, University of Colorado at Boulder
Chicago’s Own, group Screening, Chicago Filmmakers, Chicago, IL

2004
New Media Art Festival, Seoul, Korea
Anarchy, Slamdance Film Festival on-line
Babylon, Artesantander Art Fair, Santander, Spain
Born to be a Star, Kunstlerhaus, Vienna Austria
Video Killed the Video Star, Hallwalls, Buffalo, NY
Chicago Program, Museum of Contemporary Art, Strasbourg, France
San Francisco Video Festival, San Francisco, CA
InBetween, Gallery 101, Ottawa, Canada
World Wide Video Festival, Amsterdam Holland
Good and Bad Things Happen From Explosions, TBA, Chicago, IL
DJ Johnny D’s Top of the Pops, Arizona State University Museum of Art, Tempe, AZ
Tiny Plastic Rainbow, Solo Screening, Consolidated Works, Seattle, WA
I Heart Dick, 1300 Gallery, Cleveland Ohio

2003
Watou, Brussels Belgium, curated by Jan Hoet and Michel DeWilde
Printemps Extra-Large, Brussels, Belgium
Hamburg Short Film and Video Festival, Hamburg, Germany
Chicago Underground Film Festival, Chicago, IL
ONVI, Barcelona, Spain
EMAF, Osnabruck, Germany
DJ Johnnie D’s Top of the Pops, Grand Central Art Center, Santa Ana, CA
Studio LoDo, solo screening, Phoenix, AZ
Moderna Museet, solo screening, Stockholm, Sweden
Konst Museet, solo screening, Boras, Sweden
Bild Museet, Umea Universitat, solo screening, Umea, Sweden
Chicago’s Own screening at Chicago Filmmakers
Race in Digital Space, Museum at Spellman College, curated by Erika Muhammed
Works on Paper, Julia Friedman Gallery, Chicago, IL
Pacific Film Archive, San Francisco, CA
Bamboo Theatre, solo screening, Milwaukee, WI

2002
Here and Now, F/V screening, Chicago Cultural Center, Chicago, IL
Museo Tamayo Arte Contemporaneo, Mexico City
DoubleHeart/Hear the Art, Kunsthalle Exnergasse, Austria
NYVF, The Lincoln Center, NYC
Onion City Film Festival, Chicago, Il
Occularis, Brooklyn, NY
LadyFest, program curated by Astria Suparak, San Francisco, CA
Solo Exhibition, Ambrosino Gallery, Project Room, Miami, FL
Video with Headphones, Ukranian Institute of Modern Art, Chicago, IL
Cheekwood Museum of Art, Nashville, TN
Taos Talking Pictures, Taos, NM
The Jennifer Show, Oakville Gallery, Toronto, Canada
Word, Diverse Works, Houston, TX
The Music Never Ends, touring program
If 6 were 9, Ambrosino Gallery, Miami, FL

2001
Video Jam, The New York Center for Media Arts, NY
I Feel a Song Coming Along, Kunstverien, Dusseldorf, Germany
Common Culture, Spruill Art Center, Atlanta, GA
5th Graz Biennnial on Media and Architecture, Austria
Solo Exhibition, Julia Friedman Gallery, Chicago, IL
SoundImageVideoObject, Donald Young Gallery, Chicago, IL (group show)
Video Jam, Palm Beach Institute of Contemporary Art, Florida
MIX Festival, NYC
Cyber Body, My Space, ArtToday Lab, Plovdiv, Bulgaria
NYVF, Lincoln Center, NYC
Sara Meltzer Gallery, NY, NY
Not Quite Myself, Arizona State Museum of Art, Tempe
WWVF, Arti et Amicitiae, Amsterdam, Holland
TBA, solo exhibition, Chicago, IL
Face to Face, Aeroplastics, Brussels, Belgium
Videoformes, Festival, France
Chicago Filmmakers, Chicago, IL

2000
From Steel to Flesh, University Gallery, Gary Indiana
Anthology Film Archive, NY, NY
ATA, solo screening, San Francisco, CA
WORM, Rotterdam, Netherlands
Body as Byte, Kunstmuseum, Luzern, Switzerland
ArtMiami, Miami, FL
Viennale, Vienna Austria
Pleasure Dome, Toronto, Canada
Chemical Suzy, Hong Kong
Havana Biennale, Cuba
Pacific Film Archive, San Francisco, CA
LA Freewaves, Los Angeles CA
Whitney Biennial, Whitney Museum of American Art, New York, NY
Cinematheque, San Francisco, CA
INOVA, Fall Exhibition, Milwaukee WI
Video/Culture, National Gallery, Washington DC
Anthology Film Archive, NY, NY
Hallwalls, solo screening, Buffalo, NY
Society of the Spectacle, Cleveland Museum of Art, Ohio
Circles of Confusion, Berlin Germany
Performance Anxiety, NYUFF, New York, NY
Pop Unlimited, Oberhausen, Germany
TV/Voyeur Pratt Institute, New York
Pretend TV, La Panaderia, Mexico City
In the Middle of Nowhere, Center for the Arts, San Francisco, CA
Photography 3000, Dogmatic Gallery, Chicago, IL
Prophecies, The Swiss Institute, New York, NY
Shifting Positions, Cultural Center, Chicago, IL

1999
Manly, Art in General, New York, NY
See Me, Hear Me, The Hague Museum (Armory), The Hague, The Netherlands
Society of the Spectacle, The Wexner Center for the Arts, Columbus,
The Everson Museum of Art (solo screening), Syracuse, NY
World Wide Video Festival, Stedlijk Museum, Amsterdam, Netherlands
48th International Venice Biennale, (Videolounge), Venice, Italy
Switchblade Sisters The Lux Centre, London England
The Secret History Chicago Project Room (solo exhibition), Chicago,
All Girls All Live Bodybuilder Gallery, Chicago, IL
Dusk, Center of Contemporary Art, Seattle, WA
Smart Project Space, Amsterdam, Netherlands
New York Video Festival at Lincoln Center, New York, NY
Generation Z at P.S. 1, Long Island City, NY
Wroclaw Biennale, Wroclaw, Poland
Dallas Video Festival, Dallas, TX
Impakt Festival, Utrecht Netherlands
Cockfight MWMWM Gallery (solo exhibition), New York, NY
Pretend TV Hermetic Gallery, Milwaukee, WI

1998
Second Nature at the UCLA Art Gallery, Los Angeles, CA
Mostra Video, Canary Islands, Spain
LA Freewaves at MOCA, Los Angeles, CA
Scope 3 at Artists Space, New York, NY
Video Room, New York, NY
Chicago Filmmakers, Chicago, IL
Third Text at MassArt, Boston, MA

1997
Museum of Contemporary Art, (solo screening), Barcelona, Spain
MA Contemporary Art, Los Angeles, CA
Documentarfilm Videotheque, Kassel, Germany
Champ Libre Festival, Montreal, Canada
Directors Guild of America, Los Angeles, CA
World Wide Video Festival, the Stedelijk Museum, Amsterdam, The Netherlands
TransMedia, Berlin, Germany
Alienchicks at PleasureDome, Toronto, Canada
Mostravideo at the Museum of Contemporary Art, Barcelona, Spain
Impakt Festival, Utrecht, The Netherlands
Rotterdam Arts Council, Rotterdam, Netherlands
Home Girls at The Walker Art Center, Minneapolis, MN

1996
Videolounge at The Knitting Factory, New York, NY
Little Tiny at The Wexner Center for the Arts, Columbus, OH
LA Freewaves at The Museum of Contemporary Art, Los Angeles, CA
Out Fest at The Directors Guild of America, Los Angeles, CA
Lesbian Genders at The Whitney Museum of American Art, NY

Selected bibliography

White Trash: Race and Class in America,:An Interview with White Trash Girl (Jennifer Reeder) By Laura Kipnis edited by Matt Wray and Anna Lee Newitz Routledge Press. 1997
Talkin’ Trash with White Trash Girl: an interview with Jennifer Reeder F Magazine
1997
Getting Credit for Being White by Margeret Talbot, New York Times Magazine
Maverick an Interview with John Newlin, Rage Magazine
Super Sleaze an Interview by Jeremy Lehrer, The Chicago Reader
1998
On Whiteness, Joseph Gallivan HQ Magazine
Get Whitey by Chris Rapp, Heterodoxy March
1999
Renegade Sisters: Girl Gangs on Film, Barbara Zalcock
New Art Examiner, Review of show at the Chicago Project Room
2000
Art In America, Review of show at MWMWM Gallery
Time Out New York, Review of Manly at Art in General
ArtForum, The List
ArtForum, The Max Factor
New York Arts Magazine, Manly review
Bust Magazine, review of work
Ahead Magazine, Who’s Who in Chicago
2001
New Art Examiner, exhibition review, September
10x10, exhibition review, September
ArtForum, exhibition review, December
2003
Chicago Tribune, feature story by Etelka Lohoskhy, July
New City, Cover Story by Ray Pride, August
2007
Columbus Dispatch, Supporting Player Frank Gabrenya, August
2008
Columbus Dispatch, Frank Gabrenya, February
2011
614 Magazine, Josh Rea interview March
Columbus Dispatch, March
2012
Bad at Sports, interview at ArtExpo Chicago
2013
Co-Producers, interview online

Selected awards/residencies

2014 Nominee, Tiger Award Competition, IFF Rotterdam
2012 Nominee, A-38 Award, Dokfest, Kassel Germany
2011 Finalist, Creative Capital Grant
Dean’s Prize, UIC College of Architecture and Art
2010 Winner, Best Narrative, Ann Arbor Film Festival, Michigan
Efroymson Fellow
Media Arts Residency, Wexner Center for the Arts, Columbus OH
2009 Dean’s Prize, College of Arch and Art, UIC
USA Fellowship, nominee
2008 Rockefeller Foundation Media Arts Fellowship, nominee
2007-2008 Artist in Residence Award, Wexner Center for the Arts, Columbus, OH
Jury Citation Award, Black Maria Film Festival
Artist-in-Residence, BAVC, SFAI and Rearden Studio, San Francisco, CA, 2005
2005 AIVF Screenwriters Mentorship Program, NYV
Nomination 2004 Richard H. Driehaus Foundation Artist Award
2003 Best Narrative Feature, CUFF, Tiny Plastic Rainbow
2002, 2003 Artist in Residence, the Wexner Center for the Arts, Columbus Ohio
Nomination 2002 Rockefeller Grant for New Media
Nomination 2001 Louis Comfort Tiffany Foundation Award
Nomination 2001 Rockefeller Grant for Film and Video
Nomination 2000 Rockefeller Grant for Film and Video
Nomination 1996 International Award for Video Art, ZKM, KarlsRuhe, Germany
James Nelson Raymond Fellowship
Prize for Tomorrow Cinema, Mondial Festival, Brussels, Belgium
Nominated, 1997 Art Matters grant
Award for Short Subject, Chicago International Film Festival, Chicago, IL

Jennifer Reeder
Education 1996 The School of the Art Institute of Chicago Master of Fine Arts, Video Chicago, IL 1994 The Ohio State University Bachelor of Fine Arts, Film and Video Columbus, Ohio Exhibitions/screenings 2014 International Film Festival Rotterdam, Holland (tiger award nomination) Filmwinter, Stuttgart, Germany Ann Arbor Film Festival, Ann Arbor MI – award winner Chicago Underground Film Festival, Chicago, IL – award winner Wexner Center for the Arts, solo screening, Columbus Ohio FrauenFIlmFest, Cologne Germany Why Marriage, curated by Tricia Van Eck, Chicago IL IndieLisboa, Lisbon, Portugal BAFISI, film festival of Argentina Kurzfilmtage, Oberhausen, Germany Curtas Vila do Conde, short film festival, Portugal Melbourne Film Festival, Australia Rough and Ready curated by Christy Lemaster at the MCA – Chicago Viennale – Vienna Austria Kurzfilmtage, Hamburg Germany Vienna Independent Shorts, Vienna Austria Lucca Film Festival, Lucca Italy Identity for WCA, Gallery Nine5, NY, NY Kurzfilmtage, Hamburg Germany Milwaukee Underground Film Festival Spitalfields Festival film program, London, UK Microlight Cinema anniversary screening, Milwaukee WI BAM Cinemafest, NY Festival de Cine, Lima Peru 2013 Chicago Underground Film Festival Ann Arbor Film Festival EMAF, Osnabruck Germany Filmwinter, Stuttgart Germany Brakhage Symposium solo installation Julius Caesar Gallery, solo exhibition,Chicago, IL Winterthur film Festival, Zurich Switzerland Chicago Hearts Iowa City, curated by Christy LeMaster Chicago Hearts Boston, curated by Christy LeMaster Grrls on Grrls curated by Jane Harris, NY Onion City Film Festival, Chicago CUFF retrospective, Spectacle Theatre, NYC Extremists and Transgressors, Texas Theater, Dallas Rises Zora Project Screening, Kansas City, Kansas Videofest, Dallas Texas Contruction, screening, A/D Gallery, Columbia College Chicago Viennale, Viennia Austria 2012 Ann Arbor Film Festival, MI Kurzfilmtage, Oberhausen, Germany IFFF, Dortmund/Koln, German Solo Screening, Nightingale Theatre, Chicago, IL Chicago Underground Film Festival, Chicago, IL New Filmmakers, NY at Anthology Film Archive, NY NY Dallas Video Festival, Dallas Texas Athens Film Festival, Athens OH Dokfest, Kassel Germany Impakt Festival, Utrecht, The Netherlands FFOCOL, Columbus Ohio 2011 Dallas Videofest, Dallas TX Chicago Undergroud Film Festival, Chicago, IL Oberhausen Short Film Festival, Germany Wexner Center For the Arts, Solo Black Box project, Columbus, Ohio 20th Century Independents Series, Wexner Center for the Arts 49th Ann Arbor Film Festival Bard College, Dylan Peet Thesis exhibition Solo Retrospective Screening, Towle Theater, Hammond IN CUFF Salon, Chciago, IL Indianapolis Museum of Contemporary Art, Fast Forward 2010 Ann Arbor Film Festival, Ann Arbor, MI (winner, best narrative) New Filmmaker series, Los Angeles, CA Oberhausen Short Film Festival, Oberhausen Germany Blackbird Salon, Chicago, IL Ribsii Microcinema, reykjavik, Iceland Props Lottery: solo screening, itlooksopen, Columbus Oh Hamburg Short Film Festival, Hamburg Germany Fall Screening Series, Bongout Gallery, Berlin Germany New Filmmakers NY Summer Fest. Anthology Film Archive, NYC Dallas Video Festival, Dallas, TX Impakt Festival, Utrecht, The Netherlands Indie Producer’s Short Film Competition, Los Angeles, CA Solo Gallery Exhibition, Andrew Rafacz Gallery, Chicago, IL Kinosmidja, Reykjvik Art Museum, Iceland Chicago Underground Film Festival, Chicago, IL 2009 Underground Film Festival of Arad/Romania 2008 CUFF/IFP Chicago, Film Festival and Filmmaker’s Summit, Chicago, IL Conversations at the Edge, Gene Siskel Film Center, Chicago, IL Yuerba Buena Center for the Arts, Joanie 4 Jackie Archive Girls On Film, Garage Biennial, San Francisco, CA Wexner Center for the arts, solo screening 2007 Solo screening, Visiting Artist, Ann Hamilton’s Studio Columbus 2006 35th International Film Festival, Rotterdam, Netherlands EMAF, Osnabruck, Germany Seattle International Film Festival, Seattle WA Solo Screening, Conversations at the Edge, SAIC, Chicago, IL Mujeres y Electronica, group screening at La Casa Encendida, Madrid Spain Solo screening, Arizona State University Museum of Art, Tempe, AZ Two-Person screening, Pacific Film Archive, Berkeley, CA Black Maria Film Festival, Jury Citation Award winner, touring Adolescent Boys and Living Rooms, group screening, Aurora Picture Show, Houston, AZ 2005 Solo Screening, San Francisco Art Institute, San Francisco, CA First Person Cinema , solo screening, University of Colorado at Boulder Chicago’s Own, group Screening, Chicago Filmmakers, Chicago, IL 2004 New Media Art Festival, Seoul, Korea Anarchy, Slamdance Film Festival on-line Babylon, Artesantander Art Fair, Santander, Spain Born to be a Star, Kunstlerhaus, Vienna Austria Video Killed the Video Star, Hallwalls, Buffalo, NY Chicago Program, Museum of Contemporary Art, Strasbourg, France San Francisco Video Festival, San Francisco, CA InBetween, Gallery 101, Ottawa, Canada World Wide Video Festival, Amsterdam Holland Good and Bad Things Happen From Explosions, TBA, Chicago, IL DJ Johnny D’s Top of the Pops, Arizona State University Museum of Art, Tempe, AZ Tiny Plastic Rainbow, Solo Screening, Consolidated Works, Seattle, WA I Heart Dick, 1300 Gallery, Cleveland Ohio 2003 Watou, Brussels Belgium, curated by Jan Hoet and Michel DeWilde Printemps Extra-Large, Brussels, Belgium Hamburg Short Film and Video Festival, Hamburg, Germany Chicago Underground Film Festival, Chicago, IL ONVI, Barcelona, Spain EMAF, Osnabruck, Germany DJ Johnnie D’s Top of the Pops, Grand Central Art Center, Santa Ana, CA Studio LoDo, solo screening, Phoenix, AZ Moderna Museet, solo screening, Stockholm, Sweden Konst Museet, solo screening, Boras, Sweden Bild Museet, Umea Universitat, solo screening, Umea, Sweden Chicago’s Own screening at Chicago Filmmakers Race in Digital Space, Museum at Spellman College, curated by Erika Muhammed Works on Paper, Julia Friedman Gallery, Chicago, IL Pacific Film Archive, San Francisco, CA Bamboo Theatre, solo screening, Milwaukee, WI 2002 Here and Now, F/V screening, Chicago Cultural Center, Chicago, IL Museo Tamayo Arte Contemporaneo, Mexico City DoubleHeart/Hear the Art, Kunsthalle Exnergasse, Austria NYVF, The Lincoln Center, NYC Onion City Film Festival, Chicago, Il Occularis, Brooklyn, NY LadyFest, program curated by Astria Suparak, San Francisco, CA Solo Exhibition, Ambrosino Gallery, Project Room, Miami, FL Video with Headphones, Ukranian Institute of Modern Art, Chicago, IL Cheekwood Museum of Art, Nashville, TN Taos Talking Pictures, Taos, NM The Jennifer Show, Oakville Gallery, Toronto, Canada Word, Diverse Works, Houston, TX The Music Never Ends, touring program If 6 were 9, Ambrosino Gallery, Miami, FL 2001 Video Jam, The New York Center for Media Arts, NY I Feel a Song Coming Along, Kunstverien, Dusseldorf, Germany Common Culture, Spruill Art Center, Atlanta, GA 5th Graz Biennnial on Media and Architecture, Austria Solo Exhibition, Julia Friedman Gallery, Chicago, IL SoundImageVideoObject, Donald Young Gallery, Chicago, IL (group show) Video Jam, Palm Beach Institute of Contemporary Art, Florida MIX Festival, NYC Cyber Body, My Space, ArtToday Lab, Plovdiv, Bulgaria NYVF, Lincoln Center, NYC Sara Meltzer Gallery, NY, NY Not Quite Myself, Arizona State Museum of Art, Tempe WWVF, Arti et Amicitiae, Amsterdam, Holland TBA, solo exhibition, Chicago, IL Face to Face, Aeroplastics, Brussels, Belgium Videoformes, Festival, France Chicago Filmmakers, Chicago, IL 2000 From Steel to Flesh, University Gallery, Gary Indiana Anthology Film Archive, NY, NY ATA, solo screening, San Francisco, CA WORM, Rotterdam, Netherlands Body as Byte, Kunstmuseum, Luzern, Switzerland ArtMiami, Miami, FL Viennale, Vienna Austria Pleasure Dome, Toronto, Canada Chemical Suzy, Hong Kong Havana Biennale, Cuba Pacific Film Archive, San Francisco, CA LA Freewaves, Los Angeles CA Whitney Biennial, Whitney Museum of American Art, New York, NY Cinematheque, San Francisco, CA INOVA, Fall Exhibition, Milwaukee WI Video/Culture, National Gallery, Washington DC Anthology Film Archive, NY, NY Hallwalls, solo screening, Buffalo, NY Society of the Spectacle, Cleveland Museum of Art, Ohio Circles of Confusion, Berlin Germany Performance Anxiety, NYUFF, New York, NY Pop Unlimited, Oberhausen, Germany TV/Voyeur Pratt Institute, New York Pretend TV, La Panaderia, Mexico City In the Middle of Nowhere, Center for the Arts, San Francisco, CA Photography 3000, Dogmatic Gallery, Chicago, IL Prophecies, The Swiss Institute, New York, NY Shifting Positions, Cultural Center, Chicago, IL 1999 Manly, Art in General, New York, NY See Me, Hear Me, The Hague Museum (Armory), The Hague, The Netherlands Society of the Spectacle, The Wexner Center for the Arts, Columbus, The Everson Museum of Art (solo screening), Syracuse, NY World Wide Video Festival, Stedlijk Museum, Amsterdam, Netherlands 48th International Venice Biennale, (Videolounge), Venice, Italy Switchblade Sisters The Lux Centre, London England The Secret History Chicago Project Room (solo exhibition), Chicago, All Girls All Live Bodybuilder Gallery, Chicago, IL Dusk, Center of Contemporary Art, Seattle, WA Smart Project Space, Amsterdam, Netherlands New York Video Festival at Lincoln Center, New York, NY Generation Z at P.S. 1, Long Island City, NY Wroclaw Biennale, Wroclaw, Poland Dallas Video Festival, Dallas, TX Impakt Festival, Utrecht Netherlands Cockfight MWMWM Gallery (solo exhibition), New York, NY Pretend TV Hermetic Gallery, Milwaukee, WI 1998 Second Nature at the UCLA Art Gallery, Los Angeles, CA Mostra Video, Canary Islands, Spain LA Freewaves at MOCA, Los Angeles, CA Scope 3 at Artists Space, New York, NY Video Room, New York, NY Chicago Filmmakers, Chicago, IL Third Text at MassArt, Boston, MA 1997 Museum of Contemporary Art, (solo screening), Barcelona, Spain MA Contemporary Art, Los Angeles, CA Documentarfilm Videotheque, Kassel, Germany Champ Libre Festival, Montreal, Canada Directors Guild of America, Los Angeles, CA World Wide Video Festival, the Stedelijk Museum, Amsterdam, The Netherlands TransMedia, Berlin, Germany Alienchicks at PleasureDome, Toronto, Canada Mostravideo at the Museum of Contemporary Art, Barcelona, Spain Impakt Festival, Utrecht, The Netherlands Rotterdam Arts Council, Rotterdam, Netherlands Home Girls at The Walker Art Center, Minneapolis, MN 1996 Videolounge at The Knitting Factory, New York, NY Little Tiny at The Wexner Center for the Arts, Columbus, OH LA Freewaves at The Museum of Contemporary Art, Los Angeles, CA Out Fest at The Directors Guild of America, Los Angeles, CA Lesbian Genders at The Whitney Museum of American Art, NY Selected bibliography White Trash: Race and Class in America,:An Interview with White Trash Girl (Jennifer Reeder) By Laura Kipnis edited by Matt Wray and Anna Lee Newitz Routledge Press. 1997 Talkin’ Trash with White Trash Girl: an interview with Jennifer Reeder F Magazine 1997 Getting Credit for Being White by Margeret Talbot, New York Times Magazine Maverick an Interview with John Newlin, Rage Magazine Super Sleaze an Interview by Jeremy Lehrer, The Chicago Reader 1998 On Whiteness, Joseph Gallivan HQ Magazine Get Whitey by Chris Rapp, Heterodoxy March 1999 Renegade Sisters: Girl Gangs on Film, Barbara Zalcock New Art Examiner, Review of show at the Chicago Project Room 2000 Art In America, Review of show at MWMWM Gallery Time Out New York, Review of Manly at Art in General ArtForum, The List ArtForum, The Max Factor New York Arts Magazine, Manly review Bust Magazine, review of work Ahead Magazine, Who’s Who in Chicago 2001 New Art Examiner, exhibition review, September 10x10, exhibition review, September ArtForum, exhibition review, December 2003 Chicago Tribune, feature story by Etelka Lohoskhy, July New City, Cover Story by Ray Pride, August 2007 Columbus Dispatch, Supporting Player Frank Gabrenya, August 2008 Columbus Dispatch, Frank Gabrenya, February 2011 614 Magazine, Josh Rea interview March Columbus Dispatch, March 2012 Bad at Sports, interview at ArtExpo Chicago 2013 Co-Producers, interview online Selected awards/residencies 2014 Nominee, Tiger Award Competition, IFF Rotterdam 2012 Nominee, A-38 Award, Dokfest, Kassel Germany 2011 Finalist, Creative Capital Grant Dean’s Prize, UIC College of Architecture and Art 2010 Winner, Best Narrative, Ann Arbor Film Festival, Michigan Efroymson Fellow Media Arts Residency, Wexner Center for the Arts, Columbus OH 2009 Dean’s Prize, College of Arch and Art, UIC USA Fellowship, nominee 2008 Rockefeller Foundation Media Arts Fellowship, nominee 2007-2008 Artist in Residence Award, Wexner Center for the Arts, Columbus, OH Jury Citation Award, Black Maria Film Festival Artist-in-Residence, BAVC, SFAI and Rearden Studio, San Francisco, CA, 2005 2005 AIVF Screenwriters Mentorship Program, NYV Nomination 2004 Richard H. Driehaus Foundation Artist Award 2003 Best Narrative Feature, CUFF, Tiny Plastic Rainbow 2002, 2003 Artist in Residence, the Wexner Center for the Arts, Columbus Ohio Nomination 2002 Rockefeller Grant for New Media Nomination 2001 Louis Comfort Tiffany Foundation Award Nomination 2001 Rockefeller Grant for Film and Video Nomination 2000 Rockefeller Grant for Film and Video Nomination 1996 International Award for Video Art, ZKM, KarlsRuhe, Germany James Nelson Raymond Fellowship Prize for Tomorrow Cinema, Mondial Festival, Brussels, Belgium Nominated, 1997 Art Matters grant Award for Short Subject, Chicago International Film Festival, Chicago, IL

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