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blinkvideo - research of video art, performance and multimedia installations.

NEW: Favorites curated by blinkvideo users

What do you like? Over the next few months, we will be showing here selections of works, compiled by you, as a blinkvideo user.

Jeroen Van Den Tempel: I'm fascinated by video's which invite me to watch out of my framework of daily existence, of my perception of time and space. Which remind me of the real nature of reality, which is streaming. All form is temporary. I’m really intrigued when a universal issue is combined with an issue from daily life. Jeroen van den Tempel

Do you have any favorites on blinkvideo ? Or would you like to focus attention on some video works? Or would you like to compile and show videos on a specific topic? You can do so with the new tool on blinkvideo.
Create a favorites list as follows: When you're logged in, a little sign "add to favorite list" will appear below each video. With the click on it, you add the film to your favorites list. When you have collected all the works, open your favorites list and you can share the list with blinkvideo. We will then receive a message and put the compilation online.
We are very curious about your selection!

Nadja Verena Marcin - OPHELIA
Stadtgalerie in Saarbrücken, Germany. 2019

OPHELIA is an interdisciplinary performance that is presented in the Stadtgalerie Saarbrücken as a live action and subsequently as a video installation. It reflects the human-induced destruction of nature and creates references to art, literature and science. Dressed in "Ophelia's" dress and equipped with a diving device, Nadja Verena Marcin will climb into an aquarium and try under water to read the text "The Werld" by Daniil Kharms about human perception.
Image: © Nadja Verena Marcin

Igor Simić - WELTSCHMERZ 
at Galerie Beckers, Frankfurt

The exhibition WELTSCHMERZ shows new works by Serbian artist Igor Simic, which he created in connection with his iOS game Golf Club: Wasteland. For this game he and his award-winning gaming and film company Demagog Studio developed a whole world — a storyline with characters and various landscapes — in a post-apocalyptic scenario. The eerie atmosphere of the carefully crafted visual scenery is accompanied by slow paced, nostalgic, sometimes almost chilling music that evokes the feeling of longing for something lost.
Image: © Igor Simić

Fuzzy dark spot
Video art from Hamburg

The exhibition FUZZY DARK SPOT curated by the Hamburg-based video artist Wolfgang Oelze, at the Falckenberg Collection brings together 56 video works by over 30 mostly Hamburg-based artists ranging from the 1970s to the present day, featuring historical and contemporary productions in both thematic and monographic groups.
image: © Stefan Panhans

REFRACTED REALITIES at VIDEONALE.17

In optics, “refraction” refers to the bending of a beam of light, a change in direction which occurs at the moment when it passes from one medium to another. Through refraction, the light wave alters course, changing the way we perceive the objects it illuminates in the process. This optical deviation requires us to repeatedly correct our gaze, comparing the beginning and end points of our perception with reality, and bringing the object we see clearly into focus. In its figurative sense, refraction refers to a critical reflection on the means and channels of visualization, and by extension the possibility of a rearticulation of our view of things – how they are, were, or apparently always have been.
Image: © Sohrab Hura

Featured videos

Annegret Soltau
Schwanger-Sein I, 1977/78

"My pregnancies in 1978 and 1980 became an important theme for me. This personal experience yielded pictures in which I once again used myself as a model, this time myself in the process of being pregnant. The fear that my role as a mother could jeopardize my life as an artist inspired me to create a great many photos and videos. At this point I was preoccupied with the question of how women combine creativity and motherhood.“ (Annegret Soltau)

Tobias Yves Zintel
Breed and Educate, 2018

The Film Breed and Educate is based on a collaborative performance with a class from the Hector-Peterson-Schule Berlin Kreuzberg and the HAU. In numerous task based rehearsals eight pupils between 11 and 13 years explored the possibilties of self-education. Based on various materials from found footage to documentary and staged scenes the film circles around the relationship of controlling and self-empowerment in educational systems. Breed and Educate is circling around the question of how lessons should be organised in times of network and algorthim-based learning. Algorithms and neuronal networks have to master problems only once, after they achieved their goal, results can be duplicated and copied any number of times. Kids on the other hand side have to learn everything step by step, the accumulated knowlede can’t be transfered from on kid to the other by „copy and paste“. An allopoetic system is a trivial system, which can be potentially fully explored, controlled and operated by an observer. With a similar theory in mind, the Prussians started to organise schooling in 1717, to prepare pupils for the Prussian Military Academy. What happens almost 300 years later in a school in Berlin, when the relationship between control and self-empowerment is inverted by postmigrant pupils who breed robots, are educated by them and vice versa? “ In Breed and Educate an automated dionsaur is introduced by a twelfe year old boy: “It’s easily trainable”. While he explains the mode of operation, one sees the parallels: the school wouldn’t have any problems with pupils equipped with a suitable operating system downloaded from the internet. Sounds like an uncanny utopia.” (Katrin Bettina Müller)

Lene Markusen
Grad, 2004

Dieter Kiessling
60 Minutes 360 Degrees GK 2010, 2010

A boy is portrayed with a video camera for an hour on a tennis court.During this time the camera turns through 360 degrees. Meanwhile, the whole space is recorded piece by piece. The boy follows the camera movement slowly thus remaining constantly in the centre of the picture.

Clemens von Wedemeyer
Silberhöhe, 2003

In Halle-Silberhöhe in East Germany, the camera records peri-urban area architecture, prefabricated buildings that are deserted and destined to be demolished. The commentary evokes a film editing technique used by Michelangelo Antonioni in his film, L’Eclisse (1962).

Janet Biggs
Fade to White, 2010

In Fade to White, Biggs delves into the desire to explore remote lands. To create this work, the artist embarked on an expedition in the high Arctic, traveling aboard an ice-class, 2-masted schooner, built in 1910. During the voyage, Biggs filmed Fade to White, focusing on a crew member as he navigated the ship through iceberg filled seas, and paddled a kayak past glacier walls and polar bears. As she photographed the explorer, Biggs tested her own will and endurance. The visual tension of her uncompromising imagery bespeaks their mutual struggle to maintain balance and purpose. Yet, the video also reveals the myth of the solitary white male explorer. Biggs explains, "The desire to hold onto the notion of the 'great white north' as a blank space awaiting interpretation only reinforces the idea of the colonial polar hero. The 'virgin' north has now been mapped, surveyed, and mined, but increased knowledge has not replaced endless fantasies of discovery." Loss and change are implicit in the video's title, Fade to White, which refers to an editing technique used to evoke death or transcendence. Biggs integrated her Arctic imagery with sound and video footage of counter tenor John Kelly, whose age, androgyny, and mournful voice parallel the vanishing Arctic landscape and signal the waning of male dominance.

Rebecca Ann Tess
The Tallest, 2014

The »The Tallest« shows pictures shot on-site of the currently tallest buildings in the world. The high-rises are shown as set pieces of global capitalism, visually disappearing into abstraction. The reduced images are reminding of 3D rendering. The simulated image of these buildings circulates in the media for representational and advertising purposes, becomes a substantial object and the actual spatiality becomes a mockup. The narration is undertaken by a computer voice, it describes the competition for the tallest tower at such divers places as Chicago, Dubai, Hong Kong, Kuala Lumpur, Mecca, Nanjing, New York City, Seoul, Shanghai, Shenzhen, Songdo and Taipei.

Johanna Reich
LIGHT ON BLACK ON WHITE HOMAGE TO MALEVICH, 2015

A moving digital light drawing illuminates a white wall. A hand painting a black square on the white surface becomes visible. At the same time the light drawing is painting a light square. In the end the light of the digital light square illuminates the finished black oil painting.

Critics’ Pick: Vienna by Nicole Büsing + Heiko Klaas

The group show “Antarctica. An Exhibition on Alienation” was presented in Vienna during the past winter season. Departing from a note written by the Italian cult director Michelangelo Antonioni referring to a potential glacier melting in the Antarctica and a hint to a film, the two curators from the Kunsthalle Wien, Vanessa Joan Müller and Nicolaus Schafhausen, conceived an exhibition on the topic of alienation and contemporary art. The focus was on the latest contemporary photography and video art by the younger generation of artists.
Image: © Isabella Fürnkäs

Expanding Bauhaus.
New Reflections on the Bauhaus Movement in Time-Based Media Art
/ Goethe Institute Netherlands

A screening series selected by Elke Kania (Cologne), Julia Sökeland (Hamburg) and Ludwig Seyfarth (Berlin)

With its combination of various arts such as painting, photography film, architecture, fashion, product and interior design and textile art, the Bauhaus is still considered the epitome of a technologically advanced modernity. Last but not least, the attempt to create the whole society aesthetically, inspired many artists worldwide.
Image: © Adnan Softic

Johan Grimonprez

Johan Grimonprez’s critically acclaimed work dances on the borders of practice and theory, art and cinema, documentary and fiction, demanding a double take on the part of the viewer. Informed by an archeology of present-day media, his work seeks out the tension between the intimate and the bigger picture of globalization. It questions our contemporary sublime, one framed by a fear industry that has infected political and social dialogue. By suggesting new narratives through which to tell a story, his work emphasizes a multiplicity of realities.
image: © Johan Griminprez

Christoph Faulhaber: Revolution & Architecture

With "Revolution & Architecture" Christoph Faulhaber (* 1972 in Osnabrück, lives in Hamburg) conceives, builds, designs and opens a whole series of very different rooms in the Kunsthalle Osnabrück. In order to discover the revolutionary aspect of these "architectures", one has to look at the social implications of interior design in general. In the forum the visitor then enters Faulhaber's cinematic autobiography "Every Picture is an Empty Picture" as in the eye of the cyclone: The work is split into 15 individual films and surrounds the visitor in a circle.
Image: © Christoph Faulhaber

Stiftung imai – inter media art institute

The Düsseldorf based foundation imai – inter media art institute was founded in 2006 in order to establish an institution in Germany dedicated to the distribution and preservation of media art and associated activities.
Image: © Marcel Odenbach

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Manuel Graf

Works


Galleries

VAN HORN
Daniela Steinfeld
Ackerstrasse 99
40233 Düsseldorf
Germany

Phone: +49-211-5008654
E-Mail: info@van-horn.net




Biography

Born 1978 in Bühl (Baden)
Lives and works in Düsseldorf

Education

1999-2005V Kunstakademie Düsseldorf, Akademiebrief

Solo exhibitions / solo screenings

2015
Modell Kunstverein, Doppelgaenger - Twodo Project, NAK - Neuer Aachener Kunstverein, Aachen, DE

2014
Your Doppelgaenger, VAN HORN, Düsseldorf, DE
Rapid Art, Sammlung Ludwig, Bamberg, DE

2013
Commercials, Mosques & Ceramics, Kunsthaus Baselland; Basel, CH (Cat.)

2012
Ils Sont Fous Ses Romains!, Hamburger Kunstverein (catalogue in collaboration with Kunsthaus Baselland.)
Eine andere Geschichte der Madame Dogdo, VAN HORN, Düsseldorf
Museum Glaskasten, Marl
Videoart at Midnight, Babylon, Berlin
dschami (Freitagsmoschee), Café Baltic Bar, Vitrine Gleis 1/2, S-Bahnhof Hamburg Altona, curated by Annette Hans

2011
Mediterraneo, VAN HORN, Düsseldorf
Gaudel de Stampa, Paris

2010
Etablissement d'en Face, Brüssel
Julia Stoschek Collection, Düsseldorf
Haus der Kunststiftung, Stuttgart
Buchtipp 2, Johann König, Berlin

2009
Buchtipp, VAN HORN, Düsseldorf

2008
Que-ce que c'est, la maturité, Johann König, Berlin

2007
Er liebte die Falter, die Blumen und Kinder, Kunstverein Göttingen, kuratiert von Bernd Milla
New Tribune, Kollaboration mit Rita McBride, General Public, Berlin

2006
Über die aus der Zukunft fliessende Zeit \ Woher kommt die Kunst? Oder: Die Blüte des Menschen,
MuseumX/Museum Abteiberg, Mönchengladbach, kuratiert von Susanne Titz
Über die aus der Zukunft fliessende Zeit, VAN HORN , Düsseldorf
Screening IV, Manuel Graf, Julia Stoschek Collection, Düsseldorf

2005
Ping Pong , Johann König, Berlin

2004
Buero DC, Köln (mit M.Stricker), kuratiert von Kathleen Rahn
Angelus Novus, Galerie Ruzicska-Weiss, Düsseldorf

2003
Je t'embrasse, Galerie Anna Klinkhammer, Düsseldorf (with S. Hemmer)

2002
Manuel Graf & Simon Hemmer, Galerie Anna klinkhammer, Düsseldorf

Group exhibitions / screenings

2014
@theshrink, shaynaynay, Paris, France

2013
Transfer, National Museum of Contemporary Art / Alternative Space Loop / Arko Art Center, Seoul, Korea
Transfer, Kunsthalle Düsseldorf, Düsseldorf, DE (catalogue)
Combination, Arko Art Center, Seoul, Korea
Risk Society, MOCA Museum of Contemporary Art, Taipei, Taiwan, curated by Melanie Bono
Transfer NRW/Korea, different institutions in Korea and NRW (cat.)
Lonelyfingers, Museum Abteiberg, Mönchengladbach, a project by Diango Hernandez 9 Video Weekends, Museum Kunstpalast, Düsseldorf, DE

2012
How to dream otherwise, Art Space Geumcheon, Seoul, Korea
The Themersons, ICA, London, UK
ARTE Video-night, Palais de Tokyo, Paris, France
verlangsamte performance, curated by Wilhelm Schürmann, VAN HORN, Düsseldorf (cat.)

2011
Vollendet das ewige Werk, Sammlung Rheingold in Schloss Dyck (Cat.)
Beyond Gestaltung, Bielefelder Kunstverein, Bielefeld, DE
Rudolf Steiner and Contemporary Art, DOX, Center for Contemporary Art, Prague (Cat.)
Kosmos Rudolf Steiner, Kunstmuseum Stuttgart (Cat.)
Stipendiatenausstellung, Kunstverein für die Rheinlande und Westfalen, Düsseldorf

2010
Galerie Joanna Kamm, Berlin
Kunstverein Langenhagen
Jousse Entreprise, Paris
Rudolf Steiner und die Kunst der Gegenwart, Kunstmuseum Wolfsburg (cat.)

2009
Ars Viva - Mise en scène, Augarten Contemporary, Wien und Museum Abteiberg, Mönchengladbach

2008
Julia Stoschek Collection at Pinchuk Art Center, Kiew, Ukraine
When a clock is seen from the side it no longer tells the time, Johann König, Berlin
Ars Viva - Mise en scène, Museum im Kulturspeicher, Würzburg
Video: Düsseldorf / Riga, LCCA, Riga, Litauen u.a. mit Corinna Schnitt
VIDEO KOOP, Die Julia Stoschek Collection im KiT, Düsseldorf (mit u.a. A.Bunte, A.Korte, J.Wagner)
Mode und Verzweiflung, MQ, Wien, A
Établissement d'en face, Brüssel, B
50 Jahre Förderpreis für Bildende Kunst NRW, Kornelimünster, Aachen
Galerie Meyer-Kainer, Wien, A

2007
Housetrip, Art Forum Berlin kuratiert von Ami Barak
Point de vue, Kunstverein Nürnberg (mit Bojan Sarcevic, Alexander Lieck und Monika Stricker), kuratiert von Kathleen Rahn
The present order is the disorder of the future, Frans Hals Museum/ De Hallen, Haarlem, NL (mit Pablo Bronstein, Torsten Slama, Tris Vonna-Michell u.a.) kuratiert von Xander Karskens
Spektakel und Situation, Sommerakademie, Paul Klee Zentrum, Bern, CH
Destroy, she said, Julia Stoschek Collection, Düsseldorf
Screening 1, Karma International, Zürich (mit Andrea Fraser, Corinna Schnitt, Olaf Breuning, Jordan Wolfson, Bethan Huws)
Woher kommt die Kunst ? Oder: Die Blüte des Menschen, VAN HORN, Open Space, Art Cologne

2006
Kunst/Fiktion - Sanat/Kurgu, Besiktas Cagdas, Istanbul, TUR (mit Michael Hakimi, Jens Ullrich, Christian Jendreiko, ...) cat.
Urban Condition, Museum de Paviljoens, Almere, NL (mit Carsten Höller, Jakob Kolding, Gabriel Leister, Lonnie van Brummelen, ...)
Von Erde schöner, Galerie Kugler, Innsbruck (mit Peter Piller, Sonja Feldmeier, Sigi Hofer) kuratiert von Veit Loers
Inaugural Exhibition, Johann König, Berlin
1000 Jahre sind ein Tag, Kunstverein für die Rheinlande und Westfalen, Düsseldorf im Rahmen der Ausstellung von Amelie von Wulffen

2005
Regarding Düsseldorf I , 701 e.V. , kuratiert von Pia Witzmann

2004
The End, Galerie Ruzicska-Weiss, Düsseldorf

2003
Springbrunnenwettbewerb, Mouson-Turm, Frankfurt a.M.

2002
Klasse Jetelova, NCCA, Moscow; Kunstverein Wilhelmshöhe, Ettlingen

Awards / grants

2002 travel grant, Kunstakademie Düsseldorf
2003 Studienstiftung des Deutschen Volkes
2004 Reisestipendium, Kunstakademie Düsseldorf
2006 Arbeitsstipendium/working grant, Kunststiftung NRW
2007 Förderpreis für junge Kunst des Landes NRW
2008 Arbeitsstipendium/working grant, Kunststiftung NRW
Residency, MuseumsQuartier, Wien
2008/2009 ars viva Preisträger (mit Keren Cytter, Simon Dybbroe Møller, Tris Vonna-Mitchell)
2009 Kunststiftung Baden-Württemberg
Grafikpreis des Landes NRW
Artist in Residence, Kunststiftung NRW, Istanbul
2010 Artist in Residence, Cité des Arts, Paris
Audi Art Award
2013 Residency Internationales Künstlerhaus Villa Konkordia, Bamberg
2014 Nam June Paik advancement award014

Public collections

Museum Abteiberg, Mönchengladbach
Museum Kunstpalast, Düsseldorf
Skulpturenmuseum Glaskasten, Marl
LWL - Landesmuseum für Kunst und Kulturgeschichte, Münster
Sammlung des Landes NRW, Kornelimünster, Aachen
Hypo Vereinsbank - Member of UniCredit, München
Julia Stoschek Collection, Düsseldorf
Sammlung Rheingold, Düsseldorf
Sammlung Philara, Düsseldorf

Manuel Graf
Born 1978 in Bühl (Baden) Lives and works in Düsseldorf Education 1999-2005V Kunstakademie Düsseldorf, Akademiebrief Solo exhibitions / solo screenings 2015 Modell Kunstverein, Doppelgaenger - Twodo Project, NAK - Neuer Aachener Kunstverein, Aachen, DE 2014 Your Doppelgaenger, VAN HORN, Düsseldorf, DE Rapid Art, Sammlung Ludwig, Bamberg, DE 2013 Commercials, Mosques & Ceramics, Kunsthaus Baselland; Basel, CH (Cat.) 2012 Ils Sont Fous Ses Romains!, Hamburger Kunstverein (catalogue in collaboration with Kunsthaus Baselland.) Eine andere Geschichte der Madame Dogdo, VAN HORN, Düsseldorf Museum Glaskasten, Marl Videoart at Midnight, Babylon, Berlin dschami (Freitagsmoschee), Café Baltic Bar, Vitrine Gleis 1/2, S-Bahnhof Hamburg Altona, curated by Annette Hans 2011 Mediterraneo, VAN HORN, Düsseldorf Gaudel de Stampa, Paris 2010 Etablissement d'en Face, Brüssel Julia Stoschek Collection, Düsseldorf Haus der Kunststiftung, Stuttgart Buchtipp 2, Johann König, Berlin 2009 Buchtipp, VAN HORN, Düsseldorf 2008 Que-ce que c'est, la maturité, Johann König, Berlin 2007 Er liebte die Falter, die Blumen und Kinder, Kunstverein Göttingen, kuratiert von Bernd Milla New Tribune, Kollaboration mit Rita McBride, General Public, Berlin 2006 Über die aus der Zukunft fliessende Zeit \ Woher kommt die Kunst? Oder: Die Blüte des Menschen, MuseumX/Museum Abteiberg, Mönchengladbach, kuratiert von Susanne Titz Über die aus der Zukunft fliessende Zeit, VAN HORN , Düsseldorf Screening IV, Manuel Graf, Julia Stoschek Collection, Düsseldorf 2005 Ping Pong , Johann König, Berlin 2004 Buero DC, Köln (mit M.Stricker), kuratiert von Kathleen Rahn Angelus Novus, Galerie Ruzicska-Weiss, Düsseldorf 2003 Je t'embrasse, Galerie Anna Klinkhammer, Düsseldorf (with S. Hemmer) 2002 Manuel Graf & Simon Hemmer, Galerie Anna klinkhammer, Düsseldorf Group exhibitions / screenings 2014 @theshrink, shaynaynay, Paris, France 2013 Transfer, National Museum of Contemporary Art / Alternative Space Loop / Arko Art Center, Seoul, Korea Transfer, Kunsthalle Düsseldorf, Düsseldorf, DE (catalogue) Combination, Arko Art Center, Seoul, Korea Risk Society, MOCA Museum of Contemporary Art, Taipei, Taiwan, curated by Melanie Bono Transfer NRW/Korea, different institutions in Korea and NRW (cat.) Lonelyfingers, Museum Abteiberg, Mönchengladbach, a project by Diango Hernandez 9 Video Weekends, Museum Kunstpalast, Düsseldorf, DE 2012 How to dream otherwise, Art Space Geumcheon, Seoul, Korea The Themersons, ICA, London, UK ARTE Video-night, Palais de Tokyo, Paris, France verlangsamte performance, curated by Wilhelm Schürmann, VAN HORN, Düsseldorf (cat.) 2011 Vollendet das ewige Werk, Sammlung Rheingold in Schloss Dyck (Cat.) Beyond Gestaltung, Bielefelder Kunstverein, Bielefeld, DE Rudolf Steiner and Contemporary Art, DOX, Center for Contemporary Art, Prague (Cat.) Kosmos Rudolf Steiner, Kunstmuseum Stuttgart (Cat.) Stipendiatenausstellung, Kunstverein für die Rheinlande und Westfalen, Düsseldorf 2010 Galerie Joanna Kamm, Berlin Kunstverein Langenhagen Jousse Entreprise, Paris Rudolf Steiner und die Kunst der Gegenwart, Kunstmuseum Wolfsburg (cat.) 2009 Ars Viva - Mise en scène, Augarten Contemporary, Wien und Museum Abteiberg, Mönchengladbach 2008 Julia Stoschek Collection at Pinchuk Art Center, Kiew, Ukraine When a clock is seen from the side it no longer tells the time, Johann König, Berlin Ars Viva - Mise en scène, Museum im Kulturspeicher, Würzburg Video: Düsseldorf / Riga, LCCA, Riga, Litauen u.a. mit Corinna Schnitt VIDEO KOOP, Die Julia Stoschek Collection im KiT, Düsseldorf (mit u.a. A.Bunte, A.Korte, J.Wagner) Mode und Verzweiflung, MQ, Wien, A Établissement d'en face, Brüssel, B 50 Jahre Förderpreis für Bildende Kunst NRW, Kornelimünster, Aachen Galerie Meyer-Kainer, Wien, A 2007 Housetrip, Art Forum Berlin kuratiert von Ami Barak Point de vue, Kunstverein Nürnberg (mit Bojan Sarcevic, Alexander Lieck und Monika Stricker), kuratiert von Kathleen Rahn The present order is the disorder of the future, Frans Hals Museum/ De Hallen, Haarlem, NL (mit Pablo Bronstein, Torsten Slama, Tris Vonna-Michell u.a.) kuratiert von Xander Karskens Spektakel und Situation, Sommerakademie, Paul Klee Zentrum, Bern, CH Destroy, she said, Julia Stoschek Collection, Düsseldorf Screening 1, Karma International, Zürich (mit Andrea Fraser, Corinna Schnitt, Olaf Breuning, Jordan Wolfson, Bethan Huws) Woher kommt die Kunst ? Oder: Die Blüte des Menschen, VAN HORN, Open Space, Art Cologne 2006 Kunst/Fiktion - Sanat/Kurgu, Besiktas Cagdas, Istanbul, TUR (mit Michael Hakimi, Jens Ullrich, Christian Jendreiko, ...) cat. Urban Condition, Museum de Paviljoens, Almere, NL (mit Carsten Höller, Jakob Kolding, Gabriel Leister, Lonnie van Brummelen, ...) Von Erde schöner, Galerie Kugler, Innsbruck (mit Peter Piller, Sonja Feldmeier, Sigi Hofer) kuratiert von Veit Loers Inaugural Exhibition, Johann König, Berlin 1000 Jahre sind ein Tag, Kunstverein für die Rheinlande und Westfalen, Düsseldorf im Rahmen der Ausstellung von Amelie von Wulffen 2005 Regarding Düsseldorf I , 701 e.V. , kuratiert von Pia Witzmann 2004 The End, Galerie Ruzicska-Weiss, Düsseldorf 2003 Springbrunnenwettbewerb, Mouson-Turm, Frankfurt a.M. 2002 Klasse Jetelova, NCCA, Moscow; Kunstverein Wilhelmshöhe, Ettlingen Awards / grants 2002 travel grant, Kunstakademie Düsseldorf 2003 Studienstiftung des Deutschen Volkes 2004 Reisestipendium, Kunstakademie Düsseldorf 2006 Arbeitsstipendium/working grant, Kunststiftung NRW 2007 Förderpreis für junge Kunst des Landes NRW 2008 Arbeitsstipendium/working grant, Kunststiftung NRW Residency, MuseumsQuartier, Wien 2008/2009 ars viva Preisträger (mit Keren Cytter, Simon Dybbroe Møller, Tris Vonna-Mitchell) 2009 Kunststiftung Baden-Württemberg Grafikpreis des Landes NRW Artist in Residence, Kunststiftung NRW, Istanbul 2010 Artist in Residence, Cité des Arts, Paris Audi Art Award 2013 Residency Internationales Künstlerhaus Villa Konkordia, Bamberg 2014 Nam June Paik advancement award014 Public collections Museum Abteiberg, Mönchengladbach Museum Kunstpalast, Düsseldorf Skulpturenmuseum Glaskasten, Marl LWL - Landesmuseum für Kunst und Kulturgeschichte, Münster Sammlung des Landes NRW, Kornelimünster, Aachen Hypo Vereinsbank - Member of UniCredit, München Julia Stoschek Collection, Düsseldorf Sammlung Rheingold, Düsseldorf Sammlung Philara, Düsseldorf

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