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blinkvideo - research of video art, performance and multimedia installations.

blinkvideo - research of video art, performance and multimedia installations.


Moving Images / Moving Bodies
Online screening programme in cooperation
with the Goethe-Institut Bulgaria

Curated by Ludwig Seyfarth

Research into the human body and interpersonal relationships remain central themes in video and moving image art. Artists from Bulgaria and Germany, whose work is related in content, will be shown in pairs over the next weeks. The exhibition planned for November 2020 in Sofia has been postponed until 2021. Instead, a consecutive presentation of selected films by artists from Moving Bodies/Moving Images is presented on blinkvideo.
image: © Elitsa Dimitrova

Shooting Ghosts
Online screening programme in cooperation
with the Goethe-Institut Bulgaria

Curators: Kalin Serapionov, Krassimir Terziev

What we propose in this programme is a highly subjective and fragmented view on current practices in moving image in the Bulgarian art scene. We focused on practices that show affinity with speculative narratives - narratives that not just record what is in front of the cinematic eye, but also capture all the ghosts that are unreachable by the apparatus, thus projecting speculative views that intend not merely to describe, but to transform the world.
image: © Veneta Androva

Moving Images / Moving Bodies

 ‘Moving Images Bulgaria-Germany’ is a project by Goethe-Institut Bulgaria, that includes various online and offline initiatives, starting in November 2020. The online program, realised in partnership with blinkvideo, will consist of two curated programmes: “Moving Images / Moving Bodies”, curated by Ludwig Seyfarth, and “Shooting Ghosts”, curated by Krassimir Terziev and Kalin Serapionov.

First the programme “Shooting Ghosts” will give a selected overview of video art in Bulgaria in general. The programme will be accompanied by an in-depth essay by Krassimir Terziev as well as texts by different authors or the artists themselves on individual films.

Critics’ Pick: Vienna by Nicole Büsing + Heiko Klaas

The group show “Antarctica. An Exhibition on Alienation” was presented in Vienna during the past winter season. Departing from a note written by the Italian cult director Michelangelo Antonioni referring to a potential glacier melting in the Antarctica and a hint to a film, the two curators from the Kunsthalle Wien, Vanessa Joan Müller and Nicolaus Schafhausen, conceived an exhibition on the topic of alienation and contemporary art. The focus was on the latest contemporary photography and video art by the younger generation of artists.
Image: © Isabella Fürnkäs

UNSTILLED LIFE: Artist Animations 1980-2020
Curated by Emma Cousin and Paul Carey-Kent

Why this show, here and now? British artist-curator Emma Cousin and writer-curator Paul Carey-Kent recently pulled together a choice of artist animations, thinking that the increasingly vibrant medium is especially suited to the online emphasis of the locked down art world of 2020. Three of them turned out to be represented by Ron Mandos, making the Amsterdam gallery ideal hosts. The cast is international, and to reflect that Tintype gallery in London and Hamburg’s blinkvideo have joined in with variations on the programme. 
Markus Vater Worlds don’t come easy, 2020

Something Between Us
KAI 10 | ARTHENA FOUNDATION, Düsseldorf

The exhibition „Something Between Us“ focuses on both our contemporary lives and the anthropological constants of interpersonal dealings: love, empathy, security, care and safety on the one hand, and hate, role fixation, dependency, reprimand and exclusion on the other. Something Between Us asks how these structures of togetherness are changing in our digital era.
Thomas Taube OCCIDENT, 2020

REFRACTED REALITIES at VIDEONALE.17

In optics, “refraction” refers to the bending of a beam of light, a change in direction which occurs at the moment when it passes from one medium to another. Through refraction, the light wave alters course, changing the way we perceive the objects it illuminates in the process. This optical deviation requires us to repeatedly correct our gaze, comparing the beginning and end points of our perception with reality, and bringing the object we see clearly into focus. In its figurative sense, refraction refers to a critical reflection on the means and channels of visualization, and by extension the possibility of a rearticulation of our view of things – how they are, were, or apparently always have been.
Image: © Sohrab Hura

NEW: Favorites curated by blinkvideo users

What do you like? Over the next few months, we will be showing here selections of works, compiled by you, as a blinkvideo user.

Stefano Miraglia: Hey Blinkvideo members! Here are my eight "must watch" films and videos. Happy to find in this catalogue some of the works that got me interested in artists' moving image when I was a student! (Guillaume Leblon! Daniel Steegmann Mangrané! Marylène Negro!).

Expanding Bauhaus.
New Reflections on the Bauhaus Movement in Time-Based Media Art / Goethe Institute Netherlands

A screening series selected by Elke Kania (Cologne), Julia Sökeland (Hamburg) and Ludwig Seyfarth (Berlin)

With its combination of various arts such as painting, photography film, architecture, fashion, product and interior design and textile art, the Bauhaus is still considered the epitome of a technologically advanced modernity. Last but not least, the attempt to create the whole society aesthetically, inspired many artists worldwide.
Image: © Adnan Softic

Johan Grimonprez

Johan Grimonprez’s critically acclaimed work dances on the borders of practice and theory, art and cinema, documentary and fiction, demanding a double take on the part of the viewer. Informed by an archeology of present-day media, his work seeks out the tension between the intimate and the bigger picture of globalization. It questions our contemporary sublime, one framed by a fear industry that has infected political and social dialogue. By suggesting new narratives through which to tell a story, his work emphasizes a multiplicity of realities.
image: © Johan Griminprez

Christoph Faulhaber: Revolution & Architecture

With "Revolution & Architecture" Christoph Faulhaber (* 1972 in Osnabrück, lives in Hamburg) conceives, builds, designs and opens a whole series of very different rooms in the Kunsthalle Osnabrück. In order to discover the revolutionary aspect of these "architectures", one has to look at the social implications of interior design in general. In the forum the visitor then enters Faulhaber's cinematic autobiography "Every Picture is an Empty Picture" as in the eye of the cyclone: The work is split into 15 individual films and surrounds the visitor in a circle.
Image: © Christoph Faulhaber

Stiftung imai – inter media art institute

The Düsseldorf based foundation imai – inter media art institute was founded in 2006 in order to establish an institution in Germany dedicated to the distribution and preservation of media art and associated activities.
Image: © Marcel Odenbach

Featured videos

Markus Vater
Im Wald (perfect day), 2011

This Animation has developed from a colloboration with the dutch poet Tjitske Jansen. Initially it reacted on a text of hers dealing with memories in her life. All memories were about events in which she didn’t understand the concepts and actions that had happened, but which she understands now.

Pratchaya Phinthong
A proposal to set (work in progress), 2016

A proposal to set CH4*5.75H20 on fire (work in progress) is an ongoing project that explores methane hydrate, an ice compound that has been identified by scientists as an alternative fuel of future energy. Found in large quantities beneath Arctic permafrost, Antarctic ice and sedimentary deposits, methane hydrate releases natural gas when exposed to increases in temperature or decreases in pressure.Gas released by methane hydrates can be lit, which produces a semi-transparent orange and blue flame.This 16 mm film shows samples of methane hydrates.Through the mobilisation and connection of individuals working across geology, science and art, the project generates awareness of methane hydrate, its chemically volatile nature and implications for energy industries.The film itself performs a kind of material transfer, capturing light emitted by the burning samples and projecting it into the gallery space. For Phinthong, each iteration of the project is a form of extraction that makes its subject more widely visible. Filmed by Phuttipong Aroonpheng. Made with the support of Oleg Blouson,Andrey Khabuev and Oleg Khlystov at the Limnological Institute, Irkutsk, Russia.

Ryan Gander
And You Will be Changed , 2014

'And You Will be Changed (Centre Pompidou, Paris)', 2014, follows curator Emma Lavigne around the empty Centre Pompidou in Paris as she presents the viewer with a tour of an empty space that had housed a now uninstalled Pierre Huyghe exhibition. The show is imagined and told by Lavigne as if the artworks were still there. Exhibited: - Pierre Huyghe +/–,The Artist’s Institute, New York, 2014
- Nouveau Festival (5th Edition), Musée d’Art Moderne, Centre Pompidou, Paris, 2014

Deimantas Narkevicius
Ausgeträumt, 2010

The German word ‘Ausgeträumt’ means a state between dream and reality at the point of waking up.The very first creative attempts by any artist are usually very positive, unaffected by criticism, even naive activities. Refering to myself, I had to be absolutely naive to choose to be a visual artist, in the late 80's when in the Soviet Union, everything was falling apart. There was no precedent of success, or an example to follow in the country which was still isolated. With this film I am re-approaching the state of naivety.

Katja Aufleger
LOVE AFFAIR, 2017

Several lights get shot successively. Some crush at once, quiet or with a blast, others seem like trying not to die.

Janet Biggs
Vanishing point, 2009

Luzia Hürzeler
Being in the Picture, 2007/08

Im Bilde sein [Being in the Picture] is a video installation. The monitor stands on a two-meter-high plinth. The video shows a white wall in front of which my head becomes visible, fully or partially, at short or long intervals. I keep jumping up into the picture, making myself visible through physical activity. These efforts become apparent through the sounds. The jumping height, and thus my visibility, decreases over time, until I finally give up through exhaustion.On the occasion of the exhibition “Spazi aperti” this work was displayed in the entrance hall of the Romanian Academy in Rome, where a number of monumental busts are mounted on plinths.

Johanna Reich
Horizon, 2012

The artist is drawing a line onto a white surface. The line reveals the horizon: it separates the sea from the sky. "To draw a line": this phrase already linguistically contains many different meanings. Beginning with the famous line – the one that cannot be crossed politically – via the (guide)line that is also the conceptual standard, to the simple strike placed beneath an addition, these are key points on the spectrum.“When Johanna Reich draws a line with a broad brush onto a wall, additional content comes into play. There is the track which children draw onto the wall with chalk, the traditional artist myth of the line as a vivid track of creative process, and last but not least the powerfully picturesque action of splattering the wall.”(Johannes Stahl)Johanna Reich (*1977 Minden) studied at the Kunstakademie Münster, the HfbK Hamburg and the Kunsthochschule für Medien Köln. She lives and works in Cologne.

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Works


Galleries

VAN HORN
Daniela Steinfeld
Ackerstrasse 99
40233 Düsseldorf
Germany

Phone: +49-211-5008654
E-Mail: info@van-horn.net




Biography

Born 1978 in Bühl (Baden)
Lives and works in Düsseldorf

Education

1999-2005V Kunstakademie Düsseldorf, Akademiebrief

Solo exhibitions / solo screenings

2015
Modell Kunstverein, Doppelgaenger - Twodo Project, NAK - Neuer Aachener Kunstverein, Aachen, DE

2014
Your Doppelgaenger, VAN HORN, Düsseldorf, DE
Rapid Art, Sammlung Ludwig, Bamberg, DE

2013
Commercials, Mosques & Ceramics, Kunsthaus Baselland; Basel, CH (Cat.)

2012
Ils Sont Fous Ses Romains!, Hamburger Kunstverein (catalogue in collaboration with Kunsthaus Baselland.)
Eine andere Geschichte der Madame Dogdo, VAN HORN, Düsseldorf
Museum Glaskasten, Marl
Videoart at Midnight, Babylon, Berlin
dschami (Freitagsmoschee), Café Baltic Bar, Vitrine Gleis 1/2, S-Bahnhof Hamburg Altona, curated by Annette Hans

2011
Mediterraneo, VAN HORN, Düsseldorf
Gaudel de Stampa, Paris

2010
Etablissement d'en Face, Brüssel
Julia Stoschek Collection, Düsseldorf
Haus der Kunststiftung, Stuttgart
Buchtipp 2, Johann König, Berlin

2009
Buchtipp, VAN HORN, Düsseldorf

2008
Que-ce que c'est, la maturité, Johann König, Berlin

2007
Er liebte die Falter, die Blumen und Kinder, Kunstverein Göttingen, kuratiert von Bernd Milla
New Tribune, Kollaboration mit Rita McBride, General Public, Berlin

2006
Über die aus der Zukunft fliessende Zeit \ Woher kommt die Kunst? Oder: Die Blüte des Menschen,
MuseumX/Museum Abteiberg, Mönchengladbach, kuratiert von Susanne Titz
Über die aus der Zukunft fliessende Zeit, VAN HORN , Düsseldorf
Screening IV, Manuel Graf, Julia Stoschek Collection, Düsseldorf

2005
Ping Pong , Johann König, Berlin

2004
Buero DC, Köln (mit M.Stricker), kuratiert von Kathleen Rahn
Angelus Novus, Galerie Ruzicska-Weiss, Düsseldorf

2003
Je t'embrasse, Galerie Anna Klinkhammer, Düsseldorf (with S. Hemmer)

2002
Manuel Graf & Simon Hemmer, Galerie Anna klinkhammer, Düsseldorf

Group exhibitions / screenings

2014
@theshrink, shaynaynay, Paris, France

2013
Transfer, National Museum of Contemporary Art / Alternative Space Loop / Arko Art Center, Seoul, Korea
Transfer, Kunsthalle Düsseldorf, Düsseldorf, DE (catalogue)
Combination, Arko Art Center, Seoul, Korea
Risk Society, MOCA Museum of Contemporary Art, Taipei, Taiwan, curated by Melanie Bono
Transfer NRW/Korea, different institutions in Korea and NRW (cat.)
Lonelyfingers, Museum Abteiberg, Mönchengladbach, a project by Diango Hernandez 9 Video Weekends, Museum Kunstpalast, Düsseldorf, DE

2012
How to dream otherwise, Art Space Geumcheon, Seoul, Korea
The Themersons, ICA, London, UK
ARTE Video-night, Palais de Tokyo, Paris, France
verlangsamte performance, curated by Wilhelm Schürmann, VAN HORN, Düsseldorf (cat.)

2011
Vollendet das ewige Werk, Sammlung Rheingold in Schloss Dyck (Cat.)
Beyond Gestaltung, Bielefelder Kunstverein, Bielefeld, DE
Rudolf Steiner and Contemporary Art, DOX, Center for Contemporary Art, Prague (Cat.)
Kosmos Rudolf Steiner, Kunstmuseum Stuttgart (Cat.)
Stipendiatenausstellung, Kunstverein für die Rheinlande und Westfalen, Düsseldorf

2010
Galerie Joanna Kamm, Berlin
Kunstverein Langenhagen
Jousse Entreprise, Paris
Rudolf Steiner und die Kunst der Gegenwart, Kunstmuseum Wolfsburg (cat.)

2009
Ars Viva - Mise en scène, Augarten Contemporary, Wien und Museum Abteiberg, Mönchengladbach

2008
Julia Stoschek Collection at Pinchuk Art Center, Kiew, Ukraine
When a clock is seen from the side it no longer tells the time, Johann König, Berlin
Ars Viva - Mise en scène, Museum im Kulturspeicher, Würzburg
Video: Düsseldorf / Riga, LCCA, Riga, Litauen u.a. mit Corinna Schnitt
VIDEO KOOP, Die Julia Stoschek Collection im KiT, Düsseldorf (mit u.a. A.Bunte, A.Korte, J.Wagner)
Mode und Verzweiflung, MQ, Wien, A
Établissement d'en face, Brüssel, B
50 Jahre Förderpreis für Bildende Kunst NRW, Kornelimünster, Aachen
Galerie Meyer-Kainer, Wien, A

2007
Housetrip, Art Forum Berlin kuratiert von Ami Barak
Point de vue, Kunstverein Nürnberg (mit Bojan Sarcevic, Alexander Lieck und Monika Stricker), kuratiert von Kathleen Rahn
The present order is the disorder of the future, Frans Hals Museum/ De Hallen, Haarlem, NL (mit Pablo Bronstein, Torsten Slama, Tris Vonna-Michell u.a.) kuratiert von Xander Karskens
Spektakel und Situation, Sommerakademie, Paul Klee Zentrum, Bern, CH
Destroy, she said, Julia Stoschek Collection, Düsseldorf
Screening 1, Karma International, Zürich (mit Andrea Fraser, Corinna Schnitt, Olaf Breuning, Jordan Wolfson, Bethan Huws)
Woher kommt die Kunst ? Oder: Die Blüte des Menschen, VAN HORN, Open Space, Art Cologne

2006
Kunst/Fiktion - Sanat/Kurgu, Besiktas Cagdas, Istanbul, TUR (mit Michael Hakimi, Jens Ullrich, Christian Jendreiko, ...) cat.
Urban Condition, Museum de Paviljoens, Almere, NL (mit Carsten Höller, Jakob Kolding, Gabriel Leister, Lonnie van Brummelen, ...)
Von Erde schöner, Galerie Kugler, Innsbruck (mit Peter Piller, Sonja Feldmeier, Sigi Hofer) kuratiert von Veit Loers
Inaugural Exhibition, Johann König, Berlin
1000 Jahre sind ein Tag, Kunstverein für die Rheinlande und Westfalen, Düsseldorf im Rahmen der Ausstellung von Amelie von Wulffen

2005
Regarding Düsseldorf I , 701 e.V. , kuratiert von Pia Witzmann

2004
The End, Galerie Ruzicska-Weiss, Düsseldorf

2003
Springbrunnenwettbewerb, Mouson-Turm, Frankfurt a.M.

2002
Klasse Jetelova, NCCA, Moscow; Kunstverein Wilhelmshöhe, Ettlingen

Awards / grants

2002 travel grant, Kunstakademie Düsseldorf
2003 Studienstiftung des Deutschen Volkes
2004 Reisestipendium, Kunstakademie Düsseldorf
2006 Arbeitsstipendium/working grant, Kunststiftung NRW
2007 Förderpreis für junge Kunst des Landes NRW
2008 Arbeitsstipendium/working grant, Kunststiftung NRW
Residency, MuseumsQuartier, Wien
2008/2009 ars viva Preisträger (mit Keren Cytter, Simon Dybbroe Møller, Tris Vonna-Mitchell)
2009 Kunststiftung Baden-Württemberg
Grafikpreis des Landes NRW
Artist in Residence, Kunststiftung NRW, Istanbul
2010 Artist in Residence, Cité des Arts, Paris
Audi Art Award
2013 Residency Internationales Künstlerhaus Villa Konkordia, Bamberg
2014 Nam June Paik advancement award014

Public collections

Museum Abteiberg, Mönchengladbach
Museum Kunstpalast, Düsseldorf
Skulpturenmuseum Glaskasten, Marl
LWL - Landesmuseum für Kunst und Kulturgeschichte, Münster
Sammlung des Landes NRW, Kornelimünster, Aachen
Hypo Vereinsbank - Member of UniCredit, München
Julia Stoschek Collection, Düsseldorf
Sammlung Rheingold, Düsseldorf
Sammlung Philara, Düsseldorf

Manuel Graf
Born 1978 in Bühl (Baden) Lives and works in Düsseldorf Education 1999-2005V Kunstakademie Düsseldorf, Akademiebrief Solo exhibitions / solo screenings 2015 Modell Kunstverein, Doppelgaenger - Twodo Project, NAK - Neuer Aachener Kunstverein, Aachen, DE 2014 Your Doppelgaenger, VAN HORN, Düsseldorf, DE Rapid Art, Sammlung Ludwig, Bamberg, DE 2013 Commercials, Mosques & Ceramics, Kunsthaus Baselland; Basel, CH (Cat.) 2012 Ils Sont Fous Ses Romains!, Hamburger Kunstverein (catalogue in collaboration with Kunsthaus Baselland.) Eine andere Geschichte der Madame Dogdo, VAN HORN, Düsseldorf Museum Glaskasten, Marl Videoart at Midnight, Babylon, Berlin dschami (Freitagsmoschee), Café Baltic Bar, Vitrine Gleis 1/2, S-Bahnhof Hamburg Altona, curated by Annette Hans 2011 Mediterraneo, VAN HORN, Düsseldorf Gaudel de Stampa, Paris 2010 Etablissement d'en Face, Brüssel Julia Stoschek Collection, Düsseldorf Haus der Kunststiftung, Stuttgart Buchtipp 2, Johann König, Berlin 2009 Buchtipp, VAN HORN, Düsseldorf 2008 Que-ce que c'est, la maturité, Johann König, Berlin 2007 Er liebte die Falter, die Blumen und Kinder, Kunstverein Göttingen, kuratiert von Bernd Milla New Tribune, Kollaboration mit Rita McBride, General Public, Berlin 2006 Über die aus der Zukunft fliessende Zeit \ Woher kommt die Kunst? Oder: Die Blüte des Menschen, MuseumX/Museum Abteiberg, Mönchengladbach, kuratiert von Susanne Titz Über die aus der Zukunft fliessende Zeit, VAN HORN , Düsseldorf Screening IV, Manuel Graf, Julia Stoschek Collection, Düsseldorf 2005 Ping Pong , Johann König, Berlin 2004 Buero DC, Köln (mit M.Stricker), kuratiert von Kathleen Rahn Angelus Novus, Galerie Ruzicska-Weiss, Düsseldorf 2003 Je t'embrasse, Galerie Anna Klinkhammer, Düsseldorf (with S. Hemmer) 2002 Manuel Graf & Simon Hemmer, Galerie Anna klinkhammer, Düsseldorf Group exhibitions / screenings 2014 @theshrink, shaynaynay, Paris, France 2013 Transfer, National Museum of Contemporary Art / Alternative Space Loop / Arko Art Center, Seoul, Korea Transfer, Kunsthalle Düsseldorf, Düsseldorf, DE (catalogue) Combination, Arko Art Center, Seoul, Korea Risk Society, MOCA Museum of Contemporary Art, Taipei, Taiwan, curated by Melanie Bono Transfer NRW/Korea, different institutions in Korea and NRW (cat.) Lonelyfingers, Museum Abteiberg, Mönchengladbach, a project by Diango Hernandez 9 Video Weekends, Museum Kunstpalast, Düsseldorf, DE 2012 How to dream otherwise, Art Space Geumcheon, Seoul, Korea The Themersons, ICA, London, UK ARTE Video-night, Palais de Tokyo, Paris, France verlangsamte performance, curated by Wilhelm Schürmann, VAN HORN, Düsseldorf (cat.) 2011 Vollendet das ewige Werk, Sammlung Rheingold in Schloss Dyck (Cat.) Beyond Gestaltung, Bielefelder Kunstverein, Bielefeld, DE Rudolf Steiner and Contemporary Art, DOX, Center for Contemporary Art, Prague (Cat.) Kosmos Rudolf Steiner, Kunstmuseum Stuttgart (Cat.) Stipendiatenausstellung, Kunstverein für die Rheinlande und Westfalen, Düsseldorf 2010 Galerie Joanna Kamm, Berlin Kunstverein Langenhagen Jousse Entreprise, Paris Rudolf Steiner und die Kunst der Gegenwart, Kunstmuseum Wolfsburg (cat.) 2009 Ars Viva - Mise en scène, Augarten Contemporary, Wien und Museum Abteiberg, Mönchengladbach 2008 Julia Stoschek Collection at Pinchuk Art Center, Kiew, Ukraine When a clock is seen from the side it no longer tells the time, Johann König, Berlin Ars Viva - Mise en scène, Museum im Kulturspeicher, Würzburg Video: Düsseldorf / Riga, LCCA, Riga, Litauen u.a. mit Corinna Schnitt VIDEO KOOP, Die Julia Stoschek Collection im KiT, Düsseldorf (mit u.a. A.Bunte, A.Korte, J.Wagner) Mode und Verzweiflung, MQ, Wien, A Établissement d'en face, Brüssel, B 50 Jahre Förderpreis für Bildende Kunst NRW, Kornelimünster, Aachen Galerie Meyer-Kainer, Wien, A 2007 Housetrip, Art Forum Berlin kuratiert von Ami Barak Point de vue, Kunstverein Nürnberg (mit Bojan Sarcevic, Alexander Lieck und Monika Stricker), kuratiert von Kathleen Rahn The present order is the disorder of the future, Frans Hals Museum/ De Hallen, Haarlem, NL (mit Pablo Bronstein, Torsten Slama, Tris Vonna-Michell u.a.) kuratiert von Xander Karskens Spektakel und Situation, Sommerakademie, Paul Klee Zentrum, Bern, CH Destroy, she said, Julia Stoschek Collection, Düsseldorf Screening 1, Karma International, Zürich (mit Andrea Fraser, Corinna Schnitt, Olaf Breuning, Jordan Wolfson, Bethan Huws) Woher kommt die Kunst ? Oder: Die Blüte des Menschen, VAN HORN, Open Space, Art Cologne 2006 Kunst/Fiktion - Sanat/Kurgu, Besiktas Cagdas, Istanbul, TUR (mit Michael Hakimi, Jens Ullrich, Christian Jendreiko, ...) cat. Urban Condition, Museum de Paviljoens, Almere, NL (mit Carsten Höller, Jakob Kolding, Gabriel Leister, Lonnie van Brummelen, ...) Von Erde schöner, Galerie Kugler, Innsbruck (mit Peter Piller, Sonja Feldmeier, Sigi Hofer) kuratiert von Veit Loers Inaugural Exhibition, Johann König, Berlin 1000 Jahre sind ein Tag, Kunstverein für die Rheinlande und Westfalen, Düsseldorf im Rahmen der Ausstellung von Amelie von Wulffen 2005 Regarding Düsseldorf I , 701 e.V. , kuratiert von Pia Witzmann 2004 The End, Galerie Ruzicska-Weiss, Düsseldorf 2003 Springbrunnenwettbewerb, Mouson-Turm, Frankfurt a.M. 2002 Klasse Jetelova, NCCA, Moscow; Kunstverein Wilhelmshöhe, Ettlingen Awards / grants 2002 travel grant, Kunstakademie Düsseldorf 2003 Studienstiftung des Deutschen Volkes 2004 Reisestipendium, Kunstakademie Düsseldorf 2006 Arbeitsstipendium/working grant, Kunststiftung NRW 2007 Förderpreis für junge Kunst des Landes NRW 2008 Arbeitsstipendium/working grant, Kunststiftung NRW Residency, MuseumsQuartier, Wien 2008/2009 ars viva Preisträger (mit Keren Cytter, Simon Dybbroe Møller, Tris Vonna-Mitchell) 2009 Kunststiftung Baden-Württemberg Grafikpreis des Landes NRW Artist in Residence, Kunststiftung NRW, Istanbul 2010 Artist in Residence, Cité des Arts, Paris Audi Art Award 2013 Residency Internationales Künstlerhaus Villa Konkordia, Bamberg 2014 Nam June Paik advancement award014 Public collections Museum Abteiberg, Mönchengladbach Museum Kunstpalast, Düsseldorf Skulpturenmuseum Glaskasten, Marl LWL - Landesmuseum für Kunst und Kulturgeschichte, Münster Sammlung des Landes NRW, Kornelimünster, Aachen Hypo Vereinsbank - Member of UniCredit, München Julia Stoschek Collection, Düsseldorf Sammlung Rheingold, Düsseldorf Sammlung Philara, Düsseldorf

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