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blinkvideo - research of video art, performance and multimedia installations.

blinkvideo - research of video art, performance and multimedia installations.

blinkvideo the platform for . . .

artists we provide a platform for extensive presentation of media works, gallerists get a direct contact to international professional audiences, collectors find a worldwide overview of contemporary trends in moving image, curators can do research via keywords and compilations, teachers use presentation opportunities for students and all professionals get password protected, extensive information about video works worldwide.

FLUID STATES. SOLID MATTER
Videonale 18.

On what basis do we live, think and act nowadays? And how are we shaping this basis for the future? The works of the exhibition FLUID STATES. SOLID MATTER open a discourse on these questions. How does our thinking of the relationship of human beings to their environment change when we no longer see the body as solid and autonomous - as it has been the case until now - but as fluid. As fluid bodies - or "Bodies of Water", as gender researcher Astrida Neimanis puts it -
we as human beings no longer stand above nature, but in interaction with it, with the living being, with the systems that surround us.
Image: © Ida Kammerloch, Resusci Anne, 2019/2020

Alexandra Meijer-Werner

Between 1993 and 2002 Alexandra Meijer-Werner's artistic work focused on creating video installations with multiple projectors, and combining sound, texture and interaction with the public. She also produced a number of documentaries which evidence her profound interest in personal transformation and the awakening of human consciousness.

Please have a look to an introduction of her work on blinkvideo.
Image: © Eugenia Meijer-Werner

Moving Images / Moving Bodies
Online screening programme in cooperation
with the Goethe-Institut Bulgaria

Curated by Ludwig Seyfarth

Research into the human body and interpersonal relationships remain central themes in video and moving image art. Artists from Bulgaria and Germany, whose work is related in content, will be shown in pairs over the next weeks. The exhibition planned for November 2020 in Sofia has been postponed until 2021. Instead, a consecutive presentation of selected films by artists from Moving Bodies/Moving Images is presented on blinkvideo.
image: © Elitsa Dimitrova

Shooting Ghosts
Online screening programme in cooperation
with the Goethe-Institut Bulgaria

Curators: Kalin Serapionov, Krassimir Terziev

What we propose in this programme is a highly subjective and fragmented view on current practices in moving image in the Bulgarian art scene. We focused on practices that show affinity with speculative narratives - narratives that not just record what is in front of the cinematic eye, but also capture all the ghosts that are unreachable by the apparatus, thus projecting speculative views that intend not merely to describe, but to transform the world.
image: © Veneta Androva

Featured videos

Alexandra Meijer-Werner
Kreislauf / cycle … revolution … circulation, 1997

Kreislauf is an oneiric trip about the continuous cycle of human rebirth. Our dreams create the fabric in which the threads or individual tendencies appear and disappear, only to become visible once again. The dynamic of this video is a weave of repetitions and juxtapositions of the experiences that create the dance of life. Everything is cyclic, nothing disappears; everything is perpetually mutating in landscapes of anguish and joy, violence and calm, solitude and union. The traveler is the active force of his own fate when he realizes that what is most significant in life is the act of living itself.

Björn Braun
without title (excerpt), 2012

Sandra Boeschenstein
Besuchte Linie auf Granit, 2014

I encountered the roundworm in the Alps when I attempted to repair the water catchment of the cabin after a storm. I wished for this animal found at the spring to be a visited line, then searched for potential visitors and found, just nearby, a nest of firebugs in a dried chestnut leaf, which I placed just outside of the image field. The granite slab, roundworm, bugs’ nest and a fly lived their lives within a radius of 100 meters. My part in this was to bring them into direct proximity for the duration of an hour, to focus my camera and to breathe onto the upper part of the lens, in order to increase the atmospheric depth of the picture. Finally, to come to the allegation I’ve made via the title that something was a line that actually is an animal (when normally, in a contrary approach, characteristically formed lines represent animals or the like). The combination of the simplicity in the foundation / bedrock with a simultaneous insecurity in view of scale and nature of this white line, holds my fascination.

Isabella Fürnkäs
In Ekklesia, 2015

The title, ‘In Ekklesia,’ comes from the Greek word ‘ecclesia,’ which refers to the democratic parliament that served Athens in its halcyon days by being open to male citizens every other year. Solon, an Athenian legislator and a sage, allowed all citizens to serve the parliament regardless of their social class in BC 594. The Ecclesia made decisions about war, military strategies, and all judicial and administrative issues. This work satirizes various facets of humans and machines in the 21st century, unconsciously within a dystopian environment. Isabella Fürnkäs introduces a method of combining and overlaying countless images in her work, providing the new experience of sensations that act in ambiguous flows, movements, interference, and interjection. The piece is about the new metaphysical and material connections appearing through digital conversations that are divorced from the general notion of time and space, as well as isolation and alienation. Text by Hyun Jeung Kim (Nam June Paik Art Center Seoul)

Ryan Gander
Man on a bridge - (A study of David Lange) , 2008

A digital video transferred from 16 mm film shows a number of slightly differing takes of the same short sequence: A man walks over a bridge and seems to notice something over the railing to his left hand side. As he moves in for a closer inspection, the film cuts, which is then followed by another take of the same shot.

Wim Catrysse
MSR, 2014

On the Kuwait roads the journey goes in a western direction, past military bases and a line of oil transporters. Dreary sound sequences are pumped out by the radio. In the middle of rubbish heaps by the roadside a pack of wild dogs is trying to find shelter from the wind. Wim Catrysse presents the Kuwait desert both as a post-apocalyptic setting and as protagonist. During the journey, the car window is an obstacle, made even more so by the screen. The viewer, dumped in the desert, does not manage to reach it through the window. MSR, the Main Supply Route, is the main highway used to coordinate military operations in the Gulf War in 1990/91 and the War in Iraq in 2003. Filming is forbidden here, so the pack of wild dogs carries the story at first. But their behaviour keeps on bringing the desert into focus as the principal actor. Underlined by the sound track, its seeming hostility to life awakens the impression of a dystopian timelessness reminiscent of the apocalyptic scenarios in films and makes the viewer feel ill at ease. Catrysse examines conventions, both in a political-dogmatic and in a filmic sense.Nathalie Ladermann

Johanna Reich
CRAWLER, 2020

A crawler is a searchbot in the internet which Johanna Reich uses to collect special comments or phrases about the most discussed topics during the last years like A.I., climate change, digital revolution, gender and the turn of democratic systems. Johanna Reich selects several of the collected phrases composing a robot performance: self-driving projectors move across the exhibition space and project comments about a.i., gender or climate change onto the audience and architecture.

Annika Kahrs
solid surface, with hills, valleys, craters and other topographic...., 2014

solid surface,with hills,valleys,craters and other topographic features,primarily made of ice„solid surface, with hills, valleys, craters and other topographic features, primarily made of ice“ is set in a planetarium with a projected starry sky, in the center of which is situated a light spot, that explores the space. The Film deals with the moment, shortly before the actual visualization of pluto’s surface properties, whereas the entire cupola hall of the planetarium serves as a metaphorical projection surface of Pluto. The round light spot formally points to the shape of the celestial object and functions as placeholder for its soon arising image.

Ann Oren
The World Is Mine, 2017

In cosplay of the Japanese cyber diva Hatsune Miku, the artist moved to Tokyo, seeking an identity in the world of Miku fanatics, where she was drawn into a love affair with one of the fans. Miku is a Vocaloid, a vocal synthesizer software personified by a cute animated character. Her entire persona: lyrics, music and animation – is fan created, and that's her charm. She even performs sold out concerts as a hologram. By transforming herself into a Miku character through cosplay, Oren enters a world of real hardcore fans where fantasy is more real than reality and the differentiation between the two becomes obsolete. The film examines the performative nature of cosplaying – dressing up and playing the role of fictional characters – as a hybrid space where reality blurs into fetishistic fantasies and pop culture clichés. Combining fan-made lyrics and songs, Oren's trials and tribulations in the fictional Miku world unfolds through vague erotic episodes and encounters with characters whose ontological status remains mysterious, bringing to mind the adventures of a modern Alice in a virtual Wonderland.

Jonathan Monaghan
Den of Wolves, 2020

Den of Wolves is a seamlessly-looping video installation drawing on a range of references to weave a new multi-layered mythology. The work follows three bizarre wolves through a series of increasingly surreal retail stores as they search for the regalia of a monarch. Composed of one continuous camera shot, the work is an immersive, dreamlike journey drawing connections between popular culture, institutional authority and technological over-dependence.

Stefan Panhans
HOSTEL Sequel #1: Please Be Careful Out There, Lisa Marie – H.V.Installation Mix, 2018

At transmediale, Stefan Panhans and Andrea Winkler show their work HOSTEL Sequel #1: Please Be Careful Out There, Lisa Marie – Hybrid Version, a new project that combines film, installation, and staccato stage reading (on blinkvideo we are showing a trailer of the integrated film). With everyday racism, celebrity worship, stereotypes, and the dominating power of the economic all on the rise, precariously and flexibly traveling cultural workers of different origin deliver a sort of spoken word battle about their experiences and dreams. They constantly switch roles and, at the same time, form a choir that clashes with the rapped reports of everyday life. As in a collaborative gymnastic exercise—surrounded by scenery made up of set pieces from outfits of airports, hostels, and courier services, from self-optimization tools and game show displays—they fight for a voice and to be heard, building new alliances along the way. for more information: opening of transmediale

Mariola Brillowska
Children Of The Devil, 2011

Mariola Brillowska’s animation film relates the total collapse of the family system in the 21st century. Six cartoon episodes present an unsparing account of how children become murderers of their parents.

Julia Charlotte Richter
Point Blank, 2019

“Point Blank” refers to a film scene from "The Misfits" (1961) that is now re-enacted and further contextualized. In the original scene, the recently divorced main character Roslyn (Marilyn Monroe) rises up against three worn-out cowboys and, in the middle of the desert, confronts the men with all their lacks and lost dreams. In “Point Blank”, we see a young woman wandering around in surreal desert landscapes, a journey into the remoteness of the world and her own inner life. With every step out into the desert, the girl descends into her own depths searching for a place that seems to be suitable for her emotions and words. Unlike Roslyn, the young woman now refers to absent addressees: "Liars", "Murderers" and "Dead Men" she screams and turns around wildly. The words, which spread like bullets in the air, fall back on her. Except for a faint echo, there is no resonance at this place that depicts the obsessions of a distorted, patriarchal society and has become a dramatic backdrop of yearnings within the collective history of cinema. Where Roslyn was able to elicit a terrified astonishment from the three men, the character in Julia Charlotte Richter's video remains to herself and unheard, the desert as the only witness of her manifesto, her anger and her strength.

Ulrich Polster
Frost, 2003 / 2004

The night city. Industrial ruins filmed in contrejour. Memories from childhood. Different places and times combined at the mountain. It is a hollow portrait of Eastern Europe that carries the traces of its history.

Ene-Liis Semper
FF REW, 1998

Dimitri Venkov
The Hymns of Muscovy, 2018

The film is a trip to the planet Muscovy, which is an upside down space twin of the city of Moscow. As the title of the work suggests, the journey also takes us back in time. Gliding along the surface of the planet, we look down to the sky and see historic architectural styles fly by - the exuberant Socialist Classicism aka Stalinist Empire, the laconic and brutish Soviet Modernism, and the hodgepodge of contemporary knock-offs and revivals of the styles of the past. An essential companion to this journey through time and space are Hymnic Variations on the Soviet anthem by the composer Alexander Manotskov. The anthem was written in 1943 and has undergone three editions of lyrics yet musically remained unchanged to now serve as the official anthem of the Russian Federation. Manotskov used an early recording of the anthem as source material to create three electronic variations each corresponding to an architectural style. As if in a twist of Goethe’s phrase, architecture plays its frozen music. Look closely, can you hear it?

Share your thoughts with the blinkvideo community.

Would you like to share your videos online? Or would you like to focus attention on a video work? Or would you like to compile and show videos on a specific topic? You can do so with the new tool on blinkvideo.
Create a favorites list as follows:
When you're logged in, a little sign "add to favorite list" will appear below each video. With the click on it, you add the film to your favorites list. When you have collected all the works, open your favorites list and you can share the list with blinkvideo. We will then receive a message and put the compilation online.
We are very curious about your selection!

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blinkvideo is a website for the research of video art. Founders: Julia Sökeland, Anita Beckers. blinkvideo ist eine Plattform zur Recherche nach Videokunst

Andrew Norman Wilson

Works


Biography

Education

School of the Art Institute of Chicago
Master of Fine Arts 2011

Syracuse University, Newhouse School of Communications
BS in Television, Radio and Film 2006


Solo and two-person exhibitions

2019
Kunstverein Braunschweig - Braunschweig, Germany
SITUATION, Fotomuseum Winterthur - Winterthur, Switzerland

2018
Center for Contemporary Art Futura - Prague, Czech Republic
KRIEG - Hasselt, Belgium

2017
Ode to Seekers 2012 + Mosquito Computer, Broad Art Museum - East Lansing, Michigan
Pretense, Human Resources - Los Angeles, California

2016
Ode to Seekers 2012, Document - Chicago, Illinois

2015
Artificial Selection, Rowing - London, England
Artificial Selection, Plymouth Rock - Zurich, Switzerland
Starcom Mediavest, Leo Burnett Building - Chicago, Illinois
Wether, Chapter NY - New York, New York

2014
SONE, Project Native Informant - London, England
Conference Call in the Waiting Room, Greene Exhibitions - Los Angeles, California
Material Uncertainty, Fluxia - Milan, Italy

2013
The Refrain: Medfield/Walpole, threewalls - Chicago, Illinois
Movement Materials and What We Can Do, tenstakonsthall.se (online), Tensta Konsthall - Stockholm, Sweden

2012
ScanOps, Document - Chicago, Illinois
ScanOps, Art Metropole - Toronto, Ontario
Workers Leaving the Googleplex/ScanOps - Reed College - Portland, Oregon

2011
Windows and Mirrors, New Capital - Chicago, Illinois
Appendix Space - Portland, Oregon
Workers Leaving the Googleplex, LG Space - Chicago, Illinois
Virtual Assistance, Extra Extra Gallery - Philadelphia, Pennsylvania


Select screenings and festivals

2019
International Film Festival Rotterdam - Rotterdam, The Netherlands
De Appel - Amsterdam, The Netherlands
Regent Street Cinema - London, England

2018
Andrew Norman Wilson, Institute of Contemporary Art - Philadelphia, Pennsylvania
Mediums & Kodak, Union Docs - New York, New York
Paris Avant-Premiere, Caro Sposo - Paris, France
Projections, New York Film Festival - New York, New York
Swiss Institute Presents: Andrew Norman Wilson: The Order of Ought, Anthology Film Archives - New York, New York
Monokino, Museum of Contemporary Art - Ostend, Belgium
Interior: Night, Marjorie Barrick Museum of Art - Las Vegas, Nevada
Sol Air, Mavra - Berlin, Germany
Nocturnal Reflections: Immanent Cloud, Macao - Milan, Italy

2017
This Light: The New York Announcement of a New Cinema, e-flux - New York, New York
Crossroads, San Francisco Museum of Modern Art - San Francisco, California
Havana Film Festival - Havana, Cuba
Uncertainty Seminars with Andrew Norman Wilson, Stroom Den Haag - Den Haag, Netherlands
Sekula Beyond Sekula: Andrew Norman Wilson, Thyssen-Bornemisza Art Contemporary - Vienna, Austria
EXiS festival - Seoul, Korea
Alternative Cinema: Andrew Norman Wilson, Colgate University - Hamilton, New York
Ann Arbor Film Festival - Ann Arbor, Michigan
Contact 3017, Honolulu Museum of Art - Honolulu, Hawaii
Modern Times, Dikeou Pop-Up - Denver, Colorado
Milwaukee Underground Film Festival - Milwaukee, Wisconsin
Royal Anthropological Institute Film Festival, Cube Cinema - Bristol, England

2016
Double Feature, Schirn Kunsthalle - Frankfurt Germany
Reality Models, Kunstlerhaus Stuttgart/ Theater Rampe - Stuttgart, Germany
e-flux journal series, REDCAT - Los Angeles, California
Andrew Norman Wilson, CaroSposo, Cinémathèque Robert-Lynen - Paris, France
Metropolitan Cosmopolitan, 83 Pitt Street - New York, New York
New Feelings, Opening Times at the Material Art Fair - Mexico City, Mexico
Marketplace for Creativity, Yerba Beuna Center for the Arts - San Francisco, California
The Artist Leaving the Googleplex, Microlights Cinema - Milwaukee, Wisconsin
A Night with Andrew Norman Wilson, Shanaynay - Paris, France

2015
Hyperlinks, Center for Contemporary Art - Tel Aviv, Israel
Spooky at a Distance, The Green Gallery West - Milwaukee, Wisconsin
Les Rencontres Internationales, Haus der Kulturen der Welt - Berlin, Germany
Image Employment, Lodos - Mexico City, Mexico

2014
Projections, New York Film Festival - New York, New York
#VOICEOVER, Palais de Tokyo - Paris, France / KALEIDOSCOPE Project Space - Milan, Italy
Prospectif Cinema, Centre Pompidou - Paris, France
Three Things for Two Things, The Hammer Museum - Los Angeles, California
Movement Materials and What We Can Do, Digital Labor Conference, The New School - New York, New York
Les Rencontres Internationales, Gaîté Lyrique - Paris, France
MILLENNIUM FILM JOURNAL AT 35, Anthology Film Archives - New York, New York
Dream Factory, Museum of Contemporary Art Sydney and Minerva - Sydney, Australia
Barriers to Entry, Chicago Filmmakers - Chicago, Illinois

2013
Movement Materials and What We Can Do, Universität der Künste Berlin - Berlin, Germany
Movement Materials and What We Can Do, Photographers Gallery - London, England
Movement Materials and What We Can Do, Haus der Kulturen der Welt - Berlin, Germany
Movement Materials and What We Can Do, C21 at University of Wisconsin-Milwaukee - Milwaukee, Wisconsin
Movement Materials and What We Can Do, I Never Read Art Book Fair Basel, Volkshaus Basel - Basel Switzerland
Movement Materials and What We Can Do, New York Art Book Fair, MoMA PS1 - Queens, New York
OK.Video Festival, Galeri Nasional Indonesia - Jakarta, Indonesia
Impakt Festival - Utrecht, the Netherlands
A flote: Economies submergides i precarietat laboral, Sala d’Art Jove - Barcelona, Spain
Dream Factory, ETCAMA: The Problem of Everything - Amsterdam, The Netherlands
Dream Factory, Art Dubai - Dubai, UAE
Dream Factory, Import Projects - Berlin, Germany
Dream Factory, FACT - Liverpool, England

2012
Sidewalk Stories - Images Festival - Toronto, Ontario
Made in America - San Francisco International Film Festival - San Francisco, California
Movement Materials and What We Can Do, Parsons The New School for Design - New York, New York
Movement Materials and What We Can Do, ZERO1 Biennial - Sausalito, California
Movement Materials and What We Can Do, American Medium - New York, New York
Movement Materials and What We Can Do, Images Festival/Art Metropole - Toronto, Ontario
Movement Materials and What We Can Do, Reed College - Portland, Oregon
INDUSTRIAL on tour, Goethe-Institute (Max Mueller Bhavan) - Kolkata, India
Gross World Product, tank.tv - London, England
Image Employment: Overtime, MoMA PS1 Sunday Session - Queens, New York
Pictures in Motion, Berwick Film & Media Arts Festival - Berwick-upon-Tweed, UK
Video Vortex, Museum of Contemporary Art Zagreb - Zagreb, Croatia
ASPECT EZ: txt + img, ASPECT - Boston MA
Artefact Festival, STUK Arts Centre - Lueven, Belgium
Speechless, Museum of Contemporary Photography - Chicago, Illinois
Lumiere and After - Cornell Cinema - Ithaca, New York

2011
Lumiere and After, San Francisco Cinematheque - San Francisco, California
BYOB Chicago, Museum of Contemporary Art - Chicago, Illinois
Kassel Documentary Film & Video Festival - Kassel, Germany
video_dumbo, DUMBO Arts Center - Brooklyn, New York
ATA Film & Video Festival - San Francisco, California
Urban Research on Film, Directors Lounge - Berlin, Germany
Video Task Screening, Get Friday Office – Bangalore, India


Select group exhibitions

2019
Videonale.17, Kunstmuseum Bonn - Bonn, Germany

2018
I Was Raised on the Internet, Museum of Contemporary Art Chicago - Chicago, Illinois
Picture Industry, Luma Arles - Arles, France
Gemini, Anorak - Stuttgart, Germany
All I Know Is What’s On The Internet, The Photographer's Gallery - London, England
Man-Thing vs. Swamp Thing, Et Al - San Francisco, California
Big Stories need human stakes, Nieuwe Vide - Haarlem, Netherlands
Juried Exhibition, Los Angeles Municipal Art Gallery - Los Angeles, California

2017
Techne and the Decency of Means, Kunstlerhaus Stuttgart + Theater Rampe - Stuttgart, Germany
Biennale für aktuelle Fotografie - Mannheim/Ludwigshafen/Heidelberg, Germany
Paris, London, Hong Kong, Portland, Brooklyn, Detroit, Los Angeles, Chicago, San Diego, Oak Park, Berlin, Document - Chicago, Illinois
Biennale Internationale Design Saint-Etienne - Saint-Etienne, France
Transmissions from the Etherspace, La Casa Encendida - Madrid, Spain
A Coney Island of the Mind, Riverside - Bern, Swizterland
Minor Threat 1983, As It Stands - Los Angeles, California

2016
Dreamlands, Whitney Museum of American Art - New York, New York
Gwangju Biennial - Gwangju, South Korea
Bucharest Biennial - Bucharest, Romania
Berlin Biennial - Berlin, Germany
Moscow International Biennale for Young Art - Moscow, Russia
Bread and Roses, Museum of Modern Art Warsaw - Warsaw, Poland
Scissors Cut Paper Wrap Stone, CCA Derry~Londonderry - Londonderry, Northern Ireland
Roy da Prince, Centre For Contemporary Art Futura - Prague, Czech Republic
Kosmo, KevinSpace - Vienna, Austria
Vie D'Ange, Vie D'Ange - Montreal, Canada

2015
On Sweat, Paper and Porcelain, CCS Bard - Annandale-on-Hudson, New York
Occupational Therapy, Contemporary Art Museum St. Louis - St. Louis, Missouri
Office Space, Yerba Buena Center for the Arts - San Francisco, California
Carlos Reyes, White Flag Projects - St. Louis, Missouri
National Gallery 2: Empire, CHEWDAY's - London, England
Feeling of Dread, Parisian Laundry - Montreal, Canada
Abject, Import Projects - Berlin, Germany
Aufloesung/ Neuordnung, D21 - Leipzig, Germany
HPSCHD 1969>2015, Bologna Museum of Modern Art - Bologna, Italy
THE PAIN QUOTIDIAN, HQHQ Project Space - Portland, Oregon

2014
Scars of Our Revolution, Yvon Lambert - Paris, France
Dreams That Money Can't Buy, MAXXI - Museo delle Arti del XXI secolo - Rome, Italy
Art Post Internet, Ullens Center for Contemporary Art - Beijing, China
Nice Work If You Can Get It, Gallery 400 - Chicago, Illinois
RRBGGGRWW (polysemes), Grand Century - New York, New YorkOnce upon a Time, There Was the End, Center for Book Arts - New York, New York

2013
Image Employment, MoMA PS1 - Queens, New York
FACELESS, MuseumsQuartier Wien - Vienna, Austria
Time & Motion, FACT - Liverpool, England
To Look Is To Labor (three person show with Harun Farocki and Lucy Raven), CCS Bard/Basilica Hudson - Hudson, New York
Palazzo Peckham, 55th Venice Biennale - Venice, Italy
Brand Innovations for Ubiquitous Authorship, Carroll / Fletcher, London, England
Something More Than A Succession of Notes, Bétonsalon - Paris, France

2012
what we watch, COFAspace Gallery, UNSW College of Fine Arts - Sydney, Australia
Young Artists Biennial - Bucharest, Romania
Calibration Shift, Third Party Gallery - Cincinnati, Ohio
Brand Innovations for Ubiquitous Authorship, Higher Pictures - New York, New York
Dependent Art Fair, The Comfort Inn - New York, New York
Net Video, Black Box - Givon Gallery - Tel Aviv, Israel
Peer One, Walters Art Museum - Baltimore, Maryland

2011
Target Language, 937/Fourteen30 Contemporary - Portland, Oregon
Ethnographic Terminalia, Eastern Bloc Centre for New Media - Montreal, Canada
Y53K, ARTifact Gallery at UC San Diego - La Jolla, California
SAIC MFA Thesis Exhibition, Wabash Galleries - Chicago, Illinois
Stories of Relativity, Sullivan Galleries at the School of the Art Institute of Chicago - Chicago, Illinois


Residencies and awards

2016
Techne - Kunstlerhaus Stuttgart and Theater Rampe - Stuttgart, Germany

2015
Akademie Schloss Solitude Fellowship - Stuttgart, Germany
Starcom Mediavest Group Artist in Residence - Chicago, Illinois

2013
Impakt Artist in Residence- Utrecht, Netherlands

2012
Headlands Center for the Arts Artist in Residence - Sausalito, California
San Francisco International Film Festival Golden Gate Award
Illinois Arts Council Artist Project grant

2011
Dedalus Foundation Master of Fine Arts Fellowship
SAIC MFA Fellowship

2010
Interactive Screen 1.0 Scholarship Intensive - Banff Center - Alberta, Canada


Performances + lectures

2018
Points of View, Fake Friends Symposium, Princeton University - Princeton, New Jersey
The Artist Leaving the Googleplex, Yale University - New Haven, Connecticut
Untitled, University of California, Riverside - Riverside, California

2017
The Artist Leaving the Googleplex, Cambridge University - Cambridge, England
The Artist Leaving the Googleplex, Academy of Fine Arts Leipzig - Leipzig, Germany
The Artist Leaving the Googleplex, PXL-MAD School of Arts - Hasselt, Belgium
This Light: The New York Announcement of a New Cinema, e-flux- New York, New York
The Artist Leaving the Googleplex, de Appel Arts Centre - Amsterdam, Netherlands
Untitled, Royal Academy of Art, The Hague - The Hague, Netherlands
The Artist Leaving the Googleplex, Cooper Union - New York, New York

2016
Untitled, Interlink Visiting Artist Series at the School of the Art Institute of Chicago - Chicago, Illinois
The Artist Leaving the Googleplex, Visiting Artist Lecture Series at UCLA - Los Angeles, California
Love and Truth panel (with Travis Diehl, Jibz Cameron, and Kevin McGarry), Art Los Angeles Contemporary - Los Angeles, California

2015
Image Employment, Centre Pompidou, Bibliothèque Kandinsky - Paris, France
»(Re)Constructing Authorship«, Akademie Schloss Solitude - Stuttgart, Germany
Artificial Selection, Zürcher Hochschule der Künste - Zurich, Switzerland
Artificial Selection, Staatliche Akademie der Bildenden Künste Stuttgart - Stuttgart, Germany
Lie Down Comedy, Shanaynay - Paris, France
Gross World Product, Academy of Fine Arts Finland - Helsinki, Finland

2014
Image Employment, Harvard University - Cambridge, Massachusetts
Art Basel Salon | Discussion | Art & Commerce (with Christopher Kulendran Thomas and Melanie Bühler - Basel, Switzerland
Gross World Product, Oberlin College - Oberlin, Ohio

2013
Gross World Product, Oxford University - Oxford, England
Gross World Product, Nottingham Trent University - Nottingham, England
Image Employment, FACT - Liverpool, England
Gross World Product, California Institute of the Arts - Los Angeles, California
Gross World Product, Bruce High Quality Foundation University - New York, New York
Image Employment: Overtime, MoMA PS1 Sunday Session - Queens, New York
Stock Fantasy Ventures Investor Meeting, Palazzo Peckham, 55th Venice Biennale - Venice, Italy
Stock Fantasy Ventures Investor Meeting, Impakt Headquarters - Utrecht, Netherlands
The Photographic Universe II, Parsons The New School for Design - New York, New York
Artie Vierkant's Art Now course at New York University - New York, New York
Lie Down Comedy, Rhizome Benefit, New Museum - New York, New York

2012
Company Safety, Silvershed Gallery - New York, New York
University of Colorado Boulder - Boulder, Colorado

2011
Verbindingen/Jonctions 13 - Brussells, Belgium
Virtual Assistance Meeting - Hyperallergic Headquarters - Brooklyn, New York
Open Engagement Conference - Portland State University - Portland, Oregon
Double Feature Lecture with Nick Bastis - Mess Hall - Chicago, Illinois
Virtual Assistance Meeting - Extra Extra - Philadelphia, Pennsylvania

2010
Virtual Assistance Meeting - Sullivan Galleries - Chicago, Illinois
InCUBATE Public Culture 3: Virtual Assistance Meeting - threewalls gallery - Chicago, Illinois
Interactive Screen 1.0 - Banff Center - Alberta, Canada
Dan Price's Concepts/Materials/Processes Course - School of the Art Institute of Chicago

2009
Liisa Robert's Graduate Media Seminar - Academy of Fine Arts Finland

Andrew Norman Wilson
Education School of the Art Institute of ChicagoMaster of Fine Arts 2011 Syracuse University, Newhouse School of CommunicationsBS in Television, Radio and Film 2006 Solo and two-person exhibitions 2019 Kunstverein Braunschweig - Braunschweig, GermanySITUATION, Fotomuseum Winterthur - Winterthur, Switzerland 2018 Center for Contemporary Art Futura - Prague, Czech RepublicKRIEG - Hasselt, Belgium 2017 Ode to Seekers 2012 + Mosquito Computer, Broad Art Museum - East Lansing, MichiganPretense, Human Resources - Los Angeles, California 2016 Ode to Seekers 2012, Document - Chicago, Illinois 2015 Artificial Selection, Rowing - London, EnglandArtificial Selection, Plymouth Rock - Zurich, SwitzerlandStarcom Mediavest, Leo Burnett Building - Chicago, IllinoisWether, Chapter NY - New York, New York 2014 SONE, Project Native Informant - London, EnglandConference Call in the Waiting Room, Greene Exhibitions - Los Angeles, CaliforniaMaterial Uncertainty, Fluxia - Milan, Italy 2013 The Refrain: Medfield/Walpole, threewalls - Chicago, IllinoisMovement Materials and What We Can Do, tenstakonsthall.se (online), Tensta Konsthall - Stockholm, Sweden 2012 ScanOps, Document - Chicago, IllinoisScanOps, Art Metropole - Toronto, OntarioWorkers Leaving the Googleplex/ScanOps - Reed College - Portland, Oregon 2011 Windows and Mirrors, New Capital - Chicago, IllinoisAppendix Space - Portland, OregonWorkers Leaving the Googleplex, LG Space - Chicago, IllinoisVirtual Assistance, Extra Extra Gallery - Philadelphia, Pennsylvania Select screenings and festivals 2019International Film Festival Rotterdam - Rotterdam, The NetherlandsDe Appel - Amsterdam, The NetherlandsRegent Street Cinema - London, England 2018Andrew Norman Wilson, Institute of Contemporary Art - Philadelphia, PennsylvaniaMediums & Kodak, Union Docs - New York, New YorkParis Avant-Premiere, Caro Sposo - Paris, FranceProjections, New York Film Festival - New York, New YorkSwiss Institute Presents: Andrew Norman Wilson: The Order of Ought, Anthology Film Archives - New York, New YorkMonokino, Museum of Contemporary Art - Ostend, BelgiumInterior: Night, Marjorie Barrick Museum of Art - Las Vegas, NevadaSol Air, Mavra - Berlin, GermanyNocturnal Reflections: Immanent Cloud, Macao - Milan, Italy 2017 This Light: The New York Announcement of a New Cinema, e-flux - New York, New YorkCrossroads, San Francisco Museum of Modern Art - San Francisco, CaliforniaHavana Film Festival - Havana, CubaUncertainty Seminars with Andrew Norman Wilson, Stroom Den Haag - Den Haag, NetherlandsSekula Beyond Sekula: Andrew Norman Wilson, Thyssen-Bornemisza Art Contemporary - Vienna, AustriaEXiS festival - Seoul, KoreaAlternative Cinema: Andrew Norman Wilson, Colgate University - Hamilton, New YorkAnn Arbor Film Festival - Ann Arbor, MichiganContact 3017, Honolulu Museum of Art - Honolulu, HawaiiModern Times, Dikeou Pop-Up - Denver, ColoradoMilwaukee Underground Film Festival - Milwaukee, WisconsinRoyal Anthropological Institute Film Festival, Cube Cinema - Bristol, England 2016 Double Feature, Schirn Kunsthalle - Frankfurt GermanyReality Models, Kunstlerhaus Stuttgart/ Theater Rampe - Stuttgart, Germanye-flux journal series, REDCAT - Los Angeles, CaliforniaAndrew Norman Wilson, CaroSposo, Cinémathèque Robert-Lynen - Paris, FranceMetropolitan Cosmopolitan, 83 Pitt Street - New York, New YorkNew Feelings, Opening Times at the Material Art Fair - Mexico City, MexicoMarketplace for Creativity, Yerba Beuna Center for the Arts - San Francisco, CaliforniaThe Artist Leaving the Googleplex, Microlights Cinema - Milwaukee, WisconsinA Night with Andrew Norman Wilson, Shanaynay - Paris, France 2015Hyperlinks, Center for Contemporary Art - Tel Aviv, IsraelSpooky at a Distance, The Green Gallery West - Milwaukee, WisconsinLes Rencontres Internationales, Haus der Kulturen der Welt - Berlin, GermanyImage Employment, Lodos - Mexico City, Mexico 2014 Projections, New York Film Festival - New York, New York#VOICEOVER, Palais de Tokyo - Paris, France / KALEIDOSCOPE Project Space - Milan, ItalyProspectif Cinema, Centre Pompidou - Paris, FranceThree Things for Two Things, The Hammer Museum - Los Angeles, CaliforniaMovement Materials and What We Can Do, Digital Labor Conference, The New School - New York, New YorkLes Rencontres Internationales, Gaîté Lyrique - Paris, FranceMILLENNIUM FILM JOURNAL AT 35, Anthology Film Archives - New York, New YorkDream Factory, Museum of Contemporary Art Sydney and Minerva - Sydney, AustraliaBarriers to Entry, Chicago Filmmakers - Chicago, Illinois 2013 Movement Materials and What We Can Do, Universität der Künste Berlin - Berlin, GermanyMovement Materials and What We Can Do, Photographers Gallery - London, EnglandMovement Materials and What We Can Do, Haus der Kulturen der Welt - Berlin, GermanyMovement Materials and What We Can Do, C21 at University of Wisconsin-Milwaukee - Milwaukee, WisconsinMovement Materials and What We Can Do, I Never Read Art Book Fair Basel, Volkshaus Basel - Basel SwitzerlandMovement Materials and What We Can Do, New York Art Book Fair, MoMA PS1 - Queens, New YorkOK.Video Festival, Galeri Nasional Indonesia - Jakarta, IndonesiaImpakt Festival - Utrecht, the NetherlandsA flote: Economies submergides i precarietat laboral, Sala d’Art Jove - Barcelona, SpainDream Factory, ETCAMA: The Problem of Everything - Amsterdam, The NetherlandsDream Factory, Art Dubai - Dubai, UAEDream Factory, Import Projects - Berlin, GermanyDream Factory, FACT - Liverpool, England 2012 Sidewalk Stories - Images Festival - Toronto, OntarioMade in America - San Francisco International Film Festival - San Francisco, CaliforniaMovement Materials and What We Can Do, Parsons The New School for Design - New York, New YorkMovement Materials and What We Can Do, ZERO1 Biennial - Sausalito, CaliforniaMovement Materials and What We Can Do, American Medium - New York, New YorkMovement Materials and What We Can Do, Images Festival/Art Metropole - Toronto, OntarioMovement Materials and What We Can Do, Reed College - Portland, OregonINDUSTRIAL on tour, Goethe-Institute (Max Mueller Bhavan) - Kolkata, IndiaGross World Product, tank.tv - London, EnglandImage Employment: Overtime, MoMA PS1 Sunday Session - Queens, New YorkPictures in Motion, Berwick Film & Media Arts Festival - Berwick-upon-Tweed, UKVideo Vortex, Museum of Contemporary Art Zagreb - Zagreb, CroatiaASPECT EZ: txt + img, ASPECT - Boston MAArtefact Festival, STUK Arts Centre - Lueven, BelgiumSpeechless, Museum of Contemporary Photography - Chicago, IllinoisLumiere and After - Cornell Cinema - Ithaca, New York 2011 Lumiere and After, San Francisco Cinematheque - San Francisco, CaliforniaBYOB Chicago, Museum of Contemporary Art - Chicago, IllinoisKassel Documentary Film & Video Festival - Kassel, Germanyvideo_dumbo, DUMBO Arts Center - Brooklyn, New YorkATA Film & Video Festival - San Francisco, CaliforniaUrban Research on Film, Directors Lounge - Berlin, GermanyVideo Task Screening, Get Friday Office – Bangalore, India Select group exhibitions 2019 Videonale.17, Kunstmuseum Bonn - Bonn, Germany 2018 I Was Raised on the Internet, Museum of Contemporary Art Chicago - Chicago, IllinoisPicture Industry, Luma Arles - Arles, FranceGemini, Anorak - Stuttgart, GermanyAll I Know Is What’s On The Internet, The Photographer's Gallery - London, EnglandMan-Thing vs. Swamp Thing, Et Al - San Francisco, CaliforniaBig Stories need human stakes, Nieuwe Vide - Haarlem, NetherlandsJuried Exhibition, Los Angeles Municipal Art Gallery - Los Angeles, California 2017 Techne and the Decency of Means, Kunstlerhaus Stuttgart + Theater Rampe - Stuttgart, GermanyBiennale für aktuelle Fotografie - Mannheim/Ludwigshafen/Heidelberg, GermanyParis, London, Hong Kong, Portland, Brooklyn, Detroit, Los Angeles, Chicago, San Diego, Oak Park, Berlin, Document - Chicago, IllinoisBiennale Internationale Design Saint-Etienne - Saint-Etienne, FranceTransmissions from the Etherspace, La Casa Encendida - Madrid, SpainA Coney Island of the Mind, Riverside - Bern, SwizterlandMinor Threat 1983, As It Stands - Los Angeles, California 2016 Dreamlands, Whitney Museum of American Art - New York, New YorkGwangju Biennial - Gwangju, South KoreaBucharest Biennial - Bucharest, RomaniaBerlin Biennial - Berlin, GermanyMoscow International Biennale for Young Art - Moscow, RussiaBread and Roses, Museum of Modern Art Warsaw - Warsaw, PolandScissors Cut Paper Wrap Stone, CCA Derry~Londonderry - Londonderry, Northern IrelandRoy da Prince, Centre For Contemporary Art Futura - Prague, Czech RepublicKosmo, KevinSpace - Vienna, AustriaVie D'Ange, Vie D'Ange - Montreal, Canada 2015 On Sweat, Paper and Porcelain, CCS Bard - Annandale-on-Hudson, New YorkOccupational Therapy, Contemporary Art Museum St. Louis - St. Louis, MissouriOffice Space, Yerba Buena Center for the Arts - San Francisco, CaliforniaCarlos Reyes, White Flag Projects - St. Louis, MissouriNational Gallery 2: Empire, CHEWDAY's - London, EnglandFeeling of Dread, Parisian Laundry - Montreal, CanadaAbject, Import Projects - Berlin, GermanyAufloesung/ Neuordnung, D21 - Leipzig, GermanyHPSCHD 1969>2015, Bologna Museum of Modern Art - Bologna, ItalyTHE PAIN QUOTIDIAN, HQHQ Project Space - Portland, Oregon 2014 Scars of Our Revolution, Yvon Lambert - Paris, FranceDreams That Money Can't Buy, MAXXI - Museo delle Arti del XXI secolo - Rome, ItalyArt Post Internet, Ullens Center for Contemporary Art - Beijing, ChinaNice Work If You Can Get It, Gallery 400 - Chicago, IllinoisRRBGGGRWW (polysemes), Grand Century - New York, New YorkOnce upon a Time, There Was the End, Center for Book Arts - New York, New York 2013 Image Employment, MoMA PS1 - Queens, New YorkFACELESS, MuseumsQuartier Wien - Vienna, AustriaTime & Motion, FACT - Liverpool, EnglandTo Look Is To Labor (three person show with Harun Farocki and Lucy Raven), CCS Bard/Basilica Hudson - Hudson, New YorkPalazzo Peckham, 55th Venice Biennale - Venice, ItalyBrand Innovations for Ubiquitous Authorship, Carroll / Fletcher, London, EnglandSomething More Than A Succession of Notes, Bétonsalon - Paris, France 2012what we watch, COFAspace Gallery, UNSW College of Fine Arts - Sydney, AustraliaYoung Artists Biennial - Bucharest, RomaniaCalibration Shift, Third Party Gallery - Cincinnati, OhioBrand Innovations for Ubiquitous Authorship, Higher Pictures - New York, New YorkDependent Art Fair, The Comfort Inn - New York, New YorkNet Video, Black Box - Givon Gallery - Tel Aviv, IsraelPeer One, Walters Art Museum - Baltimore, Maryland 2011 Target Language, 937/Fourteen30 Contemporary - Portland, OregonEthnographic Terminalia, Eastern Bloc Centre for New Media - Montreal, CanadaY53K, ARTifact Gallery at UC San Diego - La Jolla, CaliforniaSAIC MFA Thesis Exhibition, Wabash Galleries - Chicago, IllinoisStories of Relativity, Sullivan Galleries at the School of the Art Institute of Chicago - Chicago, Illinois Residencies and awards 2016 Techne - Kunstlerhaus Stuttgart and Theater Rampe - Stuttgart, Germany 2015 Akademie Schloss Solitude Fellowship - Stuttgart, GermanyStarcom Mediavest Group Artist in Residence - Chicago, Illinois 2013 Impakt Artist in Residence- Utrecht, Netherlands 2012 Headlands Center for the Arts Artist in Residence - Sausalito, CaliforniaSan Francisco International Film Festival Golden Gate AwardIllinois Arts Council Artist Project grant 2011 Dedalus Foundation Master of Fine Arts FellowshipSAIC MFA Fellowship 2010 Interactive Screen 1.0 Scholarship Intensive - Banff Center - Alberta, Canada Performances + lectures 2018 Points of View, Fake Friends Symposium, Princeton University - Princeton, New JerseyThe Artist Leaving the Googleplex, Yale University - New Haven, ConnecticutUntitled, University of California, Riverside - Riverside, California 2017 The Artist Leaving the Googleplex, Cambridge University - Cambridge, EnglandThe Artist Leaving the Googleplex, Academy of Fine Arts Leipzig - Leipzig, GermanyThe Artist Leaving the Googleplex, PXL-MAD School of Arts - Hasselt, BelgiumThis Light: The New York Announcement of a New Cinema, e-flux- New York, New YorkThe Artist Leaving the Googleplex, de Appel Arts Centre - Amsterdam, NetherlandsUntitled, Royal Academy of Art, The Hague - The Hague, NetherlandsThe Artist Leaving the Googleplex, Cooper Union - New York, New York 2016 Untitled, Interlink Visiting Artist Series at the School of the Art Institute of Chicago - Chicago, IllinoisThe Artist Leaving the Googleplex, Visiting Artist Lecture Series at UCLA - Los Angeles, CaliforniaLove and Truth panel (with Travis Diehl, Jibz Cameron, and Kevin McGarry), Art Los Angeles Contemporary - Los Angeles, California 2015 Image Employment, Centre Pompidou, Bibliothèque Kandinsky - Paris, France»(Re)Constructing Authorship«, Akademie Schloss Solitude - Stuttgart, GermanyArtificial Selection, Zürcher Hochschule der Künste - Zurich, SwitzerlandArtificial Selection, Staatliche Akademie der Bildenden Künste Stuttgart - Stuttgart, GermanyLie Down Comedy, Shanaynay - Paris, FranceGross World Product, Academy of Fine Arts Finland - Helsinki, Finland 2014 Image Employment, Harvard University - Cambridge, MassachusettsArt Basel Salon | Discussion | Art & Commerce (with Christopher Kulendran Thomas and Melanie Bühler - Basel, SwitzerlandGross World Product, Oberlin College - Oberlin, Ohio 2013 Gross World Product, Oxford University - Oxford, EnglandGross World Product, Nottingham Trent University - Nottingham, EnglandImage Employment, FACT - Liverpool, EnglandGross World Product, California Institute of the Arts - Los Angeles, CaliforniaGross World Product, Bruce High Quality Foundation University - New York, New YorkImage Employment: Overtime, MoMA PS1 Sunday Session - Queens, New YorkStock Fantasy Ventures Investor Meeting, Palazzo Peckham, 55th Venice Biennale - Venice, ItalyStock Fantasy Ventures Investor Meeting, Impakt Headquarters - Utrecht, NetherlandsThe Photographic Universe II, Parsons The New School for Design - New York, New YorkArtie Vierkant's Art Now course at New York University - New York, New YorkLie Down Comedy, Rhizome Benefit, New Museum - New York, New York 2012 Company Safety, Silvershed Gallery - New York, New YorkUniversity of Colorado Boulder - Boulder, Colorado 2011 Verbindingen/Jonctions 13 - Brussells, BelgiumVirtual Assistance Meeting - Hyperallergic Headquarters - Brooklyn, New YorkOpen Engagement Conference - Portland State University - Portland, OregonDouble Feature Lecture with Nick Bastis - Mess Hall - Chicago, IllinoisVirtual Assistance Meeting - Extra Extra - Philadelphia, Pennsylvania 2010 Virtual Assistance Meeting - Sullivan Galleries - Chicago, IllinoisInCUBATE Public Culture 3: Virtual Assistance Meeting - threewalls gallery - Chicago, IllinoisInteractive Screen 1.0 - Banff Center - Alberta, CanadaDan Price's Concepts/Materials/Processes Course - School of the Art Institute of Chicago 2009 Liisa Robert's Graduate Media Seminar - Academy of Fine Arts Finland

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