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blinkvideo - research of video art, performance and multimedia installations.

For artists we provide a platform for extensive presentation of media works, gallerists get a direct contact to international professional audiences, collectors find a worldwide overview of contemporary trends in moving image, curators can do research via keywords and compilations, teachers use presentation opportunities for students and all professionals get password protected, extensive information about video works worldwide.

B3 – ON DESIRE

With the key topic ON DESIRE, B3 will in fall 2017 reflect on the latest trends relating to the moving image in art and media from a political, technological and aesthetic perspective.  Desire as yearning, wish, lust or hope and its translation into moving images will be explored in an artistic, social, political, sociopolitical and historical perspective and critically examined. . . .

VIDEONALE.16 Festival for Video and Time-Based Arts 2017

The 16th Videonale - Festival for Video and Time-Based Arts, this year took place under the title PERFORM! The exhibitions at the Kunstmuseum Bonn featured recent works by a total of 43 international artists

KINO DER KUNST 2017

a worldwide unique combination of film festival and art exhibition, held its third edition in April 2017. Movie theatres and museums all over Munich presented an International Competition as well as special focuses, artists talks, smposions and multi-channel installations.

Featured videos

Anita Beckers selection of videos for Independent Collector

In an exclusive interview with IC she talks about the technological progress that keeps reinventing the genre and her different roles she faces as a collector, gallerist and curator.

Artemovendo – in collaboration with Goethe Institut Porto Alegre

The video works shown in Artemovendo present a morphology of ambiguous entities, creatures or technical devices. Natural environments are contrasted with artificial, fully computer-designed worlds. Sometimes it is difficult to distinguish whether we have been invited to take a look at the outside world or into a laboratory; even dimensions appear to be chosen arbitrarily. Or do we happen to be entering a microscopically small universe that has been magnified many times over?

"Ajonjolí y otros moles"
Chance, Observation and a Poetics of the Personal

A series of pieces which deal with chance and observation of the every day; that which in our perception is hidden unless we slow down and take a closer look.

Stiftung imai – inter media art institute

The Düsseldorf based foundation imai – inter media art institute was founded in 2006 in order to establish an institution in Germany dedicated to the distribution and preservation of media art and associated activities.

Our Partners

blinkvideo mediaart
blinkvideo is a website for the research of video art. Founders: Julia Sökeland, Anita Beckers. blinkvideo ist eine Plattform zur Recherche nach Videokunst

Kota Ezawa

Works


Galleries

Anita Beckers Gallery
Anita Beckers
Frankenallee 74
60327 Frankfurt
Germany

Phone: +49 69 73900967
E-Mail: info@galerie-beckers.de




Biography

born Cologne, Germany, 1969

Education

2003 MFA, Stanford University
1995 BFA, San Francisco Art Institute
1990 -1994 Kunstakademie Düsseldorf, Germany

Solo exhibitions

2015
The Thingness of an Object, Feldbusch Wiesner, Berlin, Germany

2014
Panorama, Christopher Grimes Gallery, Santa Monica, CA
LYAM 3D, Pierre-François Quellette art contemporain, Montreal, Canada
The Aesthetics of Silence, Haines Gallery, San Francisco, CA

2013
Kota Ezawa: Redrawn, Albright-Knox Art Gallery, Buffalo, NY
Boardwalk, Yerba Buena Center for the Arts, San Francisco, CA

2012
Offsite: Kota Ezawa, Vancouver Art Gallery, Vancouver, Canada
The Curse of Dimensionality, Haines Gallery, San Francisco, CA

2011
Paper or Plastic, Mendes Wood, Sao Paulo Brazil
City of Nature, Feldbusch Wiesner Galerie, Berlin, Germany
City of Nature, Murray Guy, New York, NY
City of Nature, Madison Square Park, New York. NY

2010
Beatles Über California, Galerie Anita Beckers, Frankfurt a.M., Germany

2009
Odessa Staircase Redux, Haines Gallery, San Francisco, CA
Medley, The Box, Wexner Center for the Arts, Columbus, OH
Group Show, Galerie Anita Beckers, Frankfurt a.M., Germany

2008
New Media Series: Kota Ezawa, St. Louis Art Museum, St. Louis, MO
Multiplex, Murray Guy, New York, NY
Brawl, Luckman Gallery, California State University, Los Angeles, CA
Dietmar Lutz & Kota Ezawa: Documenta, Arquebuse Gallery, Geneva, Switzerland

2007
Project Space: Hotel California, The Hayward Gallery, London, UK
Last Year At Marienbad, Gandy Gallery, Bratislava, Slovak Republic
The History of History, Charles E. Scott Gallery, Emily Carr Institute, Vancouver, Canada
Kota Ezawa: Re-Animating History, Williams College Museum of Art, Williamstown, MA

2006
Kota Ezawa, Artpace, San Antonio, TX
The History of Photography Remix, Haines Gallery, San Francisco, CA

2005
Matrix 154, Wadsworth Atheneum Museum of Art, Hartford, CT
Lennon Sontag Beuys, Murray Guy, New York, NY
Project Room, Santa Monica Museum of Art, Santa Monica, CA

2004
Version (with Michele O’Marah), New Langton Arts, San Francisco, CA

2003
Who’s Afraid of Black, White and Grey, Haines Gallery, San Francisco, CA

Selected group exhibitions

2015
Last Year in Marienbad: A Film as Art, Kunsthalle Bremen, Germany
Watch This! Revelations in Media Art, Smithsonian American Art Museum, Washington, DC
Screen Play: Life in an Animated World, Albright-Know Art Gallery, Buffalo, NY
Bewegte Bilder, Marburger Kunstverein, Marburg, Germany
No Place Like Home: Selections from the John Wieland Collection of Contemporary Art,
Brigham Young University Museum of Art, Provo, UT

2014
Convergences: Selected Photographs from the Permanent Collection, J. Paul Getty Museum, Los Angeles, CA
Out of Site, PEER Gallery, London, UK
Fundamental Abstraction III, Haines Gallery, San Francisco, CA
Between Critique and Absorbtion: Contemporary Art and Consumer Culture, Haggerty Museum,
Marquette University, Milwaukee, WI
Utopias Constructed, Republic Gallery, Vancouver, BC, Canada
The Plot Thickens, Fraenkel Gallery, San Francisco, CA

2013
Out of the Ordinary, Hirshhorn Museum and Sculpture Garden, Washington DC
The Unphotographable, Fraenkel Gallery, San Francisco, CA
Ed Ruscha: Books & Company, Gagosian Gallery, NY
traveling to: Museum Brandhorst, Munich, Germany
Proximities 2: Knowing Me, Knowing You, Asian Art Museum, San Francisco, CA
Conflict Resolution, Pierre-François Ouellette Art Contemporain, Montreal, Canada
This is not America: Resistence, Protest and Poetics, Arizona State University Art Museum, Tempe, AZ

2012
After Photoshop, Metropolitan Museum of Art, New York, NY
The Sports Show, Minneapolis Institute of Arts, Minneapolis, MN
Occupy Bay Area, Yerba Buena Center for the Arts, San Francisco, CA
The End, Vogt Gallery, New York, NY
Fax, San Francisco Art Commission Gallery, San Francisco, CA
The Dwelling Life of Man, Photographs from the Martin Z. Margulies Collection,
Foto Colectania Foundation, Barcelona, Spain

2011
Watch This! New Directions in the Art of the Moving Image,
Smithsonian American Art Museum, Washington, DC
H-Box, Artsonje Museum, Seoul, South Korea
Blink, Denver Art Museum, CO
Fifty Years of Bay Area Art: The SECA Art Awards, San Francisco Museum of Modern Art, CA
The More Things Change, San Francisco Museum of Modern Art, CA
Serious Games: War-Media-Art, Mathlidenhöhe, Darmstadt, Germany
Super 8, Christopher Grimes Gallery, Santa Monica, CA

2010
Video Art: Replay, Part 2. Everyday Imaginary, Institute of Contemporary Art,
University of Pennsylvania, Philadelphia, PA
CUE: Artists’ Videos, Vancouver Art Gallery, Vancouver, Canada
Until Now: Collecting the New (1960-2010), Minneapolis Institute of Arts, Minneapolis, MN
Bruce Conner: Long Play and the Singles Collection, San Francisco Museum of Modern Art, CA
Pervasive Influence: The Mechanical Bride, Museum of Contemporary Canadian Art, Toronto, Canada
21st Century: Art in the First Decade, Queensland Art Gallery, Brisbane, Australia
New Art for a New Century: Contemporary Acquisitions 2000 – 2010,
Orange County Museum of Art, Newport Beach, CA
Splicing Life, Contemporary Art Galleries, University of Connecticut, Storrs, CT
New York Now, Murray Guy, New York, NY
The Tell Tale Heart, James Cohan Gallery, New York, NY
The Image in Question: War-Media-Art, Carpenter Center for the Visual Arts,
Harvard University, Cambridge, MA
Remise Animation, Städtische Galerie Delmenhorst, Germany
Project 35, Independent Curators International – touring exhibition

2009
Dress Codes: The Third Triennial of Photography and Video,
International Center of Photography, New York, NY
Material Witness, Berkeley Art Museum, Berkeley, CA
Talking Pictures, Site Santa Fe, Santa Fe, NM
Grau Zero, Paco das Artes, Sao Paulo, Brazil
Suddenly This Summer, Sikkema, Jenkins & Co., New York, NY
Untitled (History of Painting): Painting and Public Life in the 21st Century,
University of Michigan Museum of Art, Ann Arbor, MI
H-Box, Orange County Museum of Art, CA
The Moving Image: Scan to Screen, Pixel to Projection, Orange County Museum of Art, CA

2008
The Cinema Effect: Illusion, Reality and the Moving Image; Part II: Realisms,
Hirshhorn Museum and Sculpture Garden, Washington, DC
Photography on Photography: Reflections on the Medium since 1960,
Metropolitan Museum of Art, New York, NY
O1SJ Biennial:Superlight, San Jose Museum of Art, CA,
traveling to Museum of Contemporary Art Cleveland, OH
The New Normal, Artists Space, New York, NY
5th International Media Art Biennial, Seoul Museum of Art, Korea
Ours: Democracy in the Age of Branding,
Vera List Center for Art and Politics at The New School, New York, NY
Two-Fold Faction, PKM Gallery, Beijing, China
The Object is the Mirror (Part II), Wilkinson Gallery, London, UK

2007
SECA Art Award, San Francisco Museum of Modern Art, San Francisco, CA
On the Scene: Kota Ezawa, Sarah Hobbs, Angela Strassheim, The Art Institute of Chicago, IL
Animated Painting, San Diego Museum of Art, CA
Geopolitics of Animation, Centro Andaluz de Arte Contemporáneo, Seville, Spain
Image Processor, Lombard Fried Projects, New York, NY
Four Thursday Nights: Minus, Aspen Art Museum, CO
Reality Reloaded, 14-1 Galerie, Stuttgart Germany
Kota Ezawa / Alan Rath / Nam June Paik, Haines Gallery, San Francisco, CA
Videology, Gandy Gallery, Bratislava, Slovak Republic

2006
Out of Time: A Contemporary View, The Museum of Modern Art, New York, NY
Down by Law, The Wrong Gallery at the Whitney Biennial,
Whitney Museum of American Art, New York, NY
Suburban Escape: The Art of California Sprawl, San Jose Museum of Art, San Jose, CA
NextNew2006: Art and Technology, Institute of Contemporary Art, San Jose, CA
Regarding Truth: An Exhibition of Work by Artadia Award Winners,
CCA Wattis Institute for Contemporary Art, San Francisco, CA
Histories Animades, Caixa Forum, Barcelona, Spain,
traveling to Sale Rekalde, Bilbao, Spain, and to Le Fresnoy, France
Metro Pictures, The Moore Space/Museum of Contemporary Art, North Miami, FL
Joint Venture, Richard L. Nelson Gallery, University of California, Davis, CA

2005
The Last Generation, Apex Art, New York, NY, traveling to Jousse Entreprise, Paris, France
I Still Believe in Miracles, Musée d’Art moderne de la Ville de Paris, ARC,
au Couvent des Cordeliers, Paris, France
in words and pictures, Murray Guy, New York, NY
Seeing Double: Encounters with Warhol, The Andy Warhol Museum, Pittsburgh, PA

2004
2004 California Biennial, Orange County Museum of Art, Newport Beach, CA
Shanghai Bienniale 2004: Techniques of the Visible, Shanghai Art Museum, China
temporalscape, Haines Gallery, San Francisco, CA
Baja to Vancouver: The West Coast and Contemporary Art, traveling exhibition:
Seattle Art Museum, Seattle, WA; Museum of Contemporary Art San Diego, CA ;
Vancouver Art Gallery, Vancouver, Canada; CCA Wattis Institute for Contemporary Arts,
San Francisco, CA (catalogue)
simple.tech, Sheppard Fine Arts Gallery, University of Nevada, Reno, NV
Bay Area Bazaar, Pulliam Deffenbaugh Gallery, Portland, OR

2003
Killer Kartoons, Vox Populi, Philadelphia, PA
Single Channel, Blaffer Gallery, University of Houston, Houston, TX

2002
Bay Area Now 3, Yerba Buena Center for the Arts, San Francisco, CA

2001
Images Festival, Toronto
Stuttgarter Filmwinter, Stuttgart, Germany

2000
LA Freewaves, Otis Gallery, Los Angeles, CA
It’s the beginning of a new friendship,
Kunstverein für die Rheinlande und Westfalen, Düsseldorf, Germany

1999
Spiel des Lebens, Hauptpost, Düsseldorf, Germany

1997
Better, San Francisco Arts Commission Gallery

1995
Rhine Video, Anthology Film Archives, New York, NY

1993
Düsseldorf, Cologne – A Village Gaze, Anthology Film Archives, New York

Temporary and permanent public commissions

2014-15
Panorama, mural, Central Subway Chinatown Station, San Francisco, CA
(commissioned by the San Francisco Arts Commission)
2014
Hand Vote, wood sculpture, Canal Park, Washington, DC
(commissioned by 5x5)
2012
Hand Vote, wood sculpture, Vancouver Art Gallery Offsite, Vancouver, BC, Canada
2011
City of Nature, animated film on outdoor monitors, Madison Square Park, New York, NY
(commissioned by the Madison Square Park Conservancy)
2009-present
Hotel Movies, 5 lightboxes, Mission Bay Campus, University of California, San Francisco, CA

Selected film screenings

2015
The Neuflize OBC video night, Palais du Tokyo, Paris, France
2014
Artprojx presents:The Miami and Moscow Film Selections, Bermondsey Project, London, UK
Arte Video Night, Paris, France
Performance/Video, Artists’ Television Access, San Francisco
2013
the poetics of Mountains, their mutations and multifarious things, curated by David Gryn, Artprojx, Verbier, Switzerland
2012
Take Off, Kadist Art Foundation/SF Film Society, San Francisco (solo screening with reading by Kenneth Goldsmith)
The Hamburg International Short Film Festival, Hamburg, Germany
Panorama, San Francisco Museum of Modern Art, San Francisco, CA
2011
Art Video, Art Basel Miami Beach, FL
Arte Video Night, Paris, France
Reading Experimental Film Festival, Reading, UK
Mixtape, Image Movement, Berlin, Germany (solo screening)
International Short Film Festival Oberhausen, Germany
Provincetown International Film Festival, Provincetown, RI
2010
Animated Screen, CPH PIX, Copenhagen, Denmark
2008
Le Syndrome Chinois, Musée du Louvre, Paris, France (solo screening)
European Media Arts Festival, Osnabrück, Germany
Three Days of Film Screenings by Contemporary Artists, Haunch of Venison, London, UK
2007
Pervasive Animation, Tate Britain, London, UK
2006
The Artists Cinema, Frieze Art Fair, London, UK
Fame As Form, San Francisco Cinematheque, CA
2005
Premieres, The Museum of Modern Art, New York, NY
2003
Courtisane Festival, Gent, Belgium
2002
Impakt Festival, Utrecht, The Netherlands
2000
International Short Film Festival Berlin, Germany
International Festival of New Film, Split, Croatia

Awards / fellowships

2014
Lamar Dodd Professorial Chair, Lamar Dodd School of Art, University of Georgia, Athens, GA
2013
Artist in Residence, Villa Kamogawa, Goethe Institut, Kyoto, Japan
2011
Artist in Residence, Headlands Center for the Arts, Sausalito, CA
Imprint Artist in Residence, San Francisco Center for the Book, San Francisco, CA
2010
Eureka Fellowship, Fleishhacker Foundation, San Francisco, CA
2006
SECA Art Award, San Francisco Museum of Modern Art, San Francisco, CA
2005
Artadia Jury Award, San Francisco, CA
Residency Fellowship, Akademie Schloss Solitude, Stuttgart, Germany
2003
Louis Comfort Tiffany Foundation Award, New York, NY
Personal Work Grant, Film Arts Foundation, San Francisco, CA
Mediamaker Award, Bay Area Video Coalition, San Francisco, CA
2001
Jack and Gertrude Murphy Fellowship, The San Francisco Foundation, San Francisco, CA
1995
Meisterschüler, Kunstakademie Düsseldorf, Germany

Selected bibliography

2014 Whiting, Sam. “Chinatown ‘Panorama’ mural like an oceangoing travelogue.” San Francisco Chronicle,
April 8, 2014.
Mizota, Sharon. “Kota Ezawa filters big events through a deadpan aesthetic.” Los Angeles Times,
February 7, 2014.
Chassepot, Béatrice. “The essential remains.” art.es, February, 2014.
2013 McCarthy, Allison. “SF Artist Kota Ezawa recycles his own imagery to create new art.” 7x7,
December/January Issue, 2013/14.
2012 “Kota Ezawa in conversation with Karen Beckman.” Grey Room, Issue 47, Spring 2012.
Cassidy, Laura. “The Curse of Dimensionality.” Art Practical, February, 2012.
Baker, Kenneth, “Cursed.” San Francisco Chronicle, February 11, 2012.
Hotchkiss, Sarah, “Kota Ezawa & Taha Belal at Haines Gallery.” KQED Arts, January, 2012.
Quick, Genevieve, “Kota Ezawa: The Curse of Dimensionality at Haines Gallery.” Temporary Art Review,
January 25, 2012.
2011 Smith, Tara. “Critic’s Pick: Kota Ezawa – Feldbuschwiesner Galerie.” Artforum.com, October, 2011.
Beckman, Karen. “Animation on Trial.” Animation: An Interdisciplinary Journal, Volume 6 No 3,
November 2011, pp 259-269.
Hulme, Emily. “More nature for Madison Square.” AmNew York, March 18-20, 2011.
Halle, Howard. “Landscape becomes pop artifact.” TimeOut New York, March, 2011.
Gopnik, Blake. “Hard-core Beatles.” The Daily Beast, April 4, 2011.
Saltiel, Natlie. “Kota Ezawa: City of Nature.” Rhizome, April 15, 2011.
2010 Helfand, Glen. “Kota Ezawa.” Artforum, January 2010.
Fischer, Jack. “Reality Twice Removed.” Stanford Magazine, July 2010.
“Ri-Animazione.” Marie Claire, Italy, September 2010.
2009 Marti Silas. “Vídeos do alemão Kota Ezawa são exibidos em mostra em SP.”
Folha SP, Brazil, November 4, 2009.
2008 “In Conversation: Kota Ezawa and Constance Lewallen.” The Brooklyn Rail, September 2008.
“Kota Ezawa.” The New Yorker, September 30, 2008.
Tissot, Karine, “Dietmar Lutz & Kota Ezawa: Documenta.” Artreview, May 2008, p. 125.
Anne Ellegood. “Kota Ezawa.” The Cinema Effect: Illusion, Reality, and the Moving Image,
Hirshhorn Museum and Sculpture Garden & D Giles Ltd - London, 2008, pp. 13/137.
2007 Chun, Kimberly. “The Video Guy.” The San Francisco Bay Guardian, January 24, 2007.
Laurence, Robin. “Kota Ezawa: The History of History.” Georgia Straight, March 29, 2007.
Egan, Danielle. “Going Out: Visual Art Drawing from History.” Globe and Mail, April 13, 2007.
“Kota Ezawa / Chris Finley / Jordan Kantor.” The New Yorker, May 14, 2007.
Hertz, Betti-Sue. “Kota Ezawa.” Animated Painting, San Diego Museum of Art, 2007.
Olson, Christopher. “Kota Ezawa.” Border Crossings, issue 103, August 2007, pp. 138-140.
2006 Baker, Kenneth. “Emblems of an Era as Seen From a Fresh Medium.”
San Francisco Chronicle, January 21, 2006.
Keats, Jonathan. “Kota Ezawa at Haines Gallery.” Art in America, May 2006.
Mobley, Chuck. “From A to Z and Back Again.” Contemporary Magazine, issue 82, 2006, pp. 36-37.
Bing, Alison. “Kota Ezawa at Haines Gallery.” Artweek, vol. 37, issue 2, March 2006.
2005 “Kota Ezawa.” Lettre_ Internationale, issue 9, December 2006, pp. Cover, 2/12/19/46/49/51/53/55.
Broker, David. “Photofile.” Don’t Flip the Switch, issue 74, Spring 2005.
Genocchio, Benjamin. “Life, One Frame at a Time.” The New York Times, December 25, 2005.
Goldsmith, Meredith. “Reviews: West Coast – San Francisco.” Art Papers, January/February 2005.
Oldstein, Leigh. “One to Watch: Kota Ezawa, in Artkrush.com.” issue 3, April 2005.
Higgs, Matthew. “Openings: Kota Ezawa.” Artforum, February 2005, pp. 162-163.
Ratner, Megan. “Kota Ezawa.” Frieze Magazine, issue 95, November/December 2005.
“Kota Ezawa & John Smith in conversation, From Fame to Form and Pop to Hop.”
Camerawork, volume 32, no. 2, Fall/Winter 2005.
Stillman, Nick. “Kota Ezawa.” TimeOut New York, issue 524, October 13-20, 2005.
“The Last Generation.” The New Yorker, November 24, 2003.
Schwendener, Martha. “Critic’s Pick: Kota Ezawa – Murray Guy.” Artforum.com, 2005.
Vine, Richard. “Shanghai Accelerates.” Art in America, 2005, pp. 104-111.
Zellen, Jody. “Reviews: West Coast – Santa Monica.” Art Papers, July/August 2005.
Bing, Alison. “Artist at work: Kota Ezawa.” Art Contemporaries, Fall 2004, pp. 4-5.
Coupland, Ken. “Distant Recall.” RES, November/December 2004.
2004 Bing, Alison. “Kota Ezawa and Michele O’Mara: ‘Version’: A Room for Debate.”
SF Gate, October 7, 2004.
Feldman, Melissa. “Kota Ezawa at Haines.” Art in America, April, 2004, p. 141.
Knight, Christopher. “Coastal confluence: Geography links the art in ‘Baja to Vancouver’, but it’s the
Social landscape that resonates.” Los Angeles Times, February 1, 2004, pp. E41, E48.
2003 Baker, Kenneth. “Who’s Afraid of Computer Animation – Or Modern Art by One of Italy’s Greats.”
San Francisco Chronicle, November 22, 2003.
Hackett, Regina. “A treck through West Coast art: ‘Baja to Vancouver’ at SAM explores the distinctive cultural terrain of the Pacific corridor.” Seattle Post-Intelligencer, section E, October 9, 2003.
2003 Farr, Sheila. “SAM’s ‘Baja to Vancouver’ showcases impact of mass culture on West Coast art”.
The Seattle Times, October 9, 2003.
Bonetti, David. “Bay Area Now 3.” Contemporary Magazine, issue 49, 2003, p. 25.
2002 Tromble, Merideth. “Bay Area Now 3.” Stretcher.org, November 2002.
Lee, Margaret. “The Now School: Five Artists from Bay Area Now 3.” Kitchen Sink, Fall 2002.
Macpherson, Mary. “Revisiting OJ From a Distance.” North Beach Journal, November 2002.
Baker, Kenneth. “Ezawa animates OJ Verdict.” San Francisco Chronicle, October 25, 2002.

Publications / books

2012 Paper Space, San Francisco: San Francisco Center for the Book, January 2012, 4 pages.
2011 Upstairs Downstairs. Moscow, ID: University of Idaho, October 2010.
Essays by Kevin Killian and Roger Rowley, 20 pages.
2010 Odessa Staircase Redux. Vancouver: ECU Press, & Zürich: JRP Ringier, February 2010, 160 pages.
2007 The History of Photography Remix. Portland: Nazraeli Press, November 2007.
Essay by Lars Bang Larsen and Chus Martinez, 60 pages.

Public collections

Albright-Knox Art Gallery, Buffalo, NY
Art Institute of Chicago, IL
Berkeley Art Museum & Pacific Film Archive, University of California, Berkeley, CA
Collection Neuflize Vie, Paris, France
Israel Museum, Jerusalem, Israel
J Paul Getty Museum, Los Angeles, CA
Hirshhorn Museum and Sculpture Garden, Washington, DC
Kunstmuseum Stuttgart, Germany
Margulies Collection, Miami, FL
Metropolitan Museum of Art, New York, NY
Minneapolis Institute of Arts, MN
Museum of Contemporary Art, Chicago, IL
Museum of Contemporary Art, Jacksonville, FL
Museum of Contemporary Art San Diego, CA
The Museum of Modern Art, New York, NY
Netherlands Media Arts Institute, Amsterdam, The Netherlands
Oakland Museum of California, CA
The Orange County Museum of Art, Newport Beach, CA
Pilara Foundation Collection, Pier 24 Photography, San Francisco, CA
Queensland Art Gallery, Brisbane, Australia
Richard L. Nelson Gallery & Fine Arts Collection, University of California, Davis, CA
The RISD Museum, Providence, RI
San Francisco Museum of Modern Art, San Francisco, CA
San Diego Museum of Art, CA
Smithsonian American Art Museum, Washington, DC
Städtische Galerie Wolfsburg, Germany
Ulrich Museum of Art, Wichita State University, Wichita, KS
[public collections continued]
Wadsworth Atheneum Museum of Art, Hartford, CT

Kota Ezawa
born Cologne, Germany, 1969 Education 2003 MFA, Stanford University 1995 BFA, San Francisco Art Institute 1990 -1994 Kunstakademie Düsseldorf, Germany Solo exhibitions 2015 The Thingness of an Object, Feldbusch Wiesner, Berlin, Germany 2014 Panorama, Christopher Grimes Gallery, Santa Monica, CA LYAM 3D, Pierre-François Quellette art contemporain, Montreal, Canada The Aesthetics of Silence, Haines Gallery, San Francisco, CA 2013 Kota Ezawa: Redrawn, Albright-Knox Art Gallery, Buffalo, NY Boardwalk, Yerba Buena Center for the Arts, San Francisco, CA 2012 Offsite: Kota Ezawa, Vancouver Art Gallery, Vancouver, Canada The Curse of Dimensionality, Haines Gallery, San Francisco, CA 2011 Paper or Plastic, Mendes Wood, Sao Paulo Brazil City of Nature, Feldbusch Wiesner Galerie, Berlin, Germany City of Nature, Murray Guy, New York, NY City of Nature, Madison Square Park, New York. NY 2010 Beatles Über California, Galerie Anita Beckers, Frankfurt a.M., Germany 2009 Odessa Staircase Redux, Haines Gallery, San Francisco, CA Medley, The Box, Wexner Center for the Arts, Columbus, OH Group Show, Galerie Anita Beckers, Frankfurt a.M., Germany 2008 New Media Series: Kota Ezawa, St. Louis Art Museum, St. Louis, MO Multiplex, Murray Guy, New York, NY Brawl, Luckman Gallery, California State University, Los Angeles, CA Dietmar Lutz & Kota Ezawa: Documenta, Arquebuse Gallery, Geneva, Switzerland 2007 Project Space: Hotel California, The Hayward Gallery, London, UK Last Year At Marienbad, Gandy Gallery, Bratislava, Slovak Republic The History of History, Charles E. Scott Gallery, Emily Carr Institute, Vancouver, Canada Kota Ezawa: Re-Animating History, Williams College Museum of Art, Williamstown, MA 2006 Kota Ezawa, Artpace, San Antonio, TX The History of Photography Remix, Haines Gallery, San Francisco, CA 2005 Matrix 154, Wadsworth Atheneum Museum of Art, Hartford, CT Lennon Sontag Beuys, Murray Guy, New York, NY Project Room, Santa Monica Museum of Art, Santa Monica, CA 2004 Version (with Michele O’Marah), New Langton Arts, San Francisco, CA 2003 Who’s Afraid of Black, White and Grey, Haines Gallery, San Francisco, CA Selected group exhibitions 2015 Last Year in Marienbad: A Film as Art, Kunsthalle Bremen, Germany Watch This! Revelations in Media Art, Smithsonian American Art Museum, Washington, DC Screen Play: Life in an Animated World, Albright-Know Art Gallery, Buffalo, NY Bewegte Bilder, Marburger Kunstverein, Marburg, Germany No Place Like Home: Selections from the John Wieland Collection of Contemporary Art, Brigham Young University Museum of Art, Provo, UT 2014 Convergences: Selected Photographs from the Permanent Collection, J. Paul Getty Museum, Los Angeles, CA Out of Site, PEER Gallery, London, UK Fundamental Abstraction III, Haines Gallery, San Francisco, CA Between Critique and Absorbtion: Contemporary Art and Consumer Culture, Haggerty Museum, Marquette University, Milwaukee, WI Utopias Constructed, Republic Gallery, Vancouver, BC, Canada The Plot Thickens, Fraenkel Gallery, San Francisco, CA 2013 Out of the Ordinary, Hirshhorn Museum and Sculpture Garden, Washington DC The Unphotographable, Fraenkel Gallery, San Francisco, CA Ed Ruscha: Books & Company, Gagosian Gallery, NY traveling to: Museum Brandhorst, Munich, Germany Proximities 2: Knowing Me, Knowing You, Asian Art Museum, San Francisco, CA Conflict Resolution, Pierre-François Ouellette Art Contemporain, Montreal, Canada This is not America: Resistence, Protest and Poetics, Arizona State University Art Museum, Tempe, AZ 2012 After Photoshop, Metropolitan Museum of Art, New York, NY The Sports Show, Minneapolis Institute of Arts, Minneapolis, MN Occupy Bay Area, Yerba Buena Center for the Arts, San Francisco, CA The End, Vogt Gallery, New York, NY Fax, San Francisco Art Commission Gallery, San Francisco, CA The Dwelling Life of Man, Photographs from the Martin Z. Margulies Collection, Foto Colectania Foundation, Barcelona, Spain 2011 Watch This! New Directions in the Art of the Moving Image, Smithsonian American Art Museum, Washington, DC H-Box, Artsonje Museum, Seoul, South Korea Blink, Denver Art Museum, CO Fifty Years of Bay Area Art: The SECA Art Awards, San Francisco Museum of Modern Art, CA The More Things Change, San Francisco Museum of Modern Art, CA Serious Games: War-Media-Art, Mathlidenhöhe, Darmstadt, Germany Super 8, Christopher Grimes Gallery, Santa Monica, CA 2010 Video Art: Replay, Part 2. Everyday Imaginary, Institute of Contemporary Art, University of Pennsylvania, Philadelphia, PA CUE: Artists’ Videos, Vancouver Art Gallery, Vancouver, Canada Until Now: Collecting the New (1960-2010), Minneapolis Institute of Arts, Minneapolis, MN Bruce Conner: Long Play and the Singles Collection, San Francisco Museum of Modern Art, CA Pervasive Influence: The Mechanical Bride, Museum of Contemporary Canadian Art, Toronto, Canada 21st Century: Art in the First Decade, Queensland Art Gallery, Brisbane, Australia New Art for a New Century: Contemporary Acquisitions 2000 – 2010, Orange County Museum of Art, Newport Beach, CA Splicing Life, Contemporary Art Galleries, University of Connecticut, Storrs, CT New York Now, Murray Guy, New York, NY The Tell Tale Heart, James Cohan Gallery, New York, NY The Image in Question: War-Media-Art, Carpenter Center for the Visual Arts, Harvard University, Cambridge, MA Remise Animation, Städtische Galerie Delmenhorst, Germany Project 35, Independent Curators International – touring exhibition 2009 Dress Codes: The Third Triennial of Photography and Video, International Center of Photography, New York, NY Material Witness, Berkeley Art Museum, Berkeley, CA Talking Pictures, Site Santa Fe, Santa Fe, NM Grau Zero, Paco das Artes, Sao Paulo, Brazil Suddenly This Summer, Sikkema, Jenkins & Co., New York, NY Untitled (History of Painting): Painting and Public Life in the 21st Century, University of Michigan Museum of Art, Ann Arbor, MI H-Box, Orange County Museum of Art, CA The Moving Image: Scan to Screen, Pixel to Projection, Orange County Museum of Art, CA 2008 The Cinema Effect: Illusion, Reality and the Moving Image; Part II: Realisms, Hirshhorn Museum and Sculpture Garden, Washington, DC Photography on Photography: Reflections on the Medium since 1960, Metropolitan Museum of Art, New York, NY O1SJ Biennial:Superlight, San Jose Museum of Art, CA, traveling to Museum of Contemporary Art Cleveland, OH The New Normal, Artists Space, New York, NY 5th International Media Art Biennial, Seoul Museum of Art, Korea Ours: Democracy in the Age of Branding, Vera List Center for Art and Politics at The New School, New York, NY Two-Fold Faction, PKM Gallery, Beijing, China The Object is the Mirror (Part II), Wilkinson Gallery, London, UK 2007 SECA Art Award, San Francisco Museum of Modern Art, San Francisco, CA On the Scene: Kota Ezawa, Sarah Hobbs, Angela Strassheim, The Art Institute of Chicago, IL Animated Painting, San Diego Museum of Art, CA Geopolitics of Animation, Centro Andaluz de Arte Contemporáneo, Seville, Spain Image Processor, Lombard Fried Projects, New York, NY Four Thursday Nights: Minus, Aspen Art Museum, CO Reality Reloaded, 14-1 Galerie, Stuttgart Germany Kota Ezawa / Alan Rath / Nam June Paik, Haines Gallery, San Francisco, CA Videology, Gandy Gallery, Bratislava, Slovak Republic 2006 Out of Time: A Contemporary View, The Museum of Modern Art, New York, NY Down by Law, The Wrong Gallery at the Whitney Biennial, Whitney Museum of American Art, New York, NY Suburban Escape: The Art of California Sprawl, San Jose Museum of Art, San Jose, CA NextNew2006: Art and Technology, Institute of Contemporary Art, San Jose, CA Regarding Truth: An Exhibition of Work by Artadia Award Winners, CCA Wattis Institute for Contemporary Art, San Francisco, CA Histories Animades, Caixa Forum, Barcelona, Spain, traveling to Sale Rekalde, Bilbao, Spain, and to Le Fresnoy, France Metro Pictures, The Moore Space/Museum of Contemporary Art, North Miami, FL Joint Venture, Richard L. Nelson Gallery, University of California, Davis, CA 2005 The Last Generation, Apex Art, New York, NY, traveling to Jousse Entreprise, Paris, France I Still Believe in Miracles, Musée d’Art moderne de la Ville de Paris, ARC, au Couvent des Cordeliers, Paris, France in words and pictures, Murray Guy, New York, NY Seeing Double: Encounters with Warhol, The Andy Warhol Museum, Pittsburgh, PA 2004 2004 California Biennial, Orange County Museum of Art, Newport Beach, CA Shanghai Bienniale 2004: Techniques of the Visible, Shanghai Art Museum, China temporalscape, Haines Gallery, San Francisco, CA Baja to Vancouver: The West Coast and Contemporary Art, traveling exhibition: Seattle Art Museum, Seattle, WA; Museum of Contemporary Art San Diego, CA ; Vancouver Art Gallery, Vancouver, Canada; CCA Wattis Institute for Contemporary Arts, San Francisco, CA (catalogue) simple.tech, Sheppard Fine Arts Gallery, University of Nevada, Reno, NV Bay Area Bazaar, Pulliam Deffenbaugh Gallery, Portland, OR 2003 Killer Kartoons, Vox Populi, Philadelphia, PA Single Channel, Blaffer Gallery, University of Houston, Houston, TX 2002 Bay Area Now 3, Yerba Buena Center for the Arts, San Francisco, CA 2001 Images Festival, Toronto Stuttgarter Filmwinter, Stuttgart, Germany 2000 LA Freewaves, Otis Gallery, Los Angeles, CA It’s the beginning of a new friendship, Kunstverein für die Rheinlande und Westfalen, Düsseldorf, Germany 1999 Spiel des Lebens, Hauptpost, Düsseldorf, Germany 1997 Better, San Francisco Arts Commission Gallery 1995 Rhine Video, Anthology Film Archives, New York, NY 1993 Düsseldorf, Cologne – A Village Gaze, Anthology Film Archives, New York Temporary and permanent public commissions 2014-15 Panorama, mural, Central Subway Chinatown Station, San Francisco, CA (commissioned by the San Francisco Arts Commission) 2014 Hand Vote, wood sculpture, Canal Park, Washington, DC (commissioned by 5x5) 2012 Hand Vote, wood sculpture, Vancouver Art Gallery Offsite, Vancouver, BC, Canada 2011 City of Nature, animated film on outdoor monitors, Madison Square Park, New York, NY (commissioned by the Madison Square Park Conservancy) 2009-present Hotel Movies, 5 lightboxes, Mission Bay Campus, University of California, San Francisco, CA Selected film screenings 2015 The Neuflize OBC video night, Palais du Tokyo, Paris, France 2014 Artprojx presents:The Miami and Moscow Film Selections, Bermondsey Project, London, UK Arte Video Night, Paris, France Performance/Video, Artists’ Television Access, San Francisco 2013 the poetics of Mountains, their mutations and multifarious things, curated by David Gryn, Artprojx, Verbier, Switzerland 2012 Take Off, Kadist Art Foundation/SF Film Society, San Francisco (solo screening with reading by Kenneth Goldsmith) The Hamburg International Short Film Festival, Hamburg, Germany Panorama, San Francisco Museum of Modern Art, San Francisco, CA 2011 Art Video, Art Basel Miami Beach, FL Arte Video Night, Paris, France Reading Experimental Film Festival, Reading, UK Mixtape, Image Movement, Berlin, Germany (solo screening) International Short Film Festival Oberhausen, Germany Provincetown International Film Festival, Provincetown, RI 2010 Animated Screen, CPH PIX, Copenhagen, Denmark 2008 Le Syndrome Chinois, Musée du Louvre, Paris, France (solo screening) European Media Arts Festival, Osnabrück, Germany Three Days of Film Screenings by Contemporary Artists, Haunch of Venison, London, UK 2007 Pervasive Animation, Tate Britain, London, UK 2006 The Artists Cinema, Frieze Art Fair, London, UK Fame As Form, San Francisco Cinematheque, CA 2005 Premieres, The Museum of Modern Art, New York, NY 2003 Courtisane Festival, Gent, Belgium 2002 Impakt Festival, Utrecht, The Netherlands 2000 International Short Film Festival Berlin, Germany International Festival of New Film, Split, Croatia Awards / fellowships 2014 Lamar Dodd Professorial Chair, Lamar Dodd School of Art, University of Georgia, Athens, GA 2013 Artist in Residence, Villa Kamogawa, Goethe Institut, Kyoto, Japan 2011 Artist in Residence, Headlands Center for the Arts, Sausalito, CA Imprint Artist in Residence, San Francisco Center for the Book, San Francisco, CA 2010 Eureka Fellowship, Fleishhacker Foundation, San Francisco, CA 2006 SECA Art Award, San Francisco Museum of Modern Art, San Francisco, CA 2005 Artadia Jury Award, San Francisco, CA Residency Fellowship, Akademie Schloss Solitude, Stuttgart, Germany 2003 Louis Comfort Tiffany Foundation Award, New York, NY Personal Work Grant, Film Arts Foundation, San Francisco, CA Mediamaker Award, Bay Area Video Coalition, San Francisco, CA 2001 Jack and Gertrude Murphy Fellowship, The San Francisco Foundation, San Francisco, CA 1995 Meisterschüler, Kunstakademie Düsseldorf, Germany Selected bibliography 2014 Whiting, Sam. “Chinatown ‘Panorama’ mural like an oceangoing travelogue.” San Francisco Chronicle, April 8, 2014. Mizota, Sharon. “Kota Ezawa filters big events through a deadpan aesthetic.” Los Angeles Times, February 7, 2014. Chassepot, Béatrice. “The essential remains.” art.es, February, 2014. 2013 McCarthy, Allison. “SF Artist Kota Ezawa recycles his own imagery to create new art.” 7x7, December/January Issue, 2013/14. 2012 “Kota Ezawa in conversation with Karen Beckman.” Grey Room, Issue 47, Spring 2012. Cassidy, Laura. “The Curse of Dimensionality.” Art Practical, February, 2012. Baker, Kenneth, “Cursed.” San Francisco Chronicle, February 11, 2012. Hotchkiss, Sarah, “Kota Ezawa & Taha Belal at Haines Gallery.” KQED Arts, January, 2012. Quick, Genevieve, “Kota Ezawa: The Curse of Dimensionality at Haines Gallery.” Temporary Art Review, January 25, 2012. 2011 Smith, Tara. “Critic’s Pick: Kota Ezawa – Feldbuschwiesner Galerie.” Artforum.com, October, 2011. Beckman, Karen. “Animation on Trial.” Animation: An Interdisciplinary Journal, Volume 6 No 3, November 2011, pp 259-269. Hulme, Emily. “More nature for Madison Square.” AmNew York, March 18-20, 2011. Halle, Howard. “Landscape becomes pop artifact.” TimeOut New York, March, 2011. Gopnik, Blake. “Hard-core Beatles.” The Daily Beast, April 4, 2011. Saltiel, Natlie. “Kota Ezawa: City of Nature.” Rhizome, April 15, 2011. 2010 Helfand, Glen. “Kota Ezawa.” Artforum, January 2010. Fischer, Jack. “Reality Twice Removed.” Stanford Magazine, July 2010. “Ri-Animazione.” Marie Claire, Italy, September 2010. 2009 Marti Silas. “Vídeos do alemão Kota Ezawa são exibidos em mostra em SP.” Folha SP, Brazil, November 4, 2009. 2008 “In Conversation: Kota Ezawa and Constance Lewallen.” The Brooklyn Rail, September 2008. “Kota Ezawa.” The New Yorker, September 30, 2008. Tissot, Karine, “Dietmar Lutz & Kota Ezawa: Documenta.” Artreview, May 2008, p. 125. Anne Ellegood. “Kota Ezawa.” The Cinema Effect: Illusion, Reality, and the Moving Image, Hirshhorn Museum and Sculpture Garden & D Giles Ltd - London, 2008, pp. 13/137. 2007 Chun, Kimberly. “The Video Guy.” The San Francisco Bay Guardian, January 24, 2007. Laurence, Robin. “Kota Ezawa: The History of History.” Georgia Straight, March 29, 2007. Egan, Danielle. “Going Out: Visual Art Drawing from History.” Globe and Mail, April 13, 2007. “Kota Ezawa / Chris Finley / Jordan Kantor.” The New Yorker, May 14, 2007. Hertz, Betti-Sue. “Kota Ezawa.” Animated Painting, San Diego Museum of Art, 2007. Olson, Christopher. “Kota Ezawa.” Border Crossings, issue 103, August 2007, pp. 138-140. 2006 Baker, Kenneth. “Emblems of an Era as Seen From a Fresh Medium.” San Francisco Chronicle, January 21, 2006. Keats, Jonathan. “Kota Ezawa at Haines Gallery.” Art in America, May 2006. Mobley, Chuck. “From A to Z and Back Again.” Contemporary Magazine, issue 82, 2006, pp. 36-37. Bing, Alison. “Kota Ezawa at Haines Gallery.” Artweek, vol. 37, issue 2, March 2006. 2005 “Kota Ezawa.” Lettre_ Internationale, issue 9, December 2006, pp. Cover, 2/12/19/46/49/51/53/55. Broker, David. “Photofile.” Don’t Flip the Switch, issue 74, Spring 2005. Genocchio, Benjamin. “Life, One Frame at a Time.” The New York Times, December 25, 2005. Goldsmith, Meredith. “Reviews: West Coast – San Francisco.” Art Papers, January/February 2005. Oldstein, Leigh. “One to Watch: Kota Ezawa, in Artkrush.com.” issue 3, April 2005. Higgs, Matthew. “Openings: Kota Ezawa.” Artforum, February 2005, pp. 162-163. Ratner, Megan. “Kota Ezawa.” Frieze Magazine, issue 95, November/December 2005. “Kota Ezawa & John Smith in conversation, From Fame to Form and Pop to Hop.” Camerawork, volume 32, no. 2, Fall/Winter 2005. Stillman, Nick. “Kota Ezawa.” TimeOut New York, issue 524, October 13-20, 2005. “The Last Generation.” The New Yorker, November 24, 2003. Schwendener, Martha. “Critic’s Pick: Kota Ezawa – Murray Guy.” Artforum.com, 2005. Vine, Richard. “Shanghai Accelerates.” Art in America, 2005, pp. 104-111. Zellen, Jody. “Reviews: West Coast – Santa Monica.” Art Papers, July/August 2005. Bing, Alison. “Artist at work: Kota Ezawa.” Art Contemporaries, Fall 2004, pp. 4-5. Coupland, Ken. “Distant Recall.” RES, November/December 2004. 2004 Bing, Alison. “Kota Ezawa and Michele O’Mara: ‘Version’: A Room for Debate.” SF Gate, October 7, 2004. Feldman, Melissa. “Kota Ezawa at Haines.” Art in America, April, 2004, p. 141. Knight, Christopher. “Coastal confluence: Geography links the art in ‘Baja to Vancouver’, but it’s the Social landscape that resonates.” Los Angeles Times, February 1, 2004, pp. E41, E48. 2003 Baker, Kenneth. “Who’s Afraid of Computer Animation – Or Modern Art by One of Italy’s Greats.” San Francisco Chronicle, November 22, 2003. Hackett, Regina. “A treck through West Coast art: ‘Baja to Vancouver’ at SAM explores the distinctive cultural terrain of the Pacific corridor.” Seattle Post-Intelligencer, section E, October 9, 2003. 2003 Farr, Sheila. “SAM’s ‘Baja to Vancouver’ showcases impact of mass culture on West Coast art”. The Seattle Times, October 9, 2003. Bonetti, David. “Bay Area Now 3.” Contemporary Magazine, issue 49, 2003, p. 25. 2002 Tromble, Merideth. “Bay Area Now 3.” Stretcher.org, November 2002. Lee, Margaret. “The Now School: Five Artists from Bay Area Now 3.” Kitchen Sink, Fall 2002. Macpherson, Mary. “Revisiting OJ From a Distance.” North Beach Journal, November 2002. Baker, Kenneth. “Ezawa animates OJ Verdict.” San Francisco Chronicle, October 25, 2002. Publications / books 2012 Paper Space, San Francisco: San Francisco Center for the Book, January 2012, 4 pages. 2011 Upstairs Downstairs. Moscow, ID: University of Idaho, October 2010. Essays by Kevin Killian and Roger Rowley, 20 pages. 2010 Odessa Staircase Redux. Vancouver: ECU Press, & Zürich: JRP Ringier, February 2010, 160 pages. 2007 The History of Photography Remix. Portland: Nazraeli Press, November 2007. Essay by Lars Bang Larsen and Chus Martinez, 60 pages. Public collections Albright-Knox Art Gallery, Buffalo, NY Art Institute of Chicago, IL Berkeley Art Museum & Pacific Film Archive, University of California, Berkeley, CA Collection Neuflize Vie, Paris, France Israel Museum, Jerusalem, Israel J Paul Getty Museum, Los Angeles, CA Hirshhorn Museum and Sculpture Garden, Washington, DC Kunstmuseum Stuttgart, Germany Margulies Collection, Miami, FL Metropolitan Museum of Art, New York, NY Minneapolis Institute of Arts, MN Museum of Contemporary Art, Chicago, IL Museum of Contemporary Art, Jacksonville, FL Museum of Contemporary Art San Diego, CA The Museum of Modern Art, New York, NY Netherlands Media Arts Institute, Amsterdam, The Netherlands Oakland Museum of California, CA The Orange County Museum of Art, Newport Beach, CA Pilara Foundation Collection, Pier 24 Photography, San Francisco, CA Queensland Art Gallery, Brisbane, Australia Richard L. Nelson Gallery & Fine Arts Collection, University of California, Davis, CA The RISD Museum, Providence, RI San Francisco Museum of Modern Art, San Francisco, CA San Diego Museum of Art, CA Smithsonian American Art Museum, Washington, DC Städtische Galerie Wolfsburg, Germany Ulrich Museum of Art, Wichita State University, Wichita, KS [public collections continued] Wadsworth Atheneum Museum of Art, Hartford, CT

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