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blinkvideo - research of video art, performance and multimedia installations.

For artists we provide a platform for extensive presentation of media works, gallerists get a direct contact to international professional audiences, collectors find a worldwide overview of contemporary trends in moving image, curators can do research via keywords and compilations, teachers use presentation opportunities for students and all professionals get password protected, extensive information about video works worldwide.

Nadja Verena Marcin - OPHELIA
Stadtgalerie in Saarbrücken, Germany. 2019

OPHELIA is an interdisciplinary performance that is presented in the Stadtgalerie Saarbrücken as a live action and subsequently as a video installation. It reflects the human-induced destruction of nature and creates references to art, literature and science. Dressed in "Ophelia's" dress and equipped with a diving device, Nadja Verena Marcin will climb into an aquarium and try under water to read the text "The Werld" by Daniil Kharms about human perception.
Image: © Nadja Verena Marcin

Igor Simić - WELTSCHMERZ 
at Galerie Beckers, Frankfurt

The exhibition WELTSCHMERZ shows new works by Serbian artist Igor Simic, which he created in connection with his iOS game Golf Club: Wasteland. For this game he and his award-winning gaming and film company Demagog Studio developed a whole world — a storyline with characters and various landscapes — in a post-apocalyptic scenario. The eerie atmosphere of the carefully crafted visual scenery is accompanied by slow paced, nostalgic, sometimes almost chilling music that evokes the feeling of longing for something lost.
Image: © Igor Simić

Fuzzy dark spot
Video art from Hamburg

The exhibition FUZZY DARK SPOT curated by the Hamburg-based video artist Wolfgang Oelze, at the Falckenberg Collection brings together 56 video works by over 30 mostly Hamburg-based artists ranging from the 1970s to the present day, featuring historical and contemporary productions in both thematic and monographic groups.
image: © Stefan Panhans

REFRACTED REALITIES at VIDEONALE.17

In optics, “refraction” refers to the bending of a beam of light, a change in direction which occurs at the moment when it passes from one medium to another. Through refraction, the light wave alters course, changing the way we perceive the objects it illuminates in the process. This optical deviation requires us to repeatedly correct our gaze, comparing the beginning and end points of our perception with reality, and bringing the object we see clearly into focus. In its figurative sense, refraction refers to a critical reflection on the means and channels of visualization, and by extension the possibility of a rearticulation of our view of things – how they are, were, or apparently always have been.
Image: © Sohrab Hura

Featured videos

Critics’ Pick: Vienna by Nicole Büsing + Heiko Klaas

The group show “Antarctica. An Exhibition on Alienation” was presented in Vienna during the past winter season. Departing from a note written by the Italian cult director Michelangelo Antonioni referring to a potential glacier melting in the Antarctica and a hint to a film, the two curators from the Kunsthalle Wien, Vanessa Joan Müller and Nicolaus Schafhausen, conceived an exhibition on the topic of alienation and contemporary art. The focus was on the latest contemporary photography and video art by the younger generation of artists.
Image: © Isabella Fürnkäs

Expanding Bauhaus.
New Reflections on the Bauhaus Movement in Time-Based Media Art
/ Goethe Institute Netherlands

A screening series selected by Elke Kania (Cologne), Julia Sökeland (Hamburg) and Ludwig Seyfarth (Berlin)

With its combination of various arts such as painting, photography film, architecture, fashion, product and interior design and textile art, the Bauhaus is still considered the epitome of a technologically advanced modernity. Last but not least, the attempt to create the whole society aesthetically, inspired many artists worldwide.
Image: © Adnan Softic

Johan Grimonprez

Johan Grimonprez’s critically acclaimed work dances on the borders of practice and theory, art and cinema, documentary and fiction, demanding a double take on the part of the viewer. Informed by an archeology of present-day media, his work seeks out the tension between the intimate and the bigger picture of globalization. It questions our contemporary sublime, one framed by a fear industry that has infected political and social dialogue. By suggesting new narratives through which to tell a story, his work emphasizes a multiplicity of realities.
image: © Johan Griminprez

Christoph Faulhaber: Revolution & Architecture

With "Revolution & Architecture" Christoph Faulhaber (* 1972 in Osnabrück, lives in Hamburg) conceives, builds, designs and opens a whole series of very different rooms in the Kunsthalle Osnabrück. In order to discover the revolutionary aspect of these "architectures", one has to look at the social implications of interior design in general. In the forum the visitor then enters Faulhaber's cinematic autobiography "Every Picture is an Empty Picture" as in the eye of the cyclone: The work is split into 15 individual films and surrounds the visitor in a circle.
Image: © Christoph Faulhaber

Stiftung imai – inter media art institute

The Düsseldorf based foundation imai – inter media art institute was founded in 2006 in order to establish an institution in Germany dedicated to the distribution and preservation of media art and associated activities.
Image: © Marcel Odenbach

Our Partners

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blinkvideo is a website for the research of video art. Founders: Julia Sökeland, Anita Beckers. blinkvideo ist eine Plattform zur Recherche nach Videokunst

Marie-Jeanne Musiol

Works


Galleries

Pierre-François Ouellette art contemporain
Pierre-François Ouellette
372 Ste-Catherine West #216
H3B 1A2 Montréal, Québec
Canada

Phone: (514) 395 - 6032
E-Mail: pfo@pfoac.com




Biography

Selekted solo exhibitions

2011
Black Holes. Prefix Institute of Contemporary Art, Toronto (Ontario)

2009
Miroirs du cosmos. Ritchies, Montréal (Québec)
La forat radieuse. Voix Visuelle, Ottawa (Ontario)

2006
Miroirs du cosmos. Pierre-François Ouellette art contemporain, Montréal (Québec)

2005
Jardin d’ombre, jardin de lumiere. Jardin botanique de Montréal (Québec)

2004
Penetrating Matter. Gallery 44, Toronto (Ontario)

2003
Nouveaux portraits. Pierre-François Ouellette art contemporain, Montréal (Québec)

2002/4
Silences. Musée d’art urbain, Montréal (Québec)

2002
Traverser la matiere. AxeNéo7, Gatineau (Québec)

1999
In the Shadow of the Forest (Auschwitz-Birkenau). Gallery 44, Toronto (Ontario) /

1998
Al’ombre de la forat (Auschwitz-Birkenau). Galerie SAW Gallery, Ottawa (Ontario)

1996
Études (Quand la terre retient). Galerie Yves LeRoux, Montréal (Québec)

1995
Et encore de la poussiere. Galerie Vox, Montréal (Québec)

1994
L’instant d’avant la mort. Galerie Plein-Sud, Longueil (Québec)

1993
Du noir, une impulsion lumineuse. La Galerie d’art d’Ottawa, Ottawa (Ontario)/
Galerie Liane et Danny Taran, Centre Saidye Bronfman, Montréal (Québec)

1991
Seize trous dans la mémoire d’Hadrien. La Centrale, Montréal (Québec)

1989
Et soudain une présence. Centre culturel canadien, Rome (Italie)

1988
Études (Le temple est ouvert). Galerie Aubes, Montréal (Québec)

Selected group exhibitions

2012
Photon +. International Techno Art Exhibition, New Taipei (Taiwan)
Fugacité et Liminalité. Galeria Macchina, Santiago (Chili)

2011
Preternatural. Musée canadien de la nature, Ottawa (Ontario)
thelivingeffect. Galerie d’art d’Ottawa, Ottawa (Ontario)

2010
Many Guises. Contemporary Self Portraits. Bytown Museum, Ottawa (Ontario)
Face by face/Looking back. Pierre-François Ouellette art contemporain, Montréal (Québec)

2008
Art + Communication: Spectropia. New Media Culture RIXC (Riga), Lettonie
La photographie hantée par la photographie spirite. Musée de Rimouski, Rimouski (Québec)

2007
Graphzines et autres publications d’artistes. Bibliotheque et Archives nationales du Québec, Montréal(Québec)

2006
Electromagnetic Bodies. Conde Duque Medialab (Madrid); V2/TENT (Rotterdam); Ludwig Museum (Budapest);
Maison Européenne de la Photographie (Paris)

2005
Electromagnetic Bodies. ZKM/Zentrum für Kunst und Medientechnologie, Karlsruhe (Allemagne); Oboro (Montréal)

2004
L’Odyssée de la lumiere. Musée de la civilisation, Québec (Québec)

2003
Artiste résidente/Memorial University Gallery -The Rooms. Parc national du Gros-Morne (Terre-Neuve)
Corps de lumiere. La Galerie des Grands-Bains-Douches, Marseille (France)
The Bigger Picture. La Galerie d’art d’Ottawa (Ontario)
Livres d’artistes de la collection de la Banq. York Quay Gallery, Toronto (Ontario)/BAC, Ottawa (Ontario)

2002
Against Time. The Armando Museum, Amersfoort (Hollande)
Oeuvres en contexte. La Galerie d’art d’Ottawa (Ontario)
Entre le silence et la profusion. Exposition du Musée virtuel de la photographie québécoise, Montréal (Québec)

2001
Willie Doherty, Marie-Jeanne Musiol et Gilles Peress: Une autre actualité. La photographie d’événement face by la terreur. Dazibao, Montréal (Québec)
Localities/ Localités. La Galerie d’art d’Ottawa (Ontario)

2000
Shimmer. Contact, Toronto (Ontario)
Afterimage/Rémanences. Centre commémoratif de l’Holocauste, Montréal (Québec)
Museo de Arte contemporaneo, Santiago (Chili)

1999
Les galeries Denyse Delrue. Maison de la culture Frontenac, Montréal (Québec)

1998
Museo de Arte contemporaneo, Santiago (Chili)

1997
Photographie et immatérialité. Le Mois de la photo, Montréal (Québec)
Manoeuvres. La Galerie d’art d’Ottawa, Ottawa (Ontario)
Les Brasseurs, Liege (Belgique)/ Gallery 44, Toronto (Ontario)
Portraits. Musée national des beaux-arts du Québec (Québec)

1996
Champs de l’absence. Centre d’Art Santa Monica, Barcelone (Espagne)

1995
Forming Memory/ Formations mnémoniques. Galerie d’art Léonard et Bina Ellen, Université Concordia, Montréal

1993
Quand la parole glisse. Musée canadien de la photographie contemporaine, Ottawa (Ontario)

1992
Beau. Musée canadien de la photographie contemporaine, Ottawa (Ontario)

1989
Nouvelles acquisitions. Collection de prat d’oeuvres d’art. Musée national des beaux-arts du Québec (Québec)

1988
Beyond Boundaries. Sept photographes d’Ottawa. Arti Gallery, La Haye (Hollande)

Videographie / videos

2011
Black Holes /Trous noirs (Latrines, Women’s Camp, Auschwitz-Birkenau). 2 min.

2006
Miroirs du cosmos/ Mirrors of the Cosmos. 16 min.

2000
Corps de lumiere. Champs de lumiere. États./ Bodies of Light. Fields of Light. States. 10 min.

1996
Do Falling Leaves Go Unseen? (Auschwitz-Birkenau). 10 min.

Marie-Jeanne Musiol
Selekted solo exhibitions 2011Black Holes. Prefix Institute of Contemporary Art, Toronto (Ontario) 2009Miroirs du cosmos. Ritchies, Montréal (Québec) La forat radieuse. Voix Visuelle, Ottawa (Ontario) 2006 Miroirs du cosmos. Pierre-François Ouellette art contemporain, Montréal (Québec) 2005 Jardin d’ombre, jardin de lumiere. Jardin botanique de Montréal (Québec) 2004 Penetrating Matter. Gallery 44, Toronto (Ontario) 2003 Nouveaux portraits. Pierre-François Ouellette art contemporain, Montréal (Québec) 2002/4 Silences. Musée d’art urbain, Montréal (Québec) 2002 Traverser la matiere. AxeNéo7, Gatineau (Québec) 1999 In the Shadow of the Forest (Auschwitz-Birkenau). Gallery 44, Toronto (Ontario) / 1998 Al’ombre de la forat (Auschwitz-Birkenau). Galerie SAW Gallery, Ottawa (Ontario) 1996 Études (Quand la terre retient). Galerie Yves LeRoux, Montréal (Québec) 1995 Et encore de la poussiere. Galerie Vox, Montréal (Québec) 1994 L’instant d’avant la mort. Galerie Plein-Sud, Longueil (Québec) 1993 Du noir, une impulsion lumineuse. La Galerie d’art d’Ottawa, Ottawa (Ontario)/ Galerie Liane et Danny Taran, Centre Saidye Bronfman, Montréal (Québec) 1991 Seize trous dans la mémoire d’Hadrien. La Centrale, Montréal (Québec) 1989 Et soudain une présence. Centre culturel canadien, Rome (Italie) 1988 Études (Le temple est ouvert). Galerie Aubes, Montréal (Québec) Selected group exhibitions 2012 Photon +. International Techno Art Exhibition, New Taipei (Taiwan) Fugacité et Liminalité. Galeria Macchina, Santiago (Chili) 2011 Preternatural. Musée canadien de la nature, Ottawa (Ontario) thelivingeffect. Galerie d’art d’Ottawa, Ottawa (Ontario) 2010 Many Guises. Contemporary Self Portraits. Bytown Museum, Ottawa (Ontario) Face by face/Looking back. Pierre-François Ouellette art contemporain, Montréal (Québec) 2008 Art + Communication: Spectropia. New Media Culture RIXC (Riga), Lettonie La photographie hantée par la photographie spirite. Musée de Rimouski, Rimouski (Québec) 2007 Graphzines et autres publications d’artistes. Bibliotheque et Archives nationales du Québec, Montréal(Québec) 2006 Electromagnetic Bodies. Conde Duque Medialab (Madrid); V2/TENT (Rotterdam); Ludwig Museum (Budapest); Maison Européenne de la Photographie (Paris) 2005 Electromagnetic Bodies. ZKM/Zentrum für Kunst und Medientechnologie, Karlsruhe (Allemagne); Oboro (Montréal) 2004 L’Odyssée de la lumiere. Musée de la civilisation, Québec (Québec) 2003 Artiste résidente/Memorial University Gallery -The Rooms. Parc national du Gros-Morne (Terre-Neuve) Corps de lumiere. La Galerie des Grands-Bains-Douches, Marseille (France) The Bigger Picture. La Galerie d’art d’Ottawa (Ontario) Livres d’artistes de la collection de la Banq. York Quay Gallery, Toronto (Ontario)/BAC, Ottawa (Ontario) 2002 Against Time. The Armando Museum, Amersfoort (Hollande) Oeuvres en contexte. La Galerie d’art d’Ottawa (Ontario) Entre le silence et la profusion. Exposition du Musée virtuel de la photographie québécoise, Montréal (Québec) 2001 Willie Doherty, Marie-Jeanne Musiol et Gilles Peress: Une autre actualité. La photographie d’événement face by la terreur. Dazibao, Montréal (Québec) Localities/ Localités. La Galerie d’art d’Ottawa (Ontario) 2000 Shimmer. Contact, Toronto (Ontario) Afterimage/Rémanences. Centre commémoratif de l’Holocauste, Montréal (Québec) Museo de Arte contemporaneo, Santiago (Chili) 1999 Les galeries Denyse Delrue. Maison de la culture Frontenac, Montréal (Québec) 1998 Museo de Arte contemporaneo, Santiago (Chili) 1997 Photographie et immatérialité. Le Mois de la photo, Montréal (Québec) Manoeuvres. La Galerie d’art d’Ottawa, Ottawa (Ontario) Les Brasseurs, Liege (Belgique)/ Gallery 44, Toronto (Ontario) Portraits. Musée national des beaux-arts du Québec (Québec) 1996 Champs de l’absence. Centre d’Art Santa Monica, Barcelone (Espagne) 1995 Forming Memory/ Formations mnémoniques. Galerie d’art Léonard et Bina Ellen, Université Concordia, Montréal 1993 Quand la parole glisse. Musée canadien de la photographie contemporaine, Ottawa (Ontario) 1992 Beau. Musée canadien de la photographie contemporaine, Ottawa (Ontario) 1989 Nouvelles acquisitions. Collection de prat d’oeuvres d’art. Musée national des beaux-arts du Québec (Québec) 1988 Beyond Boundaries. Sept photographes d’Ottawa. Arti Gallery, La Haye (Hollande) Videographie / videos 2011 Black Holes /Trous noirs (Latrines, Women’s Camp, Auschwitz-Birkenau). 2 min. 2006 Miroirs du cosmos/ Mirrors of the Cosmos. 16 min. 2000 Corps de lumiere. Champs de lumiere. États./ Bodies of Light. Fields of Light. States. 10 min. 1996 Do Falling Leaves Go Unseen? (Auschwitz-Birkenau). 10 min.

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