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blinkvideo - research of video art, performance and multimedia installations.

NEW: Favorites curated by blinkvideo users

What do you like? Over the next few months, we will be showing here selections of works, compiled by you, as a blinkvideo user.

Nasim Weiler: Hello, there are many absolutely wonderful video works on Blinkvideo - here are my three favourites of today, March 26 - a day spent in quarantane in Paris.

Do you have any favorites on blinkvideo ? Or would you like to focus attention on some video works? Or would you like to compile and show videos on a specific topic? You can do so with the new tool on blinkvideo.
Create a favorites list as follows: When you're logged in, a little sign "add to favorite list" will appear below each video. With the click on it, you add the film to your favorites list. When you have collected all the works, open your favorites list and you can share the list with blinkvideo. We will then receive a message and put the compilation online.
We are very curious about your selection!

Nadja Verena Marcin - OPHELIA
Stadtgalerie in Saarbrücken, Germany. 2019

OPHELIA is an interdisciplinary performance that is presented in the Stadtgalerie Saarbrücken as a live action and subsequently as a video installation. It reflects the human-induced destruction of nature and creates references to art, literature and science. Dressed in "Ophelia's" dress and equipped with a diving device, Nadja Verena Marcin will climb into an aquarium and try under water to read the text "The Werld" by Daniil Kharms about human perception.
Image: © Nadja Verena Marcin

Igor Simić - WELTSCHMERZ 
at Galerie Beckers, Frankfurt

The exhibition WELTSCHMERZ shows new works by Serbian artist Igor Simic, which he created in connection with his iOS game Golf Club: Wasteland. For this game he and his award-winning gaming and film company Demagog Studio developed a whole world — a storyline with characters and various landscapes — in a post-apocalyptic scenario. The eerie atmosphere of the carefully crafted visual scenery is accompanied by slow paced, nostalgic, sometimes almost chilling music that evokes the feeling of longing for something lost.
Image: © Igor Simić

Fuzzy dark spot
Video art from Hamburg

The exhibition FUZZY DARK SPOT curated by the Hamburg-based video artist Wolfgang Oelze, at the Falckenberg Collection brings together 56 video works by over 30 mostly Hamburg-based artists ranging from the 1970s to the present day, featuring historical and contemporary productions in both thematic and monographic groups.
image: © Stefan Panhans

REFRACTED REALITIES at VIDEONALE.17

In optics, “refraction” refers to the bending of a beam of light, a change in direction which occurs at the moment when it passes from one medium to another. Through refraction, the light wave alters course, changing the way we perceive the objects it illuminates in the process. This optical deviation requires us to repeatedly correct our gaze, comparing the beginning and end points of our perception with reality, and bringing the object we see clearly into focus. In its figurative sense, refraction refers to a critical reflection on the means and channels of visualization, and by extension the possibility of a rearticulation of our view of things – how they are, were, or apparently always have been.
Image: © Sohrab Hura

Featured videos

Annegret Soltau
Schwanger-Sein I, 1977/78

"My pregnancies in 1978 and 1980 became an important theme for me. This personal experience yielded pictures in which I once again used myself as a model, this time myself in the process of being pregnant. The fear that my role as a mother could jeopardize my life as an artist inspired me to create a great many photos and videos. At this point I was preoccupied with the question of how women combine creativity and motherhood.“ (Annegret Soltau)

Tobias Yves Zintel
Breed and Educate, 2018

The Film Breed and Educate is based on a collaborative performance with a class from the Hector-Peterson-Schule Berlin Kreuzberg and the HAU. In numerous task based rehearsals eight pupils between 11 and 13 years explored the possibilties of self-education. Based on various materials from found footage to documentary and staged scenes the film circles around the relationship of controlling and self-empowerment in educational systems. Breed and Educate is circling around the question of how lessons should be organised in times of network and algorthim-based learning. Algorithms and neuronal networks have to master problems only once, after they achieved their goal, results can be duplicated and copied any number of times. Kids on the other hand side have to learn everything step by step, the accumulated knowlede can’t be transfered from on kid to the other by „copy and paste“. An allopoetic system is a trivial system, which can be potentially fully explored, controlled and operated by an observer. With a similar theory in mind, the Prussians started to organise schooling in 1717, to prepare pupils for the Prussian Military Academy. What happens almost 300 years later in a school in Berlin, when the relationship between control and self-empowerment is inverted by postmigrant pupils who breed robots, are educated by them and vice versa? “ In Breed and Educate an automated dionsaur is introduced by a twelfe year old boy: “It’s easily trainable”. While he explains the mode of operation, one sees the parallels: the school wouldn’t have any problems with pupils equipped with a suitable operating system downloaded from the internet. Sounds like an uncanny utopia.” (Katrin Bettina Müller)

Lene Markusen
Grad, 2004

Dieter Kiessling
60 Minutes 360 Degrees GK 2010, 2010

A boy is portrayed with a video camera for an hour on a tennis court.During this time the camera turns through 360 degrees. Meanwhile, the whole space is recorded piece by piece. The boy follows the camera movement slowly thus remaining constantly in the centre of the picture.

Clemens von Wedemeyer
Silberhöhe, 2003

In Halle-Silberhöhe in East Germany, the camera records peri-urban area architecture, prefabricated buildings that are deserted and destined to be demolished. The commentary evokes a film editing technique used by Michelangelo Antonioni in his film, L’Eclisse (1962).

Janet Biggs
Fade to White, 2010

In Fade to White, Biggs delves into the desire to explore remote lands. To create this work, the artist embarked on an expedition in the high Arctic, traveling aboard an ice-class, 2-masted schooner, built in 1910. During the voyage, Biggs filmed Fade to White, focusing on a crew member as he navigated the ship through iceberg filled seas, and paddled a kayak past glacier walls and polar bears. As she photographed the explorer, Biggs tested her own will and endurance. The visual tension of her uncompromising imagery bespeaks their mutual struggle to maintain balance and purpose. Yet, the video also reveals the myth of the solitary white male explorer. Biggs explains, "The desire to hold onto the notion of the 'great white north' as a blank space awaiting interpretation only reinforces the idea of the colonial polar hero. The 'virgin' north has now been mapped, surveyed, and mined, but increased knowledge has not replaced endless fantasies of discovery." Loss and change are implicit in the video's title, Fade to White, which refers to an editing technique used to evoke death or transcendence. Biggs integrated her Arctic imagery with sound and video footage of counter tenor John Kelly, whose age, androgyny, and mournful voice parallel the vanishing Arctic landscape and signal the waning of male dominance.

Rebecca Ann Tess
The Tallest, 2014

The »The Tallest« shows pictures shot on-site of the currently tallest buildings in the world. The high-rises are shown as set pieces of global capitalism, visually disappearing into abstraction. The reduced images are reminding of 3D rendering. The simulated image of these buildings circulates in the media for representational and advertising purposes, becomes a substantial object and the actual spatiality becomes a mockup. The narration is undertaken by a computer voice, it describes the competition for the tallest tower at such divers places as Chicago, Dubai, Hong Kong, Kuala Lumpur, Mecca, Nanjing, New York City, Seoul, Shanghai, Shenzhen, Songdo and Taipei.

Johanna Reich
LIGHT ON BLACK ON WHITE HOMAGE TO MALEVICH, 2015

A moving digital light drawing illuminates a white wall. A hand painting a black square on the white surface becomes visible. At the same time the light drawing is painting a light square. In the end the light of the digital light square illuminates the finished black oil painting.

Critics’ Pick: Vienna by Nicole Büsing + Heiko Klaas

The group show “Antarctica. An Exhibition on Alienation” was presented in Vienna during the past winter season. Departing from a note written by the Italian cult director Michelangelo Antonioni referring to a potential glacier melting in the Antarctica and a hint to a film, the two curators from the Kunsthalle Wien, Vanessa Joan Müller and Nicolaus Schafhausen, conceived an exhibition on the topic of alienation and contemporary art. The focus was on the latest contemporary photography and video art by the younger generation of artists.
Image: © Isabella Fürnkäs

Expanding Bauhaus.
New Reflections on the Bauhaus Movement in Time-Based Media Art
/ Goethe Institute Netherlands

A screening series selected by Elke Kania (Cologne), Julia Sökeland (Hamburg) and Ludwig Seyfarth (Berlin)

With its combination of various arts such as painting, photography film, architecture, fashion, product and interior design and textile art, the Bauhaus is still considered the epitome of a technologically advanced modernity. Last but not least, the attempt to create the whole society aesthetically, inspired many artists worldwide.
Image: © Adnan Softic

Johan Grimonprez

Johan Grimonprez’s critically acclaimed work dances on the borders of practice and theory, art and cinema, documentary and fiction, demanding a double take on the part of the viewer. Informed by an archeology of present-day media, his work seeks out the tension between the intimate and the bigger picture of globalization. It questions our contemporary sublime, one framed by a fear industry that has infected political and social dialogue. By suggesting new narratives through which to tell a story, his work emphasizes a multiplicity of realities.
image: © Johan Griminprez

Christoph Faulhaber: Revolution & Architecture

With "Revolution & Architecture" Christoph Faulhaber (* 1972 in Osnabrück, lives in Hamburg) conceives, builds, designs and opens a whole series of very different rooms in the Kunsthalle Osnabrück. In order to discover the revolutionary aspect of these "architectures", one has to look at the social implications of interior design in general. In the forum the visitor then enters Faulhaber's cinematic autobiography "Every Picture is an Empty Picture" as in the eye of the cyclone: The work is split into 15 individual films and surrounds the visitor in a circle.
Image: © Christoph Faulhaber

Stiftung imai – inter media art institute

The Düsseldorf based foundation imai – inter media art institute was founded in 2006 in order to establish an institution in Germany dedicated to the distribution and preservation of media art and associated activities.
Image: © Marcel Odenbach

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for artists we provide a platform for extensive presentation of media works, gallerists get a direct contact to international professional audiences, collectors find a worldwide overview of contemporary trends in moving image, curators can do research via keywords and compilations, teachers use presentation opportunities for students and all professionals get password protected, extensive information about video works worldwide.

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blinkvideo is a website for the research of video art. Founders: Julia Sökeland, Anita Beckers. blinkvideo ist eine Plattform zur Recherche nach Videokunst

Julia Weißenberg

Works


Biography

*1982 in Bergisch Gladbach, Germany
lives in Cologne

Education / Studies

2012 Diploma with honours, Academy of Media Arts Cologne
under Karin Harrasser, Matthias Müller, Johannes Wohnseifer
2007 - 12 Academy of Media Arts Cologne, Media Arts, Germany
2005 - 07 University of applied science Düsseldorf, Communications design, Germany
2016 Workshop with DIS (Marco Roso), Autocenter/Hartware Medienkunst Verein, Dortmund

Solo & Duo shows

2018
25. Videoart Prize Bremen, GAK Bremen, Germany

2017
DIAMONDS, Ausstellungsraum für Brauchbarkeit, curated by Sally Müller, Cologne
Julia Weissenberg | Video works, Goethe Institute, Beijing, China
Alhambra, with Selma Gültoprak, Lohsepark, Cologne, GER

2016
Let‘s just imitate the real until we find a better one, MATJÖ, Art Space, Cologne

2015
SOFT COMPANY, with Mia Boysen, Ackerstrasse 24, Düsseldorf, Germany

2015
Form, Line Screen: Re-Viewing Architecture, curated by Kyle Weise, Melbourne, AUS

2014
Concrete Shore, Artothek, Cologne, Germany (C)

Selected Groupshows & Screenings (S)

2018
Die Stadt dringt in das Haus, Simultanhalle/ Museum of Modern Art Moskow
Raum D: Digitale Projekte, Künstlerhaus Halle für Kunst & Medien, Graz(forthcoming)
The long now, Kunstverein Bochum / Museum Goch, GER
Shared Spaces - Wrong places, Satellit Artspace, Moritzplatz, Berlin
64.Int. shortfilm festival Oberhausen, NRW Competition (S)
Ciao! - Strizzi Artspace, Cologne, Germany

2017
Shared Spaces, Kunstverein Aschaffenburg, curated by Ellen Wagner, GER
The Hot Wire, Skulpturen Museum Glaskasten, Marl, Germany
Stranger Days, Galerie Lisa Kandlhofer, curated by Juergen Dehm, Vienna, AT
Video of the Month, Hartware Medienkunst Verein, curated by Inke Arns, Dortmund
A Life Like This, Pix Film Gallery, curated by Henning Malz,Toronto, Canada (S)
After School Special, Landmark, Bergen Kunsthall, curated by Hedda Grevle, NO (S)
Smoking Room - artists‘ ashtrays, De Ateliers, Amsterdam, NL

2016
Mies van der Rohe, The MoMA Collages, Ludwig Forum Aachen, GER (C)
Capri by Night, Theater/Offenbachplatz, curated by Lucy Milanova, Cologne, GER (S)
Artist as Curator, FAQ Kunstraum, curated by Franz Reimer, Bremen, GER
3, Tiefkeller Artspace, Bonn, curated by Bettina Marx, GER
Pavillion, Garten der Villa Romana, invited by Nico Joana Weber, Florenz, Italy

Oberfläche, Oxygen, Dortmund, curated by Jana Kerima Stolzer, Germany
Art on the BIG Screen, Missisauga, Ontario, Kanada (S)
29th Festival Les Instants Vidéo, Marseille, France (S)
62.Int‘l Shortfilmfestival Oberhausen, Distributor‘s Screening, CFMDC (S)
Expanded Media Exhibition, Stuttgarter Filmwinter, Stuttgart, GER

2015
The Laocoön Dilemma, Galerie Sturm, curated by Juergen Dehm, Nürnberg

final_draft, Artspace Geumcheon, Seoul, South Korea
VIDEONALE.scope, Filmpalette, Cologne, Germany (S)
B3 Biennale, wie wir sehen, Kino des Deutschen Filmmuseums Frankfurt, GER (S)
11th annual European Short Film Festival at MIT, Boston, USA (S)
Snowstorm, Screen Space, Melbourne, Australia
An Earthquake at the Racetracks, Museo de la Ciudad, Querétaro, Mexico
61th International Short Film Festival Oberhausen, NRW Competition, GER (S, C)
Bideodromo Int‘l Experimental Video Festival, Bilbao, Spanien (S)
The North, Parallel Productions, curated by Sally Müller, Stockholm, Sweden (S)

2014
Marl Media Art Awards 14,Skulpturenmuseum Glaskasten Marl,GER (C)
The Ringenberg Biennale, Schloss Ringenberg, Hamminkeln, GER
Monitoring Exhibition, Kasseler Dokumentar- und Videofest, Kassel (C)
MIA, the Armory, Pasadena & Comfort Station in Chicago, USA (S)
Aesthetica Art Prize Ausstellung, York St Marys, York, UK (C)
New Talents Biennale, Cologne, GER (K)
Int.Video Art Review THE 02, Museum of Contemporary Art- MOCAK- Krakow, PL (S)

2013
VIDEONALE.14/ Parcours, Künstlerforum Bonn, GER
ART AWARD, BAUSTELLE/SCHAUSTELLE, Raum für junge Kunst, Essen, GER (C)
Extra, D21 Kunstraum, Leipzig, GER
23.Festival Int. de Curtas do Rio de Janeiro, Brasil (S)
59th International Shortfilm Festival Oberhausen, NRW Wettbewerb, GER (S, C)
OZON International Video Art Festival, Galeria Rondo Szutuki, Katowice, Polen (S)
International Alternative Film/Video Festival, Belgrade,Serbia (S)
11. Festival international Signes de Nuit, Paris, France (S)
22. dokumentART european Film festival, Neubrandenburg/Stettin (S)

2012
ECHORAUM 6 minus, Bundeskunsthalle, Bonn, GER (C)

S = Screening / C = Catalogue

Award / Scholarship

2018
64.Int. shortfilm festival Oberhausen, Award Winner, NRW Competition
2017
25. Videoart Prize, Filmbüro Bremen e.V., Germany
Artist in Residence, Goethe-Institute Peking & Geka e.V., Beijing, China
2016
Artist in Residence, Flaggfabrikken, Bergen, Norway
Artist in Residence, german-chinese exchange, Geka e.V., Berlin, Germany
Honorable Jury Mention, Stuttgarter Filmwinter, Germany
2015
Artist in Residence, Art Space Geumcheon, Seoul, South Korea
2014
Chargesheimer Scholarship of the city of Cologne (for Media arts), GER
NRW working grant, Schloss Ringenberg, Hamminkeln, GER
Aesthetica Art Prize 2014, nominated, UK
2013
Art Award of BAUSTELLE/SCHAUSTELLE Art Space, Essen, GER
Honorable Jury Mention, International Alternative Film/Video Festival, Belgrade, Serbia

Julia Weißenberg
*1982 in Bergisch Gladbach, Germanylives in Cologne Education / Studies 2012 Diploma with honours, Academy of Media Arts Cologneunder Karin Harrasser, Matthias Müller, Johannes Wohnseifer2007 - 12 Academy of Media Arts Cologne, Media Arts, Germany2005 - 07 University of applied science Düsseldorf, Communications design, Germany2016 Workshop with DIS (Marco Roso), Autocenter/Hartware Medienkunst Verein, Dortmund Solo & Duo shows201825. Videoart Prize Bremen, GAK Bremen, Germany 2017DIAMONDS, Ausstellungsraum für Brauchbarkeit, curated by Sally Müller, CologneJulia Weissenberg | Video works, Goethe Institute, Beijing, ChinaAlhambra, with Selma Gültoprak, Lohsepark, Cologne, GER 2016Let‘s just imitate the real until we find a better one, MATJÖ, Art Space, Cologne2015SOFT COMPANY, with Mia Boysen, Ackerstrasse 24, Düsseldorf, Germany 2015Form, Line Screen: Re-Viewing Architecture, curated by Kyle Weise, Melbourne, AUS 2014Concrete Shore, Artothek, Cologne, Germany (C) Selected Groupshows & Screenings (S) 2018Die Stadt dringt in das Haus, Simultanhalle/ Museum of Modern Art MoskowRaum D: Digitale Projekte, Künstlerhaus Halle für Kunst & Medien, Graz(forthcoming)The long now, Kunstverein Bochum / Museum Goch, GERShared Spaces - Wrong places, Satellit Artspace, Moritzplatz, Berlin64.Int. shortfilm festival Oberhausen, NRW Competition (S)Ciao! - Strizzi Artspace, Cologne, Germany 2017Shared Spaces, Kunstverein Aschaffenburg, curated by Ellen Wagner, GERThe Hot Wire, Skulpturen Museum Glaskasten, Marl, GermanyStranger Days, Galerie Lisa Kandlhofer, curated by Juergen Dehm, Vienna, ATVideo of the Month, Hartware Medienkunst Verein, curated by Inke Arns, DortmundA Life Like This, Pix Film Gallery, curated by Henning Malz,Toronto, Canada (S)After School Special, Landmark, Bergen Kunsthall, curated by Hedda Grevle, NO (S)Smoking Room - artists‘ ashtrays, De Ateliers, Amsterdam, NL 2016Mies van der Rohe, The MoMA Collages, Ludwig Forum Aachen, GER (C)Capri by Night, Theater/Offenbachplatz, curated by Lucy Milanova, Cologne, GER (S)Artist as Curator, FAQ Kunstraum, curated by Franz Reimer, Bremen, GER3, Tiefkeller Artspace, Bonn, curated by Bettina Marx, GERPavillion, Garten der Villa Romana, invited by Nico Joana Weber, Florenz, ItalyOberfläche, Oxygen, Dortmund, curated by Jana Kerima Stolzer, GermanyArt on the BIG Screen, Missisauga, Ontario, Kanada (S)29th Festival Les Instants Vidéo, Marseille, France (S)62.Int‘l Shortfilmfestival Oberhausen, Distributor‘s Screening, CFMDC (S)Expanded Media Exhibition, Stuttgarter Filmwinter, Stuttgart, GER 2015The Laocoön Dilemma, Galerie Sturm, curated by Juergen Dehm, Nürnbergfinal_draft, Artspace Geumcheon, Seoul, South KoreaVIDEONALE.scope, Filmpalette, Cologne, Germany (S)B3 Biennale, wie wir sehen, Kino des Deutschen Filmmuseums Frankfurt, GER (S)11th annual European Short Film Festival at MIT, Boston, USA (S)Snowstorm, Screen Space, Melbourne, AustraliaAn Earthquake at the Racetracks, Museo de la Ciudad, Querétaro, Mexico61th International Short Film Festival Oberhausen, NRW Competition, GER (S, C)Bideodromo Int‘l Experimental Video Festival, Bilbao, Spanien (S)The North, Parallel Productions, curated by Sally Müller, Stockholm, Sweden (S) 2014Marl Media Art Awards 14,Skulpturenmuseum Glaskasten Marl,GER (C)The Ringenberg Biennale, Schloss Ringenberg, Hamminkeln, GERMonitoring Exhibition, Kasseler Dokumentar- und Videofest, Kassel (C)MIA, the Armory, Pasadena & Comfort Station in Chicago, USA (S)Aesthetica Art Prize Ausstellung, York St Marys, York, UK (C)New Talents Biennale, Cologne, GER (K)Int.Video Art Review THE 02, Museum of Contemporary Art- MOCAK- Krakow, PL (S) 2013VIDEONALE.14/ Parcours, Künstlerforum Bonn, GERART AWARD, BAUSTELLE/SCHAUSTELLE, Raum für junge Kunst, Essen, GER (C)Extra, D21 Kunstraum, Leipzig, GER23.Festival Int. de Curtas do Rio de Janeiro, Brasil (S)59th International Shortfilm Festival Oberhausen, NRW Wettbewerb, GER (S, C)OZON International Video Art Festival, Galeria Rondo Szutuki, Katowice, Polen (S)International Alternative Film/Video Festival, Belgrade,Serbia (S)11. Festival international Signes de Nuit, Paris, France (S)22. dokumentART european Film festival, Neubrandenburg/Stettin (S) 2012ECHORAUM 6 minus, Bundeskunsthalle, Bonn, GER (C) S = Screening / C = Catalogue Award / Scholarship 201864.Int. shortfilm festival Oberhausen, Award Winner, NRW Competition201725. Videoart Prize, Filmbüro Bremen e.V., GermanyArtist in Residence, Goethe-Institute Peking & Geka e.V., Beijing, China2016Artist in Residence, Flaggfabrikken, Bergen, NorwayArtist in Residence, german-chinese exchange, Geka e.V., Berlin, GermanyHonorable Jury Mention, Stuttgarter Filmwinter, Germany2015Artist in Residence, Art Space Geumcheon, Seoul, South Korea2014Chargesheimer Scholarship of the city of Cologne (for Media arts), GERNRW working grant, Schloss Ringenberg, Hamminkeln, GERAesthetica Art Prize 2014, nominated, UK2013Art Award of BAUSTELLE/SCHAUSTELLE Art Space, Essen, GERHonorable Jury Mention, International Alternative Film/Video Festival, Belgrade, Serbia

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