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blinkvideo - research of video art, performance and multimedia installations.

blinkvideo - research of video art, performance and multimedia installations.


Moving Images / Moving Bodies
Online screening programme in cooperation
with the Goethe-Institut Bulgaria

Curated by Ludwig Seyfarth

Research into the human body and interpersonal relationships remain central themes in video and moving image art. Artists from Bulgaria and Germany, whose work is related in content, will be shown in pairs over the next weeks. The exhibition planned for November 2020 in Sofia has been postponed until 2021. Instead, a consecutive presentation of selected films by artists from Moving Bodies/Moving Images is presented on blinkvideo.
image: © Elitsa Dimitrova

Shooting Ghosts
Online screening programme in cooperation
with the Goethe-Institut Bulgaria

Curators: Kalin Serapionov, Krassimir Terziev

What we propose in this programme is a highly subjective and fragmented view on current practices in moving image in the Bulgarian art scene. We focused on practices that show affinity with speculative narratives - narratives that not just record what is in front of the cinematic eye, but also capture all the ghosts that are unreachable by the apparatus, thus projecting speculative views that intend not merely to describe, but to transform the world.
image: © Veneta Androva

Moving Images / Moving Bodies

 ‘Moving Images Bulgaria-Germany’ is a project by Goethe-Institut Bulgaria, that includes various online and offline initiatives, starting in November 2020. The online program, realised in partnership with blinkvideo, will consist of two curated programmes: “Moving Images / Moving Bodies”, curated by Ludwig Seyfarth, and “Shooting Ghosts”, curated by Krassimir Terziev and Kalin Serapionov.

First the programme “Shooting Ghosts” will give a selected overview of video art in Bulgaria in general. The programme will be accompanied by an in-depth essay by Krassimir Terziev as well as texts by different authors or the artists themselves on individual films.

Critics’ Pick: Vienna by Nicole Büsing + Heiko Klaas

The group show “Antarctica. An Exhibition on Alienation” was presented in Vienna during the past winter season. Departing from a note written by the Italian cult director Michelangelo Antonioni referring to a potential glacier melting in the Antarctica and a hint to a film, the two curators from the Kunsthalle Wien, Vanessa Joan Müller and Nicolaus Schafhausen, conceived an exhibition on the topic of alienation and contemporary art. The focus was on the latest contemporary photography and video art by the younger generation of artists.
Image: © Isabella Fürnkäs

UNSTILLED LIFE: Artist Animations 1980-2020
Curated by Emma Cousin and Paul Carey-Kent

Why this show, here and now? British artist-curator Emma Cousin and writer-curator Paul Carey-Kent recently pulled together a choice of artist animations, thinking that the increasingly vibrant medium is especially suited to the online emphasis of the locked down art world of 2020. Three of them turned out to be represented by Ron Mandos, making the Amsterdam gallery ideal hosts. The cast is international, and to reflect that Tintype gallery in London and Hamburg’s blinkvideo have joined in with variations on the programme. 
Markus Vater Worlds don’t come easy, 2020

Something Between Us
KAI 10 | ARTHENA FOUNDATION, Düsseldorf

The exhibition „Something Between Us“ focuses on both our contemporary lives and the anthropological constants of interpersonal dealings: love, empathy, security, care and safety on the one hand, and hate, role fixation, dependency, reprimand and exclusion on the other. Something Between Us asks how these structures of togetherness are changing in our digital era.
Thomas Taube OCCIDENT, 2020

REFRACTED REALITIES at VIDEONALE.17

In optics, “refraction” refers to the bending of a beam of light, a change in direction which occurs at the moment when it passes from one medium to another. Through refraction, the light wave alters course, changing the way we perceive the objects it illuminates in the process. This optical deviation requires us to repeatedly correct our gaze, comparing the beginning and end points of our perception with reality, and bringing the object we see clearly into focus. In its figurative sense, refraction refers to a critical reflection on the means and channels of visualization, and by extension the possibility of a rearticulation of our view of things – how they are, were, or apparently always have been.
Image: © Sohrab Hura

NEW: Favorites curated by blinkvideo users

What do you like? Over the next few months, we will be showing here selections of works, compiled by you, as a blinkvideo user.

Stefano Miraglia: Hey Blinkvideo members! Here are my eight "must watch" films and videos. Happy to find in this catalogue some of the works that got me interested in artists' moving image when I was a student! (Guillaume Leblon! Daniel Steegmann Mangrané! Marylène Negro!).

Expanding Bauhaus.
New Reflections on the Bauhaus Movement in Time-Based Media Art / Goethe Institute Netherlands

A screening series selected by Elke Kania (Cologne), Julia Sökeland (Hamburg) and Ludwig Seyfarth (Berlin)

With its combination of various arts such as painting, photography film, architecture, fashion, product and interior design and textile art, the Bauhaus is still considered the epitome of a technologically advanced modernity. Last but not least, the attempt to create the whole society aesthetically, inspired many artists worldwide.
Image: © Adnan Softic

Johan Grimonprez

Johan Grimonprez’s critically acclaimed work dances on the borders of practice and theory, art and cinema, documentary and fiction, demanding a double take on the part of the viewer. Informed by an archeology of present-day media, his work seeks out the tension between the intimate and the bigger picture of globalization. It questions our contemporary sublime, one framed by a fear industry that has infected political and social dialogue. By suggesting new narratives through which to tell a story, his work emphasizes a multiplicity of realities.
image: © Johan Griminprez

Christoph Faulhaber: Revolution & Architecture

With "Revolution & Architecture" Christoph Faulhaber (* 1972 in Osnabrück, lives in Hamburg) conceives, builds, designs and opens a whole series of very different rooms in the Kunsthalle Osnabrück. In order to discover the revolutionary aspect of these "architectures", one has to look at the social implications of interior design in general. In the forum the visitor then enters Faulhaber's cinematic autobiography "Every Picture is an Empty Picture" as in the eye of the cyclone: The work is split into 15 individual films and surrounds the visitor in a circle.
Image: © Christoph Faulhaber

Stiftung imai – inter media art institute

The Düsseldorf based foundation imai – inter media art institute was founded in 2006 in order to establish an institution in Germany dedicated to the distribution and preservation of media art and associated activities.
Image: © Marcel Odenbach

Featured videos

Markus Vater
Im Wald (perfect day), 2011

This Animation has developed from a colloboration with the dutch poet Tjitske Jansen. Initially it reacted on a text of hers dealing with memories in her life. All memories were about events in which she didn’t understand the concepts and actions that had happened, but which she understands now.

Pratchaya Phinthong
A proposal to set (work in progress), 2016

A proposal to set CH4*5.75H20 on fire (work in progress) is an ongoing project that explores methane hydrate, an ice compound that has been identified by scientists as an alternative fuel of future energy. Found in large quantities beneath Arctic permafrost, Antarctic ice and sedimentary deposits, methane hydrate releases natural gas when exposed to increases in temperature or decreases in pressure.Gas released by methane hydrates can be lit, which produces a semi-transparent orange and blue flame.This 16 mm film shows samples of methane hydrates.Through the mobilisation and connection of individuals working across geology, science and art, the project generates awareness of methane hydrate, its chemically volatile nature and implications for energy industries.The film itself performs a kind of material transfer, capturing light emitted by the burning samples and projecting it into the gallery space. For Phinthong, each iteration of the project is a form of extraction that makes its subject more widely visible. Filmed by Phuttipong Aroonpheng. Made with the support of Oleg Blouson,Andrey Khabuev and Oleg Khlystov at the Limnological Institute, Irkutsk, Russia.

Ryan Gander
And You Will be Changed , 2014

'And You Will be Changed (Centre Pompidou, Paris)', 2014, follows curator Emma Lavigne around the empty Centre Pompidou in Paris as she presents the viewer with a tour of an empty space that had housed a now uninstalled Pierre Huyghe exhibition. The show is imagined and told by Lavigne as if the artworks were still there. Exhibited: - Pierre Huyghe +/–,The Artist’s Institute, New York, 2014
- Nouveau Festival (5th Edition), Musée d’Art Moderne, Centre Pompidou, Paris, 2014

Deimantas Narkevicius
Ausgeträumt, 2010

The German word ‘Ausgeträumt’ means a state between dream and reality at the point of waking up.The very first creative attempts by any artist are usually very positive, unaffected by criticism, even naive activities. Refering to myself, I had to be absolutely naive to choose to be a visual artist, in the late 80's when in the Soviet Union, everything was falling apart. There was no precedent of success, or an example to follow in the country which was still isolated. With this film I am re-approaching the state of naivety.

Katja Aufleger
LOVE AFFAIR, 2017

Several lights get shot successively. Some crush at once, quiet or with a blast, others seem like trying not to die.

Janet Biggs
Vanishing point, 2009

Luzia Hürzeler
Being in the Picture, 2007/08

Im Bilde sein [Being in the Picture] is a video installation. The monitor stands on a two-meter-high plinth. The video shows a white wall in front of which my head becomes visible, fully or partially, at short or long intervals. I keep jumping up into the picture, making myself visible through physical activity. These efforts become apparent through the sounds. The jumping height, and thus my visibility, decreases over time, until I finally give up through exhaustion.On the occasion of the exhibition “Spazi aperti” this work was displayed in the entrance hall of the Romanian Academy in Rome, where a number of monumental busts are mounted on plinths.

Johanna Reich
Horizon, 2012

The artist is drawing a line onto a white surface. The line reveals the horizon: it separates the sea from the sky. "To draw a line": this phrase already linguistically contains many different meanings. Beginning with the famous line – the one that cannot be crossed politically – via the (guide)line that is also the conceptual standard, to the simple strike placed beneath an addition, these are key points on the spectrum.“When Johanna Reich draws a line with a broad brush onto a wall, additional content comes into play. There is the track which children draw onto the wall with chalk, the traditional artist myth of the line as a vivid track of creative process, and last but not least the powerfully picturesque action of splattering the wall.”(Johannes Stahl)Johanna Reich (*1977 Minden) studied at the Kunstakademie Münster, the HfbK Hamburg and the Kunsthochschule für Medien Köln. She lives and works in Cologne.

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Juan Pablo Macías

Works


Galleries

for further information contact blinkvideo
Germany

Phone: +49 40 22748986
E-Mail: info@blinkvideo.de




Statement

The work of Juan Pablo Macías (Mexico, 1974) explores the relation between systems of representation and affectivity, and analogically, between power knowledge and insurrectional knowledge. With his actions, interventions, work on archives and editorial projects, he intends to cause tensions between institution, art practice and social field, by producing programs that operate directly on the biological, social and economic bodies. His work has been shown in major art museums in Mexico and around the world.


Biography

1974 Born in Puebla (MX)

Education

1997-03 BFA Univ. de las Américas Puebla, (MX)
2004 MFA Univ. Complutense de Madrid (ES)
2005 Advanced Course in Visual Arts. Como (IT)

Solo projects

2015
WORD NOT TEXT NOT LAW. Galerie Michel Rein. Paris (FR)
Colporteur. Galerie 21. Livorno (IT)

2014
WORD+MOIST PRESS. Villa Romana. Florence (IT)
Preistorico In(n)umano. GuilmiArtProject. Chieti (IT)

2013
History of the universe in twenty minutes. Kunstraum München (DE)
Tiempo Muerto: Burial of a copyright infringement (performance). Tranzitdisplay. Prague (CZ)

2012
Tiempo Muerto: Then the handwriting may be read upon the wall. Kunstraum München (DE)
Tiempo Muerto: Economías del Deseo. MUCA-ROMA. Mexico City (MX)
Tiempo Muerto: On Production, Inscription and Desire. Studio Gennai. Pisa (IT)

2010
Porta. A Certain Lack of Coherence. Porto (PT)

2009
Metal – Puebla De Zaragoza. Sala de Arte Público Siqueiros. Mexico City (MX)

2008
Sensible-en-General. La Refaccionaria. Mexico City (MX)

2007
Into Reality. National Center for Contemporary Art. Moscow (RU)
Juan Pablo Macias. Cheryomushki Apartment Gallery. Moscow (RU)

2006
Everything Turns, Everything Revolves. Arena Mexico. Guadalajara (MX)

2005
Daily Staging (with Gabriel Acevedo V.). Ciocca Arte Contemporanea. Milano (IT)
Simplesmente Elas Exalam (with Gabriel Acevedo V.). Galería Leme. Sao Paolo (BR)

2003
Album Familiar: Desplazamientos Cartográficos y Afectivos. LAALvaca. Puebla (MX)

2001
Family Album. The PAGE Center. Omaha (US)

Group exhibitions

2015
Et in Libertalia Ego. MONA Museum of Old and New Art. Tasmania (AU)
Some say you can find happiness there. Visual Culture Research Center VCRC. Kiev (UA)
P.I.G.S. Nosotros Social Center. Athens (GR)
P.I.G.S. Auditorium Arte. Rome (IT)
P.I.G.S. La Ravala. Barcelona (ES)
Sobre Negro. Curated by Michel Blancsubé. MARSO/Torre de los Vientos. Mexico City (MX)
Et in Libertalia Ego. La Maison Rouge. Paris (FR)

2014
Acciones Territoriales. Curated by Daniela Lieja. Ex Teresa Arte Actual. Mexico City (MX)
El ojo en el tiempo. Obras de la Colección Adrastus. Museo de Arte de Sonora -Musas. Sonora (MX)
Atwork Lettera 27. Donwahl Foundation for Conetmporary Art, Abidjan (CI)
Zona Maco Sur. Curated by Juan A. Gaitán. Mexico City (MX)

2013
Apologia. Museo del Marmo. Carrara (IT)
The encyclopedia of failure. Part of the Jakarta Biennale 2013 SIASAT (ID)
El ojo en el tiempo. Obras de la Colección Adrastus. Museo Carrillo Gil. México DF (MX)
Altars of Madness. Confort Moderne. Poitiers (FR)
Altars of Madness. Casino Luxembourg (LU)
Desiré Saint Phalle. Zona Maco. México DF (MX)
Lavoro/Work/Vore, SPAC. Udine (IT)

2012
Wunderkammer. Museum Nacht Delft (NL)
Prospectus: Escuela Moderna, Karmelo Bermejo, Nicoletta Braga, Democracia, Juan Pablo Macías, Santiago Sierra, Alain Urrutia. Cantieri d’Arte 7a Edizione. Viterbo (IT)
Resisting the Present: Mexico 2000-2012. Musée d'Art Moderne de la Ville de Paris (FR)

2011
KV Survey Shop (Kunstverein Network). Artissima 18. Torino (IT)
Resisting the Present: Mexico 2000-2012. Museo Amparo. Puebla (MX)
Il Buon Vicino. REACT. Livorno (IT)
antes / después. Caja Blanca. Mexico City (MX)

2010
“Grande Baía!” Leilão Incoerente. A Certain Lack of Coherence. Oporto (PT)
Espectrografías. Museo Universitario Arte Contemporáneo. Mexico City (MX)
Superficies del Deseo. Museo Universitario Arte Contemporáneo. Mexico City (MX)

2009
Una serie de micro fascismos consecutivos y sin fin. MUCA-ROMA. Mexico City (MX)

2008
Fragmentos Sonoros. IMACP. Puebla (MX)
Paraísos Perdidos. Ateneo Español. Mexico City (MX)
The Emergency Biennale in Chechnya / Stop 11. Galeria Arsenal. Bialystoc (PL)
The Emergency Biennale in Chechnya / Stop 10. PLAYSPACE Gallery. San Francisco (US)

2007
The Emergency Biennale in Chechnya / Stop 9. 10th Istanbul Biennial (TR)
9 zoom sulla quotidianità. Officina Giovane. Prato (IT)
SuitcaseIlluminated#5: on parallel economies. P74 Center & Gallery. Ljubljana (SI)
SuitcaseIlluminated#5: on parallel economies Mac/Val Museum. Paris (FR)
Separation Perfected. National Center for Contemporary Art. Moscow (RU)

2006
Mascaradas: Disfraces, Espejos, Máscaras. Museo Tamayo. Mexico City (MX)
Bunker o no Bunker: Por Una Profilaxis Del Sujeto. Ramis Barquet. Monterrey (MX)
Self-educations. National Center for Contemporary Art NCCA. Moscow (RU)
Estetica della Resistenza. Assab One. Milan (IT)

2005
First KO Video Festival by Pulse. KwaZulu-Natal Gallery. Durban (ZA)
Re(trans)misiones. Centro Nacional de las Artes. Mexico City (MX)
September Back Up. Isola Art Center. Milan (IT)
Estetica della Resistenza. Fondazione Ratti. Como (IT)
Come Closer. Künstlerhaus Bethanien. Berlín (DE)
Especular lo Próximo. Hangar-Can Felipa. Barcelona (ES)
I Am He As You Are He… Central de Arte. Guadalajara (MX)

2004
Pirotecnia. Galería Univ. Complutense de Madrid (ES)

2003
Aparentemente Sublime. Museo de Arte Moderno. Mexico City (MX)

2002
Sala de Recuperación. Museo Arte Contemporáneo Carrillo Gil. Mexico City (MX)
Rotación XV. MUCA-ROMA. Mexico City (MX)

Collections

Collezione La Gaia, Busca (IT)
Colección Adrastus, Arévalo (ES)
Colección Museo Amparo, Puebla (MX)
Collezione Nomas Foundation, Rome (IT)

Grants & residences

2014
Guilmiartproject. Chieti (IT)
2013
Database. Museo del Marmo. Carrara (IT)
2005
Fondazzione Antonio Ratti Residency (IT)
Fundación/Colección Jumex grant for study (MX)

Juan Pablo Macías
1974 Born in Puebla (MX) Education 1997-03 BFA Univ. de las Américas Puebla, (MX) 2004 MFA Univ. Complutense de Madrid (ES) 2005 Advanced Course in Visual Arts. Como (IT) Solo projects 2015 WORD NOT TEXT NOT LAW. Galerie Michel Rein. Paris (FR) Colporteur. Galerie 21. Livorno (IT) 2014 WORD+MOIST PRESS. Villa Romana. Florence (IT) Preistorico In(n)umano. GuilmiArtProject. Chieti (IT) 2013 History of the universe in twenty minutes. Kunstraum München (DE) Tiempo Muerto: Burial of a copyright infringement (performance). Tranzitdisplay. Prague (CZ) 2012 Tiempo Muerto: Then the handwriting may be read upon the wall. Kunstraum München (DE) Tiempo Muerto: Economías del Deseo. MUCA-ROMA. Mexico City (MX) Tiempo Muerto: On Production, Inscription and Desire. Studio Gennai. Pisa (IT) 2010 Porta. A Certain Lack of Coherence. Porto (PT) 2009 Metal – Puebla De Zaragoza. Sala de Arte Público Siqueiros. Mexico City (MX) 2008 Sensible-en-General. La Refaccionaria. Mexico City (MX) 2007 Into Reality. National Center for Contemporary Art. Moscow (RU) Juan Pablo Macias. Cheryomushki Apartment Gallery. Moscow (RU) 2006 Everything Turns, Everything Revolves. Arena Mexico. Guadalajara (MX) 2005 Daily Staging (with Gabriel Acevedo V.). Ciocca Arte Contemporanea. Milano (IT) Simplesmente Elas Exalam (with Gabriel Acevedo V.). Galería Leme. Sao Paolo (BR) 2003 Album Familiar: Desplazamientos Cartográficos y Afectivos. LAALvaca. Puebla (MX) 2001 Family Album. The PAGE Center. Omaha (US) Group exhibitions 2015 Et in Libertalia Ego. MONA Museum of Old and New Art. Tasmania (AU) Some say you can find happiness there. Visual Culture Research Center VCRC. Kiev (UA) P.I.G.S. Nosotros Social Center. Athens (GR) P.I.G.S. Auditorium Arte. Rome (IT) P.I.G.S. La Ravala. Barcelona (ES) Sobre Negro. Curated by Michel Blancsubé. MARSO/Torre de los Vientos. Mexico City (MX) Et in Libertalia Ego. La Maison Rouge. Paris (FR) 2014 Acciones Territoriales. Curated by Daniela Lieja. Ex Teresa Arte Actual. Mexico City (MX) El ojo en el tiempo. Obras de la Colección Adrastus. Museo de Arte de Sonora -Musas. Sonora (MX) Atwork Lettera 27. Donwahl Foundation for Conetmporary Art, Abidjan (CI) Zona Maco Sur. Curated by Juan A. Gaitán. Mexico City (MX) 2013 Apologia. Museo del Marmo. Carrara (IT) The encyclopedia of failure. Part of the Jakarta Biennale 2013 SIASAT (ID) El ojo en el tiempo. Obras de la Colección Adrastus. Museo Carrillo Gil. México DF (MX) Altars of Madness. Confort Moderne. Poitiers (FR) Altars of Madness. Casino Luxembourg (LU) Desiré Saint Phalle. Zona Maco. México DF (MX) Lavoro/Work/Vore, SPAC. Udine (IT) 2012 Wunderkammer. Museum Nacht Delft (NL) Prospectus: Escuela Moderna, Karmelo Bermejo, Nicoletta Braga, Democracia, Juan Pablo Macías, Santiago Sierra, Alain Urrutia. Cantieri d’Arte 7a Edizione. Viterbo (IT) Resisting the Present: Mexico 2000-2012. Musée d'Art Moderne de la Ville de Paris (FR) 2011 KV Survey Shop (Kunstverein Network). Artissima 18. Torino (IT) Resisting the Present: Mexico 2000-2012. Museo Amparo. Puebla (MX) Il Buon Vicino. REACT. Livorno (IT) antes / después. Caja Blanca. Mexico City (MX) 2010 “Grande Baía!” Leilão Incoerente. A Certain Lack of Coherence. Oporto (PT) Espectrografías. Museo Universitario Arte Contemporáneo. Mexico City (MX) Superficies del Deseo. Museo Universitario Arte Contemporáneo. Mexico City (MX) 2009 Una serie de micro fascismos consecutivos y sin fin. MUCA-ROMA. Mexico City (MX) 2008 Fragmentos Sonoros. IMACP. Puebla (MX) Paraísos Perdidos. Ateneo Español. Mexico City (MX) The Emergency Biennale in Chechnya / Stop 11. Galeria Arsenal. Bialystoc (PL) The Emergency Biennale in Chechnya / Stop 10. PLAYSPACE Gallery. San Francisco (US) 2007 The Emergency Biennale in Chechnya / Stop 9. 10th Istanbul Biennial (TR) 9 zoom sulla quotidianità. Officina Giovane. Prato (IT) SuitcaseIlluminated#5: on parallel economies. P74 Center & Gallery. Ljubljana (SI) SuitcaseIlluminated#5: on parallel economies Mac/Val Museum. Paris (FR) Separation Perfected. National Center for Contemporary Art. Moscow (RU) 2006 Mascaradas: Disfraces, Espejos, Máscaras. Museo Tamayo. Mexico City (MX) Bunker o no Bunker: Por Una Profilaxis Del Sujeto. Ramis Barquet. Monterrey (MX) Self-educations. National Center for Contemporary Art NCCA. Moscow (RU) Estetica della Resistenza. Assab One. Milan (IT) 2005 First KO Video Festival by Pulse. KwaZulu-Natal Gallery. Durban (ZA) Re(trans)misiones. Centro Nacional de las Artes. Mexico City (MX) September Back Up. Isola Art Center. Milan (IT) Estetica della Resistenza. Fondazione Ratti. Como (IT) Come Closer. Künstlerhaus Bethanien. Berlín (DE) Especular lo Próximo. Hangar-Can Felipa. Barcelona (ES) I Am He As You Are He… Central de Arte. Guadalajara (MX) 2004 Pirotecnia. Galería Univ. Complutense de Madrid (ES) 2003 Aparentemente Sublime. Museo de Arte Moderno. Mexico City (MX) 2002 Sala de Recuperación. Museo Arte Contemporáneo Carrillo Gil. Mexico City (MX) Rotación XV. MUCA-ROMA. Mexico City (MX) Collections Collezione La Gaia, Busca (IT) Colección Adrastus, Arévalo (ES) Colección Museo Amparo, Puebla (MX) Collezione Nomas Foundation, Rome (IT) Grants & residences 2014 Guilmiartproject. Chieti (IT) 2013 Database. Museo del Marmo. Carrara (IT) 2005 Fondazzione Antonio Ratti Residency (IT) Fundación/Colección Jumex grant for study (MX)

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  • Tuvalu
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  • Ukraine
  • United Arab Emirates
  • United Kingdom
  • United States
  • United States Minor Outlying Islands
  • Uruguay
  • Uzbekistan
  • Vanuatu
  • Venezuela
  • Vietnam
  • Virgin Islands
  • Wallis and Futuna
  • West Bank
  • Western Sahara
  • Yemen
  • Zambia
  • Zimbabwe

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