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blinkvideo - research of video art, performance and multimedia installations.

For artists we provide a platform for extensive presentation of media works, gallerists get a direct contact to international professional audiences, collectors find a worldwide overview of contemporary trends in moving image, curators can do research via keywords and compilations, teachers use presentation opportunities for students and all professionals get password protected, extensive information about video works worldwide.

B3 – ON DESIRE

With the key topic ON DESIRE, B3 will in fall 2017 reflect on the latest trends relating to the moving image in art and media from a political, technological and aesthetic perspective.  Desire as yearning, wish, lust or hope and its translation into moving images will be explored in an artistic, social, political, sociopolitical and historical perspective and critically examined. . . .

VIDEONALE.16 Festival for Video and Time-Based Arts 2017

The 16th Videonale - Festival for Video and Time-Based Arts, this year took place under the title PERFORM! The exhibitions at the Kunstmuseum Bonn featured recent works by a total of 43 international artists

KINO DER KUNST 2017

a worldwide unique combination of film festival and art exhibition, held its third edition in April 2017. Movie theatres and museums all over Munich presented an International Competition as well as special focuses, artists talks, smposions and multi-channel installations.

Featured videos

Anita Beckers selection of videos for Independent Collector

In an exclusive interview with IC she talks about the technological progress that keeps reinventing the genre and her different roles she faces as a collector, gallerist and curator.

Artemovendo – in collaboration with Goethe Institut Porto Alegre

The video works shown in Artemovendo present a morphology of ambiguous entities, creatures or technical devices. Natural environments are contrasted with artificial, fully computer-designed worlds. Sometimes it is difficult to distinguish whether we have been invited to take a look at the outside world or into a laboratory; even dimensions appear to be chosen arbitrarily. Or do we happen to be entering a microscopically small universe that has been magnified many times over?

"Ajonjolí y otros moles"
Chance, Observation and a Poetics of the Personal

A series of pieces which deal with chance and observation of the every day; that which in our perception is hidden unless we slow down and take a closer look.

Stiftung imai – inter media art institute

The Düsseldorf based foundation imai – inter media art institute was founded in 2006 in order to establish an institution in Germany dedicated to the distribution and preservation of media art and associated activities.

Our Partners

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blinkvideo is a website for the research of video art. Founders: Julia Sökeland, Anita Beckers. blinkvideo ist eine Plattform zur Recherche nach Videokunst

Juan Pablo Macías

Works


Statement

The work of Juan Pablo Macías (Mexico, 1974) explores the relation between systems of representation and affectivity, and analogically, between power knowledge and insurrectional knowledge. With his actions, interventions, work on archives and editorial projects, he intends to cause tensions between institution, art practice and social field, by producing programs that operate directly on the biological, social and economic bodies. His work has been shown in major art museums in Mexico and around the world.


Biography

1974 Born in Puebla (MX)

Education

1997-03 BFA Univ. de las Américas Puebla, (MX)
2004 MFA Univ. Complutense de Madrid (ES)
2005 Advanced Course in Visual Arts. Como (IT)

Solo projects

2015
WORD NOT TEXT NOT LAW. Galerie Michel Rein. Paris (FR)
Colporteur. Galerie 21. Livorno (IT)

2014
WORD+MOIST PRESS. Villa Romana. Florence (IT)
Preistorico In(n)umano. GuilmiArtProject. Chieti (IT)

2013
History of the universe in twenty minutes. Kunstraum München (DE)
Tiempo Muerto: Burial of a copyright infringement (performance). Tranzitdisplay. Prague (CZ)

2012
Tiempo Muerto: Then the handwriting may be read upon the wall. Kunstraum München (DE)
Tiempo Muerto: Economías del Deseo. MUCA-ROMA. Mexico City (MX)
Tiempo Muerto: On Production, Inscription and Desire. Studio Gennai. Pisa (IT)

2010
Porta. A Certain Lack of Coherence. Porto (PT)

2009
Metal – Puebla De Zaragoza. Sala de Arte Público Siqueiros. Mexico City (MX)

2008
Sensible-en-General. La Refaccionaria. Mexico City (MX)

2007
Into Reality. National Center for Contemporary Art. Moscow (RU)
Juan Pablo Macias. Cheryomushki Apartment Gallery. Moscow (RU)

2006
Everything Turns, Everything Revolves. Arena Mexico. Guadalajara (MX)

2005
Daily Staging (with Gabriel Acevedo V.). Ciocca Arte Contemporanea. Milano (IT)
Simplesmente Elas Exalam (with Gabriel Acevedo V.). Galería Leme. Sao Paolo (BR)

2003
Album Familiar: Desplazamientos Cartográficos y Afectivos. LAALvaca. Puebla (MX)

2001
Family Album. The PAGE Center. Omaha (US)

Group exhibitions

2015
Et in Libertalia Ego. MONA Museum of Old and New Art. Tasmania (AU)
Some say you can find happiness there. Visual Culture Research Center VCRC. Kiev (UA)
P.I.G.S. Nosotros Social Center. Athens (GR)
P.I.G.S. Auditorium Arte. Rome (IT)
P.I.G.S. La Ravala. Barcelona (ES)
Sobre Negro. Curated by Michel Blancsubé. MARSO/Torre de los Vientos. Mexico City (MX)
Et in Libertalia Ego. La Maison Rouge. Paris (FR)

2014
Acciones Territoriales. Curated by Daniela Lieja. Ex Teresa Arte Actual. Mexico City (MX)
El ojo en el tiempo. Obras de la Colección Adrastus. Museo de Arte de Sonora -Musas. Sonora (MX)
Atwork Lettera 27. Donwahl Foundation for Conetmporary Art, Abidjan (CI)
Zona Maco Sur. Curated by Juan A. Gaitán. Mexico City (MX)

2013
Apologia. Museo del Marmo. Carrara (IT)
The encyclopedia of failure. Part of the Jakarta Biennale 2013 SIASAT (ID)
El ojo en el tiempo. Obras de la Colección Adrastus. Museo Carrillo Gil. México DF (MX)
Altars of Madness. Confort Moderne. Poitiers (FR)
Altars of Madness. Casino Luxembourg (LU)
Desiré Saint Phalle. Zona Maco. México DF (MX)
Lavoro/Work/Vore, SPAC. Udine (IT)

2012
Wunderkammer. Museum Nacht Delft (NL)
Prospectus: Escuela Moderna, Karmelo Bermejo, Nicoletta Braga, Democracia, Juan Pablo Macías, Santiago Sierra, Alain Urrutia. Cantieri d’Arte 7a Edizione. Viterbo (IT)
Resisting the Present: Mexico 2000-2012. Musée d'Art Moderne de la Ville de Paris (FR)

2011
KV Survey Shop (Kunstverein Network). Artissima 18. Torino (IT)
Resisting the Present: Mexico 2000-2012. Museo Amparo. Puebla (MX)
Il Buon Vicino. REACT. Livorno (IT)
antes / después. Caja Blanca. Mexico City (MX)

2010
“Grande Baía!” Leilão Incoerente. A Certain Lack of Coherence. Oporto (PT)
Espectrografías. Museo Universitario Arte Contemporáneo. Mexico City (MX)
Superficies del Deseo. Museo Universitario Arte Contemporáneo. Mexico City (MX)

2009
Una serie de micro fascismos consecutivos y sin fin. MUCA-ROMA. Mexico City (MX)

2008
Fragmentos Sonoros. IMACP. Puebla (MX)
Paraísos Perdidos. Ateneo Español. Mexico City (MX)
The Emergency Biennale in Chechnya / Stop 11. Galeria Arsenal. Bialystoc (PL)
The Emergency Biennale in Chechnya / Stop 10. PLAYSPACE Gallery. San Francisco (US)

2007
The Emergency Biennale in Chechnya / Stop 9. 10th Istanbul Biennial (TR)
9 zoom sulla quotidianità. Officina Giovane. Prato (IT)
SuitcaseIlluminated#5: on parallel economies. P74 Center & Gallery. Ljubljana (SI)
SuitcaseIlluminated#5: on parallel economies Mac/Val Museum. Paris (FR)
Separation Perfected. National Center for Contemporary Art. Moscow (RU)

2006
Mascaradas: Disfraces, Espejos, Máscaras. Museo Tamayo. Mexico City (MX)
Bunker o no Bunker: Por Una Profilaxis Del Sujeto. Ramis Barquet. Monterrey (MX)
Self-educations. National Center for Contemporary Art NCCA. Moscow (RU)
Estetica della Resistenza. Assab One. Milan (IT)

2005
First KO Video Festival by Pulse. KwaZulu-Natal Gallery. Durban (ZA)
Re(trans)misiones. Centro Nacional de las Artes. Mexico City (MX)
September Back Up. Isola Art Center. Milan (IT)
Estetica della Resistenza. Fondazione Ratti. Como (IT)
Come Closer. Künstlerhaus Bethanien. Berlín (DE)
Especular lo Próximo. Hangar-Can Felipa. Barcelona (ES)
I Am He As You Are He… Central de Arte. Guadalajara (MX)

2004
Pirotecnia. Galería Univ. Complutense de Madrid (ES)

2003
Aparentemente Sublime. Museo de Arte Moderno. Mexico City (MX)

2002
Sala de Recuperación. Museo Arte Contemporáneo Carrillo Gil. Mexico City (MX)
Rotación XV. MUCA-ROMA. Mexico City (MX)

Collections

Collezione La Gaia, Busca (IT)
Colección Adrastus, Arévalo (ES)
Colección Museo Amparo, Puebla (MX)
Collezione Nomas Foundation, Rome (IT)

Grants & residences

2014
Guilmiartproject. Chieti (IT)
2013
Database. Museo del Marmo. Carrara (IT)
2005
Fondazzione Antonio Ratti Residency (IT)
Fundación/Colección Jumex grant for study (MX)

Juan Pablo Macías
1974 Born in Puebla (MX) Education 1997-03 BFA Univ. de las Américas Puebla, (MX) 2004 MFA Univ. Complutense de Madrid (ES) 2005 Advanced Course in Visual Arts. Como (IT) Solo projects 2015 WORD NOT TEXT NOT LAW. Galerie Michel Rein. Paris (FR) Colporteur. Galerie 21. Livorno (IT) 2014 WORD+MOIST PRESS. Villa Romana. Florence (IT) Preistorico In(n)umano. GuilmiArtProject. Chieti (IT) 2013 History of the universe in twenty minutes. Kunstraum München (DE) Tiempo Muerto: Burial of a copyright infringement (performance). Tranzitdisplay. Prague (CZ) 2012 Tiempo Muerto: Then the handwriting may be read upon the wall. Kunstraum München (DE) Tiempo Muerto: Economías del Deseo. MUCA-ROMA. Mexico City (MX) Tiempo Muerto: On Production, Inscription and Desire. Studio Gennai. Pisa (IT) 2010 Porta. A Certain Lack of Coherence. Porto (PT) 2009 Metal – Puebla De Zaragoza. Sala de Arte Público Siqueiros. Mexico City (MX) 2008 Sensible-en-General. La Refaccionaria. Mexico City (MX) 2007 Into Reality. National Center for Contemporary Art. Moscow (RU) Juan Pablo Macias. Cheryomushki Apartment Gallery. Moscow (RU) 2006 Everything Turns, Everything Revolves. Arena Mexico. Guadalajara (MX) 2005 Daily Staging (with Gabriel Acevedo V.). Ciocca Arte Contemporanea. Milano (IT) Simplesmente Elas Exalam (with Gabriel Acevedo V.). Galería Leme. Sao Paolo (BR) 2003 Album Familiar: Desplazamientos Cartográficos y Afectivos. LAALvaca. Puebla (MX) 2001 Family Album. The PAGE Center. Omaha (US) Group exhibitions 2015 Et in Libertalia Ego. MONA Museum of Old and New Art. Tasmania (AU) Some say you can find happiness there. Visual Culture Research Center VCRC. Kiev (UA) P.I.G.S. Nosotros Social Center. Athens (GR) P.I.G.S. Auditorium Arte. Rome (IT) P.I.G.S. La Ravala. Barcelona (ES) Sobre Negro. Curated by Michel Blancsubé. MARSO/Torre de los Vientos. Mexico City (MX) Et in Libertalia Ego. La Maison Rouge. Paris (FR) 2014 Acciones Territoriales. Curated by Daniela Lieja. Ex Teresa Arte Actual. Mexico City (MX) El ojo en el tiempo. Obras de la Colección Adrastus. Museo de Arte de Sonora -Musas. Sonora (MX) Atwork Lettera 27. Donwahl Foundation for Conetmporary Art, Abidjan (CI) Zona Maco Sur. Curated by Juan A. Gaitán. Mexico City (MX) 2013 Apologia. Museo del Marmo. Carrara (IT) The encyclopedia of failure. Part of the Jakarta Biennale 2013 SIASAT (ID) El ojo en el tiempo. Obras de la Colección Adrastus. Museo Carrillo Gil. México DF (MX) Altars of Madness. Confort Moderne. Poitiers (FR) Altars of Madness. Casino Luxembourg (LU) Desiré Saint Phalle. Zona Maco. México DF (MX) Lavoro/Work/Vore, SPAC. Udine (IT) 2012 Wunderkammer. Museum Nacht Delft (NL) Prospectus: Escuela Moderna, Karmelo Bermejo, Nicoletta Braga, Democracia, Juan Pablo Macías, Santiago Sierra, Alain Urrutia. Cantieri d’Arte 7a Edizione. Viterbo (IT) Resisting the Present: Mexico 2000-2012. Musée d'Art Moderne de la Ville de Paris (FR) 2011 KV Survey Shop (Kunstverein Network). Artissima 18. Torino (IT) Resisting the Present: Mexico 2000-2012. Museo Amparo. Puebla (MX) Il Buon Vicino. REACT. Livorno (IT) antes / después. Caja Blanca. Mexico City (MX) 2010 “Grande Baía!” Leilão Incoerente. A Certain Lack of Coherence. Oporto (PT) Espectrografías. Museo Universitario Arte Contemporáneo. Mexico City (MX) Superficies del Deseo. Museo Universitario Arte Contemporáneo. Mexico City (MX) 2009 Una serie de micro fascismos consecutivos y sin fin. MUCA-ROMA. Mexico City (MX) 2008 Fragmentos Sonoros. IMACP. Puebla (MX) Paraísos Perdidos. Ateneo Español. Mexico City (MX) The Emergency Biennale in Chechnya / Stop 11. Galeria Arsenal. Bialystoc (PL) The Emergency Biennale in Chechnya / Stop 10. PLAYSPACE Gallery. San Francisco (US) 2007 The Emergency Biennale in Chechnya / Stop 9. 10th Istanbul Biennial (TR) 9 zoom sulla quotidianità. Officina Giovane. Prato (IT) SuitcaseIlluminated#5: on parallel economies. P74 Center & Gallery. Ljubljana (SI) SuitcaseIlluminated#5: on parallel economies Mac/Val Museum. Paris (FR) Separation Perfected. National Center for Contemporary Art. Moscow (RU) 2006 Mascaradas: Disfraces, Espejos, Máscaras. Museo Tamayo. Mexico City (MX) Bunker o no Bunker: Por Una Profilaxis Del Sujeto. Ramis Barquet. Monterrey (MX) Self-educations. National Center for Contemporary Art NCCA. Moscow (RU) Estetica della Resistenza. Assab One. Milan (IT) 2005 First KO Video Festival by Pulse. KwaZulu-Natal Gallery. Durban (ZA) Re(trans)misiones. Centro Nacional de las Artes. Mexico City (MX) September Back Up. Isola Art Center. Milan (IT) Estetica della Resistenza. Fondazione Ratti. Como (IT) Come Closer. Künstlerhaus Bethanien. Berlín (DE) Especular lo Próximo. Hangar-Can Felipa. Barcelona (ES) I Am He As You Are He… Central de Arte. Guadalajara (MX) 2004 Pirotecnia. Galería Univ. Complutense de Madrid (ES) 2003 Aparentemente Sublime. Museo de Arte Moderno. Mexico City (MX) 2002 Sala de Recuperación. Museo Arte Contemporáneo Carrillo Gil. Mexico City (MX) Rotación XV. MUCA-ROMA. Mexico City (MX) Collections Collezione La Gaia, Busca (IT) Colección Adrastus, Arévalo (ES) Colección Museo Amparo, Puebla (MX) Collezione Nomas Foundation, Rome (IT) Grants & residences 2014 Guilmiartproject. Chieti (IT) 2013 Database. Museo del Marmo. Carrara (IT) 2005 Fondazzione Antonio Ratti Residency (IT) Fundación/Colección Jumex grant for study (MX)

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