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blinkvideo - research of video art, performance and multimedia installations.

blinkvideo - research of video art, performance and multimedia installations.


blinkvideo the platform for . . .

artists we provide a platform for extensive presentation of media works, gallerists get a direct contact to international professional audiences, collectors find a worldwide overview of contemporary trends in moving image, curators can do research via keywords and compilations, teachers use presentation opportunities for students and all professionals get password protected, extensive information about video works worldwide.

Moving Images / Moving Bodies
Online screening programme in cooperation
with the Goethe-Institut Bulgaria

Curated by Ludwig Seyfarth

Research into the human body and interpersonal relationships remain central themes in video and moving image art. Artists from Bulgaria and Germany, whose work is related in content, will be shown in pairs over the next weeks. The exhibition planned for November 2020 in Sofia has been postponed until 2021. Instead, a consecutive presentation of selected films by artists from Moving Bodies/Moving Images is presented on blinkvideo.
image: © Elitsa Dimitrova

Shooting Ghosts
Online screening programme in cooperation
with the Goethe-Institut Bulgaria

Curators: Kalin Serapionov, Krassimir Terziev

What we propose in this programme is a highly subjective and fragmented view on current practices in moving image in the Bulgarian art scene. We focused on practices that show affinity with speculative narratives - narratives that not just record what is in front of the cinematic eye, but also capture all the ghosts that are unreachable by the apparatus, thus projecting speculative views that intend not merely to describe, but to transform the world.
image: © Veneta Androva

UNSTILLED LIFE: Artist Animations 1980-2020
Curated by Emma Cousin and Paul Carey-Kent

Why this show, here and now? British artist-curator Emma Cousin and writer-curator Paul Carey-Kent recently pulled together a choice of artist animations, thinking that the increasingly vibrant medium is especially suited to the online emphasis of the locked down art world of 2020. Three of them turned out to be represented by Ron Mandos, making the Amsterdam gallery ideal hosts. The cast is international, and to reflect that Tintype gallery in London and Hamburg’s blinkvideo have joined in with variations on the programme. 
Markus Vater Worlds don’t come easy, 2020

Expanding Bauhaus.
New Reflections on the Bauhaus Movement in Time-Based Media Art / Goethe Institute Netherlands

A screening series selected by Elke Kania (Cologne), Julia Sökeland (Hamburg) and Ludwig Seyfarth (Berlin)

With its combination of various arts such as painting, photography film, architecture, fashion, product and interior design and textile art, the Bauhaus is still considered the epitome of a technologically advanced modernity. Last but not least, the attempt to create the whole society aesthetically, inspired many artists worldwide.
Image: © Adnan Softic

Featured videos

Alexandra Meijer-Werner
Kreislauf / cycle … revolution … circulation, 1997

Kreislauf is an oneiric trip about the continuous cycle of human rebirth. Our dreams create the fabric in which the threads or individual tendencies appear and disappear, only to become visible once again. The dynamic of this video is a weave of repetitions and juxtapositions of the experiences that create the dance of life. Everything is cyclic, nothing disappears; everything is perpetually mutating in landscapes of anguish and joy, violence and calm, solitude and union. The traveler is the active force of his own fate when he realizes that what is most significant in life is the act of living itself.

Björn Braun
without title (excerpt), 2012

Sandra Boeschenstein
Besuchte Linie auf Granit, 2014

I encountered the roundworm in the Alps when I attempted to repair the water catchment of the cabin after a storm. I wished for this animal found at the spring to be a visited line, then searched for potential visitors and found, just nearby, a nest of firebugs in a dried chestnut leaf, which I placed just outside of the image field. The granite slab, roundworm, bugs’ nest and a fly lived their lives within a radius of 100 meters. My part in this was to bring them into direct proximity for the duration of an hour, to focus my camera and to breathe onto the upper part of the lens, in order to increase the atmospheric depth of the picture. Finally, to come to the allegation I’ve made via the title that something was a line that actually is an animal (when normally, in a contrary approach, characteristically formed lines represent animals or the like). The combination of the simplicity in the foundation / bedrock with a simultaneous insecurity in view of scale and nature of this white line, holds my fascination.

Isabella Fürnkäs
In Ekklesia, 2015

The title, ‘In Ekklesia,’ comes from the Greek word ‘ecclesia,’ which refers to the democratic parliament that served Athens in its halcyon days by being open to male citizens every other year. Solon, an Athenian legislator and a sage, allowed all citizens to serve the parliament regardless of their social class in BC 594. The Ecclesia made decisions about war, military strategies, and all judicial and administrative issues. This work satirizes various facets of humans and machines in the 21st century, unconsciously within a dystopian environment. Isabella Fürnkäs introduces a method of combining and overlaying countless images in her work, providing the new experience of sensations that act in ambiguous flows, movements, interference, and interjection. The piece is about the new metaphysical and material connections appearing through digital conversations that are divorced from the general notion of time and space, as well as isolation and alienation. Text by Hyun Jeung Kim (Nam June Paik Art Center Seoul)

Ryan Gander
Man on a bridge - (A study of David Lange) , 2008

A digital video transferred from 16 mm film shows a number of slightly differing takes of the same short sequence: A man walks over a bridge and seems to notice something over the railing to his left hand side. As he moves in for a closer inspection, the film cuts, which is then followed by another take of the same shot.

Wim Catrysse
MSR, 2014

On the Kuwait roads the journey goes in a western direction, past military bases and a line of oil transporters. Dreary sound sequences are pumped out by the radio. In the middle of rubbish heaps by the roadside a pack of wild dogs is trying to find shelter from the wind. Wim Catrysse presents the Kuwait desert both as a post-apocalyptic setting and as protagonist. During the journey, the car window is an obstacle, made even more so by the screen. The viewer, dumped in the desert, does not manage to reach it through the window. MSR, the Main Supply Route, is the main highway used to coordinate military operations in the Gulf War in 1990/91 and the War in Iraq in 2003. Filming is forbidden here, so the pack of wild dogs carries the story at first. But their behaviour keeps on bringing the desert into focus as the principal actor. Underlined by the sound track, its seeming hostility to life awakens the impression of a dystopian timelessness reminiscent of the apocalyptic scenarios in films and makes the viewer feel ill at ease. Catrysse examines conventions, both in a political-dogmatic and in a filmic sense.Nathalie Ladermann

Johanna Reich
CRAWLER, 2020

A crawler is a searchbot in the internet which Johanna Reich uses to collect special comments or phrases about the most discussed topics during the last years like A.I., climate change, digital revolution, gender and the turn of democratic systems. Johanna Reich selects several of the collected phrases composing a robot performance: self-driving projectors move across the exhibition space and project comments about a.i., gender or climate change onto the audience and architecture.

Annika Kahrs
solid surface, with hills, valleys, craters and other topographic...., 2014

solid surface,with hills,valleys,craters and other topographic features,primarily made of ice„solid surface, with hills, valleys, craters and other topographic features, primarily made of ice“ is set in a planetarium with a projected starry sky, in the center of which is situated a light spot, that explores the space. The Film deals with the moment, shortly before the actual visualization of pluto’s surface properties, whereas the entire cupola hall of the planetarium serves as a metaphorical projection surface of Pluto. The round light spot formally points to the shape of the celestial object and functions as placeholder for its soon arising image.

Ann Oren
The World Is Mine, 2017

In cosplay of the Japanese cyber diva Hatsune Miku, the artist moved to Tokyo, seeking an identity in the world of Miku fanatics, where she was drawn into a love affair with one of the fans. Miku is a Vocaloid, a vocal synthesizer software personified by a cute animated character. Her entire persona: lyrics, music and animation – is fan created, and that's her charm. She even performs sold out concerts as a hologram. By transforming herself into a Miku character through cosplay, Oren enters a world of real hardcore fans where fantasy is more real than reality and the differentiation between the two becomes obsolete. The film examines the performative nature of cosplaying – dressing up and playing the role of fictional characters – as a hybrid space where reality blurs into fetishistic fantasies and pop culture clichés. Combining fan-made lyrics and songs, Oren's trials and tribulations in the fictional Miku world unfolds through vague erotic episodes and encounters with characters whose ontological status remains mysterious, bringing to mind the adventures of a modern Alice in a virtual Wonderland.

Jonathan Monaghan
Den of Wolves, 2020

Den of Wolves is a seamlessly-looping video installation drawing on a range of references to weave a new multi-layered mythology. The work follows three bizarre wolves through a series of increasingly surreal retail stores as they search for the regalia of a monarch. Composed of one continuous camera shot, the work is an immersive, dreamlike journey drawing connections between popular culture, institutional authority and technological over-dependence.

Stefan Panhans
HOSTEL Sequel #1: Please Be Careful Out There, Lisa Marie – H.V.Installation Mix, 2018

At transmediale, Stefan Panhans and Andrea Winkler show their work HOSTEL Sequel #1: Please Be Careful Out There, Lisa Marie – Hybrid Version, a new project that combines film, installation, and staccato stage reading (on blinkvideo we are showing a trailer of the integrated film). With everyday racism, celebrity worship, stereotypes, and the dominating power of the economic all on the rise, precariously and flexibly traveling cultural workers of different origin deliver a sort of spoken word battle about their experiences and dreams. They constantly switch roles and, at the same time, form a choir that clashes with the rapped reports of everyday life. As in a collaborative gymnastic exercise—surrounded by scenery made up of set pieces from outfits of airports, hostels, and courier services, from self-optimization tools and game show displays—they fight for a voice and to be heard, building new alliances along the way. for more information: opening of transmediale

Mariola Brillowska
Children Of The Devil, 2011

Mariola Brillowska’s animation film relates the total collapse of the family system in the 21st century. Six cartoon episodes present an unsparing account of how children become murderers of their parents.

Julia Charlotte Richter
Point Blank, 2019

“Point Blank” refers to a film scene from "The Misfits" (1961) that is now re-enacted and further contextualized. In the original scene, the recently divorced main character Roslyn (Marilyn Monroe) rises up against three worn-out cowboys and, in the middle of the desert, confronts the men with all their lacks and lost dreams. In “Point Blank”, we see a young woman wandering around in surreal desert landscapes, a journey into the remoteness of the world and her own inner life. With every step out into the desert, the girl descends into her own depths searching for a place that seems to be suitable for her emotions and words. Unlike Roslyn, the young woman now refers to absent addressees: "Liars", "Murderers" and "Dead Men" she screams and turns around wildly. The words, which spread like bullets in the air, fall back on her. Except for a faint echo, there is no resonance at this place that depicts the obsessions of a distorted, patriarchal society and has become a dramatic backdrop of yearnings within the collective history of cinema. Where Roslyn was able to elicit a terrified astonishment from the three men, the character in Julia Charlotte Richter's video remains to herself and unheard, the desert as the only witness of her manifesto, her anger and her strength.

Ulrich Polster
Frost, 2003 / 2004

The night city. Industrial ruins filmed in contrejour. Memories from childhood. Different places and times combined at the mountain. It is a hollow portrait of Eastern Europe that carries the traces of its history.

Ene-Liis Semper
FF REW, 1998

Dimitri Venkov
The Hymns of Muscovy, 2018

The film is a trip to the planet Muscovy, which is an upside down space twin of the city of Moscow. As the title of the work suggests, the journey also takes us back in time. Gliding along the surface of the planet, we look down to the sky and see historic architectural styles fly by - the exuberant Socialist Classicism aka Stalinist Empire, the laconic and brutish Soviet Modernism, and the hodgepodge of contemporary knock-offs and revivals of the styles of the past. An essential companion to this journey through time and space are Hymnic Variations on the Soviet anthem by the composer Alexander Manotskov. The anthem was written in 1943 and has undergone three editions of lyrics yet musically remained unchanged to now serve as the official anthem of the Russian Federation. Manotskov used an early recording of the anthem as source material to create three electronic variations each corresponding to an architectural style. As if in a twist of Goethe’s phrase, architecture plays its frozen music. Look closely, can you hear it?

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Would you like to share your videos online? Or would you like to focus attention on a video work? Or would you like to compile and show videos on a specific topic? You can do so with the new tool on blinkvideo.
Create a favorites list as follows:
When you're logged in, a little sign "add to favorite list" will appear below each video. With the click on it, you add the film to your favorites list. When you have collected all the works, open your favorites list and you can share the list with blinkvideo. We will then receive a message and put the compilation online.
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blinkvideo is a website for the research of video art. Founders: Julia Sökeland, Anita Beckers. blinkvideo ist eine Plattform zur Recherche nach Videokunst

Sebastian Diaz Morales

Works


Galleries

carlier | gebauer
Marie-Blanche Carlier
Markgrafenstraße 67
10969 Berlin
Germany

Phone: +49 30 2400 863
E-Mail: mb@carliergebauer.com




Biography

born 1975 in Comodoro Rivadavia, Argentina
lives and works in Argentina and Amsterdam

Education / residencies

2005 Couvent des Recollets, Paris, France
2003-2004 Le Fresnoy, Roubaix, France
2000-2001 Rijksakademie Van Beeldende Kunsten, Amsterdamn Netherlands
1993-1999 Universidad del Cine de Antin, Capital Federal, Argentina

Solo shows

2014
Ficcionario, Contemporary Art Centre, Vilnius, Lithuania

2013
Museum für Gegenwartskunst Siegen, Germany
Ficcionario, Galerie Catherine Bastide, Brussels, Belgium

2012
Ficcionario, carlier | gebauer, Berlin, Germany
On Cinema and Representation, Videodromo ; Ancona, Italy

2011
Open Space, Art Cologne, Germany
Sebastián Diaz Morales, Artsphere gallery, Jakarta, Indonesia
Seance Speciales #2, Frac Franche-Compte, Besançon, France

2010
Perspectif Cinema (screening Oracle and The Man With The Bag), Centre Pompidou, Paris, France
El camino entre dos puntos, Pepe Cobo y cia, Madrid, Spain
The way Between two points, Rotterdam film Festival, Rotterdam, Netherlands
Gallery Natalie Seroussi, Paris, France

2009
Water from the moon, carlier | gebauer, Berlin, Germany
The way between two points, Galerie Catherine Bastide / Frieze Art Fair, London, United Kingdom

2008
École Régionale des Beaux-Arts de Rouen, Grand Galleries, France

2007
The Means of Illusion, carlier | gebauer, Berlin, Germany
The Means of Illusion, Art/Unlimited, Basel, Switzerland

2006
The Man with the Bag, Miró Foundation, Espai 13, Barcelona, Spain
2005
Dependents, Attitudes, Genève, Switzerland
Prototypes, carlier | gebauer, Berlin, Germany
Lucharémos..., Yvon Lambert, Le Studio, Paris, France
Nowhere, FRAC Ile de France - Le Plateau, Paris, France
The Man with the Bag, Imagespassages, South American Films, Annecy, France
11 BIM, Biennial of Moving Images, Geneva

2004
The Enigmatic Visitor and The Man with the Bag, KW Institute for Contemporary Art, Berlin, Germany
15000000 Parachutes, Tate Modern, The Projected Image, Collection Display, London, UK

2003
In a Not So Distant Future, Stedelijk Bureau, Amsterdam, Netherlands
Compilation Works, MK2, Paris, France
Operación Rescate (screening program), Compilation works, MAMBA Museo de Arte Moderno de Buenos Aires
In Focus Compilation Video Works 1997-2002, World Wide Video Festival, Amsterdam, Netherlands
The Apocalyptic Man and One Year Later, Croix Baragnon, Traverse Video, Toulouse, France
The Apocalyptic Man, Buro Empty, Amsterdam, Netherlands

2002
The Apocalyptic Man, carlier | gebauer, Berlin, Germany
The Persecution of the White Car, FIAC, Video Cube, Price Winner, Paris, France
Blikwissel, De Paraplue-Fabriek, Nijmegen, Netherlands
Just Like a That Productions, Museum Abteiberg, Moenchengladbach, Germany

2001
The Persecution of the White Car (Open Circuit), in collaboration with Jo Ratcliffe) n.s.a. Galley, Durban, South África

1999
Parallel 46, Latin-American Filmmakers, DCTV, New York , NY

1998
Parallel 46 (screening program), Cine Teatro Español, Comodoro Rivadavia, Argentina
Compilation Video Works 1995-1998 (screening programme), Newer Collective Shorts, Portland, USA

1997
Compilation Video Works 1995-1997 (screening program), Cine Teatro Español, CR, Argentina

Group shows

2013
The Aesthetics of Technology, Helsinki Art Museum, Finland
Jakarta Biennial, Jakarta, Indonesia
18th Video Brasil, Sao Paulo, Brazil
Kasseler Dokfest, Kassel, Germany
OK Video Festival, National Gallery, Jakarta, Indonesia
Incorruptible Views : Images in Present Continous, Hotel de Inmigrantes, Buenos Aires, Argentina
Cosmovideografias, Centro Nacional de las Artes, DF, Mexico
Summertime Readings, Cesis Art Festival, Latvia ; CAC, Vilnius, Lithuania
Petrobas Prize, Arteba, Buenos Aires, Argentina

2012
Abattoir, De Balie, Amerstdam, Netherlands
Open End, Goetz Collection, Haus der Kunst, Munich, Germany
Premio Mamba y Fundacion Telefonica, Fundacion Telefonica, BS As,
Espejos : …del camino incierto al pais de las marvillas, Espacio Haroldo Conti, Bs AS, RA
Connexiones Latinas, MAC, Fortaleza, Brasil
Grote Kunst voor Kleine Mensen, Museum De Paviljoens, Almere, NL
Awarded Works 17th International Festival of Contemporary Art Videobrasil ; SESC Sao Paulo :
Campinas, Sao José do Rio Preto and Santos, Brasil
Press Play, Fondazione Sandretto Re Rebaudengo, Torino, Italy

2011
The Materialized Memory, Depo, Istanbul, Turkey
The Materialized Memory, Total Museum, Seoul, Korea
Digital Marrakech, Marrakech, Morocco
OK Video Festival, National Gallery, Jakarta, Indonesia
17th international Contemporary Art Festival, SESC_Videobrasil , Sao Paulo, Brazil
HBox, Artsonje Center, Seoul, Korea
Coup d’eclat, Fort du Bruissin Art Center, Franchville, France
Centro Cultural San Carlos, DF, Mexico
Black and White, Museum of Modern Art, Warsaw, Poland
Oracle, Smart Project Space, Erroristas screening, Amsterdam, Netherlands
Time and Place, Kunsthalle Detroit, USA
Manières Noires, BAM - Beaux Arts Mons, Belgium
Box(e), Gallery Jerome Zodo, Milan, Italy

2010
Ruang Rupa and Friends, Galeri Nasional Indonesia, Jakarta
Arti et Amicitiae, Amsterdam, NL
Biennale de Belleville, Paris, France
Tales of Resistance and Change, Frankfurter Kunstverein, Germany
VIDEOXXI, Museo de arte de Lima, Peru
You-We, 25 Videos from Collezione Sandretto Re Rebaudengo, Milan, Italy
Tales of Resistance and Change, Frankfurter Kunstverein, Germany
Lands End. Landscape as Image and as Space, Shedhalle Zurich, Switzerland
Copacabana n'existe pas!, ERBA, galerie des Beaux arts de Besançon, France

2009
Les Enfants Terribles, Fundacion Coleccion Jumex, Mexico
Presque Rien III, Laure Genillard Gallery, London, UK
The World Is Yours – Contemporary Art, Louisiana Museum For Modernekunst, Humlebaek, Denmark
Vista / Visual Tactics, Centro Andaluz de Arte Contemporaneo, Sevilla, Spain
Collezione Frac Piemonte, Cittadellarte, Biella, Italy
Animated Paintings, Centro Cultral Tijuana, Tijuana, Mexico
Vista / Visual Tactics, C3 Center for Culture & Communication Foundation, Budapest, Hungary
Pertenencia, Fondo Nacional de las artes, Buenos Aires, Argentina
Bewogen Beelden, Grote of Lebuinuskerk, Denventer, Netherlands
Expectations..., MB Agency, Amsterdam, Netherlands
On Joy, Sadnes and Desire, Smart Project Space, Ámsterdam, Netherlands
HBox, Orange County Museum of Art, Newport Beach, CA
Identities, Espacio Escala, Sevilla, Spain
In Search of Unknown, Montevideo Time Based Arts, Amsterdam, Netherlands
Animated Paintings, Faulconer Gallery, Grinnell College, IO

2008
Dans la nuit, des images, Grand Palais, Paris, France
Vista / Visual Tactics, Museum für Gegenwartskunst Siegen, Germany
Strategies for Concealing, C Space gallery, Beijing, China
Present / Future, Artissima, Turin, Italy
Interstitial Zones, Argos Centre for Art & Media, Brussels, Belgium
Nach/Sichten, Edith Russ Site for Media Art, Oldenburg, Germany
Locked-In: The Visible, Casino Luxembourg, Luxembourg
Resonant visions: Contemporary video from L.America, Nat. Gallery of Victoria, Melbourne, Australia
Geopoliticas de la animacion, MARCO - Museo De Arte Contemporanea de Vigo, Spain
Centre photographique d'Ile-de-France, Pontault-Combault
HBox, MUSAC - Museo de Arte Contemporáneo de Castilla y Léon, Spain ,MUDAM - Museé d’Art
Moderne Grand-Duc Jean, Luxembourg, Tate Modern, London, UK) Yokohama Triennale, Japan
Fondo Nacional de las Artes”, Buneos Aires, Ceptur, Comodoro Riv,
Murmuring Images, Centre Photographique d’Ile-de-France, Pontault-Combault, France
Interfaces 8, Casa de la Cultura, Fondo Nacional de las Artes, Buenos Aires, Argentina
Selected works from the Lemaître Collection, Kunsthalle zu Kiel, Kiel, Germany

2007
HBox, Centre Pompidou, Paris, France
Espace Elektra, Paris, France
Animated Paintings, San Diego Museum of Art, CA .
Territories de la Image, Palais des Beaux Arts, Lille, France
State of World, Calouste Gulbenkian Foundation, Lisbon, Portugal
Ring, Art /Unlimited, Basel, Switzerland
Geopolíticas de la animación, CAAC, Sevilla, Spain
A for Alibi, De Appel, Amsterdam, The Netherlands
Homenaje a Hector Oesterheld, Museo de Arte y Memoria, La Plata, Argentina
Dark Mirror, Montevideo Time Based Arts, Amsterdam
The Distorted Fabric (screening), (touring), De Appel, Amsterdam; Platform Garanti, Istanbul, Turkey
GALERIE CATHERINE BASTIDE
Rue Vandenbrandenstraat 1 - B-1000 Brussels – T. +32 2 646 29 71 - F. +32 2 538 61 67
info@catherinebastide.com - www.catherinebastide.com
View Master, Q-Box gallery, Athens, Greece

2006
Just in Time. Proposal for Municipal Art Acquisitions, Stedelijk Museum, Amsterdam, The Netherlands
On / Off, FRAC Lorraine, Metz, France
Muestra del Premio MAMbA Fundación Telefonica, Arte y Nuevas tecnologías, Buenos Aires, Argentina
Nit Niu, Palma de Mallorca, Spain
Volkskrant Kunst Prijs, Gemeente Museum Den Haag, The Netherlands
Biennale of Sydney, Zones of Contact, Australia
Nederland1, Stedelijk Museum, Gouda, The Netherlands
Una vision du monde, La collection video de Jean Conrad et Isabelle Lemaître, La Maison Rouge, Paris

2005
Buenos Dias Santiago, Museo de Arte Contemporaneo, Santiago de Chile, Chile
Hidden Rhythms, Museum Het Valkhof, Nijmegen, The Netherlands
Pantagruel, Torino Trienalle, Torino, Italy
Inverting the Map, Tate Liverpool, UK
Banquete Comunicación, Centro de Arte Digital en las Palmas de Gran Canaria, Spain
Kiosque Video, Atheneum, Centre culturel de l'université de Bourgogne, Dijon, France
Cinematic Language, LMAK Projects, Duo Show together with Mike Hoolboom, Chelsea, NY, USA
No Convenient Subway Stops, Art in General, NY, USA.
11 BIM, Biennial of Moving Images, Geneva, Switzerland
Imagens Intermitentes: Arte Argentino Contemporaneo, Centro Cultural de Espa–a, Lima, Peru
Banquete comunicacion, Conde Duque Madrid, Spain

2004
Ralentie Vite, FRAC Ile de France Le Plateau, Paris, France
Situations Construites Attitudes, Geneva, Switzerland
Dedicated to a Proposition, EXTRA CITY, Antwerp, Belgium
Video Village, Trienale di Milano, Milano, Italy
Surfacing, Ludwig Museum, Budapest, Hungary
De Leurs Temps, Collections Privées Françaises, Musée Des Beaux Arts de Tourcoing, France
Biennale Shanghai, Shanghai Art Museum, China
Eblouissement, Jeu de Paumes, Paris, France
Salon Van Bommel, Venlo, The Netherlands
Emotion Eins, Frankfurter Kunstverein, Frankfurt, Germany
World Wide Video Festival, Amsterdam, The Netherlands
Panorama 5, Le Fresnoy, Roubaix, France
How Soon is Now, Caermersklooster, Gent, Belgium
Todo va a estar bien, (screening program) Programa Rufino Tamayo, Ciudad de Mexico, Mexico
Views in Asia, The Store, Paris, France

2003
Maelstrom, DeFKa, Department voor Filosofie en Kunst, Assen, The Netherlands
Cine, Casi Cine, Programa Reina Sofia, Madrid, Spain
Kaleidoscopio, Galeria Pepe Cobo, (with Francis Alys, Bruce Nauman and Colectivo Cambalache) Sevilla, Spain
Coexistence, Rose Museum, (with William Kentridge, Tracey Rose) Boston, MA
Cine Casi Cine, MARCO, Museo de arte Contemporaneo de Vigo, Spain
Circus Maximus (screening program), Lazy Marie, Utrecht, The Netherlands

2002
Animo, Museum Beelden aan zee, (with Boukje Janssen) Den Haag / Scheveningen, The Netherlands
View Master (with Jeroen de Rijke and Anri Sala), NICC, Antwerp, Belgium
Telepathic Journeys, MIT, List Visual Art Center, Cambridge, MA
Artis Den Bosch, Den Bosch, The Netherlands
25th Biennial of São Paulo, (collaboration with Jo Ractliffe), São Paulo
Bud Cuyp, (screening programme)
Van Bommel Van Dam Museum Prijs, Venlo, The Netherlands

2001
Open Atelier Rijksakademie, Amsterdam, The Netherlands
Joubert Park Project, Johannesburg, South Africa
In the Meantime Programme, (screening program), (touring) : Berlin Bienniale; Reina Sofia, Madrid; De
Balie, Amsterdam, De Appel, Amsterdam, Netherlands
PICAF. Pusan International Contemporary Art Festival, Pusan, South Korea
Silent Forces, Hall Pusat Kebudayaan Jepang, Jakart

2000
The Story of the Dutch Hole, Open Atelier Rijksakademie, Amsterdam, The Netherlands
Argentinie, installation with Patricio Larrambebere, Rijksakademie Van Beeldende Kunsten, Amsterdam,
The Netherlands

1999
Cien Años y un Mes, Centro Cultural San Martin, Buenos Aires, Argentina
Cine Teatro Espanol, Comodoro Rivadavia, Argentina (Permanent Exhibition)

Film/video festivals and screenings

2013
Social Sciences school, Paris, France
Double Feature, Schirn, Frankfurt, Germany
Something you should know, Social Sciences school, Paris, France

2010
Perspectif Cinema, Pompidou Centre, Paris, France
(Festivals with feature film El Camino entre dos Puntos)
8th World Film Fest of Bangkok, Thailand
24th Leeds International Film Fest, Leeds, England
10th Era New Horizons, Warsaw, Poland
E’cran d’Art, Cinema Arenberg
12 Bafici, Independent Film Festival, Buenos Aires, Argentina
39th International Film Festival Rotterdam, Netherlands

2009
Fresh Festival, Bangkok, Thailand
Kassel Documentary Film & Video Festival, Germany
Cercle Artistic de Sant Lluc, Barcelona, Spain
Ars Electronica, NIMk/GAMA presents..., Linz, Austria
25 FPS International Experimental Film and Video Festival Zagreb, Croatia
ZEMOS 98 Audiovisual Festival, Sevilla, Spain
Tower Bridge, residential moorings, London, UK
International KurzFilmTage Oberhausen, Germany
Lebuinuskerk, 'Bewogen Beelden', Deventer, Netherlands
25th Hamburg International Short Film Festival, Germany
Smart Project Space, UvA Media Studies, Ámsterdam, Netherlands
International Festival du film de la Rochelle, France
The Great Wide Open, Vlieland, Netherlands
Contemporary Art Center, Lite Brite Test, Cincinnati, USA
Videoex, Zürich, Switzerland (First Prize winer)
International Festival du film de la Rochelle, France
International KurzFilmTage Oberhausen, Germany
38th International Film Festival Rotterdam, Netherlands

2008
Cinema l'Entrepot, Paris, France
Centre pour l'image Contemporaine saint Gervais,Deambulation, Genève, Switzerland

2007
DasArts, The Glamour of Violence, Amsterdam, NL
Thessaloniki Biennale, Macedonian Museum of Contemporary Art, Greece
OK Videofestival, Jakarta, Indonesia
The Berardo Museum, Opening, Lisbon, Portugal
ART event Benevento, Italy
Trunk, Östersund, Sweden

2006
Nordland Kunst og Film Skole, lecture Karel Doing, Norway
Shortfilmfestival Hamburg, Germany
Havenfilmfestival, Antwerp, Belgium
Holland Animation Filmfestival, Utrecht, Netherlands
Kunsthochschule für Medien, Köln, German

2005
Galerija savremene umetnosti Ivan Grubanov, Pancevo, Serbia and Montenegro
Various Film theatres, Filmbank tour, NL
Milano Film Festival, Milan, Italy.
Media Art Festival Friesland, Leeuwarden, Harlingen, NL
Lux Cinema, "Beeldcultuur Filmfront", Nijmegen, NL
Kunst Film Biennale, Cartography of the South, Cologne, Germany.
Netherlands Media Art Institute, "50% beeld", Amsterdam, NL
25th FPS Festival, Zagreb, Croatia.
ARTIMAGE, "Medien und Architektur Bienniale", Graz, Austria.
Nijmegen University, Nijmegen, NL
Potenza Film Festival, Potenza, Italy.
Bafici Festival, Buenos Aires, Argentina.
Rencontres internationals Berlin/Paris, Noveau Cinema et art contemporain, MK2.
15th festival Internacional de Arte Electronica, Video Brasil”, Sao Paulo, Brasil.
Experimenta Colombia, Bogota.

2004
Images Festival, Toronto, Canada.
Laboratorio Arte Alameda, Mexico.
Pontificia Universidad Catolica, Minas Gerais, Brasil.
Museo Victor Meirelles, Santa Catarina, Brasil.
Chroma Festival de Arte Audiovisual, Guadalajara, Mexico.
Goethe Institut/ICBA, Bahia, Brasil.
Nederlands Film festival, Utrecht, NL

2003
Video Lisboa, Lisboa, Portugal. (Special Award of the Jury)
WWVF at Videolisboa and Rencontre d'Images.
Cine Metropolis UFES, Espirrito Santo, Brasil.
14th Festival Internacional de Arte electronica, VideoBrasil, Sao Paulo, Brasil.
(First prize winner).
World Wide Video Festival, Amsterdam, NL
WORM, Rótterdam, NL
PLAY, "Best of Videoex", Berlin, Germany.
Impakt Festival”, Utrecht.
Videoex”, Zürich, Switserland.
International Short Filmfestival, Hamburg, Germany.
Festival International du Film d'Amiens, France.
Highlights Impakt Festival
Lacune, LUX Cinema, Nijmegen, NL/ Wrights Rock Shop, Hot Springs, Texas, USA

2002
Filmstad PEK”, Den Haag, NL
Viper film and video Festival”, Basel, Switzerland.
Kurtz Film Festival, Hamburg, Germany.
Impakt Festival, Utrecht, NL
International Film Festival of Rotterdam, NL
Highlights Impakt Festival
Kraak Festival , Hasselt, Belgium / Videoteca Museo Nacional de Bellas
Artes, Buenos Aires, Argentina / ANNEXIA, cinéma Le Cratère, Toulouse, France, MICRO FESTIVAL,
The Red House, centre for culture and debate, Sofia, Bulgaria
Sonar 2002, Barcelona, Spain, Lowlands Festival , Biddinghuizen, NL/ Uitmarkt,
Amsterdam , NL/ Culture Beat, Stadschouwburg, Utrecht, NL, Festival 'De
Opkomst', Jaarbeurs, Utrecht, The Netherlands / Hospital Festival, Lighthouse Media Centre,
Brighton, United Kingdom

2001
Impakt Festival voor Vernieuwende beeld en Geluidscultuur Centraal Museum, Utrecht, NL.
World Wide Video Festival Melkweg, and W139, Amsterdam, NL

2000
Independent Film and Video Festival, New York.*
World Wide Video Festival, Melkweg, and W139, Amsterdam, NL

Selected prices and awards

Premio arteBA-Petrobras Visual Arts Prize, Argentina, 2013
Special Mention, Faena Prize, Buenos Aires, Argentina, 2012
First Prize Mamba Museo de Arte Moderno & Fundacion Telefonica, Buenos Aires, Argentina, 2011
Honorific Mention, International Contemporary Art Festival SESC_Videobrasil, Sao Paulo, 2011
The Way Between Two Point , Latin American and Caribbean Competition Creative Arts – Fim and Vidéo
Guggenheim Fellowship Awards, 2009
Hubert Bals Fonds, Rotterdam Film Festival, The Netherlands, 2009 Oracle
VIDEOEX 2009, First prize for Oracle, Zurich, Switzerland (Special Mention: Muto (Blu, I), Spinners (Fern Silva,
USA), Sarah Ann (Pim Zwier, NL), Dropping Furniture (Harald Hund & Paul Horn, A)
Oberhausen short Film Festival 2009, Special Mention for Oracle, Germany
Lucharémos Hasta Anular la Ley
Winner of the second prize “premio MAMBA-Fundacion Telefonica” 2005, Buenos Aires, Argentina
The Apocalyptic Man
Videolisboa 2003, First Special Jury Award, Portugal
The Persecution of the White Car
Prix Vidéocube, FIAC 2002, Paris, France
First prize obtained for Compilation 2001 at the exhibition “11th Van Bommel Van Damprijs”, Venlo, Holland
2001 (two video works at their collection), The Netherlands
Parallel 46 (Feature Movie 55min 1998)
Nominated Best Experimental Feature Movie at the “Independent Film and Video Festival”, New York, USA
Parallel 46
Special Award “Nuevas Miradas”, Buenos Aires, Argentina, 1998
Special Award “DERHUMALC” (Derechos Humanos y Medio Ambiente, America Latina y El Caribe) Buenos Aires,
Argentina, 1998
Special Award “La Tribu”, Buenos Aires, Argentina, 1998
Primer Motor (25’, documentary)
Nominated Best Editing, “Festival de Video de Cordoba”, Cordoba, Agentina, 1998
The Image Extirpator
Second prize at the “Fin de Siglo” Festival organised by the “ORT” Institute, Buenos Aires, Argentina, 1997
Ciudad del Aire (8’)
First prize at the “Video Poem Festival”, Comodoro Rivadavia, Argentina, 1995

Selected collections

Tate Modern, London, UK
Centre Georges Pompidou, Paris, France
Sammlung-Goetz, Munich, Germany
Coleccion Jumex, Mexico City, Mexico
Fundacion La Caixa, Barcelona, Spain
Museum Van Bommel Van Sam; Venlo, The Netherlands
Private collectors Isabelle and Jean Conrad Lemaitre, London, UK
Private collector Ilene Kurtz-Kretzschmar, NY, USA
Sandretto Re Rebaudengo, Torino, Italy
Fundacao de Arte Moderna, Collection Berardo Museum, Lisboa, Spain
FRAC Franche-Compte, Besançon, France
FRAC Regione Piemonte, France

Sebastian Diaz Morales
born 1975 in Comodoro Rivadavia, Argentina lives and works in Argentina and Amsterdam Education / residencies 2005 Couvent des Recollets, Paris, France 2003-2004 Le Fresnoy, Roubaix, France 2000-2001 Rijksakademie Van Beeldende Kunsten, Amsterdamn Netherlands 1993-1999 Universidad del Cine de Antin, Capital Federal, Argentina Solo shows 2014 Ficcionario, Contemporary Art Centre, Vilnius, Lithuania 2013 Museum für Gegenwartskunst Siegen, Germany Ficcionario, Galerie Catherine Bastide, Brussels, Belgium 2012 Ficcionario, carlier | gebauer, Berlin, Germany On Cinema and Representation, Videodromo ; Ancona, Italy 2011 Open Space, Art Cologne, Germany Sebastián Diaz Morales, Artsphere gallery, Jakarta, Indonesia Seance Speciales #2, Frac Franche-Compte, Besançon, France 2010 Perspectif Cinema (screening Oracle and The Man With The Bag), Centre Pompidou, Paris, France El camino entre dos puntos, Pepe Cobo y cia, Madrid, Spain The way Between two points, Rotterdam film Festival, Rotterdam, Netherlands Gallery Natalie Seroussi, Paris, France 2009 Water from the moon, carlier | gebauer, Berlin, Germany The way between two points, Galerie Catherine Bastide / Frieze Art Fair, London, United Kingdom 2008 École Régionale des Beaux-Arts de Rouen, Grand Galleries, France 2007 The Means of Illusion, carlier | gebauer, Berlin, Germany The Means of Illusion, Art/Unlimited, Basel, Switzerland 2006 The Man with the Bag, Miró Foundation, Espai 13, Barcelona, Spain 2005 Dependents, Attitudes, Genève, Switzerland Prototypes, carlier | gebauer, Berlin, Germany Lucharémos..., Yvon Lambert, Le Studio, Paris, France Nowhere, FRAC Ile de France - Le Plateau, Paris, France The Man with the Bag, Imagespassages, South American Films, Annecy, France 11 BIM, Biennial of Moving Images, Geneva 2004 The Enigmatic Visitor and The Man with the Bag, KW Institute for Contemporary Art, Berlin, Germany 15000000 Parachutes, Tate Modern, The Projected Image, Collection Display, London, UK 2003 In a Not So Distant Future, Stedelijk Bureau, Amsterdam, Netherlands Compilation Works, MK2, Paris, France Operación Rescate (screening program), Compilation works, MAMBA Museo de Arte Moderno de Buenos Aires In Focus Compilation Video Works 1997-2002, World Wide Video Festival, Amsterdam, Netherlands The Apocalyptic Man and One Year Later, Croix Baragnon, Traverse Video, Toulouse, France The Apocalyptic Man, Buro Empty, Amsterdam, Netherlands 2002 The Apocalyptic Man, carlier | gebauer, Berlin, Germany The Persecution of the White Car, FIAC, Video Cube, Price Winner, Paris, France Blikwissel, De Paraplue-Fabriek, Nijmegen, Netherlands Just Like a That Productions, Museum Abteiberg, Moenchengladbach, Germany 2001 The Persecution of the White Car (Open Circuit), in collaboration with Jo Ratcliffe) n.s.a. Galley, Durban, South África 1999 Parallel 46, Latin-American Filmmakers, DCTV, New York , NY 1998 Parallel 46 (screening program), Cine Teatro Español, Comodoro Rivadavia, Argentina Compilation Video Works 1995-1998 (screening programme), Newer Collective Shorts, Portland, USA 1997 Compilation Video Works 1995-1997 (screening program), Cine Teatro Español, CR, Argentina Group shows 2013 The Aesthetics of Technology, Helsinki Art Museum, Finland Jakarta Biennial, Jakarta, Indonesia 18th Video Brasil, Sao Paulo, Brazil Kasseler Dokfest, Kassel, Germany OK Video Festival, National Gallery, Jakarta, Indonesia Incorruptible Views : Images in Present Continous, Hotel de Inmigrantes, Buenos Aires, Argentina Cosmovideografias, Centro Nacional de las Artes, DF, Mexico Summertime Readings, Cesis Art Festival, Latvia ; CAC, Vilnius, Lithuania Petrobas Prize, Arteba, Buenos Aires, Argentina 2012 Abattoir, De Balie, Amerstdam, Netherlands Open End, Goetz Collection, Haus der Kunst, Munich, Germany Premio Mamba y Fundacion Telefonica, Fundacion Telefonica, BS As, Espejos : …del camino incierto al pais de las marvillas, Espacio Haroldo Conti, Bs AS, RA Connexiones Latinas, MAC, Fortaleza, Brasil Grote Kunst voor Kleine Mensen, Museum De Paviljoens, Almere, NL Awarded Works 17th International Festival of Contemporary Art Videobrasil ; SESC Sao Paulo : Campinas, Sao José do Rio Preto and Santos, Brasil Press Play, Fondazione Sandretto Re Rebaudengo, Torino, Italy 2011 The Materialized Memory, Depo, Istanbul, Turkey The Materialized Memory, Total Museum, Seoul, Korea Digital Marrakech, Marrakech, Morocco OK Video Festival, National Gallery, Jakarta, Indonesia 17th international Contemporary Art Festival, SESC_Videobrasil , Sao Paulo, Brazil HBox, Artsonje Center, Seoul, Korea Coup d’eclat, Fort du Bruissin Art Center, Franchville, France Centro Cultural San Carlos, DF, Mexico Black and White, Museum of Modern Art, Warsaw, Poland Oracle, Smart Project Space, Erroristas screening, Amsterdam, Netherlands Time and Place, Kunsthalle Detroit, USA Manières Noires, BAM - Beaux Arts Mons, Belgium Box(e), Gallery Jerome Zodo, Milan, Italy 2010 Ruang Rupa and Friends, Galeri Nasional Indonesia, Jakarta Arti et Amicitiae, Amsterdam, NL Biennale de Belleville, Paris, France Tales of Resistance and Change, Frankfurter Kunstverein, Germany VIDEOXXI, Museo de arte de Lima, Peru You-We, 25 Videos from Collezione Sandretto Re Rebaudengo, Milan, Italy Tales of Resistance and Change, Frankfurter Kunstverein, Germany Lands End. Landscape as Image and as Space, Shedhalle Zurich, Switzerland Copacabana n'existe pas!, ERBA, galerie des Beaux arts de Besançon, France 2009 Les Enfants Terribles, Fundacion Coleccion Jumex, Mexico Presque Rien III, Laure Genillard Gallery, London, UK The World Is Yours – Contemporary Art, Louisiana Museum For Modernekunst, Humlebaek, Denmark Vista / Visual Tactics, Centro Andaluz de Arte Contemporaneo, Sevilla, Spain Collezione Frac Piemonte, Cittadellarte, Biella, Italy Animated Paintings, Centro Cultral Tijuana, Tijuana, Mexico Vista / Visual Tactics, C3 Center for Culture & Communication Foundation, Budapest, Hungary Pertenencia, Fondo Nacional de las artes, Buenos Aires, Argentina Bewogen Beelden, Grote of Lebuinuskerk, Denventer, Netherlands Expectations..., MB Agency, Amsterdam, Netherlands On Joy, Sadnes and Desire, Smart Project Space, Ámsterdam, Netherlands HBox, Orange County Museum of Art, Newport Beach, CA Identities, Espacio Escala, Sevilla, Spain In Search of Unknown, Montevideo Time Based Arts, Amsterdam, Netherlands Animated Paintings, Faulconer Gallery, Grinnell College, IO 2008 Dans la nuit, des images, Grand Palais, Paris, France Vista / Visual Tactics, Museum für Gegenwartskunst Siegen, Germany Strategies for Concealing, C Space gallery, Beijing, China Present / Future, Artissima, Turin, Italy Interstitial Zones, Argos Centre for Art & Media, Brussels, Belgium Nach/Sichten, Edith Russ Site for Media Art, Oldenburg, Germany Locked-In: The Visible, Casino Luxembourg, Luxembourg Resonant visions: Contemporary video from L.America, Nat. Gallery of Victoria, Melbourne, Australia Geopoliticas de la animacion, MARCO - Museo De Arte Contemporanea de Vigo, Spain Centre photographique d'Ile-de-France, Pontault-Combault HBox, MUSAC - Museo de Arte Contemporáneo de Castilla y Léon, Spain ,MUDAM - Museé d’Art Moderne Grand-Duc Jean, Luxembourg, Tate Modern, London, UK) Yokohama Triennale, Japan Fondo Nacional de las Artes”, Buneos Aires, Ceptur, Comodoro Riv, Murmuring Images, Centre Photographique d’Ile-de-France, Pontault-Combault, France Interfaces 8, Casa de la Cultura, Fondo Nacional de las Artes, Buenos Aires, Argentina Selected works from the Lemaître Collection, Kunsthalle zu Kiel, Kiel, Germany 2007 HBox, Centre Pompidou, Paris, France Espace Elektra, Paris, France Animated Paintings, San Diego Museum of Art, CA . Territories de la Image, Palais des Beaux Arts, Lille, France State of World, Calouste Gulbenkian Foundation, Lisbon, Portugal Ring, Art /Unlimited, Basel, Switzerland Geopolíticas de la animación, CAAC, Sevilla, Spain A for Alibi, De Appel, Amsterdam, The Netherlands Homenaje a Hector Oesterheld, Museo de Arte y Memoria, La Plata, Argentina Dark Mirror, Montevideo Time Based Arts, Amsterdam The Distorted Fabric (screening), (touring), De Appel, Amsterdam; Platform Garanti, Istanbul, Turkey GALERIE CATHERINE BASTIDE Rue Vandenbrandenstraat 1 - B-1000 Brussels – T. +32 2 646 29 71 - F. +32 2 538 61 67 info@catherinebastide.com - www.catherinebastide.com View Master, Q-Box gallery, Athens, Greece 2006 Just in Time. Proposal for Municipal Art Acquisitions, Stedelijk Museum, Amsterdam, The Netherlands On / Off, FRAC Lorraine, Metz, France Muestra del Premio MAMbA Fundación Telefonica, Arte y Nuevas tecnologías, Buenos Aires, Argentina Nit Niu, Palma de Mallorca, Spain Volkskrant Kunst Prijs, Gemeente Museum Den Haag, The Netherlands Biennale of Sydney, Zones of Contact, Australia Nederland1, Stedelijk Museum, Gouda, The Netherlands Una vision du monde, La collection video de Jean Conrad et Isabelle Lemaître, La Maison Rouge, Paris 2005 Buenos Dias Santiago, Museo de Arte Contemporaneo, Santiago de Chile, Chile Hidden Rhythms, Museum Het Valkhof, Nijmegen, The Netherlands Pantagruel, Torino Trienalle, Torino, Italy Inverting the Map, Tate Liverpool, UK Banquete Comunicación, Centro de Arte Digital en las Palmas de Gran Canaria, Spain Kiosque Video, Atheneum, Centre culturel de l'université de Bourgogne, Dijon, France Cinematic Language, LMAK Projects, Duo Show together with Mike Hoolboom, Chelsea, NY, USA No Convenient Subway Stops, Art in General, NY, USA. 11 BIM, Biennial of Moving Images, Geneva, Switzerland Imagens Intermitentes: Arte Argentino Contemporaneo, Centro Cultural de Espa–a, Lima, Peru Banquete comunicacion, Conde Duque Madrid, Spain 2004 Ralentie Vite, FRAC Ile de France Le Plateau, Paris, France Situations Construites Attitudes, Geneva, Switzerland Dedicated to a Proposition, EXTRA CITY, Antwerp, Belgium Video Village, Trienale di Milano, Milano, Italy Surfacing, Ludwig Museum, Budapest, Hungary De Leurs Temps, Collections Privées Françaises, Musée Des Beaux Arts de Tourcoing, France Biennale Shanghai, Shanghai Art Museum, China Eblouissement, Jeu de Paumes, Paris, France Salon Van Bommel, Venlo, The Netherlands Emotion Eins, Frankfurter Kunstverein, Frankfurt, Germany World Wide Video Festival, Amsterdam, The Netherlands Panorama 5, Le Fresnoy, Roubaix, France How Soon is Now, Caermersklooster, Gent, Belgium Todo va a estar bien, (screening program) Programa Rufino Tamayo, Ciudad de Mexico, Mexico Views in Asia, The Store, Paris, France 2003 Maelstrom, DeFKa, Department voor Filosofie en Kunst, Assen, The Netherlands Cine, Casi Cine, Programa Reina Sofia, Madrid, Spain Kaleidoscopio, Galeria Pepe Cobo, (with Francis Alys, Bruce Nauman and Colectivo Cambalache) Sevilla, Spain Coexistence, Rose Museum, (with William Kentridge, Tracey Rose) Boston, MA Cine Casi Cine, MARCO, Museo de arte Contemporaneo de Vigo, Spain Circus Maximus (screening program), Lazy Marie, Utrecht, The Netherlands 2002 Animo, Museum Beelden aan zee, (with Boukje Janssen) Den Haag / Scheveningen, The Netherlands View Master (with Jeroen de Rijke and Anri Sala), NICC, Antwerp, Belgium Telepathic Journeys, MIT, List Visual Art Center, Cambridge, MA Artis Den Bosch, Den Bosch, The Netherlands 25th Biennial of São Paulo, (collaboration with Jo Ractliffe), São Paulo Bud Cuyp, (screening programme) Van Bommel Van Dam Museum Prijs, Venlo, The Netherlands 2001 Open Atelier Rijksakademie, Amsterdam, The Netherlands Joubert Park Project, Johannesburg, South Africa In the Meantime Programme, (screening program), (touring) : Berlin Bienniale; Reina Sofia, Madrid; De Balie, Amsterdam, De Appel, Amsterdam, Netherlands PICAF. Pusan International Contemporary Art Festival, Pusan, South Korea Silent Forces, Hall Pusat Kebudayaan Jepang, Jakart 2000 The Story of the Dutch Hole, Open Atelier Rijksakademie, Amsterdam, The Netherlands Argentinie, installation with Patricio Larrambebere, Rijksakademie Van Beeldende Kunsten, Amsterdam, The Netherlands 1999 Cien Años y un Mes, Centro Cultural San Martin, Buenos Aires, Argentina Cine Teatro Espanol, Comodoro Rivadavia, Argentina (Permanent Exhibition) Film/video festivals and screenings 2013 Social Sciences school, Paris, France Double Feature, Schirn, Frankfurt, Germany Something you should know, Social Sciences school, Paris, France 2010 Perspectif Cinema, Pompidou Centre, Paris, France (Festivals with feature film El Camino entre dos Puntos) 8th World Film Fest of Bangkok, Thailand 24th Leeds International Film Fest, Leeds, England 10th Era New Horizons, Warsaw, Poland E’cran d’Art, Cinema Arenberg 12 Bafici, Independent Film Festival, Buenos Aires, Argentina 39th International Film Festival Rotterdam, Netherlands 2009 Fresh Festival, Bangkok, Thailand Kassel Documentary Film & Video Festival, Germany Cercle Artistic de Sant Lluc, Barcelona, Spain Ars Electronica, NIMk/GAMA presents..., Linz, Austria 25 FPS International Experimental Film and Video Festival Zagreb, Croatia ZEMOS 98 Audiovisual Festival, Sevilla, Spain Tower Bridge, residential moorings, London, UK International KurzFilmTage Oberhausen, Germany Lebuinuskerk, 'Bewogen Beelden', Deventer, Netherlands 25th Hamburg International Short Film Festival, Germany Smart Project Space, UvA Media Studies, Ámsterdam, Netherlands International Festival du film de la Rochelle, France The Great Wide Open, Vlieland, Netherlands Contemporary Art Center, Lite Brite Test, Cincinnati, USA Videoex, Zürich, Switzerland (First Prize winer) International Festival du film de la Rochelle, France International KurzFilmTage Oberhausen, Germany 38th International Film Festival Rotterdam, Netherlands 2008 Cinema l'Entrepot, Paris, France Centre pour l'image Contemporaine saint Gervais,Deambulation, Genève, Switzerland 2007 DasArts, The Glamour of Violence, Amsterdam, NL Thessaloniki Biennale, Macedonian Museum of Contemporary Art, Greece OK Videofestival, Jakarta, Indonesia The Berardo Museum, Opening, Lisbon, Portugal ART event Benevento, Italy Trunk, Östersund, Sweden 2006 Nordland Kunst og Film Skole, lecture Karel Doing, Norway Shortfilmfestival Hamburg, Germany Havenfilmfestival, Antwerp, Belgium Holland Animation Filmfestival, Utrecht, Netherlands Kunsthochschule für Medien, Köln, German 2005 Galerija savremene umetnosti Ivan Grubanov, Pancevo, Serbia and Montenegro Various Film theatres, Filmbank tour, NL Milano Film Festival, Milan, Italy. Media Art Festival Friesland, Leeuwarden, Harlingen, NL Lux Cinema, Beeldcultuur Filmfront, Nijmegen, NL Kunst Film Biennale, Cartography of the South, Cologne, Germany. Netherlands Media Art Institute, 50% beeld, Amsterdam, NL 25th FPS Festival, Zagreb, Croatia. ARTIMAGE, Medien und Architektur Bienniale, Graz, Austria. Nijmegen University, Nijmegen, NL Potenza Film Festival, Potenza, Italy. Bafici Festival, Buenos Aires, Argentina. Rencontres internationals Berlin/Paris, Noveau Cinema et art contemporain, MK2. 15th festival Internacional de Arte Electronica, Video Brasil”, Sao Paulo, Brasil. Experimenta Colombia, Bogota. 2004 Images Festival, Toronto, Canada. Laboratorio Arte Alameda, Mexico. Pontificia Universidad Catolica, Minas Gerais, Brasil. Museo Victor Meirelles, Santa Catarina, Brasil. Chroma Festival de Arte Audiovisual, Guadalajara, Mexico. Goethe Institut/ICBA, Bahia, Brasil. Nederlands Film festival, Utrecht, NL 2003 Video Lisboa, Lisboa, Portugal. (Special Award of the Jury) WWVF at Videolisboa and Rencontre d'Images. Cine Metropolis UFES, Espirrito Santo, Brasil. 14th Festival Internacional de Arte electronica, VideoBrasil, Sao Paulo, Brasil. (First prize winner). World Wide Video Festival, Amsterdam, NL WORM, Rótterdam, NL PLAY, Best of Videoex, Berlin, Germany. Impakt Festival”, Utrecht. Videoex”, Zürich, Switserland. International Short Filmfestival, Hamburg, Germany. Festival International du Film d'Amiens, France. Highlights Impakt Festival Lacune, LUX Cinema, Nijmegen, NL/ Wrights Rock Shop, Hot Springs, Texas, USA 2002 Filmstad PEK”, Den Haag, NL Viper film and video Festival”, Basel, Switzerland. Kurtz Film Festival, Hamburg, Germany. Impakt Festival, Utrecht, NL International Film Festival of Rotterdam, NL Highlights Impakt Festival Kraak Festival , Hasselt, Belgium / Videoteca Museo Nacional de Bellas Artes, Buenos Aires, Argentina / ANNEXIA, cinéma Le Cratère, Toulouse, France, MICRO FESTIVAL, The Red House, centre for culture and debate, Sofia, Bulgaria Sonar 2002, Barcelona, Spain, Lowlands Festival , Biddinghuizen, NL/ Uitmarkt, Amsterdam , NL/ Culture Beat, Stadschouwburg, Utrecht, NL, Festival 'De Opkomst', Jaarbeurs, Utrecht, The Netherlands / Hospital Festival, Lighthouse Media Centre, Brighton, United Kingdom 2001 Impakt Festival voor Vernieuwende beeld en Geluidscultuur Centraal Museum, Utrecht, NL. World Wide Video Festival Melkweg, and W139, Amsterdam, NL 2000 Independent Film and Video Festival, New York.* World Wide Video Festival, Melkweg, and W139, Amsterdam, NL Selected prices and awards Premio arteBA-Petrobras Visual Arts Prize, Argentina, 2013 Special Mention, Faena Prize, Buenos Aires, Argentina, 2012 First Prize Mamba Museo de Arte Moderno & Fundacion Telefonica, Buenos Aires, Argentina, 2011 Honorific Mention, International Contemporary Art Festival SESC_Videobrasil, Sao Paulo, 2011 The Way Between Two Point , Latin American and Caribbean Competition Creative Arts – Fim and Vidéo Guggenheim Fellowship Awards, 2009 Hubert Bals Fonds, Rotterdam Film Festival, The Netherlands, 2009 Oracle VIDEOEX 2009, First prize for Oracle, Zurich, Switzerland (Special Mention: Muto (Blu, I), Spinners (Fern Silva, USA), Sarah Ann (Pim Zwier, NL), Dropping Furniture (Harald Hund & Paul Horn, A) Oberhausen short Film Festival 2009, Special Mention for Oracle, Germany Lucharémos Hasta Anular la Ley Winner of the second prize “premio MAMBA-Fundacion Telefonica” 2005, Buenos Aires, Argentina The Apocalyptic Man Videolisboa 2003, First Special Jury Award, Portugal The Persecution of the White Car Prix Vidéocube, FIAC 2002, Paris, France First prize obtained for Compilation 2001 at the exhibition “11th Van Bommel Van Damprijs”, Venlo, Holland 2001 (two video works at their collection), The Netherlands Parallel 46 (Feature Movie 55min 1998) Nominated Best Experimental Feature Movie at the “Independent Film and Video Festival”, New York, USA Parallel 46 Special Award “Nuevas Miradas”, Buenos Aires, Argentina, 1998 Special Award “DERHUMALC” (Derechos Humanos y Medio Ambiente, America Latina y El Caribe) Buenos Aires, Argentina, 1998 Special Award “La Tribu”, Buenos Aires, Argentina, 1998 Primer Motor (25’, documentary) Nominated Best Editing, “Festival de Video de Cordoba”, Cordoba, Agentina, 1998 The Image Extirpator Second prize at the “Fin de Siglo” Festival organised by the “ORT” Institute, Buenos Aires, Argentina, 1997 Ciudad del Aire (8’) First prize at the “Video Poem Festival”, Comodoro Rivadavia, Argentina, 1995 Selected collections Tate Modern, London, UK Centre Georges Pompidou, Paris, France Sammlung-Goetz, Munich, Germany Coleccion Jumex, Mexico City, Mexico Fundacion La Caixa, Barcelona, Spain Museum Van Bommel Van Sam; Venlo, The Netherlands Private collectors Isabelle and Jean Conrad Lemaitre, London, UK Private collector Ilene Kurtz-Kretzschmar, NY, USA Sandretto Re Rebaudengo, Torino, Italy Fundacao de Arte Moderna, Collection Berardo Museum, Lisboa, Spain FRAC Franche-Compte, Besançon, France FRAC Regione Piemonte, France

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  • Tuvalu
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  • United Arab Emirates
  • United Kingdom
  • United States
  • United States Minor Outlying Islands
  • Uruguay
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  • Vanuatu
  • Venezuela
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  • Virgin Islands
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  • West Bank
  • Western Sahara
  • Yemen
  • Zambia
  • Zimbabwe

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