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blinkvideo - research of video art, performance and multimedia installations.

blinkvideo - research of video art, performance and multimedia installations.


blinkvideo the platform for . . .

artists we provide a platform for extensive presentation of media works, gallerists get a direct contact to international professional audiences, collectors find a worldwide overview of contemporary trends in moving image, curators can do research via keywords and compilations, teachers use presentation opportunities for students and all professionals get password protected, extensive information about video works worldwide.

Moving Images / Moving Bodies
Online screening programme in cooperation
with the Goethe-Institut Bulgaria

Curated by Ludwig Seyfarth

Research into the human body and interpersonal relationships remain central themes in video and moving image art. Artists from Bulgaria and Germany, whose work is related in content, will be shown in pairs over the next weeks. The exhibition planned for November 2020 in Sofia has been postponed until 2021. Instead, a consecutive presentation of selected films by artists from Moving Bodies/Moving Images is presented on blinkvideo.
image: © Elitsa Dimitrova

Shooting Ghosts
Online screening programme in cooperation
with the Goethe-Institut Bulgaria

Curators: Kalin Serapionov, Krassimir Terziev

What we propose in this programme is a highly subjective and fragmented view on current practices in moving image in the Bulgarian art scene. We focused on practices that show affinity with speculative narratives - narratives that not just record what is in front of the cinematic eye, but also capture all the ghosts that are unreachable by the apparatus, thus projecting speculative views that intend not merely to describe, but to transform the world.
image: © Veneta Androva

UNSTILLED LIFE: Artist Animations 1980-2020
Curated by Emma Cousin and Paul Carey-Kent

Why this show, here and now? British artist-curator Emma Cousin and writer-curator Paul Carey-Kent recently pulled together a choice of artist animations, thinking that the increasingly vibrant medium is especially suited to the online emphasis of the locked down art world of 2020. Three of them turned out to be represented by Ron Mandos, making the Amsterdam gallery ideal hosts. The cast is international, and to reflect that Tintype gallery in London and Hamburg’s blinkvideo have joined in with variations on the programme. 
Markus Vater Worlds don’t come easy, 2020

Expanding Bauhaus.
New Reflections on the Bauhaus Movement in Time-Based Media Art / Goethe Institute Netherlands

A screening series selected by Elke Kania (Cologne), Julia Sökeland (Hamburg) and Ludwig Seyfarth (Berlin)

With its combination of various arts such as painting, photography film, architecture, fashion, product and interior design and textile art, the Bauhaus is still considered the epitome of a technologically advanced modernity. Last but not least, the attempt to create the whole society aesthetically, inspired many artists worldwide.
Image: © Adnan Softic

Featured videos

Alexandra Meijer-Werner
Kreislauf / cycle … revolution … circulation, 1997

Kreislauf is an oneiric trip about the continuous cycle of human rebirth. Our dreams create the fabric in which the threads or individual tendencies appear and disappear, only to become visible once again. The dynamic of this video is a weave of repetitions and juxtapositions of the experiences that create the dance of life. Everything is cyclic, nothing disappears; everything is perpetually mutating in landscapes of anguish and joy, violence and calm, solitude and union. The traveler is the active force of his own fate when he realizes that what is most significant in life is the act of living itself.

Björn Braun
without title (excerpt), 2012

Sandra Boeschenstein
Besuchte Linie auf Granit, 2014

I encountered the roundworm in the Alps when I attempted to repair the water catchment of the cabin after a storm. I wished for this animal found at the spring to be a visited line, then searched for potential visitors and found, just nearby, a nest of firebugs in a dried chestnut leaf, which I placed just outside of the image field. The granite slab, roundworm, bugs’ nest and a fly lived their lives within a radius of 100 meters. My part in this was to bring them into direct proximity for the duration of an hour, to focus my camera and to breathe onto the upper part of the lens, in order to increase the atmospheric depth of the picture. Finally, to come to the allegation I’ve made via the title that something was a line that actually is an animal (when normally, in a contrary approach, characteristically formed lines represent animals or the like). The combination of the simplicity in the foundation / bedrock with a simultaneous insecurity in view of scale and nature of this white line, holds my fascination.

Isabella Fürnkäs
In Ekklesia, 2015

The title, ‘In Ekklesia,’ comes from the Greek word ‘ecclesia,’ which refers to the democratic parliament that served Athens in its halcyon days by being open to male citizens every other year. Solon, an Athenian legislator and a sage, allowed all citizens to serve the parliament regardless of their social class in BC 594. The Ecclesia made decisions about war, military strategies, and all judicial and administrative issues. This work satirizes various facets of humans and machines in the 21st century, unconsciously within a dystopian environment. Isabella Fürnkäs introduces a method of combining and overlaying countless images in her work, providing the new experience of sensations that act in ambiguous flows, movements, interference, and interjection. The piece is about the new metaphysical and material connections appearing through digital conversations that are divorced from the general notion of time and space, as well as isolation and alienation. Text by Hyun Jeung Kim (Nam June Paik Art Center Seoul)

Ryan Gander
Man on a bridge - (A study of David Lange) , 2008

A digital video transferred from 16 mm film shows a number of slightly differing takes of the same short sequence: A man walks over a bridge and seems to notice something over the railing to his left hand side. As he moves in for a closer inspection, the film cuts, which is then followed by another take of the same shot.

Wim Catrysse
MSR, 2014

On the Kuwait roads the journey goes in a western direction, past military bases and a line of oil transporters. Dreary sound sequences are pumped out by the radio. In the middle of rubbish heaps by the roadside a pack of wild dogs is trying to find shelter from the wind. Wim Catrysse presents the Kuwait desert both as a post-apocalyptic setting and as protagonist. During the journey, the car window is an obstacle, made even more so by the screen. The viewer, dumped in the desert, does not manage to reach it through the window. MSR, the Main Supply Route, is the main highway used to coordinate military operations in the Gulf War in 1990/91 and the War in Iraq in 2003. Filming is forbidden here, so the pack of wild dogs carries the story at first. But their behaviour keeps on bringing the desert into focus as the principal actor. Underlined by the sound track, its seeming hostility to life awakens the impression of a dystopian timelessness reminiscent of the apocalyptic scenarios in films and makes the viewer feel ill at ease. Catrysse examines conventions, both in a political-dogmatic and in a filmic sense.Nathalie Ladermann

Johanna Reich
CRAWLER, 2020

A crawler is a searchbot in the internet which Johanna Reich uses to collect special comments or phrases about the most discussed topics during the last years like A.I., climate change, digital revolution, gender and the turn of democratic systems. Johanna Reich selects several of the collected phrases composing a robot performance: self-driving projectors move across the exhibition space and project comments about a.i., gender or climate change onto the audience and architecture.

Annika Kahrs
solid surface, with hills, valleys, craters and other topographic...., 2014

solid surface,with hills,valleys,craters and other topographic features,primarily made of ice„solid surface, with hills, valleys, craters and other topographic features, primarily made of ice“ is set in a planetarium with a projected starry sky, in the center of which is situated a light spot, that explores the space. The Film deals with the moment, shortly before the actual visualization of pluto’s surface properties, whereas the entire cupola hall of the planetarium serves as a metaphorical projection surface of Pluto. The round light spot formally points to the shape of the celestial object and functions as placeholder for its soon arising image.

Ann Oren
The World Is Mine, 2017

In cosplay of the Japanese cyber diva Hatsune Miku, the artist moved to Tokyo, seeking an identity in the world of Miku fanatics, where she was drawn into a love affair with one of the fans. Miku is a Vocaloid, a vocal synthesizer software personified by a cute animated character. Her entire persona: lyrics, music and animation – is fan created, and that's her charm. She even performs sold out concerts as a hologram. By transforming herself into a Miku character through cosplay, Oren enters a world of real hardcore fans where fantasy is more real than reality and the differentiation between the two becomes obsolete. The film examines the performative nature of cosplaying – dressing up and playing the role of fictional characters – as a hybrid space where reality blurs into fetishistic fantasies and pop culture clichés. Combining fan-made lyrics and songs, Oren's trials and tribulations in the fictional Miku world unfolds through vague erotic episodes and encounters with characters whose ontological status remains mysterious, bringing to mind the adventures of a modern Alice in a virtual Wonderland.

Jonathan Monaghan
Den of Wolves, 2020

Den of Wolves is a seamlessly-looping video installation drawing on a range of references to weave a new multi-layered mythology. The work follows three bizarre wolves through a series of increasingly surreal retail stores as they search for the regalia of a monarch. Composed of one continuous camera shot, the work is an immersive, dreamlike journey drawing connections between popular culture, institutional authority and technological over-dependence.

Stefan Panhans
HOSTEL Sequel #1: Please Be Careful Out There, Lisa Marie – H.V.Installation Mix, 2018

At transmediale, Stefan Panhans and Andrea Winkler show their work HOSTEL Sequel #1: Please Be Careful Out There, Lisa Marie – Hybrid Version, a new project that combines film, installation, and staccato stage reading (on blinkvideo we are showing a trailer of the integrated film). With everyday racism, celebrity worship, stereotypes, and the dominating power of the economic all on the rise, precariously and flexibly traveling cultural workers of different origin deliver a sort of spoken word battle about their experiences and dreams. They constantly switch roles and, at the same time, form a choir that clashes with the rapped reports of everyday life. As in a collaborative gymnastic exercise—surrounded by scenery made up of set pieces from outfits of airports, hostels, and courier services, from self-optimization tools and game show displays—they fight for a voice and to be heard, building new alliances along the way. for more information: opening of transmediale

Mariola Brillowska
Children Of The Devil, 2011

Mariola Brillowska’s animation film relates the total collapse of the family system in the 21st century. Six cartoon episodes present an unsparing account of how children become murderers of their parents.

Julia Charlotte Richter
Point Blank, 2019

“Point Blank” refers to a film scene from "The Misfits" (1961) that is now re-enacted and further contextualized. In the original scene, the recently divorced main character Roslyn (Marilyn Monroe) rises up against three worn-out cowboys and, in the middle of the desert, confronts the men with all their lacks and lost dreams. In “Point Blank”, we see a young woman wandering around in surreal desert landscapes, a journey into the remoteness of the world and her own inner life. With every step out into the desert, the girl descends into her own depths searching for a place that seems to be suitable for her emotions and words. Unlike Roslyn, the young woman now refers to absent addressees: "Liars", "Murderers" and "Dead Men" she screams and turns around wildly. The words, which spread like bullets in the air, fall back on her. Except for a faint echo, there is no resonance at this place that depicts the obsessions of a distorted, patriarchal society and has become a dramatic backdrop of yearnings within the collective history of cinema. Where Roslyn was able to elicit a terrified astonishment from the three men, the character in Julia Charlotte Richter's video remains to herself and unheard, the desert as the only witness of her manifesto, her anger and her strength.

Ulrich Polster
Frost, 2003 / 2004

The night city. Industrial ruins filmed in contrejour. Memories from childhood. Different places and times combined at the mountain. It is a hollow portrait of Eastern Europe that carries the traces of its history.

Ene-Liis Semper
FF REW, 1998

Dimitri Venkov
The Hymns of Muscovy, 2018

The film is a trip to the planet Muscovy, which is an upside down space twin of the city of Moscow. As the title of the work suggests, the journey also takes us back in time. Gliding along the surface of the planet, we look down to the sky and see historic architectural styles fly by - the exuberant Socialist Classicism aka Stalinist Empire, the laconic and brutish Soviet Modernism, and the hodgepodge of contemporary knock-offs and revivals of the styles of the past. An essential companion to this journey through time and space are Hymnic Variations on the Soviet anthem by the composer Alexander Manotskov. The anthem was written in 1943 and has undergone three editions of lyrics yet musically remained unchanged to now serve as the official anthem of the Russian Federation. Manotskov used an early recording of the anthem as source material to create three electronic variations each corresponding to an architectural style. As if in a twist of Goethe’s phrase, architecture plays its frozen music. Look closely, can you hear it?

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Would you like to share your videos online? Or would you like to focus attention on a video work? Or would you like to compile and show videos on a specific topic? You can do so with the new tool on blinkvideo.
Create a favorites list as follows:
When you're logged in, a little sign "add to favorite list" will appear below each video. With the click on it, you add the film to your favorites list. When you have collected all the works, open your favorites list and you can share the list with blinkvideo. We will then receive a message and put the compilation online.
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blinkvideo is a website for the research of video art. Founders: Julia Sökeland, Anita Beckers. blinkvideo ist eine Plattform zur Recherche nach Videokunst

Yuri Firmeza

Works


Galleries

for further information contact blinkvideo
Germany

Phone: +49 40 22748986
E-Mail: info@blinkvideo.de




Biography

nasceu em, São Paulo, Brasil,1982
vive e trabalha em São Paulo e Fortaleza, Brasil

educação

2008 Mestre em Poéticas Visuais, Escola de Comunicação e Artes, Universidade de São Paulo/ECA-USP, São Paulo, Brasil
2005 Graduação em Artes Visuais, Faculdade Integrada da Grande Fortaleza, Ceará, Brasil

exposições individuais

2014
Projeto Ruínas, Casa Triângulo, São Paulo, Brasil

2013
Turvações Estratigráficas, Museu de Arte do Rio [MAR], Rio de Janeiro, Brasil
Voragem, Demolden Video Project, Santander, Espanha

2011
Este Lado Para Cima, Casa Triângulo, São Paulo, Brasil
Vida da minha vida, Centro Cultural Banco do Nordeste, Fortaleza, Brasil

exposições coletivas

2015
31ª Bienal de São Paulo - Obras selecionadas, FAAP São José dos Campos, São José dos Campos; Sesc Campinas, Bonfim, Campinas; Museu de Arte Moderna Murilo Mendes, Juiz de Fora, Palácio das Artes, Centro de Arte Contemporânea e Fotografia, Belo Horizonte, Minas Gerais; Museu de Arte Brasileira - FAAP Ribeirão Preto, Ribeirão Preto; Sesc Rio Preto, São José do Rio Preto, Brasil; Museu de Arte Contemporânea de Serralves, Porto, Portugal
Popoidrome - Frestas | Trienal de Artes, Sesc Sorocaba, Sorocaba, Brasil
Crossings and passages: the unequal accumulation of time - The Poetry In Between: South-South/ 2015, Goodman Gallery, Cape Town, África do Sul

2014
Manifesto – Poder, Desejo, Intervenção, curadoria de Márcio Tavares, Museu de Arte do Rio Grande do Sul Ado Malagoli, Porto Alegre, Brasil
Como falar de coisas que não existem, 31ª Bienal de São Paulo, Pavilhão da Bienal, São Paulo, Brasil
Das viagens, dos desejos, dos caminhos, curadoria de Bitu Cassundé, Museu Vale, Vila Velha, Espírito Santo, Brasil
Diálogos, Athena Contemporânea, Rio de Janeiro, Brasil
Pela superfície das páginas..., curadoria de Júlio Martins, Espaço Cultural Marcantonio Vilaça, Brasília, Brasil
A-PLAY [ENTRE ARTISTAS] III, curadoria de Christus Nóbrega, ECCO – Espaço Cultural Contemporâneo, Brasília, Brasil
Carneiro, curadoria de Bitu Cassundé, Museu de Arte Contemporânea do Ceará – Centro Dragão do Mar de Arte e Cultura, Fortaleza, Brasil
A Realidade do Sonho, Centro Cultural Banco do Nordeste, Fortaleza, Brasil
Casa Triângulo no Pivô, Pivô, São Paulo, Brasil

2013
Amor e Ódio à Lygia Clark, curadoria de Magda Kardasz, Zacheta National Gallery of Art, Varsóvia, Polônia
XVII Unifor Plástica, curadoria de Marcelo Campos e Paulo Herkenhoff, Espaço Cultural Unifor, Fortaleza, Brasil
P33: Formas únicas da continuidade no espaço, 33ª edição do Panorama de Arte Brasileira, curadoria de Lisette Lagnado, Museu de Arte Moderna de São Paulo (MAM), São Paulo, Brasil
I Bienal Internacional de Fotografia do MASP, curadoria de Ricardo Resende, Museu de Arte de São Paulo (MASP), São Paulo, Brasil
Entrecruzamentos, curadoria de Vanda Klabin, Galeria Athena Contemporânea, Rio de Janeiro, Brasil
Mostra Nordeste de Artes Visuais, curadoria de José Rufino, Museu Murillo La Greca, Recife, Brasil
Arquipélago, curadoria de Carlos Sena Passos, Centro Cultural UFG, Goiás, Brasil
Metrô de Superfície – Mostra II, Centro Cultural São Paulo [CCSP], São Paulo, Brasil
Caminhando, Centro Cultural Banco do Nordeste, Fortaleza, Brasil
O corpo é o meio, SP-Arte: Laboratório Curatorial, curadoria de Mariana Lorenzi Azevedo, Pavilhão da Bienal, São Paulo, Brasil
O Abrigo e o Terreno, Museu de Arte do Rio [MAR], curadoria de Paulo Herkenhoff e Clarissa Diniz, Rio de Janeiro, Brasil

2012
Dos Percursos e das Poesias, curadoria de Bitu Cassundé, MAC-CE, Fortaleza, Brasil
Through the Surface of the Pages..., curadoria de Júlio Martins, ARTS DRCLAS - David Rockefeller Center of Latin American Studies Harvard University, Cambridge, EUA
O Efeito da Frase, curadoria de Ana Maria Maia, Museu Murillo La Greca, Recife, Brasil
O Triunfo do Contemporâneo: 20 anos do Museu de Arte Contemporânea do Rio Grande do Sul, curadoria de Gaudêncio Fidelis, Santander Cultural, Porto Alegre, Brasil

2011
Gigantes por la propia Naturaleza, Instituto Valenciano de Arte Moderna, Valencia, Espanha
Festival Performance Arte Brasil, Museu de Arte Moderna, Rio de Janeiro, Brasil
A 4 Graus do Equador, Atelier 397, São Paulo, Brasil
Marcantonio Vilaça, CCUFG, Goiânia, Brasil

2010
Salão de Abril 1980 - 2009 - De casa para o mundo, Do Mundo para Casa, Museu de Arte Contemporânea,
Fortaleza, Brasil
Performance: corpo, política e tecnologia – Universidade de Brasília – UnB, Brasília/DF, Brasil
O que exatamente vocês fazem, quando fazem ou esperam fazer curadoria?, Centro Cultural Banco do Nordeste,
Fortaleza, Brasil
Coletiva, Casa Triângulo, São Paulo, Brasil
Prêmio CNI-SESI Marcantonio Vilaça, Museu de Arte Contemporânea, São Paulo, Brasil
Prêmio CNI-SESI Marcantonio Vilaça, Museu Histórico Nacional, Rio de Janeiro, Brasil
Prêmio CNI-SESI Marcantonio Vilaça, Museu de Arte de Santa Catarina, Florianópolis, Brasil
Prêmio CNI-SESI Marcantonio Vilaça, Museu de Arte Moderna, Salvador, Brasil
Prêmio CNI-SESI Marcantonio Vilaça, Galeria de Arte Juvenal Antunes, Rio Branco, Brasil
Arte In Loco, Museu da Maré, Rio de Janeiro, Brasil
Edições, Casa Triângulo, São Paulo, Brasil

2009
Fogo-fátuo, Museu de Arte da Universidade Federal do Ceará, Fortaleza, Brasil
Arte In Loco, Fundación Centro de Estudos Brasileiros, Buenos Aires, Argentina
In Corporeo, Museu de Arte da Universidade Federal do Ceará, Fortaleza, Brasil
Rastilho, Centro Cultural Banco do Nordeste do Brasil, Fortaleza, Brasil
Nano Stockholm, Artist Space, Studio 44, Stockholm, Suécia
Cartas/Trajetos, Usina Cultural Energisa, João Pessoa, Brasil
Comissão de Frente, Centro de Formação em Artes Visuais, Recife, Brasil

2008
Preparatória, Museu de Arte da Pampulha, Belo Horizonte, Brasil
7º Festival de Performance de Cali, Cali, Colombia
Salão Victor Meireles, Florianópolis, Brasil
Verbo 08, Galeria Vermelho, São Paulo, Brasil
Casa - Lugar em trânsito, Casa das Onze Janelas, Belém, Brasil
Laços do Olhar, Instituto Tomie Ohtake, São Paulo, Brasil
Salão de Arte do Pará, Belém, Brasil
Fora do Eixo, Brasília, Brasil
Ação Multiplicadora, SESC, Ribeirão Preto, Brasil

2007
Narrativas, Casa da Cultura, Riberão Preto, Brasil
Quase Nordeste, Galeria Oeste, São Paulo, Brasil
Olhar Aguçado, Alpendre, Fortaleza, Brasil
Eu/Desejo, Quarto, Rio de Janeiro, Brasil
Ação Multiplicadora, Museu Universitário de Arte, Universidade Federal de Uberlândia, Uberlândia, Brasil
Confrontações Poéticas, Centro Cultural Banco do Nordeste do Brasil, Fortaleza, Brasil

2006
Fake, Galeria 90, Rio de Janeiro, Brasil
SPA – Semana Pernambucana de Artes Visuais, Recife, Brasil
Paradoxos Brasil Rumos Artes Visuais, Itaú Cultural, São Paulo, Brasil
Paradoxos Brasil Rumos Artes Visuais, Paço Imperial, Rio de Janeiro, Brasil
Paradoxos Brasil Rumos Artes Visuais, Museu de Arte de Santa Catarina – MASC, Florianópolis, Brasil
Paradoxos Brasil Rumos Artes Visuais, Museu de Arte Contemporânea – MAC, Goiânia, Brasil
Paradoxos Brasil Rumos Artes Visuais, Itaú Cultural, São Paulo, Rio de Janeiro, Goiânia, Santa Catarina, Brasil
Artista Invasor, Museu de Arte Contemporânea, Fortaleza, Brasil

2005
Nano Exposição, ArtBo, Bogotá, Colombia
Espacios en Transito, Centro Cultural de Belas Artes, Lima, Peru
Nano Exposição, Galeria Murilo Castro, Belo Horizonte, Brasil
Nano Intervenção, Curitiba, Brasil
5° Salão Nacional de Arte de Goiás, Goiânia, Brasil
Mostra de Vídeo, A última quarta, Brasília-DF, Brasil

2004
Para ver de(s) perto, Galeria da FAV/UFG, Goiânia, Brasil
4° Salão Nacional de Arte de Goiás, Goiânia, Brasil
Contemporâneos, Galeria Mauro Soh, Imperatriz, Brasil
Adesgraçadalebre, Alpendre, Fortaleza, Brasil
55° Salão de Abril, Fortaleza, Brasil

2003
Experimental II, Museu de Arte Contemporânea, Fortaleza, Brasil
VI Salão Sobral, Casa de Cultura de Sobral, Sobral, Brasil
10 x 10, Galeria Aldemir Martins, Faculdade Integrada da Grande Fortaleza, Fortaleza, Brasil
54° Salão de Abril, Fortaleza, Brasil

prêmios

2009 Prêmio CNI SESI Marcantonio Vilaça, Brasil
2004 Prémio 55º Salão de Abril, Fortaleza, Brasil
2003 Menção Honrosa no VI Salão Sobral, Casa de Cultura de Sobral, Sobral, Brasil

Yuri Firmeza
nasceu em, São Paulo, Brasil,1982 vive e trabalha em São Paulo e Fortaleza, Brasil educação 2008 Mestre em Poéticas Visuais, Escola de Comunicação e Artes, Universidade de São Paulo/ECA-USP, São Paulo, Brasil 2005 Graduação em Artes Visuais, Faculdade Integrada da Grande Fortaleza, Ceará, Brasil exposições individuais 2014 Projeto Ruínas, Casa Triângulo, São Paulo, Brasil 2013 Turvações Estratigráficas, Museu de Arte do Rio [MAR], Rio de Janeiro, Brasil Voragem, Demolden Video Project, Santander, Espanha 2011 Este Lado Para Cima, Casa Triângulo, São Paulo, Brasil Vida da minha vida, Centro Cultural Banco do Nordeste, Fortaleza, Brasil exposições coletivas 2015 31ª Bienal de São Paulo - Obras selecionadas, FAAP São José dos Campos, São José dos Campos; Sesc Campinas, Bonfim, Campinas; Museu de Arte Moderna Murilo Mendes, Juiz de Fora, Palácio das Artes, Centro de Arte Contemporânea e Fotografia, Belo Horizonte, Minas Gerais; Museu de Arte Brasileira - FAAP Ribeirão Preto, Ribeirão Preto; Sesc Rio Preto, São José do Rio Preto, Brasil; Museu de Arte Contemporânea de Serralves, Porto, Portugal Popoidrome - Frestas | Trienal de Artes, Sesc Sorocaba, Sorocaba, Brasil Crossings and passages: the unequal accumulation of time - The Poetry In Between: South-South/ 2015, Goodman Gallery, Cape Town, África do Sul 2014 Manifesto – Poder, Desejo, Intervenção, curadoria de Márcio Tavares, Museu de Arte do Rio Grande do Sul Ado Malagoli, Porto Alegre, Brasil Como falar de coisas que não existem, 31ª Bienal de São Paulo, Pavilhão da Bienal, São Paulo, Brasil Das viagens, dos desejos, dos caminhos, curadoria de Bitu Cassundé, Museu Vale, Vila Velha, Espírito Santo, Brasil Diálogos, Athena Contemporânea, Rio de Janeiro, Brasil Pela superfície das páginas..., curadoria de Júlio Martins, Espaço Cultural Marcantonio Vilaça, Brasília, Brasil A-PLAY [ENTRE ARTISTAS] III, curadoria de Christus Nóbrega, ECCO – Espaço Cultural Contemporâneo, Brasília, Brasil Carneiro, curadoria de Bitu Cassundé, Museu de Arte Contemporânea do Ceará – Centro Dragão do Mar de Arte e Cultura, Fortaleza, Brasil A Realidade do Sonho, Centro Cultural Banco do Nordeste, Fortaleza, Brasil Casa Triângulo no Pivô, Pivô, São Paulo, Brasil 2013 Amor e Ódio à Lygia Clark, curadoria de Magda Kardasz, Zacheta National Gallery of Art, Varsóvia, Polônia XVII Unifor Plástica, curadoria de Marcelo Campos e Paulo Herkenhoff, Espaço Cultural Unifor, Fortaleza, Brasil P33: Formas únicas da continuidade no espaço, 33ª edição do Panorama de Arte Brasileira, curadoria de Lisette Lagnado, Museu de Arte Moderna de São Paulo (MAM), São Paulo, Brasil I Bienal Internacional de Fotografia do MASP, curadoria de Ricardo Resende, Museu de Arte de São Paulo (MASP), São Paulo, Brasil Entrecruzamentos, curadoria de Vanda Klabin, Galeria Athena Contemporânea, Rio de Janeiro, Brasil Mostra Nordeste de Artes Visuais, curadoria de José Rufino, Museu Murillo La Greca, Recife, Brasil Arquipélago, curadoria de Carlos Sena Passos, Centro Cultural UFG, Goiás, Brasil Metrô de Superfície – Mostra II, Centro Cultural São Paulo [CCSP], São Paulo, Brasil Caminhando, Centro Cultural Banco do Nordeste, Fortaleza, Brasil O corpo é o meio, SP-Arte: Laboratório Curatorial, curadoria de Mariana Lorenzi Azevedo, Pavilhão da Bienal, São Paulo, Brasil O Abrigo e o Terreno, Museu de Arte do Rio [MAR], curadoria de Paulo Herkenhoff e Clarissa Diniz, Rio de Janeiro, Brasil 2012 Dos Percursos e das Poesias, curadoria de Bitu Cassundé, MAC-CE, Fortaleza, Brasil Through the Surface of the Pages..., curadoria de Júlio Martins, ARTS DRCLAS - David Rockefeller Center of Latin American Studies Harvard University, Cambridge, EUA O Efeito da Frase, curadoria de Ana Maria Maia, Museu Murillo La Greca, Recife, Brasil O Triunfo do Contemporâneo: 20 anos do Museu de Arte Contemporânea do Rio Grande do Sul, curadoria de Gaudêncio Fidelis, Santander Cultural, Porto Alegre, Brasil 2011 Gigantes por la propia Naturaleza, Instituto Valenciano de Arte Moderna, Valencia, Espanha Festival Performance Arte Brasil, Museu de Arte Moderna, Rio de Janeiro, Brasil A 4 Graus do Equador, Atelier 397, São Paulo, Brasil Marcantonio Vilaça, CCUFG, Goiânia, Brasil 2010 Salão de Abril 1980 - 2009 - De casa para o mundo, Do Mundo para Casa, Museu de Arte Contemporânea, Fortaleza, Brasil Performance: corpo, política e tecnologia – Universidade de Brasília – UnB, Brasília/DF, Brasil O que exatamente vocês fazem, quando fazem ou esperam fazer curadoria?, Centro Cultural Banco do Nordeste, Fortaleza, Brasil Coletiva, Casa Triângulo, São Paulo, Brasil Prêmio CNI-SESI Marcantonio Vilaça, Museu de Arte Contemporânea, São Paulo, Brasil Prêmio CNI-SESI Marcantonio Vilaça, Museu Histórico Nacional, Rio de Janeiro, Brasil Prêmio CNI-SESI Marcantonio Vilaça, Museu de Arte de Santa Catarina, Florianópolis, Brasil Prêmio CNI-SESI Marcantonio Vilaça, Museu de Arte Moderna, Salvador, Brasil Prêmio CNI-SESI Marcantonio Vilaça, Galeria de Arte Juvenal Antunes, Rio Branco, Brasil Arte In Loco, Museu da Maré, Rio de Janeiro, Brasil Edições, Casa Triângulo, São Paulo, Brasil 2009 Fogo-fátuo, Museu de Arte da Universidade Federal do Ceará, Fortaleza, Brasil Arte In Loco, Fundación Centro de Estudos Brasileiros, Buenos Aires, Argentina In Corporeo, Museu de Arte da Universidade Federal do Ceará, Fortaleza, Brasil Rastilho, Centro Cultural Banco do Nordeste do Brasil, Fortaleza, Brasil Nano Stockholm, Artist Space, Studio 44, Stockholm, Suécia Cartas/Trajetos, Usina Cultural Energisa, João Pessoa, Brasil Comissão de Frente, Centro de Formação em Artes Visuais, Recife, Brasil 2008 Preparatória, Museu de Arte da Pampulha, Belo Horizonte, Brasil 7º Festival de Performance de Cali, Cali, Colombia Salão Victor Meireles, Florianópolis, Brasil Verbo 08, Galeria Vermelho, São Paulo, Brasil Casa - Lugar em trânsito, Casa das Onze Janelas, Belém, Brasil Laços do Olhar, Instituto Tomie Ohtake, São Paulo, Brasil Salão de Arte do Pará, Belém, Brasil Fora do Eixo, Brasília, Brasil Ação Multiplicadora, SESC, Ribeirão Preto, Brasil 2007 Narrativas, Casa da Cultura, Riberão Preto, Brasil Quase Nordeste, Galeria Oeste, São Paulo, Brasil Olhar Aguçado, Alpendre, Fortaleza, Brasil Eu/Desejo, Quarto, Rio de Janeiro, Brasil Ação Multiplicadora, Museu Universitário de Arte, Universidade Federal de Uberlândia, Uberlândia, Brasil Confrontações Poéticas, Centro Cultural Banco do Nordeste do Brasil, Fortaleza, Brasil 2006 Fake, Galeria 90, Rio de Janeiro, Brasil SPA – Semana Pernambucana de Artes Visuais, Recife, Brasil Paradoxos Brasil Rumos Artes Visuais, Itaú Cultural, São Paulo, Brasil Paradoxos Brasil Rumos Artes Visuais, Paço Imperial, Rio de Janeiro, Brasil Paradoxos Brasil Rumos Artes Visuais, Museu de Arte de Santa Catarina – MASC, Florianópolis, Brasil Paradoxos Brasil Rumos Artes Visuais, Museu de Arte Contemporânea – MAC, Goiânia, Brasil Paradoxos Brasil Rumos Artes Visuais, Itaú Cultural, São Paulo, Rio de Janeiro, Goiânia, Santa Catarina, Brasil Artista Invasor, Museu de Arte Contemporânea, Fortaleza, Brasil 2005 Nano Exposição, ArtBo, Bogotá, Colombia Espacios en Transito, Centro Cultural de Belas Artes, Lima, Peru Nano Exposição, Galeria Murilo Castro, Belo Horizonte, Brasil Nano Intervenção, Curitiba, Brasil 5° Salão Nacional de Arte de Goiás, Goiânia, Brasil Mostra de Vídeo, A última quarta, Brasília-DF, Brasil 2004 Para ver de(s) perto, Galeria da FAV/UFG, Goiânia, Brasil 4° Salão Nacional de Arte de Goiás, Goiânia, Brasil Contemporâneos, Galeria Mauro Soh, Imperatriz, Brasil Adesgraçadalebre, Alpendre, Fortaleza, Brasil 55° Salão de Abril, Fortaleza, Brasil 2003 Experimental II, Museu de Arte Contemporânea, Fortaleza, Brasil VI Salão Sobral, Casa de Cultura de Sobral, Sobral, Brasil 10 x 10, Galeria Aldemir Martins, Faculdade Integrada da Grande Fortaleza, Fortaleza, Brasil 54° Salão de Abril, Fortaleza, Brasil prêmios 2009 Prêmio CNI SESI Marcantonio Vilaça, Brasil 2004 Prémio 55º Salão de Abril, Fortaleza, Brasil 2003 Menção Honrosa no VI Salão Sobral, Casa de Cultura de Sobral, Sobral, Brasil

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