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blinkvideo - research of video art, performance and multimedia installations.

blinkvideo - research of video art, performance and multimedia installations.


Peter Weibel
Robert De Niro – Al Capone / Donald Trump – Donald Trump

I continued the »BILDERATLAS« / Commissioned by ABY WARBURG

In the pre-election period in America, Peter Weibel has produced a video in which he contrasts the gestures and intonation of Donald Trump with those of Robert de Niro in his role as Al Capone. The title alone suggests the assumption of a good staging and not just pure coincidence.

Shooting Ghosts
Online screening programme in cooperation
with the Goethe-Institut Sofia

Curators: Kalin Serapionov, Krassimir Terziev

What we propose in this programme is a highly subjective and fragmented view on current practices in moving image in the Bulgarian art scene. We focused on practices that show affinity with speculative narratives - narratives that not just record what is in front of the cinematic eye, but also capture all the ghosts that are unreachable by the apparatus, thus projecting speculative views that intend not merely to describe, but to transform the world.
image: © Veneta Androva

Moving Images / Moving Bodies

 ‘Moving Images Bulgaria-Germany’ is a project by Goethe-Institut Bulgaria, that includes various online and offline initiatives, starting in November 2020. The online program, realised in partnership with blinkvideo, will consist of two curated programmes: “Moving Images / Moving Bodies”, curated by Ludwig Seyfarth, and “Shooting Ghosts”, curated by Krassimir Terziev and Kalin Serapionov.

First the programme “Shooting Ghosts” will give a selected overview of video art in Bulgaria in general. The programme will be accompanied by an in-depth essay by Krassimir Terziev as well as texts by different authors or the artists themselves on individual films.

Critics’ Pick: Vienna by Nicole Büsing + Heiko Klaas

The group show “Antarctica. An Exhibition on Alienation” was presented in Vienna during the past winter season. Departing from a note written by the Italian cult director Michelangelo Antonioni referring to a potential glacier melting in the Antarctica and a hint to a film, the two curators from the Kunsthalle Wien, Vanessa Joan Müller and Nicolaus Schafhausen, conceived an exhibition on the topic of alienation and contemporary art. The focus was on the latest contemporary photography and video art by the younger generation of artists.
Image: © Isabella Fürnkäs

UNSTILLED LIFE: Artist Animations 1980-2020
Curated by Emma Cousin and Paul Carey-Kent

Why this show, here and now? British artist-curator Emma Cousin and writer-curator Paul Carey-Kent recently pulled together a choice of artist animations, thinking that the increasingly vibrant medium is especially suited to the online emphasis of the locked down art world of 2020. Three of them turned out to be represented by Ron Mandos, making the Amsterdam gallery ideal hosts. The cast is international, and to reflect that Tintype gallery in London and Hamburg’s blinkvideo have joined in with variations on the programme. 
Markus Vater Worlds don’t come easy, 2020

Something Between Us
KAI 10 | ARTHENA FOUNDATION, Düsseldorf

The exhibition „Something Between Us“ focuses on both our contemporary lives and the anthropological constants of interpersonal dealings: love, empathy, security, care and safety on the one hand, and hate, role fixation, dependency, reprimand and exclusion on the other. Something Between Us asks how these structures of togetherness are changing in our digital era.
Thomas Taube OCCIDENT, 2020

REFRACTED REALITIES at VIDEONALE.17

In optics, “refraction” refers to the bending of a beam of light, a change in direction which occurs at the moment when it passes from one medium to another. Through refraction, the light wave alters course, changing the way we perceive the objects it illuminates in the process. This optical deviation requires us to repeatedly correct our gaze, comparing the beginning and end points of our perception with reality, and bringing the object we see clearly into focus. In its figurative sense, refraction refers to a critical reflection on the means and channels of visualization, and by extension the possibility of a rearticulation of our view of things – how they are, were, or apparently always have been.
Image: © Sohrab Hura

NEW: Favorites curated by blinkvideo users

What do you like? Over the next few months, we will be showing here selections of works, compiled by you, as a blinkvideo user.

Stefano Miraglia: Hey Blinkvideo members! Here are my eight "must watch" films and videos. Happy to find in this catalogue some of the works that got me interested in artists' moving image when I was a student! (Guillaume Leblon! Daniel Steegmann Mangrané! Marylène Negro!).

Expanding Bauhaus.
New Reflections on the Bauhaus Movement in Time-Based Media Art / Goethe Institute Netherlands

A screening series selected by Elke Kania (Cologne), Julia Sökeland (Hamburg) and Ludwig Seyfarth (Berlin)

With its combination of various arts such as painting, photography film, architecture, fashion, product and interior design and textile art, the Bauhaus is still considered the epitome of a technologically advanced modernity. Last but not least, the attempt to create the whole society aesthetically, inspired many artists worldwide.
Image: © Adnan Softic

Johan Grimonprez

Johan Grimonprez’s critically acclaimed work dances on the borders of practice and theory, art and cinema, documentary and fiction, demanding a double take on the part of the viewer. Informed by an archeology of present-day media, his work seeks out the tension between the intimate and the bigger picture of globalization. It questions our contemporary sublime, one framed by a fear industry that has infected political and social dialogue. By suggesting new narratives through which to tell a story, his work emphasizes a multiplicity of realities.
image: © Johan Griminprez

Christoph Faulhaber: Revolution & Architecture

With "Revolution & Architecture" Christoph Faulhaber (* 1972 in Osnabrück, lives in Hamburg) conceives, builds, designs and opens a whole series of very different rooms in the Kunsthalle Osnabrück. In order to discover the revolutionary aspect of these "architectures", one has to look at the social implications of interior design in general. In the forum the visitor then enters Faulhaber's cinematic autobiography "Every Picture is an Empty Picture" as in the eye of the cyclone: The work is split into 15 individual films and surrounds the visitor in a circle.
Image: © Christoph Faulhaber

Stiftung imai – inter media art institute

The Düsseldorf based foundation imai – inter media art institute was founded in 2006 in order to establish an institution in Germany dedicated to the distribution and preservation of media art and associated activities.
Image: © Marcel Odenbach

Featured videos

Federico Adorno
La estancia, 2014

Federico Adorno’s film La estancia was awarded the Grand Prize of the City of Oberhausen at this year’s International Short Film Festival Oberhausen. In its statement the jury said: “Through a succession of subtly constructed tableaux, this powerful film is a profound critique of systematic oppression. Instigated by a massacre amidst a land-rights conflict in Paraguay, this haunting work transcends the local context to voice the struggle for essential freedoms.”Many years ago, while he was working at the Swiss NGO “Helvetas Paraguay”, Adorno travelled long distances into the countryside to film short documentaries with peasants, whom he taught how to use a camera and write short stories, which they then shot together. His last two short films are about land rights and property, and how the extensive ownership of land by just a few landowners gives rise to serious conflicts and problems in rural communities. Isla Alta is about the tensions that surround a community when a wealthy rancher goes missing; La estancia depicts the aftermath of a massacre and is based on true events that happened in Paraguay in 2012.

Tobias Yves Zintel
Breed and Educate, 2018

The Film Breed and Educate is based on a collaborative performance with a class from the Hector-Peterson-Schule Berlin Kreuzberg and the HAU. In numerous task based rehearsals eight pupils between 11 and 13 years explored the possibilties of self-education. Based on various materials from found footage to documentary and staged scenes the film circles around the relationship of controlling and self-empowerment in educational systems. Breed and Educate is circling around the question of how lessons should be organised in times of network and algorthim-based learning. Algorithms and neuronal networks have to master problems only once, after they achieved their goal, results can be duplicated and copied any number of times. Kids on the other hand side have to learn everything step by step, the accumulated knowlede can’t be transfered from on kid to the other by „copy and paste“. An allopoetic system is a trivial system, which can be potentially fully explored, controlled and operated by an observer. With a similar theory in mind, the Prussians started to organise schooling in 1717, to prepare pupils for the Prussian Military Academy. What happens almost 300 years later in a school in Berlin, when the relationship between control and self-empowerment is inverted by postmigrant pupils who breed robots, are educated by them and vice versa? “ In Breed and Educate an automated dionsaur is introduced by a twelfe year old boy: “It’s easily trainable”. While he explains the mode of operation, one sees the parallels: the school wouldn’t have any problems with pupils equipped with a suitable operating system downloaded from the internet. Sounds like an uncanny utopia.” (Katrin Bettina Müller)

Lene Markusen
Grad, 2004

Dieter Kiessling
60 Minutes 360 Degrees GK 2010, 2010

A boy is portrayed with a video camera for an hour on a tennis court.During this time the camera turns through 360 degrees. Meanwhile, the whole space is recorded piece by piece. The boy follows the camera movement slowly thus remaining constantly in the centre of the picture.

Clemens von Wedemeyer
Silberhöhe, 2003

In Halle-Silberhöhe in East Germany, the camera records peri-urban area architecture, prefabricated buildings that are deserted and destined to be demolished. The commentary evokes a film editing technique used by Michelangelo Antonioni in his film, L’Eclisse (1962).

Janet Biggs
Fade to White, 2010

In Fade to White, Biggs delves into the desire to explore remote lands. To create this work, the artist embarked on an expedition in the high Arctic, traveling aboard an ice-class, 2-masted schooner, built in 1910. During the voyage, Biggs filmed Fade to White, focusing on a crew member as he navigated the ship through iceberg filled seas, and paddled a kayak past glacier walls and polar bears. As she photographed the explorer, Biggs tested her own will and endurance. The visual tension of her uncompromising imagery bespeaks their mutual struggle to maintain balance and purpose. Yet, the video also reveals the myth of the solitary white male explorer. Biggs explains, "The desire to hold onto the notion of the 'great white north' as a blank space awaiting interpretation only reinforces the idea of the colonial polar hero. The 'virgin' north has now been mapped, surveyed, and mined, but increased knowledge has not replaced endless fantasies of discovery." Loss and change are implicit in the video's title, Fade to White, which refers to an editing technique used to evoke death or transcendence. Biggs integrated her Arctic imagery with sound and video footage of counter tenor John Kelly, whose age, androgyny, and mournful voice parallel the vanishing Arctic landscape and signal the waning of male dominance.

Rebecca Ann Tess
The Tallest, 2014

The »The Tallest« shows pictures shot on-site of the currently tallest buildings in the world. The high-rises are shown as set pieces of global capitalism, visually disappearing into abstraction. The reduced images are reminding of 3D rendering. The simulated image of these buildings circulates in the media for representational and advertising purposes, becomes a substantial object and the actual spatiality becomes a mockup. The narration is undertaken by a computer voice, it describes the competition for the tallest tower at such divers places as Chicago, Dubai, Hong Kong, Kuala Lumpur, Mecca, Nanjing, New York City, Seoul, Shanghai, Shenzhen, Songdo and Taipei.

Johanna Reich
LIGHT ON BLACK ON WHITEHOMAGE TO MALEVICH, 2015

A moving digital light drawing illuminates a white wall. A hand painting a black square on the white surface becomes visible. At the same time the light drawing is painting a light square. In the end the light of the digital light square illuminates the finished black oil painting.

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artists we provide a platform for extensive presentation of media works, gallerists get a direct contact to international professional audiences, collectors find a worldwide overview of contemporary trends in moving image, curators can do research via keywords and compilations, teachers use presentation opportunities for students and all professionals get password protected, extensive information about video works worldwide.

Our Partners

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blinkvideo is a website for the research of video art. Founders: Julia Sökeland, Anita Beckers. blinkvideo ist eine Plattform zur Recherche nach Videokunst

Yuri Firmeza

Works


Galleries

for further information contact blinkvideo
Germany

Phone: +49 40 22748986
E-Mail: info@blinkvideo.de




Biography

nasceu em, São Paulo, Brasil,1982
vive e trabalha em São Paulo e Fortaleza, Brasil

educação

2008 Mestre em Poéticas Visuais, Escola de Comunicação e Artes, Universidade de São Paulo/ECA-USP, São Paulo, Brasil
2005 Graduação em Artes Visuais, Faculdade Integrada da Grande Fortaleza, Ceará, Brasil

exposições individuais

2014
Projeto Ruínas, Casa Triângulo, São Paulo, Brasil

2013
Turvações Estratigráficas, Museu de Arte do Rio [MAR], Rio de Janeiro, Brasil
Voragem, Demolden Video Project, Santander, Espanha

2011
Este Lado Para Cima, Casa Triângulo, São Paulo, Brasil
Vida da minha vida, Centro Cultural Banco do Nordeste, Fortaleza, Brasil

exposições coletivas

2015
31ª Bienal de São Paulo - Obras selecionadas, FAAP São José dos Campos, São José dos Campos; Sesc Campinas, Bonfim, Campinas; Museu de Arte Moderna Murilo Mendes, Juiz de Fora, Palácio das Artes, Centro de Arte Contemporânea e Fotografia, Belo Horizonte, Minas Gerais; Museu de Arte Brasileira - FAAP Ribeirão Preto, Ribeirão Preto; Sesc Rio Preto, São José do Rio Preto, Brasil; Museu de Arte Contemporânea de Serralves, Porto, Portugal
Popoidrome - Frestas | Trienal de Artes, Sesc Sorocaba, Sorocaba, Brasil
Crossings and passages: the unequal accumulation of time - The Poetry In Between: South-South/ 2015, Goodman Gallery, Cape Town, África do Sul

2014
Manifesto – Poder, Desejo, Intervenção, curadoria de Márcio Tavares, Museu de Arte do Rio Grande do Sul Ado Malagoli, Porto Alegre, Brasil
Como falar de coisas que não existem, 31ª Bienal de São Paulo, Pavilhão da Bienal, São Paulo, Brasil
Das viagens, dos desejos, dos caminhos, curadoria de Bitu Cassundé, Museu Vale, Vila Velha, Espírito Santo, Brasil
Diálogos, Athena Contemporânea, Rio de Janeiro, Brasil
Pela superfície das páginas..., curadoria de Júlio Martins, Espaço Cultural Marcantonio Vilaça, Brasília, Brasil
A-PLAY [ENTRE ARTISTAS] III, curadoria de Christus Nóbrega, ECCO – Espaço Cultural Contemporâneo, Brasília, Brasil
Carneiro, curadoria de Bitu Cassundé, Museu de Arte Contemporânea do Ceará – Centro Dragão do Mar de Arte e Cultura, Fortaleza, Brasil
A Realidade do Sonho, Centro Cultural Banco do Nordeste, Fortaleza, Brasil
Casa Triângulo no Pivô, Pivô, São Paulo, Brasil

2013
Amor e Ódio à Lygia Clark, curadoria de Magda Kardasz, Zacheta National Gallery of Art, Varsóvia, Polônia
XVII Unifor Plástica, curadoria de Marcelo Campos e Paulo Herkenhoff, Espaço Cultural Unifor, Fortaleza, Brasil
P33: Formas únicas da continuidade no espaço, 33ª edição do Panorama de Arte Brasileira, curadoria de Lisette Lagnado, Museu de Arte Moderna de São Paulo (MAM), São Paulo, Brasil
I Bienal Internacional de Fotografia do MASP, curadoria de Ricardo Resende, Museu de Arte de São Paulo (MASP), São Paulo, Brasil
Entrecruzamentos, curadoria de Vanda Klabin, Galeria Athena Contemporânea, Rio de Janeiro, Brasil
Mostra Nordeste de Artes Visuais, curadoria de José Rufino, Museu Murillo La Greca, Recife, Brasil
Arquipélago, curadoria de Carlos Sena Passos, Centro Cultural UFG, Goiás, Brasil
Metrô de Superfície – Mostra II, Centro Cultural São Paulo [CCSP], São Paulo, Brasil
Caminhando, Centro Cultural Banco do Nordeste, Fortaleza, Brasil
O corpo é o meio, SP-Arte: Laboratório Curatorial, curadoria de Mariana Lorenzi Azevedo, Pavilhão da Bienal, São Paulo, Brasil
O Abrigo e o Terreno, Museu de Arte do Rio [MAR], curadoria de Paulo Herkenhoff e Clarissa Diniz, Rio de Janeiro, Brasil

2012
Dos Percursos e das Poesias, curadoria de Bitu Cassundé, MAC-CE, Fortaleza, Brasil
Through the Surface of the Pages..., curadoria de Júlio Martins, ARTS DRCLAS - David Rockefeller Center of Latin American Studies Harvard University, Cambridge, EUA
O Efeito da Frase, curadoria de Ana Maria Maia, Museu Murillo La Greca, Recife, Brasil
O Triunfo do Contemporâneo: 20 anos do Museu de Arte Contemporânea do Rio Grande do Sul, curadoria de Gaudêncio Fidelis, Santander Cultural, Porto Alegre, Brasil

2011
Gigantes por la propia Naturaleza, Instituto Valenciano de Arte Moderna, Valencia, Espanha
Festival Performance Arte Brasil, Museu de Arte Moderna, Rio de Janeiro, Brasil
A 4 Graus do Equador, Atelier 397, São Paulo, Brasil
Marcantonio Vilaça, CCUFG, Goiânia, Brasil

2010
Salão de Abril 1980 - 2009 - De casa para o mundo, Do Mundo para Casa, Museu de Arte Contemporânea,
Fortaleza, Brasil
Performance: corpo, política e tecnologia – Universidade de Brasília – UnB, Brasília/DF, Brasil
O que exatamente vocês fazem, quando fazem ou esperam fazer curadoria?, Centro Cultural Banco do Nordeste,
Fortaleza, Brasil
Coletiva, Casa Triângulo, São Paulo, Brasil
Prêmio CNI-SESI Marcantonio Vilaça, Museu de Arte Contemporânea, São Paulo, Brasil
Prêmio CNI-SESI Marcantonio Vilaça, Museu Histórico Nacional, Rio de Janeiro, Brasil
Prêmio CNI-SESI Marcantonio Vilaça, Museu de Arte de Santa Catarina, Florianópolis, Brasil
Prêmio CNI-SESI Marcantonio Vilaça, Museu de Arte Moderna, Salvador, Brasil
Prêmio CNI-SESI Marcantonio Vilaça, Galeria de Arte Juvenal Antunes, Rio Branco, Brasil
Arte In Loco, Museu da Maré, Rio de Janeiro, Brasil
Edições, Casa Triângulo, São Paulo, Brasil

2009
Fogo-fátuo, Museu de Arte da Universidade Federal do Ceará, Fortaleza, Brasil
Arte In Loco, Fundación Centro de Estudos Brasileiros, Buenos Aires, Argentina
In Corporeo, Museu de Arte da Universidade Federal do Ceará, Fortaleza, Brasil
Rastilho, Centro Cultural Banco do Nordeste do Brasil, Fortaleza, Brasil
Nano Stockholm, Artist Space, Studio 44, Stockholm, Suécia
Cartas/Trajetos, Usina Cultural Energisa, João Pessoa, Brasil
Comissão de Frente, Centro de Formação em Artes Visuais, Recife, Brasil

2008
Preparatória, Museu de Arte da Pampulha, Belo Horizonte, Brasil
7º Festival de Performance de Cali, Cali, Colombia
Salão Victor Meireles, Florianópolis, Brasil
Verbo 08, Galeria Vermelho, São Paulo, Brasil
Casa - Lugar em trânsito, Casa das Onze Janelas, Belém, Brasil
Laços do Olhar, Instituto Tomie Ohtake, São Paulo, Brasil
Salão de Arte do Pará, Belém, Brasil
Fora do Eixo, Brasília, Brasil
Ação Multiplicadora, SESC, Ribeirão Preto, Brasil

2007
Narrativas, Casa da Cultura, Riberão Preto, Brasil
Quase Nordeste, Galeria Oeste, São Paulo, Brasil
Olhar Aguçado, Alpendre, Fortaleza, Brasil
Eu/Desejo, Quarto, Rio de Janeiro, Brasil
Ação Multiplicadora, Museu Universitário de Arte, Universidade Federal de Uberlândia, Uberlândia, Brasil
Confrontações Poéticas, Centro Cultural Banco do Nordeste do Brasil, Fortaleza, Brasil

2006
Fake, Galeria 90, Rio de Janeiro, Brasil
SPA – Semana Pernambucana de Artes Visuais, Recife, Brasil
Paradoxos Brasil Rumos Artes Visuais, Itaú Cultural, São Paulo, Brasil
Paradoxos Brasil Rumos Artes Visuais, Paço Imperial, Rio de Janeiro, Brasil
Paradoxos Brasil Rumos Artes Visuais, Museu de Arte de Santa Catarina – MASC, Florianópolis, Brasil
Paradoxos Brasil Rumos Artes Visuais, Museu de Arte Contemporânea – MAC, Goiânia, Brasil
Paradoxos Brasil Rumos Artes Visuais, Itaú Cultural, São Paulo, Rio de Janeiro, Goiânia, Santa Catarina, Brasil
Artista Invasor, Museu de Arte Contemporânea, Fortaleza, Brasil

2005
Nano Exposição, ArtBo, Bogotá, Colombia
Espacios en Transito, Centro Cultural de Belas Artes, Lima, Peru
Nano Exposição, Galeria Murilo Castro, Belo Horizonte, Brasil
Nano Intervenção, Curitiba, Brasil
5° Salão Nacional de Arte de Goiás, Goiânia, Brasil
Mostra de Vídeo, A última quarta, Brasília-DF, Brasil

2004
Para ver de(s) perto, Galeria da FAV/UFG, Goiânia, Brasil
4° Salão Nacional de Arte de Goiás, Goiânia, Brasil
Contemporâneos, Galeria Mauro Soh, Imperatriz, Brasil
Adesgraçadalebre, Alpendre, Fortaleza, Brasil
55° Salão de Abril, Fortaleza, Brasil

2003
Experimental II, Museu de Arte Contemporânea, Fortaleza, Brasil
VI Salão Sobral, Casa de Cultura de Sobral, Sobral, Brasil
10 x 10, Galeria Aldemir Martins, Faculdade Integrada da Grande Fortaleza, Fortaleza, Brasil
54° Salão de Abril, Fortaleza, Brasil

prêmios

2009 Prêmio CNI SESI Marcantonio Vilaça, Brasil
2004 Prémio 55º Salão de Abril, Fortaleza, Brasil
2003 Menção Honrosa no VI Salão Sobral, Casa de Cultura de Sobral, Sobral, Brasil

Yuri Firmeza
nasceu em, São Paulo, Brasil,1982 vive e trabalha em São Paulo e Fortaleza, Brasil educação 2008 Mestre em Poéticas Visuais, Escola de Comunicação e Artes, Universidade de São Paulo/ECA-USP, São Paulo, Brasil 2005 Graduação em Artes Visuais, Faculdade Integrada da Grande Fortaleza, Ceará, Brasil exposições individuais 2014 Projeto Ruínas, Casa Triângulo, São Paulo, Brasil 2013 Turvações Estratigráficas, Museu de Arte do Rio [MAR], Rio de Janeiro, Brasil Voragem, Demolden Video Project, Santander, Espanha 2011 Este Lado Para Cima, Casa Triângulo, São Paulo, Brasil Vida da minha vida, Centro Cultural Banco do Nordeste, Fortaleza, Brasil exposições coletivas 2015 31ª Bienal de São Paulo - Obras selecionadas, FAAP São José dos Campos, São José dos Campos; Sesc Campinas, Bonfim, Campinas; Museu de Arte Moderna Murilo Mendes, Juiz de Fora, Palácio das Artes, Centro de Arte Contemporânea e Fotografia, Belo Horizonte, Minas Gerais; Museu de Arte Brasileira - FAAP Ribeirão Preto, Ribeirão Preto; Sesc Rio Preto, São José do Rio Preto, Brasil; Museu de Arte Contemporânea de Serralves, Porto, Portugal Popoidrome - Frestas | Trienal de Artes, Sesc Sorocaba, Sorocaba, Brasil Crossings and passages: the unequal accumulation of time - The Poetry In Between: South-South/ 2015, Goodman Gallery, Cape Town, África do Sul 2014 Manifesto – Poder, Desejo, Intervenção, curadoria de Márcio Tavares, Museu de Arte do Rio Grande do Sul Ado Malagoli, Porto Alegre, Brasil Como falar de coisas que não existem, 31ª Bienal de São Paulo, Pavilhão da Bienal, São Paulo, Brasil Das viagens, dos desejos, dos caminhos, curadoria de Bitu Cassundé, Museu Vale, Vila Velha, Espírito Santo, Brasil Diálogos, Athena Contemporânea, Rio de Janeiro, Brasil Pela superfície das páginas..., curadoria de Júlio Martins, Espaço Cultural Marcantonio Vilaça, Brasília, Brasil A-PLAY [ENTRE ARTISTAS] III, curadoria de Christus Nóbrega, ECCO – Espaço Cultural Contemporâneo, Brasília, Brasil Carneiro, curadoria de Bitu Cassundé, Museu de Arte Contemporânea do Ceará – Centro Dragão do Mar de Arte e Cultura, Fortaleza, Brasil A Realidade do Sonho, Centro Cultural Banco do Nordeste, Fortaleza, Brasil Casa Triângulo no Pivô, Pivô, São Paulo, Brasil 2013 Amor e Ódio à Lygia Clark, curadoria de Magda Kardasz, Zacheta National Gallery of Art, Varsóvia, Polônia XVII Unifor Plástica, curadoria de Marcelo Campos e Paulo Herkenhoff, Espaço Cultural Unifor, Fortaleza, Brasil P33: Formas únicas da continuidade no espaço, 33ª edição do Panorama de Arte Brasileira, curadoria de Lisette Lagnado, Museu de Arte Moderna de São Paulo (MAM), São Paulo, Brasil I Bienal Internacional de Fotografia do MASP, curadoria de Ricardo Resende, Museu de Arte de São Paulo (MASP), São Paulo, Brasil Entrecruzamentos, curadoria de Vanda Klabin, Galeria Athena Contemporânea, Rio de Janeiro, Brasil Mostra Nordeste de Artes Visuais, curadoria de José Rufino, Museu Murillo La Greca, Recife, Brasil Arquipélago, curadoria de Carlos Sena Passos, Centro Cultural UFG, Goiás, Brasil Metrô de Superfície – Mostra II, Centro Cultural São Paulo [CCSP], São Paulo, Brasil Caminhando, Centro Cultural Banco do Nordeste, Fortaleza, Brasil O corpo é o meio, SP-Arte: Laboratório Curatorial, curadoria de Mariana Lorenzi Azevedo, Pavilhão da Bienal, São Paulo, Brasil O Abrigo e o Terreno, Museu de Arte do Rio [MAR], curadoria de Paulo Herkenhoff e Clarissa Diniz, Rio de Janeiro, Brasil 2012 Dos Percursos e das Poesias, curadoria de Bitu Cassundé, MAC-CE, Fortaleza, Brasil Through the Surface of the Pages..., curadoria de Júlio Martins, ARTS DRCLAS - David Rockefeller Center of Latin American Studies Harvard University, Cambridge, EUA O Efeito da Frase, curadoria de Ana Maria Maia, Museu Murillo La Greca, Recife, Brasil O Triunfo do Contemporâneo: 20 anos do Museu de Arte Contemporânea do Rio Grande do Sul, curadoria de Gaudêncio Fidelis, Santander Cultural, Porto Alegre, Brasil 2011 Gigantes por la propia Naturaleza, Instituto Valenciano de Arte Moderna, Valencia, Espanha Festival Performance Arte Brasil, Museu de Arte Moderna, Rio de Janeiro, Brasil A 4 Graus do Equador, Atelier 397, São Paulo, Brasil Marcantonio Vilaça, CCUFG, Goiânia, Brasil 2010 Salão de Abril 1980 - 2009 - De casa para o mundo, Do Mundo para Casa, Museu de Arte Contemporânea, Fortaleza, Brasil Performance: corpo, política e tecnologia – Universidade de Brasília – UnB, Brasília/DF, Brasil O que exatamente vocês fazem, quando fazem ou esperam fazer curadoria?, Centro Cultural Banco do Nordeste, Fortaleza, Brasil Coletiva, Casa Triângulo, São Paulo, Brasil Prêmio CNI-SESI Marcantonio Vilaça, Museu de Arte Contemporânea, São Paulo, Brasil Prêmio CNI-SESI Marcantonio Vilaça, Museu Histórico Nacional, Rio de Janeiro, Brasil Prêmio CNI-SESI Marcantonio Vilaça, Museu de Arte de Santa Catarina, Florianópolis, Brasil Prêmio CNI-SESI Marcantonio Vilaça, Museu de Arte Moderna, Salvador, Brasil Prêmio CNI-SESI Marcantonio Vilaça, Galeria de Arte Juvenal Antunes, Rio Branco, Brasil Arte In Loco, Museu da Maré, Rio de Janeiro, Brasil Edições, Casa Triângulo, São Paulo, Brasil 2009 Fogo-fátuo, Museu de Arte da Universidade Federal do Ceará, Fortaleza, Brasil Arte In Loco, Fundación Centro de Estudos Brasileiros, Buenos Aires, Argentina In Corporeo, Museu de Arte da Universidade Federal do Ceará, Fortaleza, Brasil Rastilho, Centro Cultural Banco do Nordeste do Brasil, Fortaleza, Brasil Nano Stockholm, Artist Space, Studio 44, Stockholm, Suécia Cartas/Trajetos, Usina Cultural Energisa, João Pessoa, Brasil Comissão de Frente, Centro de Formação em Artes Visuais, Recife, Brasil 2008 Preparatória, Museu de Arte da Pampulha, Belo Horizonte, Brasil 7º Festival de Performance de Cali, Cali, Colombia Salão Victor Meireles, Florianópolis, Brasil Verbo 08, Galeria Vermelho, São Paulo, Brasil Casa - Lugar em trânsito, Casa das Onze Janelas, Belém, Brasil Laços do Olhar, Instituto Tomie Ohtake, São Paulo, Brasil Salão de Arte do Pará, Belém, Brasil Fora do Eixo, Brasília, Brasil Ação Multiplicadora, SESC, Ribeirão Preto, Brasil 2007 Narrativas, Casa da Cultura, Riberão Preto, Brasil Quase Nordeste, Galeria Oeste, São Paulo, Brasil Olhar Aguçado, Alpendre, Fortaleza, Brasil Eu/Desejo, Quarto, Rio de Janeiro, Brasil Ação Multiplicadora, Museu Universitário de Arte, Universidade Federal de Uberlândia, Uberlândia, Brasil Confrontações Poéticas, Centro Cultural Banco do Nordeste do Brasil, Fortaleza, Brasil 2006 Fake, Galeria 90, Rio de Janeiro, Brasil SPA – Semana Pernambucana de Artes Visuais, Recife, Brasil Paradoxos Brasil Rumos Artes Visuais, Itaú Cultural, São Paulo, Brasil Paradoxos Brasil Rumos Artes Visuais, Paço Imperial, Rio de Janeiro, Brasil Paradoxos Brasil Rumos Artes Visuais, Museu de Arte de Santa Catarina – MASC, Florianópolis, Brasil Paradoxos Brasil Rumos Artes Visuais, Museu de Arte Contemporânea – MAC, Goiânia, Brasil Paradoxos Brasil Rumos Artes Visuais, Itaú Cultural, São Paulo, Rio de Janeiro, Goiânia, Santa Catarina, Brasil Artista Invasor, Museu de Arte Contemporânea, Fortaleza, Brasil 2005 Nano Exposição, ArtBo, Bogotá, Colombia Espacios en Transito, Centro Cultural de Belas Artes, Lima, Peru Nano Exposição, Galeria Murilo Castro, Belo Horizonte, Brasil Nano Intervenção, Curitiba, Brasil 5° Salão Nacional de Arte de Goiás, Goiânia, Brasil Mostra de Vídeo, A última quarta, Brasília-DF, Brasil 2004 Para ver de(s) perto, Galeria da FAV/UFG, Goiânia, Brasil 4° Salão Nacional de Arte de Goiás, Goiânia, Brasil Contemporâneos, Galeria Mauro Soh, Imperatriz, Brasil Adesgraçadalebre, Alpendre, Fortaleza, Brasil 55° Salão de Abril, Fortaleza, Brasil 2003 Experimental II, Museu de Arte Contemporânea, Fortaleza, Brasil VI Salão Sobral, Casa de Cultura de Sobral, Sobral, Brasil 10 x 10, Galeria Aldemir Martins, Faculdade Integrada da Grande Fortaleza, Fortaleza, Brasil 54° Salão de Abril, Fortaleza, Brasil prêmios 2009 Prêmio CNI SESI Marcantonio Vilaça, Brasil 2004 Prémio 55º Salão de Abril, Fortaleza, Brasil 2003 Menção Honrosa no VI Salão Sobral, Casa de Cultura de Sobral, Sobral, Brasil

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