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blinkvideo - research of video art, performance and multimedia installations.

For artists we provide a platform for extensive presentation of media works, gallerists get a direct contact to international professional audiences, collectors find a worldwide overview of contemporary trends in moving image, curators can do research via keywords and compilations, teachers use presentation opportunities for students and all professionals get password protected, extensive information about video works worldwide.

B3 – ON DESIRE

With the key topic ON DESIRE, B3 will in fall 2017 reflect on the latest trends relating to the moving image in art and media from a political, technological and aesthetic perspective.  Desire as yearning, wish, lust or hope and its translation into moving images will be explored in an artistic, social, political, sociopolitical and historical perspective and critically examined. . . .

VIDEONALE.16 Festival for Video and Time-Based Arts 2017

The 16th Videonale - Festival for Video and Time-Based Arts, this year took place under the title PERFORM! The exhibitions at the Kunstmuseum Bonn featured recent works by a total of 43 international artists

KINO DER KUNST 2017

a worldwide unique combination of film festival and art exhibition, held its third edition in April 2017. Movie theatres and museums all over Munich presented an International Competition as well as special focuses, artists talks, smposions and multi-channel installations.

Featured videos

Anita Beckers selection of videos for Independent Collector

In an exclusive interview with IC she talks about the technological progress that keeps reinventing the genre and her different roles she faces as a collector, gallerist and curator.

Artemovendo – in collaboration with Goethe Institut Porto Alegre

The video works shown in Artemovendo present a morphology of ambiguous entities, creatures or technical devices. Natural environments are contrasted with artificial, fully computer-designed worlds. Sometimes it is difficult to distinguish whether we have been invited to take a look at the outside world or into a laboratory; even dimensions appear to be chosen arbitrarily. Or do we happen to be entering a microscopically small universe that has been magnified many times over?

"Ajonjolí y otros moles"
Chance, Observation and a Poetics of the Personal

A series of pieces which deal with chance and observation of the every day; that which in our perception is hidden unless we slow down and take a closer look.

Stiftung imai – inter media art institute

The Düsseldorf based foundation imai – inter media art institute was founded in 2006 in order to establish an institution in Germany dedicated to the distribution and preservation of media art and associated activities.

Our Partners

blinkvideo mediaart
blinkvideo is a website for the research of video art. Founders: Julia Sökeland, Anita Beckers. blinkvideo ist eine Plattform zur Recherche nach Videokunst

Larissa Sansour

Works


Biography

Education

2000 MA in Fine Art, New York University, New York, USA.
1999 Visiting student, The Royal Art Academy, Copenhagen, Denmark.
1998 Art History and Criticism. University of Baltimore, Maryland County, USA.
1995 BFA. Maryland Institute College of Art, Baltimore, Maryland, USA.
1992 Concentration in Figurative Art, Byam Shaw, London, UK.

Solo exhibitions

2017
In the Future They Ate From the Finest Porcelain, The Bluecoat, Liverpool, UK. (upcoming)
In the Future They Ate From the Finest Porcelain, Montoro 12, Rome, Italy.

2016
In the Future They Ate From the Finest Porcelain, Nikolaj Kunsthal, Copenhagen, Denmark.
In the Future They Ate From the Finest Porcelain, New Art Exchange, Nottingham, UK.
In the Future They Ate From the Finest Porcelain, Lawrie Shabibi, Dubai, UAE.
In the Future They Ate From the Finest Porcelain, Sabrina Amrani Gallery, Madrid, Spain.
In the Future They Ate From the Finest Porcelain, Mosaic Rooms, London, UK.
In the Future They Ate From the Finest Porcelain, Wolverhampton Art Gallery, UK.

2015
Nation Estate, Montoro 12, Rome, Italy.
Nation Estate, Al Ma’mal, Jerusalem, Palestine.

2014
Nation Estate, Wolverhampton Art Gallery, Wolverhampton, UK.
Larissa Sansour, Gallery Dock, Bratislava, Slovakia.

2013
A Moon Without a People, Sabrina Amrani Gallery, Madrid, Spain.
Science Faction, Lawrie Shabibi, Dubai, UAE.
Nation Estate, Turku Art Museum, Turku, Finland.

2012
Nation Estate, Galerie Anne de Villepoix, Paris, France.
Living the High Life, Centre of Photography, Copenhagen, Denmark.

2011
Falafel Road, Depo, Istanbul, Turkey.

Group exhibitions

2017
Waste Lands, Museo San Telmo, Spain.
Identity, Avesta Art, Sweden.

2016
Social Calligraphies: East – West, Zacheta National Gallery of Art, Warsaw, Poland.
For an Image, Faster Than Light, Yinchuan Biennial, Yinchuan, China.
XX Bienal Internacional de Artes Visuales de Santa Cruz de la Sierra, Bolivia.
The Sea Is Mine, Qalandiya International, Palestine.
Technologies of Violence, Arts Santa Monica, Barcelona, Spain.
Ideologue, UMOCA, Salt Lake City, Utah, USA.
The Future of Visions – Don’t Expect Anything, Kunsthalle Osnabrück, Germany.
Waste Lands, Es Baluard, Palma, Spain.
Dans la Lune, le Bel Ordinaire, Billére, France.
Cut with the Kitchen Knife through the Raw Future of 100 Years Before, Spatiu Intact, Cluj, Transylvania, Romania.
Ingrediens -er, Varbergs Konsthall, Varberg, Sweden.
La Palestine a l’IMA, Institut du Monde Arabe, Paris, France.
Imagine Science, Abu Dhabi, UAE.

2015
Home Ground, Aga Khan Museum, Toronto, Canada.
Feminis Arte III, Centro Centro, Madrid, Spain.
Phase Space, Kings ARI, Melbourne, Australia.
Videorama, Werkleitz, Halle, Germany.
Space Between Our Fingers, Ashkal Alwan, Beirut, Lebanon.
Culture of Peace, Lajevardi Collection, Tehran, Iran.
La terre nous est étroite, Le 19, Montbéliard, France.

2014
Science Fiction: New Death, FACT, Liverpool, UK.
5th Orient Art Express, Oujda, Morocco.
The Moving Museum, Istanbul, Turkey.
The Public Domain, Delfina Foundation, London, UK.
Displacement, City of Women, Ljubljana, Slovenia.
Simple Past, Present Futures, 104, Paris, France.
The Sensory War: 1914-2014, Manchester Art Gallery, Manchester, UK.
How Green Was My Valley, White Box, NYC, USA.
TIME::CODE, White Box, NYC, USA.

2013
Le Noir et le Bleu; MuCEM, Marseille, France.
The Shadows Took Shape, Studio Museum in Harlem, NYC, USA.
Beyond the Cloth, White Box, NYC, USA.
Palestine, Contemporary Arts Centre of South Australia, Adelaide, Australia.
I exist (in some way), The Bluecoat, Liverpool, UK.

2012
Come Together, Edge of Arabia, Old Truman Brewery, London, UK.
Alienation, Maraya Arts Centre, Sharjah, UAE.
I’m Not There, CIC/Townhouse, Cairo, Egypt.
Beyond the Last Sky, Australian Centre for Photography, Sydney, Australia
Cultural Olympiad, London, UK.
Subversion, Cornerhouse, Manchester, UK.

2011
LIVING, Louisiana Museum of Contemporary Art, Denmark.
Incheon Women Artists’ Biennial, South Korea.
A Window to the World, Hiroshima MOCA, Hiroshima, Japan.
What Is Contemporary Art?, Museum of Contemporary Art, Roskilde, Denmark.

2010
The Liverpool Biennial, Liverpool, UK.

Filmography

In the Future They Ate From the Finest Porcelain, 29’, 2016
Nation Estate, 9’ 02’’, 2012
Feast of the Inhabitants, 15’, 2012
Trespass the Salt, 10’, with Youmna Chlala, 2011
Falafel Road, 60’, with Oreet Ashery, 2011
A Space Exodus, 5’ 24’’, 2009
SBARA, 8’ 30’’, short film, 2008
Soup Over Bethlehem, 9’ 30’’, 2007
Happy Days, 2’ 30’’, 2006
Bethlehem Bandolero, 5’ 12’’, 2005

Larissa Sansour
Education 2000 MA in Fine Art, New York University, New York, USA. 1999 Visiting student, The Royal Art Academy, Copenhagen, Denmark. 1998 Art History and Criticism. University of Baltimore, Maryland County, USA. 1995 BFA. Maryland Institute College of Art, Baltimore, Maryland, USA. 1992 Concentration in Figurative Art, Byam Shaw, London, UK. Solo exhibitions 2017 In the Future They Ate From the Finest Porcelain, The Bluecoat, Liverpool, UK. (upcoming) In the Future They Ate From the Finest Porcelain, Montoro 12, Rome, Italy. 2016 In the Future They Ate From the Finest Porcelain, Nikolaj Kunsthal, Copenhagen, Denmark. In the Future They Ate From the Finest Porcelain, New Art Exchange, Nottingham, UK. In the Future They Ate From the Finest Porcelain, Lawrie Shabibi, Dubai, UAE. In the Future They Ate From the Finest Porcelain, Sabrina Amrani Gallery, Madrid, Spain. In the Future They Ate From the Finest Porcelain, Mosaic Rooms, London, UK. In the Future They Ate From the Finest Porcelain, Wolverhampton Art Gallery, UK. 2015 Nation Estate, Montoro 12, Rome, Italy. Nation Estate, Al Ma’mal, Jerusalem, Palestine. 2014 Nation Estate, Wolverhampton Art Gallery, Wolverhampton, UK. Larissa Sansour, Gallery Dock, Bratislava, Slovakia. 2013 A Moon Without a People, Sabrina Amrani Gallery, Madrid, Spain. Science Faction, Lawrie Shabibi, Dubai, UAE. Nation Estate, Turku Art Museum, Turku, Finland. 2012 Nation Estate, Galerie Anne de Villepoix, Paris, France. Living the High Life, Centre of Photography, Copenhagen, Denmark. 2011 Falafel Road, Depo, Istanbul, Turkey. Group exhibitions 2017 Waste Lands, Museo San Telmo, Spain. Identity, Avesta Art, Sweden. 2016 Social Calligraphies: East – West, Zacheta National Gallery of Art, Warsaw, Poland. For an Image, Faster Than Light, Yinchuan Biennial, Yinchuan, China. XX Bienal Internacional de Artes Visuales de Santa Cruz de la Sierra, Bolivia. The Sea Is Mine, Qalandiya International, Palestine. Technologies of Violence, Arts Santa Monica, Barcelona, Spain. Ideologue, UMOCA, Salt Lake City, Utah, USA. The Future of Visions – Don’t Expect Anything, Kunsthalle Osnabrück, Germany. Waste Lands, Es Baluard, Palma, Spain. Dans la Lune, le Bel Ordinaire, Billére, France. Cut with the Kitchen Knife through the Raw Future of 100 Years Before, Spatiu Intact, Cluj, Transylvania, Romania. Ingrediens -er, Varbergs Konsthall, Varberg, Sweden. La Palestine a l’IMA, Institut du Monde Arabe, Paris, France. Imagine Science, Abu Dhabi, UAE. 2015 Home Ground, Aga Khan Museum, Toronto, Canada. Feminis Arte III, Centro Centro, Madrid, Spain. Phase Space, Kings ARI, Melbourne, Australia. Videorama, Werkleitz, Halle, Germany. Space Between Our Fingers, Ashkal Alwan, Beirut, Lebanon. Culture of Peace, Lajevardi Collection, Tehran, Iran. La terre nous est étroite, Le 19, Montbéliard, France. 2014 Science Fiction: New Death, FACT, Liverpool, UK. 5th Orient Art Express, Oujda, Morocco. The Moving Museum, Istanbul, Turkey. The Public Domain, Delfina Foundation, London, UK. Displacement, City of Women, Ljubljana, Slovenia. Simple Past, Present Futures, 104, Paris, France. The Sensory War: 1914-2014, Manchester Art Gallery, Manchester, UK. How Green Was My Valley, White Box, NYC, USA. TIME::CODE, White Box, NYC, USA. 2013 Le Noir et le Bleu; MuCEM, Marseille, France. The Shadows Took Shape, Studio Museum in Harlem, NYC, USA. Beyond the Cloth, White Box, NYC, USA. Palestine, Contemporary Arts Centre of South Australia, Adelaide, Australia. I exist (in some way), The Bluecoat, Liverpool, UK. 2012 Come Together, Edge of Arabia, Old Truman Brewery, London, UK. Alienation, Maraya Arts Centre, Sharjah, UAE. I’m Not There, CIC/Townhouse, Cairo, Egypt. Beyond the Last Sky, Australian Centre for Photography, Sydney, Australia Cultural Olympiad, London, UK. Subversion, Cornerhouse, Manchester, UK. 2011 LIVING, Louisiana Museum of Contemporary Art, Denmark. Incheon Women Artists’ Biennial, South Korea. A Window to the World, Hiroshima MOCA, Hiroshima, Japan. What Is Contemporary Art?, Museum of Contemporary Art, Roskilde, Denmark. 2010 The Liverpool Biennial, Liverpool, UK. Filmography In the Future They Ate From the Finest Porcelain, 29’, 2016 Nation Estate, 9’ 02’’, 2012 Feast of the Inhabitants, 15’, 2012 Trespass the Salt, 10’, with Youmna Chlala, 2011 Falafel Road, 60’, with Oreet Ashery, 2011 A Space Exodus, 5’ 24’’, 2009 SBARA, 8’ 30’’, short film, 2008 Soup Over Bethlehem, 9’ 30’’, 2007 Happy Days, 2’ 30’’, 2006 Bethlehem Bandolero, 5’ 12’’, 2005

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