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blinkvideo - research of video art, performance and multimedia installations.

blinkvideo - research of video art, performance and multimedia installations.


blinkvideo the platform for . . .

artists we provide a platform for extensive presentation of media works, gallerists get a direct contact to international professional audiences, collectors find a worldwide overview of contemporary trends in moving image, curators can do research via keywords and compilations, teachers use presentation opportunities for students and all professionals get password protected, extensive information about video works worldwide.

Moving Images / Moving Bodies
Online screening programme in cooperation
with the Goethe-Institut Bulgaria

Curated by Ludwig Seyfarth

Research into the human body and interpersonal relationships remain central themes in video and moving image art. Artists from Bulgaria and Germany, whose work is related in content, will be shown in pairs over the next weeks. The exhibition planned for November 2020 in Sofia has been postponed until 2021. Instead, a consecutive presentation of selected films by artists from Moving Bodies/Moving Images is presented on blinkvideo.
image: © Elitsa Dimitrova

Shooting Ghosts
Online screening programme in cooperation
with the Goethe-Institut Bulgaria

Curators: Kalin Serapionov, Krassimir Terziev

What we propose in this programme is a highly subjective and fragmented view on current practices in moving image in the Bulgarian art scene. We focused on practices that show affinity with speculative narratives - narratives that not just record what is in front of the cinematic eye, but also capture all the ghosts that are unreachable by the apparatus, thus projecting speculative views that intend not merely to describe, but to transform the world.
image: © Veneta Androva

UNSTILLED LIFE: Artist Animations 1980-2020
Curated by Emma Cousin and Paul Carey-Kent

Why this show, here and now? British artist-curator Emma Cousin and writer-curator Paul Carey-Kent recently pulled together a choice of artist animations, thinking that the increasingly vibrant medium is especially suited to the online emphasis of the locked down art world of 2020. Three of them turned out to be represented by Ron Mandos, making the Amsterdam gallery ideal hosts. The cast is international, and to reflect that Tintype gallery in London and Hamburg’s blinkvideo have joined in with variations on the programme. 
Markus Vater Worlds don’t come easy, 2020

Expanding Bauhaus.
New Reflections on the Bauhaus Movement in Time-Based Media Art / Goethe Institute Netherlands

A screening series selected by Elke Kania (Cologne), Julia Sökeland (Hamburg) and Ludwig Seyfarth (Berlin)

With its combination of various arts such as painting, photography film, architecture, fashion, product and interior design and textile art, the Bauhaus is still considered the epitome of a technologically advanced modernity. Last but not least, the attempt to create the whole society aesthetically, inspired many artists worldwide.
Image: © Adnan Softic

Featured videos

Alexandra Meijer-Werner
Kreislauf / cycle … revolution … circulation, 1997

Kreislauf is an oneiric trip about the continuous cycle of human rebirth. Our dreams create the fabric in which the threads or individual tendencies appear and disappear, only to become visible once again. The dynamic of this video is a weave of repetitions and juxtapositions of the experiences that create the dance of life. Everything is cyclic, nothing disappears; everything is perpetually mutating in landscapes of anguish and joy, violence and calm, solitude and union. The traveler is the active force of his own fate when he realizes that what is most significant in life is the act of living itself.

Björn Braun
without title (excerpt), 2012

Sandra Boeschenstein
Besuchte Linie auf Granit, 2014

I encountered the roundworm in the Alps when I attempted to repair the water catchment of the cabin after a storm. I wished for this animal found at the spring to be a visited line, then searched for potential visitors and found, just nearby, a nest of firebugs in a dried chestnut leaf, which I placed just outside of the image field. The granite slab, roundworm, bugs’ nest and a fly lived their lives within a radius of 100 meters. My part in this was to bring them into direct proximity for the duration of an hour, to focus my camera and to breathe onto the upper part of the lens, in order to increase the atmospheric depth of the picture. Finally, to come to the allegation I’ve made via the title that something was a line that actually is an animal (when normally, in a contrary approach, characteristically formed lines represent animals or the like). The combination of the simplicity in the foundation / bedrock with a simultaneous insecurity in view of scale and nature of this white line, holds my fascination.

Isabella Fürnkäs
In Ekklesia, 2015

The title, ‘In Ekklesia,’ comes from the Greek word ‘ecclesia,’ which refers to the democratic parliament that served Athens in its halcyon days by being open to male citizens every other year. Solon, an Athenian legislator and a sage, allowed all citizens to serve the parliament regardless of their social class in BC 594. The Ecclesia made decisions about war, military strategies, and all judicial and administrative issues. This work satirizes various facets of humans and machines in the 21st century, unconsciously within a dystopian environment. Isabella Fürnkäs introduces a method of combining and overlaying countless images in her work, providing the new experience of sensations that act in ambiguous flows, movements, interference, and interjection. The piece is about the new metaphysical and material connections appearing through digital conversations that are divorced from the general notion of time and space, as well as isolation and alienation. Text by Hyun Jeung Kim (Nam June Paik Art Center Seoul)

Ryan Gander
Man on a bridge - (A study of David Lange) , 2008

A digital video transferred from 16 mm film shows a number of slightly differing takes of the same short sequence: A man walks over a bridge and seems to notice something over the railing to his left hand side. As he moves in for a closer inspection, the film cuts, which is then followed by another take of the same shot.

Wim Catrysse
MSR, 2014

On the Kuwait roads the journey goes in a western direction, past military bases and a line of oil transporters. Dreary sound sequences are pumped out by the radio. In the middle of rubbish heaps by the roadside a pack of wild dogs is trying to find shelter from the wind. Wim Catrysse presents the Kuwait desert both as a post-apocalyptic setting and as protagonist. During the journey, the car window is an obstacle, made even more so by the screen. The viewer, dumped in the desert, does not manage to reach it through the window. MSR, the Main Supply Route, is the main highway used to coordinate military operations in the Gulf War in 1990/91 and the War in Iraq in 2003. Filming is forbidden here, so the pack of wild dogs carries the story at first. But their behaviour keeps on bringing the desert into focus as the principal actor. Underlined by the sound track, its seeming hostility to life awakens the impression of a dystopian timelessness reminiscent of the apocalyptic scenarios in films and makes the viewer feel ill at ease. Catrysse examines conventions, both in a political-dogmatic and in a filmic sense.Nathalie Ladermann

Johanna Reich
CRAWLER, 2020

A crawler is a searchbot in the internet which Johanna Reich uses to collect special comments or phrases about the most discussed topics during the last years like A.I., climate change, digital revolution, gender and the turn of democratic systems. Johanna Reich selects several of the collected phrases composing a robot performance: self-driving projectors move across the exhibition space and project comments about a.i., gender or climate change onto the audience and architecture.

Annika Kahrs
solid surface, with hills, valleys, craters and other topographic...., 2014

solid surface,with hills,valleys,craters and other topographic features,primarily made of ice„solid surface, with hills, valleys, craters and other topographic features, primarily made of ice“ is set in a planetarium with a projected starry sky, in the center of which is situated a light spot, that explores the space. The Film deals with the moment, shortly before the actual visualization of pluto’s surface properties, whereas the entire cupola hall of the planetarium serves as a metaphorical projection surface of Pluto. The round light spot formally points to the shape of the celestial object and functions as placeholder for its soon arising image.

Ann Oren
The World Is Mine, 2017

In cosplay of the Japanese cyber diva Hatsune Miku, the artist moved to Tokyo, seeking an identity in the world of Miku fanatics, where she was drawn into a love affair with one of the fans. Miku is a Vocaloid, a vocal synthesizer software personified by a cute animated character. Her entire persona: lyrics, music and animation – is fan created, and that's her charm. She even performs sold out concerts as a hologram. By transforming herself into a Miku character through cosplay, Oren enters a world of real hardcore fans where fantasy is more real than reality and the differentiation between the two becomes obsolete. The film examines the performative nature of cosplaying – dressing up and playing the role of fictional characters – as a hybrid space where reality blurs into fetishistic fantasies and pop culture clichés. Combining fan-made lyrics and songs, Oren's trials and tribulations in the fictional Miku world unfolds through vague erotic episodes and encounters with characters whose ontological status remains mysterious, bringing to mind the adventures of a modern Alice in a virtual Wonderland.

Jonathan Monaghan
Den of Wolves, 2020

Den of Wolves is a seamlessly-looping video installation drawing on a range of references to weave a new multi-layered mythology. The work follows three bizarre wolves through a series of increasingly surreal retail stores as they search for the regalia of a monarch. Composed of one continuous camera shot, the work is an immersive, dreamlike journey drawing connections between popular culture, institutional authority and technological over-dependence.

Stefan Panhans
HOSTEL Sequel #1: Please Be Careful Out There, Lisa Marie – H.V.Installation Mix, 2018

At transmediale, Stefan Panhans and Andrea Winkler show their work HOSTEL Sequel #1: Please Be Careful Out There, Lisa Marie – Hybrid Version, a new project that combines film, installation, and staccato stage reading (on blinkvideo we are showing a trailer of the integrated film). With everyday racism, celebrity worship, stereotypes, and the dominating power of the economic all on the rise, precariously and flexibly traveling cultural workers of different origin deliver a sort of spoken word battle about their experiences and dreams. They constantly switch roles and, at the same time, form a choir that clashes with the rapped reports of everyday life. As in a collaborative gymnastic exercise—surrounded by scenery made up of set pieces from outfits of airports, hostels, and courier services, from self-optimization tools and game show displays—they fight for a voice and to be heard, building new alliances along the way. for more information: opening of transmediale

Mariola Brillowska
Children Of The Devil, 2011

Mariola Brillowska’s animation film relates the total collapse of the family system in the 21st century. Six cartoon episodes present an unsparing account of how children become murderers of their parents.

Julia Charlotte Richter
Point Blank, 2019

“Point Blank” refers to a film scene from "The Misfits" (1961) that is now re-enacted and further contextualized. In the original scene, the recently divorced main character Roslyn (Marilyn Monroe) rises up against three worn-out cowboys and, in the middle of the desert, confronts the men with all their lacks and lost dreams. In “Point Blank”, we see a young woman wandering around in surreal desert landscapes, a journey into the remoteness of the world and her own inner life. With every step out into the desert, the girl descends into her own depths searching for a place that seems to be suitable for her emotions and words. Unlike Roslyn, the young woman now refers to absent addressees: "Liars", "Murderers" and "Dead Men" she screams and turns around wildly. The words, which spread like bullets in the air, fall back on her. Except for a faint echo, there is no resonance at this place that depicts the obsessions of a distorted, patriarchal society and has become a dramatic backdrop of yearnings within the collective history of cinema. Where Roslyn was able to elicit a terrified astonishment from the three men, the character in Julia Charlotte Richter's video remains to herself and unheard, the desert as the only witness of her manifesto, her anger and her strength.

Ulrich Polster
Frost, 2003 / 2004

The night city. Industrial ruins filmed in contrejour. Memories from childhood. Different places and times combined at the mountain. It is a hollow portrait of Eastern Europe that carries the traces of its history.

Ene-Liis Semper
FF REW, 1998

Dimitri Venkov
The Hymns of Muscovy, 2018

The film is a trip to the planet Muscovy, which is an upside down space twin of the city of Moscow. As the title of the work suggests, the journey also takes us back in time. Gliding along the surface of the planet, we look down to the sky and see historic architectural styles fly by - the exuberant Socialist Classicism aka Stalinist Empire, the laconic and brutish Soviet Modernism, and the hodgepodge of contemporary knock-offs and revivals of the styles of the past. An essential companion to this journey through time and space are Hymnic Variations on the Soviet anthem by the composer Alexander Manotskov. The anthem was written in 1943 and has undergone three editions of lyrics yet musically remained unchanged to now serve as the official anthem of the Russian Federation. Manotskov used an early recording of the anthem as source material to create three electronic variations each corresponding to an architectural style. As if in a twist of Goethe’s phrase, architecture plays its frozen music. Look closely, can you hear it?

Share your thoughts with the blinkvideo community.

Would you like to share your videos online? Or would you like to focus attention on a video work? Or would you like to compile and show videos on a specific topic? You can do so with the new tool on blinkvideo.
Create a favorites list as follows:
When you're logged in, a little sign "add to favorite list" will appear below each video. With the click on it, you add the film to your favorites list. When you have collected all the works, open your favorites list and you can share the list with blinkvideo. We will then receive a message and put the compilation online.
We are very curious about your selection!

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blinkvideo is a website for the research of video art. Founders: Julia Sökeland, Anita Beckers. blinkvideo ist eine Plattform zur Recherche nach Videokunst

Ana Esteve Reig

Works


Galleries

for further information contact blinkvideo
Germany

Phone: +49 40 22748986
E-Mail: info@blinkvideo.de




Biography

born 1986 in Agres, Spain.
Spanish video artist. Works and lives in Spain.

Education

2014-2015 Contemporary dance, beginner-intermediate level, Karen Taft School, Madrid
2011-2012 Post secondary degree (master class), Prof. Bjørn Melhus.
2011 Degree in Fine Art, School of Art Kassel, focus on video art, class „Virtual Realities“ by Prof. Bjørn Melhus.
2009 Degree in Fine Arts at the University Complutense of Madrid.

Solo shows

2014
Paraísos Perdidos: 25th September to 14th October in the Centro de Arte Tomás y Valiente, Fuenlabrada, Madrid, Spain

Screenings and exhibitions

2015
Buscadores de Oro, 2d October to December, OTR Space, Madrid. Exhibiting: After Neverland
Open Studio, 1st to 4th de October, Estudio San Marcelo, Madrid
My dos is an artist and tonight is full moon terror, 29th of August, FLT*3 House, Berlin. Exhibitng: Lessons (how to fall down properly)
Bar Humo, 23 July, Trastero 109, Palma. Exhibitng: Encierro
Vidas Cruzadas, 20th to 23d May, Galería Paula Alonso, Madrid
Mujeres en acción: Feminario videoperformativo, Centro Cultural de España in Tegucigalpa (Honduras)
10th March-26th April/ Centro Cultural de Espana in La Paz (Bolivia)
20th March-20 April/ Centro Cultural de Espana in San Salvador (El Salvador)
May /Centro Cultural de Espana Santo Domingo (República Dominicana)
9th to 12th June. Exhibitng: Encierro
Eurovideo 2015, Videographies, 17th to 19th March in Liége, San Sebastián, Mons, Skopie, and Kaliningrad. Screening of Encierro.

2014
Why yes, why not? 27th November, in PIMA, Madrid. TV Show performance and presentation of the project Fantástica Tv
War/SHE, 10th October, Kharkiv, Ucrania. Screening of Olimpiadas
Genderfication, A window in Berlin, 5th to 18th October, Berlin, Germany Screening of Encierro
Artincampos 14, Frida en celo, 1st August, Palma de Mallorca, Spain. Screening of Encierro
XIV Edición de Premio Joven Artes Plasticas (XIV Edition Young Art Award). Opening June 12 in the Centro de Arte Complutense, Museo del Traje, Madrid, Spain. Exhibiting: Olimpiadas
Ende der Party/Fin de Fiesta: 7th ato 4th June, Tokonoma Apartment, Germany. Exhibitng: No Concept
Presente Indicativo: Miquel Casablancas Prize finalists 2014: May 30th to June 7th, Fabra i Coats-Fabrica de Creacio, Barcelona, Spain. Video installation After Neverland
Popup Kinofest: May 31st, PPC Gallery, Berlin, Germany. Screening of Olimpiadas
Otras historias. Proyección y mesa redonda: 19th of March, Filmoteca de La Rioja Rafael Azcona, Logroño,Spain. Curator: Susana Blas. Screening: Olimpiadas
Frame Fatale: 8th of March to 15th April, Galería Mr. Pink, Valencia, Spain. Exhibitng: Don´tbelieve in me

2013
Selección especial de Screens: 27th December to 31st January 2014, La Rambleta, Valencia, Spain. Exhibiting: Futuro Inmediato.
En ningún lugar. Una memoria alternativa de las Torres Hejduk : 6th December to March 2014, Torres Hejduk, Ciudad de la Cultura, Santiago de Compostela, Spain.
Exhibitng: Slide, video produced with Alejandro Ramirez Ariza.
EAC 2013, Encuentros de Arte Contemporáneo:2nd November to 22th December in the Sala Club at the Museum University of Alicante, Alicante, Spain.
Exhibitng :Bad Romance, Futuro Inmediato, Olimpiadas.
Room Art Fair III, Sensación de vivir, curated by Maria Collado, Project program new curators: 21th to 24th November, Hotel Constanza Metropol, Madrid, Spain. Exhibitng: Don´t believe in me y Olimpiadas.
Screens, Art´N´Video Valencia, Selección especial 2013: 31th Oktober, Galería Mr. Pink, Valencia, Spain. Screening: Futuro Inmediato.
Mañana, prácticas urgentes del arte actual: 27th June to 28th July, Centro Cultural Galileo, Madrid, Spain. Exhibiting: Paraísos Perdidos.
The Latino Video Art Festival of Nueva York: 16/17/18 May, Centro Rey Juan Carlos I de la Universidad de New York, EEUU. Exhibiting: Encierro.
Exposición Premio Club Levante: 28th April to 26th May, Galeria Club Levante, Valencia, Spain. Exhibiting: Futuro Inmediato.
Maratón de Video Mav, 19th March, La Casa Encendida, Madrid, Spain. Screening of Olimpiadas.
Feminis-Arte, 8th March to 8th April, CentroCentro Cibeles, Madrid, Spain. Exhibiting Encierro.

2012
Screens, Muestra itinerante de Videocreación: 15th November, Galeria Mr. Pink, Valencia, Spain. Screening of Duelo.
WorpswedeVideo:10th November to 29th December, Worpswede, Germany. Screening of Encierro and Futuro Inmediato.
(e)merge art fair Washington: 4th to 8th October, Capitol Skyline Hotel en Washington, DC, USA. Screening of Encierro.
Meisterschülerausstellung 2013: 19th to 22nd July, Giesshaus, Kassel, Germany. Exhibiting Don´t believe in me and Futuro Inmediato.
Incubarte, Festival Internacional de Arte Independiente: 21st to 24th June, Galería Mr. Pink, Valencia, Spain. Exhibiting Futuro Inmediato.
VIII Encuentro de Arte y Género: 9th March, Filmoteca de Andalucía, Córdoba, Spain. Exhibiting Encierro.
Windows III: 9th February to 31st March, Showroom Deutschen Künstlerbundes, Berlin, Germany: Exhibiting Blancanieves

2011
Parallele Wirklichkeiten: 29th November to 4th December, Kasseler Kunstverein, Kassel, Germany. Exhibitng Bad Romance.
Monitoring: 9th to 13th November, Kasseler Kunstverein, Kassel, Germany. Exhibiting Paraísos Perdidos.
Injuve 2011: 22nd September to 1st November, in the Antiguo Edificio de Tabacalera, Madrid, Spain. Exhibiting Encierro.
Examensausstellung 2011: 9th to 18th July, Documenta Halle, Kassel, Germany. Exhibiting Paraísos Perdidos.
Here we go: April, Galeria Loyal, Kassel, Germany. Exhibiting Bad Romance.
GoEast Festival: April, Wiesbaden, Germany. Screening of Encierro.
Live Amno: February to April, Museum Moca Taipei, Taiwan. Screening of La expectativa and Duelo.

2010
Kasseler Dokumentarfilm- und Videofest: November, Kassel, Germany. Screening of Encierro.
Anadoma Festival: January, Braunschweig, Germany. Screening of Haltung.

2009
Hausstellung: November, Vienna, Austria. Exhibiting La expectativa.
Kasseler Dokumentarfim- und Videofest: November, Kassel, Germany. Screening of Haltung.
Optica Festival: July to October, Bolivia, Argentina, Spain and France. Exhibiting Haltung.
Asyl:Mayo Genoa, Italy (cooperative project and exhibition between students from Kassel and Genoa)

2008
Cannizaro Park: May, London, England. Exhibiting Die Türen.

2007
Artefactos : May, Madrid, Spain. Exhibiting En busca de la identidad.

Awards and grants

- Selected to take part on Open Studio 2015 Madrid
- Selected for the Loop Discovery Award 2015
- Finalist in the 2014 Miquel Casablancas Prize in the category of artwork
- Chosen for Intransit
- Chosen for Café Dossier II
- Award of two months residency during the year 2014 in Espacio de Produccion, Arte y Desarrollo in Madrid, Spain
- Áccesit Award from Premio Joven de las Artes Visuales 2014 of the Universityt Complutense of Madrid for the video Olimpiadas
- Awarded in the competition Art Center Tomas y Valiente with a solo show in September 2014
- Selected to exhibit at the XIII Meetings Competition Contemporary Art in Alicante in November 2013
- "En ningún lugar", winning project to exhibit in the Torres Hedjuk in Santiago de Compostela, Spain
- Finalist for the production grant 2013 from the Open Studio with Santander Foundation
- Selected for viewing portfolios in OTR art space, 12 and 13 of July, 2013 in Madrid
- Second prize in the call of Arte y Genero 2012 ( Art and Gender) for the work Encierro
- Special award from Diario Levante, Festival Incubarte, for the work Futuro Inmediato
- Young Art Award Injuve 2011 in the category of Visual Art
- Finalist for the Award Heitland Foundation Preis
- First prize for the collective work Spaziergangst, annual exhibition 2009, School of Art Kassel

Works in collections

Encierro, Private Collection Injuve, Spain
Olimpiadas, Young Award UCM, Spain

Ana Esteve Reig
born 1986 in Agres, Spain. Spanish video artist. Works and lives in Spain. Education 2014-2015 Contemporary dance, beginner-intermediate level, Karen Taft School, Madrid 2011-2012 Post secondary degree (master class), Prof. Bjørn Melhus. 2011 Degree in Fine Art, School of Art Kassel, focus on video art, class „Virtual Realities“ by Prof. Bjørn Melhus. 2009 Degree in Fine Arts at the University Complutense of Madrid. Solo shows 2014 Paraísos Perdidos: 25th September to 14th October in the Centro de Arte Tomás y Valiente, Fuenlabrada, Madrid, Spain Screenings and exhibitions 2015 Buscadores de Oro, 2d October to December, OTR Space, Madrid. Exhibiting: After Neverland Open Studio, 1st to 4th de October, Estudio San Marcelo, Madrid My dos is an artist and tonight is full moon terror, 29th of August, FLT*3 House, Berlin. Exhibitng: Lessons (how to fall down properly) Bar Humo, 23 July, Trastero 109, Palma. Exhibitng: Encierro Vidas Cruzadas, 20th to 23d May, Galería Paula Alonso, Madrid Mujeres en acción: Feminario videoperformativo, Centro Cultural de España in Tegucigalpa (Honduras) 10th March-26th April/ Centro Cultural de Espana in La Paz (Bolivia) 20th March-20 April/ Centro Cultural de Espana in San Salvador (El Salvador) May /Centro Cultural de Espana Santo Domingo (República Dominicana) 9th to 12th June. Exhibitng: Encierro Eurovideo 2015, Videographies, 17th to 19th March in Liége, San Sebastián, Mons, Skopie, and Kaliningrad. Screening of Encierro. 2014 Why yes, why not? 27th November, in PIMA, Madrid. TV Show performance and presentation of the project Fantástica Tv War/SHE, 10th October, Kharkiv, Ucrania. Screening of Olimpiadas Genderfication, A window in Berlin, 5th to 18th October, Berlin, Germany Screening of Encierro Artincampos 14, Frida en celo, 1st August, Palma de Mallorca, Spain. Screening of Encierro XIV Edición de Premio Joven Artes Plasticas (XIV Edition Young Art Award). Opening June 12 in the Centro de Arte Complutense, Museo del Traje, Madrid, Spain. Exhibiting: Olimpiadas Ende der Party/Fin de Fiesta: 7th ato 4th June, Tokonoma Apartment, Germany. Exhibitng: No Concept Presente Indicativo: Miquel Casablancas Prize finalists 2014: May 30th to June 7th, Fabra i Coats-Fabrica de Creacio, Barcelona, Spain. Video installation After Neverland Popup Kinofest: May 31st, PPC Gallery, Berlin, Germany. Screening of Olimpiadas Otras historias. Proyección y mesa redonda: 19th of March, Filmoteca de La Rioja Rafael Azcona, Logroño,Spain. Curator: Susana Blas. Screening: Olimpiadas Frame Fatale: 8th of March to 15th April, Galería Mr. Pink, Valencia, Spain. Exhibitng: Don´tbelieve in me 2013 Selección especial de Screens: 27th December to 31st January 2014, La Rambleta, Valencia, Spain. Exhibiting: Futuro Inmediato. En ningún lugar. Una memoria alternativa de las Torres Hejduk : 6th December to March 2014, Torres Hejduk, Ciudad de la Cultura, Santiago de Compostela, Spain. Exhibitng: Slide, video produced with Alejandro Ramirez Ariza. EAC 2013, Encuentros de Arte Contemporáneo:2nd November to 22th December in the Sala Club at the Museum University of Alicante, Alicante, Spain. Exhibitng :Bad Romance, Futuro Inmediato, Olimpiadas. Room Art Fair III, Sensación de vivir, curated by Maria Collado, Project program new curators: 21th to 24th November, Hotel Constanza Metropol, Madrid, Spain. Exhibitng: Don´t believe in me y Olimpiadas. Screens, Art´N´Video Valencia, Selección especial 2013: 31th Oktober, Galería Mr. Pink, Valencia, Spain. Screening: Futuro Inmediato. Mañana, prácticas urgentes del arte actual: 27th June to 28th July, Centro Cultural Galileo, Madrid, Spain. Exhibiting: Paraísos Perdidos. The Latino Video Art Festival of Nueva York: 16/17/18 May, Centro Rey Juan Carlos I de la Universidad de New York, EEUU. Exhibiting: Encierro. Exposición Premio Club Levante: 28th April to 26th May, Galeria Club Levante, Valencia, Spain. Exhibiting: Futuro Inmediato. Maratón de Video Mav, 19th March, La Casa Encendida, Madrid, Spain. Screening of Olimpiadas. Feminis-Arte, 8th March to 8th April, CentroCentro Cibeles, Madrid, Spain. Exhibiting Encierro. 2012 Screens, Muestra itinerante de Videocreación: 15th November, Galeria Mr. Pink, Valencia, Spain. Screening of Duelo. WorpswedeVideo:10th November to 29th December, Worpswede, Germany. Screening of Encierro and Futuro Inmediato. (e)merge art fair Washington: 4th to 8th October, Capitol Skyline Hotel en Washington, DC, USA. Screening of Encierro. Meisterschülerausstellung 2013: 19th to 22nd July, Giesshaus, Kassel, Germany. Exhibiting Don´t believe in me and Futuro Inmediato. Incubarte, Festival Internacional de Arte Independiente: 21st to 24th June, Galería Mr. Pink, Valencia, Spain. Exhibiting Futuro Inmediato. VIII Encuentro de Arte y Género: 9th March, Filmoteca de Andalucía, Córdoba, Spain. Exhibiting Encierro. Windows III: 9th February to 31st March, Showroom Deutschen Künstlerbundes, Berlin, Germany: Exhibiting Blancanieves 2011 Parallele Wirklichkeiten: 29th November to 4th December, Kasseler Kunstverein, Kassel, Germany. Exhibitng Bad Romance. Monitoring: 9th to 13th November, Kasseler Kunstverein, Kassel, Germany. Exhibiting Paraísos Perdidos. Injuve 2011: 22nd September to 1st November, in the Antiguo Edificio de Tabacalera, Madrid, Spain. Exhibiting Encierro. Examensausstellung 2011: 9th to 18th July, Documenta Halle, Kassel, Germany. Exhibiting Paraísos Perdidos. Here we go: April, Galeria Loyal, Kassel, Germany. Exhibiting Bad Romance. GoEast Festival: April, Wiesbaden, Germany. Screening of Encierro. Live Amno: February to April, Museum Moca Taipei, Taiwan. Screening of La expectativa and Duelo. 2010 Kasseler Dokumentarfilm- und Videofest: November, Kassel, Germany. Screening of Encierro. Anadoma Festival: January, Braunschweig, Germany. Screening of Haltung. 2009 Hausstellung: November, Vienna, Austria. Exhibiting La expectativa. Kasseler Dokumentarfim- und Videofest: November, Kassel, Germany. Screening of Haltung. Optica Festival: July to October, Bolivia, Argentina, Spain and France. Exhibiting Haltung. Asyl:Mayo Genoa, Italy (cooperative project and exhibition between students from Kassel and Genoa) 2008 Cannizaro Park: May, London, England. Exhibiting Die Türen. 2007 Artefactos : May, Madrid, Spain. Exhibiting En busca de la identidad. Awards and grants - Selected to take part on Open Studio 2015 Madrid - Selected for the Loop Discovery Award 2015 - Finalist in the 2014 Miquel Casablancas Prize in the category of artwork - Chosen for Intransit - Chosen for Café Dossier II - Award of two months residency during the year 2014 in Espacio de Produccion, Arte y Desarrollo in Madrid, Spain - Áccesit Award from Premio Joven de las Artes Visuales 2014 of the Universityt Complutense of Madrid for the video Olimpiadas - Awarded in the competition Art Center Tomas y Valiente with a solo show in September 2014 - Selected to exhibit at the XIII Meetings Competition Contemporary Art in Alicante in November 2013 - En ningún lugar, winning project to exhibit in the Torres Hedjuk in Santiago de Compostela, Spain - Finalist for the production grant 2013 from the Open Studio with Santander Foundation - Selected for viewing portfolios in OTR art space, 12 and 13 of July, 2013 in Madrid - Second prize in the call of Arte y Genero 2012 ( Art and Gender) for the work Encierro - Special award from Diario Levante, Festival Incubarte, for the work Futuro Inmediato - Young Art Award Injuve 2011 in the category of Visual Art - Finalist for the Award Heitland Foundation Preis - First prize for the collective work Spaziergangst, annual exhibition 2009, School of Art Kassel Works in collections Encierro, Private Collection Injuve, Spain Olimpiadas, Young Award UCM, Spain

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