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blinkvideo - research of video art, performance and multimedia installations.

NEW: Favorites curated by blinkvideo users

What do you like? Over the next few months, we will be showing here selections of works, compiled by you, as a blinkvideo user.

Nasim Weiler: Hello, there are many absolutely wonderful video works on Blinkvideo - here are my three favourites of today, March 26 - a day spent in quarantane in Paris.

Do you have any favorites on blinkvideo ? Or would you like to focus attention on some video works? Or would you like to compile and show videos on a specific topic? You can do so with the new tool on blinkvideo.
Create a favorites list as follows: When you're logged in, a little sign "add to favorite list" will appear below each video. With the click on it, you add the film to your favorites list. When you have collected all the works, open your favorites list and you can share the list with blinkvideo. We will then receive a message and put the compilation online.
We are very curious about your selection!

Nadja Verena Marcin - OPHELIA
Stadtgalerie in Saarbrücken, Germany. 2019

OPHELIA is an interdisciplinary performance that is presented in the Stadtgalerie Saarbrücken as a live action and subsequently as a video installation. It reflects the human-induced destruction of nature and creates references to art, literature and science. Dressed in "Ophelia's" dress and equipped with a diving device, Nadja Verena Marcin will climb into an aquarium and try under water to read the text "The Werld" by Daniil Kharms about human perception.
Image: © Nadja Verena Marcin

Igor Simić - WELTSCHMERZ 
at Galerie Beckers, Frankfurt

The exhibition WELTSCHMERZ shows new works by Serbian artist Igor Simic, which he created in connection with his iOS game Golf Club: Wasteland. For this game he and his award-winning gaming and film company Demagog Studio developed a whole world — a storyline with characters and various landscapes — in a post-apocalyptic scenario. The eerie atmosphere of the carefully crafted visual scenery is accompanied by slow paced, nostalgic, sometimes almost chilling music that evokes the feeling of longing for something lost.
Image: © Igor Simić

Fuzzy dark spot
Video art from Hamburg

The exhibition FUZZY DARK SPOT curated by the Hamburg-based video artist Wolfgang Oelze, at the Falckenberg Collection brings together 56 video works by over 30 mostly Hamburg-based artists ranging from the 1970s to the present day, featuring historical and contemporary productions in both thematic and monographic groups.
image: © Stefan Panhans

REFRACTED REALITIES at VIDEONALE.17

In optics, “refraction” refers to the bending of a beam of light, a change in direction which occurs at the moment when it passes from one medium to another. Through refraction, the light wave alters course, changing the way we perceive the objects it illuminates in the process. This optical deviation requires us to repeatedly correct our gaze, comparing the beginning and end points of our perception with reality, and bringing the object we see clearly into focus. In its figurative sense, refraction refers to a critical reflection on the means and channels of visualization, and by extension the possibility of a rearticulation of our view of things – how they are, were, or apparently always have been.
Image: © Sohrab Hura

Featured videos

Annegret Soltau
Schwanger-Sein I, 1977/78

"My pregnancies in 1978 and 1980 became an important theme for me. This personal experience yielded pictures in which I once again used myself as a model, this time myself in the process of being pregnant. The fear that my role as a mother could jeopardize my life as an artist inspired me to create a great many photos and videos. At this point I was preoccupied with the question of how women combine creativity and motherhood.“ (Annegret Soltau)

Tobias Yves Zintel
Breed and Educate, 2018

The Film Breed and Educate is based on a collaborative performance with a class from the Hector-Peterson-Schule Berlin Kreuzberg and the HAU. In numerous task based rehearsals eight pupils between 11 and 13 years explored the possibilties of self-education. Based on various materials from found footage to documentary and staged scenes the film circles around the relationship of controlling and self-empowerment in educational systems. Breed and Educate is circling around the question of how lessons should be organised in times of network and algorthim-based learning. Algorithms and neuronal networks have to master problems only once, after they achieved their goal, results can be duplicated and copied any number of times. Kids on the other hand side have to learn everything step by step, the accumulated knowlede can’t be transfered from on kid to the other by „copy and paste“. An allopoetic system is a trivial system, which can be potentially fully explored, controlled and operated by an observer. With a similar theory in mind, the Prussians started to organise schooling in 1717, to prepare pupils for the Prussian Military Academy. What happens almost 300 years later in a school in Berlin, when the relationship between control and self-empowerment is inverted by postmigrant pupils who breed robots, are educated by them and vice versa? “ In Breed and Educate an automated dionsaur is introduced by a twelfe year old boy: “It’s easily trainable”. While he explains the mode of operation, one sees the parallels: the school wouldn’t have any problems with pupils equipped with a suitable operating system downloaded from the internet. Sounds like an uncanny utopia.” (Katrin Bettina Müller)

Lene Markusen
Grad, 2004

Dieter Kiessling
60 Minutes 360 Degrees GK 2010, 2010

A boy is portrayed with a video camera for an hour on a tennis court.During this time the camera turns through 360 degrees. Meanwhile, the whole space is recorded piece by piece. The boy follows the camera movement slowly thus remaining constantly in the centre of the picture.

Clemens von Wedemeyer
Silberhöhe, 2003

In Halle-Silberhöhe in East Germany, the camera records peri-urban area architecture, prefabricated buildings that are deserted and destined to be demolished. The commentary evokes a film editing technique used by Michelangelo Antonioni in his film, L’Eclisse (1962).

Janet Biggs
Fade to White, 2010

In Fade to White, Biggs delves into the desire to explore remote lands. To create this work, the artist embarked on an expedition in the high Arctic, traveling aboard an ice-class, 2-masted schooner, built in 1910. During the voyage, Biggs filmed Fade to White, focusing on a crew member as he navigated the ship through iceberg filled seas, and paddled a kayak past glacier walls and polar bears. As she photographed the explorer, Biggs tested her own will and endurance. The visual tension of her uncompromising imagery bespeaks their mutual struggle to maintain balance and purpose. Yet, the video also reveals the myth of the solitary white male explorer. Biggs explains, "The desire to hold onto the notion of the 'great white north' as a blank space awaiting interpretation only reinforces the idea of the colonial polar hero. The 'virgin' north has now been mapped, surveyed, and mined, but increased knowledge has not replaced endless fantasies of discovery." Loss and change are implicit in the video's title, Fade to White, which refers to an editing technique used to evoke death or transcendence. Biggs integrated her Arctic imagery with sound and video footage of counter tenor John Kelly, whose age, androgyny, and mournful voice parallel the vanishing Arctic landscape and signal the waning of male dominance.

Rebecca Ann Tess
The Tallest, 2014

The »The Tallest« shows pictures shot on-site of the currently tallest buildings in the world. The high-rises are shown as set pieces of global capitalism, visually disappearing into abstraction. The reduced images are reminding of 3D rendering. The simulated image of these buildings circulates in the media for representational and advertising purposes, becomes a substantial object and the actual spatiality becomes a mockup. The narration is undertaken by a computer voice, it describes the competition for the tallest tower at such divers places as Chicago, Dubai, Hong Kong, Kuala Lumpur, Mecca, Nanjing, New York City, Seoul, Shanghai, Shenzhen, Songdo and Taipei.

Johanna Reich
LIGHT ON BLACK ON WHITE HOMAGE TO MALEVICH, 2015

A moving digital light drawing illuminates a white wall. A hand painting a black square on the white surface becomes visible. At the same time the light drawing is painting a light square. In the end the light of the digital light square illuminates the finished black oil painting.

Critics’ Pick: Vienna by Nicole Büsing + Heiko Klaas

The group show “Antarctica. An Exhibition on Alienation” was presented in Vienna during the past winter season. Departing from a note written by the Italian cult director Michelangelo Antonioni referring to a potential glacier melting in the Antarctica and a hint to a film, the two curators from the Kunsthalle Wien, Vanessa Joan Müller and Nicolaus Schafhausen, conceived an exhibition on the topic of alienation and contemporary art. The focus was on the latest contemporary photography and video art by the younger generation of artists.
Image: © Isabella Fürnkäs

Expanding Bauhaus.
New Reflections on the Bauhaus Movement in Time-Based Media Art
/ Goethe Institute Netherlands

A screening series selected by Elke Kania (Cologne), Julia Sökeland (Hamburg) and Ludwig Seyfarth (Berlin)

With its combination of various arts such as painting, photography film, architecture, fashion, product and interior design and textile art, the Bauhaus is still considered the epitome of a technologically advanced modernity. Last but not least, the attempt to create the whole society aesthetically, inspired many artists worldwide.
Image: © Adnan Softic

Johan Grimonprez

Johan Grimonprez’s critically acclaimed work dances on the borders of practice and theory, art and cinema, documentary and fiction, demanding a double take on the part of the viewer. Informed by an archeology of present-day media, his work seeks out the tension between the intimate and the bigger picture of globalization. It questions our contemporary sublime, one framed by a fear industry that has infected political and social dialogue. By suggesting new narratives through which to tell a story, his work emphasizes a multiplicity of realities.
image: © Johan Griminprez

Christoph Faulhaber: Revolution & Architecture

With "Revolution & Architecture" Christoph Faulhaber (* 1972 in Osnabrück, lives in Hamburg) conceives, builds, designs and opens a whole series of very different rooms in the Kunsthalle Osnabrück. In order to discover the revolutionary aspect of these "architectures", one has to look at the social implications of interior design in general. In the forum the visitor then enters Faulhaber's cinematic autobiography "Every Picture is an Empty Picture" as in the eye of the cyclone: The work is split into 15 individual films and surrounds the visitor in a circle.
Image: © Christoph Faulhaber

Stiftung imai – inter media art institute

The Düsseldorf based foundation imai – inter media art institute was founded in 2006 in order to establish an institution in Germany dedicated to the distribution and preservation of media art and associated activities.
Image: © Marcel Odenbach

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for artists we provide a platform for extensive presentation of media works, gallerists get a direct contact to international professional audiences, collectors find a worldwide overview of contemporary trends in moving image, curators can do research via keywords and compilations, teachers use presentation opportunities for students and all professionals get password protected, extensive information about video works worldwide.

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blinkvideo is a website for the research of video art. Founders: Julia Sökeland, Anita Beckers. blinkvideo ist eine Plattform zur Recherche nach Videokunst

William Hunt

Works


Galleries

Petra Rinck Galerie
Petra Rinck
Birkenstraße 45
40233 Düsseldorf
Germany

E-Mail: mail@petrarinckgalerie.de




Biography

1977 Born in London, UK

Lives and works in Dusseldorf, DE


Education

2005 Goldsmiths College, London, UK
2000 Slade School of Fine Art, University College London, UK
1999 The School of the Art Institute of Chicago, US
1996 Camberwell College of Art and Design, London, UK


Solo Exhibitions

2017
William Hunt, A Vessel. Primary, Nottingham, UK

2016
You're Gonna Pay For It Now. Now You’re Gonna Pay For It, Gallery Lejuene, London, UK

2015
Crawford Art Gallery Cork, IE
Playing the Goat, Ibid. Los Angeles, U
Leichte Töne als Schwerstarbeit (Easy listening, hard work), Kunstmuseum Stuttgart, DE

2014
Playing the Goat, PEER, London, UK
BASH: An Exhibition in Two Parts, Woodstock Byrdcliffe Guild, Woodstock, New York, US
NOT KNOWING BUT LOOKING, Petra Rinck Galerie, Dusseldorf, DE
BRA-VO, OH BRA – VO!, Rotwand, Zurich, CH

2012
Volker Bradtke, Dusseldolf, DE

2010
Rotwand Gallery, Zurich, CH
Junction: William Hunt, Camden Arts Centre, London, UK

2009
Solo Presentation, Art Forum Berlin, Berlin, DE
William Hunt, IBID PROJECTS, London, UK
I don't believe you, you're a liar, Camden Arts Centre, London, UK
I Forgot Myself, Looking At You, Wentrup Gallery, Berlin, DE
Recorded Live, Picture This, Bristol, UK

2008
Tempting Fate, Swimming Alone, Witte de With Center for Contemporary Art, Rotterdam, NL (exh. cat.)
Even as You See Me Now, Rotwand, Zurich, CH

2007
Put Your Foot Down, Art Unlimited Art Basel 38, Basel, CH

2006
Put Your Foot Down, IBID PROJECTS, London, UK


Selected Group Exhibitions and Performances

2016
You're Gonna Pay For It Now. Now You’re Gonna Pay For It, performance as part of Take Up Your Space,
KAI 10 Arthena Foundation, Düsseldorf, DE

2015
Adam, Eve & the Devil, Marres, House for Contemporary Culture, Maastricht, NL
Test Run: Performance in Public, Modern Art Oxford, UK

2014
Alena Kotzmannova and William Hunt, ship, ship, slip and drip, hunt kastner, Prauge, CZ

2013
A Mobile - Paranalia for five dancers; an exercise in suspension, co-operation and obstruction,
Siobhan Davies Dance Studio, London, UK
Cassini Cruise III, The Ridder, Maastricht, NL
Lothar Götz, William Hunt and Viktoria Wehrmeister, Petra Rink Galerie, Düsseldorf, DE

2012
Spieltrieb, IBID PROJECTS, London, UK
TOUT S'ÉCOULE, RIEN NE RESTE TEL, L'espal - scène conventionnée, Théâtre du Mans, Le Mans, FR

2011
SHUNCK* at Pinkpop Festival, Limburg, NL

2010
A gesture you can’t help but make Villa Reykjavik, Reykjavik, IS (exh. cat.)
Anticipation Time, Bat Yam Museum of Contemporary Art, Bat Yam, IR
In Transit, Rotwand Gallery, Zurich, CH

2009
Cargo Manifest (curated by Anna-Catharina Gebbers), Munich Opera Festival, Munich, DE
The Blood of a Poet, Estuaire 2009, Nantes/Saint-Nazaire, FR (exh. cat.)
SPOTLIGHT, New additions since 2006, Museum der Moderne Salzburg, Salzburg, AT
Excursions Performance Festival, Limerick City Art Gallery, Limerick, IE
Still-Film (screening), Site Gallery, Sheffield, UK; Liceu Opera, Barcelona, ES

2008
Group Show, IBID PROJECTS (Hoxton Square), London, UK
Sound of Art. Music and Visual Arts. Les Grands Spectacles III, Museum der Moderne Salzburg, Salzburg, AT
(exh. cat.)
Sonic Youth, Green on Red Gallery, Dublin, Ireland; Wallace Gallery at SUNY College, Old Westbury, USA
(exh. cat.)
Mind the Gap, Kunsthaus Glarus, Glarus, CH
William Hunt, Matthew Darbyshire, Jess Flood-Paddock (curated by Sasha Craddock) Sadlers Wells, London, UK
Still-Film, (Film screening curated by Artprojx for Late at Tat)e Tate Britain, London, UK

2007
Been Up So Long It Looks Like Down to Me, Presentation House, Vancouver, CA (exh. cat.)
Silence: Listen to the Show (curated by Francesco Bonami), Fondazione Sandretto Re Rebaudengo, Turin, IT
(exh. cat.)
KölnShow 2 (curated by Nicolaus Schafhausen), Cologne, DE
Judith, Perry Rubenstein Gallery, New York, US

2006
Sleep of Ulro, A Foundation, Liverpool, UK
Long Shore Drift (curated by Sally O'Reilly and Mel Brimfield), The Whitstable Biennale 2006, Canterbury, UK
Don Quijote (curated by Nicolaus Schafhausen and Sophie Von Olfers), Witte de With, Rotterdam, NL
Loge, General Public, Berlin, DE
New performance commission, Milton Keynes Gallery, London, UK
Geisai No. 9, Invited international Artist by Takashi Murakami, Tokyo Young Art Fair, Tokyo, JP
Failure to do so is an Offence, Galerie der Hochschule fur Bildene Kunste, Hamburg, DE
God is a Gallery, Galuzin Gallery, Oslo, NO

2005
Nada Art Fair 05, Miami, US
All Personal, VTO, London, UK
Rip It Up and Start Again, Villa Della Rosa, Galleria Civica d'Arte Moderna Di Bologna, IT
MA Degree Show, Goldsmiths College, London, UK
Let me Hear Your Body Talk, Artie et Amicitiae, Amsterdam, NL
Again, performance, Itchy Park II, Old Limehouse Townhall London, UK

2004
Booty, Gallery Mobile, London, UK
Again, Again, Again (If It’s Funny Once It’s Funny Forever), performance, Alma Enterprises, London, UK
Rodeo/Radio, video performance, Hinterconti, Hamburg, DE
Common Property (Allegemeingut), 6th Werkleitz Biennale, Halle (Saale), DE
Calm Down, video performance, Volks Theatre, Munich, DE

2003
Live 2003, radio performance for Resonance 104.4 FM, London, UK
Radio 26/11/Live 2003, Bootleg, performance (curated by Pablo Lafuente), Spitalfields, London, UK
Just Regret, 35mm film, A-Clip Cinema intervention, International Cinema, Berlin, DE; Screen on the Green,
London, UK
ShoWorx, Bay 67, Westbourne Studios, London, UK
Video Invitational, FA Projects, London, UK
For One Night Only, 38 Langham Street, London, UK
Evidence, Essor Gallery Project Space, London, UK
Club II, Le Confort Moderne, Poitiers, FR
Gatsby, The New Lansdowne Club, London, UK

2001
Club, Beaconsfield, London, UK
Atelier Something, Open Studios, London, UK

William Hunt
1977 Born in London, UK Lives and works in Dusseldorf, DE Education2005 Goldsmiths College, London, UK2000 Slade School of Fine Art, University College London, UK1999 The School of the Art Institute of Chicago, US1996 Camberwell College of Art and Design, London, UK Solo Exhibitions2017William Hunt, A Vessel. Primary, Nottingham, UK 2016You're Gonna Pay For It Now. Now You’re Gonna Pay For It, Gallery Lejuene, London, UK 2015Crawford Art Gallery Cork, IEPlaying the Goat, Ibid. Los Angeles, ULeichte Töne als Schwerstarbeit (Easy listening, hard work), Kunstmuseum Stuttgart, DE 2014Playing the Goat, PEER, London, UKBASH: An Exhibition in Two Parts, Woodstock Byrdcliffe Guild, Woodstock, New York, USNOT KNOWING BUT LOOKING, Petra Rinck Galerie, Dusseldorf, DEBRA-VO, OH BRA – VO!, Rotwand, Zurich, CH 2012Volker Bradtke, Dusseldolf, DE 2010Rotwand Gallery, Zurich, CHJunction: William Hunt, Camden Arts Centre, London, UK 2009Solo Presentation, Art Forum Berlin, Berlin, DEWilliam Hunt, IBID PROJECTS, London, UKI don't believe you, you're a liar, Camden Arts Centre, London, UKI Forgot Myself, Looking At You, Wentrup Gallery, Berlin, DERecorded Live, Picture This, Bristol, UK 2008Tempting Fate, Swimming Alone, Witte de With Center for Contemporary Art, Rotterdam, NL (exh. cat.)Even as You See Me Now, Rotwand, Zurich, CH 2007Put Your Foot Down, Art Unlimited Art Basel 38, Basel, CH 2006Put Your Foot Down, IBID PROJECTS, London, UK Selected Group Exhibitions and Performances2016You're Gonna Pay For It Now. Now You’re Gonna Pay For It, performance as part of Take Up Your Space,KAI 10 Arthena Foundation, Düsseldorf, DE 2015Adam, Eve & the Devil, Marres, House for Contemporary Culture, Maastricht, NLTest Run: Performance in Public, Modern Art Oxford, UK 2014Alena Kotzmannova and William Hunt, ship, ship, slip and drip, hunt kastner, Prauge, CZ 2013A Mobile - Paranalia for five dancers; an exercise in suspension, co-operation and obstruction,Siobhan Davies Dance Studio, London, UKCassini Cruise III, The Ridder, Maastricht, NLLothar Götz, William Hunt and Viktoria Wehrmeister, Petra Rink Galerie, Düsseldorf, DE 2012Spieltrieb, IBID PROJECTS, London, UKTOUT S'ÉCOULE, RIEN NE RESTE TEL, L'espal - scène conventionnée, Théâtre du Mans, Le Mans, FR 2011SHUNCK* at Pinkpop Festival, Limburg, NL 2010A gesture you can’t help but make Villa Reykjavik, Reykjavik, IS (exh. cat.)Anticipation Time, Bat Yam Museum of Contemporary Art, Bat Yam, IRIn Transit, Rotwand Gallery, Zurich, CH 2009Cargo Manifest (curated by Anna-Catharina Gebbers), Munich Opera Festival, Munich, DEThe Blood of a Poet, Estuaire 2009, Nantes/Saint-Nazaire, FR (exh. cat.)SPOTLIGHT, New additions since 2006, Museum der Moderne Salzburg, Salzburg, ATExcursions Performance Festival, Limerick City Art Gallery, Limerick, IEStill-Film (screening), Site Gallery, Sheffield, UK; Liceu Opera, Barcelona, ES 2008Group Show, IBID PROJECTS (Hoxton Square), London, UKSound of Art. Music and Visual Arts. Les Grands Spectacles III, Museum der Moderne Salzburg, Salzburg, AT(exh. cat.)Sonic Youth, Green on Red Gallery, Dublin, Ireland; Wallace Gallery at SUNY College, Old Westbury, USA(exh. cat.)Mind the Gap, Kunsthaus Glarus, Glarus, CHWilliam Hunt, Matthew Darbyshire, Jess Flood-Paddock (curated by Sasha Craddock) Sadlers Wells, London, UKStill-Film, (Film screening curated by Artprojx for Late at Tat)e Tate Britain, London, UK 2007Been Up So Long It Looks Like Down to Me, Presentation House, Vancouver, CA (exh. cat.)Silence: Listen to the Show (curated by Francesco Bonami), Fondazione Sandretto Re Rebaudengo, Turin, IT(exh. cat.)KölnShow 2 (curated by Nicolaus Schafhausen), Cologne, DEJudith, Perry Rubenstein Gallery, New York, US 2006Sleep of Ulro, A Foundation, Liverpool, UKLong Shore Drift (curated by Sally O'Reilly and Mel Brimfield), The Whitstable Biennale 2006, Canterbury, UKDon Quijote (curated by Nicolaus Schafhausen and Sophie Von Olfers), Witte de With, Rotterdam, NLLoge, General Public, Berlin, DENew performance commission, Milton Keynes Gallery, London, UKGeisai No. 9, Invited international Artist by Takashi Murakami, Tokyo Young Art Fair, Tokyo, JPFailure to do so is an Offence, Galerie der Hochschule fur Bildene Kunste, Hamburg, DEGod is a Gallery, Galuzin Gallery, Oslo, NO 2005Nada Art Fair 05, Miami, USAll Personal, VTO, London, UKRip It Up and Start Again, Villa Della Rosa, Galleria Civica d'Arte Moderna Di Bologna, ITMA Degree Show, Goldsmiths College, London, UKLet me Hear Your Body Talk, Artie et Amicitiae, Amsterdam, NLAgain, performance, Itchy Park II, Old Limehouse Townhall London, UK 2004Booty, Gallery Mobile, London, UKAgain, Again, Again (If It’s Funny Once It’s Funny Forever), performance, Alma Enterprises, London, UKRodeo/Radio, video performance, Hinterconti, Hamburg, DECommon Property (Allegemeingut), 6th Werkleitz Biennale, Halle (Saale), DECalm Down, video performance, Volks Theatre, Munich, DE 2003Live 2003, radio performance for Resonance 104.4 FM, London, UKRadio 26/11/Live 2003, Bootleg, performance (curated by Pablo Lafuente), Spitalfields, London, UKJust Regret, 35mm film, A-Clip Cinema intervention, International Cinema, Berlin, DE; Screen on the Green,London, UKShoWorx, Bay 67, Westbourne Studios, London, UKVideo Invitational, FA Projects, London, UKFor One Night Only, 38 Langham Street, London, UKEvidence, Essor Gallery Project Space, London, UKClub II, Le Confort Moderne, Poitiers, FRGatsby, The New Lansdowne Club, London, UK 2001Club, Beaconsfield, London, UKAtelier Something, Open Studios, London, UK

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