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blinkvideo - research of video art, performance and multimedia installations.

blinkvideo - research of video art, performance and multimedia installations.


Moving Images / Moving Bodies
Online screening programme in cooperation
with the Goethe-Institut Bulgaria

Curated by Ludwig Seyfarth

Research into the human body and interpersonal relationships remain central themes in video and moving image art. Artists from Bulgaria and Germany, whose work is related in content, will be shown in pairs over the next weeks. The exhibition planned for November 2020 in Sofia has been postponed until 2021. Instead, a consecutive presentation of selected films by artists from Moving Bodies/Moving Images is presented on blinkvideo.
image: © Elitsa Dimitrova

Shooting Ghosts
Online screening programme in cooperation
with the Goethe-Institut Bulgaria

Curators: Kalin Serapionov, Krassimir Terziev

What we propose in this programme is a highly subjective and fragmented view on current practices in moving image in the Bulgarian art scene. We focused on practices that show affinity with speculative narratives - narratives that not just record what is in front of the cinematic eye, but also capture all the ghosts that are unreachable by the apparatus, thus projecting speculative views that intend not merely to describe, but to transform the world.
image: © Veneta Androva

Moving Images / Moving Bodies

 ‘Moving Images Bulgaria-Germany’ is a project by Goethe-Institut Bulgaria, that includes various online and offline initiatives, starting in November 2020. The online program, realised in partnership with blinkvideo, will consist of two curated programmes: “Moving Images / Moving Bodies”, curated by Ludwig Seyfarth, and “Shooting Ghosts”, curated by Krassimir Terziev and Kalin Serapionov.

First the programme “Shooting Ghosts” will give a selected overview of video art in Bulgaria in general. The programme will be accompanied by an in-depth essay by Krassimir Terziev as well as texts by different authors or the artists themselves on individual films.

Critics’ Pick: Vienna by Nicole Büsing + Heiko Klaas

The group show “Antarctica. An Exhibition on Alienation” was presented in Vienna during the past winter season. Departing from a note written by the Italian cult director Michelangelo Antonioni referring to a potential glacier melting in the Antarctica and a hint to a film, the two curators from the Kunsthalle Wien, Vanessa Joan Müller and Nicolaus Schafhausen, conceived an exhibition on the topic of alienation and contemporary art. The focus was on the latest contemporary photography and video art by the younger generation of artists.
Image: © Isabella Fürnkäs

UNSTILLED LIFE: Artist Animations 1980-2020
Curated by Emma Cousin and Paul Carey-Kent

Why this show, here and now? British artist-curator Emma Cousin and writer-curator Paul Carey-Kent recently pulled together a choice of artist animations, thinking that the increasingly vibrant medium is especially suited to the online emphasis of the locked down art world of 2020. Three of them turned out to be represented by Ron Mandos, making the Amsterdam gallery ideal hosts. The cast is international, and to reflect that Tintype gallery in London and Hamburg’s blinkvideo have joined in with variations on the programme. 
Markus Vater Worlds don’t come easy, 2020

Something Between Us
KAI 10 | ARTHENA FOUNDATION, Düsseldorf

The exhibition „Something Between Us“ focuses on both our contemporary lives and the anthropological constants of interpersonal dealings: love, empathy, security, care and safety on the one hand, and hate, role fixation, dependency, reprimand and exclusion on the other. Something Between Us asks how these structures of togetherness are changing in our digital era.
Thomas Taube OCCIDENT, 2020

REFRACTED REALITIES at VIDEONALE.17

In optics, “refraction” refers to the bending of a beam of light, a change in direction which occurs at the moment when it passes from one medium to another. Through refraction, the light wave alters course, changing the way we perceive the objects it illuminates in the process. This optical deviation requires us to repeatedly correct our gaze, comparing the beginning and end points of our perception with reality, and bringing the object we see clearly into focus. In its figurative sense, refraction refers to a critical reflection on the means and channels of visualization, and by extension the possibility of a rearticulation of our view of things – how they are, were, or apparently always have been.
Image: © Sohrab Hura

NEW: Favorites curated by blinkvideo users

What do you like? Over the next few months, we will be showing here selections of works, compiled by you, as a blinkvideo user.

Stefano Miraglia: Hey Blinkvideo members! Here are my eight "must watch" films and videos. Happy to find in this catalogue some of the works that got me interested in artists' moving image when I was a student! (Guillaume Leblon! Daniel Steegmann Mangrané! Marylène Negro!).

Expanding Bauhaus.
New Reflections on the Bauhaus Movement in Time-Based Media Art / Goethe Institute Netherlands

A screening series selected by Elke Kania (Cologne), Julia Sökeland (Hamburg) and Ludwig Seyfarth (Berlin)

With its combination of various arts such as painting, photography film, architecture, fashion, product and interior design and textile art, the Bauhaus is still considered the epitome of a technologically advanced modernity. Last but not least, the attempt to create the whole society aesthetically, inspired many artists worldwide.
Image: © Adnan Softic

Johan Grimonprez

Johan Grimonprez’s critically acclaimed work dances on the borders of practice and theory, art and cinema, documentary and fiction, demanding a double take on the part of the viewer. Informed by an archeology of present-day media, his work seeks out the tension between the intimate and the bigger picture of globalization. It questions our contemporary sublime, one framed by a fear industry that has infected political and social dialogue. By suggesting new narratives through which to tell a story, his work emphasizes a multiplicity of realities.
image: © Johan Griminprez

Christoph Faulhaber: Revolution & Architecture

With "Revolution & Architecture" Christoph Faulhaber (* 1972 in Osnabrück, lives in Hamburg) conceives, builds, designs and opens a whole series of very different rooms in the Kunsthalle Osnabrück. In order to discover the revolutionary aspect of these "architectures", one has to look at the social implications of interior design in general. In the forum the visitor then enters Faulhaber's cinematic autobiography "Every Picture is an Empty Picture" as in the eye of the cyclone: The work is split into 15 individual films and surrounds the visitor in a circle.
Image: © Christoph Faulhaber

Stiftung imai – inter media art institute

The Düsseldorf based foundation imai – inter media art institute was founded in 2006 in order to establish an institution in Germany dedicated to the distribution and preservation of media art and associated activities.
Image: © Marcel Odenbach

Featured videos

Markus Vater
Im Wald (perfect day), 2011

This Animation has developed from a colloboration with the dutch poet Tjitske Jansen. Initially it reacted on a text of hers dealing with memories in her life. All memories were about events in which she didn’t understand the concepts and actions that had happened, but which she understands now.

Pratchaya Phinthong
A proposal to set (work in progress), 2016

A proposal to set CH4*5.75H20 on fire (work in progress) is an ongoing project that explores methane hydrate, an ice compound that has been identified by scientists as an alternative fuel of future energy. Found in large quantities beneath Arctic permafrost, Antarctic ice and sedimentary deposits, methane hydrate releases natural gas when exposed to increases in temperature or decreases in pressure.Gas released by methane hydrates can be lit, which produces a semi-transparent orange and blue flame.This 16 mm film shows samples of methane hydrates.Through the mobilisation and connection of individuals working across geology, science and art, the project generates awareness of methane hydrate, its chemically volatile nature and implications for energy industries.The film itself performs a kind of material transfer, capturing light emitted by the burning samples and projecting it into the gallery space. For Phinthong, each iteration of the project is a form of extraction that makes its subject more widely visible. Filmed by Phuttipong Aroonpheng. Made with the support of Oleg Blouson,Andrey Khabuev and Oleg Khlystov at the Limnological Institute, Irkutsk, Russia.

Ryan Gander
And You Will be Changed , 2014

'And You Will be Changed (Centre Pompidou, Paris)', 2014, follows curator Emma Lavigne around the empty Centre Pompidou in Paris as she presents the viewer with a tour of an empty space that had housed a now uninstalled Pierre Huyghe exhibition. The show is imagined and told by Lavigne as if the artworks were still there. Exhibited: - Pierre Huyghe +/–,The Artist’s Institute, New York, 2014
- Nouveau Festival (5th Edition), Musée d’Art Moderne, Centre Pompidou, Paris, 2014

Deimantas Narkevicius
Ausgeträumt, 2010

The German word ‘Ausgeträumt’ means a state between dream and reality at the point of waking up.The very first creative attempts by any artist are usually very positive, unaffected by criticism, even naive activities. Refering to myself, I had to be absolutely naive to choose to be a visual artist, in the late 80's when in the Soviet Union, everything was falling apart. There was no precedent of success, or an example to follow in the country which was still isolated. With this film I am re-approaching the state of naivety.

Katja Aufleger
LOVE AFFAIR, 2017

Several lights get shot successively. Some crush at once, quiet or with a blast, others seem like trying not to die.

Janet Biggs
Vanishing point, 2009

Luzia Hürzeler
Being in the Picture, 2007/08

Im Bilde sein [Being in the Picture] is a video installation. The monitor stands on a two-meter-high plinth. The video shows a white wall in front of which my head becomes visible, fully or partially, at short or long intervals. I keep jumping up into the picture, making myself visible through physical activity. These efforts become apparent through the sounds. The jumping height, and thus my visibility, decreases over time, until I finally give up through exhaustion.On the occasion of the exhibition “Spazi aperti” this work was displayed in the entrance hall of the Romanian Academy in Rome, where a number of monumental busts are mounted on plinths.

Johanna Reich
Horizon, 2012

The artist is drawing a line onto a white surface. The line reveals the horizon: it separates the sea from the sky. "To draw a line": this phrase already linguistically contains many different meanings. Beginning with the famous line – the one that cannot be crossed politically – via the (guide)line that is also the conceptual standard, to the simple strike placed beneath an addition, these are key points on the spectrum.“When Johanna Reich draws a line with a broad brush onto a wall, additional content comes into play. There is the track which children draw onto the wall with chalk, the traditional artist myth of the line as a vivid track of creative process, and last but not least the powerfully picturesque action of splattering the wall.”(Johannes Stahl)Johanna Reich (*1977 Minden) studied at the Kunstakademie Münster, the HfbK Hamburg and the Kunsthochschule für Medien Köln. She lives and works in Cologne.

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blinkvideo is a website for the research of video art. Founders: Julia Sökeland, Anita Beckers. blinkvideo ist eine Plattform zur Recherche nach Videokunst

William Hunt

Works


Galleries

Petra Rinck Galerie
Petra Rinck
Birkenstraße 45
40233 Düsseldorf
Germany

E-Mail: mail@petrarinckgalerie.de




Biography

1977 Born in London, UK

Lives and works in Dusseldorf, DE


Education

2005 Goldsmiths College, London, UK
2000 Slade School of Fine Art, University College London, UK
1999 The School of the Art Institute of Chicago, US
1996 Camberwell College of Art and Design, London, UK


Solo Exhibitions

2017
William Hunt, A Vessel. Primary, Nottingham, UK

2016
You're Gonna Pay For It Now. Now You’re Gonna Pay For It, Gallery Lejuene, London, UK

2015
Crawford Art Gallery Cork, IE
Playing the Goat, Ibid. Los Angeles, U
Leichte Töne als Schwerstarbeit (Easy listening, hard work), Kunstmuseum Stuttgart, DE

2014
Playing the Goat, PEER, London, UK
BASH: An Exhibition in Two Parts, Woodstock Byrdcliffe Guild, Woodstock, New York, US
NOT KNOWING BUT LOOKING, Petra Rinck Galerie, Dusseldorf, DE
BRA-VO, OH BRA – VO!, Rotwand, Zurich, CH

2012
Volker Bradtke, Dusseldolf, DE

2010
Rotwand Gallery, Zurich, CH
Junction: William Hunt, Camden Arts Centre, London, UK

2009
Solo Presentation, Art Forum Berlin, Berlin, DE
William Hunt, IBID PROJECTS, London, UK
I don't believe you, you're a liar, Camden Arts Centre, London, UK
I Forgot Myself, Looking At You, Wentrup Gallery, Berlin, DE
Recorded Live, Picture This, Bristol, UK

2008
Tempting Fate, Swimming Alone, Witte de With Center for Contemporary Art, Rotterdam, NL (exh. cat.)
Even as You See Me Now, Rotwand, Zurich, CH

2007
Put Your Foot Down, Art Unlimited Art Basel 38, Basel, CH

2006
Put Your Foot Down, IBID PROJECTS, London, UK


Selected Group Exhibitions and Performances

2016
You're Gonna Pay For It Now. Now You’re Gonna Pay For It, performance as part of Take Up Your Space,
KAI 10 Arthena Foundation, Düsseldorf, DE

2015
Adam, Eve & the Devil, Marres, House for Contemporary Culture, Maastricht, NL
Test Run: Performance in Public, Modern Art Oxford, UK

2014
Alena Kotzmannova and William Hunt, ship, ship, slip and drip, hunt kastner, Prauge, CZ

2013
A Mobile - Paranalia for five dancers; an exercise in suspension, co-operation and obstruction,
Siobhan Davies Dance Studio, London, UK
Cassini Cruise III, The Ridder, Maastricht, NL
Lothar Götz, William Hunt and Viktoria Wehrmeister, Petra Rink Galerie, Düsseldorf, DE

2012
Spieltrieb, IBID PROJECTS, London, UK
TOUT S'ÉCOULE, RIEN NE RESTE TEL, L'espal - scène conventionnée, Théâtre du Mans, Le Mans, FR

2011
SHUNCK* at Pinkpop Festival, Limburg, NL

2010
A gesture you can’t help but make Villa Reykjavik, Reykjavik, IS (exh. cat.)
Anticipation Time, Bat Yam Museum of Contemporary Art, Bat Yam, IR
In Transit, Rotwand Gallery, Zurich, CH

2009
Cargo Manifest (curated by Anna-Catharina Gebbers), Munich Opera Festival, Munich, DE
The Blood of a Poet, Estuaire 2009, Nantes/Saint-Nazaire, FR (exh. cat.)
SPOTLIGHT, New additions since 2006, Museum der Moderne Salzburg, Salzburg, AT
Excursions Performance Festival, Limerick City Art Gallery, Limerick, IE
Still-Film (screening), Site Gallery, Sheffield, UK; Liceu Opera, Barcelona, ES

2008
Group Show, IBID PROJECTS (Hoxton Square), London, UK
Sound of Art. Music and Visual Arts. Les Grands Spectacles III, Museum der Moderne Salzburg, Salzburg, AT
(exh. cat.)
Sonic Youth, Green on Red Gallery, Dublin, Ireland; Wallace Gallery at SUNY College, Old Westbury, USA
(exh. cat.)
Mind the Gap, Kunsthaus Glarus, Glarus, CH
William Hunt, Matthew Darbyshire, Jess Flood-Paddock (curated by Sasha Craddock) Sadlers Wells, London, UK
Still-Film, (Film screening curated by Artprojx for Late at Tat)e Tate Britain, London, UK

2007
Been Up So Long It Looks Like Down to Me, Presentation House, Vancouver, CA (exh. cat.)
Silence: Listen to the Show (curated by Francesco Bonami), Fondazione Sandretto Re Rebaudengo, Turin, IT
(exh. cat.)
KölnShow 2 (curated by Nicolaus Schafhausen), Cologne, DE
Judith, Perry Rubenstein Gallery, New York, US

2006
Sleep of Ulro, A Foundation, Liverpool, UK
Long Shore Drift (curated by Sally O'Reilly and Mel Brimfield), The Whitstable Biennale 2006, Canterbury, UK
Don Quijote (curated by Nicolaus Schafhausen and Sophie Von Olfers), Witte de With, Rotterdam, NL
Loge, General Public, Berlin, DE
New performance commission, Milton Keynes Gallery, London, UK
Geisai No. 9, Invited international Artist by Takashi Murakami, Tokyo Young Art Fair, Tokyo, JP
Failure to do so is an Offence, Galerie der Hochschule fur Bildene Kunste, Hamburg, DE
God is a Gallery, Galuzin Gallery, Oslo, NO

2005
Nada Art Fair 05, Miami, US
All Personal, VTO, London, UK
Rip It Up and Start Again, Villa Della Rosa, Galleria Civica d'Arte Moderna Di Bologna, IT
MA Degree Show, Goldsmiths College, London, UK
Let me Hear Your Body Talk, Artie et Amicitiae, Amsterdam, NL
Again, performance, Itchy Park II, Old Limehouse Townhall London, UK

2004
Booty, Gallery Mobile, London, UK
Again, Again, Again (If It’s Funny Once It’s Funny Forever), performance, Alma Enterprises, London, UK
Rodeo/Radio, video performance, Hinterconti, Hamburg, DE
Common Property (Allegemeingut), 6th Werkleitz Biennale, Halle (Saale), DE
Calm Down, video performance, Volks Theatre, Munich, DE

2003
Live 2003, radio performance for Resonance 104.4 FM, London, UK
Radio 26/11/Live 2003, Bootleg, performance (curated by Pablo Lafuente), Spitalfields, London, UK
Just Regret, 35mm film, A-Clip Cinema intervention, International Cinema, Berlin, DE; Screen on the Green,
London, UK
ShoWorx, Bay 67, Westbourne Studios, London, UK
Video Invitational, FA Projects, London, UK
For One Night Only, 38 Langham Street, London, UK
Evidence, Essor Gallery Project Space, London, UK
Club II, Le Confort Moderne, Poitiers, FR
Gatsby, The New Lansdowne Club, London, UK

2001
Club, Beaconsfield, London, UK
Atelier Something, Open Studios, London, UK

William Hunt
1977 Born in London, UK Lives and works in Dusseldorf, DE Education2005 Goldsmiths College, London, UK2000 Slade School of Fine Art, University College London, UK1999 The School of the Art Institute of Chicago, US1996 Camberwell College of Art and Design, London, UK Solo Exhibitions2017William Hunt, A Vessel. Primary, Nottingham, UK 2016You're Gonna Pay For It Now. Now You’re Gonna Pay For It, Gallery Lejuene, London, UK 2015Crawford Art Gallery Cork, IEPlaying the Goat, Ibid. Los Angeles, ULeichte Töne als Schwerstarbeit (Easy listening, hard work), Kunstmuseum Stuttgart, DE 2014Playing the Goat, PEER, London, UKBASH: An Exhibition in Two Parts, Woodstock Byrdcliffe Guild, Woodstock, New York, USNOT KNOWING BUT LOOKING, Petra Rinck Galerie, Dusseldorf, DEBRA-VO, OH BRA – VO!, Rotwand, Zurich, CH 2012Volker Bradtke, Dusseldolf, DE 2010Rotwand Gallery, Zurich, CHJunction: William Hunt, Camden Arts Centre, London, UK 2009Solo Presentation, Art Forum Berlin, Berlin, DEWilliam Hunt, IBID PROJECTS, London, UKI don't believe you, you're a liar, Camden Arts Centre, London, UKI Forgot Myself, Looking At You, Wentrup Gallery, Berlin, DERecorded Live, Picture This, Bristol, UK 2008Tempting Fate, Swimming Alone, Witte de With Center for Contemporary Art, Rotterdam, NL (exh. cat.)Even as You See Me Now, Rotwand, Zurich, CH 2007Put Your Foot Down, Art Unlimited Art Basel 38, Basel, CH 2006Put Your Foot Down, IBID PROJECTS, London, UK Selected Group Exhibitions and Performances2016You're Gonna Pay For It Now. Now You’re Gonna Pay For It, performance as part of Take Up Your Space,KAI 10 Arthena Foundation, Düsseldorf, DE 2015Adam, Eve & the Devil, Marres, House for Contemporary Culture, Maastricht, NLTest Run: Performance in Public, Modern Art Oxford, UK 2014Alena Kotzmannova and William Hunt, ship, ship, slip and drip, hunt kastner, Prauge, CZ 2013A Mobile - Paranalia for five dancers; an exercise in suspension, co-operation and obstruction,Siobhan Davies Dance Studio, London, UKCassini Cruise III, The Ridder, Maastricht, NLLothar Götz, William Hunt and Viktoria Wehrmeister, Petra Rink Galerie, Düsseldorf, DE 2012Spieltrieb, IBID PROJECTS, London, UKTOUT S'ÉCOULE, RIEN NE RESTE TEL, L'espal - scène conventionnée, Théâtre du Mans, Le Mans, FR 2011SHUNCK* at Pinkpop Festival, Limburg, NL 2010A gesture you can’t help but make Villa Reykjavik, Reykjavik, IS (exh. cat.)Anticipation Time, Bat Yam Museum of Contemporary Art, Bat Yam, IRIn Transit, Rotwand Gallery, Zurich, CH 2009Cargo Manifest (curated by Anna-Catharina Gebbers), Munich Opera Festival, Munich, DEThe Blood of a Poet, Estuaire 2009, Nantes/Saint-Nazaire, FR (exh. cat.)SPOTLIGHT, New additions since 2006, Museum der Moderne Salzburg, Salzburg, ATExcursions Performance Festival, Limerick City Art Gallery, Limerick, IEStill-Film (screening), Site Gallery, Sheffield, UK; Liceu Opera, Barcelona, ES 2008Group Show, IBID PROJECTS (Hoxton Square), London, UKSound of Art. Music and Visual Arts. Les Grands Spectacles III, Museum der Moderne Salzburg, Salzburg, AT(exh. cat.)Sonic Youth, Green on Red Gallery, Dublin, Ireland; Wallace Gallery at SUNY College, Old Westbury, USA(exh. cat.)Mind the Gap, Kunsthaus Glarus, Glarus, CHWilliam Hunt, Matthew Darbyshire, Jess Flood-Paddock (curated by Sasha Craddock) Sadlers Wells, London, UKStill-Film, (Film screening curated by Artprojx for Late at Tat)e Tate Britain, London, UK 2007Been Up So Long It Looks Like Down to Me, Presentation House, Vancouver, CA (exh. cat.)Silence: Listen to the Show (curated by Francesco Bonami), Fondazione Sandretto Re Rebaudengo, Turin, IT(exh. cat.)KölnShow 2 (curated by Nicolaus Schafhausen), Cologne, DEJudith, Perry Rubenstein Gallery, New York, US 2006Sleep of Ulro, A Foundation, Liverpool, UKLong Shore Drift (curated by Sally O'Reilly and Mel Brimfield), The Whitstable Biennale 2006, Canterbury, UKDon Quijote (curated by Nicolaus Schafhausen and Sophie Von Olfers), Witte de With, Rotterdam, NLLoge, General Public, Berlin, DENew performance commission, Milton Keynes Gallery, London, UKGeisai No. 9, Invited international Artist by Takashi Murakami, Tokyo Young Art Fair, Tokyo, JPFailure to do so is an Offence, Galerie der Hochschule fur Bildene Kunste, Hamburg, DEGod is a Gallery, Galuzin Gallery, Oslo, NO 2005Nada Art Fair 05, Miami, USAll Personal, VTO, London, UKRip It Up and Start Again, Villa Della Rosa, Galleria Civica d'Arte Moderna Di Bologna, ITMA Degree Show, Goldsmiths College, London, UKLet me Hear Your Body Talk, Artie et Amicitiae, Amsterdam, NLAgain, performance, Itchy Park II, Old Limehouse Townhall London, UK 2004Booty, Gallery Mobile, London, UKAgain, Again, Again (If It’s Funny Once It’s Funny Forever), performance, Alma Enterprises, London, UKRodeo/Radio, video performance, Hinterconti, Hamburg, DECommon Property (Allegemeingut), 6th Werkleitz Biennale, Halle (Saale), DECalm Down, video performance, Volks Theatre, Munich, DE 2003Live 2003, radio performance for Resonance 104.4 FM, London, UKRadio 26/11/Live 2003, Bootleg, performance (curated by Pablo Lafuente), Spitalfields, London, UKJust Regret, 35mm film, A-Clip Cinema intervention, International Cinema, Berlin, DE; Screen on the Green,London, UKShoWorx, Bay 67, Westbourne Studios, London, UKVideo Invitational, FA Projects, London, UKFor One Night Only, 38 Langham Street, London, UKEvidence, Essor Gallery Project Space, London, UKClub II, Le Confort Moderne, Poitiers, FRGatsby, The New Lansdowne Club, London, UK 2001Club, Beaconsfield, London, UKAtelier Something, Open Studios, London, UK

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