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blinkvideo - research of video art, performance and multimedia installations.

blinkvideo - research of video art, performance and multimedia installations.


blinkvideo the platform for . . .

artists we provide a platform for extensive presentation of media works, gallerists get a direct contact to international professional audiences, collectors find a worldwide overview of contemporary trends in moving image, curators can do research via keywords and compilations, teachers use presentation opportunities for students and all professionals get password protected, extensive information about video works worldwide.

Moving Images / Moving Bodies
Online screening programme in cooperation
with the Goethe-Institut Bulgaria

Curated by Ludwig Seyfarth

Research into the human body and interpersonal relationships remain central themes in video and moving image art. Artists from Bulgaria and Germany, whose work is related in content, will be shown in pairs over the next weeks. The exhibition planned for November 2020 in Sofia has been postponed until 2021. Instead, a consecutive presentation of selected films by artists from Moving Bodies/Moving Images is presented on blinkvideo.
image: © Elitsa Dimitrova

Shooting Ghosts
Online screening programme in cooperation
with the Goethe-Institut Bulgaria

Curators: Kalin Serapionov, Krassimir Terziev

What we propose in this programme is a highly subjective and fragmented view on current practices in moving image in the Bulgarian art scene. We focused on practices that show affinity with speculative narratives - narratives that not just record what is in front of the cinematic eye, but also capture all the ghosts that are unreachable by the apparatus, thus projecting speculative views that intend not merely to describe, but to transform the world.
image: © Veneta Androva

UNSTILLED LIFE: Artist Animations 1980-2020
Curated by Emma Cousin and Paul Carey-Kent

Why this show, here and now? British artist-curator Emma Cousin and writer-curator Paul Carey-Kent recently pulled together a choice of artist animations, thinking that the increasingly vibrant medium is especially suited to the online emphasis of the locked down art world of 2020. Three of them turned out to be represented by Ron Mandos, making the Amsterdam gallery ideal hosts. The cast is international, and to reflect that Tintype gallery in London and Hamburg’s blinkvideo have joined in with variations on the programme. 
Markus Vater Worlds don’t come easy, 2020

Expanding Bauhaus.
New Reflections on the Bauhaus Movement in Time-Based Media Art / Goethe Institute Netherlands

A screening series selected by Elke Kania (Cologne), Julia Sökeland (Hamburg) and Ludwig Seyfarth (Berlin)

With its combination of various arts such as painting, photography film, architecture, fashion, product and interior design and textile art, the Bauhaus is still considered the epitome of a technologically advanced modernity. Last but not least, the attempt to create the whole society aesthetically, inspired many artists worldwide.
Image: © Adnan Softic

Featured videos

Alexandra Meijer-Werner
Kreislauf / cycle … revolution … circulation, 1997

Kreislauf is an oneiric trip about the continuous cycle of human rebirth. Our dreams create the fabric in which the threads or individual tendencies appear and disappear, only to become visible once again. The dynamic of this video is a weave of repetitions and juxtapositions of the experiences that create the dance of life. Everything is cyclic, nothing disappears; everything is perpetually mutating in landscapes of anguish and joy, violence and calm, solitude and union. The traveler is the active force of his own fate when he realizes that what is most significant in life is the act of living itself.

Björn Braun
without title (excerpt), 2012

Sandra Boeschenstein
Besuchte Linie auf Granit, 2014

I encountered the roundworm in the Alps when I attempted to repair the water catchment of the cabin after a storm. I wished for this animal found at the spring to be a visited line, then searched for potential visitors and found, just nearby, a nest of firebugs in a dried chestnut leaf, which I placed just outside of the image field. The granite slab, roundworm, bugs’ nest and a fly lived their lives within a radius of 100 meters. My part in this was to bring them into direct proximity for the duration of an hour, to focus my camera and to breathe onto the upper part of the lens, in order to increase the atmospheric depth of the picture. Finally, to come to the allegation I’ve made via the title that something was a line that actually is an animal (when normally, in a contrary approach, characteristically formed lines represent animals or the like). The combination of the simplicity in the foundation / bedrock with a simultaneous insecurity in view of scale and nature of this white line, holds my fascination.

Isabella Fürnkäs
In Ekklesia, 2015

The title, ‘In Ekklesia,’ comes from the Greek word ‘ecclesia,’ which refers to the democratic parliament that served Athens in its halcyon days by being open to male citizens every other year. Solon, an Athenian legislator and a sage, allowed all citizens to serve the parliament regardless of their social class in BC 594. The Ecclesia made decisions about war, military strategies, and all judicial and administrative issues. This work satirizes various facets of humans and machines in the 21st century, unconsciously within a dystopian environment. Isabella Fürnkäs introduces a method of combining and overlaying countless images in her work, providing the new experience of sensations that act in ambiguous flows, movements, interference, and interjection. The piece is about the new metaphysical and material connections appearing through digital conversations that are divorced from the general notion of time and space, as well as isolation and alienation. Text by Hyun Jeung Kim (Nam June Paik Art Center Seoul)

Ryan Gander
Man on a bridge - (A study of David Lange) , 2008

A digital video transferred from 16 mm film shows a number of slightly differing takes of the same short sequence: A man walks over a bridge and seems to notice something over the railing to his left hand side. As he moves in for a closer inspection, the film cuts, which is then followed by another take of the same shot.

Wim Catrysse
MSR, 2014

On the Kuwait roads the journey goes in a western direction, past military bases and a line of oil transporters. Dreary sound sequences are pumped out by the radio. In the middle of rubbish heaps by the roadside a pack of wild dogs is trying to find shelter from the wind. Wim Catrysse presents the Kuwait desert both as a post-apocalyptic setting and as protagonist. During the journey, the car window is an obstacle, made even more so by the screen. The viewer, dumped in the desert, does not manage to reach it through the window. MSR, the Main Supply Route, is the main highway used to coordinate military operations in the Gulf War in 1990/91 and the War in Iraq in 2003. Filming is forbidden here, so the pack of wild dogs carries the story at first. But their behaviour keeps on bringing the desert into focus as the principal actor. Underlined by the sound track, its seeming hostility to life awakens the impression of a dystopian timelessness reminiscent of the apocalyptic scenarios in films and makes the viewer feel ill at ease. Catrysse examines conventions, both in a political-dogmatic and in a filmic sense.Nathalie Ladermann

Johanna Reich
CRAWLER, 2020

A crawler is a searchbot in the internet which Johanna Reich uses to collect special comments or phrases about the most discussed topics during the last years like A.I., climate change, digital revolution, gender and the turn of democratic systems. Johanna Reich selects several of the collected phrases composing a robot performance: self-driving projectors move across the exhibition space and project comments about a.i., gender or climate change onto the audience and architecture.

Annika Kahrs
solid surface, with hills, valleys, craters and other topographic...., 2014

solid surface,with hills,valleys,craters and other topographic features,primarily made of ice„solid surface, with hills, valleys, craters and other topographic features, primarily made of ice“ is set in a planetarium with a projected starry sky, in the center of which is situated a light spot, that explores the space. The Film deals with the moment, shortly before the actual visualization of pluto’s surface properties, whereas the entire cupola hall of the planetarium serves as a metaphorical projection surface of Pluto. The round light spot formally points to the shape of the celestial object and functions as placeholder for its soon arising image.

Ann Oren
The World Is Mine, 2017

In cosplay of the Japanese cyber diva Hatsune Miku, the artist moved to Tokyo, seeking an identity in the world of Miku fanatics, where she was drawn into a love affair with one of the fans. Miku is a Vocaloid, a vocal synthesizer software personified by a cute animated character. Her entire persona: lyrics, music and animation – is fan created, and that's her charm. She even performs sold out concerts as a hologram. By transforming herself into a Miku character through cosplay, Oren enters a world of real hardcore fans where fantasy is more real than reality and the differentiation between the two becomes obsolete. The film examines the performative nature of cosplaying – dressing up and playing the role of fictional characters – as a hybrid space where reality blurs into fetishistic fantasies and pop culture clichés. Combining fan-made lyrics and songs, Oren's trials and tribulations in the fictional Miku world unfolds through vague erotic episodes and encounters with characters whose ontological status remains mysterious, bringing to mind the adventures of a modern Alice in a virtual Wonderland.

Jonathan Monaghan
Den of Wolves, 2020

Den of Wolves is a seamlessly-looping video installation drawing on a range of references to weave a new multi-layered mythology. The work follows three bizarre wolves through a series of increasingly surreal retail stores as they search for the regalia of a monarch. Composed of one continuous camera shot, the work is an immersive, dreamlike journey drawing connections between popular culture, institutional authority and technological over-dependence.

Stefan Panhans
HOSTEL Sequel #1: Please Be Careful Out There, Lisa Marie – H.V.Installation Mix, 2018

At transmediale, Stefan Panhans and Andrea Winkler show their work HOSTEL Sequel #1: Please Be Careful Out There, Lisa Marie – Hybrid Version, a new project that combines film, installation, and staccato stage reading (on blinkvideo we are showing a trailer of the integrated film). With everyday racism, celebrity worship, stereotypes, and the dominating power of the economic all on the rise, precariously and flexibly traveling cultural workers of different origin deliver a sort of spoken word battle about their experiences and dreams. They constantly switch roles and, at the same time, form a choir that clashes with the rapped reports of everyday life. As in a collaborative gymnastic exercise—surrounded by scenery made up of set pieces from outfits of airports, hostels, and courier services, from self-optimization tools and game show displays—they fight for a voice and to be heard, building new alliances along the way. for more information: opening of transmediale

Mariola Brillowska
Children Of The Devil, 2011

Mariola Brillowska’s animation film relates the total collapse of the family system in the 21st century. Six cartoon episodes present an unsparing account of how children become murderers of their parents.

Julia Charlotte Richter
Point Blank, 2019

“Point Blank” refers to a film scene from "The Misfits" (1961) that is now re-enacted and further contextualized. In the original scene, the recently divorced main character Roslyn (Marilyn Monroe) rises up against three worn-out cowboys and, in the middle of the desert, confronts the men with all their lacks and lost dreams. In “Point Blank”, we see a young woman wandering around in surreal desert landscapes, a journey into the remoteness of the world and her own inner life. With every step out into the desert, the girl descends into her own depths searching for a place that seems to be suitable for her emotions and words. Unlike Roslyn, the young woman now refers to absent addressees: "Liars", "Murderers" and "Dead Men" she screams and turns around wildly. The words, which spread like bullets in the air, fall back on her. Except for a faint echo, there is no resonance at this place that depicts the obsessions of a distorted, patriarchal society and has become a dramatic backdrop of yearnings within the collective history of cinema. Where Roslyn was able to elicit a terrified astonishment from the three men, the character in Julia Charlotte Richter's video remains to herself and unheard, the desert as the only witness of her manifesto, her anger and her strength.

Ulrich Polster
Frost, 2003 / 2004

The night city. Industrial ruins filmed in contrejour. Memories from childhood. Different places and times combined at the mountain. It is a hollow portrait of Eastern Europe that carries the traces of its history.

Ene-Liis Semper
FF REW, 1998

Dimitri Venkov
The Hymns of Muscovy, 2018

The film is a trip to the planet Muscovy, which is an upside down space twin of the city of Moscow. As the title of the work suggests, the journey also takes us back in time. Gliding along the surface of the planet, we look down to the sky and see historic architectural styles fly by - the exuberant Socialist Classicism aka Stalinist Empire, the laconic and brutish Soviet Modernism, and the hodgepodge of contemporary knock-offs and revivals of the styles of the past. An essential companion to this journey through time and space are Hymnic Variations on the Soviet anthem by the composer Alexander Manotskov. The anthem was written in 1943 and has undergone three editions of lyrics yet musically remained unchanged to now serve as the official anthem of the Russian Federation. Manotskov used an early recording of the anthem as source material to create three electronic variations each corresponding to an architectural style. As if in a twist of Goethe’s phrase, architecture plays its frozen music. Look closely, can you hear it?

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blinkvideo is a website for the research of video art. Founders: Julia Sökeland, Anita Beckers. blinkvideo ist eine Plattform zur Recherche nach Videokunst

Jacco Olivier

Works


Galleries

Galerie Ron Mandos
Ron Mandos
Prinsengracht 282
1016 HJ Amsterdam
Netherlands

Phone: +31 20 320 7036
E-Mail: mail@ronmandos.nl




Statement

Jacco Olivier fuses painting and filmmaking by repeatedly reworking paintings in generous casual brush strokes and systematically photographing each development. The various stages are combined into projected animations. The resulting films are enigmatic and experiential - moving in and out of abstraction they reveal the traces and decisions made by the artist in the process of painting. While there is a clear and quite complex process involved in their creation, Olivier does not set a thematic agenda for the works, or for their relationship to one another. The films are instead imagined as windows onto converging, and often elegantly simple, moments of daily life - a bus journey, a swim in the ocean, or a walk through the woods. At this convergence of painting and cinema, however, lies an uneasy tension, a feeling that something is about to happen or has just happened that is unexpected and beyond our control.

Jacco Olivier is a graduate of the Rijksakademie van beeldende kunsten, Amsterdam, and also studied at the Hogeschool voor Kunst en Vormgeving, Den Bosch. He has exhibited worldwide, notably at ZKM, Karlsruhe; Sammlung Goetz, Munich; Victoria Miro Gallery, London, Marianne Boesky Gallery, New York, Dordrechts Museum, Dordrecht; MCA Denver, Colorado; The 56th Venice Biennial, Venice; Frans Hals Museum, Haarlem; New York City Center/New Museum, New York, and GEM, The Hague. His art is held in many public collections, including Honart Museum, Tehran; The Zabludowicz Collection, London; and the Rubell Family Collection, Miami, amongst others. Last summer he was awarded the Jeanne Oosting Prize.


Biography

Education
1997-98 Rijksakademie van beeldende kunsten, Amsterdam, The Netherlands
1991-96 Hogeschool voor Kunst en Vormgeving, Den Bosch, The Netherlands

Selected solo Exhibitions
2019

Axis Mundi, Galerie Ron Mandos, Amsterdam, The Netherlands

2017      
Doing identity, Die Sammlung Reydan Weiss, Kunstmuseum Bochum, Bochum, Germany
Cosmology in flux, Tarble Arts Center, Charleston, Illinois, USA

2016
Jacco Olivier: Liquid Painting, Liquid Time, Indianapolis Museum of Art, Indianapolis, IN, USA
Jacco Oliver, Marianne Boesky Gallery, New York, NY, USA

2015
Jacco Olivier: New Works, Galerie Ron Mandos Gallery, Amsterdam, The Netherlands
Jacco Olivier, Galerie der Stadt Backnang, Backnang, Germany

2014
Cycle, GEM, The Hague, The Netherlands
Landscape: Another Dimension, Center for the Arts at Virginia Tech, Blacksburg, VA, USA

2012
New York City Center (curated by the New Museum), New York, NY, USA
Jacco Olivier, Nederlands Instituut voor Mediakunst, Amsterdam, The Netherlands

2011
Madison Square Park, presented by the Madison Square Park Conservancy, New York, NY, USA
Jacco Olivier: Recent Video Works, Galerie Thomas Schulte Berlin, Germany
Jacco Olivier, Galerie Ron Mandos, Amsterdam, The Netherlands

2010
Jacco Olivier, Centro de Arte de Caja de Burgos, Burgos, Spain
Jacco Olivier, Victoria Miro Gallery, London, UK
First Take: Jacco Olivier, Blaffer Art Museum, Houston, TX, USA
Jacco Olivier, Marianne Boesky Gallery, New York, NY, USA

2008
Jacco Olivier, IM ART, Seoul, South Korea
Jacco Olivier, Pilar Parra & Romero, Madrid, Spain

2007
Jacco Olivier, Galerie Thomas Schulte, Berlin, Germany
Jacco Olivier, Marianne Boesky Gallery, New York, NY, USA
Jacco Olivier, Victoria Miro Gallery, London, UK

2005
Im Kabinette, Video Works, Galerie Thomas Schulte, Berlin, Germany

2004
Moving Pictures, Marianne Boesky Gallery, New York, NY, USA
Moving Pictures, Victoria Miro Gallery, London, UK, USA

2001
Jacco Olivier, Stichting Plus Min, Renesse, The Netherlands

2000
Jacco Olivier, Yves Hoffmann Gallery, Paris, France


Selected group Exhibitions
2020

Changez! Art Brussels in Amsterdam, Galerie Ron Mandos, Amsterdam

2019      
Virtuoos! Israels tot Armando, Frans Hals Museum, Haarlem, The Netherlands
Jacco Olivier / Ronald Zuurmond, Vincent van Gogh Huis, Zundert, The Netherlands
Een Schitterende Afzondering, Fort bij Asperen, Acquoy, The Netherlands
Jeanne Oosting Prijs 2019, De Vishal, Haarlem, The Netherlands
Jacco Olivier, Maryland Hall Arts Center, Annapolis, MD, USA
Stilte, The Ketelfactory, Schiedam, The Netherlands
Healing Light, 14 februari tot en met 19 mei, LUMC Leiden, The Netherlands
The Greatest Longing, The Act of Painting, BOHUSLÄNS MUSEUM, Uddevalla, Sweden

2018      
De Meest Eigentijdse Schilderijen Tentoonstelling, Dordrechts Museum, Dordrecht, The Netherlands

2017
Nieuwe Streken, Museum Hilversum, Hilversum, NL

2015   
GOD SAVE THE QUEEN: About Painting in the MUSAC Collection, Museo de Arte Contemporaneo de Castilla y León, León, Spain
El Inconsciente Pictórico (The Pictorial Unconscious), Museu Nacional d’Art de Catalunya, Barcelona, Spain
InLight, Virginia Museum of Fine Arts, Richmond, VA, USA
Vita Vitale, The Azerbaijan Pavilion at the 56 International Art Exhibition – la Biennale di Venezia, Venice, Italy
Buitengaats: Jacco Olivier and Ronald Zuurmond, Ketelfactory Schiedam, The Netherlands
Out There #2, Art Rotterdam Week, Rotterdam, The Netherlands
Metamorphoses: Ovid in Contemporary Art, Rijksmuseum Twente, Enschede, The Netherlands
MOVE ON…! 100 Years of Animation Art, Kunsthal KAdE, Amersfoort, The Netherlands
Laureaten Buning Brongers prijs, Museum Henriette Polak, Zutphen, The Netherlands

2014   
Cycle, Museum Hilversum, Hilversum, The Netherlands
Here Today…, …, an exhibition marking the 50 years of The IUCN Red List, The Old Sorting Office, London, UK
Buning Brongers Winners: The Beauty of Difference, Museum Henriette Polak, Zutphen, The Netherlands
Jacco Olivier and Benjamin Li, Villa Mondriaan, Winterswijk, The Netherlands


2013   
Afterlife: Jacco Olivier & Jennifer West, Southeastern Center for Contemporary Art, Winston-Salem, North Carolina, USA
The House of the Seven Gables, University Galleries, Illinois State University College of Fine Arts, Normal, Bloomington, IL, USA

2012   
New Works: 12.2: Jacco Olivier, Leslie Hewitt and Mike Osbourne, Artpace, San Antonio, Texas, USA
Painting Now, Ron Mandos, Amsterdam, The Netherlands
CHORUS, selección de vídeos de la colección de Martin Z. Margulies, Fundación Foto Colectania, Barcelona, Spain
Pere Llobera, Yuko Murata, Jacco Olivier, Hidde van Seggelen, Contemporary Art, London, UK
Stil Even, gouden eeuw tot nu, Stedelijk Museum Zwolle, Zwolle, The Netherlands
Luid Land, Stichting Kunstfort, Vijfhuizen, The Netherlands
Muziekgebouw aan het IJ, Amsterdam, The Netherlands

2011   
Blink! Light, Sound & the Moving Image, Denver Art Museum, Denver, CO Art Video, Art Basel Miami Beach, New World Center, USA
What’s Up? De jongste schilderkunst in Nederland, Dordrechts Museum, The Netherlands
6 x Rijksakademie Alumni, Ron Mandos Amsterdam, The Netherlands
Live Video, The Chocolate Factory, New York, NY, USA
Visual Museum, Saitama, Kawaguchi, Japan
Kilkenny Arts Festival, Kilkenny, Ireland
Peace Starts with Me, World Peace Festival, Berlin, Germany

2010   
Humanimal, Portsmouth Museum of Art, Portsmouth, New Hampshire, USA
In the Company of Alice, Victoria Miro Gallery, London, UK
SITE Santa Fe 8th Biennial: The Dissolve, Santa Fe, NM, USA

2009   
PAINT CAN, Travelling Gallery, Edinburgh, UK

2008   
Landscapes for Frankenstein, Sara Meltzer Gallery, New York, curated by Rachel Gugelberger and Jeffrey Walkowiak
Alba Art Show, Palazzo dell'Esposizioni, Alba, Italy, curated by Jovana Stokic
The Morning After, Videoarbeiten der Sammlung Goetz, Munich, Germany
Neues Museum Weserberg, Bremen, Germany
The Canvas is the Screen, CaixaForum, Palma, Palma de Mallorca, Spain
Art Now: Recent Acquisitions in Film/Video, Middlebury College Museum of Art, Middlebury, VT, USA
Stultifera Navis: The Ship of Fools, Porta Sant’Agostino, Bergamo, Italy

2007   
Fantasmagoria: Dibujo en movimiento, Fundacion ICO, Madrid, Spain
Madrid-Paris-Berlin, Les Rencontres Internationales, Circulo de Bellas Artes, Madrid, Spain
Imagination Becomes Reality, ZKM | Museum fur Neue Kunst & Medienmuseum, Karlsruhe, Germany
Titled/Untitled, Lismore Castle Arts, Lismore, Ireland

2006   
Version Animée 2006, Centre pour l’Image Contemporaine Saint-Gervais, Geneva, Switzerland
See Into Liquid, MCA Denver, Colorado, USA
The Wonderful Fund – Collecting Art for the New Millenium, Pallant House Gallery, Chichester, UK

2005   
Roaming Memories, Ludwig Forum, Aachen, Germany
Video Programme, Istanbul Modern, Istanbul, Turkey
U_MOVE, Galleria Comunale, Monfalcone, Italy
Prague Biennale 2, Prague, Czech Rupublic
The Wonderful Fund on Tour, Le Musee de Marrakech, Marrakech, Morocco

2004   
Seeing Other People, Marianne Boesky Gallery, New York, USA
Jacco Olivier, Kate Ford, Helen Baron, Transmission Gallery, Glasgow, UK
Latest Paintings, Lia Rumma Gallerie, Milano, Italy
Extended Painting, Victoria Miro Gallery, London, UK 

2003   
10 years Rijksakademie, Victoria Miro Gallery, London, UK


2002   
Amsterdamse visite, Arti et Amicitiae, Amsterdam, The Netherlands

2001   
Camera Works – The Photographic Impulse in Contemporary Art, Marianne Boesky Gallery, New York, USA

2002   
Meet me again, Room, Rotterdam, The Netherlands

2000   
Koninklijke subsidie, Koninklijk Paleis, Amsterdam, The Netherlands

1998   
Wiener Secession, “Junge Szene,” Vienna, Austria

Awards
2019
Jeanne Oosting Prijs 2019
2012 Residency, Artpace, San Antonio, TX, USA
1998 Buning Brongers Sitchting, ‘Buning Brongers Prijs’, Amsterdam

Collections
Honart Museum, Tehran, Iran
The Zabludowicz Collection, London, UK
Sammlung Olbricht, Essen Sammlung Goetz, Munich, Germany
Rubell Family Collection, Miami, USA
Tishman Speyer Collection, New York, USA
The Logan Collection, New York, USA
Vail Calder Foundation, New York, USA
The Margulies Collection, Miami, USA
The Bass Museum of Art, Miami, USA

Jacco Olivier
Education1997-98 Rijksakademie van beeldende kunsten, Amsterdam, The Netherlands 1991-96 Hogeschool voor Kunst en Vormgeving, Den Bosch, The NetherlandsSelected solo Exhibitions 2019Axis Mundi, Galerie Ron Mandos, Amsterdam, The Netherlands2017      Doing identity, Die Sammlung Reydan Weiss, Kunstmuseum Bochum, Bochum, GermanyCosmology in flux, Tarble Arts Center, Charleston, Illinois, USA2016 Jacco Olivier: Liquid Painting, Liquid Time, Indianapolis Museum of Art, Indianapolis, IN, USA Jacco Oliver, Marianne Boesky Gallery, New York, NY, USA2015 Jacco Olivier: New Works, Galerie Ron Mandos Gallery, Amsterdam, The NetherlandsJacco Olivier, Galerie der Stadt Backnang, Backnang, Germany 2014 Cycle, GEM, The Hague, The NetherlandsLandscape: Another Dimension, Center for the Arts at Virginia Tech, Blacksburg, VA, USA2012 New York City Center (curated by the New Museum), New York, NY, USAJacco Olivier, Nederlands Instituut voor Mediakunst, Amsterdam, The Netherlands2011 Madison Square Park, presented by the Madison Square Park Conservancy, New York, NY, USAJacco Olivier: Recent Video Works, Galerie Thomas Schulte Berlin, GermanyJacco Olivier, Galerie Ron Mandos, Amsterdam, The Netherlands2010 Jacco Olivier, Centro de Arte de Caja de Burgos, Burgos, SpainJacco Olivier, Victoria Miro Gallery, London, UKFirst Take: Jacco Olivier, Blaffer Art Museum, Houston, TX, USAJacco Olivier, Marianne Boesky Gallery, New York, NY, USA2008 Jacco Olivier, IM ART, Seoul, South KoreaJacco Olivier, Pilar Parra & Romero, Madrid, Spain2007 Jacco Olivier, Galerie Thomas Schulte, Berlin, GermanyJacco Olivier, Marianne Boesky Gallery, New York, NY, USAJacco Olivier, Victoria Miro Gallery, London, UK2005 Im Kabinette, Video Works, Galerie Thomas Schulte, Berlin, Germany2004 Moving Pictures, Marianne Boesky Gallery, New York, NY, USAMoving Pictures, Victoria Miro Gallery, London, UK, USA2001 Jacco Olivier, Stichting Plus Min, Renesse, The Netherlands2000 Jacco Olivier, Yves Hoffmann Gallery, Paris, FranceSelected group Exhibitions2020Changez! Art Brussels in Amsterdam, Galerie Ron Mandos, Amsterdam2019      Virtuoos! Israels tot Armando, Frans Hals Museum, Haarlem, The NetherlandsJacco Olivier / Ronald Zuurmond, Vincent van Gogh Huis, Zundert, The NetherlandsEen Schitterende Afzondering, Fort bij Asperen, Acquoy, The NetherlandsJeanne Oosting Prijs 2019, De Vishal, Haarlem, The NetherlandsJacco Olivier, Maryland Hall Arts Center, Annapolis, MD, USAStilte, The Ketelfactory, Schiedam, The NetherlandsHealing Light, 14 februari tot en met 19 mei, LUMC Leiden, The NetherlandsThe Greatest Longing, The Act of Painting, BOHUSLÄNS MUSEUM, Uddevalla, Sweden2018      De Meest Eigentijdse Schilderijen Tentoonstelling, Dordrechts Museum, Dordrecht, The Netherlands2017Nieuwe Streken, Museum Hilversum, Hilversum, NL2015   GOD SAVE THE QUEEN: About Painting in the MUSAC Collection, Museo de Arte Contemporaneo de Castilla y León, León, SpainEl Inconsciente Pictórico (The Pictorial Unconscious), Museu Nacional d’Art de Catalunya, Barcelona, SpainInLight, Virginia Museum of Fine Arts, Richmond, VA, USAVita Vitale, The Azerbaijan Pavilion at the 56 International Art Exhibition – la Biennale di Venezia, Venice, ItalyBuitengaats: Jacco Olivier and Ronald Zuurmond, Ketelfactory Schiedam, The NetherlandsOut There #2, Art Rotterdam Week, Rotterdam, The NetherlandsMetamorphoses: Ovid in Contemporary Art, Rijksmuseum Twente, Enschede, The NetherlandsMOVE ON…! 100 Years of Animation Art, Kunsthal KAdE, Amersfoort, The NetherlandsLaureaten Buning Brongers prijs, Museum Henriette Polak, Zutphen, The Netherlands2014   Cycle, Museum Hilversum, Hilversum, The NetherlandsHere Today…, …, an exhibition marking the 50 years of The IUCN Red List, The Old Sorting Office, London, UKBuning Brongers Winners: The Beauty of Difference, Museum Henriette Polak, Zutphen, The NetherlandsJacco Olivier and Benjamin Li, Villa Mondriaan, Winterswijk, The Netherlands2013   Afterlife: Jacco Olivier & Jennifer West, Southeastern Center for Contemporary Art, Winston-Salem, North Carolina, USAThe House of the Seven Gables, University Galleries, Illinois State University College of Fine Arts, Normal, Bloomington, IL, USA2012   New Works: 12.2: Jacco Olivier, Leslie Hewitt and Mike Osbourne, Artpace, San Antonio, Texas, USAPainting Now, Ron Mandos, Amsterdam, The NetherlandsCHORUS, selección de vídeos de la colección de Martin Z. Margulies, Fundación Foto Colectania, Barcelona, SpainPere Llobera, Yuko Murata, Jacco Olivier, Hidde van Seggelen, Contemporary Art, London, UKStil Even, gouden eeuw tot nu, Stedelijk Museum Zwolle, Zwolle, The NetherlandsLuid Land, Stichting Kunstfort, Vijfhuizen, The NetherlandsMuziekgebouw aan het IJ, Amsterdam, The Netherlands2011   Blink! Light, Sound & the Moving Image, Denver Art Museum, Denver, CO Art Video, Art Basel Miami Beach, New World Center, USAWhat’s Up? De jongste schilderkunst in Nederland, Dordrechts Museum, The Netherlands 6 x Rijksakademie Alumni, Ron Mandos Amsterdam, The NetherlandsLive Video, The Chocolate Factory, New York, NY, USAVisual Museum, Saitama, Kawaguchi, JapanKilkenny Arts Festival, Kilkenny, IrelandPeace Starts with Me, World Peace Festival, Berlin, Germany2010   Humanimal, Portsmouth Museum of Art, Portsmouth, New Hampshire, USAIn the Company of Alice, Victoria Miro Gallery, London, UKSITE Santa Fe 8th Biennial: The Dissolve, Santa Fe, NM, USA2009   PAINT CAN, Travelling Gallery, Edinburgh, UK2008   Landscapes for Frankenstein, Sara Meltzer Gallery, New York, curated by Rachel Gugelberger and Jeffrey WalkowiakAlba Art Show, Palazzo dell'Esposizioni, Alba, Italy, curated by Jovana Stokic The Morning After, Videoarbeiten der Sammlung Goetz, Munich, GermanyNeues Museum Weserberg, Bremen, GermanyThe Canvas is the Screen, CaixaForum, Palma, Palma de Mallorca, SpainArt Now: Recent Acquisitions in Film/Video, Middlebury College Museum of Art, Middlebury, VT, USAStultifera Navis: The Ship of Fools, Porta Sant’Agostino, Bergamo, Italy2007   Fantasmagoria: Dibujo en movimiento, Fundacion ICO, Madrid, SpainMadrid-Paris-Berlin, Les Rencontres Internationales, Circulo de Bellas Artes, Madrid, SpainImagination Becomes Reality, ZKM | Museum fur Neue Kunst & Medienmuseum, Karlsruhe, Germany Titled/Untitled, Lismore Castle Arts, Lismore, Ireland2006   Version Animée 2006, Centre pour l’Image Contemporaine Saint-Gervais, Geneva, Switzerland See Into Liquid, MCA Denver, Colorado, USAThe Wonderful Fund – Collecting Art for the New Millenium, Pallant House Gallery, Chichester, UK 2005   Roaming Memories, Ludwig Forum, Aachen, GermanyVideo Programme, Istanbul Modern, Istanbul, TurkeyU_MOVE, Galleria Comunale, Monfalcone, ItalyPrague Biennale 2, Prague, Czech RupublicThe Wonderful Fund on Tour, Le Musee de Marrakech, Marrakech, Morocco 2004   Seeing Other People, Marianne Boesky Gallery, New York, USAJacco Olivier, Kate Ford, Helen Baron, Transmission Gallery, Glasgow, UK Latest Paintings, Lia Rumma Gallerie, Milano, ItalyExtended Painting, Victoria Miro Gallery, London, UK 2003   10 years Rijksakademie, Victoria Miro Gallery, London, UK 2002   Amsterdamse visite, Arti et Amicitiae, Amsterdam, The Netherlands2001   Camera Works – The Photographic Impulse in Contemporary Art, Marianne Boesky Gallery, New York, USA2002   Meet me again, Room, Rotterdam, The Netherlands2000   Koninklijke subsidie, Koninklijk Paleis, Amsterdam, The Netherlands1998   Wiener Secession, “Junge Szene,” Vienna, AustriaAwards2019 Jeanne Oosting Prijs 20192012 Residency, Artpace, San Antonio, TX, USA1998 Buning Brongers Sitchting, ‘Buning Brongers Prijs’, Amsterdam CollectionsHonart Museum, Tehran, IranThe Zabludowicz Collection, London, UKSammlung Olbricht, Essen Sammlung Goetz, Munich, GermanyRubell Family Collection, Miami, USATishman Speyer Collection, New York, USAThe Logan Collection, New York, USAVail Calder Foundation, New York, USAThe Margulies Collection, Miami, USAThe Bass Museum of Art, Miami, USA

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