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blinkvideo - research of video art, performance and multimedia installations.

blinkvideo - research of video art, performance and multimedia installations.

blinkvideo the platform for . . .

artists we provide a platform for extensive presentation of media works, gallerists get a direct contact to international professional audiences, collectors find a worldwide overview of contemporary trends in moving image, curators can do research via keywords and compilations, teachers use presentation opportunities for students and all professionals get password protected, extensive information about video works worldwide.

FLUID STATES. SOLID MATTER
Videonale 18.

On what basis do we live, think and act nowadays? And how are we shaping this basis for the future? The works of the exhibition FLUID STATES. SOLID MATTER open a discourse on these questions. How does our thinking of the relationship of human beings to their environment change when we no longer see the body as solid and autonomous - as it has been the case until now - but as fluid. As fluid bodies - or "Bodies of Water", as gender researcher Astrida Neimanis puts it -
we as human beings no longer stand above nature, but in interaction with it, with the living being, with the systems that surround us.
Image: © Ida Kammerloch, Resusci Anne, 2019/2020

Alexandra Meijer-Werner

Between 1993 and 2002 Alexandra Meijer-Werner's artistic work focused on creating video installations with multiple projectors, and combining sound, texture and interaction with the public. She also produced a number of documentaries which evidence her profound interest in personal transformation and the awakening of human consciousness.

Please have a look to an introduction of her work on blinkvideo.
Image: © Eugenia Meijer-Werner

Moving Images / Moving Bodies
Online screening programme in cooperation
with the Goethe-Institut Bulgaria

Curated by Ludwig Seyfarth

Research into the human body and interpersonal relationships remain central themes in video and moving image art. Artists from Bulgaria and Germany, whose work is related in content, will be shown in pairs over the next weeks. The exhibition planned for November 2020 in Sofia has been postponed until 2021. Instead, a consecutive presentation of selected films by artists from Moving Bodies/Moving Images is presented on blinkvideo.
image: © Elitsa Dimitrova

Shooting Ghosts
Online screening programme in cooperation
with the Goethe-Institut Bulgaria

Curators: Kalin Serapionov, Krassimir Terziev

What we propose in this programme is a highly subjective and fragmented view on current practices in moving image in the Bulgarian art scene. We focused on practices that show affinity with speculative narratives - narratives that not just record what is in front of the cinematic eye, but also capture all the ghosts that are unreachable by the apparatus, thus projecting speculative views that intend not merely to describe, but to transform the world.
image: © Veneta Androva

Featured videos

Alexandra Meijer-Werner
Kreislauf / cycle … revolution … circulation, 1997

Kreislauf is an oneiric trip about the continuous cycle of human rebirth. Our dreams create the fabric in which the threads or individual tendencies appear and disappear, only to become visible once again. The dynamic of this video is a weave of repetitions and juxtapositions of the experiences that create the dance of life. Everything is cyclic, nothing disappears; everything is perpetually mutating in landscapes of anguish and joy, violence and calm, solitude and union. The traveler is the active force of his own fate when he realizes that what is most significant in life is the act of living itself.

Björn Braun
without title (excerpt), 2012

Sandra Boeschenstein
Besuchte Linie auf Granit, 2014

I encountered the roundworm in the Alps when I attempted to repair the water catchment of the cabin after a storm. I wished for this animal found at the spring to be a visited line, then searched for potential visitors and found, just nearby, a nest of firebugs in a dried chestnut leaf, which I placed just outside of the image field. The granite slab, roundworm, bugs’ nest and a fly lived their lives within a radius of 100 meters. My part in this was to bring them into direct proximity for the duration of an hour, to focus my camera and to breathe onto the upper part of the lens, in order to increase the atmospheric depth of the picture. Finally, to come to the allegation I’ve made via the title that something was a line that actually is an animal (when normally, in a contrary approach, characteristically formed lines represent animals or the like). The combination of the simplicity in the foundation / bedrock with a simultaneous insecurity in view of scale and nature of this white line, holds my fascination.

Isabella Fürnkäs
In Ekklesia, 2015

The title, ‘In Ekklesia,’ comes from the Greek word ‘ecclesia,’ which refers to the democratic parliament that served Athens in its halcyon days by being open to male citizens every other year. Solon, an Athenian legislator and a sage, allowed all citizens to serve the parliament regardless of their social class in BC 594. The Ecclesia made decisions about war, military strategies, and all judicial and administrative issues. This work satirizes various facets of humans and machines in the 21st century, unconsciously within a dystopian environment. Isabella Fürnkäs introduces a method of combining and overlaying countless images in her work, providing the new experience of sensations that act in ambiguous flows, movements, interference, and interjection. The piece is about the new metaphysical and material connections appearing through digital conversations that are divorced from the general notion of time and space, as well as isolation and alienation. Text by Hyun Jeung Kim (Nam June Paik Art Center Seoul)

Ryan Gander
Man on a bridge - (A study of David Lange) , 2008

A digital video transferred from 16 mm film shows a number of slightly differing takes of the same short sequence: A man walks over a bridge and seems to notice something over the railing to his left hand side. As he moves in for a closer inspection, the film cuts, which is then followed by another take of the same shot.

Wim Catrysse
MSR, 2014

On the Kuwait roads the journey goes in a western direction, past military bases and a line of oil transporters. Dreary sound sequences are pumped out by the radio. In the middle of rubbish heaps by the roadside a pack of wild dogs is trying to find shelter from the wind. Wim Catrysse presents the Kuwait desert both as a post-apocalyptic setting and as protagonist. During the journey, the car window is an obstacle, made even more so by the screen. The viewer, dumped in the desert, does not manage to reach it through the window. MSR, the Main Supply Route, is the main highway used to coordinate military operations in the Gulf War in 1990/91 and the War in Iraq in 2003. Filming is forbidden here, so the pack of wild dogs carries the story at first. But their behaviour keeps on bringing the desert into focus as the principal actor. Underlined by the sound track, its seeming hostility to life awakens the impression of a dystopian timelessness reminiscent of the apocalyptic scenarios in films and makes the viewer feel ill at ease. Catrysse examines conventions, both in a political-dogmatic and in a filmic sense.Nathalie Ladermann

Johanna Reich
CRAWLER, 2020

A crawler is a searchbot in the internet which Johanna Reich uses to collect special comments or phrases about the most discussed topics during the last years like A.I., climate change, digital revolution, gender and the turn of democratic systems. Johanna Reich selects several of the collected phrases composing a robot performance: self-driving projectors move across the exhibition space and project comments about a.i., gender or climate change onto the audience and architecture.

Annika Kahrs
solid surface, with hills, valleys, craters and other topographic...., 2014

solid surface,with hills,valleys,craters and other topographic features,primarily made of ice„solid surface, with hills, valleys, craters and other topographic features, primarily made of ice“ is set in a planetarium with a projected starry sky, in the center of which is situated a light spot, that explores the space. The Film deals with the moment, shortly before the actual visualization of pluto’s surface properties, whereas the entire cupola hall of the planetarium serves as a metaphorical projection surface of Pluto. The round light spot formally points to the shape of the celestial object and functions as placeholder for its soon arising image.

Ann Oren
The World Is Mine, 2017

In cosplay of the Japanese cyber diva Hatsune Miku, the artist moved to Tokyo, seeking an identity in the world of Miku fanatics, where she was drawn into a love affair with one of the fans. Miku is a Vocaloid, a vocal synthesizer software personified by a cute animated character. Her entire persona: lyrics, music and animation – is fan created, and that's her charm. She even performs sold out concerts as a hologram. By transforming herself into a Miku character through cosplay, Oren enters a world of real hardcore fans where fantasy is more real than reality and the differentiation between the two becomes obsolete. The film examines the performative nature of cosplaying – dressing up and playing the role of fictional characters – as a hybrid space where reality blurs into fetishistic fantasies and pop culture clichés. Combining fan-made lyrics and songs, Oren's trials and tribulations in the fictional Miku world unfolds through vague erotic episodes and encounters with characters whose ontological status remains mysterious, bringing to mind the adventures of a modern Alice in a virtual Wonderland.

Jonathan Monaghan
Den of Wolves, 2020

Den of Wolves is a seamlessly-looping video installation drawing on a range of references to weave a new multi-layered mythology. The work follows three bizarre wolves through a series of increasingly surreal retail stores as they search for the regalia of a monarch. Composed of one continuous camera shot, the work is an immersive, dreamlike journey drawing connections between popular culture, institutional authority and technological over-dependence.

Stefan Panhans
HOSTEL Sequel #1: Please Be Careful Out There, Lisa Marie – H.V.Installation Mix, 2018

At transmediale, Stefan Panhans and Andrea Winkler show their work HOSTEL Sequel #1: Please Be Careful Out There, Lisa Marie – Hybrid Version, a new project that combines film, installation, and staccato stage reading (on blinkvideo we are showing a trailer of the integrated film). With everyday racism, celebrity worship, stereotypes, and the dominating power of the economic all on the rise, precariously and flexibly traveling cultural workers of different origin deliver a sort of spoken word battle about their experiences and dreams. They constantly switch roles and, at the same time, form a choir that clashes with the rapped reports of everyday life. As in a collaborative gymnastic exercise—surrounded by scenery made up of set pieces from outfits of airports, hostels, and courier services, from self-optimization tools and game show displays—they fight for a voice and to be heard, building new alliances along the way. for more information: opening of transmediale

Mariola Brillowska
Children Of The Devil, 2011

Mariola Brillowska’s animation film relates the total collapse of the family system in the 21st century. Six cartoon episodes present an unsparing account of how children become murderers of their parents.

Julia Charlotte Richter
Point Blank, 2019

“Point Blank” refers to a film scene from "The Misfits" (1961) that is now re-enacted and further contextualized. In the original scene, the recently divorced main character Roslyn (Marilyn Monroe) rises up against three worn-out cowboys and, in the middle of the desert, confronts the men with all their lacks and lost dreams. In “Point Blank”, we see a young woman wandering around in surreal desert landscapes, a journey into the remoteness of the world and her own inner life. With every step out into the desert, the girl descends into her own depths searching for a place that seems to be suitable for her emotions and words. Unlike Roslyn, the young woman now refers to absent addressees: "Liars", "Murderers" and "Dead Men" she screams and turns around wildly. The words, which spread like bullets in the air, fall back on her. Except for a faint echo, there is no resonance at this place that depicts the obsessions of a distorted, patriarchal society and has become a dramatic backdrop of yearnings within the collective history of cinema. Where Roslyn was able to elicit a terrified astonishment from the three men, the character in Julia Charlotte Richter's video remains to herself and unheard, the desert as the only witness of her manifesto, her anger and her strength.

Ulrich Polster
Frost, 2003 / 2004

The night city. Industrial ruins filmed in contrejour. Memories from childhood. Different places and times combined at the mountain. It is a hollow portrait of Eastern Europe that carries the traces of its history.

Ene-Liis Semper
FF REW, 1998

Dimitri Venkov
The Hymns of Muscovy, 2018

The film is a trip to the planet Muscovy, which is an upside down space twin of the city of Moscow. As the title of the work suggests, the journey also takes us back in time. Gliding along the surface of the planet, we look down to the sky and see historic architectural styles fly by - the exuberant Socialist Classicism aka Stalinist Empire, the laconic and brutish Soviet Modernism, and the hodgepodge of contemporary knock-offs and revivals of the styles of the past. An essential companion to this journey through time and space are Hymnic Variations on the Soviet anthem by the composer Alexander Manotskov. The anthem was written in 1943 and has undergone three editions of lyrics yet musically remained unchanged to now serve as the official anthem of the Russian Federation. Manotskov used an early recording of the anthem as source material to create three electronic variations each corresponding to an architectural style. As if in a twist of Goethe’s phrase, architecture plays its frozen music. Look closely, can you hear it?

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blinkvideo is a website for the research of video art. Founders: Julia Sökeland, Anita Beckers. blinkvideo ist eine Plattform zur Recherche nach Videokunst

Guillaume Leblon

Works


Galleries

Galerie Joceln Wolff
Jocelyn Wolff
78, rue Julien-Lacroix
75020 Paris
France

Phone: +33 1 42 03 05 65
E-Mail: j.wolff@galeriewolff.com




Biography

Born in Lille, France, 1971
Lives and works in Paris

Biography

2011 Nominee for the Prix Marcel Duchamp, Grand Palais, Paris, France
2008 Residency at International Studio and Curatorial Program (ISCP), New York
2005 Laureate for the Prix Altadis, Paris / Madrid, France/Spain
1999 - 2000 Rijksakademie (International Residency), Amsterdam, Netherlands
1999 ART 3 Residency, Sabadell/Barcelone, Spain
1997 D.N.S.E.P (with Jury’s congratulations) Ecole Nationale des Beaux-Arts, Lyon, France

Solo exhibitions

2015
Contemporary Art Gallery, Vancouver, Canada
Le poids que la main supporte, Panorama, Marseille, France

2014
A dos de cheval avec le peintre, cur. Nathalie Ergino, Institut d‘Art Contemporain, Vil
leurbanne, France
The Constant repetition of false, ProjecteSD, Barcelona, Spain

2013
Under my shoe, Mass Moca, North Adams, USA
Les nouveaux anges, Galerie Jocelyn Wolff, Paris, France

2012
Une appropriation de la nature, Musée de Sérignan, Sérignan, France

2011
Facing the dry dirt, The Suburban & The Poor farm experiment, Little Wolf, Wisconsin, USA
Black Apple falls, Fondation Paul Ricard, Paris, France, curator: Alessandro Rabotini

2010
L’Entretien, theater play, written by Thomas Boutoux & Guillaume Leblon, le Temple, Paris, France
Strange form of Life, Projecte SD, Barcelone, Spain
Monumento Nazionale, Centre Culturel français, Milan, Italy, curator: Alessandro Rabotini
Someone Knows Better Than Me, Le grand café, Centre d’art contemporain, Saint-Nazaire, France

2009
Réplique de la chose absente, Galerie Jocelyn Wolff, Paris, France
Site of confluence, MUDAM, Luxembourg

2008
Augmentation and dispersion, Centre d’art contemporain Culturgest, Porto, Portugal
Parallel walk, Centro Gallego de Arte Contemporaneo, CGAC, Santiago de Compostela, Spain
The Extra Ordinary, galerie Projecte SD, Barcelone, Spain
Four ladders, STUK, Kunstencentrum, Leuven, Belgium
Maisons sommaires, Centre d’art contemporain, Domaine de Kerguéhennec, France

2007
Rupture de correspondances, galerie Jocelyn Wolff, Paris, France
The personal effects of Suryararman VII, Galerie Johanna Kamm, Berlin, Germany

2006
Kunstverein Düsseldorf, Düsseldorf, Germany
National monument, Centre d’art contemporain, Ivry-sur-Seine, France

2005
Le, Galerie Jocelyn Wolff, Paris, France
only pictures are colourful, Galerie Projecte SD, Barcelone, Spain
Le paradoxe du bord, Irmavep Lab, Châtillon-sur-Marne, France

2004
vue depuis l’entrée vers l’escalier, Galerie Jocelyn Wolff, Paris, France
AZIMUT, FRAC Bourgogne, Dijon, France

2001
Aménagements intérieurs: équipement, Public, Paris, France

2000
H.E.R.E, W139 galerie, Amsterdam, Netherlands
Silent zones, El despacho, Mexico city, Mexico

1999
T’estimo tot el dia, Museu d’art, Sabadell, Spain

Selected group exhibitions

2015
Festival d‘automne, Paris, France
Villa Toronto, Toronto, Canada

2014-2016
Une Histoire (art archi design/ des années 80 à nos jours), Centre Pompidou, Paris,
France

2014-2015
Ernesto, Centre européen d‘actions artistiques contemporaines, Strasbourg, France
Simples gestes, Musée du Cristal, Saint-Louis-les-Bitche, France

2014
La nature et ses proportions, Galerie Jocelyn Wolff, Paris, France

2013/2014
De leur temps (4), 2010/2013, Regards croisés de 100 collectionneurs sur la jeune
création, Centre d’art Le hangar à Bananes, Nantes, France

2013
Une préface, Le Plateau, FRAC Ile de France, Paris, France
Je jouais avec les chiens et je voyais le ciel et je voyais l‘air, Les Pléiades, 30 ans des FRAC, Toulouse, France
Map, record, picture, sculpture, Projecte SD, Barcelona, Spain
1966-79 IAC, Villeurbanne, France
Die Wahrscheinlichkeit, dass nichts passiert, Carlier Gebauer, Berlin, Germany
L’instinct oublié, Gallery Jocelyn Wolff exhibits at gallery Labor, Mexico City
Collection Amplifiée, une proposition d‘Arnaud Maguet, Musée de Rochechouart, France

2012-2013
Rhona Hoffman Gallery, Chicago, USA

2012
Biennale de Rennes, Rennes, France
Autres, être sauvage de rousseau à nos jours, Musée-château Annecy, France
La part de l’autre, Les moulins de Paillard, Poncé-sur-le Loir, France
Aire de Lyon, Proa Fondation, Buenos Aires, Argentina, curated by Victoria Noorthoorn
Vent des Forêts, Fresnes-au-Mont ,France
Alchemy, Fondacio Joan Miro, Barcelone, Spain

2011/2012
Pour un art pauvre, Carré d’art Nîmes, Nîmes, France

2011
Beyond the Fragile Geometry of Sculpture, de Vleeshal, Middelburg, Netherlands
Les nominés du Prix Marcel Duchamp, LAM, Villeneuve d’Ascq, France
Une Terrible Beauté Est Née, Biennale de Lyon, Lyon, France
The Fifth Column, Secession, Vienna, Austria, curator: Moritz Kung
Strates et art, autour de François Morellet, Galerie Hervé Bize, Nancy, France

2010/2011
Sampler #1, Galleria Alessandro de March, Milan, Italy
The Unknown group, FRAC Bourgogne, Dijon, France
Bild für Bild. Film und zeitgenössische Kunst. Aus der Sammlung des Centre Pompidou,
Museum Ostwall, Dortmund, Deutschland

2010
Altadis Prix, Alicante, Spain
Sensorialités excentriques. Musée départemental d’art contemporain, Rochechouart, France
MINIMAL. Kunst und Möbel aus der Sammlung des MAK, MAK – Österreichisches Muse
um für Angewandte Kunst / Gegenwartskunst, Vienna, Austria
Le carillon de big ben, Centre d’art contemporain d’Ivry, Ivry-sur-Seine, France
The Garden of Forking Paths, Fondation Akbank, Istanbul, Turkey, curator: Akbank Sanat
Les sculptures meurent aussi, Kunsthalle Mulhouse, Mulhouse, France, curator: Lorenzo Benedetti
2 1/2 Dimensional: Film Featuring Architecture, deSingel, Antwerp, Belgium

2009
Pieter Vermeersch hosts…three artists from Galerie Wolff, Projecte SD, Barcelone, Spain
The Eventual, Futura – Centre for Contemporary Art, Prague, Czech Republic
Eté 2009, galerie Jocelyn Wolff, Paris, France
Space revised, Gesellschaft für Aktuelle Kunst Bremen, Bremen, Germany
Constellation, centre Pompidou – Metz, Metz, France
Off off, 186 Orchad Gallery, New York, USA
La Force de l’art 02, Paris, France
Slow movement or : half and whole, Kunsthalle Bern, Bern, Switzerland,
curators: Philippe Pirotte and Elfriede Schalit
Pragmatismus et romantismus, les matériaux du possible,
Fondation d’entreprise Ricard, Paris, France, curator: Anne Bonnin
Le travail de rivière, Crédac, Ivry sur Seine, France, curator: Claire le Restif
Of other spaces, Columbus college of Art & design, Columbus, Ohio, USA
Science versus fiction, Bétonsalon, Paris, France

2008/2009
Modernicité#I, Grand Café centre d’art contemporain, Saint Nazaire, France

2008
() neutre intense, Carl Freedman gallery, London, United Kingdom, curator: Christophe Gallois
A minima, Astérides, Friche Belle de Mai, Marseilles, France, curator: Estelle Nabeyrat
Fabricateurs d’espaces, Institut d’art contemporain, Villeurbanne, France
Modern Ruin, Queensland Art Gallery, South Brisbane, Australia
Robert Filliou, Guillaume Leblon and Joëlle Tuerlinckx, Galerie Jocelyn Wolff, Paris, France
A Town (Not a City), Kunsthalle St. Gall, Switzerland, curators: Giovanni Carmine and Thomas Boutoux
Ready/Made, galerie Yvon Lambert, Paris, France
Translation, centre culturel français, Moscow, Russia, curator: Olivier Michelon
Martial Museum of Terrestrial Art, Barbican Art Centre, London, United Kingdom,
curators: Francesco Manacorda, Lydia Yee
() neutre intense, centre d’art Mira Phalaina, Maison Populaire, Montreuil, France curator: Christophe Gallois
Power, Foxyproduction, New York, USA, curator: Bill Cournoyer
If on a Winter’s night a traveller, Museum MARTa Herford, Herford, Germany, curator: Lorenzo Benedetti

2007
French Kissin’ in USA, an emerging art scene in France, The Moore Space, Miami, USA curator: Silvia Karman Cubina
Suite Française, Krinzinger Projekte, Vienna, Austria, curators: Steven Guermeur, Corentin Hamel
Walks, Galerie Bischoff & Weiss, London, United Kingdom
Dialogues Méditerranéens, St Tropez, France curator: Suzanne van Hagen
Lost, Ateliers des Arques, Lot, France, curator: Chiara Parisi
Une histoire à soi, La Galerie, centre d’art contemporain de Noisy-le-Sec, Noisy-le-Sec France, curator: Anna Johansson
Logiques du rêve éveillé, Instants Chavirés, Montreuil, France, curator: Maëlle Dault
De leur temps (2), art contemporain et collections privées en France, musée de Grenoble, Grenoble, France
Airs de Paris, Musée national d’art moderne - Centre Georges Pompidou, Paris, France,
curators: Daniel Birnbaum, Christine Macel & Valérie Guillaume
Après la pluie, musée départemental d’art contemporain de Rochechouart,
Rochechouart, France, curator: Olivier Michelon
The re-conquest of space, Kopenhagen, Denmark, curator: Fanny Gonella
Mimetic, centre d’art de l’Yonne, Auxerre, France, curator: Jean-Marc Huitorel

2006
Incipit, Espace Paul Ricard, Paris, France
Super nova, Domaine Pommery, Reims, France, curator: Judicaël Lavrador
Prospective Sites, Rolling boards, Vienna, Austria.

2005/2006
Prix Altadis, Madrid and Paris, Spain/ France

2005
CAC Brétigny-sur-Orge, France, curator: Pierre Bal-Blanc
Pursuit of happiness, Beyond, Utrecht, Netherlands
le génie du lieu, Musée des Beaux-Arts de Dijon, Dijon, France
BAM, Centre d’art contemporain, Ivry/Seine, France
Le principe d’incertitude, Public, Paris, France, curator: Marianne Lanavère
Lasst Blumen sprechen, Galerie de Multiples, Paris, France, curator: Aurélie Voltz

2004
Schöner Whonen, BE-PART, Platform voor actuele kunst,Waregem, Belgium. curator: Moritz Küng

2003
Portal, Kunsthalle Fridericianum, Kassel, Germany
curator: Susanne Van de Ven
Suspendu, Galerie fa projects, London, United Kingdom
curators: Marianne Lanavère and Caroline Ferreira
Le parc, Contemporary art center, Vilnius, Lithuania, curator: Marianne Lanavère
Armour, the fort Asperen Foundation, Asperen, Netherlands

2002
Rendez-vous, MAC (Museum of contemporary art), Lyon, France
Lost past, Merghelynck Museum, Ypres, Belgium, with C. Wyn Evans, G. Schneider, R.
Dijkstra, curator: Moritz Küng
not I, Arti museum, Amsterdam, Netherlands
Ghost, Outline gallery, Amsterdam, Netherlands

2001
il y a toujours quelqu‘un qui veut quelque chose, Gal. Agnès b, Paris, France
strategy against architecture, Fondation Teseco, Pise, Italy
With Liam Gillick, Mathieu Mercier, Mandfred Pernice
curator: Luca Cerriza
Sonsbeek 9, locus/focus, Arnhem, Netherlands, curator: Jan Hoet
my wallpaper is cracking, SparwasserHQ gallery, Berlin, Germany. With Italo Zuffi
ferveur, proposition collective, Les subsistances, Lyon, France

2000
Open studio 2, Rijksakademie, Amsterdam, Netherlands

1999
Open studio 1, Rijksakademie, Amsterdam, Netherlands
Manager de l‘immaturité, Le Magasin, Grenoble, France

Projects

2013
Monument aux morts, Saint-Martin-Cantalès (15), Auvergne, France
2013
Collection Daniel Cordier, carte blanche à Guillaume Leblon, les Abattoirs, Toulouse, France
2008
Curating the Library, De Singel, Antwerp, Belgium. Curator: Moritz Kung
2006-2010
L’Entretien, theater play, written by Thomas Boutoux & Guillaume Leblon, based on an
a fictive conversation between an artist & a curator
Public presentations: - le Temple, Paris, March 2010
- Domaine de Kerguéhennec, France, March 2008
- Credac, Ivry-sur-Seine, France, January 2007
- Galerie Commune, Tourcoing, France, December 2006
2005
Le Teaser, visual storyline for one of the sixth edition of Le Teaser, with texts by Tom
Gidley, Phyllis Kiehl, Simon Takahashi, Tom McCarthy, Metronom Press, Paris

Screenings

2007
Tobias Putrih exhibition, Slovenian Pavilion, 52nd Venice Biennial, San Servolo Island,
Italy, curator: Francesco Manacorda
> Villa Cavrois
2002
Polyphonix Film Festival, MNAM, Centre Georges-Pompidou, Paris, France
> Villa Cavrois

Selected bibliography


Press articles (selection)

2014
Le théâtre de la décrépitude, Anne Bonnin, in : Zérodeux, Automn 2014
Guillaume Leblon de retour à l‘IAC, Erik Verhagen, in : artpress 414, , September 2014
Quelque part entre la clôture et l‘expansion : la sculpture aujourd‘hui, Sylvie Coellier, in : Espace, Spring-Summer 2014
Membres fantômes, Claire Moulène, in : les inrockuptibles, n.972, July 2014
L‘histoire cyclique des formes par Guillaume Leblon, Julie Portier, in : Le Quotidien de l‘Art n. 645, July 2014
A l‘ombre des tableaux : les expos de l‘été, Jean-Emmanuel Denave, in : Petit Bulletin n. 764, July 2014
A l’Institut d’Art Contemporain, on se balade A dos de cheval avec le peintre Guillaume Leblon, in : L'Envolée Culturelle, July 2014
Une oeuvre de mémoire, Emmanuelle Lequeux, in : Le Quotidien de l‘Art, n. 558, March 2014
2013
Guillaume Leblon est aux anges, Emmanuelle Lequeux, in : Le Quotidien de l‘Art, n.364, April 2013
Guillaume Leblon façonne la poussière des anges, Emmanuelle Lequeux, in : Le Mon de, 24/04/2013
Guillaume Leblon, Helbling, in : Paris-Art, April 2013
Guillaume Leblon, in : Architecural Digest, April 2013
Guillaume Leblon, Philippe Dagen, in : Le Monde, 10.03.2013
Guillaume Leblon, Le prodige du hasard, Colin Cyvoct, in : L‘oeil, Janvier 2013
2012
Guillaume Leblon, "Artiste contre-nature“, in : Mouvement, Nov-Déc. 2012
Toulouse/Rennes, Le match de la rentrée, Judicaël Lavrador, in: Beaux Arts Magazine, September 2012
Klüngelei und Preispolitik, Jens E. Sennewald, Kunstzeitung, May 2012
Guillaume Leblon, Lillian Davies, in: Art Forum, February 2012
Pour un art pauvre, Inventaire du monde et de l‘atelier, Theodora Domenech, in: Art Press N. 385, January 2012
2011
Arte Povera, Patrice Joly, in: Zéro Deux, Winter 2011
Les héritiers de l‘arte povera, in: Beaux Arts, December 2011
Les collages en trois dimensions de Guillaume Leblon, Emmanuelle Lequeux, in: Le
Monde, édition du 07/12/2011
Les riches idées de l‘"art pauvre“, Emmanuelle Lequeux, in: Le Monde, December 2011
Guillaume Leblon, Black Apple Falls, Benoît Blanchard, in: Oeuvres-Revue, December 2011
Champ de fossiles, Claire Moulène, in: Les Inrockuptibles, December 2011
Accolade, Nicolas Linel, in: sluicegate.canalblog.com, December 2011
Expériences instables, Frédéric Bonnet, in: Le Journal des Arts, December 2011
Sur un air de fatigue, Jean-Max Colard, Judicaël Lavrador et Claire Moulène, in: Les Inrockuptibles, December 2011
Révélateur d‘espaces, in: Mouvement, Oct.-Dec. 2011
L‘atelier de l‘artiste, Matière à oeuvres, Magali Lesauvage, in: Exponaute, November 2011
Guillaume Leblon, entretien abvec Andrea Goffo, in: Vogue, November 2011
Un travail de l‘instable, Emmanuelle Lequeux, in: Le Quotidien de l‘Art N.22, November 2011
Beyond the fragile geometry of scultpure, Simone Menegoi, in: Art Forum, November 2011
Guillaume Leblon, entretien avec Timothée Chaillou, in: Slash, November 2011
Guillaume Leblon, Black Apple Falls, in: A nous Paris, November 2011
Guillaume Leblon, Germinations, in: Beaux Arts Magazine "Spécial Fiac 2011“, October 2011
Guillaume Leblon, entretien avec Elisa Fideli, in: Paris-art, October 2011
Les nommés du Prix Marcel Duchamp, Frédéric Bonnet, in: Le Journal des Arts, October 2011
The Great Poor Farm Experrment III, Zachary Cahill, in: Art Forum, September 2011
Le tout sculpture : la vie matérielle, Valérie Da Costa, in: Mouvement, July-Sept. 2011
2010
La FIAC ne connaît pas la crise, Carole Lefrançois, in: Télérama Sortir, October 2010
Comment j‘ai percé à l‘étranger (ma vie d‘artiste), Fabrice Bousteau & Judicäel Lavrador, in: Beaux Arts Magazine, June 2010
Les sculptures meurent aussi, Joanna Fiduccia, in: Art Forum, May 2010
Guillaume Leblon, Marco Tagliafierro, in: Art Forum, May 2010
Le succès inattendu des jeunes créateurs français à l‘étranger, Roxana Azimi, in: Le Monde, édition du 13/03/2010
Guillaume Leblon, une ironie, Helene Meizel, in: 20/27 N.4, 2010
2009
Guilluame Leblon, Joanna Fiduccia, in: Art Forum, December 2009
Guillaume Leblon, Emanuele Fontanesi, in: Flash Art N. 269, Nov.-Dec. 2009
Esthétique de la disparition, Carine Soyer, in: Artnet Magazine, September 2009
L’Entretien, Guillaume Leblon, Thomas Boutoux, Editions Paraguay Press, 2009
Guillaume Leblon, Le travail de rivière, Etienne Bernard, in: ZéroDeux, Printemps 2009
Guillaume Leblon, Sculpture à effet de seuil, Judicael Lavrador, in Beaux-Arts hors série Force de l’art, May 2009
Guillaume Leblon, entretien avec Xavier Franceschi, in: FRAC Ile-de-France, La Collection, 2009
Bâtir, Remodeler, Détruire les espaces, Judicäel Lavrador, in: Beaux Arts Editions, 2009
2008
Guillaume Leblon, François Aubart, in: ZéroDeux, Summer 2008
Guillaume Leblon, Sculpteur d’espace, Olivier Michelon, in : Beaux-Arts, February-March 2008
Ces étranges sculptures qui font bouger les murs, Emmanuelle Lequeux, Le Monde, 26 December 2008
Guillaume Leblon, fragiles consolations, Jean-Marc Huitorel, in: Artpress, September 2008
Guillaume Leblon, Qu’est-ce que la sculpture, Olivier Michelon, in : Beaux-Arts éditions, 2008
Les matériaux du possible, Anne Bonnin, in: ZéroDeux, Winter 2008
Les matériaux du possible, Fabricateurs d’espaces. Espace gravitationnels, Bénédicte Ramade, in: ZéroDeux, Hiver 2008
2007
Guillaume Leblon, Le neutre actif, Klaus Speidel, in: Art 21 n°16, Winter 2007
Guillaume Leblon, Nicholas Grindell, in : Frieze n°182, January – February 2007
Guillaume Leblon, Rupture de correspondances, in: Art 21, December 2007
2006
Guillaume Leblon, Jean-Marc Huitorel, in: Art press n°325, July 2006
Guillaume Leblon, Door Nathalie Zonnenberg, in : Metropolis M, n°5, 2006
Structures primaires, Yann Chateigné, in: Zérodeux n°36, winter 2006
Guillaume Leblon, Annelie Pohlen, in: Kunstforum International, October – November 2006
2005
Le paradoxe du bord (et de l’instabilité), Claire Jacquet, in: Zérodeux n°35, 2005
Guillaume Leblon, LE, by Stéphanie Katz, in : paris-art, Nov. 2005
2004
Guillaume Leblon à la galerie Jocelyn Wolff, by Stéphanie Katz, in: paris-art, Oct. 2004
Guillaume Leblon à la galerie Jocelyn Wolff, by Manou Farine et Bénédicte
Ramade, L’Oeil, Oct 2004 + interview for France culture / ultracontemporain (radio, Oct. 16, 2004)
Exposed. Portal I and II in Kassel, text by: Hanno Soans, Metropolis M, n°1, Jan./ Febr. 2004
Minimal azimuté, by Olivier Michelon, in: Le journal des Arts, n°188, Paris, France, March 2004, p.12
Multipistes, by Arnaud Laporte, radio France Culture, 10th March 2004
Tema celeste, n°103, May/June 2004, Italy, p.101
2001
De kwal en de mossel, by Maria Barnas, in: kastalia, N°5, Netherlands 2001
Maria Barnas, in: Tema celeste, n° 87, September/October 2001
The Net Effect, text by: Eileen Sommerman, in: « C » (Canadian magazine), n°71, 2001
2000
Publication de 2 images identiques de ciel, in: El M. newspaper distributed in the subway with 100.000 copies, Mexico, 10th November 2000
Une image empruntée dans Paris-Match, in: HTV journal Numéro 34, 2000

Exhibition catalogues

Guillaume Leblon, helbling, Paraguay Press, Paris, 2013 (monographic publication)
Texts : Hélène Meisel, Michelle Grabner, Stuart Bailey
Guillaume Leblon, Kaleidoscope press, Italy (monographic publication)
Texts: Luca Cerizza and Alessandro Rabottini, interview with Guillaume Leblon
Guillaume Leblon, Parallel Walk, CGAC, Saint-Jacques de Compostelle and FRAC Bourgogne, Dijon, 2008 (monographic publication)
Airs de Paris, Centre Pompidou, Paris, 2007 Text : Christine Macel
Guillaume Leblon, Kunstverein für Nordrhein-Westfalen, Düsseldorf, 2006 (monographic publication) Texts: Kathleen Rahn, Luca Cerizza, Jan Verwoert
Guillaume Leblon, Prix Altadis, published by Actes sud, Madrid/Paris, 2006 Texts : Thomas Boutoux, Claire Le Restiff (monographic publication)
Pursuit of Happiness, Bureau Beyond, Utrecht, 2005
Azimut, catalogue published by FRAC Bourgogne, Dijon,2004 (monographic publication) Text : Eva Gonzalez-Sancho, Marianne Lanavère
Schöner Wohnen, Platform voor actuele Kunst, Waregem, Belgium, 2004
Portal II, Kunsthalle Fridericianum, Kassel 2004
constructions inside out, Le parc, Vilnius, Lithuania, 2003
Guillaume Leblon, published by École nationale des Beaux-Arts de Lyon, 2003 (monographic publication)
Lost Past Memorial signs for the present, text by: Moritz Küng, Ludion, Belgium, 200
Locus Focus, Sonsbeek9, Arnhem, Netherlands 2001
Silent Zones, RAIN project, El despacho, Spain, 2001
T‘estimo tot el dia, by Pierre Giquel, 1999

Guillaume Leblon
Born in Lille, France, 1971 Lives and works in Paris Biography 2011 Nominee for the Prix Marcel Duchamp, Grand Palais, Paris, France 2008 Residency at International Studio and Curatorial Program (ISCP), New York 2005 Laureate for the Prix Altadis, Paris / Madrid, France/Spain 1999 - 2000 Rijksakademie (International Residency), Amsterdam, Netherlands 1999 ART 3 Residency, Sabadell/Barcelone, Spain 1997 D.N.S.E.P (with Jury’s congratulations) Ecole Nationale des Beaux-Arts, Lyon, France Solo exhibitions 2015 Contemporary Art Gallery, Vancouver, Canada Le poids que la main supporte, Panorama, Marseille, France 2014 A dos de cheval avec le peintre, cur. Nathalie Ergino, Institut d‘Art Contemporain, Vil leurbanne, France The Constant repetition of false, ProjecteSD, Barcelona, Spain 2013 Under my shoe, Mass Moca, North Adams, USA Les nouveaux anges, Galerie Jocelyn Wolff, Paris, France 2012 Une appropriation de la nature, Musée de Sérignan, Sérignan, France 2011 Facing the dry dirt, The Suburban & The Poor farm experiment, Little Wolf, Wisconsin, USA Black Apple falls, Fondation Paul Ricard, Paris, France, curator: Alessandro Rabotini 2010 L’Entretien, theater play, written by Thomas Boutoux & Guillaume Leblon, le Temple, Paris, France Strange form of Life, Projecte SD, Barcelone, Spain Monumento Nazionale, Centre Culturel français, Milan, Italy, curator: Alessandro Rabotini Someone Knows Better Than Me, Le grand café, Centre d’art contemporain, Saint-Nazaire, France 2009 Réplique de la chose absente, Galerie Jocelyn Wolff, Paris, France Site of confluence, MUDAM, Luxembourg 2008 Augmentation and dispersion, Centre d’art contemporain Culturgest, Porto, Portugal Parallel walk, Centro Gallego de Arte Contemporaneo, CGAC, Santiago de Compostela, Spain The Extra Ordinary, galerie Projecte SD, Barcelone, Spain Four ladders, STUK, Kunstencentrum, Leuven, Belgium Maisons sommaires, Centre d’art contemporain, Domaine de Kerguéhennec, France 2007 Rupture de correspondances, galerie Jocelyn Wolff, Paris, France The personal effects of Suryararman VII, Galerie Johanna Kamm, Berlin, Germany 2006 Kunstverein Düsseldorf, Düsseldorf, Germany National monument, Centre d’art contemporain, Ivry-sur-Seine, France 2005 Le, Galerie Jocelyn Wolff, Paris, France only pictures are colourful, Galerie Projecte SD, Barcelone, Spain Le paradoxe du bord, Irmavep Lab, Châtillon-sur-Marne, France 2004 vue depuis l’entrée vers l’escalier, Galerie Jocelyn Wolff, Paris, France AZIMUT, FRAC Bourgogne, Dijon, France 2001 Aménagements intérieurs: équipement, Public, Paris, France 2000 H.E.R.E, W139 galerie, Amsterdam, Netherlands Silent zones, El despacho, Mexico city, Mexico 1999 T’estimo tot el dia, Museu d’art, Sabadell, Spain Selected group exhibitions 2015 Festival d‘automne, Paris, France Villa Toronto, Toronto, Canada 2014-2016 Une Histoire (art archi design/ des années 80 à nos jours), Centre Pompidou, Paris, France 2014-2015 Ernesto, Centre européen d‘actions artistiques contemporaines, Strasbourg, France Simples gestes, Musée du Cristal, Saint-Louis-les-Bitche, France 2014 La nature et ses proportions, Galerie Jocelyn Wolff, Paris, France 2013/2014 De leur temps (4), 2010/2013, Regards croisés de 100 collectionneurs sur la jeune création, Centre d’art Le hangar à Bananes, Nantes, France 2013 Une préface, Le Plateau, FRAC Ile de France, Paris, France Je jouais avec les chiens et je voyais le ciel et je voyais l‘air, Les Pléiades, 30 ans des FRAC, Toulouse, France Map, record, picture, sculpture, Projecte SD, Barcelona, Spain 1966-79 IAC, Villeurbanne, France Die Wahrscheinlichkeit, dass nichts passiert, Carlier Gebauer, Berlin, Germany L’instinct oublié, Gallery Jocelyn Wolff exhibits at gallery Labor, Mexico City Collection Amplifiée, une proposition d‘Arnaud Maguet, Musée de Rochechouart, France 2012-2013 Rhona Hoffman Gallery, Chicago, USA 2012 Biennale de Rennes, Rennes, France Autres, être sauvage de rousseau à nos jours, Musée-château Annecy, France La part de l’autre, Les moulins de Paillard, Poncé-sur-le Loir, France Aire de Lyon, Proa Fondation, Buenos Aires, Argentina, curated by Victoria Noorthoorn Vent des Forêts, Fresnes-au-Mont ,France Alchemy, Fondacio Joan Miro, Barcelone, Spain 2011/2012 Pour un art pauvre, Carré d’art Nîmes, Nîmes, France 2011 Beyond the Fragile Geometry of Sculpture, de Vleeshal, Middelburg, Netherlands Les nominés du Prix Marcel Duchamp, LAM, Villeneuve d’Ascq, France Une Terrible Beauté Est Née, Biennale de Lyon, Lyon, France The Fifth Column, Secession, Vienna, Austria, curator: Moritz Kung Strates et art, autour de François Morellet, Galerie Hervé Bize, Nancy, France 2010/2011 Sampler #1, Galleria Alessandro de March, Milan, Italy The Unknown group, FRAC Bourgogne, Dijon, France Bild für Bild. Film und zeitgenössische Kunst. Aus der Sammlung des Centre Pompidou, Museum Ostwall, Dortmund, Deutschland 2010 Altadis Prix, Alicante, Spain Sensorialités excentriques. Musée départemental d’art contemporain, Rochechouart, France MINIMAL. Kunst und Möbel aus der Sammlung des MAK, MAK – Österreichisches Muse um für Angewandte Kunst / Gegenwartskunst, Vienna, Austria Le carillon de big ben, Centre d’art contemporain d’Ivry, Ivry-sur-Seine, France The Garden of Forking Paths, Fondation Akbank, Istanbul, Turkey, curator: Akbank Sanat Les sculptures meurent aussi, Kunsthalle Mulhouse, Mulhouse, France, curator: Lorenzo Benedetti 2 1/2 Dimensional: Film Featuring Architecture, deSingel, Antwerp, Belgium 2009 Pieter Vermeersch hosts…three artists from Galerie Wolff, Projecte SD, Barcelone, Spain The Eventual, Futura – Centre for Contemporary Art, Prague, Czech Republic Eté 2009, galerie Jocelyn Wolff, Paris, France Space revised, Gesellschaft für Aktuelle Kunst Bremen, Bremen, Germany Constellation, centre Pompidou – Metz, Metz, France Off off, 186 Orchad Gallery, New York, USA La Force de l’art 02, Paris, France Slow movement or : half and whole, Kunsthalle Bern, Bern, Switzerland, curators: Philippe Pirotte and Elfriede Schalit Pragmatismus et romantismus, les matériaux du possible, Fondation d’entreprise Ricard, Paris, France, curator: Anne Bonnin Le travail de rivière, Crédac, Ivry sur Seine, France, curator: Claire le Restif Of other spaces, Columbus college of Art & design, Columbus, Ohio, USA Science versus fiction, Bétonsalon, Paris, France 2008/2009 Modernicité#I, Grand Café centre d’art contemporain, Saint Nazaire, France 2008 () neutre intense, Carl Freedman gallery, London, United Kingdom, curator: Christophe Gallois A minima, Astérides, Friche Belle de Mai, Marseilles, France, curator: Estelle Nabeyrat Fabricateurs d’espaces, Institut d’art contemporain, Villeurbanne, France Modern Ruin, Queensland Art Gallery, South Brisbane, Australia Robert Filliou, Guillaume Leblon and Joëlle Tuerlinckx, Galerie Jocelyn Wolff, Paris, France A Town (Not a City), Kunsthalle St. Gall, Switzerland, curators: Giovanni Carmine and Thomas Boutoux Ready/Made, galerie Yvon Lambert, Paris, France Translation, centre culturel français, Moscow, Russia, curator: Olivier Michelon Martial Museum of Terrestrial Art, Barbican Art Centre, London, United Kingdom, curators: Francesco Manacorda, Lydia Yee () neutre intense, centre d’art Mira Phalaina, Maison Populaire, Montreuil, France curator: Christophe Gallois Power, Foxyproduction, New York, USA, curator: Bill Cournoyer If on a Winter’s night a traveller, Museum MARTa Herford, Herford, Germany, curator: Lorenzo Benedetti 2007 French Kissin’ in USA, an emerging art scene in France, The Moore Space, Miami, USA curator: Silvia Karman Cubina Suite Française, Krinzinger Projekte, Vienna, Austria, curators: Steven Guermeur, Corentin Hamel Walks, Galerie Bischoff & Weiss, London, United Kingdom Dialogues Méditerranéens, St Tropez, France curator: Suzanne van Hagen Lost, Ateliers des Arques, Lot, France, curator: Chiara Parisi Une histoire à soi, La Galerie, centre d’art contemporain de Noisy-le-Sec, Noisy-le-Sec France, curator: Anna Johansson Logiques du rêve éveillé, Instants Chavirés, Montreuil, France, curator: Maëlle Dault De leur temps (2), art contemporain et collections privées en France, musée de Grenoble, Grenoble, France Airs de Paris, Musée national d’art moderne - Centre Georges Pompidou, Paris, France, curators: Daniel Birnbaum, Christine Macel & Valérie Guillaume Après la pluie, musée départemental d’art contemporain de Rochechouart, Rochechouart, France, curator: Olivier Michelon The re-conquest of space, Kopenhagen, Denmark, curator: Fanny Gonella Mimetic, centre d’art de l’Yonne, Auxerre, France, curator: Jean-Marc Huitorel 2006 Incipit, Espace Paul Ricard, Paris, France Super nova, Domaine Pommery, Reims, France, curator: Judicaël Lavrador Prospective Sites, Rolling boards, Vienna, Austria. 2005/2006 Prix Altadis, Madrid and Paris, Spain/ France 2005 CAC Brétigny-sur-Orge, France, curator: Pierre Bal-Blanc Pursuit of happiness, Beyond, Utrecht, Netherlands le génie du lieu, Musée des Beaux-Arts de Dijon, Dijon, France BAM, Centre d’art contemporain, Ivry/Seine, France Le principe d’incertitude, Public, Paris, France, curator: Marianne Lanavère Lasst Blumen sprechen, Galerie de Multiples, Paris, France, curator: Aurélie Voltz 2004 Schöner Whonen, BE-PART, Platform voor actuele kunst,Waregem, Belgium. curator: Moritz Küng 2003 Portal, Kunsthalle Fridericianum, Kassel, Germany curator: Susanne Van de Ven Suspendu, Galerie fa projects, London, United Kingdom curators: Marianne Lanavère and Caroline Ferreira Le parc, Contemporary art center, Vilnius, Lithuania, curator: Marianne Lanavère Armour, the fort Asperen Foundation, Asperen, Netherlands 2002 Rendez-vous, MAC (Museum of contemporary art), Lyon, France Lost past, Merghelynck Museum, Ypres, Belgium, with C. Wyn Evans, G. Schneider, R. Dijkstra, curator: Moritz Küng not I, Arti museum, Amsterdam, Netherlands Ghost, Outline gallery, Amsterdam, Netherlands 2001 il y a toujours quelqu‘un qui veut quelque chose, Gal. Agnès b, Paris, France strategy against architecture, Fondation Teseco, Pise, Italy With Liam Gillick, Mathieu Mercier, Mandfred Pernice curator: Luca Cerriza Sonsbeek 9, locus/focus, Arnhem, Netherlands, curator: Jan Hoet my wallpaper is cracking, SparwasserHQ gallery, Berlin, Germany. With Italo Zuffi ferveur, proposition collective, Les subsistances, Lyon, France 2000 Open studio 2, Rijksakademie, Amsterdam, Netherlands 1999 Open studio 1, Rijksakademie, Amsterdam, Netherlands Manager de l‘immaturité, Le Magasin, Grenoble, France Projects 2013 Monument aux morts, Saint-Martin-Cantalès (15), Auvergne, France 2013 Collection Daniel Cordier, carte blanche à Guillaume Leblon, les Abattoirs, Toulouse, France 2008 Curating the Library, De Singel, Antwerp, Belgium. Curator: Moritz Kung 2006-2010 L’Entretien, theater play, written by Thomas Boutoux & Guillaume Leblon, based on an a fictive conversation between an artist & a curator Public presentations: - le Temple, Paris, March 2010 - Domaine de Kerguéhennec, France, March 2008 - Credac, Ivry-sur-Seine, France, January 2007 - Galerie Commune, Tourcoing, France, December 2006 2005 Le Teaser, visual storyline for one of the sixth edition of Le Teaser, with texts by Tom Gidley, Phyllis Kiehl, Simon Takahashi, Tom McCarthy, Metronom Press, Paris Screenings 2007 Tobias Putrih exhibition, Slovenian Pavilion, 52nd Venice Biennial, San Servolo Island, Italy, curator: Francesco Manacorda > Villa Cavrois 2002 Polyphonix Film Festival, MNAM, Centre Georges-Pompidou, Paris, France > Villa Cavrois Selected bibliography Press articles (selection) 2014 Le théâtre de la décrépitude, Anne Bonnin, in : Zérodeux, Automn 2014 Guillaume Leblon de retour à l‘IAC, Erik Verhagen, in : artpress 414, , September 2014 Quelque part entre la clôture et l‘expansion : la sculpture aujourd‘hui, Sylvie Coellier, in : Espace, Spring-Summer 2014 Membres fantômes, Claire Moulène, in : les inrockuptibles, n.972, July 2014 L‘histoire cyclique des formes par Guillaume Leblon, Julie Portier, in : Le Quotidien de l‘Art n. 645, July 2014 A l‘ombre des tableaux : les expos de l‘été, Jean-Emmanuel Denave, in : Petit Bulletin n. 764, July 2014 A l’Institut d’Art Contemporain, on se balade A dos de cheval avec le peintre Guillaume Leblon, in : L'Envolée Culturelle, July 2014 Une oeuvre de mémoire, Emmanuelle Lequeux, in : Le Quotidien de l‘Art, n. 558, March 2014 2013 Guillaume Leblon est aux anges, Emmanuelle Lequeux, in : Le Quotidien de l‘Art, n.364, April 2013 Guillaume Leblon façonne la poussière des anges, Emmanuelle Lequeux, in : Le Mon de, 24/04/2013 Guillaume Leblon, Helbling, in : Paris-Art, April 2013 Guillaume Leblon, in : Architecural Digest, April 2013 Guillaume Leblon, Philippe Dagen, in : Le Monde, 10.03.2013 Guillaume Leblon, Le prodige du hasard, Colin Cyvoct, in : L‘oeil, Janvier 2013 2012 Guillaume Leblon, Artiste contre-nature“, in : Mouvement, Nov-Déc. 2012 Toulouse/Rennes, Le match de la rentrée, Judicaël Lavrador, in: Beaux Arts Magazine, September 2012 Klüngelei und Preispolitik, Jens E. Sennewald, Kunstzeitung, May 2012 Guillaume Leblon, Lillian Davies, in: Art Forum, February 2012 Pour un art pauvre, Inventaire du monde et de l‘atelier, Theodora Domenech, in: Art Press N. 385, January 2012 2011 Arte Povera, Patrice Joly, in: Zéro Deux, Winter 2011 Les héritiers de l‘arte povera, in: Beaux Arts, December 2011 Les collages en trois dimensions de Guillaume Leblon, Emmanuelle Lequeux, in: Le Monde, édition du 07/12/2011 Les riches idées de l‘art pauvre“, Emmanuelle Lequeux, in: Le Monde, December 2011 Guillaume Leblon, Black Apple Falls, Benoît Blanchard, in: Oeuvres-Revue, December 2011 Champ de fossiles, Claire Moulène, in: Les Inrockuptibles, December 2011 Accolade, Nicolas Linel, in: sluicegate.canalblog.com, December 2011 Expériences instables, Frédéric Bonnet, in: Le Journal des Arts, December 2011 Sur un air de fatigue, Jean-Max Colard, Judicaël Lavrador et Claire Moulène, in: Les Inrockuptibles, December 2011 Révélateur d‘espaces, in: Mouvement, Oct.-Dec. 2011 L‘atelier de l‘artiste, Matière à oeuvres, Magali Lesauvage, in: Exponaute, November 2011 Guillaume Leblon, entretien abvec Andrea Goffo, in: Vogue, November 2011 Un travail de l‘instable, Emmanuelle Lequeux, in: Le Quotidien de l‘Art N.22, November 2011 Beyond the fragile geometry of scultpure, Simone Menegoi, in: Art Forum, November 2011 Guillaume Leblon, entretien avec Timothée Chaillou, in: Slash, November 2011 Guillaume Leblon, Black Apple Falls, in: A nous Paris, November 2011 Guillaume Leblon, Germinations, in: Beaux Arts Magazine Spécial Fiac 2011“, October 2011 Guillaume Leblon, entretien avec Elisa Fideli, in: Paris-art, October 2011 Les nommés du Prix Marcel Duchamp, Frédéric Bonnet, in: Le Journal des Arts, October 2011 The Great Poor Farm Experrment III, Zachary Cahill, in: Art Forum, September 2011 Le tout sculpture : la vie matérielle, Valérie Da Costa, in: Mouvement, July-Sept. 2011 2010 La FIAC ne connaît pas la crise, Carole Lefrançois, in: Télérama Sortir, October 2010 Comment j‘ai percé à l‘étranger (ma vie d‘artiste), Fabrice Bousteau & Judicäel Lavrador, in: Beaux Arts Magazine, June 2010 Les sculptures meurent aussi, Joanna Fiduccia, in: Art Forum, May 2010 Guillaume Leblon, Marco Tagliafierro, in: Art Forum, May 2010 Le succès inattendu des jeunes créateurs français à l‘étranger, Roxana Azimi, in: Le Monde, édition du 13/03/2010 Guillaume Leblon, une ironie, Helene Meizel, in: 20/27 N.4, 2010 2009 Guilluame Leblon, Joanna Fiduccia, in: Art Forum, December 2009 Guillaume Leblon, Emanuele Fontanesi, in: Flash Art N. 269, Nov.-Dec. 2009 Esthétique de la disparition, Carine Soyer, in: Artnet Magazine, September 2009 L’Entretien, Guillaume Leblon, Thomas Boutoux, Editions Paraguay Press, 2009 Guillaume Leblon, Le travail de rivière, Etienne Bernard, in: ZéroDeux, Printemps 2009 Guillaume Leblon, Sculpture à effet de seuil, Judicael Lavrador, in Beaux-Arts hors série Force de l’art, May 2009 Guillaume Leblon, entretien avec Xavier Franceschi, in: FRAC Ile-de-France, La Collection, 2009 Bâtir, Remodeler, Détruire les espaces, Judicäel Lavrador, in: Beaux Arts Editions, 2009 2008 Guillaume Leblon, François Aubart, in: ZéroDeux, Summer 2008 Guillaume Leblon, Sculpteur d’espace, Olivier Michelon, in : Beaux-Arts, February-March 2008 Ces étranges sculptures qui font bouger les murs, Emmanuelle Lequeux, Le Monde, 26 December 2008 Guillaume Leblon, fragiles consolations, Jean-Marc Huitorel, in: Artpress, September 2008 Guillaume Leblon, Qu’est-ce que la sculpture, Olivier Michelon, in : Beaux-Arts éditions, 2008 Les matériaux du possible, Anne Bonnin, in: ZéroDeux, Winter 2008 Les matériaux du possible, Fabricateurs d’espaces. Espace gravitationnels, Bénédicte Ramade, in: ZéroDeux, Hiver 2008 2007 Guillaume Leblon, Le neutre actif, Klaus Speidel, in: Art 21 n°16, Winter 2007 Guillaume Leblon, Nicholas Grindell, in : Frieze n°182, January – February 2007 Guillaume Leblon, Rupture de correspondances, in: Art 21, December 2007 2006 Guillaume Leblon, Jean-Marc Huitorel, in: Art press n°325, July 2006 Guillaume Leblon, Door Nathalie Zonnenberg, in : Metropolis M, n°5, 2006 Structures primaires, Yann Chateigné, in: Zérodeux n°36, winter 2006 Guillaume Leblon, Annelie Pohlen, in: Kunstforum International, October – November 2006 2005 Le paradoxe du bord (et de l’instabilité), Claire Jacquet, in: Zérodeux n°35, 2005 Guillaume Leblon, LE, by Stéphanie Katz, in : paris-art, Nov. 2005 2004 Guillaume Leblon à la galerie Jocelyn Wolff, by Stéphanie Katz, in: paris-art, Oct. 2004 Guillaume Leblon à la galerie Jocelyn Wolff, by Manou Farine et Bénédicte Ramade, L’Oeil, Oct 2004 + interview for France culture / ultracontemporain (radio, Oct. 16, 2004) Exposed. Portal I and II in Kassel, text by: Hanno Soans, Metropolis M, n°1, Jan./ Febr. 2004 Minimal azimuté, by Olivier Michelon, in: Le journal des Arts, n°188, Paris, France, March 2004, p.12 Multipistes, by Arnaud Laporte, radio France Culture, 10th March 2004 Tema celeste, n°103, May/June 2004, Italy, p.101 2001 De kwal en de mossel, by Maria Barnas, in: kastalia, N°5, Netherlands 2001 Maria Barnas, in: Tema celeste, n° 87, September/October 2001 The Net Effect, text by: Eileen Sommerman, in: « C » (Canadian magazine), n°71, 2001 2000 Publication de 2 images identiques de ciel, in: El M. newspaper distributed in the subway with 100.000 copies, Mexico, 10th November 2000 Une image empruntée dans Paris-Match, in: HTV journal Numéro 34, 2000 Exhibition catalogues Guillaume Leblon, helbling, Paraguay Press, Paris, 2013 (monographic publication) Texts : Hélène Meisel, Michelle Grabner, Stuart Bailey Guillaume Leblon, Kaleidoscope press, Italy (monographic publication) Texts: Luca Cerizza and Alessandro Rabottini, interview with Guillaume Leblon Guillaume Leblon, Parallel Walk, CGAC, Saint-Jacques de Compostelle and FRAC Bourgogne, Dijon, 2008 (monographic publication) Airs de Paris, Centre Pompidou, Paris, 2007 Text : Christine Macel Guillaume Leblon, Kunstverein für Nordrhein-Westfalen, Düsseldorf, 2006 (monographic publication) Texts: Kathleen Rahn, Luca Cerizza, Jan Verwoert Guillaume Leblon, Prix Altadis, published by Actes sud, Madrid/Paris, 2006 Texts : Thomas Boutoux, Claire Le Restiff (monographic publication) Pursuit of Happiness, Bureau Beyond, Utrecht, 2005 Azimut, catalogue published by FRAC Bourgogne, Dijon,2004 (monographic publication) Text : Eva Gonzalez-Sancho, Marianne Lanavère Schöner Wohnen, Platform voor actuele Kunst, Waregem, Belgium, 2004 Portal II, Kunsthalle Fridericianum, Kassel 2004 constructions inside out, Le parc, Vilnius, Lithuania, 2003 Guillaume Leblon, published by École nationale des Beaux-Arts de Lyon, 2003 (monographic publication) Lost Past Memorial signs for the present, text by: Moritz Küng, Ludion, Belgium, 200 Locus Focus, Sonsbeek9, Arnhem, Netherlands 2001 Silent Zones, RAIN project, El despacho, Spain, 2001 T‘estimo tot el dia, by Pierre Giquel, 1999

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