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blinkvideo - research of video art, performance and multimedia installations.

For artists we provide a platform for extensive presentation of media works, gallerists get a direct contact to international professional audiences, collectors find a worldwide overview of contemporary trends in moving image, curators can do research via keywords and compilations, teachers use presentation opportunities for students and all professionals get password protected, extensive information about video works worldwide.

Nadja Verena Marcin - OPHELIA
Stadtgalerie in Saarbrücken, Germany. 2019

OPHELIA is an interdisciplinary performance that is presented in the Stadtgalerie Saarbrücken as a live action and subsequently as a video installation. It reflects the human-induced destruction of nature and creates references to art, literature and science. Dressed in "Ophelia's" dress and equipped with a diving device, Nadja Verena Marcin will climb into an aquarium and try under water to read the text "The Werld" by Daniil Kharms about human perception.
Image: © Nadja Verena Marcin

Igor Simić - WELTSCHMERZ 
at Galerie Beckers, Frankfurt

The exhibition WELTSCHMERZ shows new works by Serbian artist Igor Simic, which he created in connection with his iOS game Golf Club: Wasteland. For this game he and his award-winning gaming and film company Demagog Studio developed a whole world — a storyline with characters and various landscapes — in a post-apocalyptic scenario. The eerie atmosphere of the carefully crafted visual scenery is accompanied by slow paced, nostalgic, sometimes almost chilling music that evokes the feeling of longing for something lost.
Image: © Igor Simić

Fuzzy dark spot
Video art from Hamburg

The exhibition FUZZY DARK SPOT curated by the Hamburg-based video artist Wolfgang Oelze, at the Falckenberg Collection brings together 56 video works by over 30 mostly Hamburg-based artists ranging from the 1970s to the present day, featuring historical and contemporary productions in both thematic and monographic groups.
image: © Stefan Panhans

REFRACTED REALITIES at VIDEONALE.17

In optics, “refraction” refers to the bending of a beam of light, a change in direction which occurs at the moment when it passes from one medium to another. Through refraction, the light wave alters course, changing the way we perceive the objects it illuminates in the process. This optical deviation requires us to repeatedly correct our gaze, comparing the beginning and end points of our perception with reality, and bringing the object we see clearly into focus. In its figurative sense, refraction refers to a critical reflection on the means and channels of visualization, and by extension the possibility of a rearticulation of our view of things – how they are, were, or apparently always have been.
Image: © Sohrab Hura

Featured videos

Critics’ Pick: Vienna by Nicole Büsing + Heiko Klaas

The group show “Antarctica. An Exhibition on Alienation” was presented in Vienna during the past winter season. Departing from a note written by the Italian cult director Michelangelo Antonioni referring to a potential glacier melting in the Antarctica and a hint to a film, the two curators from the Kunsthalle Wien, Vanessa Joan Müller and Nicolaus Schafhausen, conceived an exhibition on the topic of alienation and contemporary art. The focus was on the latest contemporary photography and video art by the younger generation of artists.
Image: © Isabella Fürnkäs

Expanding Bauhaus.
New Reflections on the Bauhaus Movement in Time-Based Media Art
/ Goethe Institute Netherlands

A screening series selected by Elke Kania (Cologne), Julia Sökeland (Hamburg) and Ludwig Seyfarth (Berlin)

With its combination of various arts such as painting, photography film, architecture, fashion, product and interior design and textile art, the Bauhaus is still considered the epitome of a technologically advanced modernity. Last but not least, the attempt to create the whole society aesthetically, inspired many artists worldwide.
Image: © Adnan Softic

Johan Grimonprez

Johan Grimonprez’s critically acclaimed work dances on the borders of practice and theory, art and cinema, documentary and fiction, demanding a double take on the part of the viewer. Informed by an archeology of present-day media, his work seeks out the tension between the intimate and the bigger picture of globalization. It questions our contemporary sublime, one framed by a fear industry that has infected political and social dialogue. By suggesting new narratives through which to tell a story, his work emphasizes a multiplicity of realities.
image: © Johan Griminprez

Christoph Faulhaber: Revolution & Architecture

With "Revolution & Architecture" Christoph Faulhaber (* 1972 in Osnabrück, lives in Hamburg) conceives, builds, designs and opens a whole series of very different rooms in the Kunsthalle Osnabrück. In order to discover the revolutionary aspect of these "architectures", one has to look at the social implications of interior design in general. In the forum the visitor then enters Faulhaber's cinematic autobiography "Every Picture is an Empty Picture" as in the eye of the cyclone: The work is split into 15 individual films and surrounds the visitor in a circle.
Image: © Christoph Faulhaber

Stiftung imai – inter media art institute

The Düsseldorf based foundation imai – inter media art institute was founded in 2006 in order to establish an institution in Germany dedicated to the distribution and preservation of media art and associated activities.
Image: © Marcel Odenbach

Our Partners

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blinkvideo is a website for the research of video art. Founders: Julia Sökeland, Anita Beckers. blinkvideo ist eine Plattform zur Recherche nach Videokunst

Gluklya (Natalia Pershina Yakimanskaya)

Works


Galleries

Barbara Gross Galerie
Anna Geuder
Theresienstraße 56 Hof 1
80333 München
Germany

Phone: +49 89 296272
E-Mail: contact@barbaragross.de




Statement

Gluklya’s aim is to overcome this chill through the means of art. She founded the collective Factory of Found Clothes with Ogla Egorova (Tsaplya) in 1995 and has been operating it in changing collaborations ever since. With her performative works, she creates encounters between people from different social groups. In her video project Wings of Migrants (2012) young Russian dancers and illegal guest workers from central Asia gather and approach each other carefully through the medium of dance. As they mirror each other’s movements, a dialogue is created that bridges the social and linguistic gaps between the ballerinas, who move in the spheres of high culture, and the migrants, who are pushed to the periphery of society. In The Triumph of Fragility (2002) young marines march through Saint Petersburg. The artists from Factory of Found Clothes have the soldiers carry delicate white dresses in front of them, as if they were something fragile, something “that constitutes the essence of life itself.” A task that the young men fulfill with great earnestness, creating a powerful, alternative image of the military as a place where masculinity is practiced and put to the test.


Biography

Born 1969 in Leningrad
lives and works in St. Petersburg.

In 1995 she and Olga Egorova (Tsaplya) founded the collective Factory of Found Clothes; in 2003 both artists were founding members of the group Chto Delat?. Since 2011 Gluklya has been operating Factory of Found Clothes by herself or in various collaborations. She will be represented this year at the Venice Biennale.

2014
Fellow of The Joseph Brodsky Memorial Fund, awarded a three-month residency in Venice and Rome
2008
Grand prix, “Artist-Citizens,” October Salon, Belgrade (projects realised in cooperation with “Chto delat?” www.chtodelat.org).
Prize, Film festival “Kinoshock,” Anapa, Russia.
2007
Art Prize “Black Square,” Workshops of Art Moscow.
2006
Nifca, residency program.
2004
Residency at Of"ce for Contemporary Art, Oslo.
2003
Jaspis residency, Sweden
2002
Rave Stipendium at Neue Berlinische Kunstverein.
2000
Grants from ProArte Institute, Ford Fondation, St. Petersburg and MamaCash Foundation, Amsterdam.
1995, 1996, 1997 Grants from Soros Contemporary Art Center, St. Petersburg.

Selected solo and group exhibitions and projects:

2015
Art research in GeoAir institution , Tbilisi ,Georgia

2014
Performance “Debates of Division: When The Private Becomes Public” as a part of the public program of the European Biennale of Contemporary Art Manifest 10, St. Peterburg, Russia
Russian performance: a cartography of its history , Garag center of contemporary Art, Moscow
Conference “No Radical Art Actions are going to help here…”
Political Violence and Militant Aesthetics after Socialism. 18-21 September 2014, screning, Saint-Petersburg
Artist talks at Chto delat? school , supported by Roza Luxembourg foundation

2013
Solo show “Utopian Unions,” MMOMA, Moscow
«Final Cut» , performance , MMOMA , Moscow
“Politic of the social in Contemporary art” conference, Tate Modern/screening of “Wings of Migrants” /London/UK
“Living as Form” / Nomadic version /Rendez-vous in boutique/video/ FABRIKA / Moscow
*“Where has communism gone?”/learning play/ Former West / Haus der Kulturen der Welt/Berlin
*“The Translation”/Cabaret Voltaire/Zurich
*“Without Reality There is No Utopia,” Yerba Buena Center for the Arts, San Franciso,CA

2012
Solo show “Wings of migrants,” Akinci gallery, Amsterdam
Group show “Revolution in The Net,” Cable Factory, Helsinki

2011
/Gluklya/ “PENSIONE’S SUPORT,” ART AMSTERDAM.
/in cooperation with Chto delat? group/ “What is to be done? between tragedy and farce,” Smart project space, Amsterdam/Gluklya/ DUMP TIME. For ? practice of Horizontality, Shedhalle, Zurich.
Museo Reina So"a, Madrid, Screening, artist talk.
/Gluklya+Thomas Kasebacher/ “Music here – music there,” Kunsthalle, Brut, Vienna.

2010
“Etats de l-arti"ce at Musée d’Art Moderne de la Ville de Paris.
Second International Queer Culture Festival, St-Petersburg
* THE FIRST URAL INDUSTRIAL BIENNALE OF CONTEMPORARY ART.
*“Chto delat?”/ Vectors of the Possible, BAK, Utrecht.
*“Chto delat?”/ “The Urgent Need to Struggle,” ICA, London.

2009
55 Internationale Kurz"lmtage Oberhausen, Germany.
* “Plug in Nr.51 – Activist Club,” Van Abbe Museum, Eindhoven, Holland.
*Scénes Centrales, TriPostal, Lille, France.
“The Greatest Idiot in New Zealand,” MIC gallery, Snow white gallery, Auckland, New Zealand.
*Invisible borders. Lille, France.
*Contour 2009, 4th Biennial of moving image, Mechelen, Belgium.
*Biennale: 2, Thessaloniki Biennale of contemporary art, Thessaloniki, Greece.
* 11th International Istanbul Biennial.

2008
54 Internationale Kurz"lmtage Oberhausen, Germany.
* Food for thought, art festival, Denmark.
*U-TURN, Quadriennalle of Contemporary Art, Copenhagen, Danmark.
* Artist-Citizens,” October Salon, Belgrade.
*“Frictions and conflicts,” Museum off Contemporary Art, Kalmar, Sweden.
“Inertia, ” W139, Amsterdam, Holland.
Film festival “Kinoshock, ” Anapa, Russia.
“Zoo,” Contemporary City Foundation, Moscow.

2007
* “Progressive Nostalgia,” KUMU Museum Tallin and Centro per l’arte contemporanea Luigi Pecci, Prato, Italy.
Art Mocow Workshops, Moscow.
“Becoming a mother,” Botkyrka Konsthall, Stockholm, Sweden.
53 Internationale Kurz"lmtage Oberhausen, Germany.

2006
*“Self Education, ” National Center for Contemporary Art, Moscow.
* “Contested Spaces in Post-Soviet Art,” Sidney Mishkin Gallery, New York.
“Electric Visions” "lm program screenings at different countries.
“Scarlet sails,” XL Gallery Moscow.

2005
“Human project” (special project in a frame of the 1 Moscow biennale), Central House of Artists, Moscow.
*«Drift. Narvskaja zastava», NCCA, Moscow.
“1960-2000 Collective and interactive works in russian art, ” Tretyakov State Gallery, Krimsky val (special project in a frame of the 1 Moscow biennale)
“Art-Robe:Women artists at the nexus of art and fashion,” UNESCO, PARIS/ (cat.)
* “Russia Redux #1,” Shroeder Romero Gallery, NEW YOURK /USA.
“Kronstadt FOREVER, ” site-speci"c project, Kronstadt.
International Bienale of contemporary art National Gallery in Prague /Installation “The Strange people never Surreneder.”
HABITAT – VI International Art Exhibition Museum of Contemporary Art (Department of the National Museum in Szczecin).

2004
“Boys and Girls,” Zachenta Gallery, Warsaw (cat.)
“Watch out! Contemporary art from St.Petersburg and Moscow,” Contemporary art Museum, Oslo.
“Garden for the businessmen,” performance, Stokholm.
Dusseldorf residence /Kulturamp, pfoto-performance in KAUFOV.
Bath Art Gallery/ England, Shop of the Utopian Clothes /Installation.

2003
“Life! Aktuelle Kunst aus Petersburg” Forum Stadpark, Graz (cat.)
“Horizons of reality,” MuHKA, Antverpen (cat.)
49 Kurz"lm festival in Oberhausen, Germany (cat.)
“New Start. Contemporary Art from Moscow,” Kunsthalle, Dusseldorf (cat.)
“Projection,” Center for Contemporary Art, Nigny Novgorod.
“The Whites’ Psychoanalytical Room,” XL Gallery, Moscow.
“A New Begining” Kunsthalle Dusseldorf /catalog.
“PLUNDER” culture as material, Dundee Contemporary Arts. Scotland UK.

2002
“Baltic Babel,” Rooseum Center for Contemporary Art, Malmo.
“Davay,” Russian Art Now. Berlin -Vienna /catalogue.
“Snegurochka,” Zachenta Gallery, Warsaw /catalogue, curator Magda Kardash.
“Female Art,” Female artists in Russia of XV -XX centuries, catalogue.Tretyakov Gallery.
Moscow.

Gluklya (Natalia Pershina Yakimanskaya)
Born 1969 in Leningrad lives and works in St. Petersburg. In 1995 she and Olga Egorova (Tsaplya) founded the collective Factory of Found Clothes; in 2003 both artists were founding members of the group Chto Delat?. Since 2011 Gluklya has been operating Factory of Found Clothes by herself or in various collaborations. She will be represented this year at the Venice Biennale. 2014 Fellow of The Joseph Brodsky Memorial Fund, awarded a three-month residency in Venice and Rome 2008 Grand prix, “Artist-Citizens,” October Salon, Belgrade (projects realised in cooperation with “Chto delat?” www.chtodelat.org). Prize, Film festival “Kinoshock,” Anapa, Russia. 2007 Art Prize “Black Square,” Workshops of Art Moscow. 2006 Nifca, residency program. 2004 Residency at Ofce for Contemporary Art, Oslo. 2003 Jaspis residency, Sweden 2002 Rave Stipendium at Neue Berlinische Kunstverein. 2000 Grants from ProArte Institute, Ford Fondation, St. Petersburg and MamaCash Foundation, Amsterdam. 1995, 1996, 1997 Grants from Soros Contemporary Art Center, St. Petersburg. Selected solo and group exhibitions and projects: 2015 Art research in GeoAir institution , Tbilisi ,Georgia 2014 Performance “Debates of Division: When The Private Becomes Public” as a part of the public program of the European Biennale of Contemporary Art Manifest 10, St. Peterburg, Russia Russian performance: a cartography of its history , Garag center of contemporary Art, Moscow Conference “No Radical Art Actions are going to help here…” Political Violence and Militant Aesthetics after Socialism. 18-21 September 2014, screning, Saint-Petersburg Artist talks at Chto delat? school , supported by Roza Luxembourg foundation 2013 Solo show “Utopian Unions,” MMOMA, Moscow «Final Cut» , performance , MMOMA , Moscow “Politic of the social in Contemporary art” conference, Tate Modern/screening of “Wings of Migrants” /London/UK “Living as Form” / Nomadic version /Rendez-vous in boutique/video/ FABRIKA / Moscow *“Where has communism gone?”/learning play/ Former West / Haus der Kulturen der Welt/Berlin *“The Translation”/Cabaret Voltaire/Zurich *“Without Reality There is No Utopia,” Yerba Buena Center for the Arts, San Franciso,CA 2012 Solo show “Wings of migrants,” Akinci gallery, Amsterdam Group show “Revolution in The Net,” Cable Factory, Helsinki 2011 /Gluklya/ “PENSIONE’S SUPORT,” ART AMSTERDAM. /in cooperation with Chto delat? group/ “What is to be done? between tragedy and farce,” Smart project space, Amsterdam/Gluklya/ DUMP TIME. For ? practice of Horizontality, Shedhalle, Zurich. Museo Reina Soa, Madrid, Screening, artist talk. /Gluklya+Thomas Kasebacher/ “Music here – music there,” Kunsthalle, Brut, Vienna. 2010 “Etats de l-artice at Musée d’Art Moderne de la Ville de Paris. Second International Queer Culture Festival, St-Petersburg * THE FIRST URAL INDUSTRIAL BIENNALE OF CONTEMPORARY ART. *“Chto delat?”/ Vectors of the Possible, BAK, Utrecht. *“Chto delat?”/ “The Urgent Need to Struggle,” ICA, London. 2009 55 Internationale Kurzlmtage Oberhausen, Germany. * “Plug in Nr.51 – Activist Club,” Van Abbe Museum, Eindhoven, Holland. *Scénes Centrales, TriPostal, Lille, France. “The Greatest Idiot in New Zealand,” MIC gallery, Snow white gallery, Auckland, New Zealand. *Invisible borders. Lille, France. *Contour 2009, 4th Biennial of moving image, Mechelen, Belgium. *Biennale: 2, Thessaloniki Biennale of contemporary art, Thessaloniki, Greece. * 11th International Istanbul Biennial. 2008 54 Internationale Kurzlmtage Oberhausen, Germany. * Food for thought, art festival, Denmark. *U-TURN, Quadriennalle of Contemporary Art, Copenhagen, Danmark. * Artist-Citizens,” October Salon, Belgrade. *“Frictions and conflicts,” Museum off Contemporary Art, Kalmar, Sweden. “Inertia, ” W139, Amsterdam, Holland. Film festival “Kinoshock, ” Anapa, Russia. “Zoo,” Contemporary City Foundation, Moscow. 2007 * “Progressive Nostalgia,” KUMU Museum Tallin and Centro per l’arte contemporanea Luigi Pecci, Prato, Italy. Art Mocow Workshops, Moscow. “Becoming a mother,” Botkyrka Konsthall, Stockholm, Sweden. 53 Internationale Kurzlmtage Oberhausen, Germany. 2006 *“Self Education, ” National Center for Contemporary Art, Moscow. * “Contested Spaces in Post-Soviet Art,” Sidney Mishkin Gallery, New York. “Electric Visions” lm program screenings at different countries. “Scarlet sails,” XL Gallery Moscow. 2005 “Human project” (special project in a frame of the 1 Moscow biennale), Central House of Artists, Moscow. *«Drift. Narvskaja zastava», NCCA, Moscow. “1960-2000 Collective and interactive works in russian art, ” Tretyakov State Gallery, Krimsky val (special project in a frame of the 1 Moscow biennale) “Art-Robe:Women artists at the nexus of art and fashion,” UNESCO, PARIS/ (cat.) * “Russia Redux #1,” Shroeder Romero Gallery, NEW YOURK /USA. “Kronstadt FOREVER, ” site-specic project, Kronstadt. International Bienale of contemporary art National Gallery in Prague /Installation “The Strange people never Surreneder.” HABITAT – VI International Art Exhibition Museum of Contemporary Art (Department of the National Museum in Szczecin). 2004 “Boys and Girls,” Zachenta Gallery, Warsaw (cat.) “Watch out! Contemporary art from St.Petersburg and Moscow,” Contemporary art Museum, Oslo. “Garden for the businessmen,” performance, Stokholm. Dusseldorf residence /Kulturamp, pfoto-performance in KAUFOV. Bath Art Gallery/ England, Shop of the Utopian Clothes /Installation. 2003 “Life! Aktuelle Kunst aus Petersburg” Forum Stadpark, Graz (cat.) “Horizons of reality,” MuHKA, Antverpen (cat.) 49 Kurzlm festival in Oberhausen, Germany (cat.) “New Start. Contemporary Art from Moscow,” Kunsthalle, Dusseldorf (cat.) “Projection,” Center for Contemporary Art, Nigny Novgorod. “The Whites’ Psychoanalytical Room,” XL Gallery, Moscow. “A New Begining” Kunsthalle Dusseldorf /catalog. “PLUNDER” culture as material, Dundee Contemporary Arts. Scotland UK. 2002 “Baltic Babel,” Rooseum Center for Contemporary Art, Malmo. “Davay,” Russian Art Now. Berlin -Vienna /catalogue. “Snegurochka,” Zachenta Gallery, Warsaw /catalogue, curator Magda Kardash. “Female Art,” Female artists in Russia of XV -XX centuries, catalogue.Tretyakov Gallery. Moscow.

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