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blinkvideo - research of video art, performance and multimedia installations.

blinkvideo - research of video art, performance and multimedia installations.


Something Between Us
KAI 10 | ARTHENA FOUNDATION, Düsseldorf

The exhibition „Something Between Us“ focuses on both our contemporary lives and the anthropological constants of interpersonal dealings: love, empathy, security, care and safety on the one hand, and hate, role fixation, dependency, reprimand and exclusion on the other. Something Between Us asks how these structures of togetherness are changing in our digital era.
Thomas Taube OCCIDENT, 2020

REFRACTED REALITIES at VIDEONALE.17

In optics, “refraction” refers to the bending of a beam of light, a change in direction which occurs at the moment when it passes from one medium to another. Through refraction, the light wave alters course, changing the way we perceive the objects it illuminates in the process. This optical deviation requires us to repeatedly correct our gaze, comparing the beginning and end points of our perception with reality, and bringing the object we see clearly into focus. In its figurative sense, refraction refers to a critical reflection on the means and channels of visualization, and by extension the possibility of a rearticulation of our view of things – how they are, were, or apparently always have been.
Image: © Sohrab Hura

Fuzzy dark spot
Video art from Hamburg

The exhibition FUZZY DARK SPOT curated by the Hamburg-based video artist Wolfgang Oelze, at the Falckenberg Collection brings together 56 video works by over 30 mostly Hamburg-based artists ranging from the 1970s to the present day, featuring historical and contemporary productions in both thematic and monographic groups.
image: © Stefan Panhans

NEW: Favorites curated by blinkvideo users

What do you like? Over the next few months, we will be showing here selections of works, compiled by you, as a blinkvideo user.

Nasim Weiler: Hello, there are many absolutely wonderful video works on Blinkvideo - here are my three favourites of today, March 26 - a day spent in quarantane in Paris.

Jeroen Van Den Tempel: I'm fascinated by video's which invite me to watch out of my framework of daily existence, of my perception of time and space. Which remind me of the real nature of reality, which is streaming. All form is temporary. I’m really intrigued when a universal issue is combined with an issue from daily life. Jeroen van den Tempel

Do you have any favorites on blinkvideo ? Or would you like to focus attention on some video works? Or would you like to compile and show videos on a specific topic? You can do so with the new tool on blinkvideo.
Create a favorites list as follows: When you're logged in, a little sign "add to favorite list" will appear below each video. With the click on it, you add the film to your favorites list. When you have collected all the works, open your favorites list and you can share the list with blinkvideo. We will then receive a message and put the compilation online.
We are very curious about your selection!

Featured videos

Federico Adorno
La estancia, 2014

Federico Adorno’s film La estancia was awarded the Grand Prize of the City of Oberhausen at this year’s International Short Film Festival Oberhausen. In its statement the jury said: “Through a succession of subtly constructed tableaux, this powerful film is a profound critique of systematic oppression. Instigated by a massacre amidst a land-rights conflict in Paraguay, this haunting work transcends the local context to voice the struggle for essential freedoms.”Many years ago, while he was working at the Swiss NGO “Helvetas Paraguay”, Adorno travelled long distances into the countryside to film short documentaries with peasants, whom he taught how to use a camera and write short stories, which they then shot together. His last two short films are about land rights and property, and how the extensive ownership of land by just a few landowners gives rise to serious conflicts and problems in rural communities. Isla Alta is about the tensions that surround a community when a wealthy rancher goes missing; La estancia depicts the aftermath of a massacre and is based on true events that happened in Paraguay in 2012.

Tobias Yves Zintel
Breed and Educate, 2018

The Film Breed and Educate is based on a collaborative performance with a class from the Hector-Peterson-Schule Berlin Kreuzberg and the HAU. In numerous task based rehearsals eight pupils between 11 and 13 years explored the possibilties of self-education. Based on various materials from found footage to documentary and staged scenes the film circles around the relationship of controlling and self-empowerment in educational systems. Breed and Educate is circling around the question of how lessons should be organised in times of network and algorthim-based learning. Algorithms and neuronal networks have to master problems only once, after they achieved their goal, results can be duplicated and copied any number of times. Kids on the other hand side have to learn everything step by step, the accumulated knowlede can’t be transfered from on kid to the other by „copy and paste“. An allopoetic system is a trivial system, which can be potentially fully explored, controlled and operated by an observer. With a similar theory in mind, the Prussians started to organise schooling in 1717, to prepare pupils for the Prussian Military Academy. What happens almost 300 years later in a school in Berlin, when the relationship between control and self-empowerment is inverted by postmigrant pupils who breed robots, are educated by them and vice versa? “ In Breed and Educate an automated dionsaur is introduced by a twelfe year old boy: “It’s easily trainable”. While he explains the mode of operation, one sees the parallels: the school wouldn’t have any problems with pupils equipped with a suitable operating system downloaded from the internet. Sounds like an uncanny utopia.” (Katrin Bettina Müller)

Lene Markusen
Grad, 2004

Dieter Kiessling
60 Minutes 360 Degrees GK 2010, 2010

A boy is portrayed with a video camera for an hour on a tennis court.During this time the camera turns through 360 degrees. Meanwhile, the whole space is recorded piece by piece. The boy follows the camera movement slowly thus remaining constantly in the centre of the picture.

Clemens von Wedemeyer
Silberhöhe, 2003

In Halle-Silberhöhe in East Germany, the camera records peri-urban area architecture, prefabricated buildings that are deserted and destined to be demolished. The commentary evokes a film editing technique used by Michelangelo Antonioni in his film, L’Eclisse (1962).

Janet Biggs
Fade to White, 2010

In Fade to White, Biggs delves into the desire to explore remote lands. To create this work, the artist embarked on an expedition in the high Arctic, traveling aboard an ice-class, 2-masted schooner, built in 1910. During the voyage, Biggs filmed Fade to White, focusing on a crew member as he navigated the ship through iceberg filled seas, and paddled a kayak past glacier walls and polar bears. As she photographed the explorer, Biggs tested her own will and endurance. The visual tension of her uncompromising imagery bespeaks their mutual struggle to maintain balance and purpose. Yet, the video also reveals the myth of the solitary white male explorer. Biggs explains, "The desire to hold onto the notion of the 'great white north' as a blank space awaiting interpretation only reinforces the idea of the colonial polar hero. The 'virgin' north has now been mapped, surveyed, and mined, but increased knowledge has not replaced endless fantasies of discovery." Loss and change are implicit in the video's title, Fade to White, which refers to an editing technique used to evoke death or transcendence. Biggs integrated her Arctic imagery with sound and video footage of counter tenor John Kelly, whose age, androgyny, and mournful voice parallel the vanishing Arctic landscape and signal the waning of male dominance.

Rebecca Ann Tess
The Tallest, 2014

The »The Tallest« shows pictures shot on-site of the currently tallest buildings in the world. The high-rises are shown as set pieces of global capitalism, visually disappearing into abstraction. The reduced images are reminding of 3D rendering. The simulated image of these buildings circulates in the media for representational and advertising purposes, becomes a substantial object and the actual spatiality becomes a mockup. The narration is undertaken by a computer voice, it describes the competition for the tallest tower at such divers places as Chicago, Dubai, Hong Kong, Kuala Lumpur, Mecca, Nanjing, New York City, Seoul, Shanghai, Shenzhen, Songdo and Taipei.

Johanna Reich
LIGHT ON BLACK ON WHITEHOMAGE TO MALEVICH, 2015

A moving digital light drawing illuminates a white wall. A hand painting a black square on the white surface becomes visible. At the same time the light drawing is painting a light square. In the end the light of the digital light square illuminates the finished black oil painting.

Critics’ Pick: Vienna by Nicole Büsing + Heiko Klaas

The group show “Antarctica. An Exhibition on Alienation” was presented in Vienna during the past winter season. Departing from a note written by the Italian cult director Michelangelo Antonioni referring to a potential glacier melting in the Antarctica and a hint to a film, the two curators from the Kunsthalle Wien, Vanessa Joan Müller and Nicolaus Schafhausen, conceived an exhibition on the topic of alienation and contemporary art. The focus was on the latest contemporary photography and video art by the younger generation of artists.
Image: © Isabella Fürnkäs

Expanding Bauhaus.
New Reflections on the Bauhaus Movement in Time-Based Media Art / Goethe Institute Netherlands

A screening series selected by Elke Kania (Cologne), Julia Sökeland (Hamburg) and Ludwig Seyfarth (Berlin)

With its combination of various arts such as painting, photography film, architecture, fashion, product and interior design and textile art, the Bauhaus is still considered the epitome of a technologically advanced modernity. Last but not least, the attempt to create the whole society aesthetically, inspired many artists worldwide.
Image: © Adnan Softic

Johan Grimonprez

Johan Grimonprez’s critically acclaimed work dances on the borders of practice and theory, art and cinema, documentary and fiction, demanding a double take on the part of the viewer. Informed by an archeology of present-day media, his work seeks out the tension between the intimate and the bigger picture of globalization. It questions our contemporary sublime, one framed by a fear industry that has infected political and social dialogue. By suggesting new narratives through which to tell a story, his work emphasizes a multiplicity of realities.
image: © Johan Griminprez

Christoph Faulhaber: Revolution & Architecture

With "Revolution & Architecture" Christoph Faulhaber (* 1972 in Osnabrück, lives in Hamburg) conceives, builds, designs and opens a whole series of very different rooms in the Kunsthalle Osnabrück. In order to discover the revolutionary aspect of these "architectures", one has to look at the social implications of interior design in general. In the forum the visitor then enters Faulhaber's cinematic autobiography "Every Picture is an Empty Picture" as in the eye of the cyclone: The work is split into 15 individual films and surrounds the visitor in a circle.
Image: © Christoph Faulhaber

Stiftung imai – inter media art institute

The Düsseldorf based foundation imai – inter media art institute was founded in 2006 in order to establish an institution in Germany dedicated to the distribution and preservation of media art and associated activities.
Image: © Marcel Odenbach

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blinkvideo is a website for the research of video art. Founders: Julia Sökeland, Anita Beckers. blinkvideo ist eine Plattform zur Recherche nach Videokunst

Rebecca Lennon

Works


Biography

Born 1981 in Manchester
Lives & Works in London

Education

2008 MFA Fine Art, Slade, London, UK
2001 - 2004 B.A. Hons Fine Art (First Class), Sheffield Hallam University, Sheffield UK
2001 Fine Art Foundation, Manchester Metropolitan University, Manchester, UK

Selected solo exhibitions

2013
Title TBC, Ceri Hand Gallery, London, UK

2012
Don’t Let It End This Way Tell Them I Said Something, Bloc Projects, Sheffield, UK

2010
We are Stuck Here Together, Ceri Hand Gallery, Liverpool, UK

2008
Since they got rid of time, Galerie Metro, Berlin, Germany

Selected group exhibitions, screenings and performances

2015
Immersive Frames, Nov 26- Jan 6, Celda Contemporanea, Mexico City
DA THIRST presents: Haters Gonna Fete, 24 Jan. ICA London

2014
Supernormal Festival, 8-10 Aug. Braziers Park, Oxfordshire
Escape Routes (curated by Benedict Drew) 2-24 Aug. Limbo, Margate
Foam (curated by Matt Jenner) Touring to Spike Island, Bristol Wysing Arts Centre, Cambridge, Banner Repeater, AND/OR Gallery, London
This Space We Are, 29 March – 2 May, The International 3, Manchester
Notes on an Autobiography, 16 Jan-8 March, ASC Gallery, London
Arte Mexico, 29 Jan. Ex Teresa Museum, Mexico City

2013
Show, Dec 22 - Jan 10. Parallel, Oaxaca, Mexico
DentalFlux, Dec 4. Southbank Centre, London
Transitio MX Festival, 20-29 Sept. Mexico City, Mexico
The Everything and Nothing Problem, June 25. Jerwood Arts Space, A collaboration between Jerwood and Ceri Hand Gallery, London
Fresh Trauma, 24 May-29 June, Ceri Hand Gallery, London
Cacotopia, Anthony Burgess Foundation, Manchester, 24 May - 14 June
Tourist Information Centre, Supercollider, Blackpool 29 March - 11 May
The Hand That Holds The Desert Down, 15 March, Edinburgh Sculpture Workshop
We Object (curated by Benedict Drew) AidandAbet, 14 March- 18 April, Cambridge The History of the Zero (Performance) Art13, 3 March, London
Nite Flights, The Old Hairdressers, 6 Feb. Glasgow

2012
Move Forward, New Mexican European Media Art, Halle, Germany
Notes on an Autobiography, Limoncello Gallery (Punctuation), London, UK
Still Outside (or Unexplained), Open Eye Gallery, Liverpool, UK
Ten Chapters, Banner Repeater, London, UK
Seven Chapters, A Contents Page, Parenthesis & Footnotes, Banner Repeater, London, UK

2011
Re Read, Assembly Projects, London, UK
Memory of a Hope, Ceri Hand Gallery, Liverpool, UK
A Century Of Artists Film, Oriel Mwldan Bath House, Cardigan, Wales

2010
Salon Art Prize 10, Matt Roberts Arts, London, UK
Resonance FM at Frieze Art Fair, Curated by Benedict Drew, London, UK
Making Ships in Bottles, Café Gallery Projects, London, UK
Black Hole Hums B Flat, Ceri Hand Gallery pop up space, 80 Duke Street, London, UK
Spasticus Artisticus, Ceri Hand Gallery, Liverpool, UK
The Economy of the Gift, A Foundation, Liverpool, UK

2009
Interim Exhibition, MFA Fine Art, The Slade, London, UK
For Sale: Baby Shoes Never Worn, G39 Gallery, Cardiff, Wales
Screening, Next.Ex, St Gallen Switzerland & International 3 Manchester. Curated by Salford Restoration Office.
Open Ended Project, Curated by Maeve Rendle & Castlefield Gallery, Manchester.

2008
Future50, Project Space Leeds, Leeds, UK
PureScreen #2 Hearsay, Castlefield Gallery, Manchester, UK

2007
Cover, Galerie Metro, Berlin, Germany
Outside of Parallel, Interval, The Holden Gallery, Manchester, UK
Fair Play 2007 Film & Video Award, Kino Babylon, Berlin
Inside The Machine, SEEN, FACT, Liverpool, UK
Sonar Film Festival, Florence, Italy

2006
Short Circuits Interrupted, The Forum, Sheffield, UK

2005
Fragments, The Green Room, Manchester, UK
Din Short Film Festival, Barcelona
No Original Artists, The Green Room, Manchester, UK
Interruption 1, 2 + 3, Manchester and Sheffield, UK
Halloween Short Film Festival, ICA, London, UK

Curatorial projects

2008
Film Festival Curator, FACT, Liverpool, UK
Open Eye Projects Curator, Open Eye Gallery, Liverpool, UK
2007
Urban Screens Conference, Visiting Curator, Screening Programme, Manchester, UK
ZUVIEL TV, Visiting Curator, Screening Programme, Berlin
Loughborough University, Visiting Curator, Screening Programme, Loughborough, UK
2006
37 Seconds Curator, BBC Big Screen, Public Space, Artists’ Film & Video Programme, Big Screen Liverpool, collaboration with Liverpool Biennial, FACT & BBC, Liverpool, UK 2005
Short Circuits Interrupted, Curator, Art, Film, Performance & Live Music event, The Forum, Sheffield, UK
Interruption, Curator, Art, Film & Live Music event, various venues, Manchester & Sheffield UK

Comissions residencies prizes

2013
Arts Council England residency in Mexico City, Mexico
2012
EMAN-EMARE Residency at CANTE (Centro de Arte y Nuevas Technologias) in San Luis Potosi, Mexico
2010
Afoundation Commission for The Economy of The Gift, Liverpool.
2009
Andor Scholarship & Pocock Award, London
2007/2008
ART PRIZE commission, Salford Restoration Office & Northern Edge.
2007
Arts Council England Award, North West
2006
Inspiral Artists’ award, Sheffield, Yorkshire
Arts Council England Award, North West
2005
Future Everything Award, Future Everything Festival, Manchester

Rebecca Lennon
Born 1981 in Manchester Lives & Works in London Education 2008 MFA Fine Art, Slade, London, UK 2001 - 2004 B.A. Hons Fine Art (First Class), Sheffield Hallam University, Sheffield UK 2001 Fine Art Foundation, Manchester Metropolitan University, Manchester, UK Selected solo exhibitions 2013 Title TBC, Ceri Hand Gallery, London, UK 2012 Don’t Let It End This Way Tell Them I Said Something, Bloc Projects, Sheffield, UK 2010 We are Stuck Here Together, Ceri Hand Gallery, Liverpool, UK 2008 Since they got rid of time, Galerie Metro, Berlin, Germany Selected group exhibitions, screenings and performances 2015 Immersive Frames, Nov 26- Jan 6, Celda Contemporanea, Mexico City DA THIRST presents: Haters Gonna Fete, 24 Jan. ICA London 2014 Supernormal Festival, 8-10 Aug. Braziers Park, Oxfordshire Escape Routes (curated by Benedict Drew) 2-24 Aug. Limbo, Margate Foam (curated by Matt Jenner) Touring to Spike Island, Bristol Wysing Arts Centre, Cambridge, Banner Repeater, AND/OR Gallery, London This Space We Are, 29 March – 2 May, The International 3, Manchester Notes on an Autobiography, 16 Jan-8 March, ASC Gallery, London Arte Mexico, 29 Jan. Ex Teresa Museum, Mexico City 2013 Show, Dec 22 - Jan 10. Parallel, Oaxaca, Mexico DentalFlux, Dec 4. Southbank Centre, London Transitio MX Festival, 20-29 Sept. Mexico City, Mexico The Everything and Nothing Problem, June 25. Jerwood Arts Space, A collaboration between Jerwood and Ceri Hand Gallery, London Fresh Trauma, 24 May-29 June, Ceri Hand Gallery, London Cacotopia, Anthony Burgess Foundation, Manchester, 24 May - 14 June Tourist Information Centre, Supercollider, Blackpool 29 March - 11 May The Hand That Holds The Desert Down, 15 March, Edinburgh Sculpture Workshop We Object (curated by Benedict Drew) AidandAbet, 14 March- 18 April, Cambridge The History of the Zero (Performance) Art13, 3 March, London Nite Flights, The Old Hairdressers, 6 Feb. Glasgow 2012 Move Forward, New Mexican European Media Art, Halle, Germany Notes on an Autobiography, Limoncello Gallery (Punctuation), London, UK Still Outside (or Unexplained), Open Eye Gallery, Liverpool, UK Ten Chapters, Banner Repeater, London, UK Seven Chapters, A Contents Page, Parenthesis & Footnotes, Banner Repeater, London, UK 2011 Re Read, Assembly Projects, London, UK Memory of a Hope, Ceri Hand Gallery, Liverpool, UK A Century Of Artists Film, Oriel Mwldan Bath House, Cardigan, Wales 2010 Salon Art Prize 10, Matt Roberts Arts, London, UK Resonance FM at Frieze Art Fair, Curated by Benedict Drew, London, UK Making Ships in Bottles, Café Gallery Projects, London, UK Black Hole Hums B Flat, Ceri Hand Gallery pop up space, 80 Duke Street, London, UK Spasticus Artisticus, Ceri Hand Gallery, Liverpool, UK The Economy of the Gift, A Foundation, Liverpool, UK 2009 Interim Exhibition, MFA Fine Art, The Slade, London, UK For Sale: Baby Shoes Never Worn, G39 Gallery, Cardiff, Wales Screening, Next.Ex, St Gallen Switzerland & International 3 Manchester. Curated by Salford Restoration Office. Open Ended Project, Curated by Maeve Rendle & Castlefield Gallery, Manchester. 2008 Future50, Project Space Leeds, Leeds, UKPureScreen #2 Hearsay, Castlefield Gallery, Manchester, UK 2007 Cover, Galerie Metro, Berlin, Germany Outside of Parallel, Interval, The Holden Gallery, Manchester, UK Fair Play 2007 Film & Video Award, Kino Babylon, Berlin Inside The Machine, SEEN, FACT, Liverpool, UK Sonar Film Festival, Florence, Italy 2006 Short Circuits Interrupted, The Forum, Sheffield, UK 2005 Fragments, The Green Room, Manchester, UK Din Short Film Festival, Barcelona No Original Artists, The Green Room, Manchester, UK Interruption 1, 2 + 3, Manchester and Sheffield, UK Halloween Short Film Festival, ICA, London, UK Curatorial projects 2008 Film Festival Curator, FACT, Liverpool, UK Open Eye Projects Curator, Open Eye Gallery, Liverpool, UK 2007 Urban Screens Conference, Visiting Curator, Screening Programme, Manchester, UK ZUVIEL TV, Visiting Curator, Screening Programme, Berlin Loughborough University, Visiting Curator, Screening Programme, Loughborough, UK 2006 37 Seconds Curator, BBC Big Screen, Public Space, Artists’ Film & Video Programme, Big Screen Liverpool, collaboration with Liverpool Biennial, FACT & BBC, Liverpool, UK 2005 Short Circuits Interrupted, Curator, Art, Film, Performance & Live Music event, The Forum, Sheffield, UK Interruption, Curator, Art, Film & Live Music event, various venues, Manchester & Sheffield UK Comissions residencies prizes 2013 Arts Council England residency in Mexico City, Mexico 2012 EMAN-EMARE Residency at CANTE (Centro de Arte y Nuevas Technologias) in San Luis Potosi, Mexico 2010 Afoundation Commission for The Economy of The Gift, Liverpool. 2009 Andor Scholarship & Pocock Award, London 2007/2008 ART PRIZE commission, Salford Restoration Office & Northern Edge. 2007 Arts Council England Award, North West 2006 Inspiral Artists’ award, Sheffield, Yorkshire Arts Council England Award, North West 2005 Future Everything Award, Future Everything Festival, Manchester

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