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blinkvideo - research of video art, performance and multimedia installations.

blinkvideo - research of video art, performance and multimedia installations.


blinkvideo the platform for . . .

artists we provide a platform for extensive presentation of media works, gallerists get a direct contact to international professional audiences, collectors find a worldwide overview of contemporary trends in moving image, curators can do research via keywords and compilations, teachers use presentation opportunities for students and all professionals get password protected, extensive information about video works worldwide.

Turning Points / extensional works

Under the title Turning Points, the Kunsthalle Gießen presents selected works from the Collection von Kelterborn, whose focus lies in politically charged and socially critical works by internationally renowned artists. Against the background of digitalisation and globalisation, the works shown reflect our present day as it is marked by numerous upheavals. In this regard there is a strong focus is on video art.

On blinkvideo we show extensional works like the documentary films of Teboho Edkins and background videos as the City Film West Berlin of The Tödliche Doris.
image: © Teboho Edkins

UNSTILLED LIFE: Artist Animations 1980-2020
Curated by Emma Cousin and Paul Carey-Kent

Why this show, here and now? British artist-curator Emma Cousin and writer-curator Paul Carey-Kent recently pulled together a choice of artist animations, thinking that the increasingly vibrant medium is especially suited to the online emphasis of the locked down art world of 2020. Three of them turned out to be represented by Ron Mandos, making the Amsterdam gallery ideal hosts. The cast is international, and to reflect that Tintype gallery in London and Hamburg’s blinkvideo have joined in with variations on the programme. 
Markus Vater Worlds don’t come easy, 2020

Something Between Us
KAI 10 | ARTHENA FOUNDATION, Düsseldorf

The exhibition „Something Between Us“ focuses on both our contemporary lives and the anthropological constants of interpersonal dealings: love, empathy, security, care and safety on the one hand, and hate, role fixation, dependency, reprimand and exclusion on the other. Something Between Us asks how these structures of togetherness are changing in our digital era.
Thomas Taube OCCIDENT, 2020

REFRACTED REALITIES at VIDEONALE.17

In optics, “refraction” refers to the bending of a beam of light, a change in direction which occurs at the moment when it passes from one medium to another. Through refraction, the light wave alters course, changing the way we perceive the objects it illuminates in the process. This optical deviation requires us to repeatedly correct our gaze, comparing the beginning and end points of our perception with reality, and bringing the object we see clearly into focus. In its figurative sense, refraction refers to a critical reflection on the means and channels of visualization, and by extension the possibility of a rearticulation of our view of things – how they are, were, or apparently always have been.
Image: © Sohrab Hura

NEW: Favorites curated by blinkvideo users

What do you like? Over the next few months, we will be showing here selections of works, compiled by you, as a blinkvideo user.

Stefano Miraglia: Hey Blinkvideo members! Here are my eight "must watch" films and videos. Happy to find in this catalogue some of the works that got me interested in artists' moving image when I was a student! (Guillaume Leblon! Daniel Steegmann Mangrané! Marylène Negro!).

Do you have any favorites on blinkvideo ? Or would you like to focus attention on some video works? Or would you like to compile and show videos on a specific topic? You can do so with the new tool on blinkvideo.
Create a favorites list as follows: When you're logged in, a little sign "add to favorite list" will appear below each video. With the click on it, you add the film to your favorites list. When you have collected all the works, open your favorites list and you can share the list with blinkvideo. We will then receive a message and put the compilation online.
We are very curious about your selection!

Critics’ Pick: Vienna by Nicole Büsing + Heiko Klaas

The group show “Antarctica. An Exhibition on Alienation” was presented in Vienna during the past winter season. Departing from a note written by the Italian cult director Michelangelo Antonioni referring to a potential glacier melting in the Antarctica and a hint to a film, the two curators from the Kunsthalle Wien, Vanessa Joan Müller and Nicolaus Schafhausen, conceived an exhibition on the topic of alienation and contemporary art. The focus was on the latest contemporary photography and video art by the younger generation of artists.
Image: © Isabella Fürnkäs

Expanding Bauhaus.
New Reflections on the Bauhaus Movement in Time-Based Media Art / Goethe Institute Netherlands

A screening series selected by Elke Kania (Cologne), Julia Sökeland (Hamburg) and Ludwig Seyfarth (Berlin)

With its combination of various arts such as painting, photography film, architecture, fashion, product and interior design and textile art, the Bauhaus is still considered the epitome of a technologically advanced modernity. Last but not least, the attempt to create the whole society aesthetically, inspired many artists worldwide.
Image: © Adnan Softic

Johan Grimonprez

Johan Grimonprez’s critically acclaimed work dances on the borders of practice and theory, art and cinema, documentary and fiction, demanding a double take on the part of the viewer. Informed by an archeology of present-day media, his work seeks out the tension between the intimate and the bigger picture of globalization. It questions our contemporary sublime, one framed by a fear industry that has infected political and social dialogue. By suggesting new narratives through which to tell a story, his work emphasizes a multiplicity of realities.
image: © Johan Griminprez

Christoph Faulhaber: Revolution & Architecture

With "Revolution & Architecture" Christoph Faulhaber (* 1972 in Osnabrück, lives in Hamburg) conceives, builds, designs and opens a whole series of very different rooms in the Kunsthalle Osnabrück. In order to discover the revolutionary aspect of these "architectures", one has to look at the social implications of interior design in general. In the forum the visitor then enters Faulhaber's cinematic autobiography "Every Picture is an Empty Picture" as in the eye of the cyclone: The work is split into 15 individual films and surrounds the visitor in a circle.
Image: © Christoph Faulhaber

Stiftung imai – inter media art institute

The Düsseldorf based foundation imai – inter media art institute was founded in 2006 in order to establish an institution in Germany dedicated to the distribution and preservation of media art and associated activities.
Image: © Marcel Odenbach

Featured videos

Federico Adorno
La estancia, 2014

Federico Adorno’s film La estancia was awarded the Grand Prize of the City of Oberhausen at this year’s International Short Film Festival Oberhausen. In its statement the jury said: “Through a succession of subtly constructed tableaux, this powerful film is a profound critique of systematic oppression. Instigated by a massacre amidst a land-rights conflict in Paraguay, this haunting work transcends the local context to voice the struggle for essential freedoms.”Many years ago, while he was working at the Swiss NGO “Helvetas Paraguay”, Adorno travelled long distances into the countryside to film short documentaries with peasants, whom he taught how to use a camera and write short stories, which they then shot together. His last two short films are about land rights and property, and how the extensive ownership of land by just a few landowners gives rise to serious conflicts and problems in rural communities. Isla Alta is about the tensions that surround a community when a wealthy rancher goes missing; La estancia depicts the aftermath of a massacre and is based on true events that happened in Paraguay in 2012.

Tobias Yves Zintel
Breed and Educate, 2018

The Film Breed and Educate is based on a collaborative performance with a class from the Hector-Peterson-Schule Berlin Kreuzberg and the HAU. In numerous task based rehearsals eight pupils between 11 and 13 years explored the possibilties of self-education. Based on various materials from found footage to documentary and staged scenes the film circles around the relationship of controlling and self-empowerment in educational systems. Breed and Educate is circling around the question of how lessons should be organised in times of network and algorthim-based learning. Algorithms and neuronal networks have to master problems only once, after they achieved their goal, results can be duplicated and copied any number of times. Kids on the other hand side have to learn everything step by step, the accumulated knowlede can’t be transfered from on kid to the other by „copy and paste“. An allopoetic system is a trivial system, which can be potentially fully explored, controlled and operated by an observer. With a similar theory in mind, the Prussians started to organise schooling in 1717, to prepare pupils for the Prussian Military Academy. What happens almost 300 years later in a school in Berlin, when the relationship between control and self-empowerment is inverted by postmigrant pupils who breed robots, are educated by them and vice versa? “ In Breed and Educate an automated dionsaur is introduced by a twelfe year old boy: “It’s easily trainable”. While he explains the mode of operation, one sees the parallels: the school wouldn’t have any problems with pupils equipped with a suitable operating system downloaded from the internet. Sounds like an uncanny utopia.” (Katrin Bettina Müller)

Lene Markusen
Grad, 2004

Dieter Kiessling
60 Minutes 360 Degrees GK 2010, 2010

A boy is portrayed with a video camera for an hour on a tennis court.During this time the camera turns through 360 degrees. Meanwhile, the whole space is recorded piece by piece. The boy follows the camera movement slowly thus remaining constantly in the centre of the picture.

Clemens von Wedemeyer
Silberhöhe, 2003

In Halle-Silberhöhe in East Germany, the camera records peri-urban area architecture, prefabricated buildings that are deserted and destined to be demolished. The commentary evokes a film editing technique used by Michelangelo Antonioni in his film, L’Eclisse (1962).

Janet Biggs
Fade to White, 2010

In Fade to White, Biggs delves into the desire to explore remote lands. To create this work, the artist embarked on an expedition in the high Arctic, traveling aboard an ice-class, 2-masted schooner, built in 1910. During the voyage, Biggs filmed Fade to White, focusing on a crew member as he navigated the ship through iceberg filled seas, and paddled a kayak past glacier walls and polar bears. As she photographed the explorer, Biggs tested her own will and endurance. The visual tension of her uncompromising imagery bespeaks their mutual struggle to maintain balance and purpose. Yet, the video also reveals the myth of the solitary white male explorer. Biggs explains, "The desire to hold onto the notion of the 'great white north' as a blank space awaiting interpretation only reinforces the idea of the colonial polar hero. The 'virgin' north has now been mapped, surveyed, and mined, but increased knowledge has not replaced endless fantasies of discovery." Loss and change are implicit in the video's title, Fade to White, which refers to an editing technique used to evoke death or transcendence. Biggs integrated her Arctic imagery with sound and video footage of counter tenor John Kelly, whose age, androgyny, and mournful voice parallel the vanishing Arctic landscape and signal the waning of male dominance.

Rebecca Ann Tess
The Tallest, 2014

The »The Tallest« shows pictures shot on-site of the currently tallest buildings in the world. The high-rises are shown as set pieces of global capitalism, visually disappearing into abstraction. The reduced images are reminding of 3D rendering. The simulated image of these buildings circulates in the media for representational and advertising purposes, becomes a substantial object and the actual spatiality becomes a mockup. The narration is undertaken by a computer voice, it describes the competition for the tallest tower at such divers places as Chicago, Dubai, Hong Kong, Kuala Lumpur, Mecca, Nanjing, New York City, Seoul, Shanghai, Shenzhen, Songdo and Taipei.

Johanna Reich
LIGHT ON BLACK ON WHITEHOMAGE TO MALEVICH, 2015

A moving digital light drawing illuminates a white wall. A hand painting a black square on the white surface becomes visible. At the same time the light drawing is painting a light square. In the end the light of the digital light square illuminates the finished black oil painting.

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Anna Jermolaewa

Works


Galleries

Barbara Gross Galerie
Anna Geuder
Theresienstraße 56 Hof 1
80333 München
Germany

Phone: +49 89 296272
E-Mail: contact@barbaragross.de




Statement

Anna Jemolaewa’s Films are precise observations distinguished by a feel for the absurd in reality and the universal in individual cases. Her video Kremlin Doppelganger (2009) seizes upon what is probably the most emblematic symbol of Russian state power: the Red Square in Moscow, where the retaking of Crimea was celebrated this past February, and national myths are conjured. In her Film, Jemolaewa combines footage of the original Red Square in Moscow with everyday scenes from its detailed copy, the „Kremlin Palace Hotel“ vacation resort in Antalya, Turkey. Built in 2003, the resort with a cocktail bar, pool, and beach now enjoys great popularity among guests from the former Soviet Union in particular. Besides the vacationers, the Film also features a Gorbachev double, hired by the hotel, who talks about his experiences and encounters. Thus, the Film not only blends together places, but history and the present day, as well.


Biography

Born 1970 in St. Petersburg, Russia
Living in Vienna, Austria since 1989.

Education

1998 graduated from University of Vienna (Faculty of Art History).
2002 graduated from Academy of Fine Arts in Vienna (Painting & Graphic Art/New Media) at Academy of Fine Arts in Vienna.
2005-2011 Professor for Media Art, University of Arts and Design, Karlsruhe, Germany.

Selected solo exhibitions

2015
Anna Jermolaewa. Good Times, Bad Times, Zacheta National Gallery of Art, Warsaw, Poland.

2013
Kerstin Engholm Galerie, Vienna, Austria.
The Way Up, Victoria Gallery, Samara.
Anna Jermolaewa and Audrone Vaupsiene, A SORT OF HOMECOMING, CAC Vilnius.

2012
Anna Jermolaewa, Kunsthalle Krems, Krems, Austria.
Art is Concrete. And so is Truth?, Camera Austria, Graz, Austria.
Anna Jermolaewa, Galerie Johann Widauer, Innsbruck, Austria.
Anna Jermolaewa. Das vierzigste Jahr, Salzburger Kunstverein, Salzburg, Austria.

2011
Handschuhe aus Gummi, Putzkittel und Wischmopp, Arbeiterkammer Wien, Vienna, Austria.
Filme von Anna Jermolaewa, kunstraum lakeside, Klagenfurt, Austria.
Kinoglaz, XL Gallery, Moscow.
Step Aside, Institute of Contemporaty Art, So$a.

2010
ANNA JERMOLAEWA | KREMLIN, EDS GALERIA México D.F.

2009
RATS, XL-Gallery, Moscow.
Anna Jermolaewa, Peter Kogler, Galerie 422, Gmunden.
Engholm Engelhorn Galerie.
Kunstverein Friedrichshafen.

2008
PLAYING ALONG WITH ANNA, XL Gallery, Moscow.
Galerie Johann Widauer, Innsbruck.
Österreichisches Kulturforum Prag.

2007
„Vienna Stripe“, museum in progress, Wien.

2006
ORCHESTRA RELOADED, Tresor im BA-CA KUNSTFORUM, Wien.
Galerie mezzanin, Wien.

2004
Museum Moderner Kunst, Passau.

2003
Galerie mezzanin, Wien.
Galerie Gelman, Moskau.
Stand Galerie mezzanin, ArtMoskau, Moskau.
L-Gallery,Moskau.
Kunstraum Johann Widauer, Innsbruck.

2002
Johann König, Berlin.
Magazin4, Bregenz.
Ursula-Blickle-Stiftung, Kraichtal-Unteröwisheim.
CAN, Centre d’Art Neuchatel.
Porschehof, Salzburg.

2001
mezzanin, Wien.

2000
Institute of Visual Arts, Milwaukee, USA.
Orchester, Hans Mayer, Berlin.
Galerie Walcheturm, Zürich.
Im Pavillon,Wels.

1999
mezzanin, Wien.

Selected group exhibitions

2015
Private Public Partnership, Lust Gallery, Vienna, Austria.
Europa: Die Zukunft der Geschichte, Kunsthaus Zürich, Zurich, Switzerland.
SHARE. Too much history, MORE future, Banja Luka Museum of Contemporary Art,
Republika Srpska, Banja Luka, Bosnia and Herzegovina.

2014
Fluxus. Eine Ausstellung als Performance, Vienna Contemporary, Vienna, Austria.
POZOR! Kalte Grenze, Kunstsammlung des Landes OÖ, Linz, Austria.
Frisch Eingetroffen. Neuankäufe Fotogra$e, Landesgalerie Linz, Linz, Austria.
The Dignity of the Man…, House of Arts, Brünn, Czech Republic.
Warzone Peace, Kunstraum Baden, Baden, Switzerland.
WUNDER KATZE, Galerie der Stadt Wels, Wels, Austria.
Hier steht ein Sessel. Sessel, Stuhl, Hocker in der Kunst, Galerie im Traklhaus, Salzburg, Austria.
Memory Lab. Photography Challenges History, Eyes On – European Month of Photography, Museum auf Abruf, Vienna, Austria.
Punctum, Salzburger Kunstverein, Salzburg, Austria.
Sweet Dew - after 1980. 20th Anniversary of the Gwangju Biennale, Gwangju Museum of Art, Korea
Der Menschheit Würde…, Museum auf Abruf, Wien, Austria.
Call me on Sunday, Krinzinger Projekte, Wien, Austria.
SHARE. Too much history, MORE future, National Gallery Sarajevo, Bosnia and Herzegvina.
SHARE. Too much history, MORE future, Museum Moderner Kunst Kärnten, Austria.
At your Service. Art and Labour, Technical Museum Zagreb, Croatia.

2013
Jenseits des Sehens. Spezialsammlung des Stifts Admont, Winzavod Centre for Contemporary Art, Moscow, Russia.
Salon der Hoffnung, Österreichische Präsidentschaftskanzlei, Vienna, Austria.
Display Praterstern, Vienna, Austria.
Faire le vide, Anna Jermolaewa, Ciprian Muresan, Adrien Tritiaux, Neue Galerie der Tiroler Künstlerschaft, Innsbruck, Austria.
If sport is the brother of labor, then art is the cousin of unemployment, Pindaros Hotel, Athens, Greece.
Die Sammlung #3, 21er Haus, Vienna, Austria.
GOOD GIRLS_MEMORY, DESIRE, POWER, National Museum of Contemporary Art, Bucharest, Rumänien
How long is now?, Foto-Raum, Wien, Österreich
Lost in Translation, MMOMA Moscow Museum of Modern Art, Ca’ Foscari, Esposizioni, Venedig, Italien
Unrest of Form, Imaging the Political Subject, ein Projekt der Wiener Festwochen, Secession / Akademie der bildenden Künste, Vienna, Austria.
AGES – Porträts vom Älterwerden, SK Stiftung Kultur, Cologne, Germany.
Wolken, Leopold Museum, Wien, Österreich
Arca lui Noe / Noah´s Ark / l´arche de Noé, Fabrica de Pensule Cluj, Rumänien
The Naked Man, Ludwig Museum, Budapest, Ungarn

2012
Die Nacht im Zwielicht, Belvedere, Vienna, Austria.
Inklusion, Kunstraum am Schauplatz, Vienna, Austria.
Play Together, Ankerbrotfabrik, Vienna, Austria.
Kandinsky Price, Winzavod Contemporary Art Center, Moscow, Russia.
Auf zu neuen Ufern, Austrian Cultural Forum, Planetarium Nischnij Novgorod, Nischnij Novgorod, Russia.
2nd Ural Biennale, Ekaterinburg, Russia.
7th Berlin-Biennale, KW, Berlin.
Die Dritte Mitte 6, Neues Problem, Berlin.
Sleepwalking, Freies Museum Berlin.
Anderenorts, rotor, Graz.
Parallelwelt Zirkus, Kunsthalle Wien, Vienna, Austria.
At your Service- Kunst und Arbeitswelt, Technisches Museum Wien, Vienna, Austria.
BEAUTY CONTEST, MUSA Museum auf Abruf, Vienna, Austria.
Sound Art, Klang als Medium in der Kunst, ZKM/Museum für neue Kunst, Karlsruhe, Germany.

2011
ABSOLUT WIEN, Ankäufe und Schenkungen, Wien Museum, Vienna, Austria.
BEAUTY CONTEST, Austrian Cultural Forum New York, USA.
The Global Contemporary Kunstwelten nach 1989. ZKM | Museum für Neue Kunst, Karlsruhe, Germany.
The excitement continues, Zeitgenössische Kunst aus der Sammlung Leopold II, Leopold Museum, Vienna, Austria.
video-works, obra en video, EDS GALERIA, México D.F.
ANTIDEPRESSIVA, Galerie Peithner Lichtenfels, Vienna, Austria.
Drei Zähne, Apartement Draschan, Vienna, Austria.
Dark Waters, The Station, Belfast.

2010
VIDEFESTA'10 International Festival of Media Arts, Goethe-Institut Ankara.
VIDENIE video art exhibition, Tkatschi, St.Petersburg.
History of Russian Video Art. Volume 3 - Moscow museum of modern art - MMOMA, Moscow.
The Art of Wasting Time, M`Ars Center for contemporary Arts.
Never to reach, Sergey Kuryokhin Modern Art Center, St.Petersburg.
Culture(s) of Copy, Edith-Ruß-Haus für Medienkunst, Oldenburg.
Migration, Akademie der bildenden Künste, Vienna, Austria.
Festival Artisterium 2010, Tbilisi, Georgien.
In Between. Austria Contemporary / The 4th Beijing International Art Biennale, China.
Mit uns ist kein (National)Staat zu machen - Kunstraum NOE, Wien.
Techno Russia, in Rahmen von Art Moscow, Central House of Artists, Moscow.
Videnie, Gogolfest-2010, Dovzhenko Film Studio, Kiew.
Gewalt, Kunstverein Wolfsburg, Wolfsburg.
Fahrenheit, Kunstraum Schattendorf, Schattendorf, Austria.
GRAND SLAM - Dopplergruppen, Büro Adalbert, Berlin.
EXPOSITUR, Kunsthalle Rathausgalerie, Munich.
Culture(s) of Copy - Goethe Institut Hongkong, Hong Kong.
Videorama Artclips from Austria, Museum der Moderne, Salzburg.
Im Paradiesgarten, Exhibtion in public space in the course of the Wiener Festwochen, Vienna.
Curated by_vienna 2010: Anna Jermolaewa, Engholm Engelhorn Gallery, Vienna.
Russia Today: Videoarte dalla nuova russia, Galleria Nina Lumer, Milano.
Triennale Linz 1.0 - Gegenwartskunst in Österreich / Contemporary Art in Austria, Linz.
I love you - ARoS Aarhus Kunstmuseum, Aarhus.
Objects in Mirror Are Closer than They Appear: About videoart in Russia, Futura Center for contemporary Art, Prague.
Long time no see - The Brno House of Art, Brno.
Aquarellhappening 2000-2009, Tiroler Landesmuseum Ferdinandeum, Innsbruck.
Für immer Dein, lothringer13, Munich.

1989.
Ende der Geschichte oder Beginn der Zukunft?, Villa Schöningen Potsdam.
Lange nicht gesehen, Haus der Kunst Brünn.
PHOTO I, PHOTO YOU,CALVERT22, London.
Videolounge 2010 | Intriguing Pictures, Steinle contemporary, Munich.

2009
Kardinal-König-Kunstpreis, Kunstraum St. Virgil, Salzburg.
Transfer, M'ARS CCA, Moscow.
MANIMAL, New Generation program; Gallery of the International University Moscow.
Videorama: Subversion, Absurdity, and Form in Austrian Video Art, Austrian Cultural Forum, NYC.
Bulletinboard Blvd. Pro Choice, Vienna.
Freie Wahl? Die Formkräfte des Kunstlebens, Nancyhalle, Karlsruhe.
The Center of Attention. Art as Sociotopia, Vienna.
Videorama. Kunstclips aus Österreich, Kunsthalle Vienna.
1989: End of History or Beginning of the Future? Video Art Comments on a Paradigm Shift, AUSTRIAN CULTURAL FORUM, N.Y..
Sleepwalking, Temporary Gallery Cologne, Köln.
Cocker Spaniel an Other Tools for International Understanding, Ursula Blickle Stiftung, Unteröwisheim / Kunsthalle zu Kiel.
VIDENIE, Perm Museum of Contemporary Art, Perm / Shoppingcenter "Europe", Ekaterinburg.
Common History and Its Private Stories. Geschichte und Geschichten, MUSA, Museum auf Abruf, Vienna.
"Ad oculos", National Centre for Contemporary Arts, Moscow.
Movie painting, National Centre for Contemporary Arts, Moscow, Moscow.
The History of Russian Video Art. Volume 2., Moscow Museum of Modern Art, Moscow.
Because it's like that now, it won't stay that way, Arsenal Gallery, Bialystok.

2008
Suspended. Georgien/Russland - Begegnung auf einem anderen Terrain, Neues Kunstforum, Cologne.
The 4th International Video Art Biennal in Israel / No Nonsense, Herzliya Museum of Contemporary Art, Tel-Aviv.
State Alpha, on the architecture of sleep, NAI Maastrich.
(LOVE) WILL TEAR US, Option Liebe, Medienturm Graz.
HOTELITO SAN RAFAEL, Glasshill Projects, London.
Gyumri 6th International Biennal of Contemporary Art 2008.
SEE history 2008. Kreative Vision, 13 internationale Künstler präsentieren die Sammlung der Kunsthalle zu Kiel, Kiel.
de natura, Galerie Altnöder, Salzburg.
imagetanz 08 - Festival für Choreogra$e, Performance und Videokunst, brut im Künstlerhaus, Vienna.
LOVE I – Searching, Fotogalerie Wien.
RECODED: LANDSCAPES AND POLITICS OF NEW MEDIA, Aberdeen, Scotland. MATRIX
Geschlechter / Verhältnisse / Revisionen, Museum auf Abruf (MUSA), Vienna.
Jochen Rindt – Memorial, Stadtmuseum, Graz.
True Romance, Allegories of Love from the Renaissance to the Present, Villa Stuck, Munich.
I make no jokes, Galerie Bernd Kugler, Innsbruck.
An den Grenzen der Begriffe - Arbeiten mit der Filmkamera, Bayreuth Filmfestival.

2007
True Romance, Allegories of Love from the Renaissance to the Present, Kunsthalle Wien.
“History of Russian Video-art – Volume 1,
History Continues…”, Moscow Museum of Modern Art.
Wiener Videos, GEZ-21, Puschkinskaja-10, St. Petersburg.
Die Kunst der Landwirtschaft. Landwirtschaft und Kust im Alpenraum von 1875 bis heute, Tiroler Landesmuseum Ferdinandeum.
From Russia with Love, Kunst Meran.
Sommerfrische die Sehnsucht nach dem Paradies, kunstraum Sylt Quelle, Sylt.
Scheitern. Landesgalerie Linz am Oberösterreichischen Landesmuseum, Linz.
Lange nicht gesehen. Begegnungen mit dem Museum auf Abruf, Eröffnungsausstellung des neuen Museum auf Abruf – MUSA, Wien.
The Art of Failure, Kunsthaus Baselland, Basel.
Something About Power, Russian video art of 1990s–2000s, Frants Gallery Space, New York.
ARTMAPPING I, Urbane Art- und Soundscapes, Stadt erleben und hören, Fluc, Wien.
New Visions: Private Sammlungen, Sonderausstellung der Vienna Artfaire.
Kunst zum Begreifen. Ich fühle was, was du nicht siehst, Benediktinerstift Admont.
Medienarbeiten, Werkstadt Graz, Galerientage [aktuelle Kunst in Graz].
Something about Power, L-Gallery, The Second Moscow Biennale of Contemporary Art – Special projects, Moscow.
“History of Russian Video-art – Volume 1”, Moscow Museum of Modern Art.

2006
Every Day ... another artist/work/show, Salzburger Kunstverein.
Tina.B, The Prague Contemporary Art Festival, Prague.
Pro$ler, Gallery Futura and Karlin Studios, Prague.
Es lebe Video!, Art Moscow-2006, Mocow.
Disposition, Galerie Lukas Feichtner, Vienna.
LichtWerke, Sammlung MUMOK, Vienna.

2005
Manuel Gorkiewicz, Anna Jermolaewa, Alexander Wolff, Wiensowski & Harbord, Berlin.
Stoj! Kto idet?, National Center for Contemporary Art, Moscow.
Ratatouille, 20.21 Galerie, Essen.
Portret lica, National Center for Contemporary Art, Moscow.
Entdecken und Besitzen, MUMOK, Vienna.
Pro$ler, KUNST RAUM NOE, Vienna.
Neue Freunde, Galerie der Stadt Schwaz.
Art in the Age of New Technologies, Media Art Festival, Armenian Center for Contemporary Art, Yerevan.
(prologue) new feminism / new europe, Cornerhouse, Manchester.
Tiere in der Großstadt, Wien Museums in der Hermesvilla.
Andersen Associations, GallerySpecta, Copenhagen.
April Meeting, Video Web Art, Galerie SKC, Belgrad.
Fractures of Life / Political Contemporary Art in Kiasma's Collections, Kiasma, Helsinki.
Can You See the Real Me? Württembergische Kunstverein, Stuttgart.
ARTSTARS, ON-25, Luxembourg.
Hope-Stop, Zverev-Center, Moscow.
homage to the square, mezzanin, Vienna.

Awards and grants

1999 Römerquelle-Preis
2000 Professor-Hilde-Goldschmidt-Anerkennungspreis
2000 SCA Kunstpreis
2002 Pfann-Ohmann-Preis
2002 Ursula Blickle Förderpreis
2004 Förderungspreis der Stadt Wien
2006 T-Mobile art award 2006
2009 Preis der Stadt Wien
2011 outstanding artist award
2014 Artist Residency and New York Studio Grant at ISCP by the Austrian Federal Ministry for Education, Arts and Culture

Her work is held in the collections of the Stedelijk Museum, Friedrich Christian Flick Collection, Museum of Contemporary Art Kiasma, MUMOK-Museum Moderner Kunst Stiftung Ludwig, Wien, Volpinum Kunstsammlung, MUSA, Museum auf Abruf, Vienna, Tiroler Landesmuseums Ferdinandeum, Vehbi Koc Foundation, Kontakt-The Art Collection of Erste Group, Belvedere, Landesgalerie Linz, Wien Museum, Collection of Bank Austria, EVN Collection and Arbeiterkammer Wien.

Anna Jermolaewa
Born 1970 in St. Petersburg, Russia Living in Vienna, Austria since 1989. Education 1998 graduated from University of Vienna (Faculty of Art History). 2002 graduated from Academy of Fine Arts in Vienna (Painting & Graphic Art/New Media) at Academy of Fine Arts in Vienna. 2005-2011 Professor for Media Art, University of Arts and Design, Karlsruhe, Germany. Selected solo exhibitions 2015 Anna Jermolaewa. Good Times, Bad Times, Zacheta National Gallery of Art, Warsaw, Poland. 2013 Kerstin Engholm Galerie, Vienna, Austria. The Way Up, Victoria Gallery, Samara. Anna Jermolaewa and Audrone Vaupsiene, A SORT OF HOMECOMING, CAC Vilnius. 2012 Anna Jermolaewa, Kunsthalle Krems, Krems, Austria. Art is Concrete. And so is Truth?, Camera Austria, Graz, Austria. Anna Jermolaewa, Galerie Johann Widauer, Innsbruck, Austria. Anna Jermolaewa. Das vierzigste Jahr, Salzburger Kunstverein, Salzburg, Austria. 2011 Handschuhe aus Gummi, Putzkittel und Wischmopp, Arbeiterkammer Wien, Vienna, Austria. Filme von Anna Jermolaewa, kunstraum lakeside, Klagenfurt, Austria. Kinoglaz, XL Gallery, Moscow. Step Aside, Institute of Contemporaty Art, So$a. 2010 ANNA JERMOLAEWA | KREMLIN, EDS GALERIA México D.F. 2009 RATS, XL-Gallery, Moscow. Anna Jermolaewa, Peter Kogler, Galerie 422, Gmunden. Engholm Engelhorn Galerie. Kunstverein Friedrichshafen. 2008 PLAYING ALONG WITH ANNA, XL Gallery, Moscow. Galerie Johann Widauer, Innsbruck. Österreichisches Kulturforum Prag. 2007 „Vienna Stripe“, museum in progress, Wien. 2006 ORCHESTRA RELOADED, Tresor im BA-CA KUNSTFORUM, Wien. Galerie mezzanin, Wien. 2004 Museum Moderner Kunst, Passau. 2003 Galerie mezzanin, Wien. Galerie Gelman, Moskau. Stand Galerie mezzanin, ArtMoskau, Moskau. L-Gallery,Moskau. Kunstraum Johann Widauer, Innsbruck. 2002 Johann König, Berlin. Magazin4, Bregenz. Ursula-Blickle-Stiftung, Kraichtal-Unteröwisheim. CAN, Centre d’Art Neuchatel. Porschehof, Salzburg. 2001 mezzanin, Wien. 2000 Institute of Visual Arts, Milwaukee, USA. Orchester, Hans Mayer, Berlin. Galerie Walcheturm, Zürich. Im Pavillon,Wels. 1999 mezzanin, Wien. Selected group exhibitions 2015 Private Public Partnership, Lust Gallery, Vienna, Austria. Europa: Die Zukunft der Geschichte, Kunsthaus Zürich, Zurich, Switzerland. SHARE. Too much history, MORE future, Banja Luka Museum of Contemporary Art, Republika Srpska, Banja Luka, Bosnia and Herzegovina. 2014 Fluxus. Eine Ausstellung als Performance, Vienna Contemporary, Vienna, Austria. POZOR! Kalte Grenze, Kunstsammlung des Landes OÖ, Linz, Austria. Frisch Eingetroffen. Neuankäufe Fotogra$e, Landesgalerie Linz, Linz, Austria. The Dignity of the Man…, House of Arts, Brünn, Czech Republic. Warzone Peace, Kunstraum Baden, Baden, Switzerland. WUNDER KATZE, Galerie der Stadt Wels, Wels, Austria. Hier steht ein Sessel. Sessel, Stuhl, Hocker in der Kunst, Galerie im Traklhaus, Salzburg, Austria. Memory Lab. Photography Challenges History, Eyes On – European Month of Photography, Museum auf Abruf, Vienna, Austria. Punctum, Salzburger Kunstverein, Salzburg, Austria. Sweet Dew - after 1980. 20th Anniversary of the Gwangju Biennale, Gwangju Museum of Art, Korea Der Menschheit Würde…, Museum auf Abruf, Wien, Austria. Call me on Sunday, Krinzinger Projekte, Wien, Austria. SHARE. Too much history, MORE future, National Gallery Sarajevo, Bosnia and Herzegvina. SHARE. Too much history, MORE future, Museum Moderner Kunst Kärnten, Austria. At your Service. Art and Labour, Technical Museum Zagreb, Croatia. 2013 Jenseits des Sehens. Spezialsammlung des Stifts Admont, Winzavod Centre for Contemporary Art, Moscow, Russia. Salon der Hoffnung, Österreichische Präsidentschaftskanzlei, Vienna, Austria. Display Praterstern, Vienna, Austria. Faire le vide, Anna Jermolaewa, Ciprian Muresan, Adrien Tritiaux, Neue Galerie der Tiroler Künstlerschaft, Innsbruck, Austria. If sport is the brother of labor, then art is the cousin of unemployment, Pindaros Hotel, Athens, Greece. Die Sammlung #3, 21er Haus, Vienna, Austria. GOOD GIRLS_MEMORY, DESIRE, POWER, National Museum of Contemporary Art, Bucharest, Rumänien How long is now?, Foto-Raum, Wien, Österreich Lost in Translation, MMOMA Moscow Museum of Modern Art, Ca’ Foscari, Esposizioni, Venedig, Italien Unrest of Form, Imaging the Political Subject, ein Projekt der Wiener Festwochen, Secession / Akademie der bildenden Künste, Vienna, Austria. AGES – Porträts vom Älterwerden, SK Stiftung Kultur, Cologne, Germany. Wolken, Leopold Museum, Wien, Österreich Arca lui Noe / Noah´s Ark / l´arche de Noé, Fabrica de Pensule Cluj, Rumänien The Naked Man, Ludwig Museum, Budapest, Ungarn 2012 Die Nacht im Zwielicht, Belvedere, Vienna, Austria. Inklusion, Kunstraum am Schauplatz, Vienna, Austria. Play Together, Ankerbrotfabrik, Vienna, Austria. Kandinsky Price, Winzavod Contemporary Art Center, Moscow, Russia. Auf zu neuen Ufern, Austrian Cultural Forum, Planetarium Nischnij Novgorod, Nischnij Novgorod, Russia. 2nd Ural Biennale, Ekaterinburg, Russia. 7th Berlin-Biennale, KW, Berlin. Die Dritte Mitte 6, Neues Problem, Berlin. Sleepwalking, Freies Museum Berlin. Anderenorts, rotor, Graz. Parallelwelt Zirkus, Kunsthalle Wien, Vienna, Austria. At your Service- Kunst und Arbeitswelt, Technisches Museum Wien, Vienna, Austria. BEAUTY CONTEST, MUSA Museum auf Abruf, Vienna, Austria. Sound Art, Klang als Medium in der Kunst, ZKM/Museum für neue Kunst, Karlsruhe, Germany. 2011 ABSOLUT WIEN, Ankäufe und Schenkungen, Wien Museum, Vienna, Austria. BEAUTY CONTEST, Austrian Cultural Forum New York, USA. The Global Contemporary Kunstwelten nach 1989. ZKM | Museum für Neue Kunst, Karlsruhe, Germany. The excitement continues, Zeitgenössische Kunst aus der Sammlung Leopold II, Leopold Museum, Vienna, Austria. video-works, obra en video, EDS GALERIA, México D.F. ANTIDEPRESSIVA, Galerie Peithner Lichtenfels, Vienna, Austria. Drei Zähne, Apartement Draschan, Vienna, Austria. Dark Waters, The Station, Belfast. 2010 VIDEFESTA'10 International Festival of Media Arts, Goethe-Institut Ankara. VIDENIE video art exhibition, Tkatschi, St.Petersburg. History of Russian Video Art. Volume 3 - Moscow museum of modern art - MMOMA, Moscow. The Art of Wasting Time, M`Ars Center for contemporary Arts. Never to reach, Sergey Kuryokhin Modern Art Center, St.Petersburg. Culture(s) of Copy, Edith-Ruß-Haus für Medienkunst, Oldenburg. Migration, Akademie der bildenden Künste, Vienna, Austria. Festival Artisterium 2010, Tbilisi, Georgien. In Between. Austria Contemporary / The 4th Beijing International Art Biennale, China. Mit uns ist kein (National)Staat zu machen - Kunstraum NOE, Wien. Techno Russia, in Rahmen von Art Moscow, Central House of Artists, Moscow. Videnie, Gogolfest-2010, Dovzhenko Film Studio, Kiew. Gewalt, Kunstverein Wolfsburg, Wolfsburg. Fahrenheit, Kunstraum Schattendorf, Schattendorf, Austria. GRAND SLAM - Dopplergruppen, Büro Adalbert, Berlin. EXPOSITUR, Kunsthalle Rathausgalerie, Munich. Culture(s) of Copy - Goethe Institut Hongkong, Hong Kong. Videorama Artclips from Austria, Museum der Moderne, Salzburg. Im Paradiesgarten, Exhibtion in public space in the course of the Wiener Festwochen, Vienna. Curated by_vienna 2010: Anna Jermolaewa, Engholm Engelhorn Gallery, Vienna. Russia Today: Videoarte dalla nuova russia, Galleria Nina Lumer, Milano. Triennale Linz 1.0 - Gegenwartskunst in Österreich / Contemporary Art in Austria, Linz. I love you - ARoS Aarhus Kunstmuseum, Aarhus. Objects in Mirror Are Closer than They Appear: About videoart in Russia, Futura Center for contemporary Art, Prague. Long time no see - The Brno House of Art, Brno. Aquarellhappening 2000-2009, Tiroler Landesmuseum Ferdinandeum, Innsbruck. Für immer Dein, lothringer13, Munich. 1989. Ende der Geschichte oder Beginn der Zukunft?, Villa Schöningen Potsdam. Lange nicht gesehen, Haus der Kunst Brünn. PHOTO I, PHOTO YOU,CALVERT22, London. Videolounge 2010 | Intriguing Pictures, Steinle contemporary, Munich. 2009 Kardinal-König-Kunstpreis, Kunstraum St. Virgil, Salzburg. Transfer, M'ARS CCA, Moscow. MANIMAL, New Generation program; Gallery of the International University Moscow. Videorama: Subversion, Absurdity, and Form in Austrian Video Art, Austrian Cultural Forum, NYC. Bulletinboard Blvd. Pro Choice, Vienna. Freie Wahl? Die Formkräfte des Kunstlebens, Nancyhalle, Karlsruhe. The Center of Attention. Art as Sociotopia, Vienna. Videorama. Kunstclips aus Österreich, Kunsthalle Vienna. 1989: End of History or Beginning of the Future? Video Art Comments on a Paradigm Shift, AUSTRIAN CULTURAL FORUM, N.Y.. Sleepwalking, Temporary Gallery Cologne, Köln. Cocker Spaniel an Other Tools for International Understanding, Ursula Blickle Stiftung, Unteröwisheim / Kunsthalle zu Kiel. VIDENIE, Perm Museum of Contemporary Art, Perm / Shoppingcenter Europe, Ekaterinburg. Common History and Its Private Stories. Geschichte und Geschichten, MUSA, Museum auf Abruf, Vienna. Ad oculos, National Centre for Contemporary Arts, Moscow. Movie painting, National Centre for Contemporary Arts, Moscow, Moscow. The History of Russian Video Art. Volume 2., Moscow Museum of Modern Art, Moscow. Because it's like that now, it won't stay that way, Arsenal Gallery, Bialystok. 2008 Suspended. Georgien/Russland - Begegnung auf einem anderen Terrain, Neues Kunstforum, Cologne. The 4th International Video Art Biennal in Israel / No Nonsense, Herzliya Museum of Contemporary Art, Tel-Aviv. State Alpha, on the architecture of sleep, NAI Maastrich. (LOVE) WILL TEAR US, Option Liebe, Medienturm Graz. HOTELITO SAN RAFAEL, Glasshill Projects, London. Gyumri 6th International Biennal of Contemporary Art 2008. SEE history 2008. Kreative Vision, 13 internationale Künstler präsentieren die Sammlung der Kunsthalle zu Kiel, Kiel. de natura, Galerie Altnöder, Salzburg. imagetanz 08 - Festival für Choreogra$e, Performance und Videokunst, brut im Künstlerhaus, Vienna. LOVE I – Searching, Fotogalerie Wien. RECODED: LANDSCAPES AND POLITICS OF NEW MEDIA, Aberdeen, Scotland. MATRIX Geschlechter / Verhältnisse / Revisionen, Museum auf Abruf (MUSA), Vienna. Jochen Rindt – Memorial, Stadtmuseum, Graz. True Romance, Allegories of Love from the Renaissance to the Present, Villa Stuck, Munich. I make no jokes, Galerie Bernd Kugler, Innsbruck. An den Grenzen der Begriffe - Arbeiten mit der Filmkamera, Bayreuth Filmfestival. 2007 True Romance, Allegories of Love from the Renaissance to the Present, Kunsthalle Wien. “History of Russian Video-art – Volume 1, History Continues…”, Moscow Museum of Modern Art. Wiener Videos, GEZ-21, Puschkinskaja-10, St. Petersburg. Die Kunst der Landwirtschaft. Landwirtschaft und Kust im Alpenraum von 1875 bis heute, Tiroler Landesmuseum Ferdinandeum. From Russia with Love, Kunst Meran. Sommerfrische die Sehnsucht nach dem Paradies, kunstraum Sylt Quelle, Sylt. Scheitern. Landesgalerie Linz am Oberösterreichischen Landesmuseum, Linz. Lange nicht gesehen. Begegnungen mit dem Museum auf Abruf, Eröffnungsausstellung des neuen Museum auf Abruf – MUSA, Wien. The Art of Failure, Kunsthaus Baselland, Basel. Something About Power, Russian video art of 1990s–2000s, Frants Gallery Space, New York. ARTMAPPING I, Urbane Art- und Soundscapes, Stadt erleben und hören, Fluc, Wien. New Visions: Private Sammlungen, Sonderausstellung der Vienna Artfaire. Kunst zum Begreifen. Ich fühle was, was du nicht siehst, Benediktinerstift Admont. Medienarbeiten, Werkstadt Graz, Galerientage [aktuelle Kunst in Graz]. Something about Power, L-Gallery, The Second Moscow Biennale of Contemporary Art – Special projects, Moscow. “History of Russian Video-art – Volume 1”, Moscow Museum of Modern Art. 2006 Every Day ... another artist/work/show, Salzburger Kunstverein. Tina.B, The Prague Contemporary Art Festival, Prague. Pro$ler, Gallery Futura and Karlin Studios, Prague. Es lebe Video!, Art Moscow-2006, Mocow. Disposition, Galerie Lukas Feichtner, Vienna. LichtWerke, Sammlung MUMOK, Vienna. 2005 Manuel Gorkiewicz, Anna Jermolaewa, Alexander Wolff, Wiensowski & Harbord, Berlin. Stoj! Kto idet?, National Center for Contemporary Art, Moscow. Ratatouille, 20.21 Galerie, Essen. Portret lica, National Center for Contemporary Art, Moscow. Entdecken und Besitzen, MUMOK, Vienna. Pro$ler, KUNST RAUM NOE, Vienna. Neue Freunde, Galerie der Stadt Schwaz. Art in the Age of New Technologies, Media Art Festival, Armenian Center for Contemporary Art, Yerevan. (prologue) new feminism / new europe, Cornerhouse, Manchester. Tiere in der Großstadt, Wien Museums in der Hermesvilla. Andersen Associations, GallerySpecta, Copenhagen. April Meeting, Video Web Art, Galerie SKC, Belgrad. Fractures of Life / Political Contemporary Art in Kiasma's Collections, Kiasma, Helsinki. Can You See the Real Me? Württembergische Kunstverein, Stuttgart. ARTSTARS, ON-25, Luxembourg. Hope-Stop, Zverev-Center, Moscow. homage to the square, mezzanin, Vienna. Awards and grants 1999 Römerquelle-Preis 2000 Professor-Hilde-Goldschmidt-Anerkennungspreis 2000 SCA Kunstpreis 2002 Pfann-Ohmann-Preis 2002 Ursula Blickle Förderpreis 2004 Förderungspreis der Stadt Wien 2006 T-Mobile art award 2006 2009 Preis der Stadt Wien 2011 outstanding artist award 2014 Artist Residency and New York Studio Grant at ISCP by the Austrian Federal Ministry for Education, Arts and Culture Her work is held in the collections of the Stedelijk Museum, Friedrich Christian Flick Collection, Museum of Contemporary Art Kiasma, MUMOK-Museum Moderner Kunst Stiftung Ludwig, Wien, Volpinum Kunstsammlung, MUSA, Museum auf Abruf, Vienna, Tiroler Landesmuseums Ferdinandeum, Vehbi Koc Foundation, Kontakt-The Art Collection of Erste Group, Belvedere, Landesgalerie Linz, Wien Museum, Collection of Bank Austria, EVN Collection and Arbeiterkammer Wien.

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