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blinkvideo - research of video art, performance and multimedia installations.

blinkvideo - research of video art, performance and multimedia installations.


Moving Images / Moving Bodies
Online screening programme in cooperation
with the Goethe-Institut Bulgaria

Curated by Ludwig Seyfarth

Research into the human body and interpersonal relationships remain central themes in video and moving image art. Artists from Bulgaria and Germany, whose work is related in content, will be shown in pairs over the next weeks. The exhibition planned for November 2020 in Sofia has been postponed until 2021. Instead, a consecutive presentation of selected films by artists from Moving Bodies/Moving Images is presented on blinkvideo.
image: © Elitsa Dimitrova

Shooting Ghosts
Online screening programme in cooperation
with the Goethe-Institut Bulgaria

Curators: Kalin Serapionov, Krassimir Terziev

What we propose in this programme is a highly subjective and fragmented view on current practices in moving image in the Bulgarian art scene. We focused on practices that show affinity with speculative narratives - narratives that not just record what is in front of the cinematic eye, but also capture all the ghosts that are unreachable by the apparatus, thus projecting speculative views that intend not merely to describe, but to transform the world.
image: © Veneta Androva

Moving Images / Moving Bodies

 ‘Moving Images Bulgaria-Germany’ is a project by Goethe-Institut Bulgaria, that includes various online and offline initiatives, starting in November 2020. The online program, realised in partnership with blinkvideo, will consist of two curated programmes: “Moving Images / Moving Bodies”, curated by Ludwig Seyfarth, and “Shooting Ghosts”, curated by Krassimir Terziev and Kalin Serapionov.

First the programme “Shooting Ghosts” will give a selected overview of video art in Bulgaria in general. The programme will be accompanied by an in-depth essay by Krassimir Terziev as well as texts by different authors or the artists themselves on individual films.

Critics’ Pick: Vienna by Nicole Büsing + Heiko Klaas

The group show “Antarctica. An Exhibition on Alienation” was presented in Vienna during the past winter season. Departing from a note written by the Italian cult director Michelangelo Antonioni referring to a potential glacier melting in the Antarctica and a hint to a film, the two curators from the Kunsthalle Wien, Vanessa Joan Müller and Nicolaus Schafhausen, conceived an exhibition on the topic of alienation and contemporary art. The focus was on the latest contemporary photography and video art by the younger generation of artists.
Image: © Isabella Fürnkäs

UNSTILLED LIFE: Artist Animations 1980-2020
Curated by Emma Cousin and Paul Carey-Kent

Why this show, here and now? British artist-curator Emma Cousin and writer-curator Paul Carey-Kent recently pulled together a choice of artist animations, thinking that the increasingly vibrant medium is especially suited to the online emphasis of the locked down art world of 2020. Three of them turned out to be represented by Ron Mandos, making the Amsterdam gallery ideal hosts. The cast is international, and to reflect that Tintype gallery in London and Hamburg’s blinkvideo have joined in with variations on the programme. 
Markus Vater Worlds don’t come easy, 2020

Something Between Us
KAI 10 | ARTHENA FOUNDATION, Düsseldorf

The exhibition „Something Between Us“ focuses on both our contemporary lives and the anthropological constants of interpersonal dealings: love, empathy, security, care and safety on the one hand, and hate, role fixation, dependency, reprimand and exclusion on the other. Something Between Us asks how these structures of togetherness are changing in our digital era.
Thomas Taube OCCIDENT, 2020

REFRACTED REALITIES at VIDEONALE.17

In optics, “refraction” refers to the bending of a beam of light, a change in direction which occurs at the moment when it passes from one medium to another. Through refraction, the light wave alters course, changing the way we perceive the objects it illuminates in the process. This optical deviation requires us to repeatedly correct our gaze, comparing the beginning and end points of our perception with reality, and bringing the object we see clearly into focus. In its figurative sense, refraction refers to a critical reflection on the means and channels of visualization, and by extension the possibility of a rearticulation of our view of things – how they are, were, or apparently always have been.
Image: © Sohrab Hura

NEW: Favorites curated by blinkvideo users

What do you like? Over the next few months, we will be showing here selections of works, compiled by you, as a blinkvideo user.

Stefano Miraglia: Hey Blinkvideo members! Here are my eight "must watch" films and videos. Happy to find in this catalogue some of the works that got me interested in artists' moving image when I was a student! (Guillaume Leblon! Daniel Steegmann Mangrané! Marylène Negro!).

Expanding Bauhaus.
New Reflections on the Bauhaus Movement in Time-Based Media Art / Goethe Institute Netherlands

A screening series selected by Elke Kania (Cologne), Julia Sökeland (Hamburg) and Ludwig Seyfarth (Berlin)

With its combination of various arts such as painting, photography film, architecture, fashion, product and interior design and textile art, the Bauhaus is still considered the epitome of a technologically advanced modernity. Last but not least, the attempt to create the whole society aesthetically, inspired many artists worldwide.
Image: © Adnan Softic

Johan Grimonprez

Johan Grimonprez’s critically acclaimed work dances on the borders of practice and theory, art and cinema, documentary and fiction, demanding a double take on the part of the viewer. Informed by an archeology of present-day media, his work seeks out the tension between the intimate and the bigger picture of globalization. It questions our contemporary sublime, one framed by a fear industry that has infected political and social dialogue. By suggesting new narratives through which to tell a story, his work emphasizes a multiplicity of realities.
image: © Johan Griminprez

Christoph Faulhaber: Revolution & Architecture

With "Revolution & Architecture" Christoph Faulhaber (* 1972 in Osnabrück, lives in Hamburg) conceives, builds, designs and opens a whole series of very different rooms in the Kunsthalle Osnabrück. In order to discover the revolutionary aspect of these "architectures", one has to look at the social implications of interior design in general. In the forum the visitor then enters Faulhaber's cinematic autobiography "Every Picture is an Empty Picture" as in the eye of the cyclone: The work is split into 15 individual films and surrounds the visitor in a circle.
Image: © Christoph Faulhaber

Stiftung imai – inter media art institute

The Düsseldorf based foundation imai – inter media art institute was founded in 2006 in order to establish an institution in Germany dedicated to the distribution and preservation of media art and associated activities.
Image: © Marcel Odenbach

Featured videos

Markus Vater
Im Wald (perfect day), 2011

This Animation has developed from a colloboration with the dutch poet Tjitske Jansen. Initially it reacted on a text of hers dealing with memories in her life. All memories were about events in which she didn’t understand the concepts and actions that had happened, but which she understands now.

Pratchaya Phinthong
A proposal to set (work in progress), 2016

A proposal to set CH4*5.75H20 on fire (work in progress) is an ongoing project that explores methane hydrate, an ice compound that has been identified by scientists as an alternative fuel of future energy. Found in large quantities beneath Arctic permafrost, Antarctic ice and sedimentary deposits, methane hydrate releases natural gas when exposed to increases in temperature or decreases in pressure.Gas released by methane hydrates can be lit, which produces a semi-transparent orange and blue flame.This 16 mm film shows samples of methane hydrates.Through the mobilisation and connection of individuals working across geology, science and art, the project generates awareness of methane hydrate, its chemically volatile nature and implications for energy industries.The film itself performs a kind of material transfer, capturing light emitted by the burning samples and projecting it into the gallery space. For Phinthong, each iteration of the project is a form of extraction that makes its subject more widely visible. Filmed by Phuttipong Aroonpheng. Made with the support of Oleg Blouson,Andrey Khabuev and Oleg Khlystov at the Limnological Institute, Irkutsk, Russia.

Ryan Gander
And You Will be Changed , 2014

'And You Will be Changed (Centre Pompidou, Paris)', 2014, follows curator Emma Lavigne around the empty Centre Pompidou in Paris as she presents the viewer with a tour of an empty space that had housed a now uninstalled Pierre Huyghe exhibition. The show is imagined and told by Lavigne as if the artworks were still there. Exhibited: - Pierre Huyghe +/–,The Artist’s Institute, New York, 2014
- Nouveau Festival (5th Edition), Musée d’Art Moderne, Centre Pompidou, Paris, 2014

Deimantas Narkevicius
Ausgeträumt, 2010

The German word ‘Ausgeträumt’ means a state between dream and reality at the point of waking up.The very first creative attempts by any artist are usually very positive, unaffected by criticism, even naive activities. Refering to myself, I had to be absolutely naive to choose to be a visual artist, in the late 80's when in the Soviet Union, everything was falling apart. There was no precedent of success, or an example to follow in the country which was still isolated. With this film I am re-approaching the state of naivety.

Katja Aufleger
LOVE AFFAIR, 2017

Several lights get shot successively. Some crush at once, quiet or with a blast, others seem like trying not to die.

Janet Biggs
Vanishing point, 2009

Luzia Hürzeler
Being in the Picture, 2007/08

Im Bilde sein [Being in the Picture] is a video installation. The monitor stands on a two-meter-high plinth. The video shows a white wall in front of which my head becomes visible, fully or partially, at short or long intervals. I keep jumping up into the picture, making myself visible through physical activity. These efforts become apparent through the sounds. The jumping height, and thus my visibility, decreases over time, until I finally give up through exhaustion.On the occasion of the exhibition “Spazi aperti” this work was displayed in the entrance hall of the Romanian Academy in Rome, where a number of monumental busts are mounted on plinths.

Johanna Reich
Horizon, 2012

The artist is drawing a line onto a white surface. The line reveals the horizon: it separates the sea from the sky. "To draw a line": this phrase already linguistically contains many different meanings. Beginning with the famous line – the one that cannot be crossed politically – via the (guide)line that is also the conceptual standard, to the simple strike placed beneath an addition, these are key points on the spectrum.“When Johanna Reich draws a line with a broad brush onto a wall, additional content comes into play. There is the track which children draw onto the wall with chalk, the traditional artist myth of the line as a vivid track of creative process, and last but not least the powerfully picturesque action of splattering the wall.”(Johannes Stahl)Johanna Reich (*1977 Minden) studied at the Kunstakademie Münster, the HfbK Hamburg and the Kunsthochschule für Medien Köln. She lives and works in Cologne.

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Works


Galleries

for further information contact blinkvideo
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Phone: +49 40 22748986
E-Mail: info@blinkvideo.de




Biography

lives and works in Berlin

1993 – 1999 The Berlin University of the Arts (UDK), Berlin
1999 Meisterschüler degree
2002 – 2005 Sessional Instructor for Sculpture, UDK Berlin
2003 – 2008 Professorial Assistant for Architecture, Technical University Berlin
2009/10 Professor at the University of Art, Braunschweig
Since 2010 Professor at the University of Art, Burg Giebichenstein Halle

Solo exhibitions / performances

2020   
ORELIA OCTOPUS #01, work in progress about embodied topography in public space, womxnmakingartinpublicspace, Berlin, Germany
Deborah Hay, USING THE SKY A DANCE, Deutscher Künstlerbund e.V., Berlin (solo)
InsideT – LEARNING FROM THE BODY, The Round Tower, Copenhagen, Denmark (solo)
InsideT – LEARNING FROM THE BODY, Haunt at frontviews, Berlin (solo)
MEASURES OF CLOSENESS: A LEXICON OF GESTURES, with Ofri Cnaani, Evann Siebens, A4, Southern Africa (Zoom performance)
MEASURES OF CLOSENESS: A LEXICON OF GESTURES, with Ofri Cnaani, Evann Siebens, MARIE-LAURE FLEISCH & A PERFORMANCE AFFAIR, Brussels, Belgium (Zoom performance)
MEASURES OF CLOSENESS: A LEXICON OF GESTURES, with Ofri Cnaani, Evann Siebens, Viral Festival, Tel Aviv, Israel (Zoom performance)

2019
NOT SO A WHITE CUBE #14 — FEMALE REBOUNDS, Lage Egal, Berlin
COMMUNICATION CAPTURES (extracts), APerformanceAffair, Brussels, Belgium (solo performance including the audience)
COMMUNICATION CAPTURES, (Premiere), Close Encounters Vol.02, Dansehallerne, DEN FRIE, Centre of Contemporary Art, Copenhagen, Denmark (participatory choreography)

2018
SIMONE FORTI – HANDBOOK IN MOTION, Körpereinsatz, Kunsthalle Leipzig, Germany (solo)
   LINKING MOMENTS – EMOTIONAL POINT OF DENSITY, performance in public space, Tangency, Stadtverortungen (urban
municipalities), Osnabrück, Germany
MARRAKESH CONVERSATION, Talk about “entre patate et papillon: le changement physique en parlant arabe, français et allemand”, Le18 and Goethe Institut Marokko, Marrakesch, Marokko (group performances)

2017 
 TEN SCORES FOR A SCULPTURE, Haus am Lützowplatz, Berlin, Germany (improvisation)

2016
 Everybody´s Darling remember innocence, BURG2 Galerie, Halle, Germany

2014
 Buongiorno – You Are Welcome! Berlin Art Week, abc, ART-Truck, Germany

2012 
Undercover Sculptures, Kjubh e.V., Köln, Germany

2011
Cross Links, Kunstverein Artitude, Berlin, Germany
Provisional Land, Kunstverein Wolfenbüttel, Wolfenbüttel, Germany
Aufruhr, frontviews gallery, Berlin (Catalogue)

2010      
RE:AW:AW:AW:U75, Speicher U75, Düsseldorf (K)
 Plakatieren verboten, Kunstverein weisses haus, Wien, Österreich

2009     
 Unabhängig von der Lage, Cuxhavener Kunstverein, Cuxhaven (K)

2008      
ohne hier ohne da, Unten Drunter, Malmö, Schweden

2007      
Bist du da?, Künstlerhaus Bremen, Bremen

Group exhibitions (selection)

2020                    
 MOVING IMAGES, MOVING BODIES, Institut für zeitgenössische Kunst – Sofia, curated by Ludwig Seyfarth / Goethe-Institut Bulgarien, Bulgaria
Traumatic Lines, Vincenz Sala Galerie, Berlin
CoNTACT, ways of distance & touch, curated by Daniela von Damaros, Haunt at frontviews, Berlin
Where the Trees Have Numbers, curated by Jan-Philipp Fruehsorge, Haunt at frontviews, Berlin
NORTH BY NORTHEAST, Deutscher Künstlerbund e.V., Berlin
Ablutions of the Tongue, Rundetaarn, Copenhagen, Denmark

2018                     
Körpereinsatz, Kunsthalle der Sparkasse Leipzig, Germany
POWER PLANT, KUNSTHAL Nord, Aalborg, Denmark
Noss Noss / Gemischtes Doppel, #4. Langues. Signes, curated by Katrin Ströbel, Le 18 and Goethe Institut Marokko, Marrakesch, Marokko

2017                   
 WANTED DUCHAMPS 3, curated by Pierre Granoux, LAGE EGAL, Berlin
Trajectories#02, The Drawing HUB, Berlin
Trajectories#01 New Drawing Embodiments, Haus am Lützowplatz, Berlin

2016                     
IDIOPOLIS dialectics between subject and society, Edition 02, State of Concept, Athens, Greece
Never Shown on Purpose, curated by Hannah Beck - Mannagetta, Ulrich Vogl CIRCLE1 Gallery, Berlin

2015
Movements towards formation, frontviews temporary at Kunstquartier Bethanien, Berlin

2014
PER FALTUNG INS GEBIET, Halle an der Saale

2013
»Idiopolis« dialectics between subject and society, frontviews temporary in cooperation with REMAP 4, Athens, Greece

2012
Move Forward, Werkleitz Festival, Halle
Ab in die Ecke, curated by Annett Reckert, Städtische Galerie Delmenhorst, Delmenhorst (K)

2011
Eure Sache, Zoete-Broodjes, Amsterdam
Art Entertainment & Desire, Keck-Kiosk, Basel /
Kunstverein weisses haus, Vienna, Österreich
Stay Hungry, Kleingartenkolonie am Potsdamer Güterbahnhof, Berlin
Drawings Wall, Gallery Paolo Maria Deanesi, Rovereto, Italien
TM No.20, Tape Modern, Berlin

2010    
STATICS AND THE MOVEMENT IN BETWEEN, frontviews gallery / MKgalerie, Berlin
 L’UNICO / THE ONLY ONE, Trieste Contemporanea, Triest, Italien (C)
Rückkopplungen / Kunst und Lebenswirklichkeiten, 6. Berlin Biennale für zeitgenössische Kunst, Berlin

2009      
„Zeigen“, Projekt von Karin Sander, Temporäre Kunsthalle, Berlin (C) It’s About Time, Skulpturi DK, Kopenhagen, Dänemark Kat 4, Gallery Box, Göteborg, Schweden

2007      
Capital, curated by Caroline Lund, Lund, Schweden (C)
Biwako Biennale 2007, Omihachiman, Japan (C)
die Tür für eine andere Zukunft öffnen, Neues Problem, Berlin
Hardboiled Suburb, Cluster, Berlin
Clusterhotel, Cluster, Berlin (C)

2005
Kreisis, Galerieeigenesschlafzimmer, Berlin
Vorabzug, Cluster, Galerieraum, Berlin

2004  
Skulpturen X, GEHAG - Forum, Berlin

2003 
Settings#1, loop - raum für aktuelle Kunst, Berlin
Das Atmen Der Stadt, Haus am Waldsee, Berlin (C)

2002
 Junge Werkstatt, Akademie der Künste, Berlin (C)

Awards, Grants (selection)

2020      Research at FLUTGRABEN PERFORMANCE, Berlin (endet im Dezember 2020)
2019      Research at DANSCENTRUM SYD, Malmö, Sweden
Work Grant at Danish Art Workshop, Copenhagen
Research Scholarship from the Senator of Culture Affairs, Berlin
2018      Work Grant at Danish Art Workshop, Copenhagen      
2013      Deutsches Studienzentrum, Venedig
2011      Künstlerdorf Schöppingen   
2010      Arbeitsstipendium Kunstfonds
2007      Barkenhoff-Stipendium, Worpswede
2005      Ilse Augustin - Stiftung, Stadtmuseum Berlin
2004      Arbeitsstipendium Berlin-Kopenhagen, Akademie der Künste, Berlin
Katalogförderung der Senatsverwaltung für Kultur, Berlin
2002      Arbeitsstipendium Altes Spital - Solothurn, Schweiz
Arbeitsstipendium der Senatsverwaltung, Berlin
1999 - 2001   Stipendium der Nachwuchsförderung des Landes Berlin

Stella Geppert
lives and works in Berlin1993 – 1999 The Berlin University of the Arts (UDK), Berlin1999 Meisterschüler degree2002 – 2005 Sessional Instructor for Sculpture, UDK Berlin2003 – 2008 Professorial Assistant for Architecture, Technical University Berlin2009/10 Professor at the University of Art, BraunschweigSince 2010 Professor at the University of Art, Burg Giebichenstein HalleSolo exhibitions / performances2020   ORELIA OCTOPUS #01, work in progress about embodied topography in public space, womxnmakingartinpublicspace, Berlin, GermanyDeborah Hay, USING THE SKY A DANCE, Deutscher Künstlerbund e.V., Berlin (solo) InsideT – LEARNING FROM THE BODY, The Round Tower, Copenhagen, Denmark (solo)InsideT – LEARNING FROM THE BODY, Haunt at frontviews, Berlin (solo)MEASURES OF CLOSENESS: A LEXICON OF GESTURES, with Ofri Cnaani, Evann Siebens, A4, Southern Africa (Zoom performance)MEASURES OF CLOSENESS: A LEXICON OF GESTURES, with Ofri Cnaani, Evann Siebens, MARIE-LAURE FLEISCH & A PERFORMANCE AFFAIR, Brussels, Belgium (Zoom performance)MEASURES OF CLOSENESS: A LEXICON OF GESTURES, with Ofri Cnaani, Evann Siebens, Viral Festival, Tel Aviv, Israel (Zoom performance)2019NOT SO A WHITE CUBE #14 — FEMALE REBOUNDS, Lage Egal, BerlinCOMMUNICATION CAPTURES (extracts), APerformanceAffair, Brussels, Belgium (solo performance including the audience)COMMUNICATION CAPTURES, (Premiere), Close Encounters Vol.02, Dansehallerne, DEN FRIE, Centre of Contemporary Art, Copenhagen, Denmark (participatory choreography)2018SIMONE FORTI – HANDBOOK IN MOTION, Körpereinsatz, Kunsthalle Leipzig, Germany (solo)    LINKING MOMENTS – EMOTIONAL POINT OF DENSITY, performance in public space, Tangency, Stadtverortungen (urban municipalities), Osnabrück, GermanyMARRAKESH CONVERSATION, Talk about “entre patate et papillon: le changement physique en parlant arabe, français et allemand”, Le18 and Goethe Institut Marokko, Marrakesch, Marokko (group performances)2017  TEN SCORES FOR A SCULPTURE, Haus am Lützowplatz, Berlin, Germany (improvisation)2016 Everybody´s Darling remember innocence, BURG2 Galerie, Halle, Germany2014 Buongiorno – You Are Welcome! Berlin Art Week, abc, ART-Truck, Germany2012 Undercover Sculptures, Kjubh e.V., Köln, Germany2011Cross Links, Kunstverein Artitude, Berlin, GermanyProvisional Land, Kunstverein Wolfenbüttel, Wolfenbüttel, GermanyAufruhr, frontviews gallery, Berlin (Catalogue)2010      RE:AW:AW:AW:U75, Speicher U75, Düsseldorf (K) Plakatieren verboten, Kunstverein weisses haus, Wien, Österreich2009      Unabhängig von der Lage, Cuxhavener Kunstverein, Cuxhaven (K)2008      ohne hier ohne da, Unten Drunter, Malmö, Schweden2007      Bist du da?, Künstlerhaus Bremen, BremenGroup exhibitions (selection)2020                     MOVING IMAGES, MOVING BODIES, Institut für zeitgenössische Kunst – Sofia, curated by Ludwig Seyfarth / Goethe-Institut Bulgarien, Bulgaria Traumatic Lines, Vincenz Sala Galerie, BerlinCoNTACT, ways of distance & touch, curated by Daniela von Damaros, Haunt at frontviews, BerlinWhere the Trees Have Numbers, curated by Jan-Philipp Fruehsorge, Haunt at frontviews, BerlinNORTH BY NORTHEAST, Deutscher Künstlerbund e.V., BerlinAblutions of the Tongue, Rundetaarn, Copenhagen, Denmark2018                     Körpereinsatz, Kunsthalle der Sparkasse Leipzig, GermanyPOWER PLANT, KUNSTHAL Nord, Aalborg, DenmarkNoss Noss / Gemischtes Doppel, #4. Langues. Signes, curated by Katrin Ströbel, Le 18 and Goethe Institut Marokko, Marrakesch, Marokko2017                    WANTED DUCHAMPS 3, curated by Pierre Granoux, LAGE EGAL, BerlinTrajectories#02, The Drawing HUB, BerlinTrajectories#01 New Drawing Embodiments, Haus am Lützowplatz, Berlin2016                     IDIOPOLIS dialectics between subject and society, Edition 02, State of Concept, Athens, GreeceNever Shown on Purpose, curated by Hannah Beck - Mannagetta, Ulrich Vogl CIRCLE1 Gallery, Berlin2015Movements towards formation, frontviews temporary at Kunstquartier Bethanien, Berlin2014PER FALTUNG INS GEBIET, Halle an der Saale2013»Idiopolis« dialectics between subject and society, frontviews temporary in cooperation with REMAP 4, Athens, Greece2012Move Forward, Werkleitz Festival, Halle Ab in die Ecke, curated by Annett Reckert, Städtische Galerie Delmenhorst, Delmenhorst (K)2011Eure Sache, Zoete-Broodjes, AmsterdamArt Entertainment & Desire, Keck-Kiosk, Basel / Kunstverein weisses haus, Vienna, ÖsterreichStay Hungry, Kleingartenkolonie am Potsdamer Güterbahnhof, BerlinDrawings Wall, Gallery Paolo Maria Deanesi, Rovereto, ItalienTM No.20, Tape Modern, Berlin2010    STATICS AND THE MOVEMENT IN BETWEEN, frontviews gallery / MKgalerie, Berlin L’UNICO / THE ONLY ONE, Trieste Contemporanea, Triest, Italien (C)Rückkopplungen / Kunst und Lebenswirklichkeiten, 6. Berlin Biennale für zeitgenössische Kunst, Berlin2009      „Zeigen“, Projekt von Karin Sander, Temporäre Kunsthalle, Berlin (C) It’s About Time, Skulpturi DK, Kopenhagen, Dänemark Kat 4, Gallery Box, Göteborg, Schweden2007      Capital, curated by Caroline Lund, Lund, Schweden (C)Biwako Biennale 2007, Omihachiman, Japan (C)die Tür für eine andere Zukunft öffnen, Neues Problem, BerlinHardboiled Suburb, Cluster, BerlinClusterhotel, Cluster, Berlin (C)2005Kreisis, Galerieeigenesschlafzimmer, BerlinVorabzug, Cluster, Galerieraum, Berlin2004  Skulpturen X, GEHAG - Forum, Berlin2003 Settings#1, loop - raum für aktuelle Kunst, BerlinDas Atmen Der Stadt, Haus am Waldsee, Berlin (C)2002 Junge Werkstatt, Akademie der Künste, Berlin (C)Awards, Grants (selection)2020      Research at FLUTGRABEN PERFORMANCE, Berlin (endet im Dezember 2020)2019      Research at DANSCENTRUM SYD, Malmö, SwedenWork Grant at Danish Art Workshop, Copenhagen Research Scholarship from the Senator of Culture Affairs, Berlin2018      Work Grant at Danish Art Workshop, Copenhagen      2013      Deutsches Studienzentrum, Venedig 2011      Künstlerdorf Schöppingen   2010      Arbeitsstipendium Kunstfonds 2007      Barkenhoff-Stipendium, Worpswede2005      Ilse Augustin - Stiftung, Stadtmuseum Berlin2004      Arbeitsstipendium Berlin-Kopenhagen, Akademie der Künste, BerlinKatalogförderung der Senatsverwaltung für Kultur, Berlin2002      Arbeitsstipendium Altes Spital - Solothurn, SchweizArbeitsstipendium der Senatsverwaltung, Berlin1999 - 2001   Stipendium der Nachwuchsförderung des Landes Berlin

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