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blinkvideo - research of video art, performance and multimedia installations.

NEW: Favorites curated by blinkvideo users

What do you like? Over the next few months, we will be showing here selections of works, compiled by you, as a blinkvideo user.

Nasim Weiler: Hello, there are many absolutely wonderful video works on Blinkvideo - here are my three favourites of today, March 26 - a day spent in quarantane in Paris.

Do you have any favorites on blinkvideo ? Or would you like to focus attention on some video works? Or would you like to compile and show videos on a specific topic? You can do so with the new tool on blinkvideo.
Create a favorites list as follows: When you're logged in, a little sign "add to favorite list" will appear below each video. With the click on it, you add the film to your favorites list. When you have collected all the works, open your favorites list and you can share the list with blinkvideo. We will then receive a message and put the compilation online.
We are very curious about your selection!

Nadja Verena Marcin - OPHELIA
Stadtgalerie in Saarbrücken, Germany. 2019

OPHELIA is an interdisciplinary performance that is presented in the Stadtgalerie Saarbrücken as a live action and subsequently as a video installation. It reflects the human-induced destruction of nature and creates references to art, literature and science. Dressed in "Ophelia's" dress and equipped with a diving device, Nadja Verena Marcin will climb into an aquarium and try under water to read the text "The Werld" by Daniil Kharms about human perception.
Image: © Nadja Verena Marcin

Igor Simić - WELTSCHMERZ 
at Galerie Beckers, Frankfurt

The exhibition WELTSCHMERZ shows new works by Serbian artist Igor Simic, which he created in connection with his iOS game Golf Club: Wasteland. For this game he and his award-winning gaming and film company Demagog Studio developed a whole world — a storyline with characters and various landscapes — in a post-apocalyptic scenario. The eerie atmosphere of the carefully crafted visual scenery is accompanied by slow paced, nostalgic, sometimes almost chilling music that evokes the feeling of longing for something lost.
Image: © Igor Simić

Fuzzy dark spot
Video art from Hamburg

The exhibition FUZZY DARK SPOT curated by the Hamburg-based video artist Wolfgang Oelze, at the Falckenberg Collection brings together 56 video works by over 30 mostly Hamburg-based artists ranging from the 1970s to the present day, featuring historical and contemporary productions in both thematic and monographic groups.
image: © Stefan Panhans

REFRACTED REALITIES at VIDEONALE.17

In optics, “refraction” refers to the bending of a beam of light, a change in direction which occurs at the moment when it passes from one medium to another. Through refraction, the light wave alters course, changing the way we perceive the objects it illuminates in the process. This optical deviation requires us to repeatedly correct our gaze, comparing the beginning and end points of our perception with reality, and bringing the object we see clearly into focus. In its figurative sense, refraction refers to a critical reflection on the means and channels of visualization, and by extension the possibility of a rearticulation of our view of things – how they are, were, or apparently always have been.
Image: © Sohrab Hura

Featured videos

Annegret Soltau
Schwanger-Sein I, 1977/78

"My pregnancies in 1978 and 1980 became an important theme for me. This personal experience yielded pictures in which I once again used myself as a model, this time myself in the process of being pregnant. The fear that my role as a mother could jeopardize my life as an artist inspired me to create a great many photos and videos. At this point I was preoccupied with the question of how women combine creativity and motherhood.“ (Annegret Soltau)

Tobias Yves Zintel
Breed and Educate, 2018

The Film Breed and Educate is based on a collaborative performance with a class from the Hector-Peterson-Schule Berlin Kreuzberg and the HAU. In numerous task based rehearsals eight pupils between 11 and 13 years explored the possibilties of self-education. Based on various materials from found footage to documentary and staged scenes the film circles around the relationship of controlling and self-empowerment in educational systems. Breed and Educate is circling around the question of how lessons should be organised in times of network and algorthim-based learning. Algorithms and neuronal networks have to master problems only once, after they achieved their goal, results can be duplicated and copied any number of times. Kids on the other hand side have to learn everything step by step, the accumulated knowlede can’t be transfered from on kid to the other by „copy and paste“. An allopoetic system is a trivial system, which can be potentially fully explored, controlled and operated by an observer. With a similar theory in mind, the Prussians started to organise schooling in 1717, to prepare pupils for the Prussian Military Academy. What happens almost 300 years later in a school in Berlin, when the relationship between control and self-empowerment is inverted by postmigrant pupils who breed robots, are educated by them and vice versa? “ In Breed and Educate an automated dionsaur is introduced by a twelfe year old boy: “It’s easily trainable”. While he explains the mode of operation, one sees the parallels: the school wouldn’t have any problems with pupils equipped with a suitable operating system downloaded from the internet. Sounds like an uncanny utopia.” (Katrin Bettina Müller)

Lene Markusen
Grad, 2004

Dieter Kiessling
60 Minutes 360 Degrees GK 2010, 2010

A boy is portrayed with a video camera for an hour on a tennis court.During this time the camera turns through 360 degrees. Meanwhile, the whole space is recorded piece by piece. The boy follows the camera movement slowly thus remaining constantly in the centre of the picture.

Clemens von Wedemeyer
Silberhöhe, 2003

In Halle-Silberhöhe in East Germany, the camera records peri-urban area architecture, prefabricated buildings that are deserted and destined to be demolished. The commentary evokes a film editing technique used by Michelangelo Antonioni in his film, L’Eclisse (1962).

Janet Biggs
Fade to White, 2010

In Fade to White, Biggs delves into the desire to explore remote lands. To create this work, the artist embarked on an expedition in the high Arctic, traveling aboard an ice-class, 2-masted schooner, built in 1910. During the voyage, Biggs filmed Fade to White, focusing on a crew member as he navigated the ship through iceberg filled seas, and paddled a kayak past glacier walls and polar bears. As she photographed the explorer, Biggs tested her own will and endurance. The visual tension of her uncompromising imagery bespeaks their mutual struggle to maintain balance and purpose. Yet, the video also reveals the myth of the solitary white male explorer. Biggs explains, "The desire to hold onto the notion of the 'great white north' as a blank space awaiting interpretation only reinforces the idea of the colonial polar hero. The 'virgin' north has now been mapped, surveyed, and mined, but increased knowledge has not replaced endless fantasies of discovery." Loss and change are implicit in the video's title, Fade to White, which refers to an editing technique used to evoke death or transcendence. Biggs integrated her Arctic imagery with sound and video footage of counter tenor John Kelly, whose age, androgyny, and mournful voice parallel the vanishing Arctic landscape and signal the waning of male dominance.

Rebecca Ann Tess
The Tallest, 2014

The »The Tallest« shows pictures shot on-site of the currently tallest buildings in the world. The high-rises are shown as set pieces of global capitalism, visually disappearing into abstraction. The reduced images are reminding of 3D rendering. The simulated image of these buildings circulates in the media for representational and advertising purposes, becomes a substantial object and the actual spatiality becomes a mockup. The narration is undertaken by a computer voice, it describes the competition for the tallest tower at such divers places as Chicago, Dubai, Hong Kong, Kuala Lumpur, Mecca, Nanjing, New York City, Seoul, Shanghai, Shenzhen, Songdo and Taipei.

Johanna Reich
LIGHT ON BLACK ON WHITE HOMAGE TO MALEVICH, 2015

A moving digital light drawing illuminates a white wall. A hand painting a black square on the white surface becomes visible. At the same time the light drawing is painting a light square. In the end the light of the digital light square illuminates the finished black oil painting.

Critics’ Pick: Vienna by Nicole Büsing + Heiko Klaas

The group show “Antarctica. An Exhibition on Alienation” was presented in Vienna during the past winter season. Departing from a note written by the Italian cult director Michelangelo Antonioni referring to a potential glacier melting in the Antarctica and a hint to a film, the two curators from the Kunsthalle Wien, Vanessa Joan Müller and Nicolaus Schafhausen, conceived an exhibition on the topic of alienation and contemporary art. The focus was on the latest contemporary photography and video art by the younger generation of artists.
Image: © Isabella Fürnkäs

Expanding Bauhaus.
New Reflections on the Bauhaus Movement in Time-Based Media Art
/ Goethe Institute Netherlands

A screening series selected by Elke Kania (Cologne), Julia Sökeland (Hamburg) and Ludwig Seyfarth (Berlin)

With its combination of various arts such as painting, photography film, architecture, fashion, product and interior design and textile art, the Bauhaus is still considered the epitome of a technologically advanced modernity. Last but not least, the attempt to create the whole society aesthetically, inspired many artists worldwide.
Image: © Adnan Softic

Johan Grimonprez

Johan Grimonprez’s critically acclaimed work dances on the borders of practice and theory, art and cinema, documentary and fiction, demanding a double take on the part of the viewer. Informed by an archeology of present-day media, his work seeks out the tension between the intimate and the bigger picture of globalization. It questions our contemporary sublime, one framed by a fear industry that has infected political and social dialogue. By suggesting new narratives through which to tell a story, his work emphasizes a multiplicity of realities.
image: © Johan Griminprez

Christoph Faulhaber: Revolution & Architecture

With "Revolution & Architecture" Christoph Faulhaber (* 1972 in Osnabrück, lives in Hamburg) conceives, builds, designs and opens a whole series of very different rooms in the Kunsthalle Osnabrück. In order to discover the revolutionary aspect of these "architectures", one has to look at the social implications of interior design in general. In the forum the visitor then enters Faulhaber's cinematic autobiography "Every Picture is an Empty Picture" as in the eye of the cyclone: The work is split into 15 individual films and surrounds the visitor in a circle.
Image: © Christoph Faulhaber

Stiftung imai – inter media art institute

The Düsseldorf based foundation imai – inter media art institute was founded in 2006 in order to establish an institution in Germany dedicated to the distribution and preservation of media art and associated activities.
Image: © Marcel Odenbach

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for artists we provide a platform for extensive presentation of media works, gallerists get a direct contact to international professional audiences, collectors find a worldwide overview of contemporary trends in moving image, curators can do research via keywords and compilations, teachers use presentation opportunities for students and all professionals get password protected, extensive information about video works worldwide.

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blinkvideo is a website for the research of video art. Founders: Julia Sökeland, Anita Beckers. blinkvideo ist eine Plattform zur Recherche nach Videokunst

Lynne Sachs

Works


Statement

Lynne Sachs makes films, installations, performances and web projects that explore the intricate relationship between personal observations and broader historical experiences by weaving together poetry, collage, painting, politics and layered sound design. Strongly committed to a dialogue between cinematic theory and practice, she searches for a rigorous play between image and sound, pushing the visual and aural textures in her work with every new project. Lynne discovered her love of filmmaking while living in San Francisco where she worked closely with artists Bruce Conner, Ernie Gehr, Gunvor Nelson, Barbara Hammer, Craig Baldwin and Trin T. Min-ha. Her recent work embraces a hybrid form combining the non-fiction, experimental and fiction modes. In the words of NYC artist Kelly Spivey, “Lynne allows her real film ‘characters’ to explore storytelling from various subjectivities, various selves and other-selves, opening up, perhaps ironically, a more authentic portrayal of being alive during a specific time, in a specific situation or place. We learn that to burrow down into our ability to imagine another’s pain or joy, and then to perform these as part of our own exploration for the camera, yields a deeper intimacy than if we’d simply ‘told the truth.’ Lynne Sachs’s work can best be epitomized by her interests in intimacy, collaboration and space.” Lynne has made over 25 films which have screened at the New York Film Festival, the Sundance Film Festival and Toronto’s Images Festival amongst others. They have also been exhibited at the Museum of Modern Art, the Whitney, Walker Art Center, Wexner Center for the Arts and other venues nationally and internationally. The Buenos Aires International Festival of Independent Cinema, Festival International Nuevo Cine in Havana and the China Women’s Film Festival have all presented retrospectives of Sachs’ films. Lynne received a 2014 Guggenheim Fellowship in the Creative Arts. She lives in Brooklyn, New York and teaches part-time in the Art Department at Princeton University.

Her films and art work are distributed by: Icarus Film, Canyon Cinema, Film-Makers' Cooperative, Cinema Guild, and Court Tree Collective Gallery.


Biography

Education

1989 San Francisco Art Institute, M.F.A. Film

San Francisco State University, M.A. Cinema

1983 Brown University, Providence, Rhode Island, B.A. History

1981-82 University of Paris (Sorbonne), History


Selected Lectures/ Artist Presentations

2018

Documentary Fortnight Festival of Non-Fiction Films, Museum of Modern Art; Film Forum, Los Angeles Amherst College; University of Buffalo Sebastapol Festival of Documentary Film Punto de Vista Int’l Festival of Documentary Film, Pamplona, Spain Echo Park Film Center, Los Angeles Filmoteca Español, Madrid Oberhausen Film Festival, Germany European Media Arts Festival, Germany Symposium on Black Feminist History, Carter Woodson Institute for African-American Studies, University of Virginia; University of Pennsylvania; Smith College; Mount Holyoke College; University of North Carolina; Dennison College; Amherst College; University of Buffalo; Tisch School of the Arts, New York University; Princeton University, Lewis Center for the Arts; National Gallery of Art.


2017

Documentary Fortnight Festival of Non-Fiction Films, Museum of Modern Art; Pittsburgh Filmmakers and Center for the Arts; Indie Memphis; Wexner Center for the Arts; SF Cinematheque; Kino Palais, Buenos Aires
Maine Int’l Film Fest; Anthology Film Archives.


2016

“Cool Worlds and Sacred Pictures” Museum Mumok, Vienna, Austria screening; Vermont College of Fine Art Lecture; Exploded View Cinema, Tucson, AZ; Panel on “Collaborative spirit and tradition of Canyon Cinema”, Museum of Art and Design, NYC; Fusion Film Festival Panelist on Women in Experimental Film, NYU.


2015

San Francisco State University Dep’t of Cinema; California College of the Arts; Muhlenberg College; School of Visual Arts; Haverford College; Hunter College CUNY; Museum of the Chinese in America, San Francisco; Union Docs Collaborative; University of Pennsylvania; Visible Evidence Conference, Toronto.


2014

Wellesley College; First Person Cinema Series, University of Colorado, Boulder; Virginia Commonwealth University Visiting Artist in Kinetic Imaging; Southern Illinois University; “Four Artists”, School of the Museum of Fine Arts Boston; RIDE (Risk/Dare/Experiment) Lecturer at Pratt Institute; Keynote Lecture, La Universidad Andina Simón Bolívar y el Festival Encuentros del Otro Cine (EDOC), Coloquio Internacional de Cine Documental, Quito, Ecuador; Antioch College, Ohio; Museum of Reclaimed Urban Spaces; St. Mary’s College of Maryland; Tsinghua University, Beijing, China; New York University, Shanghai.


2013

Museum of Modern Art, Documentary Fortnight 2013; Ann Arbor Film Festival; Images Film Festival, Toronto; “Things that Quicken the Heart” Chris Marker Symposium (Lecture) at University of Pennsylvania Maysles Cinema Fiction-Non Series, New York Porter Visiting Artist at UC Santa Cruz “Taking a Documentary Detour”, Dep’t Film & Media, UC Berkeley “The Experimental Documentary: Reality and Performance”, BorDocs Foro Documental, Tijuana, Mexico; Center for History Media and Culture, NYU; Asian and Pacific American Institute Lecture Series, NYU; “Documentary as Social Practice”, New School for Social Research, Graduate Program in Media Studies; “Social Issue Documentary”, School of Visual Arts; “Reality & Performance” Artist Lecture Downtown Community TV.


2012

Art@Rennaisance (a former hospital) in Greenpoint, New York Public Library Chinatown Branch; Proteus Gowanus Inter-disciplinary Gallery in Brooklyn; Tulane University Artist Lecture; American Corner at Corvinus University, Budapest, Hungary; University Settlement House Five Show run, Nov. 2012.


2011

“The Deconstructive Impulse: Women Artists Reconfigure the Signs of Power (1973 – 1991)” SUNY Purchase; National Gallery of Art, Washington D.C. (two programs of films); “Artists in Conversation”, Wexner Center for the Arts, Columbus, Ohio, Fall 2011.


2010

SF Cinematheque and Pacific Film Archive Retrospective; Migrating Forms Film Festival; Punto de Vista Film Fest; European Media Arts Festival; Massachusetts College of Art Film Society; Univ. of Chicago; California College of Art; UC Berkeley; Memphis Brooks Museum of Art, Walker Art Center; International House, Univ. of Pennsylvania


2009

Tulane University “Women Representing” Conference, invited guest artist; University of Pennsylvania; Buenos Aires Film Fest; Hallwalls Art Center, Buffalo; SUNY Buffalo; University of Maryland Performing Arts Center, Washington, DC; ; Fondacion d’Arte Contemporaneo, Uruguay.


2008

Museo Nationl de Artes Argentina & Uruguay; University of Southern California;


2007

Buenos Aires In’t Film Fest invited guest; Cornell; Harvard; UC Davis; Brown Univ.; CalArts; Rutgers


2006

Makor 92nd St Y, California College of Art, UC Berkeley, SF State University, Ocularis, Cinema Project, Portland; Chicago Filmmakers, GeorgetownUniversity; Ziethgeist Theatre Experiments, New Orleans.


2005

Margaret Mead Film Festival, Cooper Union, SF Art Institute


2004

Berks Filmakers Albright College, Columbia Univ. Inst. for Art and Diplomacy; Univ Utah


2003

Hallwalls Art Center, Buffalo, American University, Georgetown, Rochester Inst. of Technology


2002

Museum of Fine Arts Boston; Mass College of Art; Vassar; Ithaca College; SUNY Binghamton;Cornell; Catholic Univ.; College Art Association “The Internet & Exile”; UCLA; CalArts


2000

Sarah Lawrence; Syracuse, Univ. of Maryland Baltimore; Delaware Art Museum


1999

University of Michigan, Humboldt State University, Adelphi University


Grants, Scholarships & Awards

2017
Brooklyn Arts Council Grant

2015
Women in the Arts & Media Coalition, Collaboration Award with Lizzie Olesker
Fandor.com Film Initiative Award

2014
Guggenheim Fellowship, Film-Video,
New York State Council for the Arts Grant for Electronic Media finishing funds, 2012

2012
MacDowell Colony Artist Residency, Selected as Elodie Osborn Fellow 2006-07

2008
Experimental Television Center, finishing funds,1997; residency, 1999; finishing funds
New York University Adjunct Faculty Grant, 2005,2007, 2008. 2011.

2006
New York Public Library Artist Commission
National Video Resource, Technical Assistance Award, 2005,2006.
New York State Council on the Arts, grant for film

2004
Jerome Foundation, grant for film
Rockefeller Foundation, media arts fellowship, 2001; Service award

2001
Trust for Mutual Understanding, media grant

2000
Maryland State Arts Council Individual Artist Grant
School 33 Public Art Space, juried invitational show of installation work, Fall, 2000, Baltimore.
Puffin Foundation artist grant for Catonsville Nine Project

1999
Maryland State Arts Council Mini-Grant, with the Catonsville Historical Society

1993
San Francisco Bay Guardian Outstanding Local Discovery Award
Western States Regional Media Arts Fellowship, Supported by the NEA

1990
Southeast Regional Media Arts Fellowship, NEA
Robert Flaherty Documentary Film Seminar, Scholarship

1987
Film Arts Foundation Development Grant, San Francisco
Pioneer Fund for Emerging Filmmakers, San Francisco

1985
Downtown Community Television Artist in Residence, New York

Lynne Sachs
Education 1989 San Francisco Art Institute, M.F.A. Film San Francisco State University, M.A. Cinema 1983 Brown University, Providence, Rhode Island, B.A. History 1981-82 University of Paris (Sorbonne), History Selected Lectures/ Artist Presentations 2018 Documentary Fortnight Festival of Non-Fiction Films, Museum of Modern Art; Film Forum, Los Angeles Amherst College; University of Buffalo Sebastapol Festival of Documentary Film Punto de Vista Int’l Festival of Documentary Film, Pamplona, Spain Echo Park Film Center, Los Angeles Filmoteca Español, Madrid Oberhausen Film Festival, Germany European Media Arts Festival, Germany Symposium on Black Feminist History, Carter Woodson Institute for African-American Studies, University of Virginia; University of Pennsylvania; Smith College; Mount Holyoke College; University of North Carolina; Dennison College; Amherst College; University of Buffalo; Tisch School of the Arts, New York University; Princeton University, Lewis Center for the Arts; National Gallery of Art. 2017 Documentary Fortnight Festival of Non-Fiction Films, Museum of Modern Art; Pittsburgh Filmmakers and Center for the Arts; Indie Memphis; Wexner Center for the Arts; SF Cinematheque; Kino Palais, Buenos AiresMaine Int’l Film Fest; Anthology Film Archives. 2016 “Cool Worlds and Sacred Pictures” Museum Mumok, Vienna, Austria screening; Vermont College of Fine Art Lecture; Exploded View Cinema, Tucson, AZ; Panel on “Collaborative spirit and tradition of Canyon Cinema”, Museum of Art and Design, NYC; Fusion Film Festival Panelist on Women in Experimental Film, NYU. 2015 San Francisco State University Dep’t of Cinema; California College of the Arts; Muhlenberg College; School of Visual Arts; Haverford College; Hunter College CUNY; Museum of the Chinese in America, San Francisco; Union Docs Collaborative; University of Pennsylvania; Visible Evidence Conference, Toronto. 2014 Wellesley College; First Person Cinema Series, University of Colorado, Boulder; Virginia Commonwealth University Visiting Artist in Kinetic Imaging; Southern Illinois University; “Four Artists”, School of the Museum of Fine Arts Boston; RIDE (Risk/Dare/Experiment) Lecturer at Pratt Institute; Keynote Lecture, La Universidad Andina Simón Bolívar y el Festival Encuentros del Otro Cine (EDOC), Coloquio Internacional de Cine Documental, Quito, Ecuador; Antioch College, Ohio; Museum of Reclaimed Urban Spaces; St. Mary’s College of Maryland; Tsinghua University, Beijing, China; New York University, Shanghai. 2013 Museum of Modern Art, Documentary Fortnight 2013; Ann Arbor Film Festival; Images Film Festival, Toronto; “Things that Quicken the Heart” Chris Marker Symposium (Lecture) at University of Pennsylvania Maysles Cinema Fiction-Non Series, New York Porter Visiting Artist at UC Santa Cruz “Taking a Documentary Detour”, Dep’t Film & Media, UC Berkeley “The Experimental Documentary: Reality and Performance”, BorDocs Foro Documental, Tijuana, Mexico; Center for History Media and Culture, NYU; Asian and Pacific American Institute Lecture Series, NYU; “Documentary as Social Practice”, New School for Social Research, Graduate Program in Media Studies; “Social Issue Documentary”, School of Visual Arts; “Reality & Performance” Artist Lecture Downtown Community TV. 2012 Art@Rennaisance (a former hospital) in Greenpoint, New York Public Library Chinatown Branch; Proteus Gowanus Inter-disciplinary Gallery in Brooklyn; Tulane University Artist Lecture; American Corner at Corvinus University, Budapest, Hungary; University Settlement House Five Show run, Nov. 2012. 2011 “The Deconstructive Impulse: Women Artists Reconfigure the Signs of Power (1973 – 1991)” SUNY Purchase; National Gallery of Art, Washington D.C. (two programs of films); “Artists in Conversation”, Wexner Center for the Arts, Columbus, Ohio, Fall 2011. 2010 SF Cinematheque and Pacific Film Archive Retrospective; Migrating Forms Film Festival; Punto de Vista Film Fest; European Media Arts Festival; Massachusetts College of Art Film Society; Univ. of Chicago; California College of Art; UC Berkeley; Memphis Brooks Museum of Art, Walker Art Center; International House, Univ. of Pennsylvania 2009 Tulane University “Women Representing” Conference, invited guest artist; University of Pennsylvania; Buenos Aires Film Fest; Hallwalls Art Center, Buffalo; SUNY Buffalo; University of Maryland Performing Arts Center, Washington, DC; ; Fondacion d’Arte Contemporaneo, Uruguay. 2008 Museo Nationl de Artes Argentina & Uruguay; University of Southern California; 2007 Buenos Aires In’t Film Fest invited guest; Cornell; Harvard; UC Davis; Brown Univ.; CalArts; Rutgers 2006 Makor 92nd St Y, California College of Art, UC Berkeley, SF State University, Ocularis, Cinema Project, Portland; Chicago Filmmakers, GeorgetownUniversity; Ziethgeist Theatre Experiments, New Orleans. 2005 Margaret Mead Film Festival, Cooper Union, SF Art Institute 2004 Berks Filmakers Albright College, Columbia Univ. Inst. for Art and Diplomacy; Univ Utah 2003 Hallwalls Art Center, Buffalo, American University, Georgetown, Rochester Inst. of Technology 2002 Museum of Fine Arts Boston; Mass College of Art; Vassar; Ithaca College; SUNY Binghamton;Cornell; Catholic Univ.; College Art Association “The Internet & Exile”; UCLA; CalArts 2000 Sarah Lawrence; Syracuse, Univ. of Maryland Baltimore; Delaware Art Museum 1999 University of Michigan, Humboldt State University, Adelphi University Grants, Scholarships & Awards 2017Brooklyn Arts Council Grant 2015Women in the Arts & Media Coalition, Collaboration Award with Lizzie OleskerFandor.com Film Initiative Award 2014Guggenheim Fellowship, Film-Video,New York State Council for the Arts Grant for Electronic Media finishing funds, 2012 2012MacDowell Colony Artist Residency, Selected as Elodie Osborn Fellow 2006-07 2008Experimental Television Center, finishing funds,1997; residency, 1999; finishing fundsNew York University Adjunct Faculty Grant, 2005,2007, 2008. 2011. 2006New York Public Library Artist CommissionNational Video Resource, Technical Assistance Award, 2005,2006.New York State Council on the Arts, grant for film 2004Jerome Foundation, grant for filmRockefeller Foundation, media arts fellowship, 2001; Service award 2001Trust for Mutual Understanding, media grant 2000Maryland State Arts Council Individual Artist GrantSchool 33 Public Art Space, juried invitational show of installation work, Fall, 2000, Baltimore.Puffin Foundation artist grant for Catonsville Nine Project 1999Maryland State Arts Council Mini-Grant, with the Catonsville Historical Society 1993San Francisco Bay Guardian Outstanding Local Discovery AwardWestern States Regional Media Arts Fellowship, Supported by the NEA 1990Southeast Regional Media Arts Fellowship, NEARobert Flaherty Documentary Film Seminar, Scholarship 1987Film Arts Foundation Development Grant, San FranciscoPioneer Fund for Emerging Filmmakers, San Francisco 1985Downtown Community Television Artist in Residence, New York

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