This website uses cookies to analyze the traffic
Information on the use of our website is therefore transferred to Google.

Accept

blinkvideo - research of video art, performance and multimedia installations.

blinkvideo - research of video art, performance and multimedia installations.


Moving Images / Moving Bodies
Online screening programme in cooperation
with the Goethe-Institut Bulgaria

Curated by Ludwig Seyfarth

Research into the human body and interpersonal relationships remain central themes in video and moving image art. Artists from Bulgaria and Germany, whose work is related in content, will be shown in pairs over the next weeks. The exhibition planned for November 2020 in Sofia has been postponed until 2021. Instead, a consecutive presentation of selected films by artists from Moving Bodies/Moving Images is presented on blinkvideo.
image: © Elitsa Dimitrova

Shooting Ghosts
Online screening programme in cooperation
with the Goethe-Institut Bulgaria

Curators: Kalin Serapionov, Krassimir Terziev

What we propose in this programme is a highly subjective and fragmented view on current practices in moving image in the Bulgarian art scene. We focused on practices that show affinity with speculative narratives - narratives that not just record what is in front of the cinematic eye, but also capture all the ghosts that are unreachable by the apparatus, thus projecting speculative views that intend not merely to describe, but to transform the world.
image: © Veneta Androva

Moving Images / Moving Bodies

 ‘Moving Images Bulgaria-Germany’ is a project by Goethe-Institut Bulgaria, that includes various online and offline initiatives, starting in November 2020. The online program, realised in partnership with blinkvideo, will consist of two curated programmes: “Moving Images / Moving Bodies”, curated by Ludwig Seyfarth, and “Shooting Ghosts”, curated by Krassimir Terziev and Kalin Serapionov.

First the programme “Shooting Ghosts” will give a selected overview of video art in Bulgaria in general. The programme will be accompanied by an in-depth essay by Krassimir Terziev as well as texts by different authors or the artists themselves on individual films.

Critics’ Pick: Vienna by Nicole Büsing + Heiko Klaas

The group show “Antarctica. An Exhibition on Alienation” was presented in Vienna during the past winter season. Departing from a note written by the Italian cult director Michelangelo Antonioni referring to a potential glacier melting in the Antarctica and a hint to a film, the two curators from the Kunsthalle Wien, Vanessa Joan Müller and Nicolaus Schafhausen, conceived an exhibition on the topic of alienation and contemporary art. The focus was on the latest contemporary photography and video art by the younger generation of artists.
Image: © Isabella Fürnkäs

UNSTILLED LIFE: Artist Animations 1980-2020
Curated by Emma Cousin and Paul Carey-Kent

Why this show, here and now? British artist-curator Emma Cousin and writer-curator Paul Carey-Kent recently pulled together a choice of artist animations, thinking that the increasingly vibrant medium is especially suited to the online emphasis of the locked down art world of 2020. Three of them turned out to be represented by Ron Mandos, making the Amsterdam gallery ideal hosts. The cast is international, and to reflect that Tintype gallery in London and Hamburg’s blinkvideo have joined in with variations on the programme. 
Markus Vater Worlds don’t come easy, 2020

Something Between Us
KAI 10 | ARTHENA FOUNDATION, Düsseldorf

The exhibition „Something Between Us“ focuses on both our contemporary lives and the anthropological constants of interpersonal dealings: love, empathy, security, care and safety on the one hand, and hate, role fixation, dependency, reprimand and exclusion on the other. Something Between Us asks how these structures of togetherness are changing in our digital era.
Thomas Taube OCCIDENT, 2020

REFRACTED REALITIES at VIDEONALE.17

In optics, “refraction” refers to the bending of a beam of light, a change in direction which occurs at the moment when it passes from one medium to another. Through refraction, the light wave alters course, changing the way we perceive the objects it illuminates in the process. This optical deviation requires us to repeatedly correct our gaze, comparing the beginning and end points of our perception with reality, and bringing the object we see clearly into focus. In its figurative sense, refraction refers to a critical reflection on the means and channels of visualization, and by extension the possibility of a rearticulation of our view of things – how they are, were, or apparently always have been.
Image: © Sohrab Hura

NEW: Favorites curated by blinkvideo users

What do you like? Over the next few months, we will be showing here selections of works, compiled by you, as a blinkvideo user.

Stefano Miraglia: Hey Blinkvideo members! Here are my eight "must watch" films and videos. Happy to find in this catalogue some of the works that got me interested in artists' moving image when I was a student! (Guillaume Leblon! Daniel Steegmann Mangrané! Marylène Negro!).

Expanding Bauhaus.
New Reflections on the Bauhaus Movement in Time-Based Media Art / Goethe Institute Netherlands

A screening series selected by Elke Kania (Cologne), Julia Sökeland (Hamburg) and Ludwig Seyfarth (Berlin)

With its combination of various arts such as painting, photography film, architecture, fashion, product and interior design and textile art, the Bauhaus is still considered the epitome of a technologically advanced modernity. Last but not least, the attempt to create the whole society aesthetically, inspired many artists worldwide.
Image: © Adnan Softic

Johan Grimonprez

Johan Grimonprez’s critically acclaimed work dances on the borders of practice and theory, art and cinema, documentary and fiction, demanding a double take on the part of the viewer. Informed by an archeology of present-day media, his work seeks out the tension between the intimate and the bigger picture of globalization. It questions our contemporary sublime, one framed by a fear industry that has infected political and social dialogue. By suggesting new narratives through which to tell a story, his work emphasizes a multiplicity of realities.
image: © Johan Griminprez

Christoph Faulhaber: Revolution & Architecture

With "Revolution & Architecture" Christoph Faulhaber (* 1972 in Osnabrück, lives in Hamburg) conceives, builds, designs and opens a whole series of very different rooms in the Kunsthalle Osnabrück. In order to discover the revolutionary aspect of these "architectures", one has to look at the social implications of interior design in general. In the forum the visitor then enters Faulhaber's cinematic autobiography "Every Picture is an Empty Picture" as in the eye of the cyclone: The work is split into 15 individual films and surrounds the visitor in a circle.
Image: © Christoph Faulhaber

Stiftung imai – inter media art institute

The Düsseldorf based foundation imai – inter media art institute was founded in 2006 in order to establish an institution in Germany dedicated to the distribution and preservation of media art and associated activities.
Image: © Marcel Odenbach

Featured videos

Markus Vater
Im Wald (perfect day), 2011

This Animation has developed from a colloboration with the dutch poet Tjitske Jansen. Initially it reacted on a text of hers dealing with memories in her life. All memories were about events in which she didn’t understand the concepts and actions that had happened, but which she understands now.

Pratchaya Phinthong
A proposal to set (work in progress), 2016

A proposal to set CH4*5.75H20 on fire (work in progress) is an ongoing project that explores methane hydrate, an ice compound that has been identified by scientists as an alternative fuel of future energy. Found in large quantities beneath Arctic permafrost, Antarctic ice and sedimentary deposits, methane hydrate releases natural gas when exposed to increases in temperature or decreases in pressure.Gas released by methane hydrates can be lit, which produces a semi-transparent orange and blue flame.This 16 mm film shows samples of methane hydrates.Through the mobilisation and connection of individuals working across geology, science and art, the project generates awareness of methane hydrate, its chemically volatile nature and implications for energy industries.The film itself performs a kind of material transfer, capturing light emitted by the burning samples and projecting it into the gallery space. For Phinthong, each iteration of the project is a form of extraction that makes its subject more widely visible. Filmed by Phuttipong Aroonpheng. Made with the support of Oleg Blouson,Andrey Khabuev and Oleg Khlystov at the Limnological Institute, Irkutsk, Russia.

Ryan Gander
And You Will be Changed , 2014

'And You Will be Changed (Centre Pompidou, Paris)', 2014, follows curator Emma Lavigne around the empty Centre Pompidou in Paris as she presents the viewer with a tour of an empty space that had housed a now uninstalled Pierre Huyghe exhibition. The show is imagined and told by Lavigne as if the artworks were still there. Exhibited: - Pierre Huyghe +/–,The Artist’s Institute, New York, 2014
- Nouveau Festival (5th Edition), Musée d’Art Moderne, Centre Pompidou, Paris, 2014

Deimantas Narkevicius
Ausgeträumt, 2010

The German word ‘Ausgeträumt’ means a state between dream and reality at the point of waking up.The very first creative attempts by any artist are usually very positive, unaffected by criticism, even naive activities. Refering to myself, I had to be absolutely naive to choose to be a visual artist, in the late 80's when in the Soviet Union, everything was falling apart. There was no precedent of success, or an example to follow in the country which was still isolated. With this film I am re-approaching the state of naivety.

Katja Aufleger
LOVE AFFAIR, 2017

Several lights get shot successively. Some crush at once, quiet or with a blast, others seem like trying not to die.

Janet Biggs
Vanishing point, 2009

Luzia Hürzeler
Being in the Picture, 2007/08

Im Bilde sein [Being in the Picture] is a video installation. The monitor stands on a two-meter-high plinth. The video shows a white wall in front of which my head becomes visible, fully or partially, at short or long intervals. I keep jumping up into the picture, making myself visible through physical activity. These efforts become apparent through the sounds. The jumping height, and thus my visibility, decreases over time, until I finally give up through exhaustion.On the occasion of the exhibition “Spazi aperti” this work was displayed in the entrance hall of the Romanian Academy in Rome, where a number of monumental busts are mounted on plinths.

Johanna Reich
Horizon, 2012

The artist is drawing a line onto a white surface. The line reveals the horizon: it separates the sea from the sky. "To draw a line": this phrase already linguistically contains many different meanings. Beginning with the famous line – the one that cannot be crossed politically – via the (guide)line that is also the conceptual standard, to the simple strike placed beneath an addition, these are key points on the spectrum.“When Johanna Reich draws a line with a broad brush onto a wall, additional content comes into play. There is the track which children draw onto the wall with chalk, the traditional artist myth of the line as a vivid track of creative process, and last but not least the powerfully picturesque action of splattering the wall.”(Johannes Stahl)Johanna Reich (*1977 Minden) studied at the Kunstakademie Münster, the HfbK Hamburg and the Kunsthochschule für Medien Köln. She lives and works in Cologne.

blinkvideo the platform for . . .

artists we provide a platform for extensive presentation of media works, gallerists get a direct contact to international professional audiences, collectors find a worldwide overview of contemporary trends in moving image, curators can do research via keywords and compilations, teachers use presentation opportunities for students and all professionals get password protected, extensive information about video works worldwide.

Our Partners

Follow us on Instagram

blinkvideo mediaart
blinkvideo is a website for the research of video art. Founders: Julia Sökeland, Anita Beckers. blinkvideo ist eine Plattform zur Recherche nach Videokunst

Alex McQuilkin

Works


Galleries

for further information contact blinkvideo
Germany

Phone: +49 40 22748986
E-Mail: info@blinkvideo.de

Videonale e.V. im Kunstmuseum Bonn
Tasja Langenbach
Friedrich-Ebert-Allee 2
53113 Bonn
Germany

Phone: +49-(0)228-692818
E-Mail: langenbach@videonale.org




Biography

Born 1980 in Boston, MA
Lives and works in Brooklyn, NY and teaches at New York University

Education

2008
New York University, Master of Fine Arts, Studio Art
2002
New York University, Bachelor of Sciences, Studio Art

Solo exhibitions

2014
...a girl should be, Spring/Break, Old School, New York, NY

2011
Alex McQuilkin: The First Ten Years, Microscope Gallery, Brooklyn, NY
Unbreak My Heart, Marvelli Gallery, New York, NY

2009
I Wish I Was a Beam of Light, Galerie Adler, Frankfurt, DE

2008
Romeo and Juliet, Galerie Adler, Frankfurt, DE

2007
Joan of Arc, Marvelli Gallery, New York, NY

2006
Live Through This, Marvelli Gallery, New York, NY

2005
New Media Wall, Tufts University, Medford, MA
Test Run, Marvelli Gallery, New York, NY

2004
Tragically Sweet, Galerie Adler, Frankfurt, DE

2003
Double Life, 404 arte contemporanea, Naples, Italy

Selected group exhibitions

2015
My Way, Andrea Rosen, Frieze New York, New York, NY
The Now Forever, Basilica Hudson, Hudson, NY
Auto Body, Faena Arts Center, Buenos Aires, AR
PLAY, Microscope Gallery, Brooklyn, NY
In Your Dreams, Neuehouse, New York, NY

2014
Queensize, Collectors Room, Berlin, DE
A “Womanhouse” or a Roaming House (curated by Mira Schor), A.I.R. Gallery, Brooklyn, NY
Women’s Room, Hudson Valley Center for Contemporary Art, Peekskill, NY
Auto Body, Spinello Projects, Miami, FL
The Undulation of Something Faintly Familiar, Anat Ebgi, Los Angeles, CA
By Invitation Only, Kinz + Tillou, Brooklyn, NY
Unlooped-Kino, Manifesta 10, St. Petersburg, RU
Still/Video, Pingyao International Photo Festival, Pingyao, CH

2013
Play- The Frivolous and the Serious, The Collectors Room/Olbricht Foundation, Berlin, DE
Currents, Knoxville Museum of Art, Knoxville, TN
Goddess, Geoffrey Young Gallery, Great Barrington, MA

2012
En Désordre, Philara-Sammlung Zeitgenössischer Kunst, Dusseldorf, DE
Ugly, Broke, Sober, Kathleen Cullen Fine Art, New York, NY
These are the Good Times, New York University, Gallatin Galleries, New York, NY

2011
Guilty Pleasures, 2020 art, Sydney, Australia
Desperate Acts, Columbia University, Macy Art Gallery, New York, NY
Presages, Microscope Gallery, Brooklyn, NY

2010
Saccharine, Grimmuseum, Berlin, DE
Hip & Cool, Fundacion Marcelino Botin, Santander, ES
Gewalt, Kunstverein Wolfsburg, Wolfsburg, DE

2009
On Portrait-01, Kunstagenten Gallery, Berlin, DE
East Coast Video, Ramis Barquet, New York, NY
KunstFilmBiennale, Museum Ludwig, Cologne, DE
Highlights from the KunstFilmBiennale, Centre Pompidou, Paris, FR
Talk, Talk, Kunstverein Medienturm Graz, Graz, AU
That’s Just the Way It Is, Marvelli Gallery, New York, NY
Talk Dirty to Me, Larissa Goldston Gallery, New York, NY

2008
Diana und Actaeon, Museum Kunstpalast, Dusseldorf, DE
Number Two: Fragile, Julia Stoschek Collection, Dusseldorf, DE
Busan Biennial: Expenditure, Busan Museum of Modern Art, Busan, KR

2007
Teenage Kicks, Vegas Gallery, London, UK
Aggression, Kunsthalle Winterthur, Winterthur, CH
Felt Temperature..., Kunstverein Langenhagen, Langenhagen, DE
Into Me/Out of Me, Museo d’Arte Contemporanea Roma, Rome, IT
Final Cut, Kunsthalle Dominikanerkirche, Osnabruck, DE

2006
Youth of Today, Schirn Kunsthalle, Franfurt, DE
Into Me/Out of Me, P.S.1 Contemporary Art Center, Queens, NY
HER-SELF, Ritter/Zamet, London, UK
America, Figge von Rosen, Cologne, DE

2005
COOLHUNTERS: Youth Cultures Between the Media and the Market, Kunstlerhaus Wien, AU
Vicious, Jack Hanley Gallery, San Fransisco, CA
Orgien, Voelker & Freunde Galerie, Berlin, DE
Dead Kids Do Nothing, 31 Grand, Brooklyn, NY
First We Take Museums, Museum of Contemporary Art Kiasma, Helsinki, FI
Himmelsbilder, Dommuseum zu Salzburg, Saslzburg, AU

2004
Body, Gimm Eis, Copenhagen, DK
Short Histories of Video, John Hansard Gallery, University of Southampton, Southampton, UK
Pulse of America, Aeroplastics, Brussels, BE

2003
Without Fear or Reproach, Witte Zaal, Gent, BeE
Foreplay, Ritter/Zamet Galerie, London, UK
Bad Girls, Ikon Ltd./Kay Richards Contemporary Art, Santa Monica, CA

Selected bibliography

2014
Hodara, Susan, “Personal Ways of Untangling the Political,” The New York Times, Nov 8
“Here’s to Everlasting Youth,” Foliocue.com, April 28
Steinhauer, Jillian, “In a former Autobody Shop…” Hyperallergic, Dec 6

2013
Scherm, Rebecca “The Gaze That Stands Between You and Everything Real,” The Hairpin, August 8

2009
Johnson, Ken, “East Coast Video,” The New York Times, July 30 2009
Schütte, Christoph, “Posen, Blick, Tränen,” Frankfurter Allgemeine Zeitung, June 8, 2009, p.35

2007
Micchelli, Thomas, “Alex McQuilkin: Joan of Arc,” The Brooklyn Rail, December 14
Fyfe, Joe. “Who's a Martyr Today?” Gay City News, November 14

2006
Saltz, Jerry. “Desperata.” The Village Voice. April 28
Honigman, Ana Finel, “Overwhelming Life,” artnet. March 29
Melchart, Erwin, “Galerie auf Weltreise,” Kronenzeitung Wien, January 25

2005
Dath, Dietmar. “Wie man Insider Ausgrenzt,” Frankfurter Allgemeine Zeitung, June 8
Thon, Ute, “Alex McQuilkin: Madchenkunst echt bose!,” Art, January, 43 - 49
McQuaid, Cate, "Girl Watching," The Boston Globe, February 25

2004
Cohen, Michael, “Smells Like Teen Spirit,” FlashArt. March-April, 94- 95 Schutte, Christoph, “Pferdebilder und Lippenstift.” Frankfurter Allgemeine Zeitung, October 18, 50

Lectures, panels & jurys

2011
Visiting Artist Lecture, The University of Wisconsin, Milwaukee, WI
Visiting Critic, New York University, Painting I (professor, Michael St. John), New York, NY
Visiting Artist Lecture and Studio Workshop, Casita Maria, Bronx, NY
Jury Member, KunstFilm Biennale, Cologne, Germany
2009
Visiting Artist Lecture, New York University, New York, NY
2005
Visiting Artist Lecture, Tufts University, Medford, MA
2004
Visiting Artist Lecture, New York University, New York, NY

Collections

Julia Stoschek Collection, Düsseldorf, Germany
The Moscow Museum of Modern Art, Moscow, Russia
Knoxville Museum of Art, Knoxville, USA
Collection Hugo & Carla Brown, Den Haag, The Netherlands
Collection Eric Decelle, Belgium
Collection Olbricht, Essen, Germany
Collection Plum, Germany
Mobley-Springmeier Collection, Switzerland and Germany
Collection Reydan Weiss, Essen, Germany


Alex McQuilkin
Born 1980 in Boston, MA Lives and works in Brooklyn, NY and teaches at New York University Education 2008 New York University, Master of Fine Arts, Studio Art 2002 New York University, Bachelor of Sciences, Studio Art Solo exhibitions 2014 ...a girl should be, Spring/Break, Old School, New York, NY 2011 Alex McQuilkin: The First Ten Years, Microscope Gallery, Brooklyn, NY Unbreak My Heart, Marvelli Gallery, New York, NY 2009 I Wish I Was a Beam of Light, Galerie Adler, Frankfurt, DE 2008 Romeo and Juliet, Galerie Adler, Frankfurt, DE 2007 Joan of Arc, Marvelli Gallery, New York, NY 2006 Live Through This, Marvelli Gallery, New York, NY 2005 New Media Wall, Tufts University, Medford, MA Test Run, Marvelli Gallery, New York, NY 2004 Tragically Sweet, Galerie Adler, Frankfurt, DE 2003 Double Life, 404 arte contemporanea, Naples, Italy Selected group exhibitions 2015 My Way, Andrea Rosen, Frieze New York, New York, NY The Now Forever, Basilica Hudson, Hudson, NY Auto Body, Faena Arts Center, Buenos Aires, AR PLAY, Microscope Gallery, Brooklyn, NY In Your Dreams, Neuehouse, New York, NY 2014 Queensize, Collectors Room, Berlin, DE A “Womanhouse” or a Roaming House (curated by Mira Schor), A.I.R. Gallery, Brooklyn, NY Women’s Room, Hudson Valley Center for Contemporary Art, Peekskill, NY Auto Body, Spinello Projects, Miami, FL The Undulation of Something Faintly Familiar, Anat Ebgi, Los Angeles, CA By Invitation Only, Kinz + Tillou, Brooklyn, NY Unlooped-Kino, Manifesta 10, St. Petersburg, RU Still/Video, Pingyao International Photo Festival, Pingyao, CH 2013 Play- The Frivolous and the Serious, The Collectors Room/Olbricht Foundation, Berlin, DE Currents, Knoxville Museum of Art, Knoxville, TN Goddess, Geoffrey Young Gallery, Great Barrington, MA 2012 En Désordre, Philara-Sammlung Zeitgenössischer Kunst, Dusseldorf, DE Ugly, Broke, Sober, Kathleen Cullen Fine Art, New York, NY These are the Good Times, New York University, Gallatin Galleries, New York, NY 2011 Guilty Pleasures, 2020 art, Sydney, Australia Desperate Acts, Columbia University, Macy Art Gallery, New York, NY Presages, Microscope Gallery, Brooklyn, NY 2010 Saccharine, Grimmuseum, Berlin, DE Hip & Cool, Fundacion Marcelino Botin, Santander, ES Gewalt, Kunstverein Wolfsburg, Wolfsburg, DE 2009 On Portrait-01, Kunstagenten Gallery, Berlin, DE East Coast Video, Ramis Barquet, New York, NY KunstFilmBiennale, Museum Ludwig, Cologne, DE Highlights from the KunstFilmBiennale, Centre Pompidou, Paris, FR Talk, Talk, Kunstverein Medienturm Graz, Graz, AU That’s Just the Way It Is, Marvelli Gallery, New York, NY Talk Dirty to Me, Larissa Goldston Gallery, New York, NY 2008 Diana und Actaeon, Museum Kunstpalast, Dusseldorf, DE Number Two: Fragile, Julia Stoschek Collection, Dusseldorf, DE Busan Biennial: Expenditure, Busan Museum of Modern Art, Busan, KR 2007 Teenage Kicks, Vegas Gallery, London, UK Aggression, Kunsthalle Winterthur, Winterthur, CH Felt Temperature..., Kunstverein Langenhagen, Langenhagen, DE Into Me/Out of Me, Museo d’Arte Contemporanea Roma, Rome, IT Final Cut, Kunsthalle Dominikanerkirche, Osnabruck, DE 2006 Youth of Today, Schirn Kunsthalle, Franfurt, DE Into Me/Out of Me, P.S.1 Contemporary Art Center, Queens, NY HER-SELF, Ritter/Zamet, London, UK America, Figge von Rosen, Cologne, DE 2005 COOLHUNTERS: Youth Cultures Between the Media and the Market, Kunstlerhaus Wien, AU Vicious, Jack Hanley Gallery, San Fransisco, CA Orgien, Voelker & Freunde Galerie, Berlin, DE Dead Kids Do Nothing, 31 Grand, Brooklyn, NY First We Take Museums, Museum of Contemporary Art Kiasma, Helsinki, FI Himmelsbilder, Dommuseum zu Salzburg, Saslzburg, AU 2004 Body, Gimm Eis, Copenhagen, DK Short Histories of Video, John Hansard Gallery, University of Southampton, Southampton, UK Pulse of America, Aeroplastics, Brussels, BE 2003 Without Fear or Reproach, Witte Zaal, Gent, BeE Foreplay, Ritter/Zamet Galerie, London, UK Bad Girls, Ikon Ltd./Kay Richards Contemporary Art, Santa Monica, CA Selected bibliography 2014 Hodara, Susan, “Personal Ways of Untangling the Political,” The New York Times, Nov 8 “Here’s to Everlasting Youth,” Foliocue.com, April 28 Steinhauer, Jillian, “In a former Autobody Shop…” Hyperallergic, Dec 6 2013 Scherm, Rebecca “The Gaze That Stands Between You and Everything Real,” The Hairpin, August 8 2009 Johnson, Ken, “East Coast Video,” The New York Times, July 30 2009 Schütte, Christoph, “Posen, Blick, Tränen,” Frankfurter Allgemeine Zeitung, June 8, 2009, p.35 2007 Micchelli, Thomas, “Alex McQuilkin: Joan of Arc,” The Brooklyn Rail, December 14 Fyfe, Joe. “Who's a Martyr Today?” Gay City News, November 14 2006 Saltz, Jerry. “Desperata.” The Village Voice. April 28 Honigman, Ana Finel, “Overwhelming Life,” artnet. March 29 Melchart, Erwin, “Galerie auf Weltreise,” Kronenzeitung Wien, January 25 2005 Dath, Dietmar. “Wie man Insider Ausgrenzt,” Frankfurter Allgemeine Zeitung, June 8 Thon, Ute, “Alex McQuilkin: Madchenkunst echt bose!,” Art, January, 43 - 49 McQuaid, Cate, Girl Watching, The Boston Globe, February 25 2004 Cohen, Michael, “Smells Like Teen Spirit,” FlashArt. March-April, 94- 95 Schutte, Christoph, “Pferdebilder und Lippenstift.” Frankfurter Allgemeine Zeitung, October 18, 50 Lectures, panels & jurys 2011 Visiting Artist Lecture, The University of Wisconsin, Milwaukee, WI Visiting Critic, New York University, Painting I (professor, Michael St. John), New York, NY Visiting Artist Lecture and Studio Workshop, Casita Maria, Bronx, NY Jury Member, KunstFilm Biennale, Cologne, Germany 2009 Visiting Artist Lecture, New York University, New York, NY 2005 Visiting Artist Lecture, Tufts University, Medford, MA 2004 Visiting Artist Lecture, New York University, New York, NY Collections Julia Stoschek Collection, Düsseldorf, Germany The Moscow Museum of Modern Art, Moscow, Russia Knoxville Museum of Art, Knoxville, USA Collection Hugo & Carla Brown, Den Haag, The Netherlands Collection Eric Decelle, Belgium Collection Olbricht, Essen, Germany Collection Plum, Germany Mobley-Springmeier Collection, Switzerland and Germany Collection Reydan Weiss, Essen, Germany

Please fill out the application form.

  • Please select
  • Mr.
  • Mrs.
  • Please select
  • Afghanistan
  • Albania
  • Algeria
  • American Samoa
  • Andorra
  • Angola
  • Anguilla
  • Antarctica
  • Antigua and Barbuda
  • Argentina
  • Armenia
  • Aruba
  • Australia
  • Austria
  • Azerbaijan
  • Bahamas
  • Bahrain
  • Bangladesh
  • Barbados
  • Belarus
  • Belgium
  • Belize
  • Benin
  • Bermuda
  • Bhutan
  • Bolivia
  • Bosnia and Herzegovina
  • Botswana
  • Bouvet Island
  • Brazil
  • British Indian Ocean Territory
  • British Virgin Islands
  • Brunei
  • Bulgaria
  • Burkina Faso
  • Burma
  • Burundi
  • Cambodia
  • Cameroon
  • Canada
  • Cape Verde
  • Cayman Islands
  • Central African Republic
  • Chad
  • Chile
  • China
  • Christmas Island
  • Cocos (Keeling) Islands
  • Colombia
  • Comoros
  • Congo Democratic Republic of the
  • Congo Republic of the
  • Cook Islands
  • Costa Rica
  • Cote d'Ivoire
  • Croatia
  • Cuba
  • Curacao
  • Cyprus
  • Czech Republic
  • Denmark
  • Djibouti
  • Dominica
  • Dominican Republic
  • Ecuador
  • Egypt
  • El Salvador
  • Equatorial Guinea
  • Eritrea
  • Estonia
  • Ethiopia
  • Falkland Islands (Islas Malvinas)
  • Faroe Islands
  • Fiji
  • Finland
  • France
  • France Metropolitan
  • French Guiana
  • French Polynesia
  • French Southern and Antarctic Lands
  • Gabon
  • Gambia
  • Georgia
  • Germany
  • Ghana
  • Gibraltar
  • Greece
  • Greenland
  • Grenada
  • Guadeloupe
  • Guam
  • Guatemala
  • Guernsey
  • Guinea
  • Guinea Bissau
  • Guyana
  • Haiti
  • Heard Island and McDonald Islands
  • Holy See (Vatican City)
  • Honduras
  • Hong Kong
  • Hungary
  • Iceland
  • India
  • Indonesia
  • Iran
  • Iraq
  • Ireland
  • Isle of Man
  • Israel
  • Italy
  • Jamaica
  • Japan
  • Jersey
  • Jordan
  • Kazakhstan
  • Kenya
  • Kiribati
  • Korea North
  • Korea South
  • Kosovo
  • Kuwait
  • Kyrgyzstan
  • Laos
  • Latvia
  • Lebanon
  • Lesotho
  • Liberia
  • Libya
  • Liechtenstein
  • Lithuania
  • Luxembourg
  • Macau
  • Macedonia
  • Madagascar
  • Malawi
  • Malaysia
  • Maldives
  • Mali
  • Malta
  • Marshall Islands
  • Martinique
  • Mauritania
  • Mauritius
  • Mayotte
  • Mexico
  • Micronesia Federated States of
  • Moldova
  • Monaco
  • Mongolia
  • Montenegro
  • Montserrat
  • Morocco
  • Mozambique
  • Namibia
  • Nauru
  • Nepal
  • Netherlands
  • New Caledonia
  • New Zealand
  • Nicaragua
  • Niger
  • Nigeria
  • Niue
  • Norfolk Island
  • Northern Mariana Islands
  • Norway
  • Oman
  • Pakistan
  • Palau
  • Panama
  • Papua New Guinea
  • Paraguay
  • Peru
  • Philippines
  • Pitcairn Islands
  • Poland
  • Portugal
  • Puerto Rico
  • Qatar
  • Reunion
  • Romania
  • Russia
  • Rwanda
  • Saint Barthelemy
  • Saint Helena Ascension and Tristan da Cunha
  • Saint Kitts and Nevis
  • Saint Lucia
  • Saint Martin
  • Saint Pierre and Miquelon
  • Saint Vincent and the Grenadines
  • Samoa
  • San Marino
  • Sao Tome and Principe
  • Saudi Arabia
  • Senegal
  • Serbia
  • Seychelles
  • Sierra Leone
  • Singapore
  • Sint Maarten
  • Slovakia
  • Slovenia
  • Solomon Islands
  • Somalia
  • South Africa
  • South Georgia and the Islands
  • South Sudan
  • Spain
  • Sri Lanka
  • Sudan
  • Suriname
  • Svalbard
  • Swaziland
  • Sweden
  • Switzerland
  • Syria
  • Taiwan
  • Tajikistan
  • Tanzania
  • Thailand
  • Timor Leste
  • Togo
  • Tokelau
  • Tonga
  • Trinidad and Tobago
  • Tunisia
  • Turkey
  • Turkmenistan
  • Turks and Caicos Islands
  • Tuvalu
  • Uganda
  • Ukraine
  • United Arab Emirates
  • United Kingdom
  • United States
  • United States Minor Outlying Islands
  • Uruguay
  • Uzbekistan
  • Vanuatu
  • Venezuela
  • Vietnam
  • Virgin Islands
  • Wallis and Futuna
  • West Bank
  • Western Sahara
  • Yemen
  • Zambia
  • Zimbabwe

Data you submit will only be used by us for contact purposes, sending you the password and information about our activities. Your data will not be shared with other companies. If you wish, we will immediately delete your data from our system; please send us an email.


Enter your E-mail address below and we'll get you back to the art.