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blinkvideo - research of video art, performance and multimedia installations.

NEW: Favorites curated by blinkvideo users

What do you like? Over the next few months, we will be showing here selections of works, compiled by you, as a blinkvideo user.

Nasim Weiler: Hello, there are many absolutely wonderful video works on Blinkvideo - here are my three favourites of today, March 26 - a day spent in quarantane in Paris.

Do you have any favorites on blinkvideo ? Or would you like to focus attention on some video works? Or would you like to compile and show videos on a specific topic? You can do so with the new tool on blinkvideo.
Create a favorites list as follows: When you're logged in, a little sign "add to favorite list" will appear below each video. With the click on it, you add the film to your favorites list. When you have collected all the works, open your favorites list and you can share the list with blinkvideo. We will then receive a message and put the compilation online.
We are very curious about your selection!

Nadja Verena Marcin - OPHELIA
Stadtgalerie in Saarbrücken, Germany. 2019

OPHELIA is an interdisciplinary performance that is presented in the Stadtgalerie Saarbrücken as a live action and subsequently as a video installation. It reflects the human-induced destruction of nature and creates references to art, literature and science. Dressed in "Ophelia's" dress and equipped with a diving device, Nadja Verena Marcin will climb into an aquarium and try under water to read the text "The Werld" by Daniil Kharms about human perception.
Image: © Nadja Verena Marcin

Igor Simić - WELTSCHMERZ 
at Galerie Beckers, Frankfurt

The exhibition WELTSCHMERZ shows new works by Serbian artist Igor Simic, which he created in connection with his iOS game Golf Club: Wasteland. For this game he and his award-winning gaming and film company Demagog Studio developed a whole world — a storyline with characters and various landscapes — in a post-apocalyptic scenario. The eerie atmosphere of the carefully crafted visual scenery is accompanied by slow paced, nostalgic, sometimes almost chilling music that evokes the feeling of longing for something lost.
Image: © Igor Simić

Fuzzy dark spot
Video art from Hamburg

The exhibition FUZZY DARK SPOT curated by the Hamburg-based video artist Wolfgang Oelze, at the Falckenberg Collection brings together 56 video works by over 30 mostly Hamburg-based artists ranging from the 1970s to the present day, featuring historical and contemporary productions in both thematic and monographic groups.
image: © Stefan Panhans

REFRACTED REALITIES at VIDEONALE.17

In optics, “refraction” refers to the bending of a beam of light, a change in direction which occurs at the moment when it passes from one medium to another. Through refraction, the light wave alters course, changing the way we perceive the objects it illuminates in the process. This optical deviation requires us to repeatedly correct our gaze, comparing the beginning and end points of our perception with reality, and bringing the object we see clearly into focus. In its figurative sense, refraction refers to a critical reflection on the means and channels of visualization, and by extension the possibility of a rearticulation of our view of things – how they are, were, or apparently always have been.
Image: © Sohrab Hura

Featured videos

Annegret Soltau
Schwanger-Sein I, 1977/78

"My pregnancies in 1978 and 1980 became an important theme for me. This personal experience yielded pictures in which I once again used myself as a model, this time myself in the process of being pregnant. The fear that my role as a mother could jeopardize my life as an artist inspired me to create a great many photos and videos. At this point I was preoccupied with the question of how women combine creativity and motherhood.“ (Annegret Soltau)

Tobias Yves Zintel
Breed and Educate, 2018

The Film Breed and Educate is based on a collaborative performance with a class from the Hector-Peterson-Schule Berlin Kreuzberg and the HAU. In numerous task based rehearsals eight pupils between 11 and 13 years explored the possibilties of self-education. Based on various materials from found footage to documentary and staged scenes the film circles around the relationship of controlling and self-empowerment in educational systems. Breed and Educate is circling around the question of how lessons should be organised in times of network and algorthim-based learning. Algorithms and neuronal networks have to master problems only once, after they achieved their goal, results can be duplicated and copied any number of times. Kids on the other hand side have to learn everything step by step, the accumulated knowlede can’t be transfered from on kid to the other by „copy and paste“. An allopoetic system is a trivial system, which can be potentially fully explored, controlled and operated by an observer. With a similar theory in mind, the Prussians started to organise schooling in 1717, to prepare pupils for the Prussian Military Academy. What happens almost 300 years later in a school in Berlin, when the relationship between control and self-empowerment is inverted by postmigrant pupils who breed robots, are educated by them and vice versa? “ In Breed and Educate an automated dionsaur is introduced by a twelfe year old boy: “It’s easily trainable”. While he explains the mode of operation, one sees the parallels: the school wouldn’t have any problems with pupils equipped with a suitable operating system downloaded from the internet. Sounds like an uncanny utopia.” (Katrin Bettina Müller)

Lene Markusen
Grad, 2004

Dieter Kiessling
60 Minutes 360 Degrees GK 2010, 2010

A boy is portrayed with a video camera for an hour on a tennis court.During this time the camera turns through 360 degrees. Meanwhile, the whole space is recorded piece by piece. The boy follows the camera movement slowly thus remaining constantly in the centre of the picture.

Clemens von Wedemeyer
Silberhöhe, 2003

In Halle-Silberhöhe in East Germany, the camera records peri-urban area architecture, prefabricated buildings that are deserted and destined to be demolished. The commentary evokes a film editing technique used by Michelangelo Antonioni in his film, L’Eclisse (1962).

Janet Biggs
Fade to White, 2010

In Fade to White, Biggs delves into the desire to explore remote lands. To create this work, the artist embarked on an expedition in the high Arctic, traveling aboard an ice-class, 2-masted schooner, built in 1910. During the voyage, Biggs filmed Fade to White, focusing on a crew member as he navigated the ship through iceberg filled seas, and paddled a kayak past glacier walls and polar bears. As she photographed the explorer, Biggs tested her own will and endurance. The visual tension of her uncompromising imagery bespeaks their mutual struggle to maintain balance and purpose. Yet, the video also reveals the myth of the solitary white male explorer. Biggs explains, "The desire to hold onto the notion of the 'great white north' as a blank space awaiting interpretation only reinforces the idea of the colonial polar hero. The 'virgin' north has now been mapped, surveyed, and mined, but increased knowledge has not replaced endless fantasies of discovery." Loss and change are implicit in the video's title, Fade to White, which refers to an editing technique used to evoke death or transcendence. Biggs integrated her Arctic imagery with sound and video footage of counter tenor John Kelly, whose age, androgyny, and mournful voice parallel the vanishing Arctic landscape and signal the waning of male dominance.

Rebecca Ann Tess
The Tallest, 2014

The »The Tallest« shows pictures shot on-site of the currently tallest buildings in the world. The high-rises are shown as set pieces of global capitalism, visually disappearing into abstraction. The reduced images are reminding of 3D rendering. The simulated image of these buildings circulates in the media for representational and advertising purposes, becomes a substantial object and the actual spatiality becomes a mockup. The narration is undertaken by a computer voice, it describes the competition for the tallest tower at such divers places as Chicago, Dubai, Hong Kong, Kuala Lumpur, Mecca, Nanjing, New York City, Seoul, Shanghai, Shenzhen, Songdo and Taipei.

Johanna Reich
LIGHT ON BLACK ON WHITE HOMAGE TO MALEVICH, 2015

A moving digital light drawing illuminates a white wall. A hand painting a black square on the white surface becomes visible. At the same time the light drawing is painting a light square. In the end the light of the digital light square illuminates the finished black oil painting.

Critics’ Pick: Vienna by Nicole Büsing + Heiko Klaas

The group show “Antarctica. An Exhibition on Alienation” was presented in Vienna during the past winter season. Departing from a note written by the Italian cult director Michelangelo Antonioni referring to a potential glacier melting in the Antarctica and a hint to a film, the two curators from the Kunsthalle Wien, Vanessa Joan Müller and Nicolaus Schafhausen, conceived an exhibition on the topic of alienation and contemporary art. The focus was on the latest contemporary photography and video art by the younger generation of artists.
Image: © Isabella Fürnkäs

Expanding Bauhaus.
New Reflections on the Bauhaus Movement in Time-Based Media Art
/ Goethe Institute Netherlands

A screening series selected by Elke Kania (Cologne), Julia Sökeland (Hamburg) and Ludwig Seyfarth (Berlin)

With its combination of various arts such as painting, photography film, architecture, fashion, product and interior design and textile art, the Bauhaus is still considered the epitome of a technologically advanced modernity. Last but not least, the attempt to create the whole society aesthetically, inspired many artists worldwide.
Image: © Adnan Softic

Johan Grimonprez

Johan Grimonprez’s critically acclaimed work dances on the borders of practice and theory, art and cinema, documentary and fiction, demanding a double take on the part of the viewer. Informed by an archeology of present-day media, his work seeks out the tension between the intimate and the bigger picture of globalization. It questions our contemporary sublime, one framed by a fear industry that has infected political and social dialogue. By suggesting new narratives through which to tell a story, his work emphasizes a multiplicity of realities.
image: © Johan Griminprez

Christoph Faulhaber: Revolution & Architecture

With "Revolution & Architecture" Christoph Faulhaber (* 1972 in Osnabrück, lives in Hamburg) conceives, builds, designs and opens a whole series of very different rooms in the Kunsthalle Osnabrück. In order to discover the revolutionary aspect of these "architectures", one has to look at the social implications of interior design in general. In the forum the visitor then enters Faulhaber's cinematic autobiography "Every Picture is an Empty Picture" as in the eye of the cyclone: The work is split into 15 individual films and surrounds the visitor in a circle.
Image: © Christoph Faulhaber

Stiftung imai – inter media art institute

The Düsseldorf based foundation imai – inter media art institute was founded in 2006 in order to establish an institution in Germany dedicated to the distribution and preservation of media art and associated activities.
Image: © Marcel Odenbach

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for artists we provide a platform for extensive presentation of media works, gallerists get a direct contact to international professional audiences, collectors find a worldwide overview of contemporary trends in moving image, curators can do research via keywords and compilations, teachers use presentation opportunities for students and all professionals get password protected, extensive information about video works worldwide.

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blinkvideo is a website for the research of video art. Founders: Julia Sökeland, Anita Beckers. blinkvideo ist eine Plattform zur Recherche nach Videokunst

Sofia Hultén

Works


Galleries

Konrad Fischer Galerie
Petra Lehmkuhl
Lindenstrasse 35
10969 Berlin
Germany

Phone: +49 (0)30 50596820
E-Mail: petra.lehmkuhl@konradfischergalerie.de




Biography

1972 born in Sweden
lives and works in Berlin


Scholarships and awards

2011
Moderna Museets Vänners Skulpturpris

2009
Stiftung Kunstfonds One Year Scholarship, D

2008
Helsinki International Artists Programme

2007
IASPIS Studio Scholarship, Stockholm, Sweden

2005
Studio Scholarship Akademie der Künste Berlin
Senate One Year Work Scholarship Berlin

2003
Goldrausch Künstlerinnenprojekt, Berlin

2001
Künstlerförderung Berlin

1998
DAAD One Year Scholarship, Hochschule der Künste, Berlin


Solo exhibitions

2011
Pressure Drop RaebervonStenglin, Zürich, CH
NoNo NoNoNoNo NoNo, Konrad Fischer Galerie, Düsseldorf

2010
One Step One Time Meessen De Clercq, Brussels
Test/Tat Galerie für Gegenwartskunst Barbara Claassen Schmal Bremen
Past Particles, Konrad Fischer Galerie, Berlin

2009
Sofia Hultén, Konrad Fischer Galerie, Düsseldorf
Back to Back, Konrad Fischer Oben, Berlin
Drawn Onward, Perrot's Folly Birmingham UK Ikon Gallery Offsite

2008
Mutual Annihilation, Künstlerhaus Bremen, D (Catalogue)
Auflösung, Skulpturenpark Berlin_Zentrum, D
Documentation, HIAP Space Cable Factory, Helsinki

2007
Familiars, IKON Gallery, Birmingham UK (Catalogue)
You Do Voodoo You Do, Kunstverein Nürnberg, D
Sofia Hultén, Natalia Goldin Gallery, Stockholm, S
Preparations For Uncertain Doom, Galerie Adler Video Space, New York, US

2006
Events With Unknown Outcome, Letzte Überprüfung, Berlin, D
Possessions, Kunstverein Göttingen, D

2005
Sofia Hultén, Natalia Goldin Gallery, Stockholm, S

2003
Special Projects, PS1, New York, US
Doublings, Capri Berlin, D
Sofia Hultén, lothringer dreizehn München, D

2002
Sofia Hultén, Koch und Kesslau Berlin, D

2001
Leergut Abholen, Rampe003, Berlin, D
Fuck It Up and Start Again, Luna International Berlin, D


Group exhibitions

2011
Summer Show, Konrad Fischer Galerie, Düsseldorf, D
Galleria Tiziana Di Caro. Salerno, I
Skulpturenpark, Köln, D

2010
LE PROVISOIRE C`EST LE DEFINITIF / TRACING THE INVISIBLE Schloss Ringenberg, Hamminkeln
Fische hinterlassen keine Spuren Künstlerhaus Bremen
Casting Visite ma tente, Berlin

2009
Table des Matieres, Carl Freedman Gallery, UK
Collaboration, Autocenter, Berlin, D
Known Unknowns, Loop Gallery, Seoul, K
Gestern oder im 2. Stock, Münchner Stadtmuseum, D
Pop – Up!, Ludwig Forum, Aachen
Berlin 2000, Pace Wildenstein, New York (Catalogue)
Der innere Blick. Das Interieur in der zeitgenössischen Kunst, Kunsthalle Tübingen D
Haus Kaputt – Haus Heile, Kunstverein Springhornhof, D
Nautilus, Städtische Galerie Nordhorn, D

2008
Betwixt: Sofia Hultén between Kendell Geers, Gabriel Orozco, Jonathan Monk, Cosima Von Bonin, Paul Chan and Mona Hatoum Magasin 3 Konsthall Stockholm, S
Mimétisme Extra City, Antwerp, B
Driller Killer Forgotten Bar Project / Galerie im Regierungsviertel, Berlin, D
Home Alone Galerie Mikael Andersen Copenhagen, D
Freunde und Bekannte Sparwasser HQ, Berlin, D
Weisses Lächeln Croy Nielsen Berlin, D
Regard Caméra - Portrait du spectateur en artiste La Ferme du Buisson F
If you give me the mountain I will ask for the sea Peter Lav Gallery Copenhagen, D
Checkpoint Berlin Villa du Parc Annemasse F
100 Tage = 100 videos GL Strand Copenhagen, DK

2007
Um-Kehrungen Kunstverein Braunschweig, D (Catalogue)
BODY CITY Video Apartment Dublin, IE (Catalogue)
Casa Vecina, Mexico City, M
Between Reality and Fairytales Kalmar Konstmuseum, S (Catalogue)
Space Invasion Temporary Contemporary Vienna, A
Die Stadt Von Morgen Akademie der Künste, Berlin, D (Catalogue)
State of Work Fotohof, Salzburg, A
We Can't Be Stopped MAC/VAL, Musée du Val de Marne, F
To be continued Galerie Anita Beckers Frankfurt, D

2006
Homework Gagosian Gallery, Berlin, D
Abgebrannt Berlinische Galerie, D
Schein und Abgrund P//AKT Amsterdam, NL
100 Tage = 100 videos Kunstverein Heidelberg, D
Eigenheim Kunstverein Göttingen, D
L'Apparence et l'Abîme Immanence, Paris, F
Berlin :Tendenzen Instituto de Cultura de Barcelona, ES (Catalogue)
Vorläufige Durchsuchung Akademie der Künste Berlin, D (Catalogue)
Belluard Bollwerk Fribourg, CH

2005

Erste Haut Galerie Gebrüder Lehmann, Dresden, D
Things We Know Test Site - Rooseum, Malmö, S
Ergonomicon Conworks, Seattle, US
Up and Coming Video Screening #1 Galerie Adler, Frankfurt, D

2004
BLICK 04 New Nordic Film and Video Moderna Museet, Stockholm, S,
Kunstverein München, D
Hansi Hinterseer Wiensowski & Harbord, Berlin, D
Trendwände Kunstraum Düsseldorf, D
Achtung Berlin! Baltic Gallery of Contemporary Art, Slupsk, P
We're not here to give you pleasure Galerie Art & Essai, Rennes, F
Art..chitecture Evo Gallery, Santa Fe, New Mexico, US
My Blood is Electric Spitz Gallery, London, GB
Fast Umsonst Neue Gesellschaft für Bildende Kunst, Berlin, D
Social Ease Luft Space, Toronto, CAN

2003
Office The Photographers' Gallery, London, GB
Überlebensstrategien für Untrainierte KMZA Adlershof Berlin, D
Out to Grass Koch und Kesslau, Berlin, D
Losing It Fenton Gallery, Irland, IE (Catalogue)
Escapology G39, Cardiff, Wales
Goldrausch Künstlerinnenprojekt Kunstraum Kreuzberg, Berlin, D (Catalogue)

2002
Here and Now Büro Friedrich, Berlin, D
The Berlin Files De Chiara Gallery, New York, US
Galerija-Kneipe Warschau, P
We're not here to give you pleasure Proto Academy, Edinburgh
Fricties Vooruit Center, Ghent, B
Sound G7, Berlin, D
We're not here to give you pleasure G39, Cardiff, Wales
La Nuit Art Vidéo Maillon-Wacken Strasbourg, F
Videoidyll Staatsbank, Berlin, D

2001
Not at Home Schloß Solitude, Stuttgart, D
We're not here to give you pleasure rraum 02, Frankfurt, D
Art works:consulting Haus am Lützowplatz, Berlin, D
White Collar Zimmer Str, Berlin D


Publications

Sofia Hultén, Moderna Museets Vänners Skulpturpris, Stockholm, 2011
Sofia Hultén, 12 Works, Ikon Gallery, Birmingham und Künstlerhaus Bremen, 2009
Sofia Hultén, Points in a Room Condensing, Akademie der Künste, Berlin (ed.), Berlin 2006

Sofia Hultén
1972 born in Sweden lives and works in Berlin Scholarships and awards 2011 Moderna Museets Vänners Skulpturpris 2009 Stiftung Kunstfonds One Year Scholarship, D 2008 Helsinki International Artists Programme 2007 IASPIS Studio Scholarship, Stockholm, Sweden 2005 Studio Scholarship Akademie der Künste Berlin Senate One Year Work Scholarship Berlin 2003 Goldrausch Künstlerinnenprojekt, Berlin 2001 Künstlerförderung Berlin 1998 DAAD One Year Scholarship, Hochschule der Künste, Berlin Solo exhibitions 2011 Pressure Drop RaebervonStenglin, Zürich, CH NoNo NoNoNoNo NoNo, Konrad Fischer Galerie, Düsseldorf 2010 One Step One Time Meessen De Clercq, Brussels Test/Tat Galerie für Gegenwartskunst Barbara Claassen Schmal Bremen Past Particles, Konrad Fischer Galerie, Berlin 2009 Sofia Hultén, Konrad Fischer Galerie, Düsseldorf Back to Back, Konrad Fischer Oben, Berlin Drawn Onward, Perrot's Folly Birmingham UK Ikon Gallery Offsite 2008 Mutual Annihilation, Künstlerhaus Bremen, D (Catalogue) Auflösung, Skulpturenpark Berlin_Zentrum, D Documentation, HIAP Space Cable Factory, Helsinki 2007 Familiars, IKON Gallery, Birmingham UK (Catalogue) You Do Voodoo You Do, Kunstverein Nürnberg, D Sofia Hultén, Natalia Goldin Gallery, Stockholm, S Preparations For Uncertain Doom, Galerie Adler Video Space, New York, US 2006 Events With Unknown Outcome, Letzte Überprüfung, Berlin, D Possessions, Kunstverein Göttingen, D 2005 Sofia Hultén, Natalia Goldin Gallery, Stockholm, S 2003 Special Projects, PS1, New York, US Doublings, Capri Berlin, D Sofia Hultén, lothringer dreizehn München, D 2002 Sofia Hultén, Koch und Kesslau Berlin, D 2001 Leergut Abholen, Rampe003, Berlin, D Fuck It Up and Start Again, Luna International Berlin, D Group exhibitions 2011 Summer Show, Konrad Fischer Galerie, Düsseldorf, D Galleria Tiziana Di Caro. Salerno, I Skulpturenpark, Köln, D 2010 LE PROVISOIRE C`EST LE DEFINITIF / TRACING THE INVISIBLE Schloss Ringenberg, Hamminkeln Fische hinterlassen keine Spuren Künstlerhaus Bremen Casting Visite ma tente, Berlin 2009 Table des Matieres, Carl Freedman Gallery, UK Collaboration, Autocenter, Berlin, D Known Unknowns, Loop Gallery, Seoul, K Gestern oder im 2. Stock, Münchner Stadtmuseum, D Pop – Up!, Ludwig Forum, Aachen Berlin 2000, Pace Wildenstein, New York (Catalogue) Der innere Blick. Das Interieur in der zeitgenössischen Kunst, Kunsthalle Tübingen D Haus Kaputt – Haus Heile, Kunstverein Springhornhof, D Nautilus, Städtische Galerie Nordhorn, D 2008 Betwixt: Sofia Hultén between Kendell Geers, Gabriel Orozco, Jonathan Monk, Cosima Von Bonin, Paul Chan and Mona Hatoum Magasin 3 Konsthall Stockholm, S Mimétisme Extra City, Antwerp, B Driller Killer Forgotten Bar Project / Galerie im Regierungsviertel, Berlin, D Home Alone Galerie Mikael Andersen Copenhagen, D Freunde und Bekannte Sparwasser HQ, Berlin, D Weisses Lächeln Croy Nielsen Berlin, D Regard Caméra - Portrait du spectateur en artiste La Ferme du Buisson F If you give me the mountain I will ask for the sea Peter Lav Gallery Copenhagen, D Checkpoint Berlin Villa du Parc Annemasse F 100 Tage = 100 videos GL Strand Copenhagen, DK 2007 Um-Kehrungen Kunstverein Braunschweig, D (Catalogue) BODY CITY Video Apartment Dublin, IE (Catalogue) Casa Vecina, Mexico City, M Between Reality and Fairytales Kalmar Konstmuseum, S (Catalogue) Space Invasion Temporary Contemporary Vienna, A Die Stadt Von Morgen Akademie der Künste, Berlin, D (Catalogue) State of Work Fotohof, Salzburg, A We Can't Be Stopped MAC/VAL, Musée du Val de Marne, F To be continued Galerie Anita Beckers Frankfurt, D 2006 Homework Gagosian Gallery, Berlin, D Abgebrannt Berlinische Galerie, D Schein und Abgrund P//AKT Amsterdam, NL 100 Tage = 100 videos Kunstverein Heidelberg, D Eigenheim Kunstverein Göttingen, D L'Apparence et l'Abîme Immanence, Paris, F Berlin :Tendenzen Instituto de Cultura de Barcelona, ES (Catalogue) Vorläufige Durchsuchung Akademie der Künste Berlin, D (Catalogue) Belluard Bollwerk Fribourg, CH 2005 Erste Haut Galerie Gebrüder Lehmann, Dresden, D Things We Know Test Site - Rooseum, Malmö, S Ergonomicon Conworks, Seattle, US Up and Coming Video Screening #1 Galerie Adler, Frankfurt, D 2004 BLICK 04 New Nordic Film and Video Moderna Museet, Stockholm, S, Kunstverein München, D Hansi Hinterseer Wiensowski & Harbord, Berlin, D Trendwände Kunstraum Düsseldorf, D Achtung Berlin! Baltic Gallery of Contemporary Art, Slupsk, P We're not here to give you pleasure Galerie Art & Essai, Rennes, F Art..chitecture Evo Gallery, Santa Fe, New Mexico, US My Blood is Electric Spitz Gallery, London, GB Fast Umsonst Neue Gesellschaft für Bildende Kunst, Berlin, D Social Ease Luft Space, Toronto, CAN 2003 Office The Photographers' Gallery, London, GB Überlebensstrategien für Untrainierte KMZA Adlershof Berlin, D Out to Grass Koch und Kesslau, Berlin, D Losing It Fenton Gallery, Irland, IE (Catalogue) Escapology G39, Cardiff, Wales Goldrausch Künstlerinnenprojekt Kunstraum Kreuzberg, Berlin, D (Catalogue) 2002 Here and Now Büro Friedrich, Berlin, D The Berlin Files De Chiara Gallery, New York, US Galerija-Kneipe Warschau, P We're not here to give you pleasure Proto Academy, Edinburgh Fricties Vooruit Center, Ghent, B Sound G7, Berlin, D We're not here to give you pleasure G39, Cardiff, Wales La Nuit Art Vidéo Maillon-Wacken Strasbourg, F Videoidyll Staatsbank, Berlin, D 2001 Not at Home Schloß Solitude, Stuttgart, D We're not here to give you pleasure rraum 02, Frankfurt, D Art works:consulting Haus am Lützowplatz, Berlin, D White Collar Zimmer Str, Berlin D Publications Sofia Hultén, Moderna Museets Vänners Skulpturpris, Stockholm, 2011 Sofia Hultén, 12 Works, Ikon Gallery, Birmingham und Künstlerhaus Bremen, 2009 Sofia Hultén, Points in a Room Condensing, Akademie der Künste, Berlin (ed.), Berlin 2006

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