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blinkvideo - research of video art, performance and multimedia installations.

blinkvideo - research of video art, performance and multimedia installations.


blinkvideo the platform for . . .

artists we provide a platform for extensive presentation of media works, gallerists get a direct contact to international professional audiences, collectors find a worldwide overview of contemporary trends in moving image, curators can do research via keywords and compilations, teachers use presentation opportunities for students and all professionals get password protected, extensive information about video works worldwide.

Turning Points / extensional works

Under the title Turning Points, the Kunsthalle Gießen presents selected works from the Collection von Kelterborn, whose focus lies in politically charged and socially critical works by internationally renowned artists. Against the background of digitalisation and globalisation, the works shown reflect our present day as it is marked by numerous upheavals. In this regard there is a strong focus is on video art.

On blinkvideo we show extensional works like the documentary films of Teboho Edkins and background videos as the City Film West Berlin of The Tödliche Doris.
image: © Teboho Edkins

UNSTILLED LIFE: Artist Animations 1980-2020
Curated by Emma Cousin and Paul Carey-Kent

Why this show, here and now? British artist-curator Emma Cousin and writer-curator Paul Carey-Kent recently pulled together a choice of artist animations, thinking that the increasingly vibrant medium is especially suited to the online emphasis of the locked down art world of 2020. Three of them turned out to be represented by Ron Mandos, making the Amsterdam gallery ideal hosts. The cast is international, and to reflect that Tintype gallery in London and Hamburg’s blinkvideo have joined in with variations on the programme. 
Markus Vater Worlds don’t come easy, 2020

Something Between Us
KAI 10 | ARTHENA FOUNDATION, Düsseldorf

The exhibition „Something Between Us“ focuses on both our contemporary lives and the anthropological constants of interpersonal dealings: love, empathy, security, care and safety on the one hand, and hate, role fixation, dependency, reprimand and exclusion on the other. Something Between Us asks how these structures of togetherness are changing in our digital era.
Thomas Taube OCCIDENT, 2020

REFRACTED REALITIES at VIDEONALE.17

In optics, “refraction” refers to the bending of a beam of light, a change in direction which occurs at the moment when it passes from one medium to another. Through refraction, the light wave alters course, changing the way we perceive the objects it illuminates in the process. This optical deviation requires us to repeatedly correct our gaze, comparing the beginning and end points of our perception with reality, and bringing the object we see clearly into focus. In its figurative sense, refraction refers to a critical reflection on the means and channels of visualization, and by extension the possibility of a rearticulation of our view of things – how they are, were, or apparently always have been.
Image: © Sohrab Hura

NEW: Favorites curated by blinkvideo users

What do you like? Over the next few months, we will be showing here selections of works, compiled by you, as a blinkvideo user.

Stefano Miraglia: Hey Blinkvideo members! Here are my eight "must watch" films and videos. Happy to find in this catalogue some of the works that got me interested in artists' moving image when I was a student! (Guillaume Leblon! Daniel Steegmann Mangrané! Marylène Negro!).

Do you have any favorites on blinkvideo ? Or would you like to focus attention on some video works? Or would you like to compile and show videos on a specific topic? You can do so with the new tool on blinkvideo.
Create a favorites list as follows: When you're logged in, a little sign "add to favorite list" will appear below each video. With the click on it, you add the film to your favorites list. When you have collected all the works, open your favorites list and you can share the list with blinkvideo. We will then receive a message and put the compilation online.
We are very curious about your selection!

Critics’ Pick: Vienna by Nicole Büsing + Heiko Klaas

The group show “Antarctica. An Exhibition on Alienation” was presented in Vienna during the past winter season. Departing from a note written by the Italian cult director Michelangelo Antonioni referring to a potential glacier melting in the Antarctica and a hint to a film, the two curators from the Kunsthalle Wien, Vanessa Joan Müller and Nicolaus Schafhausen, conceived an exhibition on the topic of alienation and contemporary art. The focus was on the latest contemporary photography and video art by the younger generation of artists.
Image: © Isabella Fürnkäs

Expanding Bauhaus.
New Reflections on the Bauhaus Movement in Time-Based Media Art / Goethe Institute Netherlands

A screening series selected by Elke Kania (Cologne), Julia Sökeland (Hamburg) and Ludwig Seyfarth (Berlin)

With its combination of various arts such as painting, photography film, architecture, fashion, product and interior design and textile art, the Bauhaus is still considered the epitome of a technologically advanced modernity. Last but not least, the attempt to create the whole society aesthetically, inspired many artists worldwide.
Image: © Adnan Softic

Johan Grimonprez

Johan Grimonprez’s critically acclaimed work dances on the borders of practice and theory, art and cinema, documentary and fiction, demanding a double take on the part of the viewer. Informed by an archeology of present-day media, his work seeks out the tension between the intimate and the bigger picture of globalization. It questions our contemporary sublime, one framed by a fear industry that has infected political and social dialogue. By suggesting new narratives through which to tell a story, his work emphasizes a multiplicity of realities.
image: © Johan Griminprez

Christoph Faulhaber: Revolution & Architecture

With "Revolution & Architecture" Christoph Faulhaber (* 1972 in Osnabrück, lives in Hamburg) conceives, builds, designs and opens a whole series of very different rooms in the Kunsthalle Osnabrück. In order to discover the revolutionary aspect of these "architectures", one has to look at the social implications of interior design in general. In the forum the visitor then enters Faulhaber's cinematic autobiography "Every Picture is an Empty Picture" as in the eye of the cyclone: The work is split into 15 individual films and surrounds the visitor in a circle.
Image: © Christoph Faulhaber

Stiftung imai – inter media art institute

The Düsseldorf based foundation imai – inter media art institute was founded in 2006 in order to establish an institution in Germany dedicated to the distribution and preservation of media art and associated activities.
Image: © Marcel Odenbach

Featured videos

Federico Adorno
La estancia, 2014

Federico Adorno’s film La estancia was awarded the Grand Prize of the City of Oberhausen at this year’s International Short Film Festival Oberhausen. In its statement the jury said: “Through a succession of subtly constructed tableaux, this powerful film is a profound critique of systematic oppression. Instigated by a massacre amidst a land-rights conflict in Paraguay, this haunting work transcends the local context to voice the struggle for essential freedoms.”Many years ago, while he was working at the Swiss NGO “Helvetas Paraguay”, Adorno travelled long distances into the countryside to film short documentaries with peasants, whom he taught how to use a camera and write short stories, which they then shot together. His last two short films are about land rights and property, and how the extensive ownership of land by just a few landowners gives rise to serious conflicts and problems in rural communities. Isla Alta is about the tensions that surround a community when a wealthy rancher goes missing; La estancia depicts the aftermath of a massacre and is based on true events that happened in Paraguay in 2012.

Tobias Yves Zintel
Breed and Educate, 2018

The Film Breed and Educate is based on a collaborative performance with a class from the Hector-Peterson-Schule Berlin Kreuzberg and the HAU. In numerous task based rehearsals eight pupils between 11 and 13 years explored the possibilties of self-education. Based on various materials from found footage to documentary and staged scenes the film circles around the relationship of controlling and self-empowerment in educational systems. Breed and Educate is circling around the question of how lessons should be organised in times of network and algorthim-based learning. Algorithms and neuronal networks have to master problems only once, after they achieved their goal, results can be duplicated and copied any number of times. Kids on the other hand side have to learn everything step by step, the accumulated knowlede can’t be transfered from on kid to the other by „copy and paste“. An allopoetic system is a trivial system, which can be potentially fully explored, controlled and operated by an observer. With a similar theory in mind, the Prussians started to organise schooling in 1717, to prepare pupils for the Prussian Military Academy. What happens almost 300 years later in a school in Berlin, when the relationship between control and self-empowerment is inverted by postmigrant pupils who breed robots, are educated by them and vice versa? “ In Breed and Educate an automated dionsaur is introduced by a twelfe year old boy: “It’s easily trainable”. While he explains the mode of operation, one sees the parallels: the school wouldn’t have any problems with pupils equipped with a suitable operating system downloaded from the internet. Sounds like an uncanny utopia.” (Katrin Bettina Müller)

Lene Markusen
Grad, 2004

Dieter Kiessling
60 Minutes 360 Degrees GK 2010, 2010

A boy is portrayed with a video camera for an hour on a tennis court.During this time the camera turns through 360 degrees. Meanwhile, the whole space is recorded piece by piece. The boy follows the camera movement slowly thus remaining constantly in the centre of the picture.

Clemens von Wedemeyer
Silberhöhe, 2003

In Halle-Silberhöhe in East Germany, the camera records peri-urban area architecture, prefabricated buildings that are deserted and destined to be demolished. The commentary evokes a film editing technique used by Michelangelo Antonioni in his film, L’Eclisse (1962).

Janet Biggs
Fade to White, 2010

In Fade to White, Biggs delves into the desire to explore remote lands. To create this work, the artist embarked on an expedition in the high Arctic, traveling aboard an ice-class, 2-masted schooner, built in 1910. During the voyage, Biggs filmed Fade to White, focusing on a crew member as he navigated the ship through iceberg filled seas, and paddled a kayak past glacier walls and polar bears. As she photographed the explorer, Biggs tested her own will and endurance. The visual tension of her uncompromising imagery bespeaks their mutual struggle to maintain balance and purpose. Yet, the video also reveals the myth of the solitary white male explorer. Biggs explains, "The desire to hold onto the notion of the 'great white north' as a blank space awaiting interpretation only reinforces the idea of the colonial polar hero. The 'virgin' north has now been mapped, surveyed, and mined, but increased knowledge has not replaced endless fantasies of discovery." Loss and change are implicit in the video's title, Fade to White, which refers to an editing technique used to evoke death or transcendence. Biggs integrated her Arctic imagery with sound and video footage of counter tenor John Kelly, whose age, androgyny, and mournful voice parallel the vanishing Arctic landscape and signal the waning of male dominance.

Rebecca Ann Tess
The Tallest, 2014

The »The Tallest« shows pictures shot on-site of the currently tallest buildings in the world. The high-rises are shown as set pieces of global capitalism, visually disappearing into abstraction. The reduced images are reminding of 3D rendering. The simulated image of these buildings circulates in the media for representational and advertising purposes, becomes a substantial object and the actual spatiality becomes a mockup. The narration is undertaken by a computer voice, it describes the competition for the tallest tower at such divers places as Chicago, Dubai, Hong Kong, Kuala Lumpur, Mecca, Nanjing, New York City, Seoul, Shanghai, Shenzhen, Songdo and Taipei.

Johanna Reich
LIGHT ON BLACK ON WHITEHOMAGE TO MALEVICH, 2015

A moving digital light drawing illuminates a white wall. A hand painting a black square on the white surface becomes visible. At the same time the light drawing is painting a light square. In the end the light of the digital light square illuminates the finished black oil painting.

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Tanja Deman

Works


Galleries

Videonale e.V. im Kunstmuseum Bonn
Tasja Langenbach
Friedrich-Ebert-Allee 2
53113 Bonn
Germany

Phone: +49-(0)228-692818
E-Mail: langenbach@videonale.org




Statement

Tanja Deman is a visual artist from Croatia. She works with photography, video and light installation. Her investigation of collective psychology and space focuses on recently built legacy, specifically in spaces for collectives and how they relate to nature.

Her images are visual metaphors that step into puzzling sites and situations layered with history. She captures the awkward socio-political dynamics under the surface of both the built and natural environment.


Biography

Born: 1982, Split, Croatia

Education / residency

2013 Nirox Foundation, Johannesburg, South Africa (upcoming)
2011 Piet Zwart Institute, MA Lens-Based Media, Rotterdam
2008 Oberfalzer KunstlerHaus, Schwandorf, Germany
2007 KulturKontakt Austria, Vienna
2006 Academy of Fine Arts, BFA (Hons) and MFA (Hons), Zagreb
2003 Indiana University of Pennsylvania, Indiana, USA

Solo exhibitions

2015
Prelude, xm:lab, Saarbrücken (upcoming)
Sommerfreuden, wrapping of Ringturm tower, Vienna - public artwork
Tanja Deman - Photography, De Verkadefabriek, Den Bosch

2014
Temples of Culture, Witzenhausen Gallery, Amsterdam
Abode of Vacancy, Studio Blau, Saarbruecken
Topography of Wonder, AMC Brummelkamp Galerie, Amsterdam

2013
Kabinet #2 Tanja Deman - Abode of Vacancy, Apoteka, Vodnjan, Croatia

2012
Concrete House, Gallery MKC Split, Split, Croatia
Deserted Utopia (Deman, Jovanovic), Museo Revoltella, Trieste

2011
Abode of Vacancy, Gallery Gray Area, Korcula, Croatia

2010
Frenweh, Gallery Kranjcar, Zagreb
Deserted Utopia (Deman, Jovanovic), Gallery VN, Zagreb
Memories from the Edge of Polis, Gallery MMC Luka, Pula, Croatia

2008
Place of Living, Gallery Karas, HDLU, Zagreb
No 222, Gallery HPB, Zagreb

2006
Presence, Gallery Izidor Krsnjavi, Zagreb

2004
Game_II/04, Diocletian palace basements Gallery, Split, Croatia

2003
Game Play, Miller Gallery, Indiana, USA
Chess Game, Sprowl Hall, Indiana, USA

Selected group exhibitions

2015
5th Les Nuits Photographiques, Pavillon Carré de Baudouin, Paris
3rd Danube Biennale - Contemporary Icons, Danubiana Meulensteen Art Museum, Bratislava
Kristalin#18, Atelierhaus Salzamt, Linz
Croatian Islands – Construction Culture over the Centuries, Ringturm, Vienna
Realise & Resist, Collegio Armeno Moorat Raphael / Palazzo Zenobio, Venice
Kabinet, Apoteka in Gallery Waldinger – City gallery Osijek
T-HT Award, Museum of Contemporary Art Zagreb

2014
Context Art Miami, presented by Witzenhausen Gallery, Miami
VIDEONALE on Tour, HudPromo Galerie, Odessa
Montevideo Bienale, curator Hug Alfons, Montevideo
Inconstancy of Space, HDLU, Zagreb
The Folk Revisited, New Dawn, Volkshotel, Amsterdam
Beauty of Darkness II, Galerie Alex Daniels - Reflex, Amsterdam
SCOPE Basel, presented by Witzenhausen Gallery, Basel
KunstRAI, presented by Witzenhausen Gallery, Amsterdam
Erste Fragmenti 10, HDLU, Zagreb
Downtown Fair NYC, presented by Witzenhausen Gallery, New York City

2013
38th Splitski Salon, curators Blaženka Perica & Janka Vukmir, Split, Croatia
Tanja Deman, Holger Niehaus & Jop Vissers Vorstenbosch, Van Krimpen Gallery, Amsterdam
Home is wherever I'm with you, Salon 91, Cape Town
Unseen, presented by Van Krimpen Gallery, Amsterdam
VIDEONALE.14 on Tour, The Central House of Artists, Moscow
Miradas insobornables, MUNTREF Centro de Arte Contemporáneo, Hotel de Inmigrantes, curator Hug Alfons, Buenos Aires
T-HT Award, Museum of Contemporary Art Zagreb
VIDEONALE.14, Kunstmuseum Bonn, Bonn
Picture of Sound II, Pogon Jedinstvo, Gallery 90-60-90, curator Evelina Turkovic, Zagreb

2012
PARS PRO TOTO, Gallery Kranjcar, Loft Sévigné, Paris
Unseen, Westergasfabriek, Amsterdam, presented by Van Krimpen gallery
6th Croatian Prints Triennial, HDLU, Zagreb
PLANE / SURFACE: «The Cave», Public art project on billboard, Zagreb, curator Silva Kalcic

2011
With One Eye on the Horizon, TENT, Rotterdam
Eyes on Asia and more, Castello de Albertis, Genoa, Italy
Cinegraphic/Photomatic, Blaak 10 Gallery, IFFR Rotterdam
Art Amsterdam, Amsterdam RAI, Amsterdam
Art Rotterdam, Las Palmas, Rotterdam
T-HT Award, Museum of Contemporary Art Zagreb (MSU), Zagreb

2010
Photo off, Salon 2010, La Bellevilloise, Paris
Recycle Future! Gallery Galzenica, Velika Gorica, Croatia

2009
Acquisitions 2004-2009, Museum of Contemporary Art Zagreb (MSU), Zagreb
Change of Perspective, Bonn/Brussels 2009, Frauenmuseum Bonn, Bonn
5th Croatian Prints Triennial, HDLU, Zagreb
Frieze Art Fair 2009, project by Brina Thurston - Impossible Exchange, London
Artexchange 09, MMC Rovinj, Rovinj, Croatia
Fields of Memories, Gallery MKC, Split, Croatia
Grenzenlos, Museum of Modern and Contemporary Art, Rijeka, Croatia

2008
T-HT Award, Museum of Contemporary Art Zagreb, HDLU, Zagreb
Novi Fragmenti 5, Mali salon, Museum of Modern and Contemporary Art, Rijeka, Croatia
Novi Fragmenti 5, Gallery Bacva, HDLU, Zagreb
Donumenta 2008, Stadt Galerie Leer Beutel, Regensburg, Germany
FINAL 2008! - Radoslav Putar Award, Gallery Galzenica, Velika Gorica, Croatia

2007
AMBER’07, body-process arts festival, Tobacco Warehouse, Istanbul
KulturKontakt AIR, Galerie ArtPoint, Vienna
5+, Glyptothec, HAZU, Zagreb
42. Zagreb Saloon, HDLU, Zagreb
Land, Gallery Ruzic, Slavonski Brod, Croatia
Visuara aperta, Momian, Croatia

2006
IX Triennial of Croatian Sculpture, Glyptothec, HAZU, Zagreb
Luminale, Stadtraum Gallery, Zoll- und Binnenhafen, Mainz, Germany
Bombart, Mediterranean Art Meeting, Lago di Bomba, Italy
Inter(aktiv), Gallery SC, Zagreb
Awarded graduate students of ALU, Galurija, Zagreb

2005
Van Maternice, Gallery Vladimir Nazor, Zagreb
Land, Crkva Sv. Ilije na Meraji, Vinkovci, Croatia

2003
Running with Scissors, Miller Gallery, Indiana, SAD
Die kleine Spionin, Collection Clara Engelman-Ost, Montevideo, Uruguay
Die kleine Spionin, HDLU (The Croatian Association of Artists), Zagreb

2001
Ekscentar, MKC, Split, Croatia

Screenings on film & video art festivals

2014
Filmreihe Köln, Köln
2013
Les Instants Video, Marseille
Videoex - Experimental Film & Video Festival, Zürich
Video Dumbo, Eyebeam, New York City
Experimental Film Fest, The House of Arts, Brno
2012
#Festival Miden, Athens
Kassel Documentary Film and Video Festival, Kassel
25FPS, Zagreb
San Giò Verona Video Festival, Verona
Video Art Festival Miden, Kalamata, Greece
Days of Croatian Film, Zagreb
NATURES 9 Video Festival, Ljubljana

Awards

2008
Audience Award at T-HT Award@MSU.hr, Zagreb
Radoslav Putar Award finalist, the Institute for Contemporary Arts, SCCA, Zagreb
New Fragments 5 - 2nd Award, by Erste Bank, Zagreb
2006
Award of Academy of Fine Arts, Zagreb
2005
Rector's Award, University of Zagreb
2004 Praise of the Academy of Fine Arts, Zagreb

Collections

Museum of Contemporary Art Zagreb
Miniature Museum Collection Ria & Lex Daniels, on view at Gemeentemuseum Den Haag
Kunstcollectie Academisch Medisch Centrum, Amsterdam
Wiener Städtische Versicherungsverein
Nirox Foundation, Johannesburg
Life Collection, Johannesburg
Erste Bank Collection, Zagreb
Splitska Banka - Societe generale Group, Split
Nexe Group, Vinkovci
Private collections in the Netherlands, USA, Germany, Switzerland, UK, United Arab Emirates, South Africa and Croatia

Tanja Deman
Born: 1982, Split, Croatia Education / residency 2013 Nirox Foundation, Johannesburg, South Africa (upcoming) 2011 Piet Zwart Institute, MA Lens-Based Media, Rotterdam 2008 Oberfalzer KunstlerHaus, Schwandorf, Germany 2007 KulturKontakt Austria, Vienna 2006 Academy of Fine Arts, BFA (Hons) and MFA (Hons), Zagreb 2003 Indiana University of Pennsylvania, Indiana, USA Solo exhibitions 2015 Prelude, xm:lab, Saarbrücken (upcoming) Sommerfreuden, wrapping of Ringturm tower, Vienna - public artwork Tanja Deman - Photography, De Verkadefabriek, Den Bosch 2014 Temples of Culture, Witzenhausen Gallery, Amsterdam Abode of Vacancy, Studio Blau, Saarbruecken Topography of Wonder, AMC Brummelkamp Galerie, Amsterdam 2013 Kabinet #2 Tanja Deman - Abode of Vacancy, Apoteka, Vodnjan, Croatia 2012 Concrete House, Gallery MKC Split, Split, Croatia Deserted Utopia (Deman, Jovanovic), Museo Revoltella, Trieste 2011 Abode of Vacancy, Gallery Gray Area, Korcula, Croatia 2010 Frenweh, Gallery Kranjcar, Zagreb Deserted Utopia (Deman, Jovanovic), Gallery VN, Zagreb Memories from the Edge of Polis, Gallery MMC Luka, Pula, Croatia 2008 Place of Living, Gallery Karas, HDLU, Zagreb No 222, Gallery HPB, Zagreb 2006 Presence, Gallery Izidor Krsnjavi, Zagreb 2004 Game_II/04, Diocletian palace basements Gallery, Split, Croatia 2003 Game Play, Miller Gallery, Indiana, USA Chess Game, Sprowl Hall, Indiana, USA Selected group exhibitions 2015 5th Les Nuits Photographiques, Pavillon Carré de Baudouin, Paris 3rd Danube Biennale - Contemporary Icons, Danubiana Meulensteen Art Museum, Bratislava Kristalin#18, Atelierhaus Salzamt, Linz Croatian Islands – Construction Culture over the Centuries, Ringturm, Vienna Realise & Resist, Collegio Armeno Moorat Raphael / Palazzo Zenobio, Venice Kabinet, Apoteka in Gallery Waldinger – City gallery Osijek T-HT Award, Museum of Contemporary Art Zagreb 2014 Context Art Miami, presented by Witzenhausen Gallery, Miami VIDEONALE on Tour, HudPromo Galerie, Odessa Montevideo Bienale, curator Hug Alfons, Montevideo Inconstancy of Space, HDLU, Zagreb The Folk Revisited, New Dawn, Volkshotel, Amsterdam Beauty of Darkness II, Galerie Alex Daniels - Reflex, Amsterdam SCOPE Basel, presented by Witzenhausen Gallery, Basel KunstRAI, presented by Witzenhausen Gallery, Amsterdam Erste Fragmenti 10, HDLU, Zagreb Downtown Fair NYC, presented by Witzenhausen Gallery, New York City 2013 38th Splitski Salon, curators Blaženka Perica & Janka Vukmir, Split, Croatia Tanja Deman, Holger Niehaus & Jop Vissers Vorstenbosch, Van Krimpen Gallery, Amsterdam Home is wherever I'm with you, Salon 91, Cape Town Unseen, presented by Van Krimpen Gallery, Amsterdam VIDEONALE.14 on Tour, The Central House of Artists, Moscow Miradas insobornables, MUNTREF Centro de Arte Contemporáneo, Hotel de Inmigrantes, curator Hug Alfons, Buenos Aires T-HT Award, Museum of Contemporary Art Zagreb VIDEONALE.14, Kunstmuseum Bonn, Bonn Picture of Sound II, Pogon Jedinstvo, Gallery 90-60-90, curator Evelina Turkovic, Zagreb 2012 PARS PRO TOTO, Gallery Kranjcar, Loft Sévigné, Paris Unseen, Westergasfabriek, Amsterdam, presented by Van Krimpen gallery 6th Croatian Prints Triennial, HDLU, Zagreb PLANE / SURFACE: «The Cave», Public art project on billboard, Zagreb, curator Silva Kalcic 2011 With One Eye on the Horizon, TENT, Rotterdam Eyes on Asia and more, Castello de Albertis, Genoa, Italy Cinegraphic/Photomatic, Blaak 10 Gallery, IFFR Rotterdam Art Amsterdam, Amsterdam RAI, Amsterdam Art Rotterdam, Las Palmas, Rotterdam T-HT Award, Museum of Contemporary Art Zagreb (MSU), Zagreb 2010 Photo off, Salon 2010, La Bellevilloise, Paris Recycle Future! Gallery Galzenica, Velika Gorica, Croatia 2009 Acquisitions 2004-2009, Museum of Contemporary Art Zagreb (MSU), Zagreb Change of Perspective, Bonn/Brussels 2009, Frauenmuseum Bonn, Bonn 5th Croatian Prints Triennial, HDLU, Zagreb Frieze Art Fair 2009, project by Brina Thurston - Impossible Exchange, London Artexchange 09, MMC Rovinj, Rovinj, Croatia Fields of Memories, Gallery MKC, Split, Croatia Grenzenlos, Museum of Modern and Contemporary Art, Rijeka, Croatia 2008 T-HT Award, Museum of Contemporary Art Zagreb, HDLU, Zagreb Novi Fragmenti 5, Mali salon, Museum of Modern and Contemporary Art, Rijeka, Croatia Novi Fragmenti 5, Gallery Bacva, HDLU, Zagreb Donumenta 2008, Stadt Galerie Leer Beutel, Regensburg, Germany FINAL 2008! - Radoslav Putar Award, Gallery Galzenica, Velika Gorica, Croatia 2007 AMBER’07, body-process arts festival, Tobacco Warehouse, Istanbul KulturKontakt AIR, Galerie ArtPoint, Vienna 5+, Glyptothec, HAZU, Zagreb 42. Zagreb Saloon, HDLU, Zagreb Land, Gallery Ruzic, Slavonski Brod, Croatia Visuara aperta, Momian, Croatia 2006 IX Triennial of Croatian Sculpture, Glyptothec, HAZU, Zagreb Luminale, Stadtraum Gallery, Zoll- und Binnenhafen, Mainz, Germany Bombart, Mediterranean Art Meeting, Lago di Bomba, Italy Inter(aktiv), Gallery SC, Zagreb Awarded graduate students of ALU, Galurija, Zagreb 2005 Van Maternice, Gallery Vladimir Nazor, Zagreb Land, Crkva Sv. Ilije na Meraji, Vinkovci, Croatia 2003 Running with Scissors, Miller Gallery, Indiana, SAD Die kleine Spionin, Collection Clara Engelman-Ost, Montevideo, Uruguay Die kleine Spionin, HDLU (The Croatian Association of Artists), Zagreb 2001 Ekscentar, MKC, Split, Croatia Screenings on film & video art festivals 2014 Filmreihe Köln, Köln 2013 Les Instants Video, Marseille Videoex - Experimental Film & Video Festival, Zürich Video Dumbo, Eyebeam, New York City Experimental Film Fest, The House of Arts, Brno 2012 #Festival Miden, Athens Kassel Documentary Film and Video Festival, Kassel 25FPS, Zagreb San Giò Verona Video Festival, Verona Video Art Festival Miden, Kalamata, Greece Days of Croatian Film, Zagreb NATURES 9 Video Festival, Ljubljana Awards 2008 Audience Award at T-HT Award@MSU.hr, Zagreb Radoslav Putar Award finalist, the Institute for Contemporary Arts, SCCA, Zagreb New Fragments 5 - 2nd Award, by Erste Bank, Zagreb 2006 Award of Academy of Fine Arts, Zagreb 2005 Rector's Award, University of Zagreb 2004 Praise of the Academy of Fine Arts, Zagreb Collections Museum of Contemporary Art Zagreb Miniature Museum Collection Ria & Lex Daniels, on view at Gemeentemuseum Den Haag Kunstcollectie Academisch Medisch Centrum, Amsterdam Wiener Städtische Versicherungsverein Nirox Foundation, Johannesburg Life Collection, Johannesburg Erste Bank Collection, Zagreb Splitska Banka - Societe generale Group, Split Nexe Group, Vinkovci Private collections in the Netherlands, USA, Germany, Switzerland, UK, United Arab Emirates, South Africa and Croatia

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