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blinkvideo - research of video art, performance and multimedia installations.

blinkvideo - research of video art, performance and multimedia installations.

blinkvideo the platform for . . .

artists we provide a platform for extensive presentation of media works, gallerists get a direct contact to international professional audiences, collectors find a worldwide overview of contemporary trends in moving image, curators can do research via keywords and compilations, teachers use presentation opportunities for students and all professionals get password protected, extensive information about video works worldwide.

FLUID STATES. SOLID MATTER
Videonale 18.

On what basis do we live, think and act nowadays? And how are we shaping this basis for the future? The works of the exhibition FLUID STATES. SOLID MATTER open a discourse on these questions. How does our thinking of the relationship of human beings to their environment change when we no longer see the body as solid and autonomous - as it has been the case until now - but as fluid. As fluid bodies - or "Bodies of Water", as gender researcher Astrida Neimanis puts it -
we as human beings no longer stand above nature, but in interaction with it, with the living being, with the systems that surround us.
Image: © Ida Kammerloch, Resusci Anne, 2019/2020

Alexandra Meijer-Werner

Between 1993 and 2002 Alexandra Meijer-Werner's artistic work focused on creating video installations with multiple projectors, and combining sound, texture and interaction with the public. She also produced a number of documentaries which evidence her profound interest in personal transformation and the awakening of human consciousness.

Please have a look to an introduction of her work on blinkvideo.
Image: © Eugenia Meijer-Werner

Moving Images / Moving Bodies
Online screening programme in cooperation
with the Goethe-Institut Bulgaria

Curated by Ludwig Seyfarth

Research into the human body and interpersonal relationships remain central themes in video and moving image art. Artists from Bulgaria and Germany, whose work is related in content, will be shown in pairs over the next weeks. The exhibition planned for November 2020 in Sofia has been postponed until 2021. Instead, a consecutive presentation of selected films by artists from Moving Bodies/Moving Images is presented on blinkvideo.
image: © Elitsa Dimitrova

Shooting Ghosts
Online screening programme in cooperation
with the Goethe-Institut Bulgaria

Curators: Kalin Serapionov, Krassimir Terziev

What we propose in this programme is a highly subjective and fragmented view on current practices in moving image in the Bulgarian art scene. We focused on practices that show affinity with speculative narratives - narratives that not just record what is in front of the cinematic eye, but also capture all the ghosts that are unreachable by the apparatus, thus projecting speculative views that intend not merely to describe, but to transform the world.
image: © Veneta Androva

Featured videos

Alexandra Meijer-Werner
Kreislauf / cycle … revolution … circulation, 1997

Kreislauf is an oneiric trip about the continuous cycle of human rebirth. Our dreams create the fabric in which the threads or individual tendencies appear and disappear, only to become visible once again. The dynamic of this video is a weave of repetitions and juxtapositions of the experiences that create the dance of life. Everything is cyclic, nothing disappears; everything is perpetually mutating in landscapes of anguish and joy, violence and calm, solitude and union. The traveler is the active force of his own fate when he realizes that what is most significant in life is the act of living itself.

Björn Braun
without title (excerpt), 2012

Sandra Boeschenstein
Besuchte Linie auf Granit, 2014

I encountered the roundworm in the Alps when I attempted to repair the water catchment of the cabin after a storm. I wished for this animal found at the spring to be a visited line, then searched for potential visitors and found, just nearby, a nest of firebugs in a dried chestnut leaf, which I placed just outside of the image field. The granite slab, roundworm, bugs’ nest and a fly lived their lives within a radius of 100 meters. My part in this was to bring them into direct proximity for the duration of an hour, to focus my camera and to breathe onto the upper part of the lens, in order to increase the atmospheric depth of the picture. Finally, to come to the allegation I’ve made via the title that something was a line that actually is an animal (when normally, in a contrary approach, characteristically formed lines represent animals or the like). The combination of the simplicity in the foundation / bedrock with a simultaneous insecurity in view of scale and nature of this white line, holds my fascination.

Isabella Fürnkäs
In Ekklesia, 2015

The title, ‘In Ekklesia,’ comes from the Greek word ‘ecclesia,’ which refers to the democratic parliament that served Athens in its halcyon days by being open to male citizens every other year. Solon, an Athenian legislator and a sage, allowed all citizens to serve the parliament regardless of their social class in BC 594. The Ecclesia made decisions about war, military strategies, and all judicial and administrative issues. This work satirizes various facets of humans and machines in the 21st century, unconsciously within a dystopian environment. Isabella Fürnkäs introduces a method of combining and overlaying countless images in her work, providing the new experience of sensations that act in ambiguous flows, movements, interference, and interjection. The piece is about the new metaphysical and material connections appearing through digital conversations that are divorced from the general notion of time and space, as well as isolation and alienation. Text by Hyun Jeung Kim (Nam June Paik Art Center Seoul)

Ryan Gander
Man on a bridge - (A study of David Lange) , 2008

A digital video transferred from 16 mm film shows a number of slightly differing takes of the same short sequence: A man walks over a bridge and seems to notice something over the railing to his left hand side. As he moves in for a closer inspection, the film cuts, which is then followed by another take of the same shot.

Wim Catrysse
MSR, 2014

On the Kuwait roads the journey goes in a western direction, past military bases and a line of oil transporters. Dreary sound sequences are pumped out by the radio. In the middle of rubbish heaps by the roadside a pack of wild dogs is trying to find shelter from the wind. Wim Catrysse presents the Kuwait desert both as a post-apocalyptic setting and as protagonist. During the journey, the car window is an obstacle, made even more so by the screen. The viewer, dumped in the desert, does not manage to reach it through the window. MSR, the Main Supply Route, is the main highway used to coordinate military operations in the Gulf War in 1990/91 and the War in Iraq in 2003. Filming is forbidden here, so the pack of wild dogs carries the story at first. But their behaviour keeps on bringing the desert into focus as the principal actor. Underlined by the sound track, its seeming hostility to life awakens the impression of a dystopian timelessness reminiscent of the apocalyptic scenarios in films and makes the viewer feel ill at ease. Catrysse examines conventions, both in a political-dogmatic and in a filmic sense.Nathalie Ladermann

Johanna Reich
CRAWLER, 2020

A crawler is a searchbot in the internet which Johanna Reich uses to collect special comments or phrases about the most discussed topics during the last years like A.I., climate change, digital revolution, gender and the turn of democratic systems. Johanna Reich selects several of the collected phrases composing a robot performance: self-driving projectors move across the exhibition space and project comments about a.i., gender or climate change onto the audience and architecture.

Annika Kahrs
solid surface, with hills, valleys, craters and other topographic...., 2014

solid surface,with hills,valleys,craters and other topographic features,primarily made of ice„solid surface, with hills, valleys, craters and other topographic features, primarily made of ice“ is set in a planetarium with a projected starry sky, in the center of which is situated a light spot, that explores the space. The Film deals with the moment, shortly before the actual visualization of pluto’s surface properties, whereas the entire cupola hall of the planetarium serves as a metaphorical projection surface of Pluto. The round light spot formally points to the shape of the celestial object and functions as placeholder for its soon arising image.

Ann Oren
The World Is Mine, 2017

In cosplay of the Japanese cyber diva Hatsune Miku, the artist moved to Tokyo, seeking an identity in the world of Miku fanatics, where she was drawn into a love affair with one of the fans. Miku is a Vocaloid, a vocal synthesizer software personified by a cute animated character. Her entire persona: lyrics, music and animation – is fan created, and that's her charm. She even performs sold out concerts as a hologram. By transforming herself into a Miku character through cosplay, Oren enters a world of real hardcore fans where fantasy is more real than reality and the differentiation between the two becomes obsolete. The film examines the performative nature of cosplaying – dressing up and playing the role of fictional characters – as a hybrid space where reality blurs into fetishistic fantasies and pop culture clichés. Combining fan-made lyrics and songs, Oren's trials and tribulations in the fictional Miku world unfolds through vague erotic episodes and encounters with characters whose ontological status remains mysterious, bringing to mind the adventures of a modern Alice in a virtual Wonderland.

Jonathan Monaghan
Den of Wolves, 2020

Den of Wolves is a seamlessly-looping video installation drawing on a range of references to weave a new multi-layered mythology. The work follows three bizarre wolves through a series of increasingly surreal retail stores as they search for the regalia of a monarch. Composed of one continuous camera shot, the work is an immersive, dreamlike journey drawing connections between popular culture, institutional authority and technological over-dependence.

Stefan Panhans
HOSTEL Sequel #1: Please Be Careful Out There, Lisa Marie – H.V.Installation Mix, 2018

At transmediale, Stefan Panhans and Andrea Winkler show their work HOSTEL Sequel #1: Please Be Careful Out There, Lisa Marie – Hybrid Version, a new project that combines film, installation, and staccato stage reading (on blinkvideo we are showing a trailer of the integrated film). With everyday racism, celebrity worship, stereotypes, and the dominating power of the economic all on the rise, precariously and flexibly traveling cultural workers of different origin deliver a sort of spoken word battle about their experiences and dreams. They constantly switch roles and, at the same time, form a choir that clashes with the rapped reports of everyday life. As in a collaborative gymnastic exercise—surrounded by scenery made up of set pieces from outfits of airports, hostels, and courier services, from self-optimization tools and game show displays—they fight for a voice and to be heard, building new alliances along the way. for more information: opening of transmediale

Mariola Brillowska
Children Of The Devil, 2011

Mariola Brillowska’s animation film relates the total collapse of the family system in the 21st century. Six cartoon episodes present an unsparing account of how children become murderers of their parents.

Julia Charlotte Richter
Point Blank, 2019

“Point Blank” refers to a film scene from "The Misfits" (1961) that is now re-enacted and further contextualized. In the original scene, the recently divorced main character Roslyn (Marilyn Monroe) rises up against three worn-out cowboys and, in the middle of the desert, confronts the men with all their lacks and lost dreams. In “Point Blank”, we see a young woman wandering around in surreal desert landscapes, a journey into the remoteness of the world and her own inner life. With every step out into the desert, the girl descends into her own depths searching for a place that seems to be suitable for her emotions and words. Unlike Roslyn, the young woman now refers to absent addressees: "Liars", "Murderers" and "Dead Men" she screams and turns around wildly. The words, which spread like bullets in the air, fall back on her. Except for a faint echo, there is no resonance at this place that depicts the obsessions of a distorted, patriarchal society and has become a dramatic backdrop of yearnings within the collective history of cinema. Where Roslyn was able to elicit a terrified astonishment from the three men, the character in Julia Charlotte Richter's video remains to herself and unheard, the desert as the only witness of her manifesto, her anger and her strength.

Ulrich Polster
Frost, 2003 / 2004

The night city. Industrial ruins filmed in contrejour. Memories from childhood. Different places and times combined at the mountain. It is a hollow portrait of Eastern Europe that carries the traces of its history.

Ene-Liis Semper
FF REW, 1998

Dimitri Venkov
The Hymns of Muscovy, 2018

The film is a trip to the planet Muscovy, which is an upside down space twin of the city of Moscow. As the title of the work suggests, the journey also takes us back in time. Gliding along the surface of the planet, we look down to the sky and see historic architectural styles fly by - the exuberant Socialist Classicism aka Stalinist Empire, the laconic and brutish Soviet Modernism, and the hodgepodge of contemporary knock-offs and revivals of the styles of the past. An essential companion to this journey through time and space are Hymnic Variations on the Soviet anthem by the composer Alexander Manotskov. The anthem was written in 1943 and has undergone three editions of lyrics yet musically remained unchanged to now serve as the official anthem of the Russian Federation. Manotskov used an early recording of the anthem as source material to create three electronic variations each corresponding to an architectural style. As if in a twist of Goethe’s phrase, architecture plays its frozen music. Look closely, can you hear it?

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blinkvideo is a website for the research of video art. Founders: Julia Sökeland, Anita Beckers. blinkvideo ist eine Plattform zur Recherche nach Videokunst

Tanja Deman

Works


Galleries

Videonale e.V. im Kunstmuseum Bonn
Tasja Langenbach
Friedrich-Ebert-Allee 2
53113 Bonn
Germany

Phone: +49-(0)228-692818
E-Mail: langenbach@videonale.org




Statement

Tanja Deman is a visual artist from Croatia. She works with photography, video and light installation. Her investigation of collective psychology and space focuses on recently built legacy, specifically in spaces for collectives and how they relate to nature.

Her images are visual metaphors that step into puzzling sites and situations layered with history. She captures the awkward socio-political dynamics under the surface of both the built and natural environment.


Biography

Born: 1982, Split, Croatia

Education / residency

2013 Nirox Foundation, Johannesburg, South Africa (upcoming)
2011 Piet Zwart Institute, MA Lens-Based Media, Rotterdam
2008 Oberfalzer KunstlerHaus, Schwandorf, Germany
2007 KulturKontakt Austria, Vienna
2006 Academy of Fine Arts, BFA (Hons) and MFA (Hons), Zagreb
2003 Indiana University of Pennsylvania, Indiana, USA

Solo exhibitions

2015
Prelude, xm:lab, Saarbrücken (upcoming)
Sommerfreuden, wrapping of Ringturm tower, Vienna - public artwork
Tanja Deman - Photography, De Verkadefabriek, Den Bosch

2014
Temples of Culture, Witzenhausen Gallery, Amsterdam
Abode of Vacancy, Studio Blau, Saarbruecken
Topography of Wonder, AMC Brummelkamp Galerie, Amsterdam

2013
Kabinet #2 Tanja Deman - Abode of Vacancy, Apoteka, Vodnjan, Croatia

2012
Concrete House, Gallery MKC Split, Split, Croatia
Deserted Utopia (Deman, Jovanovic), Museo Revoltella, Trieste

2011
Abode of Vacancy, Gallery Gray Area, Korcula, Croatia

2010
Frenweh, Gallery Kranjcar, Zagreb
Deserted Utopia (Deman, Jovanovic), Gallery VN, Zagreb
Memories from the Edge of Polis, Gallery MMC Luka, Pula, Croatia

2008
Place of Living, Gallery Karas, HDLU, Zagreb
No 222, Gallery HPB, Zagreb

2006
Presence, Gallery Izidor Krsnjavi, Zagreb

2004
Game_II/04, Diocletian palace basements Gallery, Split, Croatia

2003
Game Play, Miller Gallery, Indiana, USA
Chess Game, Sprowl Hall, Indiana, USA

Selected group exhibitions

2015
5th Les Nuits Photographiques, Pavillon Carré de Baudouin, Paris
3rd Danube Biennale - Contemporary Icons, Danubiana Meulensteen Art Museum, Bratislava
Kristalin#18, Atelierhaus Salzamt, Linz
Croatian Islands – Construction Culture over the Centuries, Ringturm, Vienna
Realise & Resist, Collegio Armeno Moorat Raphael / Palazzo Zenobio, Venice
Kabinet, Apoteka in Gallery Waldinger – City gallery Osijek
T-HT Award, Museum of Contemporary Art Zagreb

2014
Context Art Miami, presented by Witzenhausen Gallery, Miami
VIDEONALE on Tour, HudPromo Galerie, Odessa
Montevideo Bienale, curator Hug Alfons, Montevideo
Inconstancy of Space, HDLU, Zagreb
The Folk Revisited, New Dawn, Volkshotel, Amsterdam
Beauty of Darkness II, Galerie Alex Daniels - Reflex, Amsterdam
SCOPE Basel, presented by Witzenhausen Gallery, Basel
KunstRAI, presented by Witzenhausen Gallery, Amsterdam
Erste Fragmenti 10, HDLU, Zagreb
Downtown Fair NYC, presented by Witzenhausen Gallery, New York City

2013
38th Splitski Salon, curators Blaženka Perica & Janka Vukmir, Split, Croatia
Tanja Deman, Holger Niehaus & Jop Vissers Vorstenbosch, Van Krimpen Gallery, Amsterdam
Home is wherever I'm with you, Salon 91, Cape Town
Unseen, presented by Van Krimpen Gallery, Amsterdam
VIDEONALE.14 on Tour, The Central House of Artists, Moscow
Miradas insobornables, MUNTREF Centro de Arte Contemporáneo, Hotel de Inmigrantes, curator Hug Alfons, Buenos Aires
T-HT Award, Museum of Contemporary Art Zagreb
VIDEONALE.14, Kunstmuseum Bonn, Bonn
Picture of Sound II, Pogon Jedinstvo, Gallery 90-60-90, curator Evelina Turkovic, Zagreb

2012
PARS PRO TOTO, Gallery Kranjcar, Loft Sévigné, Paris
Unseen, Westergasfabriek, Amsterdam, presented by Van Krimpen gallery
6th Croatian Prints Triennial, HDLU, Zagreb
PLANE / SURFACE: «The Cave», Public art project on billboard, Zagreb, curator Silva Kalcic

2011
With One Eye on the Horizon, TENT, Rotterdam
Eyes on Asia and more, Castello de Albertis, Genoa, Italy
Cinegraphic/Photomatic, Blaak 10 Gallery, IFFR Rotterdam
Art Amsterdam, Amsterdam RAI, Amsterdam
Art Rotterdam, Las Palmas, Rotterdam
T-HT Award, Museum of Contemporary Art Zagreb (MSU), Zagreb

2010
Photo off, Salon 2010, La Bellevilloise, Paris
Recycle Future! Gallery Galzenica, Velika Gorica, Croatia

2009
Acquisitions 2004-2009, Museum of Contemporary Art Zagreb (MSU), Zagreb
Change of Perspective, Bonn/Brussels 2009, Frauenmuseum Bonn, Bonn
5th Croatian Prints Triennial, HDLU, Zagreb
Frieze Art Fair 2009, project by Brina Thurston - Impossible Exchange, London
Artexchange 09, MMC Rovinj, Rovinj, Croatia
Fields of Memories, Gallery MKC, Split, Croatia
Grenzenlos, Museum of Modern and Contemporary Art, Rijeka, Croatia

2008
T-HT Award, Museum of Contemporary Art Zagreb, HDLU, Zagreb
Novi Fragmenti 5, Mali salon, Museum of Modern and Contemporary Art, Rijeka, Croatia
Novi Fragmenti 5, Gallery Bacva, HDLU, Zagreb
Donumenta 2008, Stadt Galerie Leer Beutel, Regensburg, Germany
FINAL 2008! - Radoslav Putar Award, Gallery Galzenica, Velika Gorica, Croatia

2007
AMBER’07, body-process arts festival, Tobacco Warehouse, Istanbul
KulturKontakt AIR, Galerie ArtPoint, Vienna
5+, Glyptothec, HAZU, Zagreb
42. Zagreb Saloon, HDLU, Zagreb
Land, Gallery Ruzic, Slavonski Brod, Croatia
Visuara aperta, Momian, Croatia

2006
IX Triennial of Croatian Sculpture, Glyptothec, HAZU, Zagreb
Luminale, Stadtraum Gallery, Zoll- und Binnenhafen, Mainz, Germany
Bombart, Mediterranean Art Meeting, Lago di Bomba, Italy
Inter(aktiv), Gallery SC, Zagreb
Awarded graduate students of ALU, Galurija, Zagreb

2005
Van Maternice, Gallery Vladimir Nazor, Zagreb
Land, Crkva Sv. Ilije na Meraji, Vinkovci, Croatia

2003
Running with Scissors, Miller Gallery, Indiana, SAD
Die kleine Spionin, Collection Clara Engelman-Ost, Montevideo, Uruguay
Die kleine Spionin, HDLU (The Croatian Association of Artists), Zagreb

2001
Ekscentar, MKC, Split, Croatia

Screenings on film & video art festivals

2014
Filmreihe Köln, Köln
2013
Les Instants Video, Marseille
Videoex - Experimental Film & Video Festival, Zürich
Video Dumbo, Eyebeam, New York City
Experimental Film Fest, The House of Arts, Brno
2012
#Festival Miden, Athens
Kassel Documentary Film and Video Festival, Kassel
25FPS, Zagreb
San Giò Verona Video Festival, Verona
Video Art Festival Miden, Kalamata, Greece
Days of Croatian Film, Zagreb
NATURES 9 Video Festival, Ljubljana

Awards

2008
Audience Award at T-HT Award@MSU.hr, Zagreb
Radoslav Putar Award finalist, the Institute for Contemporary Arts, SCCA, Zagreb
New Fragments 5 - 2nd Award, by Erste Bank, Zagreb
2006
Award of Academy of Fine Arts, Zagreb
2005
Rector's Award, University of Zagreb
2004 Praise of the Academy of Fine Arts, Zagreb

Collections

Museum of Contemporary Art Zagreb
Miniature Museum Collection Ria & Lex Daniels, on view at Gemeentemuseum Den Haag
Kunstcollectie Academisch Medisch Centrum, Amsterdam
Wiener Städtische Versicherungsverein
Nirox Foundation, Johannesburg
Life Collection, Johannesburg
Erste Bank Collection, Zagreb
Splitska Banka - Societe generale Group, Split
Nexe Group, Vinkovci
Private collections in the Netherlands, USA, Germany, Switzerland, UK, United Arab Emirates, South Africa and Croatia

Tanja Deman
Born: 1982, Split, Croatia Education / residency 2013 Nirox Foundation, Johannesburg, South Africa (upcoming) 2011 Piet Zwart Institute, MA Lens-Based Media, Rotterdam 2008 Oberfalzer KunstlerHaus, Schwandorf, Germany 2007 KulturKontakt Austria, Vienna 2006 Academy of Fine Arts, BFA (Hons) and MFA (Hons), Zagreb 2003 Indiana University of Pennsylvania, Indiana, USA Solo exhibitions 2015 Prelude, xm:lab, Saarbrücken (upcoming) Sommerfreuden, wrapping of Ringturm tower, Vienna - public artwork Tanja Deman - Photography, De Verkadefabriek, Den Bosch 2014 Temples of Culture, Witzenhausen Gallery, Amsterdam Abode of Vacancy, Studio Blau, Saarbruecken Topography of Wonder, AMC Brummelkamp Galerie, Amsterdam 2013 Kabinet #2 Tanja Deman - Abode of Vacancy, Apoteka, Vodnjan, Croatia 2012 Concrete House, Gallery MKC Split, Split, Croatia Deserted Utopia (Deman, Jovanovic), Museo Revoltella, Trieste 2011 Abode of Vacancy, Gallery Gray Area, Korcula, Croatia 2010 Frenweh, Gallery Kranjcar, Zagreb Deserted Utopia (Deman, Jovanovic), Gallery VN, Zagreb Memories from the Edge of Polis, Gallery MMC Luka, Pula, Croatia 2008 Place of Living, Gallery Karas, HDLU, Zagreb No 222, Gallery HPB, Zagreb 2006 Presence, Gallery Izidor Krsnjavi, Zagreb 2004 Game_II/04, Diocletian palace basements Gallery, Split, Croatia 2003 Game Play, Miller Gallery, Indiana, USA Chess Game, Sprowl Hall, Indiana, USA Selected group exhibitions 2015 5th Les Nuits Photographiques, Pavillon Carré de Baudouin, Paris 3rd Danube Biennale - Contemporary Icons, Danubiana Meulensteen Art Museum, Bratislava Kristalin#18, Atelierhaus Salzamt, Linz Croatian Islands – Construction Culture over the Centuries, Ringturm, Vienna Realise & Resist, Collegio Armeno Moorat Raphael / Palazzo Zenobio, Venice Kabinet, Apoteka in Gallery Waldinger – City gallery Osijek T-HT Award, Museum of Contemporary Art Zagreb 2014 Context Art Miami, presented by Witzenhausen Gallery, Miami VIDEONALE on Tour, HudPromo Galerie, Odessa Montevideo Bienale, curator Hug Alfons, Montevideo Inconstancy of Space, HDLU, Zagreb The Folk Revisited, New Dawn, Volkshotel, Amsterdam Beauty of Darkness II, Galerie Alex Daniels - Reflex, Amsterdam SCOPE Basel, presented by Witzenhausen Gallery, Basel KunstRAI, presented by Witzenhausen Gallery, Amsterdam Erste Fragmenti 10, HDLU, Zagreb Downtown Fair NYC, presented by Witzenhausen Gallery, New York City 2013 38th Splitski Salon, curators Blaženka Perica & Janka Vukmir, Split, Croatia Tanja Deman, Holger Niehaus & Jop Vissers Vorstenbosch, Van Krimpen Gallery, Amsterdam Home is wherever I'm with you, Salon 91, Cape Town Unseen, presented by Van Krimpen Gallery, Amsterdam VIDEONALE.14 on Tour, The Central House of Artists, Moscow Miradas insobornables, MUNTREF Centro de Arte Contemporáneo, Hotel de Inmigrantes, curator Hug Alfons, Buenos Aires T-HT Award, Museum of Contemporary Art Zagreb VIDEONALE.14, Kunstmuseum Bonn, Bonn Picture of Sound II, Pogon Jedinstvo, Gallery 90-60-90, curator Evelina Turkovic, Zagreb 2012 PARS PRO TOTO, Gallery Kranjcar, Loft Sévigné, Paris Unseen, Westergasfabriek, Amsterdam, presented by Van Krimpen gallery 6th Croatian Prints Triennial, HDLU, Zagreb PLANE / SURFACE: «The Cave», Public art project on billboard, Zagreb, curator Silva Kalcic 2011 With One Eye on the Horizon, TENT, Rotterdam Eyes on Asia and more, Castello de Albertis, Genoa, Italy Cinegraphic/Photomatic, Blaak 10 Gallery, IFFR Rotterdam Art Amsterdam, Amsterdam RAI, Amsterdam Art Rotterdam, Las Palmas, Rotterdam T-HT Award, Museum of Contemporary Art Zagreb (MSU), Zagreb 2010 Photo off, Salon 2010, La Bellevilloise, Paris Recycle Future! Gallery Galzenica, Velika Gorica, Croatia 2009 Acquisitions 2004-2009, Museum of Contemporary Art Zagreb (MSU), Zagreb Change of Perspective, Bonn/Brussels 2009, Frauenmuseum Bonn, Bonn 5th Croatian Prints Triennial, HDLU, Zagreb Frieze Art Fair 2009, project by Brina Thurston - Impossible Exchange, London Artexchange 09, MMC Rovinj, Rovinj, Croatia Fields of Memories, Gallery MKC, Split, Croatia Grenzenlos, Museum of Modern and Contemporary Art, Rijeka, Croatia 2008 T-HT Award, Museum of Contemporary Art Zagreb, HDLU, Zagreb Novi Fragmenti 5, Mali salon, Museum of Modern and Contemporary Art, Rijeka, Croatia Novi Fragmenti 5, Gallery Bacva, HDLU, Zagreb Donumenta 2008, Stadt Galerie Leer Beutel, Regensburg, Germany FINAL 2008! - Radoslav Putar Award, Gallery Galzenica, Velika Gorica, Croatia 2007 AMBER’07, body-process arts festival, Tobacco Warehouse, Istanbul KulturKontakt AIR, Galerie ArtPoint, Vienna 5+, Glyptothec, HAZU, Zagreb 42. Zagreb Saloon, HDLU, Zagreb Land, Gallery Ruzic, Slavonski Brod, Croatia Visuara aperta, Momian, Croatia 2006 IX Triennial of Croatian Sculpture, Glyptothec, HAZU, Zagreb Luminale, Stadtraum Gallery, Zoll- und Binnenhafen, Mainz, Germany Bombart, Mediterranean Art Meeting, Lago di Bomba, Italy Inter(aktiv), Gallery SC, Zagreb Awarded graduate students of ALU, Galurija, Zagreb 2005 Van Maternice, Gallery Vladimir Nazor, Zagreb Land, Crkva Sv. Ilije na Meraji, Vinkovci, Croatia 2003 Running with Scissors, Miller Gallery, Indiana, SAD Die kleine Spionin, Collection Clara Engelman-Ost, Montevideo, Uruguay Die kleine Spionin, HDLU (The Croatian Association of Artists), Zagreb 2001 Ekscentar, MKC, Split, Croatia Screenings on film & video art festivals 2014 Filmreihe Köln, Köln 2013 Les Instants Video, Marseille Videoex - Experimental Film & Video Festival, Zürich Video Dumbo, Eyebeam, New York City Experimental Film Fest, The House of Arts, Brno 2012 #Festival Miden, Athens Kassel Documentary Film and Video Festival, Kassel 25FPS, Zagreb San Giò Verona Video Festival, Verona Video Art Festival Miden, Kalamata, Greece Days of Croatian Film, Zagreb NATURES 9 Video Festival, Ljubljana Awards 2008 Audience Award at T-HT Award@MSU.hr, Zagreb Radoslav Putar Award finalist, the Institute for Contemporary Arts, SCCA, Zagreb New Fragments 5 - 2nd Award, by Erste Bank, Zagreb 2006 Award of Academy of Fine Arts, Zagreb 2005 Rector's Award, University of Zagreb 2004 Praise of the Academy of Fine Arts, Zagreb Collections Museum of Contemporary Art Zagreb Miniature Museum Collection Ria & Lex Daniels, on view at Gemeentemuseum Den Haag Kunstcollectie Academisch Medisch Centrum, Amsterdam Wiener Städtische Versicherungsverein Nirox Foundation, Johannesburg Life Collection, Johannesburg Erste Bank Collection, Zagreb Splitska Banka - Societe generale Group, Split Nexe Group, Vinkovci Private collections in the Netherlands, USA, Germany, Switzerland, UK, United Arab Emirates, South Africa and Croatia

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