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blinkvideo - research of video art, performance and multimedia installations.

For artists we provide a platform for extensive presentation of media works, gallerists get a direct contact to international professional audiences, collectors find a worldwide overview of contemporary trends in moving image, curators can do research via keywords and compilations, teachers use presentation opportunities for students and all professionals get password protected, extensive information about video works worldwide.

Johan Grimonprez

Johan Grimonprez’s critically acclaimed work dances on the borders of practice and theory, art and cinema, documentary and fiction, demanding a double take on the part of the viewer. Informed by an archeology of present-day media, his work seeks out the tension between the intimate and the bigger picture of globalization. It questions our contemporary sublime, one framed by a fear industry that has infected political and social dialogue. By suggesting new narratives through which to tell a story, his work emphasizes a multiplicity of realities.
image: © Johan Griminprez

Breaking News
Von Kelterborn Collection

Over the past 20 years, the Frankfurt couple Mario and Julia von Kelterborn have put together a collection mostly of politically explosive, socially themed video art and photography by internationally known artists. It is their conviction that art can help us to understand the present day with all its complexity, contradictions and disturbing cruelty, but also its positive potential.

Duration: 17.03. - 10.06.2018

image: © Richard Mosse

Anna Gaskell. Hide and Seek

Curated by Nadia Ismail

The Kunsthalle Gießen is pleased to present the first institutional solo-exhibition in Germany by the New York based artist Anna Gaskell (*1969 Des Moines/Iowa). The exhibition focuses on photographic and time-based works which have largely characterised the American artists Œuvre since 1996.

Duration: 27.01. - 08.04.2018

image: © Anna Gaskell and Light Manufacturing/Esto, Courtesy: Galerie Gisela Capitain, Köln

B3 – ON DESIRE

With the key topic ON DESIRE, B3 will in fall 2017 reflect on the latest trends relating to the moving image in art and media from a political, technological and aesthetic perspective. Desire as yearning, wish, lust or hope and its translation into moving images will be explored in an artistic, social, political, sociopolitical and historical perspective and critically examined. . . .

image: Jesper Just, Servitudes (2015)

Featured videos

VIDEONALE.16 Festival for Video and Time-Based Arts 2017

The 16th Videonale - Festival for Video and Time-Based Arts, this year took place under the title PERFORM! The exhibitions at the Kunstmuseum Bonn featured recent works by a total of 43 international artists

KINO DER KUNST

2017 a worldwide unique combination of film festival and art exhibition, held its third edition in April 2017. Movie theatres and museums all over Munich presented an International Competition as well as special focuses, artists talks, smposions and multi-channel installations.

Stiftung imai – inter media art institute

The Düsseldorf based foundation imai – inter media art institute was founded in 2006 in order to establish an institution in Germany dedicated to the distribution and preservation of media art and associated activities.

Artemovendo – in collaboration with Goethe Institut Porto Alegre

The video works shown in Artemovendo present a morphology of ambiguous entities, creatures or technical devices. Natural environments are contrasted with artificial, fully computer-designed worlds. Sometimes it is difficult to distinguish whether we have been invited to take a look at the outside world or into a laboratory; even dimensions appear to be chosen arbitrarily. Or do we happen to be entering a microscopically small universe that has been magnified many times over?

Our Partners

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blinkvideo is a website for the research of video art. Founders: Julia Sökeland, Anita Beckers. blinkvideo ist eine Plattform zur Recherche nach Videokunst

Johan Grimonprez

Works


Galleries

Anita Beckers Gallery
Anita Beckers
Frankenallee 74
60327 Frankfurt
Germany

Phone: +49 69 73900967
E-Mail: info@galerie-beckers.de




Statement

Johan Grimonprez’s critically acclaimed work dances on the borders of practice and theory, art and cinema, documentary and fiction, demanding a double take on the part of the viewer. Informed by an archeology of present-day media, his work seeks out the tension between the intimate and the bigger picture of globalization. It questions our contemporary sublime, one framed by a fear industry that has infected political and social dialogue. By suggesting new narratives through which to tell a story, his work emphasizes a multiplicity of realities.

Grimonprez's curatorial projects have been exhibited at museums worldwide, including the Hammer Museum, Los Angeles; the Pinakothek der Moderne, Munich; and MoMA. His works are in the collections of Centre Georges Pompidou, Paris; the 21st Century Museum of Contemporary Art, Kanazawa; and Tate Modern, London. His feature films include dial H-I-S-T-O-R-Y (1997) and Double Take (2009) and Shadow World (2016). Traveling the main festival circuit from the Berlinale, Tribeca to Sundance, they garnered several Best Director awards, the 2005 ZKM International Media Award, a Spirit Award and the 2009 Black Pearl Award at the Abu Dhabi Film Festival, and were also acquired by NBC Universal, ARTE, and BBC/FILM 4.

He published several books, including Inflight (2000), Looking for Alfred (2007) and a reader titled It's a Poor Sort of Memory that Only Works Backwards (2011) with contributions by Jodi Dean, Thomas Elsaesser, Tom McCarthy, Hans Ulrich Obrist, and Slavoj Žižek.

He lectured widely, among others at the University de Saint-Denis (Paris 8), Kennedy School of Government at Harvard University's Institute of Politics; Tate Modern; MoMA (New York); Columbia University; Massachusetts Institute of Technology (MIT); the Parliament of Bodies of Documenta 14, and he participated in the Whitney Museum Independent Study Program (New York).

His recent film project (with investigative journalist Andrew Feinstein), Shadow World: Inside the Global Arms Trade, awarded a production grant from the Sundance Institute, premiered at the 2016 Tribeca IFF (New York). It went on to win the Best Documentary Feature Award at the 2016 Edinburgh International Film Festival, and will premiere its US broadcast on Independent Lens on PBS in autumn 2017. His artwork is represented by the Sean Kelly Gallery (New York), and the gallerie kamel mennour (Paris).

www.johangrimonprez.be


Biography

Education

1995 Post Graduate FA, Jan van Eyck Academy, New York
1993 Whitney Museum Independent Study Program, New York
1992 MFA Film & Mixed Media, School of Visual Arts, New York
1986 MFA Film & Mixed Media, School of Visual Arts, New York

Faculty positions

2010 - now School of Arts, KASK, Ghent
1998 - now MFA Graduate Department School of Visual Arts, New York
1995 - 1996 Université de Paris 8, Département Arts-Plastiques, Paris

Solo exhibitions

2012
Kobarweng or Where is Your Helicopter?, Musée de la Chasse et de la Nature, Paris, France

2011
It’s a poor sort of memory that only works backwards, S.M.A.K, Ghent, Belgium
BED, Para-SITE, Graz, Austria
He mistook the groundlights for stars and asked why the airplane was flying upside down, ltd Gallery, Los Angeles, USA
Double Take, ICA Boston
Double Take, Ierimonti Gallery, Milano, Italy
It’s a poor sort of memory that only works backwards, The Blaffer Galley, the Art Museum of the University of Houston, Texas, USA

2010
Double Take, Ierimonti Gallery, Milano, Italy
Sometimes a cigar is just a cigar, Voges Gallery, Frankfurt, Germany
Johan Grimonprez, The Fruitmarket Gallery, Edinburgh, Scotland
Double Take, Doc Forthnight, MoMA, New York, USA, March 3, 2010
Looking for Alfred, Cinémathèque Québecoise, Montréal, Canada

2009
Johan Grimonprez, Magasin 3 Stockholm Konsthall, Sweden
Double Take, Sean Kelly Gallery New York, USA
Cinéma du Réel, French première Double Take, MNAM, Centre Georges Pompidou, Paris, France

2008
dial H-I-S-T-O-R-Y, The Hammer Museum, Los Angeles, USA

2007
J'ai oublié mon parapluie, Galerie kamel mennour, Paris
Le ciel est peut être vert et nous daltoniens, Le Plateau Espace Experimental / FRAC Ile-de-France, France
Johan Grimonprez, Retrospektive, Pinakothek der Moderne, Münich, Germany

2006
But The Cups Never Grew To Be Kettles, Erna Hécey Gallery, Brussels, Belgium

2005
Looking for Alfred, Moderna Museet, Sweden
Looking for Alfred, Palais des Beaux-Arts, Brussels, Belgium
Looking for Alfred, Mead Gallery, University of Warwick Arts Centre, UK

2004
Johan Grimonprez, Looking for Alfred, The Photographers' Gallery, London, UK
Looking for Alfred, a film project by Johan Grimonprez, part of Revolution/Restoration Part II, Palais des Beaux-Arts, Brussels, Belgium
Johan Grimonprez: Looking for Alfred, The Photographers' Gallery, London, UK
We never tell everything, we always keep something for the next anthropologist, Yvon Lambert, New York, USA
HOLLYWOOD Flag Raising Ceremony, Hollywood Hills House, Los Angeles, USA

2003
dial H-I-S-T-O-R-Y, The Essor Gallery, London, UK
Remo, Osaka, Japan
Kojimachi Gallery, Tokyo, Japan
During Commercial Break…, Argos, Brussels, Belgium

2002
How do we know the sky isn't really green and we're just colorblind?, Santa Monica Museum of Art (SMMOA), Los Angeles, USA

2001
Maybe the sky is green and we're just colorblind, Galleri Nicolai Wallner, Copenhagen, Denmark
I'm a bit like you, I'm a bit in the clouds, Impakt at Flatland Gallery, Utrecht, the Netherlands

2000
Erna Hécey Gallery, Luxemburg
Deitch Projects, New York, USA
House of Contemporary Arts, Trafó, Budapest
Kunstforeningen, Copenhagen, Denmark, Oct, 2000
Maybe the sky is green and we're just colorblind, S.M.A.K., Ghent, Belgium
Magnetoscopio, Rio de Janeiro, Brazil
Atomium, Brussels, Belgium
Centro Galego Arte Contemporanea (CGAC), Santiago de Compostela, Spain [catalogue]
Museum für Neue Kunst | Zentrum für Kunst und Medientechnologie | ZKM, Karlsruhe, Germany
Your Words Have Reached My Ears, Anthony d'Offay Gallery, London
INSERT COMMERCIAL HERE, The Kitchen, New York, USA

1999
Oakville Gallery, Oakville, Toronto, Canade
Casino d'Art Contemporain, Luxembourg
Presentation House Gallery, Vancouver, Canada [publication]
Art Gallery of New South Wales, Sydney, Australia
Australian Center for Contemporary Art, Melbourne, Australia

1998
Gallery 227
Jan van Eyck Academy, Maastricht, the Netherlands
We must be over the rainbow..., Centro Galego Arte Contemporanea (CGAC), Santiago de Compostela, Spain [monography]
Gallery for Contemporary Art, Cambridge, USA
Chapter Art Center, Cardiff, UK
La Caixa, Barcelona, Spain
Centro Cultural do Brasil, Rio de Janeiro, Brazil
Musée du Jeu de Paume, Paris, France
Museum für Moderne Kunst, Frankfurt am Main, Germany
Institute of Contemporary Art, Boston, USA
Bild Museet, Umea, Sweden
Nationalgalerie im Hamburger Bahnhof, Berlin, Germany
dial H-I-S-T-O-R-Y, Anthony d'Offay Gallery, London, UK
Münchener Kunstverein, München, Germany
Ludwig-Suermondt Museum, Aachen, Germany

1997
Galleri Riis, Oslo, Norway
Kiasma Museum of Modern Art, Helsinki, Finland
Museum voor Hedendaagse Kunst Antwerpen (MUHKA), Belgium
Palais des Beaux Arts / Paleis voor Schone Kunsten, Brussels, Belgium
Prends garde! A jouer au fantôme, on le devient; De Beursschouwburg, Brussels, Belgium
Kunstforeningen, Copenhagen, Denmark
Museu da Republica, Rio de Janeiro, Brazil
Deitch Projects, New York, USA
Prends garde! A jouer au fantôme, on le devient, MNAM, Centre Georges Pompidou, Paris, France [publication - website]
Première dial H-I-S-T-O-R-Y, Espèces d'Espace, MNAM, Centre Pompidou, Paris, France

1995
Beware! In playing the phantom you become one, Vereniging van het Museum voor Hedendaagse Kunst, Ghent, Belgium [publication]

1994
It wil be all right if you come again, only next time don't bring any gear except a tea kettle,
Antichambres, Les Expositions du Palais des Beaux-Arts / Tentoonstellingen van het Paleis voor Schone Kunsten, Brussels, Belgium [monography]

1993
Kobarweng or Where is Your Helicopter?, YYZ Gallery, Toronto, Canada

Group exhibitions

2012
The Future that Was, SMART Project Space, Museum Night Amsterdam, the Netherlands
The Big Sleep, 26th Memorial of Nadežda Petrovic, Art Gallery Nadežda Petrovic, Cacak
Experimenta Speak to Me, 5th International Biennial of Media Art, RMIT Gallery, Melbourne, Australia
FIGHTCLUB EVERYDAY, Gallery On The Move, Berlin, Germany
La voce della imagini | Paroles des images | Voice of images, Palazzo Grassi, François Pinault Foundation, Venice, Italy
El mañana ya estuvo aquí | Tomorrow was already here, Museo Tamayo Arte Contemporáneo Internacional, Mexico City, Mexico
Summer Nights, Festival presented by SAW Gallery & AXENÉO7, Ottowa & Gatineau, Canada
MORE REAL? Art in the Age of Truthiness, SITE Santa Fe, Santa Fe, California, USA
Rencontres Internationales Paris/Berlin/Madrid
Haus der Kulturen der Welt, Berlin, Germany
Who's afraid of black, yellow, red, blue and yellow?, BELGIE art centre, official program of Kiev Biennial of Contemporary Art, L'viv, Ukraine
Found Footage: Cinema Exposed, EYE Film Institute Netherlands, Amsterdam, the Netherlands
Synchrony: Contemporary Video, The Hunter Museum, Chattanooga, Tennessee, USA
Contour on Tour, Videokunst in het Vlaams Parlement, De Loketten, Brussels
15th Japan Media Arts Festival, The National Arts Center, Tokyo, Japan
Los Angeles Convention Center, Los Angeles, USA

2011
A Darkness More than Night, Quad Gallery, Derby, UK
Maybe the sky is really green, Impakt Festival, Utrecht, the Netherlands
Pearls of the North, Palais d’Iéna, Paris, France
Commercial Break, Light festival, Green Point, Brooklyn
The Uncanny Familiar – Images of Terror, C/O Berlin, Germany
La Biennale di venezia, Venice, Italy
dial H-I-S-T-O-R-Y, Videoex Festival 2011, Zurich, Switzerland
I may have lost forever my umbrella, ALIAS: Photomonth Festival, Krakow, Poland
FOKUS: Video Kunst Festival, Nikolaj Kunsthal, Copenhagen, Denmark
Are you ready for television?, CGAC, Santiago de Compostela, Spain
ANGRY – Young and Radical, Nederlands Fotomuseum, Rotterdam, the Netherlands

2010
The Esopus Foundation, New York
Selected Works from the Centre Pompidou New Media Collection, Herzliya Museum, Herzliya, Israel
Expanding Documentary, De Brakke Grond, Amsterdam, the Netherlands
Are you ready for television?, MACBA, Barcelona, Spain
ABC Art Belge Contemporain, Le Fresnoy, Tourcoing, France
Québec City Biennial, Québec, Canada
Art Unlimited 41, Basel, Switzerland
All That Is Solid Melts Into Air: The Social at the Berardo Collection, Lisbon, Portugal
Ikonoklash, Centro Cultural de Lagos, Algarve, Portugal
5e Manif d’Art / Art Biennial Québec, Québec City, Canada
The State of Things, NAMOC, Beijing, China
Déjà vu, Galerie Michel Journiac, Paris, France

2009
Shot By Both Sides, CC Strombeek, Strombeek, Belgium
The State of Things – Brussels/Beijing, BOZAR, Brussels, Belgium
Faux-semblants, Maison de la Culture de la Province de Namur, Namur, Belgium
The Social Critique: 1993–2005, Kalmar Konstmuseum, Kalmar, Sweden
Attempt to Raise Hell, The Museum of Contemporary Art San Diego, San Diego, USA
The Uncertainty Principle, MACBA, Barcelona, Spain
Labyrinth :: Freedom, Fortezza, Italy
Open doek, De Warande, Turnhout, Belgium
Un Certain Etat Du Monde?, The Garage, Center for Contemporary Culture, Moscow, Russia
Das Brüssler Kunst- und Medinzentrum Argos zu Gast in der Villa Merkel, Esslingen am Neckar, Germany
Signals in the Dark: Art in the Shadow of War, Model Arts and Niland Gallery, Model Satellite space at Castle House, UK
(http://www.modelart.ie/signals.html)
Artist Rooms, National Gallery of Scotland, Tate Britain and Tate Modern
Notes from the Empire, Kunsthaus Dresden, Dresen, Germany
55th International Short Film Festival Oberhausen: UNREAL ASIA, Lichtburg Filmpalast, Oberhausen, Germany
Exprmntl 2, Cinéma Sauvenière, Liège, Belgium

2008
La vidéo, un art, une histoire 1965-2007, Musée Fabre, Montpellier, France
Video Vortex.2, Nederlands Instituut voor Mediakunst in Amsterdam, the Netherlands
Clair-obscur Filmfestival, Basel, Switzerland
The Rencontres Internationales, Paris, France
Comme au cinema - The Cinematic as Method and Metaphor, Fotogalleriet, Oslo, Norway
Unnamable Name, Main Library Copenhagen, Copenhagen, Denmark
The Rencontres Internationales, Haus der Kulturen der Welt, Berlin, Germany
Institute of Modern Art, Brisbane, Australia
Art Unlimited, Basel, Switzerland
The Rencontres Internationales, Madrid, Spain
The Morning After: Videoworks from the Goetz Collection, Weserburg Museum für moderne Kunst, Bremen, Germany
Happiness, German Hygiene Museum Dresden, Germany
Looking at birds, CAG school of Fine Arts center, university of Connecticut, Connecticut, USA
Video Vortex.2, Nederlands Instituut voor Mediakunst in Amsterdam, the Netherlands
Unnamable Name, Ithaca County Public Library, Ithaca, New York, USA
Signals in the dark: Art in the shadow of war, Blackwood Gallery, Mississauga, Toronto, Canada

2007
Töten, Zeitraumexit, Mannheim, Germany
Résidents, Mairie de Paris, Espace Electra, Paris, France
Machine-RAUM: a biennale for video art and digital culture, Keller Center for Experimental Art and the devolpment environment BIZ-ArT, in collaboration with Vejle Musem of Art, Denmark
Artist in Wonderland, Baltic Sea Cultural Center, Gdansk, Polen
Under Hitchcock [during: International Short Movies Festival of Vila do Conde], Solar, Vila do Conde, Portugal
Ombres au Paradis, FRAC Nord-Pas de Calais, Dunkerque, France
Role Exchange, Sean Kelly Gallery, New York, USA
Petrol, Moscow Biennial, Moscow, Russia
Exhibition at the beeldbank, University of Eindhoven, the Netherlands
Il confondit les repères lumineux au sol avec des étoiles et demanda pourquoi l’avion volait à l’envers…, Galerie Martine et Thibault de la Châtre, Paris, France
Lights, Camera, Action: Artists Films for the Cinema, The Whitney Museum of American Art, New York, USA

2006
Manipulations. On Economy of Deceit, Laznia Centre for Contemporary Art, Gdansk, Poland
Signal, Malmö, Sweden
Die Kultur der Angst / The Culture of Fear, ACC Galerie Weimar, Weimar, Germany
Video: an art, a history / 1965–2005 New Media Collection Centre Pompidou, Miami Art Central, Miami, USA
The Culture of Fear. Federkiel Foundation, Leipzig, Germany
Zoo Logical Garden, family park Harry Malter, Heusden, Belgium [catalogue]
postER, Hydra, Greece
50 Jahre/Years Documenta 1955-2005. archive in motion, Domus Artium 2002 Museum, Salamanca, Spain
Transformation. Aus eigener Sammlung, Kunstmuseum Liechtenstein, Liechtenstein
Photo-Trafic, Centre pour l'image contemporaine, BAC, Genève Switzerland
Shared History/Decolonising the Image, W139 & Arti & Amicitiae, Amsterdam, the Netherlands
EXCES Z33, Hasselt, Belgium
On the move, verkehrskultur II, Westfälischer Kunstverein, Münster, Germany
Image War: Contesting Images of Political Conflict, Whitney The Art Gallery of The Graduate Center at CUNY, New York, USA
Accidents, Galerie Georges-Philippe & Nathalie Vallois, Paris, France
Sip My Ocean, Louisana museum of modern art, Louisana, USA
Médiat, L’Arteppes, Annecy, France
Universal Experience: Art, Life and the Tourist’s Eye, MART, Rovereto, Italy
Vers uit België, Montevideo, Amsterdam, the Netherlands

2005
Tiempos De Vídeo. 1965-2005, Colección nouveaux medias del Centre Pompidou con la participación de la colección de arte contemporáneo Fundación 'La Caixa', Barcelona, Spain
Artfilmbiennale Cologne, Cologne, Germany
Video Dictionary of The Video Art Foundation, Centre d’Art Santa Monica Barcelona, Spain
Unheimlich, De warande, Turnhout, Belgium
Museum Night Lausanne, Palais De Rumine, Lausanne, Switzerland
50 Jahre/Years Documenta 1955–2005, Kunsthalle Fridericianum Kassel, Germany
Farsites: Urban Crisis and Domestic Symptoms in Recent Contemporary Art, part of IN SITE_05, Centro Cultural Tijuana, San Diego, USA
VideoDictionary of TheVideoArtFoundation, University of Alicante, Spain
VideoDictionary of TheVideoArtFoundation, La Casa Encendida, Madrid, Spain
Art Unlimited, Basel Art Fair, represented by Erna Hécey Gallery, Brussels, Belgium
Inauguration show, De la Warr Pavilion, Bexhill on Sea, UK
Voices of Site, Visual Arts Gallery, New York, USA
Manipulation. On economies of deceit, International Biennale of Contemporary Art 2005 (IBCA 2005), National Gallery Prague, Czech Republik
Laocoon Devoured, Artium, Basque Center-Museum of Contemporary Art, Vitoria-Gasteiz, Spain
Contemporary Art Center Vilnius, Vilnius, Lithuania
Video Dictionary of The Video Art Foundation, Image Forum Festival, Tokto, Japan
Moderna by Night, Moderna Museet, Stockholm, Sweden
Strange, Familiar and Unforgotten, Erna Hécey Gallery, Brussels, Belgium
Art Brussels, Belgium 2005, Brussels Expo, Brussels, Belgium
VideoDictionary of TheVideoArtFoundation, the Island Art Film & Video Festival, London, UK
Fair Use: Appropriation in Recent Film and Video, The Hammer Museum, Los Angeles, USA
Just do it! The subversion of signs from Marcel Duchamp to Prada Maynhof, Lentos Art Museum, Linz, Austria
Universal Experience: Art, Life and the Tourist’s Eye, Museum of Contemporary Art, Chicago, USA
Universal Experience: Art, Life and the Tourist’s Eye, Hayward Gallery, London, UK
Detox - By Any Media Necessary, Kunstnerneshus, Oslo, Norway
Zur Vorstellung des Terrors: Die RAF-Austellung (Regarding Terror: the RAF-Exhibition), Kunst Werke Berlin, Germany, & Landesmuseum Joanneum Graz, Austria
Screen Tests, Nederlands Fotomuseum Rotterdam, Internationaal Film Festival Rotterdam, the Netherlands

2004
PROOF - The Act of Seeing With Ones Own Eyes, Screen Gallery of the Australian Centre for the Moving Image, Melbourne, Australia
ParaDocs, Stedelijk Museum CS Amsterdam, the Netherlands
Gutentak Gesamtausstellung 2004, Annual Show of the Stuttgart Art Academy, Stuttgart, Germany
LIFT Contemporary & LIFT Caffe, Cherokee, USA
Voice of Site: Tokyo – Chicago – New York, Tokyo National University of Fine Arts and Music, Tokyo, Japan
A Complete Guide to Rewriting Your History, Sparwasser HQ, Offensive for Contemporary Art and Communication, Berlin, Germany
Beginning Here: 101 Ways, Visual Arts Gallery, School of Visual Arts, New York, USA
Bozar Cinema, Palais des Beaux–Arts, Brussels, Belgium
20th anniversary show, Collective Gallery, Edinburgh, UK
Slice & Dice, School of Visual Arts Museum, New York, USA
De Loense Strategieën van het (Kunst)Boek, Een selectie uit de Antwerpse Kunst–en Bewaarbibiliotheken, Rubenianum, Antwerp, Belgium
Tour–isms. The defeat of dissent, Fundació Antoni Tàpies, Barcelona, Spain
Whitestable Biennial, Deal, Kent, UK
A arañeira. A colección (The Cobweb. The Collection), Centro Galego de Arte Contemporánea, Santiago de Compostela, Spain
Works and Days, Acquisitions for the Louisiana Collection 2000–2004, The Louisiana Museum of Modern Art, Humlebæk, Denmark
Monument to Now, The Dakis Joannou Collection, DESTE Foundation for Contemporary Art, Athens, Greece [official part of ATHENS 2004]
Dartington College of Arts, Totnes, UK
Laocoon Devoured, Artium, Basque Center-Museum of Contemporary Art, Vitoria-Gasteiz, Spain
La Casa Encendida, Madrid, Madrid, Spain
How to learn to love the bomb and stop worrying about it, Central de Arte, Guadalajara, Mexico
This Much Is Certain, Royal College of Art Galleries, UK
MULTIPLEX, revisioning the movie house in a new 3 story cineplex at Smack Mellon, Brooklyn, New York, USA
Tate Liverpool, UK
Centre pour l’Image Contemporaine, Genève, Switzerland
Videoessay, Medienmuseum | Mediathek, Zentrum für Kunst und Medientechnologie | ZKM, Karlsruhe, Germany

2003
La Condition Publique, Roubaix, France
Once upon a time, Kunst in België in de jaren ’90, MUHKA, Antwerp, Belgium
Kunst–Werke, Berlin, Germany
Wings of Art, Motiv Flugzeug, Kunsthalle Darmstadt
Ludwig Forum für Internationale Kunst Aachen, Germany
Synopsis III, Testimonies between fiction and reality, National Museum of Contemporary Art (EMST), Athens, Greece
Remo, Osaka, Japan
Le Mois de la Photo à Montréal 2003, Maintenant., Images du Temps Présent sous la direction de Vincent Lavoie
Montreal, Canada
IX foro internacionalde teoria de arte contemporaneo, Canaia, Mexico
©Europe exists, Macedonian Museum of Contemporary Art, Thessaloniki, Greece
Forum des Images, Paris
Appendix 2: dif fusion and its topology, maf_Media Art Farm, Tbilisi, Geogia, USA
"in context: a running program", Andrea Rosen Gallery, New York, USA
'Your memorabilia', Video Art Screening: Tokyo, Tokyo International Forum (at NICAF 2003), Tokyo, Japan
Australian Center for the moving image, Melbourne, Australia
De Brakke Grond, Amsterdam, the Netherlands
Oorlog is geen kunst, Kunstencentrum Vooruit, Ghent, Belgium
Hardcore, Palais de Tokyo, Paris, France
Media Field: pol.i.tick, Williams College Museum of Art, Williamstown, USA
M–ARS, Art and War, Neue galerie am landesmuseum Joanneum, Graz, Austria [catalogue]
Bird’s café, Paris, France

2002
Total Überzogen, Edith-Russ-Haus für Medienkunst, Oldenburg, Germany [catalogue]
Haunted by detail, A project by the Curatorial Training Programme 2002, De Appel, Amsterdam, with the collaboration of the filmmuseum in Amsterdam, the Netherlands [website]
Airborne/Luftburen, Midlanda Konsthall, Timrå, Sweden [catalogue - website]
Future Drei, The Starting Line, Pinakothek der Moderne, Munich, Germany [catalogue]
The Galleries Show, The Royal Academy, London, UK
911+1: The Perplexities of Security, Watson Institute for International Studies Brown University, Providence, USA
Edith-Russ-Haus für Medienkunst / Edith-Russ-Haus for Media Art, Oldenburg, Germany
Lost Nation, Werkleitz Biennale, Dresden, Germany
<representin'> Galerie im Parkhaus, Berlin, Germany
Feierabend, MARta Herford Museum, Herford, Germany
Trauma, Modern Art Oxford, Oxford, UK [publication - catalogue]
Museum Hamburger Bahnhof, Berlin

2001

4FREE, BüroFriedrich, Berlin, Germany [catalogue - website]
Trauma, FirstSite, Colchester, UK [catalogue]
Discontinuances in time, part 1. Terrorism, Galerija Likovnia Umetnosti, Gradec, Slovenia [catalogue]
Een goed in de weg staande tafel, Galerie Van Gelder, Amsterdam, the Netherlands
Trauma, the Hayward Gallery in collaboration with Dundee Contemporary Arts, Dundee Contemporary Arts, Dundee, UK [catalogue]
1st Bienal de Valencia, Valencia, Spain  [catalogue]
De Melkweg, Amsterdam, the Netherlands
Maybe the sky is green and we’re just colorblind, MIT List Visual Arts Center, Cambridge, Boston, UK [website]
Centre pour l’Image Contemporaine Saint-Gervais, Genève, Switzerland

2000
Finale di Partita/ Endgame / Fin de Partie, Piazza Ognissanti, Florence, Italy [catalogue]
Brussel, Kruispunt der Kulturen, Expositions du Palais des Beaux Arts / Tentoonstellingen van het Paleis voor Schone Kunsten, Brussels, Belgium [catalogue]
Diasporical Thoughts, Tacktoren Kortrijk, Belgium
Eine Munition Unter Anderen, Frankfurter Kunstverein, Frankfurt, Germany [publication]
Agitated Histories: Video Art and the Documentary, Cranbrook Art Museum, Bloomfield Hills, Michigan, USA [catalogue]
International Videogramme, Trafo-house of Contemporary Arts, Budapest, Hungary
No vacancies, Galerie Barbara Thumm, Berlin, Germany
Widerspenstige Praktiken, Im Zeitalter von Informations– und Biotechnologien, Shedhalle, Zürich, Switzerland [publication - website]
Zentrum für Kunst und Medientechnologie | ZKM, Karlsruhe, Germany
Art Unlimited Basel Art Fair, Basel, Switzerland [catalogue – CD-Rom – website]
Voilà, Le Monde dans la Tête, Musée d’Art Moderne de la Ville de Paris, Paris, France [catalogue]
Anywhere But Here, Artist Space, New York, USA [website]
La vérité est ailleurs, Centre pour l’Image Contemporaine, Saint-Gervais, Genève, Switzerland
Lost Nation, a library, Forum Stadtpark, Graz, Austria
Family Viewing, as part of the The Cool World: Film & Video in America 1950–2000
The American Century, Part II: 1950–2000, Whitney Museum of American Art, New York, USA [catalogue]
Edit, Badischer Kunstverein, Karlsruhe, Germany [catalogue]

1999
Das XX-Jahrhundert – Ein Jahrhuert Kunst in Deutschland, Nationalgalerie im Hamburger Bahnhof, Berlin, Germany [catalogue]
Fireworks, DE APPEL, Amsterdam, the Netherlands
Interarchiv, Kunstraum der Universität Lüneburg, Lüneburg, Germany [website – publication]
Lè Grând Præmière Opénïng Shöw, Galleri Nicolai Wallner, Copenhagen, Denmark
War Zones, Presentation House Gallery, Vancouver, Canada [catalogue]
Space Place, Kunsthalle Tirol, Tyrol, Austria
Lost Nation, a library, Beursschouwburg, Brussels, Belgium
Spiral TV, Spiral Building /Wacoal Center, Tokyo, Japan
Collection de MNAM Centre Georges Pompidou at ARC, Musée d'Art Contemporaine de la ville de Paris, Paris, France

1998
Twee uur breed of twee uur lang, Koninklijk Museum voor Schone Kunsten, Antwerp, Belgium [catalogue]
XXIV Biennial Sao-Paulo, Sao-Paulo, Brazil [catalogue]
The Cinema Project—Das Tarantino Syndrom, Künstlerhaus Bethanien, Berlin, Germany
Ludwig - Suermondt Museum, Aachen, Germany
MuuMediaFestival, Helsinki, Finland [website]
Reservate der Sehnsucht, Dortmunder U, Dortmund, Germany [catalogue]
Revolution 98, Corner House / ISEA, Manchester
Mächtig Gewaltig, ACC Galerie, Weimar [CD-Rom – website]
Videostore!, Bricks and Kicks, Vienna, Austria
A Day in the Life, The Crimean Project / Part I, Soros Center for Contemporary Art (SCCA), Kiev, Ukraine [website]
Global Visions II, Deste Foundation, Athens, Greece
Two hours wide and two hours long, Centro Cultural de Belèm, Lisbon, Portugal [catalogue]
When Worlds Collide, Centre for Contemporary Arts, Glasgow, UK [publication]
Kunsthaus Zürich & Schirn Kunsthalle Frankfurt, Germany [catalogue]
'68 - '98: trente ans de film militant… et quelques restes, Centre pour l'Image Contemporaine, Genève, Switzerland [website]
Biennale de l'image, de très courts espaces de temps, Caisse de Dépot, Paris, France [catalogue – website]
Herzliya Museum of Art, Tel Aviv, Israel
Wounds, between Democracy and Redemption in Contemporary Art, Moderna Museet, Stockholm, Sweden [catalogue]
Fast Forward, 'IMAGE', Kunstverein in Hamburg, Germany [catalogue]
Arkipelag, Nordic Museum, Stockholm, Sweden [catalogue]
Airport, Nederlands Foto-Instituut, Rotterdam, the Netherlands [publication – website]
Places to stay #2, Dorothy doesn't live here anymore, Büro Friedrich, Berlin, Germany [CD–Rom – publication]

1997
Interarchiv, The Kunstraum der Universitat Lüneburg in co-operation with Hans–Peter Feldmann & Hans Ulrich Obrist, Lüneburg, Germany [catalogue]
Rencontre Vidéo Art Plastique, Centre d'Art Contemporain de Basse Normandie, Hérouville-Saint-Clair, France [catalogue]
Selected Memories, Paleis voor Schone Kunsten, Brussels, Belgium [catalogue]
Zones of Disturbance, Steirischer Herbst, Graz, Austria [catalogue]
Knowledge / Power / Control, Northern Center for Photography, Helsinki, Sweden [catalogue]
En Collection, De Witte Zaal, Ghent, Belgium [catalogue]
Documenta X, Kassel, Germany [publication]
Espèces d'Espace, Made in France, MNAM, Centre Georges Pompidou, Paris, France
Art video / catastrophe et nativité: TV trauma, Musée Royal de Mariemont, Mariemont, Belgium

1996
Arte E Media, Palazzo delle Esposizionni, Rome, Italy
Centro Galego De Arte Contemporanea, Santiago De Compostela, Spain
The world over Under Capricorn, Art in the age of globalisation, Stedelijk Museum, Amsterdam, the Netherlands [catalogue]
City Gallery, Wellington, New Zealand
Video from the centre Georges Pompidou, Artist Space, New York, USA
How is everything?, Kunstbunker, Nürnberg, Germany
Landesmuseum, Innsbrück, Austria
Vereinigung Bildener Künstler, Wiener Secession, Wien

1995
Semaine Internationale de Vidéo, St. Gervais-Genève, Genève, Switzerland [catalogue]
Fri-Art Centre, Fribourg
Noevas tendencias, Museo Nacional Centro de Arte Reina Sofia, Madrid, Spain
Quarters, Old Bonnefanten Museum, Maastricht, the Netherlands
TANZ–Geschichten 20: Hybridance – Vermischung der Genres, Cinemathek, Museum Ludwig, Köln, Germany [website]
Kanagawa Arts Foundation, Japan
Points de Vue / Viewpoint [Images d'Europe], Museum voor Hedendaagse Kunst MUHKA, Antwerp, Belgium [catalogue]
MNAM, Centre Georges Pompidou, Paris, France
Paleis voor Schone Kunsten, Brussels, Belgium
Cinématheque Yerevan, Armenia
Kunstencentrum STUK, Leuven, Belgium

1994
Vigilando las fronteras, Casa de Cultura de Intxaurrondo, San Sebastian, Spain [publication]
Musée d'art Moderne et d'Art Contemporaine, Nice, France
New Visions, Glasgow, UK
Espace Lyon d'Art Contemporain, Lyon, France
The Pleasure Dome, Toronto, Canada
Monitor, Paleis voor Schone Kunsten, Brussels, Belgium
Casa de Cultura de Larrotxene — Intxaurrondo, Larrotxene, San Sebastian, Spain
Zentrum für Kunst und Medientechnologie | ZKM, Karlsruhe, Germany

1993
Films by young New York filmmakers, W 139, Amsterdam, the Netherlands
In search of..., Information Gallery, New York, USA

1992
The Perverse Double, Longwood Arts Gallery, Bronx Council on the Arts, New York, USA [publication]

1991
Never one without the other, Rivington Gallery, New York, USA

1989
De ente et essentiae Lijn 9, Klapstuk, University of Leuven, Department of Philosophy, Leuven, Belgium
[catalogue]

Awards & Grants

2018
Winner Ultima for film, annual Flemish culture award, BE

2017
Winner Ensor for Best Documentary, Film Festival Oostende, BE

2016
Winner Time of History | Tiempo de Historia Award (Best Documentary), Semana Internacional de Cine de Valladolid
Best Documentary Feature film, Edinburgh International Film Festival, UK
Honourable Mention, International Feature Documentary Award, Guanajuato Int. Film F, MX

2013
Finalist for the Gucci Tribeca Documentary Fund, Tribeca Film Institute

2012
Sundance Documentary Film Program (co-production grant for Shadow World)
Cinereach Vital Projects Fund for Shadow World

2010
Grand Prize New Media Film Festival, Los Angeles

2009
Black Pearl Award for Best New Documentary Director, Middle East International Film Festival, Abu Dhabi Nominated, Best World Documentary, Jihlava International Documentary film Festival, Jihlave Czech Republic
Special Mention, 9th Era New Horizons International Film Festival, Wroclaw Special Mention, Image Forum Festival, Yokohama

2007
Nomination for Best Experimental Film and Best Cinematography, Byron Bay Film Festival, Australia
Nomination Vlaamse Cultuurprijzen, Ghent
Special mention, 10th International Video festival Videomedeja, the Museum of Vojvodina, Novi Sad

2006
Nomination Hugo Boss Prize, Solomon R. Guggenheim museum, New York
First Prize Winner Canariasmediafest, Gran Canaria
Spirit Award Winner, Best experimental Film, Brooklyn International Film Festival, New York
First Prize European Media Award Festival, Osnabrück

2005
First Prize Winner of the Medienkunstpreis, Karlsruhe
International Media Award SWR | ZKM, Karlsruhe
Special mention of the Film Critics Jury, Art Film Biennale Cologne, Cologne
First Prize Winner of the International Media Art Award

2004-2005
Goethe Institut, Barcelona

1998
Golden Spire Winner Best Director, San Francisco International Film Festival, San Francisco
Director's Choice Award, The Images Festival, Toronto

1994
First Prize Best Videocreation, Muestra Internacional de Video de Cádiz, Cádiz

1993
First Prize, Grand Prix de la Ville de Genève, de Vidéo Saint-Gervais, Genève

1992
Award-Winner, Experimental Documentary, Baltimore Filmforum, Baltimore

1987
Foundation Paul de Vigne, Koninklijke Academie voor Schone Kunsten, Ghent

1985
Daedalus Prize, Prize of Originality, Kunst & Vliegwerk, Koninklijke Academie voor Schone Kunsten, Ghent

Johan Grimonprez
Education 1995 Post Graduate FA, Jan van Eyck Academy, New York 1993 Whitney Museum Independent Study Program, New York 1992 MFA Film & Mixed Media, School of Visual Arts, New York 1986 MFA Film & Mixed Media, School of Visual Arts, New York Faculty positions 2010 - now School of Arts, KASK, Ghent 1998 - now MFA Graduate Department School of Visual Arts, New York 1995 - 1996 Université de Paris 8, Département Arts-Plastiques, Paris Solo exhibitions 2012 Kobarweng or Where is Your Helicopter?, Musée de la Chasse et de la Nature, Paris, France 2011 It’s a poor sort of memory that only works backwards, S.M.A.K, Ghent, Belgium BED, Para-SITE, Graz, Austria He mistook the groundlights for stars and asked why the airplane was flying upside down, ltd Gallery, Los Angeles, USA Double Take, ICA Boston Double Take, Ierimonti Gallery, Milano, Italy It’s a poor sort of memory that only works backwards, The Blaffer Galley, the Art Museum of the University of Houston, Texas, USA 2010 Double Take, Ierimonti Gallery, Milano, Italy Sometimes a cigar is just a cigar, Voges Gallery, Frankfurt, Germany Johan Grimonprez, The Fruitmarket Gallery, Edinburgh, Scotland Double Take, Doc Forthnight, MoMA, New York, USA, March 3, 2010 Looking for Alfred, Cinémathèque Québecoise, Montréal, Canada 2009 Johan Grimonprez, Magasin 3 Stockholm Konsthall, Sweden Double Take, Sean Kelly Gallery New York, USA Cinéma du Réel, French première Double Take, MNAM, Centre Georges Pompidou, Paris, France 2008 dial H-I-S-T-O-R-Y, The Hammer Museum, Los Angeles, USA 2007 J'ai oublié mon parapluie, Galerie kamel mennour, Paris Le ciel est peut être vert et nous daltoniens, Le Plateau Espace Experimental / FRAC Ile-de-France, France Johan Grimonprez, Retrospektive, Pinakothek der Moderne, Münich, Germany 2006 But The Cups Never Grew To Be Kettles, Erna Hécey Gallery, Brussels, Belgium 2005 Looking for Alfred, Moderna Museet, Sweden Looking for Alfred, Palais des Beaux-Arts, Brussels, Belgium Looking for Alfred, Mead Gallery, University of Warwick Arts Centre, UK 2004 Johan Grimonprez, Looking for Alfred, The Photographers' Gallery, London, UK Looking for Alfred, a film project by Johan Grimonprez, part of Revolution/Restoration Part II, Palais des Beaux-Arts, Brussels, Belgium Johan Grimonprez: Looking for Alfred, The Photographers' Gallery, London, UK We never tell everything, we always keep something for the next anthropologist, Yvon Lambert, New York, USA HOLLYWOOD Flag Raising Ceremony, Hollywood Hills House, Los Angeles, USA 2003 dial H-I-S-T-O-R-Y, The Essor Gallery, London, UK Remo, Osaka, Japan Kojimachi Gallery, Tokyo, Japan During Commercial Break…, Argos, Brussels, Belgium 2002 How do we know the sky isn't really green and we're just colorblind?, Santa Monica Museum of Art (SMMOA), Los Angeles, USA 2001 Maybe the sky is green and we're just colorblind, Galleri Nicolai Wallner, Copenhagen, Denmark I'm a bit like you, I'm a bit in the clouds, Impakt at Flatland Gallery, Utrecht, the Netherlands 2000 Erna Hécey Gallery, Luxemburg Deitch Projects, New York, USA House of Contemporary Arts, Trafó, Budapest Kunstforeningen, Copenhagen, Denmark, Oct, 2000 Maybe the sky is green and we're just colorblind, S.M.A.K., Ghent, Belgium Magnetoscopio, Rio de Janeiro, Brazil Atomium, Brussels, Belgium Centro Galego Arte Contemporanea (CGAC), Santiago de Compostela, Spain [catalogue] Museum für Neue Kunst | Zentrum für Kunst und Medientechnologie | ZKM, Karlsruhe, Germany Your Words Have Reached My Ears, Anthony d'Offay Gallery, London INSERT COMMERCIAL HERE, The Kitchen, New York, USA 1999 Oakville Gallery, Oakville, Toronto, Canade Casino d'Art Contemporain, Luxembourg Presentation House Gallery, Vancouver, Canada [publication] Art Gallery of New South Wales, Sydney, Australia Australian Center for Contemporary Art, Melbourne, Australia 1998 Gallery 227 Jan van Eyck Academy, Maastricht, the Netherlands We must be over the rainbow..., Centro Galego Arte Contemporanea (CGAC), Santiago de Compostela, Spain [monography] Gallery for Contemporary Art, Cambridge, USA Chapter Art Center, Cardiff, UK La Caixa, Barcelona, Spain Centro Cultural do Brasil, Rio de Janeiro, Brazil Musée du Jeu de Paume, Paris, France Museum für Moderne Kunst, Frankfurt am Main, Germany Institute of Contemporary Art, Boston, USA Bild Museet, Umea, Sweden Nationalgalerie im Hamburger Bahnhof, Berlin, Germany dial H-I-S-T-O-R-Y, Anthony d'Offay Gallery, London, UK Münchener Kunstverein, München, Germany Ludwig-Suermondt Museum, Aachen, Germany 1997 Galleri Riis, Oslo, Norway Kiasma Museum of Modern Art, Helsinki, Finland Museum voor Hedendaagse Kunst Antwerpen (MUHKA), Belgium Palais des Beaux Arts / Paleis voor Schone Kunsten, Brussels, Belgium Prends garde! A jouer au fantôme, on le devient; De Beursschouwburg, Brussels, Belgium Kunstforeningen, Copenhagen, Denmark Museu da Republica, Rio de Janeiro, Brazil Deitch Projects, New York, USA Prends garde! A jouer au fantôme, on le devient, MNAM, Centre Georges Pompidou, Paris, France [publication - website] Première dial H-I-S-T-O-R-Y, Espèces d'Espace, MNAM, Centre Pompidou, Paris, France 1995 Beware! In playing the phantom you become one, Vereniging van het Museum voor Hedendaagse Kunst, Ghent, Belgium [publication] 1994 It wil be all right if you come again, only next time don't bring any gear except a tea kettle, Antichambres, Les Expositions du Palais des Beaux-Arts / Tentoonstellingen van het Paleis voor Schone Kunsten, Brussels, Belgium [monography] 1993 Kobarweng or Where is Your Helicopter?, YYZ Gallery, Toronto, Canada Group exhibitions 2012 The Future that Was, SMART Project Space, Museum Night Amsterdam, the Netherlands The Big Sleep, 26th Memorial of Nadežda Petrovic, Art Gallery Nadežda Petrovic, Cacak Experimenta Speak to Me, 5th International Biennial of Media Art, RMIT Gallery, Melbourne, Australia FIGHTCLUB EVERYDAY, Gallery On The Move, Berlin, Germany La voce della imagini | Paroles des images | Voice of images, Palazzo Grassi, François Pinault Foundation, Venice, Italy El mañana ya estuvo aquí | Tomorrow was already here, Museo Tamayo Arte Contemporáneo Internacional, Mexico City, Mexico Summer Nights, Festival presented by SAW Gallery & AXENÉO7, Ottowa & Gatineau, Canada MORE REAL? Art in the Age of Truthiness, SITE Santa Fe, Santa Fe, California, USA Rencontres Internationales Paris/Berlin/Madrid Haus der Kulturen der Welt, Berlin, Germany Who's afraid of black, yellow, red, blue and yellow?, BELGIE art centre, official program of Kiev Biennial of Contemporary Art, L'viv, Ukraine Found Footage: Cinema Exposed, EYE Film Institute Netherlands, Amsterdam, the Netherlands Synchrony: Contemporary Video, The Hunter Museum, Chattanooga, Tennessee, USA Contour on Tour, Videokunst in het Vlaams Parlement, De Loketten, Brussels 15th Japan Media Arts Festival, The National Arts Center, Tokyo, Japan Los Angeles Convention Center, Los Angeles, USA 2011 A Darkness More than Night, Quad Gallery, Derby, UK Maybe the sky is really green, Impakt Festival, Utrecht, the Netherlands Pearls of the North, Palais d’Iéna, Paris, France Commercial Break, Light festival, Green Point, Brooklyn The Uncanny Familiar – Images of Terror, C/O Berlin, Germany La Biennale di venezia, Venice, Italy dial H-I-S-T-O-R-Y, Videoex Festival 2011, Zurich, Switzerland I may have lost forever my umbrella, ALIAS: Photomonth Festival, Krakow, Poland FOKUS: Video Kunst Festival, Nikolaj Kunsthal, Copenhagen, Denmark Are you ready for television?, CGAC, Santiago de Compostela, SpainANGRY – Young and Radical, Nederlands Fotomuseum, Rotterdam, the Netherlands 2010 The Esopus Foundation, New York Selected Works from the Centre Pompidou New Media Collection, Herzliya Museum, Herzliya, Israel Expanding Documentary, De Brakke Grond, Amsterdam, the Netherlands Are you ready for television?, MACBA, Barcelona, Spain ABC Art Belge Contemporain, Le Fresnoy, Tourcoing, France Québec City Biennial, Québec, Canada Art Unlimited 41, Basel, Switzerland All That Is Solid Melts Into Air: The Social at the Berardo Collection, Lisbon, Portugal Ikonoklash, Centro Cultural de Lagos, Algarve, Portugal5e Manif d’Art / Art Biennial Québec, Québec City, Canada The State of Things, NAMOC, Beijing, China Déjà vu, Galerie Michel Journiac, Paris, France 2009 Shot By Both Sides, CC Strombeek, Strombeek, Belgium The State of Things – Brussels/Beijing, BOZAR, Brussels, Belgium Faux-semblants, Maison de la Culture de la Province de Namur, Namur, BelgiumThe Social Critique: 1993–2005, Kalmar Konstmuseum, Kalmar, Sweden Attempt to Raise Hell, The Museum of Contemporary Art San Diego, San Diego, USAThe Uncertainty Principle, MACBA, Barcelona, Spain Labyrinth :: Freedom, Fortezza, Italy Open doek, De Warande, Turnhout, Belgium Un Certain Etat Du Monde?, The Garage, Center for Contemporary Culture, Moscow, Russia Das Brüssler Kunst- und Medinzentrum Argos zu Gast in der Villa Merkel, Esslingen am Neckar, Germany Signals in the Dark: Art in the Shadow of War, Model Arts and Niland Gallery, Model Satellite space at Castle House, UK (http://www.modelart.ie/signals.html) Artist Rooms, National Gallery of Scotland, Tate Britain and Tate Modern Notes from the Empire, Kunsthaus Dresden, Dresen, Germany 55th International Short Film Festival Oberhausen: UNREAL ASIA, Lichtburg Filmpalast, Oberhausen, Germany Exprmntl 2, Cinéma Sauvenière, Liège, Belgium 2008 La vidéo, un art, une histoire 1965-2007, Musée Fabre, Montpellier, France Video Vortex.2, Nederlands Instituut voor Mediakunst in Amsterdam, the Netherlands Clair-obscur Filmfestival, Basel, Switzerland The Rencontres Internationales, Paris, France Comme au cinema - The Cinematic as Method and Metaphor, Fotogalleriet, Oslo, Norway Unnamable Name, Main Library Copenhagen, Copenhagen, Denmark The Rencontres Internationales, Haus der Kulturen der Welt, Berlin, Germany Institute of Modern Art, Brisbane, Australia Art Unlimited, Basel, Switzerland The Rencontres Internationales, Madrid, Spain The Morning After: Videoworks from the Goetz Collection, Weserburg Museum für moderne Kunst, Bremen, Germany Happiness, German Hygiene Museum Dresden, Germany Looking at birds, CAG school of Fine Arts center, university of Connecticut, Connecticut, USA Video Vortex.2, Nederlands Instituut voor Mediakunst in Amsterdam, the Netherlands Unnamable Name, Ithaca County Public Library, Ithaca, New York, USA Signals in the dark: Art in the shadow of war, Blackwood Gallery, Mississauga, Toronto, Canada 2007 Töten, Zeitraumexit, Mannheim, Germany Résidents, Mairie de Paris, Espace Electra, Paris, France Machine-RAUM: a biennale for video art and digital culture, Keller Center for Experimental Art and the devolpment environment BIZ-ArT, in collaboration with Vejle Musem of Art, Denmark Artist in Wonderland, Baltic Sea Cultural Center, Gdansk, Polen Under Hitchcock [during: International Short Movies Festival of Vila do Conde], Solar, Vila do Conde, Portugal Ombres au Paradis, FRAC Nord-Pas de Calais, Dunkerque, France Role Exchange, Sean Kelly Gallery, New York, USA Petrol, Moscow Biennial, Moscow, Russia Exhibition at the beeldbank, University of Eindhoven, the Netherlands Il confondit les repères lumineux au sol avec des étoiles et demanda pourquoi l’avion volait à l’envers…, Galerie Martine et Thibault de la Châtre, Paris, France Lights, Camera, Action: Artists Films for the Cinema, The Whitney Museum of American Art, New York, USA 2006 Manipulations. On Economy of Deceit, Laznia Centre for Contemporary Art, Gdansk, Poland Signal, Malmö, Sweden Die Kultur der Angst / The Culture of Fear, ACC Galerie Weimar, Weimar, Germany Video: an art, a history / 1965–2005 New Media Collection Centre Pompidou, Miami Art Central, Miami, USA The Culture of Fear. Federkiel Foundation, Leipzig, Germany Zoo Logical Garden, family park Harry Malter, Heusden, Belgium [catalogue] postER, Hydra, Greece 50 Jahre/Years Documenta 1955-2005. archive in motion, Domus Artium 2002 Museum, Salamanca, Spain Transformation. Aus eigener Sammlung, Kunstmuseum Liechtenstein, Liechtenstein Photo-Trafic, Centre pour l'image contemporaine, BAC, Genève Switzerland Shared History/Decolonising the Image, W139 & Arti & Amicitiae, Amsterdam, the Netherlands EXCES Z33, Hasselt, Belgium On the move, verkehrskultur II, Westfälischer Kunstverein, Münster, Germany Image War: Contesting Images of Political Conflict, Whitney The Art Gallery of The Graduate Center at CUNY, New York, USA Accidents, Galerie Georges-Philippe & Nathalie Vallois, Paris, France Sip My Ocean, Louisana museum of modern art, Louisana, USA Médiat, L’Arteppes, Annecy, France Universal Experience: Art, Life and the Tourist’s Eye, MART, Rovereto, Italy Vers uit België, Montevideo, Amsterdam, the Netherlands 2005 Tiempos De Vídeo. 1965-2005, Colección nouveaux medias del Centre Pompidou con la participación de la colección de arte contemporáneo Fundación 'La Caixa', Barcelona, Spain Artfilmbiennale Cologne, Cologne, Germany Video Dictionary of The Video Art Foundation, Centre d’Art Santa Monica Barcelona, Spain Unheimlich, De warande, Turnhout, Belgium Museum Night Lausanne, Palais De Rumine, Lausanne, Switzerland50 Jahre/Years Documenta 1955–2005, Kunsthalle Fridericianum Kassel, Germany Farsites: Urban Crisis and Domestic Symptoms in Recent Contemporary Art, part of IN SITE_05, Centro Cultural Tijuana, San Diego, USA VideoDictionary of TheVideoArtFoundation, University of Alicante, Spain VideoDictionary of TheVideoArtFoundation, La Casa Encendida, Madrid, SpainArt Unlimited, Basel Art Fair, represented by Erna Hécey Gallery, Brussels, Belgium Inauguration show, De la Warr Pavilion, Bexhill on Sea, UK Voices of Site, Visual Arts Gallery, New York, USA Manipulation. On economies of deceit, International Biennale of Contemporary Art 2005 (IBCA 2005), National Gallery Prague, Czech Republik Laocoon Devoured, Artium, Basque Center-Museum of Contemporary Art, Vitoria-Gasteiz, Spain Contemporary Art Center Vilnius, Vilnius, Lithuania Video Dictionary of The Video Art Foundation, Image Forum Festival, Tokto, Japan Moderna by Night, Moderna Museet, Stockholm, Sweden Strange, Familiar and Unforgotten, Erna Hécey Gallery, Brussels, Belgium Art Brussels, Belgium 2005, Brussels Expo, Brussels, Belgium VideoDictionary of TheVideoArtFoundation, the Island Art Film & Video Festival, London, UK Fair Use: Appropriation in Recent Film and Video, The Hammer Museum, Los Angeles, USA Just do it! The subversion of signs from Marcel Duchamp to Prada Maynhof, Lentos Art Museum, Linz, Austria Universal Experience: Art, Life and the Tourist’s Eye, Museum of Contemporary Art, Chicago, USA Universal Experience: Art, Life and the Tourist’s Eye, Hayward Gallery, London, UK Detox - By Any Media Necessary, Kunstnerneshus, Oslo, Norway Zur Vorstellung des Terrors: Die RAF-Austellung (Regarding Terror: the RAF-Exhibition), Kunst Werke Berlin, Germany, & Landesmuseum Joanneum Graz, Austria Screen Tests, Nederlands Fotomuseum Rotterdam, Internationaal Film Festival Rotterdam, the Netherlands 2004 PROOF - The Act of Seeing With Ones Own Eyes, Screen Gallery of the Australian Centre for the Moving Image, Melbourne, Australia ParaDocs, Stedelijk Museum CS Amsterdam, the Netherlands Gutentak Gesamtausstellung 2004, Annual Show of the Stuttgart Art Academy, Stuttgart, Germany LIFT Contemporary & LIFT Caffe, Cherokee, USA Voice of Site: Tokyo – Chicago – New York, Tokyo National University of Fine Arts and Music, Tokyo, Japan A Complete Guide to Rewriting Your History, Sparwasser HQ, Offensive for Contemporary Art and Communication, Berlin, Germany Beginning Here: 101 Ways, Visual Arts Gallery, School of Visual Arts, New York, USA Bozar Cinema, Palais des Beaux–Arts, Brussels, Belgium 20th anniversary show, Collective Gallery, Edinburgh, UK Slice & Dice, School of Visual Arts Museum, New York, USA De Loense Strategieën van het (Kunst)Boek, Een selectie uit de Antwerpse Kunst–en Bewaarbibiliotheken, Rubenianum, Antwerp, Belgium Tour–isms. The defeat of dissent, Fundació Antoni Tàpies, Barcelona, Spain Whitestable Biennial, Deal, Kent, UK A arañeira. A colección (The Cobweb. The Collection), Centro Galego de Arte Contemporánea, Santiago de Compostela, Spain Works and Days, Acquisitions for the Louisiana Collection 2000–2004, The Louisiana Museum of Modern Art, Humlebæk, Denmark Monument to Now, The Dakis Joannou Collection, DESTE Foundation for Contemporary Art, Athens, Greece [official part of ATHENS 2004] Dartington College of Arts, Totnes, UK Laocoon Devoured, Artium, Basque Center-Museum of Contemporary Art, Vitoria-Gasteiz, Spain La Casa Encendida, Madrid, Madrid, Spain How to learn to love the bomb and stop worrying about it, Central de Arte, Guadalajara, Mexico This Much Is Certain, Royal College of Art Galleries, UK MULTIPLEX, revisioning the movie house in a new 3 story cineplex at Smack Mellon, Brooklyn, New York, USA Tate Liverpool, UK Centre pour l’Image Contemporaine, Genève, Switzerland Videoessay, Medienmuseum | Mediathek, Zentrum für Kunst und Medientechnologie | ZKM, Karlsruhe, Germany 2003 La Condition Publique, Roubaix, France Once upon a time, Kunst in België in de jaren ’90, MUHKA, Antwerp, Belgium Kunst–Werke, Berlin, Germany Wings of Art, Motiv Flugzeug, Kunsthalle Darmstadt Ludwig Forum für Internationale Kunst Aachen, Germany Synopsis III, Testimonies between fiction and reality, National Museum of Contemporary Art (EMST), Athens, Greece Remo, Osaka, Japan Le Mois de la Photo à Montréal 2003, Maintenant., Images du Temps Présent sous la direction de Vincent Lavoie Montreal, Canada IX foro internacionalde teoria de arte contemporaneo, Canaia, Mexico ©Europe exists, Macedonian Museum of Contemporary Art, Thessaloniki, Greece Forum des Images, Paris Appendix 2: dif fusion and its topology, maf_Media Art Farm, Tbilisi, Geogia, USA in context: a running program, Andrea Rosen Gallery, New York, USA 'Your memorabilia', Video Art Screening: Tokyo, Tokyo International Forum (at NICAF 2003), Tokyo, Japan Australian Center for the moving image, Melbourne, Australia De Brakke Grond, Amsterdam, the Netherlands Oorlog is geen kunst, Kunstencentrum Vooruit, Ghent, Belgium Hardcore, Palais de Tokyo, Paris, France Media Field: pol.i.tick, Williams College Museum of Art, Williamstown, USA M–ARS, Art and War, Neue galerie am landesmuseum Joanneum, Graz, Austria [catalogue] Bird’s café, Paris, France 2002 Total Überzogen, Edith-Russ-Haus für Medienkunst, Oldenburg, Germany [catalogue] Haunted by detail, A project by the Curatorial Training Programme 2002, De Appel, Amsterdam, with the collaboration of the filmmuseum in Amsterdam, the Netherlands [website] Airborne/Luftburen, Midlanda Konsthall, Timrå, Sweden [catalogue - website] Future Drei, The Starting Line, Pinakothek der Moderne, Munich, Germany [catalogue] The Galleries Show, The Royal Academy, London, UK 911+1: The Perplexities of Security, Watson Institute for International Studies Brown University, Providence, USA Edith-Russ-Haus für Medienkunst / Edith-Russ-Haus for Media Art, Oldenburg, Germany Lost Nation, Werkleitz Biennale, Dresden, Germany <representin'> Galerie im Parkhaus, Berlin, Germany Feierabend, MARta Herford Museum, Herford, Germany Trauma, Modern Art Oxford, Oxford, UK [publication - catalogue] Museum Hamburger Bahnhof, Berlin2001 4FREE, BüroFriedrich, Berlin, Germany [catalogue - website] Trauma, FirstSite, Colchester, UK [catalogue] Discontinuances in time, part 1. Terrorism, Galerija Likovnia Umetnosti, Gradec, Slovenia [catalogue] Een goed in de weg staande tafel, Galerie Van Gelder, Amsterdam, the Netherlands Trauma, the Hayward Gallery in collaboration with Dundee Contemporary Arts, Dundee Contemporary Arts, Dundee, UK [catalogue] 1st Bienal de Valencia, Valencia, Spain  [catalogue] De Melkweg, Amsterdam, the NetherlandsMaybe the sky is green and we’re just colorblind, MIT List Visual Arts Center, Cambridge, Boston, UK [website] Centre pour l’Image Contemporaine Saint-Gervais, Genève, Switzerland 2000 Finale di Partita/ Endgame / Fin de Partie, Piazza Ognissanti, Florence, Italy [catalogue] Brussel, Kruispunt der Kulturen, Expositions du Palais des Beaux Arts / Tentoonstellingen van het Paleis voor Schone Kunsten, Brussels, Belgium [catalogue] Diasporical Thoughts, Tacktoren Kortrijk, Belgium Eine Munition Unter Anderen, Frankfurter Kunstverein, Frankfurt, Germany [publication] Agitated Histories: Video Art and the Documentary, Cranbrook Art Museum, Bloomfield Hills, Michigan, USA [catalogue] International Videogramme, Trafo-house of Contemporary Arts, Budapest, Hungary No vacancies, Galerie Barbara Thumm, Berlin, Germany Widerspenstige Praktiken, Im Zeitalter von Informations– und Biotechnologien, Shedhalle, Zürich, Switzerland [publication - website] Zentrum für Kunst und Medientechnologie | ZKM, Karlsruhe, Germany Art Unlimited Basel Art Fair, Basel, Switzerland [catalogue – CD-Rom – website] Voilà, Le Monde dans la Tête, Musée d’Art Moderne de la Ville de Paris, Paris, France [catalogue] Anywhere But Here, Artist Space, New York, USA [website] La vérité est ailleurs, Centre pour l’Image Contemporaine, Saint-Gervais, Genève, Switzerland Lost Nation, a library, Forum Stadtpark, Graz, Austria Family Viewing, as part of the The Cool World: Film & Video in America 1950–2000The American Century, Part II: 1950–2000, Whitney Museum of American Art, New York, USA [catalogue] Edit, Badischer Kunstverein, Karlsruhe, Germany [catalogue] 1999 Das XX-Jahrhundert – Ein Jahrhuert Kunst in Deutschland, Nationalgalerie im Hamburger Bahnhof, Berlin, Germany [catalogue] Fireworks, DE APPEL, Amsterdam, the Netherlands Interarchiv, Kunstraum der Universität Lüneburg, Lüneburg, Germany [website – publication] Lè Grând Præmière Opénïng Shöw, Galleri Nicolai Wallner, Copenhagen, Denmark War Zones, Presentation House Gallery, Vancouver, Canada [catalogue] Space Place, Kunsthalle Tirol, Tyrol, Austria Lost Nation, a library, Beursschouwburg, Brussels, Belgium Spiral TV, Spiral Building /Wacoal Center, Tokyo, Japan Collection de MNAM Centre Georges Pompidou at ARC, Musée d'Art Contemporaine de la ville de Paris, Paris, France 1998 Twee uur breed of twee uur lang, Koninklijk Museum voor Schone Kunsten, Antwerp, Belgium [catalogue] XXIV Biennial Sao-Paulo, Sao-Paulo, Brazil [catalogue] The Cinema Project—Das Tarantino Syndrom, Künstlerhaus Bethanien, Berlin, Germany Ludwig - Suermondt Museum, Aachen, Germany MuuMediaFestival, Helsinki, Finland [website] Reservate der Sehnsucht, Dortmunder U, Dortmund, Germany [catalogue] Revolution 98, Corner House / ISEA, Manchester Mächtig Gewaltig, ACC Galerie, Weimar [CD-Rom – website] Videostore!, Bricks and Kicks, Vienna, Austria A Day in the Life, The Crimean Project / Part I, Soros Center for Contemporary Art (SCCA), Kiev, Ukraine [website] Global Visions II, Deste Foundation, Athens, Greece Two hours wide and two hours long, Centro Cultural de Belèm, Lisbon, Portugal [catalogue] When Worlds Collide, Centre for Contemporary Arts, Glasgow, UK [publication] Kunsthaus Zürich & Schirn Kunsthalle Frankfurt, Germany [catalogue] '68 - '98: trente ans de film militant… et quelques restes, Centre pour l'Image Contemporaine, Genève, Switzerland [website] Biennale de l'image, de très courts espaces de temps, Caisse de Dépot, Paris, France [catalogue – website] Herzliya Museum of Art, Tel Aviv, Israel Wounds, between Democracy and Redemption in Contemporary Art, Moderna Museet, Stockholm, Sweden [catalogue] Fast Forward, 'IMAGE', Kunstverein in Hamburg, Germany [catalogue] Arkipelag, Nordic Museum, Stockholm, Sweden [catalogue] Airport, Nederlands Foto-Instituut, Rotterdam, the Netherlands [publication – website] Places to stay #2, Dorothy doesn't live here anymore, Büro Friedrich, Berlin, Germany [CD–Rom – publication] 1997 Interarchiv, The Kunstraum der Universitat Lüneburg in co-operation with Hans–Peter Feldmann & Hans Ulrich Obrist, Lüneburg, Germany [catalogue] Rencontre Vidéo Art Plastique, Centre d'Art Contemporain de Basse Normandie, Hérouville-Saint-Clair, France [catalogue] Selected Memories, Paleis voor Schone Kunsten, Brussels, Belgium [catalogue] Zones of Disturbance, Steirischer Herbst, Graz, Austria [catalogue] Knowledge / Power / Control, Northern Center for Photography, Helsinki, Sweden [catalogue] En Collection, De Witte Zaal, Ghent, Belgium [catalogue] Documenta X, Kassel, Germany [publication] Espèces d'Espace, Made in France, MNAM, Centre Georges Pompidou, Paris, France Art video / catastrophe et nativité: TV trauma, Musée Royal de Mariemont, Mariemont, Belgium 1996 Arte E Media, Palazzo delle Esposizionni, Rome, Italy Centro Galego De Arte Contemporanea, Santiago De Compostela, Spain The world over Under Capricorn, Art in the age of globalisation, Stedelijk Museum, Amsterdam, the Netherlands [catalogue] City Gallery, Wellington, New Zealand Video from the centre Georges Pompidou, Artist Space, New York, USA How is everything?, Kunstbunker, Nürnberg, Germany Landesmuseum, Innsbrück, Austria Vereinigung Bildener Künstler, Wiener Secession, Wien 1995 Semaine Internationale de Vidéo, St. Gervais-Genève, Genève, Switzerland [catalogue] Fri-Art Centre, Fribourg Noevas tendencias, Museo Nacional Centro de Arte Reina Sofia, Madrid, Spain Quarters, Old Bonnefanten Museum, Maastricht, the Netherlands TANZ–Geschichten 20: Hybridance – Vermischung der Genres, Cinemathek, Museum Ludwig, Köln, Germany [website] Kanagawa Arts Foundation, Japan Points de Vue / Viewpoint [Images d'Europe], Museum voor Hedendaagse Kunst MUHKA, Antwerp, Belgium [catalogue] MNAM, Centre Georges Pompidou, Paris, France Paleis voor Schone Kunsten, Brussels, Belgium Cinématheque Yerevan, Armenia Kunstencentrum STUK, Leuven, Belgium 1994 Vigilando las fronteras, Casa de Cultura de Intxaurrondo, San Sebastian, Spain [publication] Musée d'art Moderne et d'Art Contemporaine, Nice, France New Visions, Glasgow, UK Espace Lyon d'Art Contemporain, Lyon, France The Pleasure Dome, Toronto, Canada Monitor, Paleis voor Schone Kunsten, Brussels, Belgium Casa de Cultura de Larrotxene — Intxaurrondo, Larrotxene, San Sebastian, Spain Zentrum für Kunst und Medientechnologie | ZKM, Karlsruhe, Germany 1993 Films by young New York filmmakers, W 139, Amsterdam, the Netherlands In search of..., Information Gallery, New York, USA 1992 The Perverse Double, Longwood Arts Gallery, Bronx Council on the Arts, New York, USA [publication] 1991 Never one without the other, Rivington Gallery, New York, USA 1989 De ente et essentiae Lijn 9, Klapstuk, University of Leuven, Department of Philosophy, Leuven, Belgium [catalogue] Awards & Grants2018 Winner Ultima for film, annual Flemish culture award, BE 2017 Winner Ensor for Best Documentary, Film Festival Oostende, BE 2016 Winner Time of History | Tiempo de Historia Award (Best Documentary), Semana Internacional de Cine de Valladolid Best Documentary Feature film, Edinburgh International Film Festival, UK Honourable Mention, International Feature Documentary Award, Guanajuato Int. Film F, MX 2013 Finalist for the Gucci Tribeca Documentary Fund, Tribeca Film Institute 2012 Sundance Documentary Film Program (co-production grant for Shadow World) Cinereach Vital Projects Fund for Shadow World 2010 Grand Prize New Media Film Festival, Los Angeles 2009Black Pearl Award for Best New Documentary Director, Middle East International Film Festival, Abu Dhabi Nominated, Best World Documentary, Jihlava International Documentary film Festival, Jihlave Czech Republic Special Mention, 9th Era New Horizons International Film Festival, Wroclaw Special Mention, Image Forum Festival, Yokohama 2007 Nomination for Best Experimental Film and Best Cinematography, Byron Bay Film Festival, Australia Nomination Vlaamse Cultuurprijzen, Ghent Special mention, 10th International Video festival Videomedeja, the Museum of Vojvodina, Novi Sad 2006 Nomination Hugo Boss Prize, Solomon R. Guggenheim museum, New York First Prize Winner Canariasmediafest, Gran Canaria Spirit Award Winner, Best experimental Film, Brooklyn International Film Festival, New York First Prize European Media Award Festival, Osnabrück 2005 First Prize Winner of the Medienkunstpreis, Karlsruhe International Media Award SWR | ZKM, Karlsruhe Special mention of the Film Critics Jury, Art Film Biennale Cologne, Cologne First Prize Winner of the International Media Art Award 2004-2005Goethe Institut, Barcelona 1998Golden Spire Winner Best Director, San Francisco International Film Festival, San Francisco Director's Choice Award, The Images Festival, Toronto 1994First Prize Best Videocreation, Muestra Internacional de Video de Cádiz, Cádiz1993First Prize, Grand Prix de la Ville de Genève, de Vidéo Saint-Gervais, Genève 1992Award-Winner, Experimental Documentary, Baltimore Filmforum, Baltimore 1987Foundation Paul de Vigne, Koninklijke Academie voor Schone Kunsten, Ghent 1985Daedalus Prize, Prize of Originality, Kunst & Vliegwerk, Koninklijke Academie voor Schone Kunsten, Ghent

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