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blinkvideo - research of video art, performance and multimedia installations.

blinkvideo - research of video art, performance and multimedia installations.


blinkvideo the platform for . . .

artists we provide a platform for extensive presentation of media works, gallerists get a direct contact to international professional audiences, collectors find a worldwide overview of contemporary trends in moving image, curators can do research via keywords and compilations, teachers use presentation opportunities for students and all professionals get password protected, extensive information about video works worldwide.

Moving Images / Moving Bodies
Online screening programme in cooperation
with the Goethe-Institut Bulgaria

Curated by Ludwig Seyfarth

Research into the human body and interpersonal relationships remain central themes in video and moving image art. Artists from Bulgaria and Germany, whose work is related in content, will be shown in pairs over the next weeks. The exhibition planned for November 2020 in Sofia has been postponed until 2021. Instead, a consecutive presentation of selected films by artists from Moving Bodies/Moving Images is presented on blinkvideo.
image: © Elitsa Dimitrova

Shooting Ghosts
Online screening programme in cooperation
with the Goethe-Institut Bulgaria

Curators: Kalin Serapionov, Krassimir Terziev

What we propose in this programme is a highly subjective and fragmented view on current practices in moving image in the Bulgarian art scene. We focused on practices that show affinity with speculative narratives - narratives that not just record what is in front of the cinematic eye, but also capture all the ghosts that are unreachable by the apparatus, thus projecting speculative views that intend not merely to describe, but to transform the world.
image: © Veneta Androva

UNSTILLED LIFE: Artist Animations 1980-2020
Curated by Emma Cousin and Paul Carey-Kent

Why this show, here and now? British artist-curator Emma Cousin and writer-curator Paul Carey-Kent recently pulled together a choice of artist animations, thinking that the increasingly vibrant medium is especially suited to the online emphasis of the locked down art world of 2020. Three of them turned out to be represented by Ron Mandos, making the Amsterdam gallery ideal hosts. The cast is international, and to reflect that Tintype gallery in London and Hamburg’s blinkvideo have joined in with variations on the programme. 
Markus Vater Worlds don’t come easy, 2020

Expanding Bauhaus.
New Reflections on the Bauhaus Movement in Time-Based Media Art / Goethe Institute Netherlands

A screening series selected by Elke Kania (Cologne), Julia Sökeland (Hamburg) and Ludwig Seyfarth (Berlin)

With its combination of various arts such as painting, photography film, architecture, fashion, product and interior design and textile art, the Bauhaus is still considered the epitome of a technologically advanced modernity. Last but not least, the attempt to create the whole society aesthetically, inspired many artists worldwide.
Image: © Adnan Softic

Featured videos

Alexandra Meijer-Werner
Kreislauf / cycle … revolution … circulation, 1997

Kreislauf is an oneiric trip about the continuous cycle of human rebirth. Our dreams create the fabric in which the threads or individual tendencies appear and disappear, only to become visible once again. The dynamic of this video is a weave of repetitions and juxtapositions of the experiences that create the dance of life. Everything is cyclic, nothing disappears; everything is perpetually mutating in landscapes of anguish and joy, violence and calm, solitude and union. The traveler is the active force of his own fate when he realizes that what is most significant in life is the act of living itself.

Björn Braun
without title (excerpt), 2012

Sandra Boeschenstein
Besuchte Linie auf Granit, 2014

I encountered the roundworm in the Alps when I attempted to repair the water catchment of the cabin after a storm. I wished for this animal found at the spring to be a visited line, then searched for potential visitors and found, just nearby, a nest of firebugs in a dried chestnut leaf, which I placed just outside of the image field. The granite slab, roundworm, bugs’ nest and a fly lived their lives within a radius of 100 meters. My part in this was to bring them into direct proximity for the duration of an hour, to focus my camera and to breathe onto the upper part of the lens, in order to increase the atmospheric depth of the picture. Finally, to come to the allegation I’ve made via the title that something was a line that actually is an animal (when normally, in a contrary approach, characteristically formed lines represent animals or the like). The combination of the simplicity in the foundation / bedrock with a simultaneous insecurity in view of scale and nature of this white line, holds my fascination.

Isabella Fürnkäs
In Ekklesia, 2015

The title, ‘In Ekklesia,’ comes from the Greek word ‘ecclesia,’ which refers to the democratic parliament that served Athens in its halcyon days by being open to male citizens every other year. Solon, an Athenian legislator and a sage, allowed all citizens to serve the parliament regardless of their social class in BC 594. The Ecclesia made decisions about war, military strategies, and all judicial and administrative issues. This work satirizes various facets of humans and machines in the 21st century, unconsciously within a dystopian environment. Isabella Fürnkäs introduces a method of combining and overlaying countless images in her work, providing the new experience of sensations that act in ambiguous flows, movements, interference, and interjection. The piece is about the new metaphysical and material connections appearing through digital conversations that are divorced from the general notion of time and space, as well as isolation and alienation. Text by Hyun Jeung Kim (Nam June Paik Art Center Seoul)

Ryan Gander
Man on a bridge - (A study of David Lange) , 2008

A digital video transferred from 16 mm film shows a number of slightly differing takes of the same short sequence: A man walks over a bridge and seems to notice something over the railing to his left hand side. As he moves in for a closer inspection, the film cuts, which is then followed by another take of the same shot.

Wim Catrysse
MSR, 2014

On the Kuwait roads the journey goes in a western direction, past military bases and a line of oil transporters. Dreary sound sequences are pumped out by the radio. In the middle of rubbish heaps by the roadside a pack of wild dogs is trying to find shelter from the wind. Wim Catrysse presents the Kuwait desert both as a post-apocalyptic setting and as protagonist. During the journey, the car window is an obstacle, made even more so by the screen. The viewer, dumped in the desert, does not manage to reach it through the window. MSR, the Main Supply Route, is the main highway used to coordinate military operations in the Gulf War in 1990/91 and the War in Iraq in 2003. Filming is forbidden here, so the pack of wild dogs carries the story at first. But their behaviour keeps on bringing the desert into focus as the principal actor. Underlined by the sound track, its seeming hostility to life awakens the impression of a dystopian timelessness reminiscent of the apocalyptic scenarios in films and makes the viewer feel ill at ease. Catrysse examines conventions, both in a political-dogmatic and in a filmic sense.Nathalie Ladermann

Johanna Reich
CRAWLER, 2020

A crawler is a searchbot in the internet which Johanna Reich uses to collect special comments or phrases about the most discussed topics during the last years like A.I., climate change, digital revolution, gender and the turn of democratic systems. Johanna Reich selects several of the collected phrases composing a robot performance: self-driving projectors move across the exhibition space and project comments about a.i., gender or climate change onto the audience and architecture.

Annika Kahrs
solid surface, with hills, valleys, craters and other topographic...., 2014

solid surface,with hills,valleys,craters and other topographic features,primarily made of ice„solid surface, with hills, valleys, craters and other topographic features, primarily made of ice“ is set in a planetarium with a projected starry sky, in the center of which is situated a light spot, that explores the space. The Film deals with the moment, shortly before the actual visualization of pluto’s surface properties, whereas the entire cupola hall of the planetarium serves as a metaphorical projection surface of Pluto. The round light spot formally points to the shape of the celestial object and functions as placeholder for its soon arising image.

Ann Oren
The World Is Mine, 2017

In cosplay of the Japanese cyber diva Hatsune Miku, the artist moved to Tokyo, seeking an identity in the world of Miku fanatics, where she was drawn into a love affair with one of the fans. Miku is a Vocaloid, a vocal synthesizer software personified by a cute animated character. Her entire persona: lyrics, music and animation – is fan created, and that's her charm. She even performs sold out concerts as a hologram. By transforming herself into a Miku character through cosplay, Oren enters a world of real hardcore fans where fantasy is more real than reality and the differentiation between the two becomes obsolete. The film examines the performative nature of cosplaying – dressing up and playing the role of fictional characters – as a hybrid space where reality blurs into fetishistic fantasies and pop culture clichés. Combining fan-made lyrics and songs, Oren's trials and tribulations in the fictional Miku world unfolds through vague erotic episodes and encounters with characters whose ontological status remains mysterious, bringing to mind the adventures of a modern Alice in a virtual Wonderland.

Jonathan Monaghan
Den of Wolves, 2020

Den of Wolves is a seamlessly-looping video installation drawing on a range of references to weave a new multi-layered mythology. The work follows three bizarre wolves through a series of increasingly surreal retail stores as they search for the regalia of a monarch. Composed of one continuous camera shot, the work is an immersive, dreamlike journey drawing connections between popular culture, institutional authority and technological over-dependence.

Stefan Panhans
HOSTEL Sequel #1: Please Be Careful Out There, Lisa Marie – H.V.Installation Mix, 2018

At transmediale, Stefan Panhans and Andrea Winkler show their work HOSTEL Sequel #1: Please Be Careful Out There, Lisa Marie – Hybrid Version, a new project that combines film, installation, and staccato stage reading (on blinkvideo we are showing a trailer of the integrated film). With everyday racism, celebrity worship, stereotypes, and the dominating power of the economic all on the rise, precariously and flexibly traveling cultural workers of different origin deliver a sort of spoken word battle about their experiences and dreams. They constantly switch roles and, at the same time, form a choir that clashes with the rapped reports of everyday life. As in a collaborative gymnastic exercise—surrounded by scenery made up of set pieces from outfits of airports, hostels, and courier services, from self-optimization tools and game show displays—they fight for a voice and to be heard, building new alliances along the way. for more information: opening of transmediale

Mariola Brillowska
Children Of The Devil, 2011

Mariola Brillowska’s animation film relates the total collapse of the family system in the 21st century. Six cartoon episodes present an unsparing account of how children become murderers of their parents.

Julia Charlotte Richter
Point Blank, 2019

“Point Blank” refers to a film scene from "The Misfits" (1961) that is now re-enacted and further contextualized. In the original scene, the recently divorced main character Roslyn (Marilyn Monroe) rises up against three worn-out cowboys and, in the middle of the desert, confronts the men with all their lacks and lost dreams. In “Point Blank”, we see a young woman wandering around in surreal desert landscapes, a journey into the remoteness of the world and her own inner life. With every step out into the desert, the girl descends into her own depths searching for a place that seems to be suitable for her emotions and words. Unlike Roslyn, the young woman now refers to absent addressees: "Liars", "Murderers" and "Dead Men" she screams and turns around wildly. The words, which spread like bullets in the air, fall back on her. Except for a faint echo, there is no resonance at this place that depicts the obsessions of a distorted, patriarchal society and has become a dramatic backdrop of yearnings within the collective history of cinema. Where Roslyn was able to elicit a terrified astonishment from the three men, the character in Julia Charlotte Richter's video remains to herself and unheard, the desert as the only witness of her manifesto, her anger and her strength.

Ulrich Polster
Frost, 2003 / 2004

The night city. Industrial ruins filmed in contrejour. Memories from childhood. Different places and times combined at the mountain. It is a hollow portrait of Eastern Europe that carries the traces of its history.

Ene-Liis Semper
FF REW, 1998

Dimitri Venkov
The Hymns of Muscovy, 2018

The film is a trip to the planet Muscovy, which is an upside down space twin of the city of Moscow. As the title of the work suggests, the journey also takes us back in time. Gliding along the surface of the planet, we look down to the sky and see historic architectural styles fly by - the exuberant Socialist Classicism aka Stalinist Empire, the laconic and brutish Soviet Modernism, and the hodgepodge of contemporary knock-offs and revivals of the styles of the past. An essential companion to this journey through time and space are Hymnic Variations on the Soviet anthem by the composer Alexander Manotskov. The anthem was written in 1943 and has undergone three editions of lyrics yet musically remained unchanged to now serve as the official anthem of the Russian Federation. Manotskov used an early recording of the anthem as source material to create three electronic variations each corresponding to an architectural style. As if in a twist of Goethe’s phrase, architecture plays its frozen music. Look closely, can you hear it?

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blinkvideo is a website for the research of video art. Founders: Julia Sökeland, Anita Beckers. blinkvideo ist eine Plattform zur Recherche nach Videokunst

Erik Levine

Works


Galleries

for further information contact blinkvideo
Germany

Phone: +49 40 22748986
E-Mail: info@blinkvideo.de




Biography

Education

1980 –1981 California State University Northridge
1982 University of California Los Angeles
2004 Thomas Edison State College, BA


Selected solo exhibitions

2017
Ludwig Forum Aachen, Germany

2015
Wexner Center for the Arts, Columbus, OH

2012
Tampa Museum of Art, Tampa, FL

2010
Museum of Contemporary Art, San Diego, CA

2007
Space Other, Boston, MA

1999
Galerie Georges-Philippe & Nathalie Vallois, Paris, France

1998
Museum Pfalzgalerie Kaiserslautern, Germany

1996
Galerie Georges-Philippe & Nathalie Vallois, Paris, France One Great Jones, New York, NY

1995
Galerie Bela Jarzyk, Cologne, Germany Galerie Bernd Klüser, Munich, Germany

1994
Ruth Bloom Gallery, Santa Monica, CA

1993
Städtische Galerie im Lenbachhaus, Munich, Germany
Galerie Bernd Klüser, Munich, Germany
Worcester Art Museum, Worcester, MA
Madison Art Center, Madison, WI

1992
Centre d’Art Contemporain de Vassivière en Limousin, France

1991
Galerie Georges-Phillipe & Nathalie Vallois, Paris, France

1990
Meyers/Bloom Gallery, Santa Monica, CA Diane Brown Gallery, New York, NY

1989 The Louisiana Museum of Modern Art, Humlebæk, Denmark
Diane Brown Gallery, New York, NY
Fundacio Joan Mirò, Barcelona, Spain
Halle Sud, Geneva, Switzerland
Brandts Klædefabrik, Denmark

1988
Diane Brown Gallery, New York, NY


Selected group exhibitions

2017
Dying well—False death, Museum für Neue Kunst, Freiburg, Germany
Videonale.16, Kunstmuseum, Bonn, Germany

2016
getting across: an exhibition on borders, India International Centre, New Delhi, India

2015
Rodin to Warhol: 60th Anniversary Gifs and Recent Acquisitions,
McNay Art Museum, San Antonio,
TX A Legacy of Art Loved: Gifts from Robert and Dorothy Shapiro,
Museum of Contemporary Art, San Diego, CA

2013
Someone Else, curated by Leonhard Emmerling,
Dunedin Art Gallery, Dunedin, New Zealand,
(traveled to Oberösterreichisches Landesmuseum, Linz, Austria)

2011
Videonale.13, Kunstmuseum, Bonn, Germany,
(traveled to BWA Gallery, Katowice, Poland, Gallery of Modern Art,
Glasgow, United Kingdom, and the National Taiwan Museum of Fine Arts, Taichung, Taiwan)

2010
video_dumbo, curated by Caspar Stracke and Gabriela Monroy, Brooklyn, NY
Pleasure Point: Celebrating 25 Years of Contemporary Collectors,
Museum of Contemporary Art San Diego, San Diego, CA
14th Annual ASU Art Museum Short Film And Video Festival,
Arizona State University Art Museum, Tempe, AZ

2009
Vortexhibition Polyphonica, Henry Art Gallery, Seattle, WA
13th Annual ASU Art Museum Short Film And Video Festival,
Arizona State University Art Museum, Tempe, AZ
Athens Video Art Festival, Athens, Greece
Extremely Shorts, Aurora Picture Show’s 12th Annual
Extremely Shorts Film Festival, Houston, TX

2008
12th Annual ASU Art Museum Short Film And Video Festival,
Arizona State University Art Museum, Tempe, AZ
Altered Geometry: Contemporary Sculpture from MMoCA’s
Collection, Madison Museum of Contemporary Art, Madison, WI

2007
Offside, ST PAUL St Gallery, Auckland University of Technology, Auckland, New Zealand
Finding Form, Atlanta Contemporary Art Center, Atlanta, GA

2006
Recent Acquisitions: Gifts of Art, Museum of Fine Arts, Boston, MA
Big Juicy Paintings (And More), Highlights from the Permanent Collection,
Miami Art Museum, Miami, FL

2001
Obsessive Drawing, Delaware Center for the Contemporary Arts, Wilmington, DE
Energy Inside, Faulconer Gallery, Grinnell College, Grinnell, IA

1999
Points of Departure: Drawings from the Permanent Collection,
Orange County Museum of Art, Newport Beach, CA
Art on Paper—The Dillard Collection 1964–1999, Weatherspoon Art Gallery, Greensboro, NC Hindsight, Whitney Museum of American Art, New York, NY

1997
Works On Paper, Weatherspoon Art Gallery, Greensboro, NC

1996
Chimériques Polymères, Musée d’Art Moderne et d’Art Contemporain de Nice, Nice, France

1995
Machine, Newport Harbor Art Museum, Newport Beach, CA

1993
Skulptur, Galerie Vier, Berlin, Germany

1991
Object Lessons, Portland Art Museum, Portland, OR

1990
Half-Truths, curated by Marge Goldwater, The Parrish Art Museum, Southampton, NY

1989
1989 Biennial Exhibition, Whitney Museum of American Art, New York, NY
Awards in the Visual Art 8, High Museum of Art Atlanta, GA
La Jolla Museum of Contemporary Art, La Jolla, CA
Henry Art Gallery, Seattle, WA
The BMW Gallery, New York, NY

1988
The New Poverty II, curated by Collins & Milazzo, Myers/Bloom Gallery, Santa Monica, CA

1987
Inductive Geometries, Diane Brown Gallery, New York, NY
Small Scale Sculpture, Woodruff Arts Center, Atlanta, GA
College of Art, Atlanta, GA
4 × 4 – 3, White Columns, New York, NY

1986
Emerging Sculptors 1986, Sculpture Center, New York, NY
The Constructed Image, Laurie Rubin Gallery, New York, NY
Time After Time, curated by Collins & Milazzo, Diane Brown Gallery, New York, NY


Public collections

McNay Art Museum, San Antonio, TX
Magasin III Museum & Foundation for Contemporary Art, Stockholm, Sweden
The Museum of Fine Arts Houston, Houston, TX
Tampa Museum of Art, Tampa, FL
Norton Museum of Art, West Palm Beach, FL
Museum of Contemporary Art, San Diego, CA
Henry Art Gallery, Seattle, WA
Museum of Fine Arts, Boston, MA
Miami Art Museum, Miami, FL
Des Moines Art Center, Des Moines, IA
Fogg Art Museum, Cambridge, MA
Addison Gallery of American Art, Andover, MA
Whitney Museum of American Art, New York, NY
National Museum of Contemporary Art, Oslo, Norway
Milwaukee Art Museum, Milwaukee, WI
Hirshhorn Museum and Sculpture Garden, Washington, DC
Albright-Knox Art Gallery, Buffalo, NY
Chase Manhattan Bank, New York, NY
The Museum of Contemporary Art, Geneva, Switzerland
High Museum of Art, Atlanta, GA
Louisiana Museum of Modern Art, Humlebæk, Denmark
The Walker Art Center, Minneapolis, MN
Portland Art Museum, Portland, OR
The Museum of Contemporary Art, Los Angeles, CA
Madison Art Center, Madison, WI
Lenbachhaus, Munich, Germany
Brooklyn Museum of Art, Brooklyn, NY
The New School, New York, NY
Orange County Art Museum, Orange County, CA
Weatherspoon Art Gallery, Greensboro, NC
Grinnell College, Grinnell, IA
Fisher-Landau Center, Long Island City, NY
Pfalzgalerie Kaiserslautern, Germany
Staatliche Graphische Sammlung, Munich, Germany
Mead Art Museum, Amherst College, Amherst, M


Awards

2017
Massachusetts Cultural Council Artist Fellowship – Film/Video
2011
Massachusetts Cultural Council Artist Fellowship – Film/Video
2010
Outpost Artists Resources’ Cuts and Burns Residency
2008
Jerome Foundation New York State Council on the Arts Experimental Television Center
2005
New York State Council on the Arts
2004
Nancy Graves Foundation The Rotunda Gallery/BCAT Residency
1999
New York Foundation for the Arts Pollock-Krasner Foundation
1998
Elizabeth Foundation for the Arts
1992
Guggenheim Fellowship
1990
Pollock-Krasner Foundation
1989
National Endowment for the Arts
1988
Awards in the Visual Arts
1987
New York Foundation for the Arts National Endowment for the Arts
1986
Pollock-Krasner Foundation



Erik Levine
Education1980 –1981 California State University Northridge1982 University of California Los Angeles2004 Thomas Edison State College, BASelected solo exhibitions 2017Ludwig Forum Aachen, Germany2015Wexner Center for the Arts, Columbus, OH2012Tampa Museum of Art, Tampa, FL2010Museum of Contemporary Art, San Diego, CA2007Space Other, Boston, MA1999Galerie Georges-Philippe & Nathalie Vallois, Paris, France1998Museum Pfalzgalerie Kaiserslautern, Germany1996Galerie Georges-Philippe & Nathalie Vallois, Paris, France One Great Jones, New York, NY1995Galerie Bela Jarzyk, Cologne, Germany Galerie Bernd Klüser, Munich, Germany1994Ruth Bloom Gallery, Santa Monica, CA1993Städtische Galerie im Lenbachhaus, Munich, GermanyGalerie Bernd Klüser, Munich, GermanyWorcester Art Museum, Worcester, MAMadison Art Center, Madison, WI1992Centre d’Art Contemporain de Vassivière en Limousin, France1991Galerie Georges-Phillipe & Nathalie Vallois, Paris, France1990Meyers/Bloom Gallery, Santa Monica, CA Diane Brown Gallery, New York, NY1989 The Louisiana Museum of Modern Art, Humlebæk, DenmarkDiane Brown Gallery, New York, NYFundacio Joan Mirò, Barcelona, Spain Halle Sud, Geneva, SwitzerlandBrandts Klædefabrik, Denmark1988Diane Brown Gallery, New York, NY Selected group exhibitions2017Dying well—False death, Museum für Neue Kunst, Freiburg, GermanyVideonale.16, Kunstmuseum, Bonn, Germany2016getting across: an exhibition on borders, India International Centre, New Delhi, India2015 Rodin to Warhol: 60th Anniversary Gifs and Recent Acquisitions,McNay Art Museum, San Antonio,TX A Legacy of Art Loved: Gifts from Robert and Dorothy Shapiro,Museum of Contemporary Art, San Diego, CA 2013Someone Else, curated by Leonhard Emmerling,Dunedin Art Gallery, Dunedin, New Zealand,(traveled to Oberösterreichisches Landesmuseum, Linz, Austria)2011Videonale.13, Kunstmuseum, Bonn, Germany,(traveled to BWA Gallery, Katowice, Poland, Gallery of Modern Art,Glasgow, United Kingdom, and the National Taiwan Museum of Fine Arts, Taichung, Taiwan)2010video_dumbo, curated by Caspar Stracke and Gabriela Monroy, Brooklyn, NYPleasure Point: Celebrating 25 Years of Contemporary Collectors,Museum of Contemporary Art San Diego, San Diego, CA14th Annual ASU Art Museum Short Film And Video Festival,Arizona State University Art Museum, Tempe, AZ2009Vortexhibition Polyphonica, Henry Art Gallery, Seattle, WA13th Annual ASU Art Museum Short Film And Video Festival,Arizona State University Art Museum, Tempe, AZAthens Video Art Festival, Athens, GreeceExtremely Shorts, Aurora Picture Show’s 12th AnnualExtremely Shorts Film Festival, Houston, TX200812th Annual ASU Art Museum Short Film And Video Festival,Arizona State University Art Museum, Tempe, AZAltered Geometry: Contemporary Sculpture from MMoCA’sCollection, Madison Museum of Contemporary Art, Madison, WI2007Offside, ST PAUL St Gallery, Auckland University of Technology, Auckland, New ZealandFinding Form, Atlanta Contemporary Art Center, Atlanta, GA2006Recent Acquisitions: Gifts of Art, Museum of Fine Arts, Boston, MABig Juicy Paintings (And More), Highlights from the Permanent Collection,Miami Art Museum, Miami, FL2001Obsessive Drawing, Delaware Center for the Contemporary Arts, Wilmington, DEEnergy Inside, Faulconer Gallery, Grinnell College, Grinnell, IA1999Points of Departure: Drawings from the Permanent Collection,Orange County Museum of Art, Newport Beach, CAArt on Paper—The Dillard Collection 1964–1999, Weatherspoon Art Gallery, Greensboro, NC Hindsight, Whitney Museum of American Art, New York, NY1997Works On Paper, Weatherspoon Art Gallery, Greensboro, NC1996Chimériques Polymères, Musée d’Art Moderne et d’Art Contemporain de Nice, Nice, France1995Machine, Newport Harbor Art Museum, Newport Beach, CA1993Skulptur, Galerie Vier, Berlin, Germany1991Object Lessons, Portland Art Museum, Portland, OR1990Half-Truths, curated by Marge Goldwater, The Parrish Art Museum, Southampton, NY19891989 Biennial Exhibition, Whitney Museum of American Art, New York, NYAwards in the Visual Art 8, High Museum of Art Atlanta, GALa Jolla Museum of Contemporary Art, La Jolla, CAHenry Art Gallery, Seattle, WAThe BMW Gallery, New York, NY1988 The New Poverty II, curated by Collins & Milazzo, Myers/Bloom Gallery, Santa Monica, CA1987Inductive Geometries, Diane Brown Gallery, New York, NYSmall Scale Sculpture, Woodruff Arts Center, Atlanta, GACollege of Art, Atlanta, GA4 × 4 – 3, White Columns, New York, NY1986Emerging Sculptors 1986, Sculpture Center, New York, NYThe Constructed Image, Laurie Rubin Gallery, New York, NYTime After Time, curated by Collins & Milazzo, Diane Brown Gallery, New York, NY Public collections McNay Art Museum, San Antonio, TXMagasin III Museum & Foundation for Contemporary Art, Stockholm, SwedenThe Museum of Fine Arts Houston, Houston, TXTampa Museum of Art, Tampa, FLNorton Museum of Art, West Palm Beach, FLMuseum of Contemporary Art, San Diego, CAHenry Art Gallery, Seattle, WAMuseum of Fine Arts, Boston, MAMiami Art Museum, Miami, FLDes Moines Art Center, Des Moines, IAFogg Art Museum, Cambridge, MAAddison Gallery of American Art, Andover, MAWhitney Museum of American Art, New York, NYNational Museum of Contemporary Art, Oslo, NorwayMilwaukee Art Museum, Milwaukee, WIHirshhorn Museum and Sculpture Garden, Washington, DCAlbright-Knox Art Gallery, Buffalo, NYChase Manhattan Bank, New York, NYThe Museum of Contemporary Art, Geneva, SwitzerlandHigh Museum of Art, Atlanta, GALouisiana Museum of Modern Art, Humlebæk, DenmarkThe Walker Art Center, Minneapolis, MNPortland Art Museum, Portland, ORThe Museum of Contemporary Art, Los Angeles, CAMadison Art Center, Madison, WILenbachhaus, Munich, GermanyBrooklyn Museum of Art, Brooklyn, NYThe New School, New York, NYOrange County Art Museum, Orange County, CAWeatherspoon Art Gallery, Greensboro, NCGrinnell College, Grinnell, IAFisher-Landau Center, Long Island City, NYPfalzgalerie Kaiserslautern, GermanyStaatliche Graphische Sammlung, Munich, GermanyMead Art Museum, Amherst College, Amherst, MAwards2017Massachusetts Cultural Council Artist Fellowship – Film/Video2011Massachusetts Cultural Council Artist Fellowship – Film/Video2010Outpost Artists Resources’ Cuts and Burns Residency2008Jerome Foundation New York State Council on the Arts Experimental Television Center2005New York State Council on the Arts2004Nancy Graves Foundation The Rotunda Gallery/BCAT Residency1999 New York Foundation for the Arts Pollock-Krasner Foundation1998Elizabeth Foundation for the Arts1992Guggenheim Fellowship1990 Pollock-Krasner Foundation1989 National Endowment for the Arts1988Awards in the Visual Arts1987New York Foundation for the Arts National Endowment for the Arts1986Pollock-Krasner Foundation

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