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blinkvideo - research of video art, performance and multimedia installations.

blinkvideo - research of video art, performance and multimedia installations.


Moving Images / Moving Bodies
Online screening programme in cooperation
with the Goethe-Institut Bulgaria

Curated by Ludwig Seyfarth

Research into the human body and interpersonal relationships remain central themes in video and moving image art. Artists from Bulgaria and Germany, whose work is related in content, will be shown in pairs over the next weeks. The exhibition planned for November 2020 in Sofia has been postponed until 2021. Instead, a consecutive presentation of selected films by artists from Moving Bodies/Moving Images is presented on blinkvideo.
image: © Elitsa Dimitrova

Shooting Ghosts
Online screening programme in cooperation
with the Goethe-Institut Bulgaria

Curators: Kalin Serapionov, Krassimir Terziev

What we propose in this programme is a highly subjective and fragmented view on current practices in moving image in the Bulgarian art scene. We focused on practices that show affinity with speculative narratives - narratives that not just record what is in front of the cinematic eye, but also capture all the ghosts that are unreachable by the apparatus, thus projecting speculative views that intend not merely to describe, but to transform the world.
image: © Veneta Androva

Moving Images / Moving Bodies

 ‘Moving Images Bulgaria-Germany’ is a project by Goethe-Institut Bulgaria, that includes various online and offline initiatives, starting in November 2020. The online program, realised in partnership with blinkvideo, will consist of two curated programmes: “Moving Images / Moving Bodies”, curated by Ludwig Seyfarth, and “Shooting Ghosts”, curated by Krassimir Terziev and Kalin Serapionov.

First the programme “Shooting Ghosts” will give a selected overview of video art in Bulgaria in general. The programme will be accompanied by an in-depth essay by Krassimir Terziev as well as texts by different authors or the artists themselves on individual films.

Critics’ Pick: Vienna by Nicole Büsing + Heiko Klaas

The group show “Antarctica. An Exhibition on Alienation” was presented in Vienna during the past winter season. Departing from a note written by the Italian cult director Michelangelo Antonioni referring to a potential glacier melting in the Antarctica and a hint to a film, the two curators from the Kunsthalle Wien, Vanessa Joan Müller and Nicolaus Schafhausen, conceived an exhibition on the topic of alienation and contemporary art. The focus was on the latest contemporary photography and video art by the younger generation of artists.
Image: © Isabella Fürnkäs

UNSTILLED LIFE: Artist Animations 1980-2020
Curated by Emma Cousin and Paul Carey-Kent

Why this show, here and now? British artist-curator Emma Cousin and writer-curator Paul Carey-Kent recently pulled together a choice of artist animations, thinking that the increasingly vibrant medium is especially suited to the online emphasis of the locked down art world of 2020. Three of them turned out to be represented by Ron Mandos, making the Amsterdam gallery ideal hosts. The cast is international, and to reflect that Tintype gallery in London and Hamburg’s blinkvideo have joined in with variations on the programme. 
Markus Vater Worlds don’t come easy, 2020

Something Between Us
KAI 10 | ARTHENA FOUNDATION, Düsseldorf

The exhibition „Something Between Us“ focuses on both our contemporary lives and the anthropological constants of interpersonal dealings: love, empathy, security, care and safety on the one hand, and hate, role fixation, dependency, reprimand and exclusion on the other. Something Between Us asks how these structures of togetherness are changing in our digital era.
Thomas Taube OCCIDENT, 2020

REFRACTED REALITIES at VIDEONALE.17

In optics, “refraction” refers to the bending of a beam of light, a change in direction which occurs at the moment when it passes from one medium to another. Through refraction, the light wave alters course, changing the way we perceive the objects it illuminates in the process. This optical deviation requires us to repeatedly correct our gaze, comparing the beginning and end points of our perception with reality, and bringing the object we see clearly into focus. In its figurative sense, refraction refers to a critical reflection on the means and channels of visualization, and by extension the possibility of a rearticulation of our view of things – how they are, were, or apparently always have been.
Image: © Sohrab Hura

NEW: Favorites curated by blinkvideo users

What do you like? Over the next few months, we will be showing here selections of works, compiled by you, as a blinkvideo user.

Stefano Miraglia: Hey Blinkvideo members! Here are my eight "must watch" films and videos. Happy to find in this catalogue some of the works that got me interested in artists' moving image when I was a student! (Guillaume Leblon! Daniel Steegmann Mangrané! Marylène Negro!).

Expanding Bauhaus.
New Reflections on the Bauhaus Movement in Time-Based Media Art / Goethe Institute Netherlands

A screening series selected by Elke Kania (Cologne), Julia Sökeland (Hamburg) and Ludwig Seyfarth (Berlin)

With its combination of various arts such as painting, photography film, architecture, fashion, product and interior design and textile art, the Bauhaus is still considered the epitome of a technologically advanced modernity. Last but not least, the attempt to create the whole society aesthetically, inspired many artists worldwide.
Image: © Adnan Softic

Johan Grimonprez

Johan Grimonprez’s critically acclaimed work dances on the borders of practice and theory, art and cinema, documentary and fiction, demanding a double take on the part of the viewer. Informed by an archeology of present-day media, his work seeks out the tension between the intimate and the bigger picture of globalization. It questions our contemporary sublime, one framed by a fear industry that has infected political and social dialogue. By suggesting new narratives through which to tell a story, his work emphasizes a multiplicity of realities.
image: © Johan Griminprez

Christoph Faulhaber: Revolution & Architecture

With "Revolution & Architecture" Christoph Faulhaber (* 1972 in Osnabrück, lives in Hamburg) conceives, builds, designs and opens a whole series of very different rooms in the Kunsthalle Osnabrück. In order to discover the revolutionary aspect of these "architectures", one has to look at the social implications of interior design in general. In the forum the visitor then enters Faulhaber's cinematic autobiography "Every Picture is an Empty Picture" as in the eye of the cyclone: The work is split into 15 individual films and surrounds the visitor in a circle.
Image: © Christoph Faulhaber

Stiftung imai – inter media art institute

The Düsseldorf based foundation imai – inter media art institute was founded in 2006 in order to establish an institution in Germany dedicated to the distribution and preservation of media art and associated activities.
Image: © Marcel Odenbach

Featured videos

Markus Vater
Im Wald (perfect day), 2011

This Animation has developed from a colloboration with the dutch poet Tjitske Jansen. Initially it reacted on a text of hers dealing with memories in her life. All memories were about events in which she didn’t understand the concepts and actions that had happened, but which she understands now.

Pratchaya Phinthong
A proposal to set (work in progress), 2016

A proposal to set CH4*5.75H20 on fire (work in progress) is an ongoing project that explores methane hydrate, an ice compound that has been identified by scientists as an alternative fuel of future energy. Found in large quantities beneath Arctic permafrost, Antarctic ice and sedimentary deposits, methane hydrate releases natural gas when exposed to increases in temperature or decreases in pressure.Gas released by methane hydrates can be lit, which produces a semi-transparent orange and blue flame.This 16 mm film shows samples of methane hydrates.Through the mobilisation and connection of individuals working across geology, science and art, the project generates awareness of methane hydrate, its chemically volatile nature and implications for energy industries.The film itself performs a kind of material transfer, capturing light emitted by the burning samples and projecting it into the gallery space. For Phinthong, each iteration of the project is a form of extraction that makes its subject more widely visible. Filmed by Phuttipong Aroonpheng. Made with the support of Oleg Blouson,Andrey Khabuev and Oleg Khlystov at the Limnological Institute, Irkutsk, Russia.

Ryan Gander
And You Will be Changed , 2014

'And You Will be Changed (Centre Pompidou, Paris)', 2014, follows curator Emma Lavigne around the empty Centre Pompidou in Paris as she presents the viewer with a tour of an empty space that had housed a now uninstalled Pierre Huyghe exhibition. The show is imagined and told by Lavigne as if the artworks were still there. Exhibited: - Pierre Huyghe +/–,The Artist’s Institute, New York, 2014
- Nouveau Festival (5th Edition), Musée d’Art Moderne, Centre Pompidou, Paris, 2014

Deimantas Narkevicius
Ausgeträumt, 2010

The German word ‘Ausgeträumt’ means a state between dream and reality at the point of waking up.The very first creative attempts by any artist are usually very positive, unaffected by criticism, even naive activities. Refering to myself, I had to be absolutely naive to choose to be a visual artist, in the late 80's when in the Soviet Union, everything was falling apart. There was no precedent of success, or an example to follow in the country which was still isolated. With this film I am re-approaching the state of naivety.

Katja Aufleger
LOVE AFFAIR, 2017

Several lights get shot successively. Some crush at once, quiet or with a blast, others seem like trying not to die.

Janet Biggs
Vanishing point, 2009

Luzia Hürzeler
Being in the Picture, 2007/08

Im Bilde sein [Being in the Picture] is a video installation. The monitor stands on a two-meter-high plinth. The video shows a white wall in front of which my head becomes visible, fully or partially, at short or long intervals. I keep jumping up into the picture, making myself visible through physical activity. These efforts become apparent through the sounds. The jumping height, and thus my visibility, decreases over time, until I finally give up through exhaustion.On the occasion of the exhibition “Spazi aperti” this work was displayed in the entrance hall of the Romanian Academy in Rome, where a number of monumental busts are mounted on plinths.

Johanna Reich
Horizon, 2012

The artist is drawing a line onto a white surface. The line reveals the horizon: it separates the sea from the sky. "To draw a line": this phrase already linguistically contains many different meanings. Beginning with the famous line – the one that cannot be crossed politically – via the (guide)line that is also the conceptual standard, to the simple strike placed beneath an addition, these are key points on the spectrum.“When Johanna Reich draws a line with a broad brush onto a wall, additional content comes into play. There is the track which children draw onto the wall with chalk, the traditional artist myth of the line as a vivid track of creative process, and last but not least the powerfully picturesque action of splattering the wall.”(Johannes Stahl)Johanna Reich (*1977 Minden) studied at the Kunstakademie Münster, the HfbK Hamburg and the Kunsthochschule für Medien Köln. She lives and works in Cologne.

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blinkvideo is a website for the research of video art. Founders: Julia Sökeland, Anita Beckers. blinkvideo ist eine Plattform zur Recherche nach Videokunst

Anna McCarthy

Works


Biography

Born 1981, British
Currently living and working in Germany

Education

2002-2009 Academy of Fine Arts Munich, Sculpture (Diploma)
2005-2007 Glasgow School of Art, Environmental Art (BA Hons)
2001-2002 Kingston University of Art & Design, London, Foundation Studies

Exhibitions

2015
JAHRESGABEN, Kunstverein Munich
FASSBINDERTAGE, Munich
BIENNIAL OF CONTEMPORARY ART, D-0 ARK Underground, Konjic, Bosnia und Herzegovina
HOUSE FOR THEM ANCESTORS – Musique d'Ameublement, w/ Manu Rzytki, Kunstraum Munich

2014
NEIN – Anna McCarthy, PLATFORM, Munich
WHICH SUPERMARKET ARE YOU? w/ Manuela Gernedel, Morag Keil,, LISZT, Berlin
SHELTERS, SHACKS, AND SHANTIES, Galerie Esther Donatz, Munich
LABORATORY AIM DENSITY + APOCALYPSE LAUW TOUR, Knust/Extrapool Nijmegen , Glasmoog Cologne, Wolfart Rotterdam, Worm Rotterdam, Butcher’s Tears Amsterdam
HOW TO START A REVOLUTION: THE MUSICAL, Maximiliansforum, Munich
HEUTE NACHMITTAG: ALS WIR NOCH AN WAS GLAUBTEN, 1914/2014. Die Neuvermessung Europas, Munich
USE 2 B USB - w/ Rebecca Stephany, RongWrong, Amsterdam

2013
HOW TO START A REVOLUTION – The Musical, Festival of Independents, Haus der Kunst, Munich
II : NA-EN-DE-NA-EN-DE-NA-WI-DA : II, Schaustelle/Pinakothek der Moderne, Munich
DAS ALLERLETZTE PROF. WINKLER STIPENDIUM, Kunstverein Weiden
LIBER LIBRI (Objekt- und Künstlerbücher), Studio Gennai Arte Contemporanea, Pisa

2012
ESCAPIST ADVENTURES, BBK Cologne
DE LOS LETARGOS FELICES (Der Glücklichen Langeweilen), Casa Cino Fabiani, Guayaquil/ Ecuador
LUSTIGE FRAUEN KUNST, Ernst Fine Arts London
BORED REBELS, Glasmoog, Cologne
FLAT NO.1, Niklas Schechinger Fine Arts, Hamburg

2011
FEMINISTS IN SPACE FESTIVAL, Kopenhagen
NY ART BOOK FAIR, Revolution & Its Muses book signing and stand, MOMA PS1, New York
THE WONDERS OF THE INVISIBLE WORLD, Northern Gallery for Contemporary Art, Sunderland
SORRY I CAN'T HEAR YOU. SPEAK UP. Mural, Staging Opinion Festival, Munich
REVOLUTION & ITS MUSES, Book presentation, Extrapool/KNUST, Nijmegen/Niederlande
ICH DACHTE MAN DARF ALLES, Theatre project, Maximiliansforum, Munich

2010
HINTS TO WORKMEN, Northern Gallery for Contemporary Art, Sunderland
FRIENDLY CAPITALISM, Haus Schwarzenberg, Berlin
GEWALT, Kunstverein Wolfsburg
BORED REBEL IN OBERPFAFFENHOFEN, Screening, Underdox Festival, Munich
WIEDERSEHEN IN TRAUTONIEN, Video for play, Schwere Reiter/ Deutsches Museum, Munich
TRACING THE INVISIBLE, Schloss Ringenberg, Hamminkeln
BORED REBEL IN OBERPFAFFENHOFEN, Bielefelder Kunstverein
KISS OF LIFE, Finn Collective, Glasgow International Festival of Visual Art
THE TWO EAGLES/ANG DALAWANG AGILA, The Metro Gallery, Manila
21ST CENTURY – Morag Keil, Manuela Gernedel, screening, Chisenhale Gallery, London

2009
OCTOBER SHOW, Transmission Gallery, Glasgow
GROSSE MALEREI AUSSTELLUNG, Lothringer 13 Städtische Kunsthalle, Munich
UNCONSCIOUS, Steinle Contemporary, Munich
KÜNSTLERFREIZEIT 2009, Kunstraum Innsbruck
CONCRETE GALLERY: RESET YOUR LIFE, Wilkinson Gallery, London
ZUR SCHÖNEN AUSSICHT, Volkstheater, Munich

2008
TRIBUTE TO GUSTAV METZGER, kuratiert von Justin Hoffman für Bayern 2 (Radio)
Destruction in Art, Präsentation, Haus der Kunst, Munich
JAHRESGABEN, Kunstverein Munich
DIGITALANALOG, Carl-Orff-Saal,Gasteig, Munich
PROTEST UND WIDERSTAND IM EIGENSINN DER KUNST, Galerie 5020, Salzburg
GLASGOW: A TRUE & LOVE STORY, Screening, Underdox Festival, Werkstattkino, Munich
WHERE HAVE ALL THE HEROES GONE, Galleribox, Akureyi, Iceland
TRANSITIONAL STATE, Edinburgh Arts Festival, kuratiert von Laura Simpson, Edinburgh
GLASGOW: A TRUE & LOVE STORY, Premiere, Filmmuseum, Munich

2007
LOST & FOUND, Shedhalle, Zürich
SUPERMARKET ART FAIR (Lowsalt Gallery, Glasgow), Stockholm
GALLERIBOX, Akureyi/Iceland
RSA STUDENT EXHIBITION 2006, Royal Scottish Academy, Edinburgh

Awards/grants/residencies

2015
Fellowship and Residency, Villa Aurora, Los Angeles
2014
Commission, 1914/2014 Remeasuring Europe, Arts Council Munich
Award, Grant and Publication, Kunstclub13 Munich
2012
Knust/Extrapool, Art Prison, Residency and Publication, Nijmegen
2009
Leonhard- and Ida Wolf Remembrance Prize, Arts Council Munich
Gil Society, Residency and Exhibition, Akureyri, Iceland

Public Collections

Bayerische Staatsgemäldesammlungen
(Bavarian State Painting Collections)

Publications (selection)

2015
DRINK COLD PISS WARM, 100-page poem and photos, Melville Brand Design
2014
Die friedliche Zeitschrift für internationale Verständigung, Charlie Edition
2013
Poems and Pictures, Self-Published Hand-bound Limited Edition
Angry Time #1 Strike Work by Anja Lückenkemper, Anna Dobrucki
2012
Damenkapelle 10” , self-published, 2013, DAMENKAPELLE LP, echokammer
ART PRISON #2: REVOLUTION & ITS MUSES, Auflage von 330, Knust/Extrapool, Nijmegen/Niederlande
2011
Tracing the Invisible Catalogue, Hg. Nadine Zeidler, Schloss Ringenberg
2010
Unser Magazin, Bored Rebel in Oberpfaffenhofen, Edition 1,Wien/Berlin/Munich
Was tun - Figuren des Protests. Taktiken des Widerstands, Hg. Hildegard Fraueneder & Gianni Stiletto, Muery Salzmann Publishing
2009
How to Start a Revolution, Zeitung, Auflage von 200, Self-published
2008
Tribute to Gustav Metzger (CD), kuratiert von Justin Hoffmann, Intermedium Records, Bayerischer Rundfunk/Hörspiel und Medienkunst
A Contemporary Account of the Sufferings of the Rebels, Buchedition von 200, Self-published
2007
Vorn, 4. Edition, 2007, 74-79, Printkultur GbR A. Feckl & J. Baldauf

Anna McCarthy
Born 1981, British Currently living and working in Germany Education 2002-2009 Academy of Fine Arts Munich, Sculpture (Diploma) 2005-2007 Glasgow School of Art, Environmental Art (BA Hons) 2001-2002 Kingston University of Art & Design, London, Foundation Studies Exhibitions 2015 JAHRESGABEN, Kunstverein Munich FASSBINDERTAGE, Munich BIENNIAL OF CONTEMPORARY ART, D-0 ARK Underground, Konjic, Bosnia und Herzegovina HOUSE FOR THEM ANCESTORS – Musique d'Ameublement, w/ Manu Rzytki, Kunstraum Munich 2014 NEIN – Anna McCarthy, PLATFORM, Munich WHICH SUPERMARKET ARE YOU? w/ Manuela Gernedel, Morag Keil,, LISZT, Berlin SHELTERS, SHACKS, AND SHANTIES, Galerie Esther Donatz, Munich LABORATORY AIM DENSITY + APOCALYPSE LAUW TOUR, Knust/Extrapool Nijmegen , Glasmoog Cologne, Wolfart Rotterdam, Worm Rotterdam, Butcher’s Tears Amsterdam HOW TO START A REVOLUTION: THE MUSICAL, Maximiliansforum, Munich HEUTE NACHMITTAG: ALS WIR NOCH AN WAS GLAUBTEN, 1914/2014. Die Neuvermessung Europas, Munich USE 2 B USB - w/ Rebecca Stephany, RongWrong, Amsterdam 2013 HOW TO START A REVOLUTION – The Musical, Festival of Independents, Haus der Kunst, Munich II : NA-EN-DE-NA-EN-DE-NA-WI-DA : II, Schaustelle/Pinakothek der Moderne, Munich DAS ALLERLETZTE PROF. WINKLER STIPENDIUM, Kunstverein Weiden LIBER LIBRI (Objekt- und Künstlerbücher), Studio Gennai Arte Contemporanea, Pisa 2012 ESCAPIST ADVENTURES, BBK Cologne DE LOS LETARGOS FELICES (Der Glücklichen Langeweilen), Casa Cino Fabiani, Guayaquil/ Ecuador LUSTIGE FRAUEN KUNST, Ernst Fine Arts London BORED REBELS, Glasmoog, Cologne FLAT NO.1, Niklas Schechinger Fine Arts, Hamburg 2011 FEMINISTS IN SPACE FESTIVAL, Kopenhagen NY ART BOOK FAIR, Revolution & Its Muses book signing and stand, MOMA PS1, New York THE WONDERS OF THE INVISIBLE WORLD, Northern Gallery for Contemporary Art, Sunderland SORRY I CAN'T HEAR YOU. SPEAK UP. Mural, Staging Opinion Festival, Munich REVOLUTION & ITS MUSES, Book presentation, Extrapool/KNUST, Nijmegen/Niederlande ICH DACHTE MAN DARF ALLES, Theatre project, Maximiliansforum, Munich 2010 HINTS TO WORKMEN, Northern Gallery for Contemporary Art, Sunderland FRIENDLY CAPITALISM, Haus Schwarzenberg, Berlin GEWALT, Kunstverein Wolfsburg BORED REBEL IN OBERPFAFFENHOFEN, Screening, Underdox Festival, Munich WIEDERSEHEN IN TRAUTONIEN, Video for play, Schwere Reiter/ Deutsches Museum, Munich TRACING THE INVISIBLE, Schloss Ringenberg, Hamminkeln BORED REBEL IN OBERPFAFFENHOFEN, Bielefelder Kunstverein KISS OF LIFE, Finn Collective, Glasgow International Festival of Visual Art THE TWO EAGLES/ANG DALAWANG AGILA, The Metro Gallery, Manila 21ST CENTURY – Morag Keil, Manuela Gernedel, screening, Chisenhale Gallery, London 2009 OCTOBER SHOW, Transmission Gallery, Glasgow GROSSE MALEREI AUSSTELLUNG, Lothringer 13 Städtische Kunsthalle, Munich UNCONSCIOUS, Steinle Contemporary, Munich KÜNSTLERFREIZEIT 2009, Kunstraum Innsbruck CONCRETE GALLERY: RESET YOUR LIFE, Wilkinson Gallery, London ZUR SCHÖNEN AUSSICHT, Volkstheater, Munich 2008 TRIBUTE TO GUSTAV METZGER, kuratiert von Justin Hoffman für Bayern 2 (Radio) Destruction in Art, Präsentation, Haus der Kunst, Munich JAHRESGABEN, Kunstverein Munich DIGITALANALOG, Carl-Orff-Saal,Gasteig, Munich PROTEST UND WIDERSTAND IM EIGENSINN DER KUNST, Galerie 5020, Salzburg GLASGOW: A TRUE & LOVE STORY, Screening, Underdox Festival, Werkstattkino, Munich WHERE HAVE ALL THE HEROES GONE, Galleribox, Akureyi, Iceland TRANSITIONAL STATE, Edinburgh Arts Festival, kuratiert von Laura Simpson, Edinburgh GLASGOW: A TRUE & LOVE STORY, Premiere, Filmmuseum, Munich 2007 LOST & FOUND, Shedhalle, Zürich SUPERMARKET ART FAIR (Lowsalt Gallery, Glasgow), Stockholm GALLERIBOX, Akureyi/Iceland RSA STUDENT EXHIBITION 2006, Royal Scottish Academy, Edinburgh Awards/grants/residencies 2015 Fellowship and Residency, Villa Aurora, Los Angeles 2014 Commission, 1914/2014 Remeasuring Europe, Arts Council Munich Award, Grant and Publication, Kunstclub13 Munich 2012 Knust/Extrapool, Art Prison, Residency and Publication, Nijmegen 2009 Leonhard- and Ida Wolf Remembrance Prize, Arts Council Munich Gil Society, Residency and Exhibition, Akureyri, Iceland Public Collections Bayerische Staatsgemäldesammlungen (Bavarian State Painting Collections) Publications (selection) 2015 DRINK COLD PISS WARM, 100-page poem and photos, Melville Brand Design 2014 Die friedliche Zeitschrift für internationale Verständigung, Charlie Edition 2013 Poems and Pictures, Self-Published Hand-bound Limited Edition Angry Time #1 Strike Work by Anja Lückenkemper, Anna Dobrucki 2012 Damenkapelle 10” , self-published, 2013, DAMENKAPELLE LP, echokammer ART PRISON #2: REVOLUTION & ITS MUSES, Auflage von 330, Knust/Extrapool, Nijmegen/Niederlande 2011 Tracing the Invisible Catalogue, Hg. Nadine Zeidler, Schloss Ringenberg 2010 Unser Magazin, Bored Rebel in Oberpfaffenhofen, Edition 1,Wien/Berlin/Munich Was tun - Figuren des Protests. Taktiken des Widerstands, Hg. Hildegard Fraueneder & Gianni Stiletto, Muery Salzmann Publishing 2009 How to Start a Revolution, Zeitung, Auflage von 200, Self-published 2008 Tribute to Gustav Metzger (CD), kuratiert von Justin Hoffmann, Intermedium Records, Bayerischer Rundfunk/Hörspiel und Medienkunst A Contemporary Account of the Sufferings of the Rebels, Buchedition von 200, Self-published 2007 Vorn, 4. Edition, 2007, 74-79, Printkultur GbR A. Feckl & J. Baldauf

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