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blinkvideo - research of video art, performance and multimedia installations.

For artists we provide a platform for extensive presentation of media works, gallerists get a direct contact to international professional audiences, collectors find a worldwide overview of contemporary trends in moving image, curators can do research via keywords and compilations, teachers use presentation opportunities for students and all professionals get password protected, extensive information about video works worldwide.

64th International Short Film Festival Oberhausen 2018

In the course of more than five decades, the International Short Film Festival Oberhausen has become one of the world's most respected film events and in its 64th issue over 500 films were shown selected out of more than 7.000 films submitted.

Videoart at High Noon
Critics‘ Pick by Nicole Büsing and Heiko Klaas

Cologne/Brussels. How can video art be presented in a suitable way? While on “blinkvideo” you can enjoy watching video art comfortably from your couch, at your desk or on a train, viewing videos at art fairs often turns out to be quite a challenge. To concentrate on a work of moving pictures in the bustling atmosphere of an art fair requires maximum attention. And yet, this year’s Art Cologne and the simultaneous Art Brussels once more featured a number of intriguing video works, some of which we would like to present you here.

Christoph Faulhaber: Revolution & Architecture

Kunsthalle Osnabrück / June 15 to October 2, 2018
With "Revolution & Architecture" Christoph Faulhaber (* 1972 in Osnabrück, lives in Hamburg) conceives, builds, designs and opens a whole series of very different rooms in the Kunsthalle Osnabrück. In order to discover the revolutionary aspect of these "architectures", one has to look at the social implications of interior design in general. In the forum the visitor then enters Faulhaber's cinematic autobiography "Every Picture is an Empty Picture" as in the eye of the cyclone: The work is split into 15 individual films and surrounds the visitor in a circle.

European Media Art Festival 2018

The various sections of the festival dealt primarily with one theme: the link between media art and journalism – under the heading “Report – Notes from Reality.” It was all about facebook data theft, interference in elections by secret services, the threat of trade war, and dubious arms exports.

Johan Grimonprez

Johan Grimonprez’s critically acclaimed work dances on the borders of practice and theory, art and cinema, documentary and fiction, demanding a double take on the part of the viewer. Informed by an archeology of present-day media, his work seeks out the tension between the intimate and the bigger picture of globalization. It questions our contemporary sublime, one framed by a fear industry that has infected political and social dialogue. By suggesting new narratives through which to tell a story, his work emphasizes a multiplicity of realities.
image: © Johan Griminprez

Breaking News
Von Kelterborn Collection

Over the past 20 years, the Frankfurt couple Mario and Julia von Kelterborn have put together a collection mostly of politically explosive, socially themed video art and photography by internationally known artists. It is their conviction that art can help us to understand the present day with all its complexity, contradictions and disturbing cruelty, but also its positive potential.

image: © Richard Mosse

Featured videos

B3 – ON DESIRE

With the key topic ON DESIRE, B3 will in fall 2017 reflect on the latest trends relating to the moving image in art and media from a political, technological and aesthetic perspective. Desire as yearning, wish, lust or hope and its translation into moving images will be explored in an artistic, social, political, sociopolitical and historical perspective and critically examined. . . .

image: Jesper Just, Servitudes (2015)

KINO DER KUNST

2017 a worldwide unique combination of film festival and art exhibition, held its third edition in April 2017. Movie theatres and museums all over Munich presented an International Competition as well as special focuses, artists talks, smposions and multi-channel installations.

Stiftung imai – inter media art institute

The Düsseldorf based foundation imai – inter media art institute was founded in 2006 in order to establish an institution in Germany dedicated to the distribution and preservation of media art and associated activities.

Artemovendo – in collaboration with Goethe Institut Porto Alegre

The video works shown in Artemovendo present a morphology of ambiguous entities, creatures or technical devices. Natural environments are contrasted with artificial, fully computer-designed worlds. Sometimes it is difficult to distinguish whether we have been invited to take a look at the outside world or into a laboratory; even dimensions appear to be chosen arbitrarily. Or do we happen to be entering a microscopically small universe that has been magnified many times over?

Anna Gaskell. Hide and Seek

Curated by Nadia Ismail

The Kunsthalle Gießen is pleased to present the first institutional solo-exhibition in Germany by the New York based artist Anna Gaskell (*1969 Des Moines/Iowa). The exhibition focuses on photographic and time-based works which have largely characterised the American artists Œuvre since 1996.

Duration: 27.01. - 08.04.2018

image: © Anna Gaskell and Light Manufacturing/Esto, Courtesy: Galerie Gisela Capitain, Köln

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blinkvideo is a website for the research of video art. Founders: Julia Sökeland, Anita Beckers. blinkvideo ist eine Plattform zur Recherche nach Videokunst

Gary Hill

Works


Galleries

DNA Gallery
Johann Nowak
Auguststrasse 20
10117 Berlin
Germany

Phone: 49 (30) 28 59 96 52
E-Mail: nowak@dnaberlin.net




Statement

Gary Hill (b. 1951, Santa Monica, CA) has worked with a broad range of media – including sculpture, sound, video, installation and performance – since the early 1970’s. His longtime work with intermedia continues to explore an array of issues ranging from the physicality of language, synesthesia and perceptual conundrums to ontological space and viewer interactivity.


Biography

Solo exhibitions

2014
“Aloidia Piorm,” James Harris Galler, Seattle

2013
“Retrospective Gary Hill” (single-channel works) Videonale Fesitival, Bonn Kunstmuseum, Bonn
“Gary Hill” Loop Fair Barcelona, Barcelona, Spain

2012
“Gary Hill”, the Center for Contemporary Art, Tel Aviv, Israel
“Up Against Down,” DNA Gallery, Berlin, Germany
“Glossodelic Attractors,” The Henry Art Gallery, Seattle, Washington
“Cutting Corners Creates More Sides,” In Situ/Fabienne Leclerc, Paris

2011
“Cutting Corners Creates More Sides,” Donald Young Gallery, Chicago, IL
“Wall Piece,” Kunstverein Ruhr, Essen, Germany
“Child’s Play”, Museumplatz Passage, Vienna, Austria
“of surf, death, tropes & tableaux: The Psychedelic Gedankenexperiment,” Gladstone Gallery, New York, NY

2010
“Gary Hill: Circumstances/Circunstâncias,” MIS – Museu da Imagem e do Som, São Paulo, Brazil
“Gary Hill: Viewer,” GMG Gallery, Moscow, Russia
“Gary Hill: Between Word and Image,” Headquarters of the Superintendence for the Archaeological Heritage of the Vento / Ministry of Cultural Heritage, Verona, Italy

Group exhibitions

2011
“Gary Hill – Patrick Tosani,” Galerie Barbara Thumm, Berlin, Germany
“Everything Changes,” DNA Galerie, Berlin, Germany
“Our Darkness,” Künstlerhaus Stuttgart, Germany
“Secret Journeys, from the EMST Collection,” ART-ATHINA (International Contemporary Art Fair of Athens), Athens, Greece
“New Contemporary Galleries – John Kaldor Family Collection,” Art Gallery of New South Wales, Sydney, Australia
“Undeniably Me,” Galerie Rudolfinum, Prague, Czech Republic
“Déjà,” Musée d’art contemporain de Montréal, Québec, Canada
“Kunstmuseum Wolfsburg at The Hunter Museum,” The Hunter Museum of American Art, Chattanooga, TN
“Expanded Cinema,” MMOMA (Moscow Museum of Modern Art), Moscow, Russia
Aka Renga/Red Brick House, Yokohama, Japan
“Habiter la Terre: Du Battement de Coeur à l’Emportement du Monde,” La Biennale internationale d’art contemporain, Ville de Melle, France
“The View from a Volcano: The Kitchen’s Soho Years, 1971 – 1985,” The Kitchen, New York, NY
“Tribute to the Experimental Television Center,” Anthology Film Archives, New York
“Art et Argent, Liaisons Dangereuses,” Monnaie de Paris, France (online exhibition only – http://expo.monnaiedeparis.fr/)
Seoul International NewMedia Festival, Seoul, Korea
“Synaptic Connections: Art and the Brain,” Art Gallery of Nova Scotia, Halifax, Nova Scotia, Canada
“Exchange and Evolution: Worldwide Video Long Beach 1974-1999,” Long Beach Museum of Art, Long Beach, CA
“Living Here,” KTD Monastery, Woodstock, NY
“Moving Types,” Gutenberg-Museum Mainz, Germany
“Jacques Perconte 1,” La Cinémathèque Française, Paris, France

2010
“CUE: Artists’ Video,” Vancouver Art Gallery, Vancouver, BC, Canada
“The Contemporary Figure,” Donald Young Gallery, Chicago, IL
“Paying a Visit to Mary,” The Aldrich Contemporary Art Museum, Aldrich, CT
Oslo Screen Festival 2010, Filmens Hus, Oslo, Norway
“Mulberry Tree Press,” SE8 Gallery, London, England
“DreamTime 2 / Fantasmagoria,” La Grotte du Mas d’Azil, Le Mas-d’Azil, France
“SWELL: Art 1950 – 2010,” Friedrich Petzel Gallery, New York, NY
“From Picasso to Gary Hill,” MAC Museu de Arte Contemporânea Centro Dragão do Mar de Arte e Cultura, Fortaleza, Ceará, Brazil
“Short Shorts,” Electronic Arts Intermix (EAI), New York, NY
“Surface / Ground,” Young Projects, West Hollywood, CA
“TV/ARTS/TV,” Arts Santa Mònica, Barcelona, Spain
Festival Temps d’Images, Museu do Chiado – Museu Nacional do Arte Contemporâne, Lisbon, Portugal
“America – it’s also our history!,” organized by Museum of Europe / Tempora, Tours & Taxis, Brussels, Belgium
“Les Projections du LaM,” LaM – Lille Métropole musée d’art moderne, d’art contemporain et d’art brut, Villeneuve d’Ascq, France
“The Frustration of Expression,” The Center for Photography at Woodstock, New York
“IRIS. The Invention of Color from 1600 to Today [IRIS. Die Erfindung der Farben von 1600 bis Heute: Farbe in der Zeitgenössischen Kunst],” Neuer Kunstverein Giessen, Germany
“LANGUAGE,” VIVID, Birmingham, England
TONSPUR_expanded III, MuseumsQuartier, Vienna, Austria
“2010 Winter Salon – In Synthesis,” Björn Ressle Art Projects Inc., New York, NY

Gary Hill
Solo exhibitions 2014 “Aloidia Piorm,” James Harris Galler, Seattle 2013 “Retrospective Gary Hill” (single-channel works) Videonale Fesitival, Bonn Kunstmuseum, Bonn “Gary Hill” Loop Fair Barcelona, Barcelona, Spain 2012 “Gary Hill”, the Center for Contemporary Art, Tel Aviv, Israel “Up Against Down,” DNA Gallery, Berlin, Germany “Glossodelic Attractors,” The Henry Art Gallery, Seattle, Washington “Cutting Corners Creates More Sides,” In Situ/Fabienne Leclerc, Paris 2011 “Cutting Corners Creates More Sides,” Donald Young Gallery, Chicago, IL “Wall Piece,” Kunstverein Ruhr, Essen, Germany “Child’s Play”, Museumplatz Passage, Vienna, Austria “of surf, death, tropes & tableaux: The Psychedelic Gedankenexperiment,” Gladstone Gallery, New York, NY 2010 “Gary Hill: Circumstances/Circunstâncias,” MIS – Museu da Imagem e do Som, São Paulo, Brazil “Gary Hill: Viewer,” GMG Gallery, Moscow, Russia “Gary Hill: Between Word and Image,” Headquarters of the Superintendence for the Archaeological Heritage of the Vento / Ministry of Cultural Heritage, Verona, Italy Group exhibitions 2011 “Gary Hill – Patrick Tosani,” Galerie Barbara Thumm, Berlin, Germany “Everything Changes,” DNA Galerie, Berlin, Germany “Our Darkness,” Künstlerhaus Stuttgart, Germany “Secret Journeys, from the EMST Collection,” ART-ATHINA (International Contemporary Art Fair of Athens), Athens, Greece “New Contemporary Galleries – John Kaldor Family Collection,” Art Gallery of New South Wales, Sydney, Australia “Undeniably Me,” Galerie Rudolfinum, Prague, Czech Republic “Déjà,” Musée d’art contemporain de Montréal, Québec, Canada “Kunstmuseum Wolfsburg at The Hunter Museum,” The Hunter Museum of American Art, Chattanooga, TN “Expanded Cinema,” MMOMA (Moscow Museum of Modern Art), Moscow, Russia Aka Renga/Red Brick House, Yokohama, Japan “Habiter la Terre: Du Battement de Coeur à l’Emportement du Monde,” La Biennale internationale d’art contemporain, Ville de Melle, France “The View from a Volcano: The Kitchen’s Soho Years, 1971 – 1985,” The Kitchen, New York, NY “Tribute to the Experimental Television Center,” Anthology Film Archives, New York “Art et Argent, Liaisons Dangereuses,” Monnaie de Paris, France (online exhibition only – http://expo.monnaiedeparis.fr/) Seoul International NewMedia Festival, Seoul, Korea “Synaptic Connections: Art and the Brain,” Art Gallery of Nova Scotia, Halifax, Nova Scotia, Canada “Exchange and Evolution: Worldwide Video Long Beach 1974-1999,” Long Beach Museum of Art, Long Beach, CA “Living Here,” KTD Monastery, Woodstock, NY “Moving Types,” Gutenberg-Museum Mainz, Germany “Jacques Perconte 1,” La Cinémathèque Française, Paris, France 2010 “CUE: Artists’ Video,” Vancouver Art Gallery, Vancouver, BC, Canada “The Contemporary Figure,” Donald Young Gallery, Chicago, IL “Paying a Visit to Mary,” The Aldrich Contemporary Art Museum, Aldrich, CT Oslo Screen Festival 2010, Filmens Hus, Oslo, Norway “Mulberry Tree Press,” SE8 Gallery, London, England “DreamTime 2 / Fantasmagoria,” La Grotte du Mas d’Azil, Le Mas-d’Azil, France “SWELL: Art 1950 – 2010,” Friedrich Petzel Gallery, New York, NY “From Picasso to Gary Hill,” MAC Museu de Arte Contemporânea Centro Dragão do Mar de Arte e Cultura, Fortaleza, Ceará, Brazil “Short Shorts,” Electronic Arts Intermix (EAI), New York, NY “Surface / Ground,” Young Projects, West Hollywood, CA “TV/ARTS/TV,” Arts Santa Mònica, Barcelona, Spain Festival Temps d’Images, Museu do Chiado – Museu Nacional do Arte Contemporâne, Lisbon, Portugal “America – it’s also our history!,” organized by Museum of Europe / Tempora, Tours & Taxis, Brussels, Belgium “Les Projections du LaM,” LaM – Lille Métropole musée d’art moderne, d’art contemporain et d’art brut, Villeneuve d’Ascq, France “The Frustration of Expression,” The Center for Photography at Woodstock, New York “IRIS. The Invention of Color from 1600 to Today [IRIS. Die Erfindung der Farben von 1600 bis Heute: Farbe in der Zeitgenössischen Kunst],” Neuer Kunstverein Giessen, Germany “LANGUAGE,” VIVID, Birmingham, England TONSPUR_expanded III, MuseumsQuartier, Vienna, Austria “2010 Winter Salon – In Synthesis,” Björn Ressle Art Projects Inc., New York, NY

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