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blinkvideo - research of video art, performance and multimedia installations.

blinkvideo - research of video art, performance and multimedia installations.


Peter Weibel
Robert De Niro – Al Capone / Donald Trump – Donald Trump

I continued the »BILDERATLAS« / Commissioned by ABY WARBURG

In the pre-election period in America, Peter Weibel has produced a video in which he contrasts the gestures and intonation of Donald Trump with those of Robert de Niro in his role as Al Capone. The title alone suggests the assumption of a good staging and not just pure coincidence.

Shooting Ghosts
Online screening programme in cooperation
with the Goethe-Institut Sofia

Curators: Kalin Serapionov, Krassimir Terziev

What we propose in this programme is a highly subjective and fragmented view on current practices in moving image in the Bulgarian art scene. We focused on practices that show affinity with speculative narratives - narratives that not just record what is in front of the cinematic eye, but also capture all the ghosts that are unreachable by the apparatus, thus projecting speculative views that intend not merely to describe, but to transform the world.
image: © Veneta Androva

Moving Images / Moving Bodies

 ‘Moving Images Bulgaria-Germany’ is a project by Goethe-Institut Bulgaria, that includes various online and offline initiatives, starting in November 2020. The online program, realised in partnership with blinkvideo, will consist of two curated programmes: “Moving Images / Moving Bodies”, curated by Ludwig Seyfarth, and “Shooting Ghosts”, curated by Krassimir Terziev and Kalin Serapionov.

First the programme “Shooting Ghosts” will give a selected overview of video art in Bulgaria in general. The programme will be accompanied by an in-depth essay by Krassimir Terziev as well as texts by different authors or the artists themselves on individual films.

Critics’ Pick: Vienna by Nicole Büsing + Heiko Klaas

The group show “Antarctica. An Exhibition on Alienation” was presented in Vienna during the past winter season. Departing from a note written by the Italian cult director Michelangelo Antonioni referring to a potential glacier melting in the Antarctica and a hint to a film, the two curators from the Kunsthalle Wien, Vanessa Joan Müller and Nicolaus Schafhausen, conceived an exhibition on the topic of alienation and contemporary art. The focus was on the latest contemporary photography and video art by the younger generation of artists.
Image: © Isabella Fürnkäs

UNSTILLED LIFE: Artist Animations 1980-2020
Curated by Emma Cousin and Paul Carey-Kent

Why this show, here and now? British artist-curator Emma Cousin and writer-curator Paul Carey-Kent recently pulled together a choice of artist animations, thinking that the increasingly vibrant medium is especially suited to the online emphasis of the locked down art world of 2020. Three of them turned out to be represented by Ron Mandos, making the Amsterdam gallery ideal hosts. The cast is international, and to reflect that Tintype gallery in London and Hamburg’s blinkvideo have joined in with variations on the programme. 
Markus Vater Worlds don’t come easy, 2020

Something Between Us
KAI 10 | ARTHENA FOUNDATION, Düsseldorf

The exhibition „Something Between Us“ focuses on both our contemporary lives and the anthropological constants of interpersonal dealings: love, empathy, security, care and safety on the one hand, and hate, role fixation, dependency, reprimand and exclusion on the other. Something Between Us asks how these structures of togetherness are changing in our digital era.
Thomas Taube OCCIDENT, 2020

REFRACTED REALITIES at VIDEONALE.17

In optics, “refraction” refers to the bending of a beam of light, a change in direction which occurs at the moment when it passes from one medium to another. Through refraction, the light wave alters course, changing the way we perceive the objects it illuminates in the process. This optical deviation requires us to repeatedly correct our gaze, comparing the beginning and end points of our perception with reality, and bringing the object we see clearly into focus. In its figurative sense, refraction refers to a critical reflection on the means and channels of visualization, and by extension the possibility of a rearticulation of our view of things – how they are, were, or apparently always have been.
Image: © Sohrab Hura

NEW: Favorites curated by blinkvideo users

What do you like? Over the next few months, we will be showing here selections of works, compiled by you, as a blinkvideo user.

Stefano Miraglia: Hey Blinkvideo members! Here are my eight "must watch" films and videos. Happy to find in this catalogue some of the works that got me interested in artists' moving image when I was a student! (Guillaume Leblon! Daniel Steegmann Mangrané! Marylène Negro!).

Expanding Bauhaus.
New Reflections on the Bauhaus Movement in Time-Based Media Art / Goethe Institute Netherlands

A screening series selected by Elke Kania (Cologne), Julia Sökeland (Hamburg) and Ludwig Seyfarth (Berlin)

With its combination of various arts such as painting, photography film, architecture, fashion, product and interior design and textile art, the Bauhaus is still considered the epitome of a technologically advanced modernity. Last but not least, the attempt to create the whole society aesthetically, inspired many artists worldwide.
Image: © Adnan Softic

Johan Grimonprez

Johan Grimonprez’s critically acclaimed work dances on the borders of practice and theory, art and cinema, documentary and fiction, demanding a double take on the part of the viewer. Informed by an archeology of present-day media, his work seeks out the tension between the intimate and the bigger picture of globalization. It questions our contemporary sublime, one framed by a fear industry that has infected political and social dialogue. By suggesting new narratives through which to tell a story, his work emphasizes a multiplicity of realities.
image: © Johan Griminprez

Christoph Faulhaber: Revolution & Architecture

With "Revolution & Architecture" Christoph Faulhaber (* 1972 in Osnabrück, lives in Hamburg) conceives, builds, designs and opens a whole series of very different rooms in the Kunsthalle Osnabrück. In order to discover the revolutionary aspect of these "architectures", one has to look at the social implications of interior design in general. In the forum the visitor then enters Faulhaber's cinematic autobiography "Every Picture is an Empty Picture" as in the eye of the cyclone: The work is split into 15 individual films and surrounds the visitor in a circle.
Image: © Christoph Faulhaber

Stiftung imai – inter media art institute

The Düsseldorf based foundation imai – inter media art institute was founded in 2006 in order to establish an institution in Germany dedicated to the distribution and preservation of media art and associated activities.
Image: © Marcel Odenbach

Featured videos

Federico Adorno
La estancia, 2014

Federico Adorno’s film La estancia was awarded the Grand Prize of the City of Oberhausen at this year’s International Short Film Festival Oberhausen. In its statement the jury said: “Through a succession of subtly constructed tableaux, this powerful film is a profound critique of systematic oppression. Instigated by a massacre amidst a land-rights conflict in Paraguay, this haunting work transcends the local context to voice the struggle for essential freedoms.”Many years ago, while he was working at the Swiss NGO “Helvetas Paraguay”, Adorno travelled long distances into the countryside to film short documentaries with peasants, whom he taught how to use a camera and write short stories, which they then shot together. His last two short films are about land rights and property, and how the extensive ownership of land by just a few landowners gives rise to serious conflicts and problems in rural communities. Isla Alta is about the tensions that surround a community when a wealthy rancher goes missing; La estancia depicts the aftermath of a massacre and is based on true events that happened in Paraguay in 2012.

Tobias Yves Zintel
Breed and Educate, 2018

The Film Breed and Educate is based on a collaborative performance with a class from the Hector-Peterson-Schule Berlin Kreuzberg and the HAU. In numerous task based rehearsals eight pupils between 11 and 13 years explored the possibilties of self-education. Based on various materials from found footage to documentary and staged scenes the film circles around the relationship of controlling and self-empowerment in educational systems. Breed and Educate is circling around the question of how lessons should be organised in times of network and algorthim-based learning. Algorithms and neuronal networks have to master problems only once, after they achieved their goal, results can be duplicated and copied any number of times. Kids on the other hand side have to learn everything step by step, the accumulated knowlede can’t be transfered from on kid to the other by „copy and paste“. An allopoetic system is a trivial system, which can be potentially fully explored, controlled and operated by an observer. With a similar theory in mind, the Prussians started to organise schooling in 1717, to prepare pupils for the Prussian Military Academy. What happens almost 300 years later in a school in Berlin, when the relationship between control and self-empowerment is inverted by postmigrant pupils who breed robots, are educated by them and vice versa? “ In Breed and Educate an automated dionsaur is introduced by a twelfe year old boy: “It’s easily trainable”. While he explains the mode of operation, one sees the parallels: the school wouldn’t have any problems with pupils equipped with a suitable operating system downloaded from the internet. Sounds like an uncanny utopia.” (Katrin Bettina Müller)

Lene Markusen
Grad, 2004

Dieter Kiessling
60 Minutes 360 Degrees GK 2010, 2010

A boy is portrayed with a video camera for an hour on a tennis court.During this time the camera turns through 360 degrees. Meanwhile, the whole space is recorded piece by piece. The boy follows the camera movement slowly thus remaining constantly in the centre of the picture.

Clemens von Wedemeyer
Silberhöhe, 2003

In Halle-Silberhöhe in East Germany, the camera records peri-urban area architecture, prefabricated buildings that are deserted and destined to be demolished. The commentary evokes a film editing technique used by Michelangelo Antonioni in his film, L’Eclisse (1962).

Janet Biggs
Fade to White, 2010

In Fade to White, Biggs delves into the desire to explore remote lands. To create this work, the artist embarked on an expedition in the high Arctic, traveling aboard an ice-class, 2-masted schooner, built in 1910. During the voyage, Biggs filmed Fade to White, focusing on a crew member as he navigated the ship through iceberg filled seas, and paddled a kayak past glacier walls and polar bears. As she photographed the explorer, Biggs tested her own will and endurance. The visual tension of her uncompromising imagery bespeaks their mutual struggle to maintain balance and purpose. Yet, the video also reveals the myth of the solitary white male explorer. Biggs explains, "The desire to hold onto the notion of the 'great white north' as a blank space awaiting interpretation only reinforces the idea of the colonial polar hero. The 'virgin' north has now been mapped, surveyed, and mined, but increased knowledge has not replaced endless fantasies of discovery." Loss and change are implicit in the video's title, Fade to White, which refers to an editing technique used to evoke death or transcendence. Biggs integrated her Arctic imagery with sound and video footage of counter tenor John Kelly, whose age, androgyny, and mournful voice parallel the vanishing Arctic landscape and signal the waning of male dominance.

Rebecca Ann Tess
The Tallest, 2014

The »The Tallest« shows pictures shot on-site of the currently tallest buildings in the world. The high-rises are shown as set pieces of global capitalism, visually disappearing into abstraction. The reduced images are reminding of 3D rendering. The simulated image of these buildings circulates in the media for representational and advertising purposes, becomes a substantial object and the actual spatiality becomes a mockup. The narration is undertaken by a computer voice, it describes the competition for the tallest tower at such divers places as Chicago, Dubai, Hong Kong, Kuala Lumpur, Mecca, Nanjing, New York City, Seoul, Shanghai, Shenzhen, Songdo and Taipei.

Johanna Reich
LIGHT ON BLACK ON WHITEHOMAGE TO MALEVICH, 2015

A moving digital light drawing illuminates a white wall. A hand painting a black square on the white surface becomes visible. At the same time the light drawing is painting a light square. In the end the light of the digital light square illuminates the finished black oil painting.

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blinkvideo is a website for the research of video art. Founders: Julia Sökeland, Anita Beckers. blinkvideo ist eine Plattform zur Recherche nach Videokunst

Jochen Kuhn

Works


Galleries

for further information contact blinkvideo
Germany

Phone: +49 40 22748986
E-Mail: info@blinkvideo.de




Biography

Born 1954 in Wiesbaden, Germany
Lives and works in Ludwigsburg, Germany

Selected biography

Since 1972 films, painting, screenplays, film music, photographs
1975–1980 studied art in Hamburg, Germany
1981–1982 DAAD scholarship in Rome, Italy
Since 1984 lectureships in Hamburg, Stuttgart, Braunschweig (all Germany), London (UK), Vienna (Austria), Sydney, Melbourne (both Australia)
1988–1989 Villa Massimo scholarship in Rom, Italy
Since 1991 professor at the Filmakademie Baden-Wu¨rttemberg, Ludwigsburg, Germany
Since 1994 Member of the Akademie der Ku¨nste, Berlin, Germany; Member of the Deutsche Filmakademie e. V., Berlin, Germany

Selected solo exhibitions

2015
"Lichteratur" Einzelausstellung, Galerieverein Leonberg, Baden-Württemberg

2010
"Jochen Kuhn. Szenen, Schnitte, Sequenzen"
Galerie 5 Räume, Ludwigsburg (Germany)
February 18 till April 4
"Prediger — Elegie über Verkünder höherer Wahrheiten"
Galerie Peter Kilchmann, Zürich (Switzerland)
January 15 till March 6

2009
"Jochen Kuhn"
Künstlerhaus, Videogalerie, Vienna (Austria)
cur. Hubert Sielecki
May 15 till June 14

2008
"Jochen Kuhn. Szenen, Schnitte, Sequenzen"
Gesellschaft der Freunde Junger Kunst, Baden-Baden (Germany)
November 23 till January 11
"Jochen Kuhn — Neue Bilder und Filme"
Galerie im Artforum, Offenburg (Germany)
September 21 till October 19

2007
"Jochen Kuhn. Film, Malerei, Zeichnung"
Galerie Peter Kilchmann, Zürich (Switzerland)

2002
Espace Pierre-Laporte, Clermont-Ferrand (France)
"Filme-Malerei"
Film- und Medienzentrum, Wismar (Germany)
Saarländisches Ku¨nstlerhaus, Saarbru¨cken (Germany)

1990
"Filme, Bilder, Zeichnungen"
Badischer Kunstverein Karlsruhe, Karlsruhe (Germany)

1985
Galerie Scheidemann, Hamburg (Germany)

1984
Künstlerhaus Hamburg (Germany)

1978
Kunstverein Stuttgart, Stuttgart (Germany)

Selected group exhibitions

2010
"Die Nase des Michelangelo"
Galerie Peter Kilchmann at Marktgasse, Zürich (Switzerland)
December 10–19
"Fast forward 2. The Power of Motion. Media Art Sammlung Goetz"
ZKM Museum fu¨r neue Kunst, Karlsruhe (Germany)
cur. Peter Weibel, Gregor Jansen a.o.
June 18 till October 3

2009
"Slow Paintings"
Museum Morsbroich, Leverkusen (Germany)
cur. Fritz Emslander, Markus Heinzelmann and Stephanie Kreuzer
November 22 till February 14

2008
"Villa Massimo Rom. Stipendiaten und Ehrengäste"
Galerie Alfred Knecht, Karlsruhe (Germany)
April 18 till June 7

2007
"12me Biennale de l'image en mouvement"
Geneva (Switzerland)
cur. André Iten and Alexandra Theiler Furrer
October 12–20, ex. cat.
"Lighthouse"
public space in London (UK)
cur. Davod Beattie and Chris Fite-Wassilak
"Momentary Momentum: Animated Drawings"
Parasol Unit, London (UK)
cur. Laurence Dreyfus and Ziba de Weck, ex. cat.
"Imagination Becomes Reality"
ZKM Museum fu¨r Neue Kunst, Karlsruhe (Germany)
ex. cat.

2006
"Imagination Becomes Reality. Part III. Talking Pictures"
Sammlung Goetz, Munich (Germany)

2002
"Buch-Filme-Restbilder"
Agentur für Zeitgenössische Kunst
Christoph Grau, Hamburg (Germany)

2000
"Projektionen"
Willi-Brandt-Haus, Berlin (Gernany)
"Achternbusch und Kuhn"
Gesellschaft der Freunde Junger Kunst, Baden-Baden (Germany)

1999
"Die Macht des Alters — Strategien der Meisterschaft"
Kunstmuseum Bonn, Bonn (Germany) and
Galerie der Stadt Stuttgart, Stuttgart (Germany)

1998
"Die Macht des Alters — Strategien der Meisterschaft"
Deutsches Historisches Museum Berlin, Berlin (Germany)
"Archive"
Agentur für Zeitgenössische Kunst
Christoph Grau, Hamburg (Germany)

1994
"Villa Massimo-Stipendiaten"
Kunstverein Hannover, Hannover (Germany)

1993
Saarländisches Kuenstlerhaus, Saarbruecken (Germany)

Festivals and screenings

Berlin, Oberhausen, Braunschweig, Mannheim/Heidelberg, Cologne, Würzburg, Regensburg, Stuttgart, Saarbrücken, Hamburg, Schwerin, (all Germany), San Sebastian (Spain), Maisons-Laffitte (France), Warsaw (Poland), Chicago (USA), Edinburgh (UK), Montreal (Canada), Paris (France), Venice (Italy), Tel Aviv (Israel), Sao Paulo (Brazil), Clermont-Ferrand (France), Salerno (Italy), Krakau (Poland), Melbourne (Australia), St. Petersburg (Russia), Basel (Switzerland), Rio de Janeiro (Brazil), Cleveland (USA), Munich (Germany), Los Angeles (USA), Granada (Spain), New York (USA), Imola (Italy), Belgrade (Serbia), Tampere (Finland)

Selected prizes and cacolades

1981
Bundesfilmpreis (German federal film prize) for "Der Lautlose Makubra"
1986
Trickfilmfestival Stuttgart, Germany. The jury prize for "Brief an die Produzentin"
1990
Trickfilmfestival Stuttgart, Germany. The prize for the most innovative film for "Robert Langner Biografle"
1991
Innovative Cinema Filmpreis, Munich, Germany, for "Die Beichte"
Hessischer Filmpreis for "Die Beichte"
1993
Grand Prize of the Internationale Kurzfiimtage Oberhausen (the International Short Film Days Oberhausen),
Germany, for "Silvester"
Deutscher Filmpreis for "Silvester"
2000
Trickfilmfestival Stuttgart, Germany, Preis der Landeshauptstadt Stuttgart for "Neulich 1"
Prix du court et moyen Métrage Bell Canada, Montréal, Canada, for "Neulich 1"
2002
Preis der deutschen Filmkritik for "Neulich 3" as best short film 2002
2013
Best Animation Award at Tampere International Short Film Festival (Finland) for "Sunday 3"
German Shortfilm Award for „Sonntag 3“, nominee for the Award of the European Film Academy

Jochen Kuhn
Born 1954 in Wiesbaden, Germany Lives and works in Ludwigsburg, Germany Selected biography Since 1972 films, painting, screenplays, film music, photographs 1975–1980 studied art in Hamburg, Germany 1981–1982 DAAD scholarship in Rome, Italy Since 1984 lectureships in Hamburg, Stuttgart, Braunschweig (all Germany), London (UK), Vienna (Austria), Sydney, Melbourne (both Australia) 1988–1989 Villa Massimo scholarship in Rom, Italy Since 1991 professor at the Filmakademie Baden-Wu¨rttemberg, Ludwigsburg, Germany Since 1994 Member of the Akademie der Ku¨nste, Berlin, Germany; Member of the Deutsche Filmakademie e. V., Berlin, Germany Selected solo exhibitions 2015 Lichteratur Einzelausstellung, Galerieverein Leonberg, Baden-Württemberg 2010 Jochen Kuhn. Szenen, Schnitte, Sequenzen Galerie 5 Räume, Ludwigsburg (Germany) February 18 till April 4 Prediger — Elegie über Verkünder höherer Wahrheiten Galerie Peter Kilchmann, Zürich (Switzerland) January 15 till March 6 2009 Jochen Kuhn Künstlerhaus, Videogalerie, Vienna (Austria) cur. Hubert Sielecki May 15 till June 14 2008 Jochen Kuhn. Szenen, Schnitte, Sequenzen Gesellschaft der Freunde Junger Kunst, Baden-Baden (Germany) November 23 till January 11 Jochen Kuhn — Neue Bilder und Filme Galerie im Artforum, Offenburg (Germany) September 21 till October 19 2007 Jochen Kuhn. Film, Malerei, Zeichnung Galerie Peter Kilchmann, Zürich (Switzerland) 2002 Espace Pierre-Laporte, Clermont-Ferrand (France) Filme-Malerei Film- und Medienzentrum, Wismar (Germany) Saarländisches Ku¨nstlerhaus, Saarbru¨cken (Germany) 1990 Filme, Bilder, Zeichnungen Badischer Kunstverein Karlsruhe, Karlsruhe (Germany) 1985 Galerie Scheidemann, Hamburg (Germany) 1984 Künstlerhaus Hamburg (Germany) 1978 Kunstverein Stuttgart, Stuttgart (Germany) Selected group exhibitions 2010 Die Nase des Michelangelo Galerie Peter Kilchmann at Marktgasse, Zürich (Switzerland) December 10–19 Fast forward 2. The Power of Motion. Media Art Sammlung Goetz ZKM Museum fu¨r neue Kunst, Karlsruhe (Germany) cur. Peter Weibel, Gregor Jansen a.o. June 18 till October 3 2009 Slow Paintings Museum Morsbroich, Leverkusen (Germany) cur. Fritz Emslander, Markus Heinzelmann and Stephanie Kreuzer November 22 till February 14 2008 Villa Massimo Rom. Stipendiaten und Ehrengäste Galerie Alfred Knecht, Karlsruhe (Germany) April 18 till June 7 2007 12me Biennale de l'image en mouvement Geneva (Switzerland) cur. André Iten and Alexandra Theiler Furrer October 12–20, ex. cat. Lighthouse public space in London (UK) cur. Davod Beattie and Chris Fite-Wassilak Momentary Momentum: Animated Drawings Parasol Unit, London (UK) cur. Laurence Dreyfus and Ziba de Weck, ex. cat. Imagination Becomes Reality ZKM Museum fu¨r Neue Kunst, Karlsruhe (Germany) ex. cat. 2006 Imagination Becomes Reality. Part III. Talking Pictures Sammlung Goetz, Munich (Germany) 2002 Buch-Filme-Restbilder Agentur für Zeitgenössische Kunst Christoph Grau, Hamburg (Germany) 2000 Projektionen Willi-Brandt-Haus, Berlin (Gernany) Achternbusch und Kuhn Gesellschaft der Freunde Junger Kunst, Baden-Baden (Germany) 1999 Die Macht des Alters — Strategien der Meisterschaft Kunstmuseum Bonn, Bonn (Germany) and Galerie der Stadt Stuttgart, Stuttgart (Germany) 1998 Die Macht des Alters — Strategien der Meisterschaft Deutsches Historisches Museum Berlin, Berlin (Germany) Archive Agentur für Zeitgenössische Kunst Christoph Grau, Hamburg (Germany) 1994 Villa Massimo-Stipendiaten Kunstverein Hannover, Hannover (Germany) 1993 Saarländisches Kuenstlerhaus, Saarbruecken (Germany) Festivals and screenings Berlin, Oberhausen, Braunschweig, Mannheim/Heidelberg, Cologne, Würzburg, Regensburg, Stuttgart, Saarbrücken, Hamburg, Schwerin, (all Germany), San Sebastian (Spain), Maisons-Laffitte (France), Warsaw (Poland), Chicago (USA), Edinburgh (UK), Montreal (Canada), Paris (France), Venice (Italy), Tel Aviv (Israel), Sao Paulo (Brazil), Clermont-Ferrand (France), Salerno (Italy), Krakau (Poland), Melbourne (Australia), St. Petersburg (Russia), Basel (Switzerland), Rio de Janeiro (Brazil), Cleveland (USA), Munich (Germany), Los Angeles (USA), Granada (Spain), New York (USA), Imola (Italy), Belgrade (Serbia), Tampere (Finland) Selected prizes and cacolades 1981 Bundesfilmpreis (German federal film prize) for Der Lautlose Makubra 1986 Trickfilmfestival Stuttgart, Germany. The jury prize for Brief an die Produzentin 1990 Trickfilmfestival Stuttgart, Germany. The prize for the most innovative film for Robert Langner Biografle 1991 Innovative Cinema Filmpreis, Munich, Germany, for Die Beichte Hessischer Filmpreis for Die Beichte 1993 Grand Prize of the Internationale Kurzfiimtage Oberhausen (the International Short Film Days Oberhausen), Germany, for Silvester Deutscher Filmpreis for Silvester 2000 Trickfilmfestival Stuttgart, Germany, Preis der Landeshauptstadt Stuttgart for Neulich 1 Prix du court et moyen Métrage Bell Canada, Montréal, Canada, for Neulich 1 2002 Preis der deutschen Filmkritik for Neulich 3 as best short film 2002 2013 Best Animation Award at Tampere International Short Film Festival (Finland) for Sunday 3 German Shortfilm Award for „Sonntag 3“, nominee for the Award of the European Film Academy

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