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blinkvideo - research of video art, performance and multimedia installations.

For artists we provide a platform for extensive presentation of media works, gallerists get a direct contact to international professional audiences, collectors find a worldwide overview of contemporary trends in moving image, curators can do research via keywords and compilations, teachers use presentation opportunities for students and all professionals get password protected, extensive information about video works worldwide.

B3 – ON DESIRE

With the key topic ON DESIRE, B3 will in fall 2017 reflect on the latest trends relating to the moving image in art and media from a political, technological and aesthetic perspective.  Desire as yearning, wish, lust or hope and its translation into moving images will be explored in an artistic, social, political, sociopolitical and historical perspective and critically examined. . . .

VIDEONALE.16 Festival for Video and Time-Based Arts 2017

The 16th Videonale - Festival for Video and Time-Based Arts, this year took place under the title PERFORM! The exhibitions at the Kunstmuseum Bonn featured recent works by a total of 43 international artists

KINO DER KUNST 2017

a worldwide unique combination of film festival and art exhibition, held its third edition in April 2017. Movie theatres and museums all over Munich presented an International Competition as well as special focuses, artists talks, smposions and multi-channel installations.

Featured videos

Anita Beckers selection of videos for Independent Collector

In an exclusive interview with IC she talks about the technological progress that keeps reinventing the genre and her different roles she faces as a collector, gallerist and curator.

Artemovendo – in collaboration with Goethe Institut Porto Alegre

The video works shown in Artemovendo present a morphology of ambiguous entities, creatures or technical devices. Natural environments are contrasted with artificial, fully computer-designed worlds. Sometimes it is difficult to distinguish whether we have been invited to take a look at the outside world or into a laboratory; even dimensions appear to be chosen arbitrarily. Or do we happen to be entering a microscopically small universe that has been magnified many times over?

"Ajonjolí y otros moles"
Chance, Observation and a Poetics of the Personal

A series of pieces which deal with chance and observation of the every day; that which in our perception is hidden unless we slow down and take a closer look.

Stiftung imai – inter media art institute

The Düsseldorf based foundation imai – inter media art institute was founded in 2006 in order to establish an institution in Germany dedicated to the distribution and preservation of media art and associated activities.

Our Partners

blinkvideo mediaart
blinkvideo is a website for the research of video art. Founders: Julia Sökeland, Anita Beckers. blinkvideo ist eine Plattform zur Recherche nach Videokunst

Kate Gilmore

Works


Galleries

Anita Beckers Gallery
Anita Beckers
Frankenallee 74
60327 Frankfurt
Germany

Phone: +49 69 73900967
E-Mail: info@galerie-beckers.de




Biography

Education

2002 School of Visual Arts, Master of Fine Arts, New York, New York
1997 Bates College, Bachelor of Arts, Lewiston, Maine

Solo exhibitions

2015
"Expanding on an Expansive Subject", Armory Center for the Art, Los Angeles California
David Castillo Gallery, Miami, Florida

2014
"A Roll in the Way", The Aldrich Contemporary Art Museum, Ridgefield, Connecticut
"Top Drawer", Stonybrook University, Stonybrook, New York
"Beat It", H&R Block Artspace, Kansas City Art Institute, Missouri
"Broadway Billboard: Wall Bearer", Socrates Sculpture Park, Long Island City, Queens

2013
"Body of Work", Museum of Contemporary Art Cleveland, Cleveland, Ohio
“Kate Gilmore”, Institute of Contemporary Art at Maine College of Art, Portland Maine
"Between a Hard Place”, Fort Worth Contemporary Arts, Fort Worth, Texas
“Off the Old Block”, Museum of Contemporary Art San Diego/ WOW Festival (Performance), San Diego, California
"A Tisket, A Tasket", University Art Museum, University at Albany, Albany, New York
Landmarks Video, UT Austin, Austin, Texas
"Absent/Present" (2 person exhibiton with Zsuzsanna Szegadi), Montserrat Gallery, Montserrat College of Art, Beverly, Massachusetts

2012
"Rock, Hard, Place", David Castillo Gallery, Miami, Florida
"Single-channel 3: Time and Circumstance- Kate Gilmore, Standing Here", Des Moines Art Center, Des Moines, Iowa

2011
"Built to Burst", Braverman Gallery, Tel Aviv, Israel
"Walk the Line", Parasol Unit, London, England
Catharine Clark Gallery (Media Room), San Francisco, California

2010
"Pot, Kettle, Black", Maisterravalbuena Galeria, Madrid Spain
“Walk the Walk”, Public Art Fund, Bryant Park, New York, New York
“Tow the Line” (One Day Performance), Vassar College, Poughkeepsie, New York
"Standing Here", Rockland Art Center, West Nyack, New York
Crystal Contemporary Art, Stockholm, Sweden

2009
“By Any Means”, Locust Projects, Miami, Florida
Galleria Franco Soffiantino, Turin, Italy
“Heart Breaker”, Steve Turner Contemporary, Los Angeles, California
“Night Moves: Kate Gilmore”, San Jose Institute of Contemporary Art, San Jose, California

2008
Smith-Stewart Gallery, New York, New York
Institute of Contemporary Art, Philadelphia, Pennsylvania
Catharine Clark Gallery, San Francisco, California
“Girl Fight”, University of North Texas Art Gallery, Denton, Texas
Tyler School of Art, Philadelphia, Pennsylvania
“Girl Fight”, Artpace San Antonio, San Antonio, Texas
"The Breakers", Maisterravalbuena Galeria, Madrid, Spain
CESAC Centro Sperimentale Per Le Arti Contemporanee, Caraglio, Italy

2006
“Experimental Personalities",(2 person exhibition with Angie Reed), Contemporary Art Center, Cincinnati, Ohio
“Hopelessly Devoted”, Pierogi Gallery, Brooklyn, New York

2005
Real Art Ways, Hartford, Connecticut

2004
“On My Way to the Prom the World Collapsed on My Head”, White Columns, New York, New York
“If My Shoes Matched My Dress I Could Destroy You”, Plus Ultra Gallery, Brooklyn, New York

Group exhibitions

2015
"Bewegte Bilder", Marburger Kunstverein, Marburg, Germany
"Live-Action",MINT, Atlanta, Georgia
"Teeth, Gnash, Tennessee", Invisible-Exports, New York, New York
"Embodied Resilience", Italian Embassy in Berlin, Germany
"Object 'Hood", Lesley Heller Gallery, New York, New York
"Performative Process", Halsey McKay Gallery, Long Island, New York
"Strength and Struggle", Moshen Gallery, Tehran, Iran

2014
"The Lost Artworks" The Akranes Museum Center Reykjavik, Iceland
"Pop-Up", David Castillo Gallery, Miami, Florida
"Mana Monumental", Mana-Miami, Miami, Florida
"The Moment. The Backdrop. The Persona." Girls Club Collection Ft. Lauderdale, Florida
"Pierogi XX: Twentieth Anniversary Exhibition", Brooklyn, New York
"Video Container: Touch Cinema", Museum of Contemporary Art, North Miami
"Permanent Collection", Utah Museum of Fine Arts, Salt Lake City, Utah
"Transition", Galeria Anita Beckers, Frankfurt, Germany
"Hothouse Video: Harder, Glorious", Washington Project for the Arts, Washington, D.C
Voices: Warehouse Gallery, Dubuque, Michigan
Site: Lab, Grand Rapids, Michigan
"Incarnate", Catherine Clark Gallery, San Francisco, California
"The Gatekeepers", William Holman Gallery, New York
"Eric Fertman: A Comic Turn" Southeastern Center for Contemporary Art, Winston-Salem, NC
"Seven", The Boiler: Pierogi Gallery, Brooklyn, NY

2013
"Social Animals", Art Public, Art Basel, Miami, Florida
“Pataphysics: A Theoretical Exhibition”, Sean Kelly Gallery, New York
"Body is Present", Berrie Center for Performing and Visual Arts, Ramapo College, New Jersey
"Paint Things: Beyond the Stretcher", Decordova Sculpture Park and Museum, Lincoln, Massachusetts
"Hold on Her" (performance), Cleveland Museum of Art, Cleveland, Ohio
"All Good Things", SOMA Arts, San Francisco, California
"The Lobby Project", City Center, New York, New York
"Sisyphus: Heroism of the Absurd”, Arte Actual, Quito, Ecuador
"If Color, then also Dimension: if Flatness, then Texture, etc.", LMCC at Governor's Island, New York, New York
"In Praise of Chance and Failure", Family Business, New York, New York
"Remainder", Philbrook Museum of Art, Tulsa, Oklahoma
"There Is No Place Like Home", Paul Robeson Galleries Rutgers, Newark, New Jersey
"Only a Signal Shown," Southern Exposure", San Francisco, California
"No Sun Without Shadow", Lu Magnus, New York, New York

2012
"The Annual", National Academy Museum, ,New York, New York
"Dark Flow Lurking", David Castillo Gallery, Miami Florida
"Projecting Identity", The Anderson Gallery at Drake University, Des Moines, Iowa
"Under the Table", Fort Worth Contemporary Arts, Fort Worth, Texas
"Past and Present", Silas Marder Gallery, Bridgehampton, New York
"External Origin", Clifford Gallery, Colgate University, Hamilton, New York
"From Our Bodies Blinking", Root Division, San Francisco, California
"The Day on Fire: Apocalypse in Contemporary Art", East Tennessee State University, Johnson City, Tennesse
"Spazi Aperti 2012", Romanian Academy in Rome, Rome, Italy
"Pretty Ugly", Mills Gallery: Boston Center for the Arts, Boston, Massachusetts
"Broken Homes", Momenta Art, New York, New York
"Campaign",C24 Gallery, New York, New York
"The Virgins Show", Family Business, New York, New York
"The Vault", Spaces, Cleveland, Ohio

2011
4th Moscow Biennale, Moscow, Russia
6th Curitiba Biennial, Curitiba, Brazil
"The More Things Change", San Francisco Museum of Modern Art, San Francisco, California
"Unfolding Tales: Selections from the Contemporary Collection", Brooklyn Museum, Brooklyn, New York
"Soft Machines", The Pace Gallery, New York, New York
"Who's Afraid of Performance Art?", Fonds d'art contemporain de la Ville de Genève (FMAC), Geneva, Switzerland
"Videobytes", James Cohan Gallery (Lower East Side), New York, New York
“TBA: Time Based Arts Festival”: Portland Institute of Contemporary Art, Portland, Oregon
"Temporary Structures: Performing Architecture in Contemporary Art", Decordova Sculture Park and Museum,
Lincoln, Massachusetts
"Norfolk", Thierry Goldberg Projects, New York, New York
BNA: From Brooklyn to Nashville, Zieher Smith Pop Up Gallery, Nashville, Tennessee
"The Golden Ass", Annie Wharton Los Angeles, Los Angeles, California
"Groundbreaking", Whitney Museum of American Art (new site), New York, New York
“Nominator and Denominator”, Herzliya Museum of Contemporary Art, Tel Aviv, Israel
“Persona: A Body in Parts”, Weatherspoon Art Museum, Greensboro, North Carolina
"Stagecraft", University of Southern Florida Contemporary Art Museum, Tampa, Florida
Incheon Women Artist Biennial, Korea
"American Chambers", Gyeongnam Art Museum, Korea
"Blind Spot", Airplane Gallery, Brooklyn, New York
"Sum of the Parts", David Castillo Gallery, Miami, Florida
"Glutton for Punishment", Ramis Barquet, New York, New York
"The Spirit of the Signal", Nicole Klagsbrun Gallery, New York, New York
"Body of Art", Prairie, Cincinatti, Ohio
"Tensile Strength", Zieher Smith Gallery, New York, New York

2010
“2010 Whitney Biennial”, Whitney Museum of American Art, New York, New York
“Greater New York: 5 Year Review”, MoMA/PS1, Long Island City, New York
“Framed”, Indianapolis Museum of Art, Indianapolis, Indiana
"Emerge", Museum of Contemporary Art Chicago, Chicago, Illinois
"Uncertain Spectator", Experimental Media and Performing Art Center, Troy, New York
"Sweat", Patricia Low Contemporary, Gstaad, Switzerland
"F*Utility", Arena 1, Santa Monica, California
"Better When Broken", Seventeen Gallery, London, England
“A Basic Human Impulse”, Galleria Comunale d’Arte Contemporanea, Monfalcone, Italy
“Mirror, Mirror”, Postmasters Gallery, New York, New York
"Gimme Shelter", Mixed Greens, New York, New York
"Knock Knock", Fred Torres Collaborations, New York, New York
"A Reluctant Apparition", Sue Scott Gallery, New York, New York
“Global/National”, Exit Art, New York, New York
"Escape From New York", Patterson Arts Council, Patterson, New Jersey
"COMPOSE!", Smith-Stewart @ DKP, New York, New York
"Chained to a Creature of a Different Kingdom", David Castillo Gallery, Miami, Florida
“Kate Brandt Pink”, University of Wisconsin-Milwaukee Union Art Gallery, Milwaukee, Wisconsin
“Common Jive”, Elizabeth Foundation for the Arts, New York, New York
“Spasticus Artisticus”, Ceri Hand Gallery, Liverpool, UK
“A Basic Human Impulse”, Galleria Communale d’Arte Contemporanea, Monfalcone, Italy
“You Are Free”, Tape Club, Berlin, Germany
"Tragic Sense of Life", Westchester Community College Fine Arts Gallery, Valhalla, New York
"No Vacancy", The Butcher's Daughter Gallery, Ferndale, Michigan
“Culture Shock: Video Interventions at the QET”, Vancouver 2010 Cultural Olympiad, Queen Elizabeth Theatre, Vancouver,
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Canada.

2009
“100 Years”, PS1/MoMA, Queens, New York
"Reflections on the Electric Mirror: New Feminist Video" Brooklyn Museum of Art, Brooklyn, New York
"Party at Chris's House", Janet Kurnatowski Gallery, Brooklyn, New York
"Supergirl", Nexus Foundation for Arts, Philadelphia, Pennsylvania
"One Minute More", The Kitchen, New York, New York
"Pink Panther", Kumukumu Gallery, New York, New York
“Night Gallery Rosslyn”, Arlington Arts, Arlington Virginia
“Tell Me Everything, As You Remember It”, Creative Research Lab, The University of Texas at Austin, Austin, Texas
“Chewing Color: Patty Chang, Kate Gilmore, Marilyn Minter”, Creative Time, Times Square,
New York, New York
"City Garden", Contemporary Art Museum, St. Louis, St. Louis, Missouri
"East Coast Video", Ramis Barquet, New York, New York
"I am a Video ", Good Children Gallery, New Orleans, Louisiana
"No Longer Empty", The Chelsea Hotel, New York, New York
"Practice, Practice, Practice", Lora Reynolds Gallery, Austin Texas
"Sixty Minutes", University of South Florida Contemporary Art Museum, Tampa, Florida
"Feel the Force", Cafe Gallery London, London, England
“It's You, Not Me", San Jose Institute of Contemporary Art, San Jose, California
“Theoretical Practice”, International Studio and Curatorial Program, Brooklyn, New York
"Our Great Show: Selections from the Jefferson Godard Collection", Nice & Fit, Berlin, Germany

2008
"Perverted by Theater", Apex Art, New York, New York
"Re.Act.Feminism", Akademie der Kunste, Berlin, Germany
"My Space", Palazzo delle Arti Napoli, Naples, Italy
“Alternating Beats”, RISD Museum of Art, Rhode Island School of Design, Providence, Rhode Island
"Number 2: Fragile", Julia Stoschek Collection, Dusseldorf, Germany
“Un-Break My Heart”, Pluto Gallery, Brooklyn, New York
“Real Thing”, Braverman Gallery, Tel Aviv, Israel
“Held Together With Water”, Sammlung Verbund at the Istanbul Museum of Modern Art, Istanbul, Turkey
“Destroy, She Said”, Pinchuk Art Center, Kiev, Ukraine
"Jack #%ss", Susan Inglett Gallery, New York, New York
"Beware of the Wolf", American Academy in Rome, Rome Italy
“Environments and Empires”, Rose Art Museum at Brandeis University, Waltham, Massachusetts
"Diamond Dogs", Galeria Casado Santapau, Madrid, Spain
"The Best Artwork in the World (on the Portrait of the Artist)", Charro Negro Galeria, Guadalajara, Mexico
“La Nave dei Folli”, Porta S.Agostino, Bergamo, Italy
"Open Video Projects", Marta Herford Museum, Herford, Germany
“Colloque Cest Mon Genre”, Ecole Regionale Des Beaux-Arts De Nantes, Nantes, France
“Video Now: Artists Working in the Spirit of Bruce Nauman”, The Menil Collection, Houston, Texas
“The Leisure Suit”, Leroy Neiman Gallery, Columbia University, New York, New York
“Media Project”, Fringe Exhibitions, Los Angeles, California
“Make You Notice”, San Francisco Art Commission Gallery, San Francisco, California
“(Untitled) U=____”, Fette’s Gallery, Los Angeles, California

2007
"Held Together With Water, Sammlung Verbund at the MAK Museum of Applied Arts Vienna",
MAK Museum of Applied Arts Vienna, Vienna, Austria
“Red Badge of Courage”, Newark Council for the Arts, Newark, New Jersey
“Making Noise”, South Street Seaport Museum: Melville Gallery, New York, New York
“Destroy, She Said”, Julia Stoschek Collection, Dusseldorf, Germany
“Ceci n’est pas… (This is not…)”, Sara Meltzer Gallery, New York, New York
“Foam of the Daze”, Smith-Stewart, New York, New York
“(Un)Natural Selection”, Pierogi Gallery, Brooklyn, New York
“Line-Up”, Socrates Sculpture Park, Long Island City, New York
“Come One Come All”, 3rd Ward, Brooklyn, New York
“Architecture and Design Biennial”, Tel Aviv, Israel
“What F Word?” Cynthia Broan Gallery, New York, New York
“The Feminine Mysterious”, Red Dot Contemporary, West Palm Beach, Florida
“I Could Be You”, Akademie Schloss Solitude, Stuttgart, Germany
“MASH”, The Helena: Cottelston Advisors, New York, New York
“Out of the Loop”, BICA, Brooklyn, New York
“L'axe Bartholdi” La Vapeur, Dijon, France

2006
“Reckless Behavior”, J. Paul Getty Museum, Los Angeles, California
“Heart Breaker”, Mary Boone Gallery, New York, New York
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“Mixed Emotions”, Haifa Museum of Art, Haifa, Israel
“Twist it Twice”, Moti Hasson Gallery, New York, New York
“Factitious”, Pierogi Leipzig, Leipzig, Germany
“Factitious”, Pierogi Gallery, Brooklyn, New York
“Semiannual”, Monkeytown, Brooklyn, New York
“Ionesco's Friends”, Franco Soffiantino Arte Contemporanea, Turin, Italy
“Wild Girls”, Exit Art, New York, New York
“Open Network”, Ampersand International Arts, San Francisco, California
“Love”, Ferragamo Gallery/Project Space, New York, New York
“The Studio Visit”, Exit Art, New York, New York

2005
“Greater New York 2005”, PS1/MoMA Contemporary Art Center, Long Island City, New York
“Video Screening”, Hudson Valley Center for Contemporary Art, Peekskill, New York
“Codependent”, The Living Room, Miami, Florida
“Holiday Windows”, Exit Art, New York, New York
“It Is The Same Outside”, Drake Hotel, Toronto, Canada
“Me, Myself and My Emotions”, Tastes Like Chicken Art Space, Brooklyn, New York
“The Expression of Elemental Passions... (or, Damn Everything by the Circus)”,
Plus Ultra Gallery, Brooklyn, New York
“Video 2005”, Art in General, New York, New York

2004
“Open House: Working in Brooklyn”, Brooklyn Museum of Art, Brooklyn, New York
“Beginning Here: 101 Ways”, Curator: Jerry Saltz, Visual Arts Gallery, New York, New York
“Tokyo- Chicago-New York”, Tokyo National University of Fine Art and Music, Tokyo, Japan
“Sympathetic Nerve”, Capsule Gallery, New York, New York
“The Truck Stops Here”, Plus Ultra Gallery, Brooklyn, New York
“Six Outdoor Projects”, Long Island University, Brooklyn, New York
“Slice and Dice”, Visual Arts Gallery, New York, New York
“Transmotion”, Lower Manhattan Cultural Council, New York, New York
“1800 Frames 2004”, City Without Walls, Newark, New Jersey

2003
“AIM 23”, Bronx Museum of Art, Bronx, New York
“The Reconstruction Biennial”, Exit Art, New York, New York
“Site-Specifics”, The Islip Art Museum: The Carriage House, East Islip, New York
“Video 825”, Gallery 825 LAAA, Los Angeles, California
“ARTNEW YORK”, Kunstraume auf Zeit, Linz, Austria

Awards / residencies

2013/2014
Rauschenberg Residency Award, Captiva Island, Florida
Mana Residency, Mana Contemporary, Jersey City, New Jersey
2012
New York Foundation for the Arts Fellowship (NYFA), New York, New York
Art Matters Grant, New York, New York
2010
Lower Manhattan Cultural Council Award for Artistic Excellence, New York, New York
2009
Louis Comfort Tiffany Foundation Award, New York, New York
In the Public Realm, Public Art Fund, New York, New York
Marie Walsh Sharpe, Space Program, Brooklyn, New York
2007
The Rome Prize, American Academy in Rome, Rome, Italy
Art Omi, Ghent, New York
2006
Franklin Furnace Fund for Performance, Brooklyn, New York
Visiting Scholar, New York University, New York, New York
Farpath Workspace Award and Residency, Dijon, France
2005
New York Foundation for the Arts Fellowship (NYFA), New York, New York
Lower Manhattan Cultural Council Workspace Award, New York, New York
2003
Lower Manhattan Cultural Council Manhattan Community Arts Grant, New York, New York
Artist in the Marketplace: Bronx Museum of Arts, Bronx, New York
Artists Space: Independent Project Grant, New York, New York
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Bibliography

2015
Dina Deitsch, "Broken Dishes: Kate Gilmore in Conversation with Dina Deitsch", ART JOURNAL, June 2015
2014
Susan Hodara, "At Aldrich Contemporary Art Museum, Conversation Between Works and Over Decades", THE NEW YORK TIMES, Dec. 19, 2014
Stephen Maine, "The Aldrich at 50: Clutch of Exhibitions Demonstrate Currency of Founder’s Vision", ART CRITICAL, Dec. 18, 2014.
Alice Thorston, "Kate Gilmore’s Videos Bring Humorous Approach toFemale Struggle", THE KANSAS CITY STAR, Dec.5, 2014
2013
Paul David Young, "Hammers and Crickets: A Little Night Music in Miami", Art in America (online), Dec. 5, 2013
Whitney Kimball, "Kate Gilmore and Suzanne McClelland in Albany", ART FAG CITY, December 20, 2013
Richard Luscombe and Jason Farago, "Art Basel Miami Beach Set to Capitalise on Boom in Contemporary Art Market", THE GUARDIAN, December 4, 2013
Steve Barnes, "Work by Kate Gilmore and Suzanne McClelland at UAlbany", TIMES UNION, November 20, 2013
Katherine Brooks, "10 Women Artists Of The New Millennium You Should Know", Huffington Post, November 4, 2013
Lyz Bly, "Love, Terror, and Happy Accidents: Kate Gilmore at MOCA Cleveland", Collective Arts Network (CAN Journal), Summer 2013
Steven Litt, "MOCA Cleveland Stages Compelling Installations by Janet Cardiff and George Bures Miller, and Kate Gilmore", PLAIN DEALER, April 20, 2013
Lori Cole, "Paint Thing: Beyond the Stretcher", ARTFORUM.COM, March 2013
Cate Mcquaid, "What's Up at Boston Area Art Galleries", BOSTON GLOBE, March 26, 2013
Chris Bergeron, "Lincoln's Decordova Exhibits Art that Busts a Move", METROWEST DAILY NEWS, March24, 2013
Faye Hirsch (as told to), "The Clintons", ART IN AMERICA, March, 2013
Cate Mcquaid, "Paint Things is off the Wall", THE BOSTON GLOBE, February 7, 2013
2012
"In Conversation: Nancy Davidson with Kate Gilmore", The Brooklyn Rail, September 2012 Cate McQuaid, "Saliva Flows, Mud Thrown in Pretty Ugly", THE BOSTON GLOBE, June 6, 2012 Cara Despain, "Kate Gilmore: Rock, Hard, Place", ART DISTRICTS, May 2012 Anna Watkins Fisher, "Like a Girl’s Name The Adolescent Drag of Amber Hawk Swanson, Kate Gilmore, and Ann Liv Young", TDR: The Drama Review 56:1 (T213), Spring 2012
2011
Harry J. Weil, "Old Themes, New Variations: The Work of Kate Gilmore", AFTERIMAGE, December 2011
Max Halperen, "Persona: A Body in Parts", ART PAPERS, December 2011
Sebastian Smee, "Altering our Architectures in Ways that Make UsChange", BOSTON GLOBE, October 2, 2011
John Motley, "Bricks- Hard-Edged: Visual Arts", THE OREGONIAN, September 21, 2011
Lennie Bennett, "Videos Intrigue, Inform in 'Stagecraft' at the USF Contemporary Art Museum", ST. PETERSBURG TIMES,
August 28,2011
Leigh Anne Miller, "The Lookout: A Weekly Guide to Shows You Won't Want to Miss", ART IN AMERICA, August 11, 2011
Allese Thomson Baker, "Critics Pick: Soft Machines", ARTFORUM.COM. August 9, 2011
Robert Shuster, "Best in Show: Glutton for Punishment", THE VILLAGE VOICE, August 3, 2011
Kathleen Massara, "Soft Machines Hit Hard", THE L MAGAZINE, August 3, 2011
Amanda Schmitt, "Glutton for Video Art", ARTCARDS REVIEW, August 2, 2011
Ken Johnson, "Art in Review: Soft Machines", THE NEW YORK TIMES, July 28, 2011
Smadar Sheffi, "Time for Every Object", HAARETZ, July 22, 2011
Carly Gaebe, "Body Conscious: Soft Machines at the Pace Gallery, ART IN AMERICA, July 22, 2011
Linda Yablonsky, "Chip of the Old Block", ARTFORUM.COM, July 20, 2011
Andrew Russeth, "Kate Gilmore Blankets Pace Gallery with 7,500 Pounds of Clay", NY OBSERVER, July 14, 2011
Benjamin Sutton, "Kate GIlmore's Clay Scraping Performance", L MAGAZINE, July 14, 2011
Kenneth Baker, "Gilmore Girls", SAN FRANCISCO CHRONICLE, June 18, 2011
Galia Yahav, "Gilmore Girl", TIME OUT ISRAEL, June 23, 2011
Marshall Heyman, "At Art Parties, Making and Breaking a Scene", WALL STREET JOURNAL, April 19, 2011
Sarah Douglas, "The Public Art Fund's Benefit was a Smash", ARTINFO, April 18, 2011
Bomblog, "Jennifer and Kate Gilmore", BOMB, March 10, 2011
Carol Vogel, "Brightening the Outdoors", THE NEW YORK TIMES, January 27, 2011
NYFA Current (video), "The Artist's Life: Kate Gilmore", NEW YORK FOUNDATION FOR THE ARTS, 2011
2010
David Frankel, "Putting Him and Her on a Pedestal: Anthony Gormley and Kate Gilmore", PUBLIC ART REVIEW, Fall
Winter 2010
Javier Hontoria, "Kate Gilmore, Gozosamente Caotica", El Cultural, December 10, 2010
Andrew Russeth, "Reviews: Kate Gilmore", ART INFO/ MODERN PAINTERS, May 13, 2010
Roberta Smith, "Artist Struts Her Stuff in Others' Shoes", THE NEW YORK TIMES, May 12, 2010
Alex Williams, “You Never Know Where Her Gallery Will Pop Up Next”, THE NEW YORK TIMES, May 12, 2010
Catherine Kron, "Gilmore's Girls", ART IN AMERICA, May 12, 2010
Randy Kennedy, "Pounding the Pavement on a Bryant Park Pedestal",THE NEW YORK TIMES,
May 8, 2010
Cindy Rehm, “Video as a Flexible Medium”, NUMBER:66, Summer 2010
Carol Vogel, "Inside Art: A Bryant Park Stomp", THE NEW YORK TIMES, March 30, 2010
Richard Lacayo, “Stars of the Arts: Three Artists to Watch at the Whitney Biennial”, TIME,
March 11, 2010
Blake Gopnik, “2010 Whitney Biennial is Artful but Lacking Urgency”, THE WASHINGTON POST,
March 3, 2010
Kriston Capps, "Whitney Biennial 2010: Still Flying the Flag?", THE GUARDIAN, March 2, 2010
Christian Viveros-Faune, "Welcome to the Mixed-Up, Dialed-Down 2010 Whitney Biennial", VILLAGE VOICE,
March 2, 2010
Carolina Miranda, "Whitney Biennial: Three Must Sees", WNYC, February 25, 2010
Charlie Finch, "A Room of One's Own", ARTNET, February 23, 2010
Linda Yablonsky, "Whitney Biennial Mishmash Serves Up Michael Jackson, Macrame", BLOOMBERG NEWS,
February 25, 2010
Peter Plagens, "But, What does it Mean?", NEWSWEEK, February 19, 2010
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2009
Jerry Saltz, “Triumph: Women Artists Win Slim Majority in Next Whitney Biennial”, NEW YORK MAGAZINE,
December 11, 2009
Goings on About Town, “One Minute More”, THE NEW YORKER, November 2, 2009
Kirsten Swenson, “Reflections on the Electric Mirror: New Feminist Video”, ART IN AMERICA,
October 2009
Carla Acevedo-Yates, “Reflection on the Electric Mirror: New Feminist Video”, ARTPULSE,
October 2009
Karen Rosenberg, “Art in Review Pink Panther” THE NEW YORK TIMES, October 15, 2009
Ken Johnson, “Last Chance: East Coast Video”, THE NEW YORK TIMES, August 13, 2009
DSD, “The Great Migration: Art in the Design District”, HOME, August 2008
Ken Johnson, "Art in Review: East Coast Video", THE NEW YORK TIMES, July 31, 2009
Kimberly Lamm, "Art Seen: Reflections on the Electric Mirror: New Feminist Video", THE BROOKLYN RAIL,
July-August 2009
Karen Rosenberg, "Art In Review", THE NEW YORK TIMES, June 26, 2009
Janet Batet, "Kate Gilmore: la Destrucción como Indagación de Género", EL NUEVO HERALD, June 21, 2009
David Coggins, “Break on Through”, BATES MAGAZINE, Summer 2009
Creative Time, “Marilyn Minter/Kate Gilmore” (interview), THE CREATIVE TIMES, Summer 2009
Goings on About Town, "Brooklyn Museum: Reflection on the Electric Mirror: New Feminist Video", NEW YORKER,
May 25, 2009
Jane Harris, "Art Review: Reflections on the Electric Mirror: New Feminist Art", TIME OUT NEW YORK, May 14, 2009
Ken Johnson, “Reflections on the Electric Mirror: New Feminist Video” THE NEW YORK TIMES,
May 8, 2009
Carlos Suarez De Jesus, "Give Me Art", MIAMI NEW TIMES, May 6, 2009
Amy Larocca, "Head-on Collision: Fearless Kate Gilmore Turns Accidental Chaos into Seriously Fun Art",
NEW YORK MAGAZINE, May 4, 2009
Ken Johnson, "She Tube: Female Voices on the Small Screen", THE NEW YORK TIMES, May 1, 2009
Mary Walling Blackburn, “Chewing Candy: A Glossary”, ART IN AMERICA, April 9, 2009
Olga Gambari, “Kate Gilmore: Franco Soffiantino Arte Contemporanea-Turin”, FLASH ART, March 2009
Lyra Kilston, "Introducing: Kate Gilmore", MODERN PAINTERS, March 2009
Daniela Bigi, "Kate Gilmore: A Human Condition", ARTE E CRITICA, March 2009
Maria Giovanna Mancini, "My Space. Cosa Vuol Dire "Pubblico"? Al Pan di Napoli”, ARTE E CRITICA, March 2009
Elwyn Palmerton, "Kate Gilmore", ARTILLERY, March 2009
Wilhelm Pauli, “Re.Act Feminism”, KOMMUNE, March 2009
“Re.Act Feminism”, ARTPROFIL, February 2009
Kito Nedo, “Re.Act. Feminism”, ART. DAS KUNSTMAGAZIN, February 2009
Frances Richard, “Kate Gilmore”, ARTFORUM, February 2009
Lisa Parola, "Giochi di Formi e di Cromatismo nelle Performance della Gilmore", LA STAMPA,
February 13, 2009
Anne Kelly, "Kate Gilmore: Girl Crush", FEMALE PERSUASION, February 10, 2009
Chloe Gray, "Profile: Kate Gilmore", HEX ED JOURNAL, February 5, 2009
Patricia Maloney, "Josephine Taylor and Kate Gilmore", SHOTGUN REVIEW, January 19, 2009
“Goings on About Town: Kate Gilmore”, THE NEW YORKER, January 19, 2009
Roberta Smith, "Museum and Gallery Listings: Kate Gilmore", THE NEW YORK TMES,
January 16, 2009
Kris Wilton, "Kate Gilmore in New York", ART INFO, January 16, 2009
Blythe Sheldon, "Kate Gilmore at Smith-Stewart", ARTCAL, January 12, 2009
Roberta Smith, "Art in Review: Kate Gilmore", THE NEW YORK TIMES, January 9, 2009
Cate McQuaid, “Videos, Then and Now, Tell a Story”, THE BOSTON GLOBE, January 4, 2009
Kenneth Baker, "Hacking at a ‘Heart’ in a Little Yellow Dress", SAN FRANCISCO CHRONICLE, January 3, 2009
Edward Epstein, "Kate Gilmore: Philadelphia", ART PAPERS, January/February 2009
2008
Gabriele Schor (editor),”Held Together with Water: Art from the Sammlung Verbund”, Catalogue, ISTANBUL MODERN, 2008
Marc LeBlanc, “Shaving the Mammoth”, Catalogue, SAN FRANCISCO ART INSTITUTE, 2008
John C. Welchman (editor), Glenn Phillips (contributor), “The Aesthetics of Risk”, Catalogue, SOUTHERN CALIFORNIA
CONSORTIUM OF ART SCHOOLS. 2008
Lucia Skavron-Edmonds, Regina Skavron, Timothy Shearer (editors), “Where is My Mind”, ART RMX COLOGNE, 2008
Von Simone Reber, “Kultur”, DERTAGESSPIEGEL, December 18, 2008
Marisa Nakasone, "Kate Gilmore's Masochistic Films Explore Struggle through Gender and Identity", EXAMINER,
December 22, 2008
Jolene Torr, "Beyond All Endurance", ART SLANT, December 21, 2008
Christopher Howard, “Kate Gilmore”, ARTFORUM.COM, December 15, 2008
John Ewing, “Perverted by Theater”, ART LIES, Issue 60, December 2008
Emma Pearse, “Artist Kate Gilmore Breaks Down the Fifth Wall" NY MAG.COM, December 2, 2008
Sarah Fones, “Kate Gilmore, High Heeled Warrior”, STYLE.COM, November 24, 2008
Semper Ars, "Kate Gilmore at Smith-Stewart", SEMPER ARS, November 23, 2008
Jason Jude Chan, “Kate Gilmore”, FLAVORPILL, November 21, 2008
kate gilmore - biography http://www.kategilmore.com/biography/index.html
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Dana Gillerman, “Galeria”, HAAERETZ, November 20, 2008
Merritt Martin, “Oh, the Fury: Gilmore Battles Gender Demons with a Girl Fight”, DALLAS OBSERVER, November 19, 2008
Lacy Blue, “Artist Fights for Feminine Power in Show”, NORTH TEXAS DAILY, November 18, 2008
Christiane Fricke, "Wasser als Bindefied", HANDELSBLATT, November 2, 2008
Edward Sozanski, "Art and Entertainment", PHILADELPHIA INQUIRER, September 14, 2008
Natalie Hope Mcdonald, “On The House”, CITY PAPER, September 2008
Yasemin Bay, "Feminist onculer Istanbul Modern" de", MILLIYET, September 10, 2008
Alicia Puglionesi, "Art in a Tight Spot', PHILADELHIA INQUIRER, September 2, 2008
Stamatina Gregory, “Becoming Sculpture: The Work of Kate Gilmore”, INSTITUTE OF CONTEMPORARY ART,
September 2008
Charles Dee Mitchell and Mike Daniel, “Fall Arts Preview”, DALLAS MORNING NEWS,
August 29, 2008
Marisa Olson, "Rhizome News: Walking on Coals, er...Sunshine", RHIZOME, August 27, 2008
Kristen Lorello, "goldiechiari and Kate Gilmore", MUSEO, Issue No. 9, June 2008
Barbara Morris, "Make You Notice", ARTWEEK, Volume 39, Issue 5, June 2008
Rachel Cook, "Kate Gilmore", ART LIES, Summer 2008
Genevieve Quick, "Make You Notice", SHOTGUN REVIEW, April 19, 2008
Summer Sewell, "The Hot List", 7x7 SF, April 2008
Nirmala Nataraj, "Turning Heads", SF WEEKLY, March 28, 2008
Matt Wolf, "Love is Our Battlefield", SAN ANTONIO CURRENT, March 26, 2008
Taylor Reynolds, “Not Your Average Girl Fight”, THE PAISANO, March 4, 2008
Jessica Belasco, “Artists Videos Explore Struggle, Identity, Failure, “ CHICAGO TRIBUNE,
March 3, 2008
Alessandro Facente, “Kate Gilmore”, DROME, February 2008
Jessica Belasco, “Performance Artist Throws Herself into Her Work”, EXPRESS NEWS,
February 12, 2008
Chris Bergeron, “Seeing is Believing”, THE DAILY NEWS, February 3, 2008
J.L Requena, “Que Hacen”, TELVA, February 2008
Matthew Drutt, “Kate Gilmore: Hudson Showroom”, ARTPACE GALLERY NOTES, January 2008
Marisa Olson, “Topsy Turvy Tales”, RHIZOME, January 30, 2008
2007
Angela Vettese, “Innamorati delle Fiere”, IL SOLE 24, November 4, 2007
William Hanley, “For Whom the Belle Toils”, ARTNEWS, October 2007
Dan Halm, “Portfolio: Kate Gilmore”, VISUAL ARTS JOURNAL, Fall 2007
Gabriele Schor (editor), “Held Together With Water: Art from the Sammlung Verbund”, Catalogue, MAK MUSEUM OF ART,
May 2007
Yaelle Amir, “Kate Gilmore”, ART US, March/April 2007
Miranda McClintic, WHAT F WORD, March 2007
David Coggins, “Kate Gilmore at Pierogi”, ART IN AMERICA, March 2007
Shani Lipman, Look in the Jar”, TIME OUT ISRAEL, March 29, 2007
HAARETZ, “Video Art”,March 29, 2007
Sarah Schmerler,“Tour de Force”, TIME OUT NEW YORK, February 22-28, 2007
Julia Bainbridge, “Industrial Art”, NYLON, February 22, 2007
Jerry Saltz, ”Maximum Voracity”, THE VILLAGE VOICE, January 10, 2007
Jerry Saltz, “Maximum Voracity”, ARTNET, January 16, 2007
“Goings on About Town: Kate Gilmore/ David Scher”, THE NEW YORKER, December 25, 2006 & January 1, 2007
2006
JW, “Kate Gilmore: Hopelessly Devoted”, FLAVORPILL, December 19-25, 2006
Benjamin Genocchio, “Kate Gilmore”, NEW YORK TIMES, November 24, 2006
Jacquelyn Vaughn, “Contemporary Art Center: Experimental Personalities”, CITY BEAT: CINCINNATI,
November 15-21, 2006
Ana Finel Honigman, “Kate Gilmore in Conversation with Ana Finel Honigman”, SAATCHI GALLERY.
CO.UK, November 13, 2006
Nick Stillman (editor), “Rants and Raves”, NYFA CURRENT, November 2006
Calendar, MODERN PAINTERS, November 2006
HGM, “Wild Girls”, FLAVORPILL, August 22-28, 2006
Walter Robinson “Artnet News”, ARTNET, June 22, 2006
Jerry Saltz, “Desperata”, VILLAGE VOICE, May 3, 2006
Jerry Saltz, “Desperata”, ARTNET, May 3, 2006
Patricia Maloney,”Open Network: Brooklyn”, AMPERSAND INTERNATIONAL ARTS, May 2006
Tami Katz-Freiman, “Mixed Emotions”, Catalogue, HAIFA MUSEUM OF ART 2006
Holly Willis, “Reckless Behavior”, LA WEEKLY, April 12, 2006
Christopher Reiger, “For All of Us, It's All About Me”, SCRAWLED, March 2006
Lauren Kawana and Rachael Garbowski, “Alumna Kate Gilmore Succeeds Outside the Bubble”,
BATES STUDENT, March 2006
Luca Vona, “Ionesco's Friends”, EXIBART, March 3, 2006
Olga Gambaru, “Quatro Artisti Espongono da Soffiantino”, LA REPUBBLICA, January 28, 2006
kate gilmore - biography http://www.kategilmore.com/biography/index.html
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2005
Alanna Heiss, Klaus Biesenbach, Glenn D. Lowry, “Greater New York 2005”, Catalogue, PS1/MOMA CONTEMPORARY
ART CENTER, 2005
Olltta Aram, “New York Contemporary Art Scene”, ART AND DESIGN PRESS: CHINA, 2005
Stephanie Simon, “Local Artists Create Unique Window Display in Midtown”, NY1 NEWS,
December 5, 2005
Stephen Maine, “Dateline Brooklyn”, ARTNET, October 5, 2005
Julie Fishkin, “Greater New York 2005”, NY ARTS, May/June 2005
David Rimanelli, "Greater New York 2005", ARTFORUM, May 2005
Julie Fishkin, “Greater New York 2005”, ART FAIRS INTERNATIONAL, May 2005
Alice Thorson, “P.S.1 show of Emerging Artists has links to KC”, KANSAS CITY STAR, April 24, 2005
Arlene McKanic, “Art Overrun Walls, Floors at PS1 Show”, TIMES LEDGER, March 31, 2005
Jerry Saltz,“Lesser New York”, VILLAGE VOICE, March 30, 2005
Jerry Saltz, “Lesser New York”, ARTNET NEWS, March 30, 2005
Patricia Rosoff, “The Artists Wore a Lens”, HARTFORD ADVOCATE, March 24, 2005
Ariella Budick, “Humor Is Their Oeuvre”, NEWSDAY, March 20, 2005
Michael Kimmelman, “Youth and the Market: Love at First Sight”, NEW YORK TIMES,
March 18, 2005
Kate Ebner, “Kate Gilmore”, REAL ART WAYS, 2005
Benjamin Genocchio, “From Young Artists, Work That Reverberates”, NEW YORK TIMES,
March 13, 2005
Stephen Maine, “Dateline Brooklyn”, ARTNET, February 4, 2005
On/Megumi Akiyoshi, Hiroko Saito, Shannon Schmidt (editors), “Voices of Site”, TOKYO UNIVERSITY OF FINE ARTS,
January 2005
2004
Gregory Volk, “Big Brash Borough”, ART IN AMERICA, September 2004
Matthew Friedman, “Six Outdoor Projects at LIU”, LONG ISLAND UNIVERSITY, August 2004
Jerry Saltz, “Borough Hall”, THE VILLAGE VOICE, April 28, 2004
Jerry Saltz, “Borough Hall”, “ARTNET”, April 28, 2006
Charlotta Kotik and Tumelo Mosaka, “Open”, Catalogue, BROOKLYN MUSEUM OF ART, April 2004
2003
Ken Johnson, “Art Guide: Museums”, THE NEW YORK TIMES, August 22, 2003
Ken Johnson, “From Small Sculptures to Glimpses of Signs, A Mix of Works in the Bronx”,
THE NEW YORK TIMES, August 15, 2003
Helen Harrison, “Art Reviews: Site Specifics ‘03”, THE NEW YORK TIMES, July 15, 2003
Karen Shaw, “Site Specifics 2003”, ISLIP ART MUSEUM: CARRIAGE HOUSE, June 2003
William Powhida, “Exit Biennial: The Reconstruction”, THE BROOKLYN RAIL, June/July 2003
Lydia Yee and Amy Rosenblum Martin, “AIM 23”, Catalog, THE BRONX MUSEUM OF ART, July 2003
Kim Levin, “Exit Biennial: The Reconstruction”, VILLAGE VOICE, April 30, 2003, p.72
Roberta Smith, “A Space Reborn With a Show That’s Never Finished”, THE NEW YORK TIMES,
April 4, 2003

Publications / catalogues

Amy Smith Stewart, "Kate Gilmore: A Roll in the Way",Aldrich Contemporary Art Museum, (brochure), 2014
Danny Orendorff, "No One Likes to be Defeated", H&R Block Artspace at Kansas City Art Institute (brochure), 2014
Karen Levitov, "Kate Gilmore: Top Drawer", Stonybrook University Art Gallery (brochure), 2014
"Kate Gilmore: Body of Work", Museum of Contemporary Art, Cleveland, 2013
" A Tisket, A Tasket (Brochure)", University Art Museum, University of Albany, Albany, New York, 2013
Eleanor Heartney, Helaine Posner, Nancy Princenthal, and Sue Scott"The Reckoning: Women Artists of the New Millennium", Prestel, 2013
Leonie Bradbury, "Absent/Present", Catalogue, Montserrat College of Art, 2013
Dina Deitsch, Evan Garza, "Paint Things", Catalogue, Decordova Museum and Sculpture Park, 2012
Giorcelli And Rabinowitz, "Exchanging Clothes: Habits of Being 2", University of Minnesota Press, Minnesota and London, 2012
Diana Boros, "Creative Rebellion for the Twenty-First Century: The Importance of Public and Interactive Art to Political Life in America", Palgrave MacMillan, 2012
Temporary Structures Catalogue, Decordova Museum and Sculpture Park, 2011
Fourth Moscow Biennial of Contemporary Art Catalogue, 2011
2011 Incheon Women Artists' Biennial Catalogue, The Museum of Korea, 2011
Francesco Bonami and Gary Carrion-Murayari, "2010 Whitney Biennial", Catalogue, Whitney Museum of American Art, Yale University Press, 2010
Julia Stoschek Foundation (editors), "Julia Stoschek Collection Number Two: Fragile", Catalogue, 2009
Gabriele Schor (editor),”Held Together with Water: Art from the Sammlung Verbund”, Catalogue, Istanbul Modern, September 2008
Stamatina Gregory, “Becoming Sculpture: The Work of Kate Gilmore”, Institute of Contemporary Art, September 2008
Marc LeBlanc, “Shaving the Mammoth”, Catalogue, San Francisco Art Institute, 2008
John C. Welchman (editor), Glenn Phillips (contributor), “The Aesthetics of Risk”, Catalogue, Southern California Consortium of Schools, 2008
Gabriele Schor (editor), “Held Together With Water: Art from the Sammlung Verbund”, Catalogue, MAK Museum of Art, May 2007
Tami Katz-Freiman, “Mixed Emotions”, Catalogue, Haifa Museum of Art, 2006.
Alanna Heiss, Klaus Biesenbach, Glenn D. Lowry, “Greater New York 2005”, Catalogue, PS1/MoMA, 2005
Kate Ebner, “Kate Gilmore”, Real Art Ways, 2005.
Charlotta Kotik and Tumelo Mosaka, “Open”, Catalogue, Brooklyn Museum of Art, April 2004.

Museum collections

Museum of Modern Art (MOMA), New York, New York
Whitney Museum of American Art, New York, New York
Brooklyn Museum, Brooklyn, New York
Museum of Contemporary Art (MCA), Chicago, Illinois
San Francisco Museum of Modern Art (SF MoMA), San Francisco, California
Indianapolis Museum of Art, Indianapolis, Indiana
Museum of Fine Arts (MFA), Boston, Massachusetts
Rose Art Museum, Waltham, Massachusetts
Philbrook Museumof Art, Tulsa, Oklahoma
Utah Museum of Fine Arts, Salt Lake City, Utah
Weatherspoon Art Museum, Greensboro, North Carolina

Kate Gilmore
Education 2002 School of Visual Arts, Master of Fine Arts, New York, New York 1997 Bates College, Bachelor of Arts, Lewiston, Maine Solo exhibitions 2015 Expanding on an Expansive Subject, Armory Center for the Art, Los Angeles California David Castillo Gallery, Miami, Florida 2014 A Roll in the Way, The Aldrich Contemporary Art Museum, Ridgefield, Connecticut Top Drawer, Stonybrook University, Stonybrook, New York Beat It, H&R Block Artspace, Kansas City Art Institute, Missouri Broadway Billboard: Wall Bearer, Socrates Sculpture Park, Long Island City, Queens 2013 Body of Work, Museum of Contemporary Art Cleveland, Cleveland, Ohio “Kate Gilmore”, Institute of Contemporary Art at Maine College of Art, Portland Maine Between a Hard Place”, Fort Worth Contemporary Arts, Fort Worth, Texas “Off the Old Block”, Museum of Contemporary Art San Diego/ WOW Festival (Performance), San Diego, California A Tisket, A Tasket, University Art Museum, University at Albany, Albany, New York Landmarks Video, UT Austin, Austin, Texas Absent/Present (2 person exhibiton with Zsuzsanna Szegadi), Montserrat Gallery, Montserrat College of Art, Beverly, Massachusetts 2012 Rock, Hard, Place, David Castillo Gallery, Miami, Florida Single-channel 3: Time and Circumstance- Kate Gilmore, Standing Here, Des Moines Art Center, Des Moines, Iowa 2011 Built to Burst, Braverman Gallery, Tel Aviv, Israel Walk the Line, Parasol Unit, London, England Catharine Clark Gallery (Media Room), San Francisco, California 2010 Pot, Kettle, Black, Maisterravalbuena Galeria, Madrid Spain “Walk the Walk”, Public Art Fund, Bryant Park, New York, New York “Tow the Line” (One Day Performance), Vassar College, Poughkeepsie, New York Standing Here, Rockland Art Center, West Nyack, New York Crystal Contemporary Art, Stockholm, Sweden 2009 “By Any Means”, Locust Projects, Miami, Florida Galleria Franco Soffiantino, Turin, Italy “Heart Breaker”, Steve Turner Contemporary, Los Angeles, California “Night Moves: Kate Gilmore”, San Jose Institute of Contemporary Art, San Jose, California 2008 Smith-Stewart Gallery, New York, New York Institute of Contemporary Art, Philadelphia, Pennsylvania Catharine Clark Gallery, San Francisco, California “Girl Fight”, University of North Texas Art Gallery, Denton, Texas Tyler School of Art, Philadelphia, Pennsylvania “Girl Fight”, Artpace San Antonio, San Antonio, Texas The Breakers, Maisterravalbuena Galeria, Madrid, Spain CESAC Centro Sperimentale Per Le Arti Contemporanee, Caraglio, Italy 2006 “Experimental Personalities,(2 person exhibition with Angie Reed), Contemporary Art Center, Cincinnati, Ohio “Hopelessly Devoted”, Pierogi Gallery, Brooklyn, New York 2005 Real Art Ways, Hartford, Connecticut 2004 “On My Way to the Prom the World Collapsed on My Head”, White Columns, New York, New York “If My Shoes Matched My Dress I Could Destroy You”, Plus Ultra Gallery, Brooklyn, New York Group exhibitions 2015 Bewegte Bilder, Marburger Kunstverein, Marburg, Germany Live-Action,MINT, Atlanta, Georgia Teeth, Gnash, Tennessee, Invisible-Exports, New York, New York Embodied Resilience, Italian Embassy in Berlin, Germany Object 'Hood, Lesley Heller Gallery, New York, New York Performative Process, Halsey McKay Gallery, Long Island, New York Strength and Struggle, Moshen Gallery, Tehran, Iran 2014 The Lost Artworks The Akranes Museum Center Reykjavik, Iceland Pop-Up, David Castillo Gallery, Miami, Florida Mana Monumental, Mana-Miami, Miami, Florida The Moment. The Backdrop. The Persona. Girls Club Collection Ft. Lauderdale, Florida Pierogi XX: Twentieth Anniversary Exhibition, Brooklyn, New York Video Container: Touch Cinema, Museum of Contemporary Art, North Miami Permanent Collection, Utah Museum of Fine Arts, Salt Lake City, Utah Transition, Galeria Anita Beckers, Frankfurt, Germany Hothouse Video: Harder, Glorious, Washington Project for the Arts, Washington, D.C Voices: Warehouse Gallery, Dubuque, Michigan Site: Lab, Grand Rapids, Michigan Incarnate, Catherine Clark Gallery, San Francisco, California The Gatekeepers, William Holman Gallery, New York Eric Fertman: A Comic Turn Southeastern Center for Contemporary Art, Winston-Salem, NC Seven, The Boiler: Pierogi Gallery, Brooklyn, NY 2013 Social Animals, Art Public, Art Basel, Miami, Florida “Pataphysics: A Theoretical Exhibition”, Sean Kelly Gallery, New York Body is Present, Berrie Center for Performing and Visual Arts, Ramapo College, New Jersey Paint Things: Beyond the Stretcher, Decordova Sculpture Park and Museum, Lincoln, Massachusetts Hold on Her (performance), Cleveland Museum of Art, Cleveland, Ohio All Good Things, SOMA Arts, San Francisco, California The Lobby Project, City Center, New York, New York Sisyphus: Heroism of the Absurd”, Arte Actual, Quito, Ecuador If Color, then also Dimension: if Flatness, then Texture, etc., LMCC at Governor's Island, New York, New York In Praise of Chance and Failure, Family Business, New York, New York Remainder, Philbrook Museum of Art, Tulsa, Oklahoma There Is No Place Like Home, Paul Robeson Galleries Rutgers, Newark, New Jersey Only a Signal Shown, Southern Exposure, San Francisco, California No Sun Without Shadow, Lu Magnus, New York, New York 2012 The Annual, National Academy Museum, ,New York, New York Dark Flow Lurking, David Castillo Gallery, Miami Florida Projecting Identity, The Anderson Gallery at Drake University, Des Moines, Iowa Under the Table, Fort Worth Contemporary Arts, Fort Worth, Texas Past and Present, Silas Marder Gallery, Bridgehampton, New York External Origin, Clifford Gallery, Colgate University, Hamilton, New York From Our Bodies Blinking, Root Division, San Francisco, California The Day on Fire: Apocalypse in Contemporary Art, East Tennessee State University, Johnson City, Tennesse Spazi Aperti 2012, Romanian Academy in Rome, Rome, Italy Pretty Ugly, Mills Gallery: Boston Center for the Arts, Boston, Massachusetts Broken Homes, Momenta Art, New York, New York Campaign,C24 Gallery, New York, New York The Virgins Show, Family Business, New York, New York The Vault, Spaces, Cleveland, Ohio 2011 4th Moscow Biennale, Moscow, Russia 6th Curitiba Biennial, Curitiba, Brazil The More Things Change, San Francisco Museum of Modern Art, San Francisco, California Unfolding Tales: Selections from the Contemporary Collection, Brooklyn Museum, Brooklyn, New York Soft Machines, The Pace Gallery, New York, New York Who's Afraid of Performance Art?, Fonds d'art contemporain de la Ville de Genève (FMAC), Geneva, Switzerland Videobytes, James Cohan Gallery (Lower East Side), New York, New York “TBA: Time Based Arts Festival”: Portland Institute of Contemporary Art, Portland, Oregon Temporary Structures: Performing Architecture in Contemporary Art, Decordova Sculture Park and Museum, Lincoln, Massachusetts Norfolk, Thierry Goldberg Projects, New York, New York BNA: From Brooklyn to Nashville, Zieher Smith Pop Up Gallery, Nashville, Tennessee The Golden Ass, Annie Wharton Los Angeles, Los Angeles, California Groundbreaking, Whitney Museum of American Art (new site), New York, New York “Nominator and Denominator”, Herzliya Museum of Contemporary Art, Tel Aviv, Israel “Persona: A Body in Parts”, Weatherspoon Art Museum, Greensboro, North Carolina Stagecraft, University of Southern Florida Contemporary Art Museum, Tampa, Florida Incheon Women Artist Biennial, Korea American Chambers, Gyeongnam Art Museum, Korea Blind Spot, Airplane Gallery, Brooklyn, New York Sum of the Parts, David Castillo Gallery, Miami, Florida Glutton for Punishment, Ramis Barquet, New York, New York The Spirit of the Signal, Nicole Klagsbrun Gallery, New York, New York Body of Art, Prairie, Cincinatti, Ohio Tensile Strength, Zieher Smith Gallery, New York, New York 2010 “2010 Whitney Biennial”, Whitney Museum of American Art, New York, New York “Greater New York: 5 Year Review”, MoMA/PS1, Long Island City, New York “Framed”, Indianapolis Museum of Art, Indianapolis, Indiana Emerge, Museum of Contemporary Art Chicago, Chicago, Illinois Uncertain Spectator, Experimental Media and Performing Art Center, Troy, New York Sweat, Patricia Low Contemporary, Gstaad, Switzerland F*Utility, Arena 1, Santa Monica, California Better When Broken, Seventeen Gallery, London, England “A Basic Human Impulse”, Galleria Comunale d’Arte Contemporanea, Monfalcone, Italy “Mirror, Mirror”, Postmasters Gallery, New York, New York Gimme Shelter, Mixed Greens, New York, New York Knock Knock, Fred Torres Collaborations, New York, New York A Reluctant Apparition, Sue Scott Gallery, New York, New York “Global/National”, Exit Art, New York, New York Escape From New York, Patterson Arts Council, Patterson, New Jersey COMPOSE!, Smith-Stewart @ DKP, New York, New York Chained to a Creature of a Different Kingdom, David Castillo Gallery, Miami, Florida “Kate Brandt Pink”, University of Wisconsin-Milwaukee Union Art Gallery, Milwaukee, Wisconsin “Common Jive”, Elizabeth Foundation for the Arts, New York, New York “Spasticus Artisticus”, Ceri Hand Gallery, Liverpool, UK “A Basic Human Impulse”, Galleria Communale d’Arte Contemporanea, Monfalcone, Italy “You Are Free”, Tape Club, Berlin, Germany Tragic Sense of Life, Westchester Community College Fine Arts Gallery, Valhalla, New York No Vacancy, The Butcher's Daughter Gallery, Ferndale, Michigan “Culture Shock: Video Interventions at the QET”, Vancouver 2010 Cultural Olympiad, Queen Elizabeth Theatre, Vancouver, kate gilmore - biography http://www.kategilmore.com/biography/index.html 2 von 11 10.06.2013 14:19 Canada. 2009 “100 Years”, PS1/MoMA, Queens, New York Reflections on the Electric Mirror: New Feminist Video Brooklyn Museum of Art, Brooklyn, New York Party at Chris's House, Janet Kurnatowski Gallery, Brooklyn, New York Supergirl, Nexus Foundation for Arts, Philadelphia, Pennsylvania One Minute More, The Kitchen, New York, New York Pink Panther, Kumukumu Gallery, New York, New York “Night Gallery Rosslyn”, Arlington Arts, Arlington Virginia “Tell Me Everything, As You Remember It”, Creative Research Lab, The University of Texas at Austin, Austin, Texas “Chewing Color: Patty Chang, Kate Gilmore, Marilyn Minter”, Creative Time, Times Square, New York, New York City Garden, Contemporary Art Museum, St. Louis, St. Louis, Missouri East Coast Video, Ramis Barquet, New York, New York I am a Video , Good Children Gallery, New Orleans, Louisiana No Longer Empty, The Chelsea Hotel, New York, New York Practice, Practice, Practice, Lora Reynolds Gallery, Austin Texas Sixty Minutes, University of South Florida Contemporary Art Museum, Tampa, Florida Feel the Force, Cafe Gallery London, London, England “It's You, Not Me, San Jose Institute of Contemporary Art, San Jose, California “Theoretical Practice”, International Studio and Curatorial Program, Brooklyn, New York Our Great Show: Selections from the Jefferson Godard Collection, Nice & Fit, Berlin, Germany 2008 Perverted by Theater, Apex Art, New York, New York Re.Act.Feminism, Akademie der Kunste, Berlin, Germany My Space, Palazzo delle Arti Napoli, Naples, Italy “Alternating Beats”, RISD Museum of Art, Rhode Island School of Design, Providence, Rhode Island Number 2: Fragile, Julia Stoschek Collection, Dusseldorf, Germany “Un-Break My Heart”, Pluto Gallery, Brooklyn, New York “Real Thing”, Braverman Gallery, Tel Aviv, Israel “Held Together With Water”, Sammlung Verbund at the Istanbul Museum of Modern Art, Istanbul, Turkey “Destroy, She Said”, Pinchuk Art Center, Kiev, Ukraine Jack #%ss, Susan Inglett Gallery, New York, New York Beware of the Wolf, American Academy in Rome, Rome Italy “Environments and Empires”, Rose Art Museum at Brandeis University, Waltham, Massachusetts Diamond Dogs, Galeria Casado Santapau, Madrid, Spain The Best Artwork in the World (on the Portrait of the Artist), Charro Negro Galeria, Guadalajara, Mexico “La Nave dei Folli”, Porta S.Agostino, Bergamo, Italy Open Video Projects, Marta Herford Museum, Herford, Germany “Colloque Cest Mon Genre”, Ecole Regionale Des Beaux-Arts De Nantes, Nantes, France “Video Now: Artists Working in the Spirit of Bruce Nauman”, The Menil Collection, Houston, Texas “The Leisure Suit”, Leroy Neiman Gallery, Columbia University, New York, New York “Media Project”, Fringe Exhibitions, Los Angeles, California “Make You Notice”, San Francisco Art Commission Gallery, San Francisco, California “(Untitled) U=____”, Fette’s Gallery, Los Angeles, California 2007 Held Together With Water, Sammlung Verbund at the MAK Museum of Applied Arts Vienna, MAK Museum of Applied Arts Vienna, Vienna, Austria “Red Badge of Courage”, Newark Council for the Arts, Newark, New Jersey “Making Noise”, South Street Seaport Museum: Melville Gallery, New York, New York “Destroy, She Said”, Julia Stoschek Collection, Dusseldorf, Germany “Ceci n’est pas… (This is not…)”, Sara Meltzer Gallery, New York, New York “Foam of the Daze”, Smith-Stewart, New York, New York “(Un)Natural Selection”, Pierogi Gallery, Brooklyn, New York “Line-Up”, Socrates Sculpture Park, Long Island City, New York “Come One Come All”, 3rd Ward, Brooklyn, New York “Architecture and Design Biennial”, Tel Aviv, Israel “What F Word?” Cynthia Broan Gallery, New York, New York “The Feminine Mysterious”, Red Dot Contemporary, West Palm Beach, Florida “I Could Be You”, Akademie Schloss Solitude, Stuttgart, Germany “MASH”, The Helena: Cottelston Advisors, New York, New York “Out of the Loop”, BICA, Brooklyn, New York “L'axe Bartholdi” La Vapeur, Dijon, France 2006 “Reckless Behavior”, J. Paul Getty Museum, Los Angeles, California “Heart Breaker”, Mary Boone Gallery, New York, New York kate gilmore - biography http://www.kategilmore.com/biography/index.html 3 von 11 10.06.2013 14:19 “Mixed Emotions”, Haifa Museum of Art, Haifa, Israel “Twist it Twice”, Moti Hasson Gallery, New York, New York “Factitious”, Pierogi Leipzig, Leipzig, Germany “Factitious”, Pierogi Gallery, Brooklyn, New York “Semiannual”, Monkeytown, Brooklyn, New York “Ionesco's Friends”, Franco Soffiantino Arte Contemporanea, Turin, Italy “Wild Girls”, Exit Art, New York, New York “Open Network”, Ampersand International Arts, San Francisco, California “Love”, Ferragamo Gallery/Project Space, New York, New York “The Studio Visit”, Exit Art, New York, New York 2005 “Greater New York 2005”, PS1/MoMA Contemporary Art Center, Long Island City, New York “Video Screening”, Hudson Valley Center for Contemporary Art, Peekskill, New York “Codependent”, The Living Room, Miami, Florida “Holiday Windows”, Exit Art, New York, New York “It Is The Same Outside”, Drake Hotel, Toronto, Canada “Me, Myself and My Emotions”, Tastes Like Chicken Art Space, Brooklyn, New York “The Expression of Elemental Passions... (or, Damn Everything by the Circus)”, Plus Ultra Gallery, Brooklyn, New York “Video 2005”, Art in General, New York, New York 2004 “Open House: Working in Brooklyn”, Brooklyn Museum of Art, Brooklyn, New York “Beginning Here: 101 Ways”, Curator: Jerry Saltz, Visual Arts Gallery, New York, New York “Tokyo- Chicago-New York”, Tokyo National University of Fine Art and Music, Tokyo, Japan “Sympathetic Nerve”, Capsule Gallery, New York, New York “The Truck Stops Here”, Plus Ultra Gallery, Brooklyn, New York “Six Outdoor Projects”, Long Island University, Brooklyn, New York “Slice and Dice”, Visual Arts Gallery, New York, New York “Transmotion”, Lower Manhattan Cultural Council, New York, New York “1800 Frames 2004”, City Without Walls, Newark, New Jersey 2003 “AIM 23”, Bronx Museum of Art, Bronx, New York “The Reconstruction Biennial”, Exit Art, New York, New York “Site-Specifics”, The Islip Art Museum: The Carriage House, East Islip, New York “Video 825”, Gallery 825 LAAA, Los Angeles, California “ARTNEW YORK”, Kunstraume auf Zeit, Linz, Austria Awards / residencies 2013/2014 Rauschenberg Residency Award, Captiva Island, Florida Mana Residency, Mana Contemporary, Jersey City, New Jersey 2012 New York Foundation for the Arts Fellowship (NYFA), New York, New York Art Matters Grant, New York, New York 2010 Lower Manhattan Cultural Council Award for Artistic Excellence, New York, New York 2009 Louis Comfort Tiffany Foundation Award, New York, New York In the Public Realm, Public Art Fund, New York, New York Marie Walsh Sharpe, Space Program, Brooklyn, New York 2007 The Rome Prize, American Academy in Rome, Rome, Italy Art Omi, Ghent, New York 2006 Franklin Furnace Fund for Performance, Brooklyn, New York Visiting Scholar, New York University, New York, New York Farpath Workspace Award and Residency, Dijon, France 2005 New York Foundation for the Arts Fellowship (NYFA), New York, New York Lower Manhattan Cultural Council Workspace Award, New York, New York 2003 Lower Manhattan Cultural Council Manhattan Community Arts Grant, New York, New York Artist in the Marketplace: Bronx Museum of Arts, Bronx, New York Artists Space: Independent Project Grant, New York, New York kate gilmore - biography http://www.kategilmore.com/biography/index.html 4 von 11 10.06.2013 14:19 Bibliography 2015 Dina Deitsch, Broken Dishes: Kate Gilmore in Conversation with Dina Deitsch, ART JOURNAL, June 2015 2014 Susan Hodara, At Aldrich Contemporary Art Museum, Conversation Between Works and Over Decades, THE NEW YORK TIMES, Dec. 19, 2014 Stephen Maine, The Aldrich at 50: Clutch of Exhibitions Demonstrate Currency of Founder’s Vision, ART CRITICAL, Dec. 18, 2014. Alice Thorston, Kate Gilmore’s Videos Bring Humorous Approach toFemale Struggle, THE KANSAS CITY STAR, Dec.5, 2014 2013 Paul David Young, Hammers and Crickets: A Little Night Music in Miami, Art in America (online), Dec. 5, 2013 Whitney Kimball, Kate Gilmore and Suzanne McClelland in Albany, ART FAG CITY, December 20, 2013 Richard Luscombe and Jason Farago, Art Basel Miami Beach Set to Capitalise on Boom in Contemporary Art Market, THE GUARDIAN, December 4, 2013 Steve Barnes, Work by Kate Gilmore and Suzanne McClelland at UAlbany, TIMES UNION, November 20, 2013 Katherine Brooks, 10 Women Artists Of The New Millennium You Should Know, Huffington Post, November 4, 2013 Lyz Bly, Love, Terror, and Happy Accidents: Kate Gilmore at MOCA Cleveland, Collective Arts Network (CAN Journal), Summer 2013 Steven Litt, MOCA Cleveland Stages Compelling Installations by Janet Cardiff and George Bures Miller, and Kate Gilmore, PLAIN DEALER, April 20, 2013 Lori Cole, Paint Thing: Beyond the Stretcher, ARTFORUM.COM, March 2013 Cate Mcquaid, What's Up at Boston Area Art Galleries, BOSTON GLOBE, March 26, 2013 Chris Bergeron, Lincoln's Decordova Exhibits Art that Busts a Move, METROWEST DAILY NEWS, March24, 2013 Faye Hirsch (as told to), The Clintons, ART IN AMERICA, March, 2013 Cate Mcquaid, Paint Things is off the Wall, THE BOSTON GLOBE, February 7, 2013 2012 In Conversation: Nancy Davidson with Kate Gilmore, The Brooklyn Rail, September 2012 Cate McQuaid, Saliva Flows, Mud Thrown in Pretty Ugly, THE BOSTON GLOBE, June 6, 2012 Cara Despain, Kate Gilmore: Rock, Hard, Place, ART DISTRICTS, May 2012 Anna Watkins Fisher, Like a Girl’s Name The Adolescent Drag of Amber Hawk Swanson, Kate Gilmore, and Ann Liv Young, TDR: The Drama Review 56:1 (T213), Spring 2012 2011 Harry J. Weil, Old Themes, New Variations: The Work of Kate Gilmore, AFTERIMAGE, December 2011 Max Halperen, Persona: A Body in Parts, ART PAPERS, December 2011 Sebastian Smee, Altering our Architectures in Ways that Make UsChange, BOSTON GLOBE, October 2, 2011 John Motley, Bricks- Hard-Edged: Visual Arts, THE OREGONIAN, September 21, 2011 Lennie Bennett, Videos Intrigue, Inform in 'Stagecraft' at the USF Contemporary Art Museum, ST. PETERSBURG TIMES, August 28,2011 Leigh Anne Miller, The Lookout: A Weekly Guide to Shows You Won't Want to Miss, ART IN AMERICA, August 11, 2011 Allese Thomson Baker, Critics Pick: Soft Machines, ARTFORUM.COM. August 9, 2011 Robert Shuster, Best in Show: Glutton for Punishment, THE VILLAGE VOICE, August 3, 2011 Kathleen Massara, Soft Machines Hit Hard, THE L MAGAZINE, August 3, 2011 Amanda Schmitt, Glutton for Video Art, ARTCARDS REVIEW, August 2, 2011 Ken Johnson, Art in Review: Soft Machines, THE NEW YORK TIMES, July 28, 2011 Smadar Sheffi, Time for Every Object, HAARETZ, July 22, 2011 Carly Gaebe, Body Conscious: Soft Machines at the Pace Gallery, ART IN AMERICA, July 22, 2011 Linda Yablonsky, Chip of the Old Block, ARTFORUM.COM, July 20, 2011 Andrew Russeth, Kate Gilmore Blankets Pace Gallery with 7,500 Pounds of Clay, NY OBSERVER, July 14, 2011 Benjamin Sutton, Kate GIlmore's Clay Scraping Performance, L MAGAZINE, July 14, 2011 Kenneth Baker, Gilmore Girls, SAN FRANCISCO CHRONICLE, June 18, 2011 Galia Yahav, Gilmore Girl, TIME OUT ISRAEL, June 23, 2011 Marshall Heyman, At Art Parties, Making and Breaking a Scene, WALL STREET JOURNAL, April 19, 2011 Sarah Douglas, The Public Art Fund's Benefit was a Smash, ARTINFO, April 18, 2011 Bomblog, Jennifer and Kate Gilmore, BOMB, March 10, 2011 Carol Vogel, Brightening the Outdoors, THE NEW YORK TIMES, January 27, 2011 NYFA Current (video), The Artist's Life: Kate Gilmore, NEW YORK FOUNDATION FOR THE ARTS, 2011 2010 David Frankel, Putting Him and Her on a Pedestal: Anthony Gormley and Kate Gilmore, PUBLIC ART REVIEW, Fall Winter 2010 Javier Hontoria, Kate Gilmore, Gozosamente Caotica, El Cultural, December 10, 2010 Andrew Russeth, Reviews: Kate Gilmore, ART INFO/ MODERN PAINTERS, May 13, 2010 Roberta Smith, Artist Struts Her Stuff in Others' Shoes, THE NEW YORK TIMES, May 12, 2010 Alex Williams, “You Never Know Where Her Gallery Will Pop Up Next”, THE NEW YORK TIMES, May 12, 2010 Catherine Kron, Gilmore's Girls, ART IN AMERICA, May 12, 2010 Randy Kennedy, Pounding the Pavement on a Bryant Park Pedestal,THE NEW YORK TIMES, May 8, 2010 Cindy Rehm, “Video as a Flexible Medium”, NUMBER:66, Summer 2010 Carol Vogel, Inside Art: A Bryant Park Stomp, THE NEW YORK TIMES, March 30, 2010 Richard Lacayo, “Stars of the Arts: Three Artists to Watch at the Whitney Biennial”, TIME, March 11, 2010 Blake Gopnik, “2010 Whitney Biennial is Artful but Lacking Urgency”, THE WASHINGTON POST, March 3, 2010 Kriston Capps, Whitney Biennial 2010: Still Flying the Flag?, THE GUARDIAN, March 2, 2010 Christian Viveros-Faune, Welcome to the Mixed-Up, Dialed-Down 2010 Whitney Biennial, VILLAGE VOICE, March 2, 2010 Carolina Miranda, Whitney Biennial: Three Must Sees, WNYC, February 25, 2010 Charlie Finch, A Room of One's Own, ARTNET, February 23, 2010 Linda Yablonsky, Whitney Biennial Mishmash Serves Up Michael Jackson, Macrame, BLOOMBERG NEWS, February 25, 2010 Peter Plagens, But, What does it Mean?, NEWSWEEK, February 19, 2010 kate gilmore - biography http://www.kategilmore.com/biography/index.html 5 von 11 10.06.2013 14:19 2009 Jerry Saltz, “Triumph: Women Artists Win Slim Majority in Next Whitney Biennial”, NEW YORK MAGAZINE, December 11, 2009 Goings on About Town, “One Minute More”, THE NEW YORKER, November 2, 2009 Kirsten Swenson, “Reflections on the Electric Mirror: New Feminist Video”, ART IN AMERICA, October 2009 Carla Acevedo-Yates, “Reflection on the Electric Mirror: New Feminist Video”, ARTPULSE, October 2009 Karen Rosenberg, “Art in Review Pink Panther” THE NEW YORK TIMES, October 15, 2009 Ken Johnson, “Last Chance: East Coast Video”, THE NEW YORK TIMES, August 13, 2009 DSD, “The Great Migration: Art in the Design District”, HOME, August 2008 Ken Johnson, Art in Review: East Coast Video, THE NEW YORK TIMES, July 31, 2009 Kimberly Lamm, Art Seen: Reflections on the Electric Mirror: New Feminist Video, THE BROOKLYN RAIL, July-August 2009 Karen Rosenberg, Art In Review, THE NEW YORK TIMES, June 26, 2009 Janet Batet, Kate Gilmore: la Destrucción como Indagación de Género, EL NUEVO HERALD, June 21, 2009 David Coggins, “Break on Through”, BATES MAGAZINE, Summer 2009 Creative Time, “Marilyn Minter/Kate Gilmore” (interview), THE CREATIVE TIMES, Summer 2009 Goings on About Town, Brooklyn Museum: Reflection on the Electric Mirror: New Feminist Video, NEW YORKER, May 25, 2009 Jane Harris, Art Review: Reflections on the Electric Mirror: New Feminist Art, TIME OUT NEW YORK, May 14, 2009 Ken Johnson, “Reflections on the Electric Mirror: New Feminist Video” THE NEW YORK TIMES, May 8, 2009 Carlos Suarez De Jesus, Give Me Art, MIAMI NEW TIMES, May 6, 2009 Amy Larocca, Head-on Collision: Fearless Kate Gilmore Turns Accidental Chaos into Seriously Fun Art, NEW YORK MAGAZINE, May 4, 2009 Ken Johnson, She Tube: Female Voices on the Small Screen, THE NEW YORK TIMES, May 1, 2009 Mary Walling Blackburn, “Chewing Candy: A Glossary”, ART IN AMERICA, April 9, 2009 Olga Gambari, “Kate Gilmore: Franco Soffiantino Arte Contemporanea-Turin”, FLASH ART, March 2009 Lyra Kilston, Introducing: Kate Gilmore, MODERN PAINTERS, March 2009 Daniela Bigi, Kate Gilmore: A Human Condition, ARTE E CRITICA, March 2009 Maria Giovanna Mancini, My Space. Cosa Vuol Dire Pubblico? Al Pan di Napoli”, ARTE E CRITICA, March 2009 Elwyn Palmerton, Kate Gilmore, ARTILLERY, March 2009 Wilhelm Pauli, “Re.Act Feminism”, KOMMUNE, March 2009 “Re.Act Feminism”, ARTPROFIL, February 2009 Kito Nedo, “Re.Act. Feminism”, ART. DAS KUNSTMAGAZIN, February 2009 Frances Richard, “Kate Gilmore”, ARTFORUM, February 2009 Lisa Parola, Giochi di Formi e di Cromatismo nelle Performance della Gilmore, LA STAMPA, February 13, 2009 Anne Kelly, Kate Gilmore: Girl Crush, FEMALE PERSUASION, February 10, 2009 Chloe Gray, Profile: Kate Gilmore, HEX ED JOURNAL, February 5, 2009 Patricia Maloney, Josephine Taylor and Kate Gilmore, SHOTGUN REVIEW, January 19, 2009 “Goings on About Town: Kate Gilmore”, THE NEW YORKER, January 19, 2009 Roberta Smith, Museum and Gallery Listings: Kate Gilmore, THE NEW YORK TMES, January 16, 2009 Kris Wilton, Kate Gilmore in New York, ART INFO, January 16, 2009 Blythe Sheldon, Kate Gilmore at Smith-Stewart, ARTCAL, January 12, 2009 Roberta Smith, Art in Review: Kate Gilmore, THE NEW YORK TIMES, January 9, 2009 Cate McQuaid, “Videos, Then and Now, Tell a Story”, THE BOSTON GLOBE, January 4, 2009 Kenneth Baker, Hacking at a ‘Heart’ in a Little Yellow Dress, SAN FRANCISCO CHRONICLE, January 3, 2009 Edward Epstein, Kate Gilmore: Philadelphia, ART PAPERS, January/February 2009 2008 Gabriele Schor (editor),”Held Together with Water: Art from the Sammlung Verbund”, Catalogue, ISTANBUL MODERN, 2008 Marc LeBlanc, “Shaving the Mammoth”, Catalogue, SAN FRANCISCO ART INSTITUTE, 2008 John C. Welchman (editor), Glenn Phillips (contributor), “The Aesthetics of Risk”, Catalogue, SOUTHERN CALIFORNIA CONSORTIUM OF ART SCHOOLS. 2008 Lucia Skavron-Edmonds, Regina Skavron, Timothy Shearer (editors), “Where is My Mind”, ART RMX COLOGNE, 2008 Von Simone Reber, “Kultur”, DERTAGESSPIEGEL, December 18, 2008 Marisa Nakasone, Kate Gilmore's Masochistic Films Explore Struggle through Gender and Identity, EXAMINER, December 22, 2008 Jolene Torr, Beyond All Endurance, ART SLANT, December 21, 2008 Christopher Howard, “Kate Gilmore”, ARTFORUM.COM, December 15, 2008 John Ewing, “Perverted by Theater”, ART LIES, Issue 60, December 2008 Emma Pearse, “Artist Kate Gilmore Breaks Down the Fifth Wall NY MAG.COM, December 2, 2008 Sarah Fones, “Kate Gilmore, High Heeled Warrior”, STYLE.COM, November 24, 2008 Semper Ars, Kate Gilmore at Smith-Stewart, SEMPER ARS, November 23, 2008 Jason Jude Chan, “Kate Gilmore”, FLAVORPILL, November 21, 2008 kate gilmore - biography http://www.kategilmore.com/biography/index.html 6 von 11 10.06.2013 14:19 Dana Gillerman, “Galeria”, HAAERETZ, November 20, 2008 Merritt Martin, “Oh, the Fury: Gilmore Battles Gender Demons with a Girl Fight”, DALLAS OBSERVER, November 19, 2008 Lacy Blue, “Artist Fights for Feminine Power in Show”, NORTH TEXAS DAILY, November 18, 2008 Christiane Fricke, Wasser als Bindefied, HANDELSBLATT, November 2, 2008 Edward Sozanski, Art and Entertainment, PHILADELPHIA INQUIRER, September 14, 2008 Natalie Hope Mcdonald, “On The House”, CITY PAPER, September 2008 Yasemin Bay, Feminist onculer Istanbul Modern de, MILLIYET, September 10, 2008 Alicia Puglionesi, Art in a Tight Spot', PHILADELHIA INQUIRER, September 2, 2008 Stamatina Gregory, “Becoming Sculpture: The Work of Kate Gilmore”, INSTITUTE OF CONTEMPORARY ART, September 2008 Charles Dee Mitchell and Mike Daniel, “Fall Arts Preview”, DALLAS MORNING NEWS, August 29, 2008 Marisa Olson, Rhizome News: Walking on Coals, er...Sunshine, RHIZOME, August 27, 2008 Kristen Lorello, goldiechiari and Kate Gilmore, MUSEO, Issue No. 9, June 2008 Barbara Morris, Make You Notice, ARTWEEK, Volume 39, Issue 5, June 2008 Rachel Cook, Kate Gilmore, ART LIES, Summer 2008 Genevieve Quick, Make You Notice, SHOTGUN REVIEW, April 19, 2008 Summer Sewell, The Hot List, 7x7 SF, April 2008 Nirmala Nataraj, Turning Heads, SF WEEKLY, March 28, 2008 Matt Wolf, Love is Our Battlefield, SAN ANTONIO CURRENT, March 26, 2008 Taylor Reynolds, “Not Your Average Girl Fight”, THE PAISANO, March 4, 2008 Jessica Belasco, “Artists Videos Explore Struggle, Identity, Failure, “ CHICAGO TRIBUNE, March 3, 2008 Alessandro Facente, “Kate Gilmore”, DROME, February 2008 Jessica Belasco, “Performance Artist Throws Herself into Her Work”, EXPRESS NEWS, February 12, 2008 Chris Bergeron, “Seeing is Believing”, THE DAILY NEWS, February 3, 2008 J.L Requena, “Que Hacen”, TELVA, February 2008 Matthew Drutt, “Kate Gilmore: Hudson Showroom”, ARTPACE GALLERY NOTES, January 2008 Marisa Olson, “Topsy Turvy Tales”, RHIZOME, January 30, 2008 2007 Angela Vettese, “Innamorati delle Fiere”, IL SOLE 24, November 4, 2007 William Hanley, “For Whom the Belle Toils”, ARTNEWS, October 2007 Dan Halm, “Portfolio: Kate Gilmore”, VISUAL ARTS JOURNAL, Fall 2007 Gabriele Schor (editor), “Held Together With Water: Art from the Sammlung Verbund”, Catalogue, MAK MUSEUM OF ART, May 2007 Yaelle Amir, “Kate Gilmore”, ART US, March/April 2007 Miranda McClintic, WHAT F WORD, March 2007 David Coggins, “Kate Gilmore at Pierogi”, ART IN AMERICA, March 2007 Shani Lipman, Look in the Jar”, TIME OUT ISRAEL, March 29, 2007 HAARETZ, “Video Art”,March 29, 2007 Sarah Schmerler,“Tour de Force”, TIME OUT NEW YORK, February 22-28, 2007 Julia Bainbridge, “Industrial Art”, NYLON, February 22, 2007 Jerry Saltz, ”Maximum Voracity”, THE VILLAGE VOICE, January 10, 2007 Jerry Saltz, “Maximum Voracity”, ARTNET, January 16, 2007 “Goings on About Town: Kate Gilmore/ David Scher”, THE NEW YORKER, December 25, 2006 & January 1, 2007 2006 JW, “Kate Gilmore: Hopelessly Devoted”, FLAVORPILL, December 19-25, 2006 Benjamin Genocchio, “Kate Gilmore”, NEW YORK TIMES, November 24, 2006 Jacquelyn Vaughn, “Contemporary Art Center: Experimental Personalities”, CITY BEAT: CINCINNATI, November 15-21, 2006 Ana Finel Honigman, “Kate Gilmore in Conversation with Ana Finel Honigman”, SAATCHI GALLERY. CO.UK, November 13, 2006 Nick Stillman (editor), “Rants and Raves”, NYFA CURRENT, November 2006 Calendar, MODERN PAINTERS, November 2006 HGM, “Wild Girls”, FLAVORPILL, August 22-28, 2006 Walter Robinson “Artnet News”, ARTNET, June 22, 2006 Jerry Saltz, “Desperata”, VILLAGE VOICE, May 3, 2006 Jerry Saltz, “Desperata”, ARTNET, May 3, 2006 Patricia Maloney,”Open Network: Brooklyn”, AMPERSAND INTERNATIONAL ARTS, May 2006 Tami Katz-Freiman, “Mixed Emotions”, Catalogue, HAIFA MUSEUM OF ART 2006 Holly Willis, “Reckless Behavior”, LA WEEKLY, April 12, 2006 Christopher Reiger, “For All of Us, It's All About Me”, SCRAWLED, March 2006 Lauren Kawana and Rachael Garbowski, “Alumna Kate Gilmore Succeeds Outside the Bubble”, BATES STUDENT, March 2006 Luca Vona, “Ionesco's Friends”, EXIBART, March 3, 2006 Olga Gambaru, “Quatro Artisti Espongono da Soffiantino”, LA REPUBBLICA, January 28, 2006 kate gilmore - biography http://www.kategilmore.com/biography/index.html 7 von 11 10.06.2013 14:19 2005 Alanna Heiss, Klaus Biesenbach, Glenn D. Lowry, “Greater New York 2005”, Catalogue, PS1/MOMA CONTEMPORARY ART CENTER, 2005 Olltta Aram, “New York Contemporary Art Scene”, ART AND DESIGN PRESS: CHINA, 2005 Stephanie Simon, “Local Artists Create Unique Window Display in Midtown”, NY1 NEWS, December 5, 2005 Stephen Maine, “Dateline Brooklyn”, ARTNET, October 5, 2005 Julie Fishkin, “Greater New York 2005”, NY ARTS, May/June 2005 David Rimanelli, Greater New York 2005, ARTFORUM, May 2005 Julie Fishkin, “Greater New York 2005”, ART FAIRS INTERNATIONAL, May 2005 Alice Thorson, “P.S.1 show of Emerging Artists has links to KC”, KANSAS CITY STAR, April 24, 2005 Arlene McKanic, “Art Overrun Walls, Floors at PS1 Show”, TIMES LEDGER, March 31, 2005 Jerry Saltz,“Lesser New York”, VILLAGE VOICE, March 30, 2005 Jerry Saltz, “Lesser New York”, ARTNET NEWS, March 30, 2005 Patricia Rosoff, “The Artists Wore a Lens”, HARTFORD ADVOCATE, March 24, 2005 Ariella Budick, “Humor Is Their Oeuvre”, NEWSDAY, March 20, 2005 Michael Kimmelman, “Youth and the Market: Love at First Sight”, NEW YORK TIMES, March 18, 2005 Kate Ebner, “Kate Gilmore”, REAL ART WAYS, 2005 Benjamin Genocchio, “From Young Artists, Work That Reverberates”, NEW YORK TIMES, March 13, 2005 Stephen Maine, “Dateline Brooklyn”, ARTNET, February 4, 2005 On/Megumi Akiyoshi, Hiroko Saito, Shannon Schmidt (editors), “Voices of Site”, TOKYO UNIVERSITY OF FINE ARTS, January 2005 2004 Gregory Volk, “Big Brash Borough”, ART IN AMERICA, September 2004 Matthew Friedman, “Six Outdoor Projects at LIU”, LONG ISLAND UNIVERSITY, August 2004 Jerry Saltz, “Borough Hall”, THE VILLAGE VOICE, April 28, 2004 Jerry Saltz, “Borough Hall”, “ARTNET”, April 28, 2006 Charlotta Kotik and Tumelo Mosaka, “Open”, Catalogue, BROOKLYN MUSEUM OF ART, April 2004 2003 Ken Johnson, “Art Guide: Museums”, THE NEW YORK TIMES, August 22, 2003 Ken Johnson, “From Small Sculptures to Glimpses of Signs, A Mix of Works in the Bronx”, THE NEW YORK TIMES, August 15, 2003 Helen Harrison, “Art Reviews: Site Specifics ‘03”, THE NEW YORK TIMES, July 15, 2003 Karen Shaw, “Site Specifics 2003”, ISLIP ART MUSEUM: CARRIAGE HOUSE, June 2003 William Powhida, “Exit Biennial: The Reconstruction”, THE BROOKLYN RAIL, June/July 2003 Lydia Yee and Amy Rosenblum Martin, “AIM 23”, Catalog, THE BRONX MUSEUM OF ART, July 2003 Kim Levin, “Exit Biennial: The Reconstruction”, VILLAGE VOICE, April 30, 2003, p.72 Roberta Smith, “A Space Reborn With a Show That’s Never Finished”, THE NEW YORK TIMES, April 4, 2003 Publications / catalogues Amy Smith Stewart, Kate Gilmore: A Roll in the Way,Aldrich Contemporary Art Museum, (brochure), 2014 Danny Orendorff, No One Likes to be Defeated, H&R Block Artspace at Kansas City Art Institute (brochure), 2014 Karen Levitov, Kate Gilmore: Top Drawer, Stonybrook University Art Gallery (brochure), 2014 Kate Gilmore: Body of Work, Museum of Contemporary Art, Cleveland, 2013 A Tisket, A Tasket (Brochure), University Art Museum, University of Albany, Albany, New York, 2013 Eleanor Heartney, Helaine Posner, Nancy Princenthal, and Sue ScottThe Reckoning: Women Artists of the New Millennium, Prestel, 2013 Leonie Bradbury, Absent/Present, Catalogue, Montserrat College of Art, 2013 Dina Deitsch, Evan Garza, Paint Things, Catalogue, Decordova Museum and Sculpture Park, 2012 Giorcelli And Rabinowitz, Exchanging Clothes: Habits of Being 2, University of Minnesota Press, Minnesota and London, 2012 Diana Boros, Creative Rebellion for the Twenty-First Century: The Importance of Public and Interactive Art to Political Life in America, Palgrave MacMillan, 2012 Temporary Structures Catalogue, Decordova Museum and Sculpture Park, 2011 Fourth Moscow Biennial of Contemporary Art Catalogue, 2011 2011 Incheon Women Artists' Biennial Catalogue, The Museum of Korea, 2011 Francesco Bonami and Gary Carrion-Murayari, 2010 Whitney Biennial, Catalogue, Whitney Museum of American Art, Yale University Press, 2010 Julia Stoschek Foundation (editors), Julia Stoschek Collection Number Two: Fragile, Catalogue, 2009 Gabriele Schor (editor),”Held Together with Water: Art from the Sammlung Verbund”, Catalogue, Istanbul Modern, September 2008 Stamatina Gregory, “Becoming Sculpture: The Work of Kate Gilmore”, Institute of Contemporary Art, September 2008 Marc LeBlanc, “Shaving the Mammoth”, Catalogue, San Francisco Art Institute, 2008 John C. Welchman (editor), Glenn Phillips (contributor), “The Aesthetics of Risk”, Catalogue, Southern California Consortium of Schools, 2008 Gabriele Schor (editor), “Held Together With Water: Art from the Sammlung Verbund”, Catalogue, MAK Museum of Art, May 2007 Tami Katz-Freiman, “Mixed Emotions”, Catalogue, Haifa Museum of Art, 2006. Alanna Heiss, Klaus Biesenbach, Glenn D. Lowry, “Greater New York 2005”, Catalogue, PS1/MoMA, 2005 Kate Ebner, “Kate Gilmore”, Real Art Ways, 2005. Charlotta Kotik and Tumelo Mosaka, “Open”, Catalogue, Brooklyn Museum of Art, April 2004. Museum collections Museum of Modern Art (MOMA), New York, New York Whitney Museum of American Art, New York, New York Brooklyn Museum, Brooklyn, New York Museum of Contemporary Art (MCA), Chicago, Illinois San Francisco Museum of Modern Art (SF MoMA), San Francisco, California Indianapolis Museum of Art, Indianapolis, Indiana Museum of Fine Arts (MFA), Boston, Massachusetts Rose Art Museum, Waltham, Massachusetts Philbrook Museumof Art, Tulsa, Oklahoma Utah Museum of Fine Arts, Salt Lake City, Utah Weatherspoon Art Museum, Greensboro, North Carolina

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  • Tokelau
  • Tonga
  • Trinidad and Tobago
  • Tunisia
  • Turkey
  • Turkmenistan
  • Turks and Caicos Islands
  • Tuvalu
  • Uganda
  • Ukraine
  • United Arab Emirates
  • United Kingdom
  • United States
  • United States Minor Outlying Islands
  • Uruguay
  • Uzbekistan
  • Vanuatu
  • Venezuela
  • Vietnam
  • Virgin Islands
  • Wallis and Futuna
  • West Bank
  • Western Sahara
  • Yemen
  • Zambia
  • Zimbabwe

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