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blinkvideo - research of video art, performance and multimedia installations.

NEW: Favorites curated by blinkvideo users

What do you like? Over the next few months, we will be showing here selections of works, compiled by you, as a blinkvideo user.

Nasim Weiler: Hello, there are many absolutely wonderful video works on Blinkvideo - here are my three favourites of today, March 26 - a day spent in quarantane in Paris.

Do you have any favorites on blinkvideo ? Or would you like to focus attention on some video works? Or would you like to compile and show videos on a specific topic? You can do so with the new tool on blinkvideo.
Create a favorites list as follows: When you're logged in, a little sign "add to favorite list" will appear below each video. With the click on it, you add the film to your favorites list. When you have collected all the works, open your favorites list and you can share the list with blinkvideo. We will then receive a message and put the compilation online.
We are very curious about your selection!

Nadja Verena Marcin - OPHELIA
Stadtgalerie in Saarbrücken, Germany. 2019

OPHELIA is an interdisciplinary performance that is presented in the Stadtgalerie Saarbrücken as a live action and subsequently as a video installation. It reflects the human-induced destruction of nature and creates references to art, literature and science. Dressed in "Ophelia's" dress and equipped with a diving device, Nadja Verena Marcin will climb into an aquarium and try under water to read the text "The Werld" by Daniil Kharms about human perception.
Image: © Nadja Verena Marcin

Igor Simić - WELTSCHMERZ 
at Galerie Beckers, Frankfurt

The exhibition WELTSCHMERZ shows new works by Serbian artist Igor Simic, which he created in connection with his iOS game Golf Club: Wasteland. For this game he and his award-winning gaming and film company Demagog Studio developed a whole world — a storyline with characters and various landscapes — in a post-apocalyptic scenario. The eerie atmosphere of the carefully crafted visual scenery is accompanied by slow paced, nostalgic, sometimes almost chilling music that evokes the feeling of longing for something lost.
Image: © Igor Simić

Fuzzy dark spot
Video art from Hamburg

The exhibition FUZZY DARK SPOT curated by the Hamburg-based video artist Wolfgang Oelze, at the Falckenberg Collection brings together 56 video works by over 30 mostly Hamburg-based artists ranging from the 1970s to the present day, featuring historical and contemporary productions in both thematic and monographic groups.
image: © Stefan Panhans

REFRACTED REALITIES at VIDEONALE.17

In optics, “refraction” refers to the bending of a beam of light, a change in direction which occurs at the moment when it passes from one medium to another. Through refraction, the light wave alters course, changing the way we perceive the objects it illuminates in the process. This optical deviation requires us to repeatedly correct our gaze, comparing the beginning and end points of our perception with reality, and bringing the object we see clearly into focus. In its figurative sense, refraction refers to a critical reflection on the means and channels of visualization, and by extension the possibility of a rearticulation of our view of things – how they are, were, or apparently always have been.
Image: © Sohrab Hura

Featured videos

Annegret Soltau
Schwanger-Sein I, 1977/78

"My pregnancies in 1978 and 1980 became an important theme for me. This personal experience yielded pictures in which I once again used myself as a model, this time myself in the process of being pregnant. The fear that my role as a mother could jeopardize my life as an artist inspired me to create a great many photos and videos. At this point I was preoccupied with the question of how women combine creativity and motherhood.“ (Annegret Soltau)

Tobias Yves Zintel
Breed and Educate, 2018

The Film Breed and Educate is based on a collaborative performance with a class from the Hector-Peterson-Schule Berlin Kreuzberg and the HAU. In numerous task based rehearsals eight pupils between 11 and 13 years explored the possibilties of self-education. Based on various materials from found footage to documentary and staged scenes the film circles around the relationship of controlling and self-empowerment in educational systems. Breed and Educate is circling around the question of how lessons should be organised in times of network and algorthim-based learning. Algorithms and neuronal networks have to master problems only once, after they achieved their goal, results can be duplicated and copied any number of times. Kids on the other hand side have to learn everything step by step, the accumulated knowlede can’t be transfered from on kid to the other by „copy and paste“. An allopoetic system is a trivial system, which can be potentially fully explored, controlled and operated by an observer. With a similar theory in mind, the Prussians started to organise schooling in 1717, to prepare pupils for the Prussian Military Academy. What happens almost 300 years later in a school in Berlin, when the relationship between control and self-empowerment is inverted by postmigrant pupils who breed robots, are educated by them and vice versa? “ In Breed and Educate an automated dionsaur is introduced by a twelfe year old boy: “It’s easily trainable”. While he explains the mode of operation, one sees the parallels: the school wouldn’t have any problems with pupils equipped with a suitable operating system downloaded from the internet. Sounds like an uncanny utopia.” (Katrin Bettina Müller)

Lene Markusen
Grad, 2004

Dieter Kiessling
60 Minutes 360 Degrees GK 2010, 2010

A boy is portrayed with a video camera for an hour on a tennis court.During this time the camera turns through 360 degrees. Meanwhile, the whole space is recorded piece by piece. The boy follows the camera movement slowly thus remaining constantly in the centre of the picture.

Clemens von Wedemeyer
Silberhöhe, 2003

In Halle-Silberhöhe in East Germany, the camera records peri-urban area architecture, prefabricated buildings that are deserted and destined to be demolished. The commentary evokes a film editing technique used by Michelangelo Antonioni in his film, L’Eclisse (1962).

Janet Biggs
Fade to White, 2010

In Fade to White, Biggs delves into the desire to explore remote lands. To create this work, the artist embarked on an expedition in the high Arctic, traveling aboard an ice-class, 2-masted schooner, built in 1910. During the voyage, Biggs filmed Fade to White, focusing on a crew member as he navigated the ship through iceberg filled seas, and paddled a kayak past glacier walls and polar bears. As she photographed the explorer, Biggs tested her own will and endurance. The visual tension of her uncompromising imagery bespeaks their mutual struggle to maintain balance and purpose. Yet, the video also reveals the myth of the solitary white male explorer. Biggs explains, "The desire to hold onto the notion of the 'great white north' as a blank space awaiting interpretation only reinforces the idea of the colonial polar hero. The 'virgin' north has now been mapped, surveyed, and mined, but increased knowledge has not replaced endless fantasies of discovery." Loss and change are implicit in the video's title, Fade to White, which refers to an editing technique used to evoke death or transcendence. Biggs integrated her Arctic imagery with sound and video footage of counter tenor John Kelly, whose age, androgyny, and mournful voice parallel the vanishing Arctic landscape and signal the waning of male dominance.

Rebecca Ann Tess
The Tallest, 2014

The »The Tallest« shows pictures shot on-site of the currently tallest buildings in the world. The high-rises are shown as set pieces of global capitalism, visually disappearing into abstraction. The reduced images are reminding of 3D rendering. The simulated image of these buildings circulates in the media for representational and advertising purposes, becomes a substantial object and the actual spatiality becomes a mockup. The narration is undertaken by a computer voice, it describes the competition for the tallest tower at such divers places as Chicago, Dubai, Hong Kong, Kuala Lumpur, Mecca, Nanjing, New York City, Seoul, Shanghai, Shenzhen, Songdo and Taipei.

Johanna Reich
LIGHT ON BLACK ON WHITE HOMAGE TO MALEVICH, 2015

A moving digital light drawing illuminates a white wall. A hand painting a black square on the white surface becomes visible. At the same time the light drawing is painting a light square. In the end the light of the digital light square illuminates the finished black oil painting.

Critics’ Pick: Vienna by Nicole Büsing + Heiko Klaas

The group show “Antarctica. An Exhibition on Alienation” was presented in Vienna during the past winter season. Departing from a note written by the Italian cult director Michelangelo Antonioni referring to a potential glacier melting in the Antarctica and a hint to a film, the two curators from the Kunsthalle Wien, Vanessa Joan Müller and Nicolaus Schafhausen, conceived an exhibition on the topic of alienation and contemporary art. The focus was on the latest contemporary photography and video art by the younger generation of artists.
Image: © Isabella Fürnkäs

Expanding Bauhaus.
New Reflections on the Bauhaus Movement in Time-Based Media Art
/ Goethe Institute Netherlands

A screening series selected by Elke Kania (Cologne), Julia Sökeland (Hamburg) and Ludwig Seyfarth (Berlin)

With its combination of various arts such as painting, photography film, architecture, fashion, product and interior design and textile art, the Bauhaus is still considered the epitome of a technologically advanced modernity. Last but not least, the attempt to create the whole society aesthetically, inspired many artists worldwide.
Image: © Adnan Softic

Johan Grimonprez

Johan Grimonprez’s critically acclaimed work dances on the borders of practice and theory, art and cinema, documentary and fiction, demanding a double take on the part of the viewer. Informed by an archeology of present-day media, his work seeks out the tension between the intimate and the bigger picture of globalization. It questions our contemporary sublime, one framed by a fear industry that has infected political and social dialogue. By suggesting new narratives through which to tell a story, his work emphasizes a multiplicity of realities.
image: © Johan Griminprez

Christoph Faulhaber: Revolution & Architecture

With "Revolution & Architecture" Christoph Faulhaber (* 1972 in Osnabrück, lives in Hamburg) conceives, builds, designs and opens a whole series of very different rooms in the Kunsthalle Osnabrück. In order to discover the revolutionary aspect of these "architectures", one has to look at the social implications of interior design in general. In the forum the visitor then enters Faulhaber's cinematic autobiography "Every Picture is an Empty Picture" as in the eye of the cyclone: The work is split into 15 individual films and surrounds the visitor in a circle.
Image: © Christoph Faulhaber

Stiftung imai – inter media art institute

The Düsseldorf based foundation imai – inter media art institute was founded in 2006 in order to establish an institution in Germany dedicated to the distribution and preservation of media art and associated activities.
Image: © Marcel Odenbach

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blinkvideo is a website for the research of video art. Founders: Julia Sökeland, Anita Beckers. blinkvideo ist eine Plattform zur Recherche nach Videokunst

Morgan Wong

Works


Galleries

for further information contact blinkvideo
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Phone: +49 40 22748986
E-Mail: info@blinkvideo.de




Statement

Morgan Wong’s interest in durational performances in fact investigates the irrepressibility of time as a predicament, and in doing so trying to recuperate a new consciousness with physicality, time and space. He uses an object as a vehicle to mediate with the outside world in order to reflect on his own consciousness. Such a practice follows the vein of phenomenology, and specifically how to become more aware of the relationship between one’s volition and action. The pursuit of timelessness is not only a humanistic quest; its social and political connotations question the fundamental value of an individual as an agency for change.


Biography

Born 1984 in Hong Kong, China
Lives and works in Hong Kong, China

Education

2011 – 2013 MFA, Slade School of Fine Art, University College London, London, UK
2004 – 2007 BA(Hon) in Creative Media, School of Creative Media
City University of Hong Kong, Hong Kong, China

Solo exhibitions

2015
“Untitled - Expressway”, Rolls Royce Motor Car Showroom, Hong Kong

2013
“Filing Down a Steel Bar Until a Needle is Made”, Tintype Gallery, London, UK

2011
“One Hour”, 2P Contemporary Art Gallery, Hong Kong, China
“Untitled - Agnosia Series I”, Videotage, Hong Kong, China

2010
“ICC + S-AIR Residence Program”, OYOYO Art Center, Sapporo, Japan

2009
“Once You Were Here”, Para/site Central at Hanart TZ Gallery, Hong Kong, China

Selected group exhibitions

2015
“Imagine There’s No Country, Above Us Only Our Cities”, Para site, Hong Kong
“No things to hang”, Gaffa, Sydney, Australia
“A + Contemporary, Shanghai, China
“First, then and after”, Gallery Exit, Hong Kong
“after/image”, Studio 52, Hong Kong
“Essential Matters”, Borusan Contemporary Istanbul, Istanbul, Turkey
“Frontiers Reimagined”, Museo di Palazzo Grimani, Venice, Italy
“The 20th ifva Media Arts Exhibition”, Hong Kong Arts Centre, Hong Kong
“Sparkle Project”, Oil Street Art Space, Hong Kong

2014
“Cosmos”, Shanghai 21st Century Minsheng Contemporary Art Museum, Shanghai, China
“The Mirror and Monitor of Democracy in Asia”, Gwangju Museum of Art, Gwangju, Korea
“We Love Video This Summer”, Pace Beijing, Beijing, China
“After Time”, Pearl Lam Galleries, Hong Kong
“8th Shenzhen Sculpture Biennale”, OCT Contemporary Art Terminal, Shenzhen, China
“Encounters”, Art Basel Hong Kong 2014, Hong Kong
“Contested Spaces”, India Art Fair, New Delhi, India

2013
“18th Videobrasil”, SESC Pompeia, Sao Paulo, Brazil
“Artists Film International”, Whitechapel Gallery, London, UK
“Move on Asia - Video Art in Asia 2002 to 2012”, Media Museum ZKM, Karlsruhe, Germany
“Habits, Cleavages and Fractures”, UCL Geology Collections, London, UK

2012
“Liste 17”, Liste Art Fair, Basel, Switzerland
“Moscow Young Art Biennale”, Moscow Museum of Modern Art, Moscow, Russia
“Fictional Recoveries”, Pearl Lam Galleries (Shanghai), Shanghai, China
“Gelassenheit: Letting It Be”, 2P Contemporary Art Gallery, Hong Kong, China
“Isolated Borders”, Old Police Station Gallery, London, UK
“Hong Kong Diary”, 25 Bilder/Sekunde, Mannheim, Germany
“Running on the Sidelines”, Soka Art Center, Taipei, Taiwan
“Shiryoukan Art Suru”, Sapporo Archive Museum (Sapporo Shiryoukan), Sapporo, Japan
“MA & Other Post Graduates 2012”, Atkinson Gallery, Millfield, UK

2011
“China New Design”, Turin Palace Museum (Palazzo Chiablese), Turin, Italy
“The Knife's Edge”, Fremantle Art Centre, Perth, Australia
“Arts Centre Open House 2011”, Hong Kong Arts Centre, Hong Kong, China
“Move On Asia in Europe”, CASA Asia, Madrid, Spain
“Recycling Love”, Blue Room, Hong Kong, China
“Societe Generale Chinese Art Awards Tour Exhibition”, 798 Art Center, Beijing, China; Shanghai Library,
Shanghai, China; Huashan 1914, Taipei, Taiwan; Artistree, Hong Kong, China; One Raffles Quay, Singapore

2010
“No Soul For Sale”, Tate Modern, London, UK
“I’m on the Road to…”, Mizuma & One Gallery, Beijing, China
“Move On Asia 2010”, Para/site Art Space, Hong Kong, China; Alt. Space Loop, Seoul, Korea
“Shiryoukan Art Suru”, Sapporo Archive Museum (Sapporo Shiryoukan), Sapporo, Japan
“Around the World in 80 Hours”, Suwon Art Centre, Suwon, Korea
“Para/site Fundraising Auction”, Para/site Art Space, Hong Kong, China
“798 Art Festival”, 798 Art Center, 798 Art District, Beijing, China
“the mARkeT, I'm”, Beijing Center for the Arts, Beijing, China
“Tokeidai Wo Art Suru”, Sapporo Clock Tower, Sapporo, Japan
“FAX”, Para/site Art Space, Hong Kong, China

2008
“Digit@logue - ‘Hong Kong Art: Open Dialogue Exhibition Series I’”,
Hong Kong Museum of Art, Hong Kong, China
“The 9th Taipei Poetry Festival”, Nanhai Gallery, Taipei, Taiwan, China
“The 13th ifva (Single-Screen-Based Interactive Media Category) Finalist Works Exhibition”
Experimental Gallery, Hong Kong Arts Center, Hong Kong, China

2007
“Writing Machine Collective Two”, Videotage, Hong Kong, China

2006
“Micro Narrative: Invented Time & Space in Video”, Too Art Gallery, Hong Kong Arts Center, Hong Kong, China

Selected awards

Shortlisted, The Sovereign Asian Art Prize, 2012
Shortlisted, Societe Generale Chinese Art Awards, 2010
Shortlisted, Hong Kong Contemporary Art Biennial Awards 2009, 2009
Silver Award, The 13th ifva (Hong Kong Independent Short Film and Movie Awards), 2008

Residencies / grants

2015 SeMA Nanji Residence, Seoul, Korea
2014Summer Camp: Art Challenge, Asia Art Archive, Hong Kong
Space Program, The Performance Corporation, Dublin, Ireland
2012 Maybe Education and Public Programs, dOCUMENTA 13, Kassel, Germany
Arts Development Fund, Home Affairs Bureau, Hong Kong, China
The Herbert Seaborn Memorial Scholarship, Slade School of Fine Art, London, UK
2011 FUSE, Videotage, Hong Kong, China
2010 NPO S-AIR, Sapporo Artist in Residence, Sapporo, Japan

Collections

The Collection (City and County Museum Lincolnshire), Lincoln, UK
The Edward James Foundation, West Sussex, UK
NPO S-AIR, Sapporo, Japan
Moerenuma Park, Sapporo, Japan
Private Collections in Hong Kong; Switzerland; London

Morgan Wong
Born 1984 in Hong Kong, China Lives and works in Hong Kong, China Education 2011 – 2013 MFA, Slade School of Fine Art, University College London, London, UK 2004 – 2007 BA(Hon) in Creative Media, School of Creative Media City University of Hong Kong, Hong Kong, China Solo exhibitions 2015 “Untitled - Expressway”, Rolls Royce Motor Car Showroom, Hong Kong 2013 “Filing Down a Steel Bar Until a Needle is Made”, Tintype Gallery, London, UK 2011 “One Hour”, 2P Contemporary Art Gallery, Hong Kong, China “Untitled - Agnosia Series I”, Videotage, Hong Kong, China 2010 “ICC + S-AIR Residence Program”, OYOYO Art Center, Sapporo, Japan 2009 “Once You Were Here”, Para/site Central at Hanart TZ Gallery, Hong Kong, China Selected group exhibitions 2015 “Imagine There’s No Country, Above Us Only Our Cities”, Para site, Hong Kong “No things to hang”, Gaffa, Sydney, Australia “A + Contemporary, Shanghai, China “First, then and after”, Gallery Exit, Hong Kong “after/image”, Studio 52, Hong Kong “Essential Matters”, Borusan Contemporary Istanbul, Istanbul, Turkey “Frontiers Reimagined”, Museo di Palazzo Grimani, Venice, Italy “The 20th ifva Media Arts Exhibition”, Hong Kong Arts Centre, Hong Kong “Sparkle Project”, Oil Street Art Space, Hong Kong 2014 “Cosmos”, Shanghai 21st Century Minsheng Contemporary Art Museum, Shanghai, China “The Mirror and Monitor of Democracy in Asia”, Gwangju Museum of Art, Gwangju, Korea “We Love Video This Summer”, Pace Beijing, Beijing, China “After Time”, Pearl Lam Galleries, Hong Kong “8th Shenzhen Sculpture Biennale”, OCT Contemporary Art Terminal, Shenzhen, China “Encounters”, Art Basel Hong Kong 2014, Hong Kong “Contested Spaces”, India Art Fair, New Delhi, India 2013 “18th Videobrasil”, SESC Pompeia, Sao Paulo, Brazil “Artists Film International”, Whitechapel Gallery, London, UK “Move on Asia - Video Art in Asia 2002 to 2012”, Media Museum ZKM, Karlsruhe, Germany “Habits, Cleavages and Fractures”, UCL Geology Collections, London, UK 2012 “Liste 17”, Liste Art Fair, Basel, Switzerland “Moscow Young Art Biennale”, Moscow Museum of Modern Art, Moscow, Russia “Fictional Recoveries”, Pearl Lam Galleries (Shanghai), Shanghai, China “Gelassenheit: Letting It Be”, 2P Contemporary Art Gallery, Hong Kong, China “Isolated Borders”, Old Police Station Gallery, London, UK “Hong Kong Diary”, 25 Bilder/Sekunde, Mannheim, Germany “Running on the Sidelines”, Soka Art Center, Taipei, Taiwan “Shiryoukan Art Suru”, Sapporo Archive Museum (Sapporo Shiryoukan), Sapporo, Japan “MA & Other Post Graduates 2012”, Atkinson Gallery, Millfield, UK 2011 “China New Design”, Turin Palace Museum (Palazzo Chiablese), Turin, Italy “The Knife's Edge”, Fremantle Art Centre, Perth, Australia “Arts Centre Open House 2011”, Hong Kong Arts Centre, Hong Kong, China “Move On Asia in Europe”, CASA Asia, Madrid, Spain “Recycling Love”, Blue Room, Hong Kong, China “Societe Generale Chinese Art Awards Tour Exhibition”, 798 Art Center, Beijing, China; Shanghai Library, Shanghai, China; Huashan 1914, Taipei, Taiwan; Artistree, Hong Kong, China; One Raffles Quay, Singapore 2010 “No Soul For Sale”, Tate Modern, London, UK “I’m on the Road to…”, Mizuma & One Gallery, Beijing, China “Move On Asia 2010”, Para/site Art Space, Hong Kong, China; Alt. Space Loop, Seoul, Korea “Shiryoukan Art Suru”, Sapporo Archive Museum (Sapporo Shiryoukan), Sapporo, Japan “Around the World in 80 Hours”, Suwon Art Centre, Suwon, Korea “Para/site Fundraising Auction”, Para/site Art Space, Hong Kong, China “798 Art Festival”, 798 Art Center, 798 Art District, Beijing, China “the mARkeT, I'm”, Beijing Center for the Arts, Beijing, China “Tokeidai Wo Art Suru”, Sapporo Clock Tower, Sapporo, Japan “FAX”, Para/site Art Space, Hong Kong, China 2008 “Digit@logue - ‘Hong Kong Art: Open Dialogue Exhibition Series I’”, Hong Kong Museum of Art, Hong Kong, China “The 9th Taipei Poetry Festival”, Nanhai Gallery, Taipei, Taiwan, China “The 13th ifva (Single-Screen-Based Interactive Media Category) Finalist Works Exhibition” Experimental Gallery, Hong Kong Arts Center, Hong Kong, China 2007 “Writing Machine Collective Two”, Videotage, Hong Kong, China 2006 “Micro Narrative: Invented Time & Space in Video”, Too Art Gallery, Hong Kong Arts Center, Hong Kong, China Selected awards Shortlisted, The Sovereign Asian Art Prize, 2012 Shortlisted, Societe Generale Chinese Art Awards, 2010 Shortlisted, Hong Kong Contemporary Art Biennial Awards 2009, 2009 Silver Award, The 13th ifva (Hong Kong Independent Short Film and Movie Awards), 2008 Residencies / grants 2015 SeMA Nanji Residence, Seoul, Korea 2014Summer Camp: Art Challenge, Asia Art Archive, Hong Kong Space Program, The Performance Corporation, Dublin, Ireland 2012 Maybe Education and Public Programs, dOCUMENTA 13, Kassel, Germany Arts Development Fund, Home Affairs Bureau, Hong Kong, China The Herbert Seaborn Memorial Scholarship, Slade School of Fine Art, London, UK 2011 FUSE, Videotage, Hong Kong, China 2010 NPO S-AIR, Sapporo Artist in Residence, Sapporo, Japan Collections The Collection (City and County Museum Lincolnshire), Lincoln, UK The Edward James Foundation, West Sussex, UK NPO S-AIR, Sapporo, Japan Moerenuma Park, Sapporo, Japan Private Collections in Hong Kong; Switzerland; London

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