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blinkvideo - research of video art, performance and multimedia installations.

blinkvideo - research of video art, performance and multimedia installations.


blinkvideo the platform for . . .

artists we provide a platform for extensive presentation of media works, gallerists get a direct contact to international professional audiences, collectors find a worldwide overview of contemporary trends in moving image, curators can do research via keywords and compilations, teachers use presentation opportunities for students and all professionals get password protected, extensive information about video works worldwide.

Turning Points / extensional works

Under the title Turning Points, the Kunsthalle Gießen presents selected works from the Collection von Kelterborn, whose focus lies in politically charged and socially critical works by internationally renowned artists. Against the background of digitalisation and globalisation, the works shown reflect our present day as it is marked by numerous upheavals. In this regard there is a strong focus is on video art.

On blinkvideo we show extensional works like the documentary films of Teboho Edkins and background videos as the City Film West Berlin of The Tödliche Doris.
image: © Teboho Edkins

UNSTILLED LIFE: Artist Animations 1980-2020
Curated by Emma Cousin and Paul Carey-Kent

Why this show, here and now? British artist-curator Emma Cousin and writer-curator Paul Carey-Kent recently pulled together a choice of artist animations, thinking that the increasingly vibrant medium is especially suited to the online emphasis of the locked down art world of 2020. Three of them turned out to be represented by Ron Mandos, making the Amsterdam gallery ideal hosts. The cast is international, and to reflect that Tintype gallery in London and Hamburg’s blinkvideo have joined in with variations on the programme. 
Markus Vater Worlds don’t come easy, 2020

Something Between Us
KAI 10 | ARTHENA FOUNDATION, Düsseldorf

The exhibition „Something Between Us“ focuses on both our contemporary lives and the anthropological constants of interpersonal dealings: love, empathy, security, care and safety on the one hand, and hate, role fixation, dependency, reprimand and exclusion on the other. Something Between Us asks how these structures of togetherness are changing in our digital era.
Thomas Taube OCCIDENT, 2020

REFRACTED REALITIES at VIDEONALE.17

In optics, “refraction” refers to the bending of a beam of light, a change in direction which occurs at the moment when it passes from one medium to another. Through refraction, the light wave alters course, changing the way we perceive the objects it illuminates in the process. This optical deviation requires us to repeatedly correct our gaze, comparing the beginning and end points of our perception with reality, and bringing the object we see clearly into focus. In its figurative sense, refraction refers to a critical reflection on the means and channels of visualization, and by extension the possibility of a rearticulation of our view of things – how they are, were, or apparently always have been.
Image: © Sohrab Hura

NEW: Favorites curated by blinkvideo users

What do you like? Over the next few months, we will be showing here selections of works, compiled by you, as a blinkvideo user.

Stefano Miraglia: Hey Blinkvideo members! Here are my eight "must watch" films and videos. Happy to find in this catalogue some of the works that got me interested in artists' moving image when I was a student! (Guillaume Leblon! Daniel Steegmann Mangrané! Marylène Negro!).

Do you have any favorites on blinkvideo ? Or would you like to focus attention on some video works? Or would you like to compile and show videos on a specific topic? You can do so with the new tool on blinkvideo.
Create a favorites list as follows: When you're logged in, a little sign "add to favorite list" will appear below each video. With the click on it, you add the film to your favorites list. When you have collected all the works, open your favorites list and you can share the list with blinkvideo. We will then receive a message and put the compilation online.
We are very curious about your selection!

Critics’ Pick: Vienna by Nicole Büsing + Heiko Klaas

The group show “Antarctica. An Exhibition on Alienation” was presented in Vienna during the past winter season. Departing from a note written by the Italian cult director Michelangelo Antonioni referring to a potential glacier melting in the Antarctica and a hint to a film, the two curators from the Kunsthalle Wien, Vanessa Joan Müller and Nicolaus Schafhausen, conceived an exhibition on the topic of alienation and contemporary art. The focus was on the latest contemporary photography and video art by the younger generation of artists.
Image: © Isabella Fürnkäs

Expanding Bauhaus.
New Reflections on the Bauhaus Movement in Time-Based Media Art / Goethe Institute Netherlands

A screening series selected by Elke Kania (Cologne), Julia Sökeland (Hamburg) and Ludwig Seyfarth (Berlin)

With its combination of various arts such as painting, photography film, architecture, fashion, product and interior design and textile art, the Bauhaus is still considered the epitome of a technologically advanced modernity. Last but not least, the attempt to create the whole society aesthetically, inspired many artists worldwide.
Image: © Adnan Softic

Johan Grimonprez

Johan Grimonprez’s critically acclaimed work dances on the borders of practice and theory, art and cinema, documentary and fiction, demanding a double take on the part of the viewer. Informed by an archeology of present-day media, his work seeks out the tension between the intimate and the bigger picture of globalization. It questions our contemporary sublime, one framed by a fear industry that has infected political and social dialogue. By suggesting new narratives through which to tell a story, his work emphasizes a multiplicity of realities.
image: © Johan Griminprez

Christoph Faulhaber: Revolution & Architecture

With "Revolution & Architecture" Christoph Faulhaber (* 1972 in Osnabrück, lives in Hamburg) conceives, builds, designs and opens a whole series of very different rooms in the Kunsthalle Osnabrück. In order to discover the revolutionary aspect of these "architectures", one has to look at the social implications of interior design in general. In the forum the visitor then enters Faulhaber's cinematic autobiography "Every Picture is an Empty Picture" as in the eye of the cyclone: The work is split into 15 individual films and surrounds the visitor in a circle.
Image: © Christoph Faulhaber

Stiftung imai – inter media art institute

The Düsseldorf based foundation imai – inter media art institute was founded in 2006 in order to establish an institution in Germany dedicated to the distribution and preservation of media art and associated activities.
Image: © Marcel Odenbach

Featured videos

Federico Adorno
La estancia, 2014

Federico Adorno’s film La estancia was awarded the Grand Prize of the City of Oberhausen at this year’s International Short Film Festival Oberhausen. In its statement the jury said: “Through a succession of subtly constructed tableaux, this powerful film is a profound critique of systematic oppression. Instigated by a massacre amidst a land-rights conflict in Paraguay, this haunting work transcends the local context to voice the struggle for essential freedoms.”Many years ago, while he was working at the Swiss NGO “Helvetas Paraguay”, Adorno travelled long distances into the countryside to film short documentaries with peasants, whom he taught how to use a camera and write short stories, which they then shot together. His last two short films are about land rights and property, and how the extensive ownership of land by just a few landowners gives rise to serious conflicts and problems in rural communities. Isla Alta is about the tensions that surround a community when a wealthy rancher goes missing; La estancia depicts the aftermath of a massacre and is based on true events that happened in Paraguay in 2012.

Tobias Yves Zintel
Breed and Educate, 2018

The Film Breed and Educate is based on a collaborative performance with a class from the Hector-Peterson-Schule Berlin Kreuzberg and the HAU. In numerous task based rehearsals eight pupils between 11 and 13 years explored the possibilties of self-education. Based on various materials from found footage to documentary and staged scenes the film circles around the relationship of controlling and self-empowerment in educational systems. Breed and Educate is circling around the question of how lessons should be organised in times of network and algorthim-based learning. Algorithms and neuronal networks have to master problems only once, after they achieved their goal, results can be duplicated and copied any number of times. Kids on the other hand side have to learn everything step by step, the accumulated knowlede can’t be transfered from on kid to the other by „copy and paste“. An allopoetic system is a trivial system, which can be potentially fully explored, controlled and operated by an observer. With a similar theory in mind, the Prussians started to organise schooling in 1717, to prepare pupils for the Prussian Military Academy. What happens almost 300 years later in a school in Berlin, when the relationship between control and self-empowerment is inverted by postmigrant pupils who breed robots, are educated by them and vice versa? “ In Breed and Educate an automated dionsaur is introduced by a twelfe year old boy: “It’s easily trainable”. While he explains the mode of operation, one sees the parallels: the school wouldn’t have any problems with pupils equipped with a suitable operating system downloaded from the internet. Sounds like an uncanny utopia.” (Katrin Bettina Müller)

Lene Markusen
Grad, 2004

Dieter Kiessling
60 Minutes 360 Degrees GK 2010, 2010

A boy is portrayed with a video camera for an hour on a tennis court.During this time the camera turns through 360 degrees. Meanwhile, the whole space is recorded piece by piece. The boy follows the camera movement slowly thus remaining constantly in the centre of the picture.

Clemens von Wedemeyer
Silberhöhe, 2003

In Halle-Silberhöhe in East Germany, the camera records peri-urban area architecture, prefabricated buildings that are deserted and destined to be demolished. The commentary evokes a film editing technique used by Michelangelo Antonioni in his film, L’Eclisse (1962).

Janet Biggs
Fade to White, 2010

In Fade to White, Biggs delves into the desire to explore remote lands. To create this work, the artist embarked on an expedition in the high Arctic, traveling aboard an ice-class, 2-masted schooner, built in 1910. During the voyage, Biggs filmed Fade to White, focusing on a crew member as he navigated the ship through iceberg filled seas, and paddled a kayak past glacier walls and polar bears. As she photographed the explorer, Biggs tested her own will and endurance. The visual tension of her uncompromising imagery bespeaks their mutual struggle to maintain balance and purpose. Yet, the video also reveals the myth of the solitary white male explorer. Biggs explains, "The desire to hold onto the notion of the 'great white north' as a blank space awaiting interpretation only reinforces the idea of the colonial polar hero. The 'virgin' north has now been mapped, surveyed, and mined, but increased knowledge has not replaced endless fantasies of discovery." Loss and change are implicit in the video's title, Fade to White, which refers to an editing technique used to evoke death or transcendence. Biggs integrated her Arctic imagery with sound and video footage of counter tenor John Kelly, whose age, androgyny, and mournful voice parallel the vanishing Arctic landscape and signal the waning of male dominance.

Rebecca Ann Tess
The Tallest, 2014

The »The Tallest« shows pictures shot on-site of the currently tallest buildings in the world. The high-rises are shown as set pieces of global capitalism, visually disappearing into abstraction. The reduced images are reminding of 3D rendering. The simulated image of these buildings circulates in the media for representational and advertising purposes, becomes a substantial object and the actual spatiality becomes a mockup. The narration is undertaken by a computer voice, it describes the competition for the tallest tower at such divers places as Chicago, Dubai, Hong Kong, Kuala Lumpur, Mecca, Nanjing, New York City, Seoul, Shanghai, Shenzhen, Songdo and Taipei.

Johanna Reich
LIGHT ON BLACK ON WHITEHOMAGE TO MALEVICH, 2015

A moving digital light drawing illuminates a white wall. A hand painting a black square on the white surface becomes visible. At the same time the light drawing is painting a light square. In the end the light of the digital light square illuminates the finished black oil painting.

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blinkvideo is a website for the research of video art. Founders: Julia Sökeland, Anita Beckers. blinkvideo ist eine Plattform zur Recherche nach Videokunst

Daniel Beerstecher

Works


Galleries

Anita Beckers Gallery
Anita Beckers
Braubachstraße 9
60311 Frankfurt am Main
Germany

Phone: +49 69 73900967
E-Mail: info@galerie-beckers.de




Biography

1979 born in Schwäbisch Hall / DE
lives and works in Stuttgart / DE and Rio de Janeiro / BRA

Education

2003 Starts studying at the Staatliche Akademie der Bildenden Künste Stuttgart with Prof. Werner Pokorny (elementary class sculpture) / DE
2004-2005 with Prof. Udo Koch (master class sculpture)
2005-2009 with Prof. Christian Jankowski (master class sculpture, installation, performance and video) 2005 to 2007 as a tutor
2007 Studies at the Tokyo National University of Fine Arts and Music, Tokio / JP
2009 Diplom Freie Kunst at the Staatliche Akademie der Bildenden Künste Stuttgart / DE
2009 Working residence at Schloss Wiepersdorf / DE (Sept.- Dec.)
2009-2010 Academy scholarship 2009/2010 at the Staatliche Akademie der Bildenden Künste Stuttgart / DE
2010 Working residence at Herrenhaus Edenkoben / DE
2012 Postgraduate Studies at the Universidade Sao Paulo / Escola de Comunicações e Artes Programa de Pós-graduação em Meios e Processos Audiovisuais / BRA

Solo exhibitions

2019
Libération 4.0, Institut français Stuttgart / DE

2017
Rio de Janeiro, Samstags Galerie, Stuttgart / DE

2016
Wie ich meinem Vogel die Welt erkläre, ZustandsZone, Hamburg / DE

2015
Land-Sailor, Kunsthalle Göppingen / DE (Kat.)
Land-Sailor, Kunstverein Wilhelmshöhe, Ettlingen / DE (Kat.)
Deslocamentos, Prêmio Funarte de Arte Contemporânea 2014, Galeria Funarte, São Paulo (Brazil) Cat
Land-Sailor, Kunsthalle Göppingen Cat
Land-Sailor, Kunstverein Wilhelmshöhe, Ettlingen Cat
Viagem através, Fundação Joaquim Nabuco, Recife (Brazil)

2014
Salão Buraco, Largo das Artes, Rio de Janeiro (Brazil)

2011
Die kleine Werkschau, Karin Abt Straubinger-Stiftung, Stuttgart-Möhringen

2010
Künstlerhaus Bethanien, Berlin
Sand am Meer, Weingrüll, Karlsruhe
Daniel Beerstecher, Herrenhaus Edenkoben, Edenkoben

2008
Bitte nicht stören! EXP. 4, Interventionsraum, Stuttgart

2007
Beerstecher, eigen.art – Raum für Kunst, Stuttgart

Group exhibitions (selection)

2018
I’m a Believer, Galerie Anita Beckers, Frankfurt / DE

2017
Jubiläumsausstellung, 20 Jahre Kunst im Herrenhaus Edenkoben, Herrenhaus Edenkoben, Edenkoben / DE
The Fountain Mémoire, Atelierhaus e.V., Hannover / DE
The Fountain Mémoire, Projektraum Akku, Stuttgart / DE

2016
Depois do Futuro, EAV Parque Lage, Rio de Janeiro / BRA
Till it’s gone, ikonoTV “Art Speaks Out”, Istanbul Modern, Istanbul / TR
Stadt, Land, Fluss, GEDOK-Galerie, Stuttgart / DE
Ikono TV: Art is On, Adiacenze, Bologna / IT

2015
B3 Biennale des bewegten Bildes, Frankfurt / DE (Cat.)
Verbo, Galeria Vermelho, São Paulo (Brazil)
Abre Alas, A Gentil Carioca, Rio de Janeiro (Brazil) ( Cat)

2014
500 Years of Future..., 2. Montevideo Biennale, Montevideo (Uruguay) (Cat)
Da_Wir, Exhibition in public space, Ellwangen

2013
Skulptur ist, wenn ..., Kunsthalle Göppingen (Cat)
Transeuntes, Casa da Ladeira, Rio de Janeiro (Brazil)
Skulptur ist, wenn ..., Kunstverein Wilhelmshöhe, Ettlingen (Cat)

2012
Kollwitzstrasse 52, MIS (Museu da Imagem e do Som), São Paulo (Brazil)
60 Jahre Land Baden-Württemberg/ 60 Kunstwerke für Baden-Württemberg, Städtisches Kunstmuseum Singen (Cat)
Galeria Virgilio, São Paulo (Brazil)

2010
Public Sphere, Alternative Space LOOP, Seoul (South Korea)
The Garden as a Mirror, Künstlerhaus Bethanien, Berlin
Fotosommer / Fokus 0711, Württembergischer Kunstverein, Stuttgart (Cat)
Ansehen!, Galerie im Volkspark, Halle (an der Saale) (Cat)
O jardim como espelho, Goethe-Institut, Lissabon (Portugal)
Fototage Trier, Viehmarktthermen, Trier

2009
Kunststudentinnen und Kunststudenten stellen aus, Kunst- und Ausstellungshalle der Bundesrepublik Deutschland, Bonn (Cat)
Summer Reading, Invisibles-Exports, New York (USA)
Diplomausstellung, Galerie Kunstbezirk im Gustav-Siegle-Haus, Stuttgart
Stipendiaten stellen aus, Schloss Wiepersdorf
Übermorgenkünstler, Heidelberger Kunstverein, Heidelberg

2007
Hard Beat Meeting, Tokyo National University of Fine Arts and Music, Tokyo (Japan)
Fotosommer / Fokus 0711, Town Hall, Stuttgart (Cat)

2006
Neuropolis, Europäisches Theater- und Medienfestival, Berlin
Coming out of the Maultasche, Maccarone, New York (USA)
Frames per second, Central station, Stuttgart

2005
Between, Staatliche Akademie der Bildenden Künste Stuttgart (Cat)
Between, Hong-Ik University, Seoul (South Korea) (Cat)
Skulptur zur Beseitigung des Professors, Kunstmuseum Stuttgart

Scholarships

2018
Studio scholarship of the City of Stuttgart / DE
2017
Working scholarship for the Cité Interantionale des Arts Paris / FR
2014
Artistic Residence at Recife (Fundação Joaquim Nabuc) / BRA
2013
Filmförderung der Medien- und Filmgesellschaft (MFG) / DE
2011
Postgraduiertenstipendium der Studienstiftung des deutschen Volkes für Brasilien / DE, BRA
2010
Arbeitsstipendium im Herrenhaus Edenkoben / DE
2010
Filmförderung der Medien- und Filmgesellschaft / DE
2009–2010
Academy scholarship of the Staatliche Akademie der Bildenden Künste Stuttgart / DE
2009
Working scholarship at Schloß Wiepersdorf / DE
2007
Baden-Württemberg-Stipendium of the Landesstiftung Baden-Württemberg for a study residence in Tokyo / JP
2006–2010
Scholarship of the Studienstiftung des deutschen Volkes

Awards

2014
Prêmio Funarte de Arte Contemporânea / BRA
2009
Ring Frei | 19. Bundeswettbewerb "Kunststudentinnen und Kunststudenten stellen aus" of the Bundesministeriums für Bildung und Forschung / DE
2005
Skulpturen am Radweg, Zweckverband RIO (Regionaler Industriepark Osterburken) / DE

Daniel Beerstecher
1979 born in Schwäbisch Hall / DE lives and works in Stuttgart / DE and Rio de Janeiro / BRAEducation 2003 Starts studying at the Staatliche Akademie der Bildenden Künste Stuttgart with Prof. Werner Pokorny (elementary class sculpture) / DE 2004-2005 with Prof. Udo Koch (master class sculpture) 2005-2009 with Prof. Christian Jankowski (master class sculpture, installation, performance and video) 2005 to 2007 as a tutor 2007 Studies at the Tokyo National University of Fine Arts and Music, Tokio / JP 2009 Diplom Freie Kunst at the Staatliche Akademie der Bildenden Künste Stuttgart / DE2009 Working residence at Schloss Wiepersdorf / DE (Sept.- Dec.)2009-2010 Academy scholarship 2009/2010 at the Staatliche Akademie der Bildenden Künste Stuttgart / DE 2010 Working residence at Herrenhaus Edenkoben / DE 2012 Postgraduate Studies at the Universidade Sao Paulo / Escola de Comunicações e Artes Programa de Pós-graduação em Meios e Processos Audiovisuais / BRA Solo exhibitions 2019 Libération 4.0, Institut français Stuttgart / DE 2017 Rio de Janeiro, Samstags Galerie, Stuttgart / DE 2016 Wie ich meinem Vogel die Welt erkläre, ZustandsZone, Hamburg / DE2015Land-Sailor, Kunsthalle Göppingen / DE (Kat.) Land-Sailor, Kunstverein Wilhelmshöhe, Ettlingen / DE (Kat.)Deslocamentos, Prêmio Funarte de Arte Contemporânea 2014, Galeria Funarte, São Paulo (Brazil) Cat Land-Sailor, Kunsthalle Göppingen Cat Land-Sailor, Kunstverein Wilhelmshöhe, Ettlingen Cat Viagem através, Fundação Joaquim Nabuco, Recife (Brazil) 2014 Salão Buraco, Largo das Artes, Rio de Janeiro (Brazil) 2011 Die kleine Werkschau, Karin Abt Straubinger-Stiftung, Stuttgart-Möhringen 2010 Künstlerhaus Bethanien, Berlin Sand am Meer, Weingrüll, Karlsruhe Daniel Beerstecher, Herrenhaus Edenkoben, Edenkoben 2008 Bitte nicht stören! EXP. 4, Interventionsraum, Stuttgart 2007 Beerstecher, eigen.art – Raum für Kunst, Stuttgart Group exhibitions (selection) 2018 I’m a Believer, Galerie Anita Beckers, Frankfurt / DE2017Jubiläumsausstellung, 20 Jahre Kunst im Herrenhaus Edenkoben, Herrenhaus Edenkoben, Edenkoben / DEThe Fountain Mémoire, Atelierhaus e.V., Hannover / DE The Fountain Mémoire, Projektraum Akku, Stuttgart / DE 2016 Depois do Futuro, EAV Parque Lage, Rio de Janeiro / BRA Till it’s gone, ikonoTV “Art Speaks Out”, Istanbul Modern, Istanbul / TR Stadt, Land, Fluss, GEDOK-Galerie, Stuttgart / DE Ikono TV: Art is On, Adiacenze, Bologna / IT2015 B3 Biennale des bewegten Bildes, Frankfurt / DE (Cat.)Verbo, Galeria Vermelho, São Paulo (Brazil) Abre Alas, A Gentil Carioca, Rio de Janeiro (Brazil) ( Cat) 2014 500 Years of Future..., 2. Montevideo Biennale, Montevideo (Uruguay) (Cat) Da_Wir, Exhibition in public space, Ellwangen 2013 Skulptur ist, wenn ..., Kunsthalle Göppingen (Cat) Transeuntes, Casa da Ladeira, Rio de Janeiro (Brazil) Skulptur ist, wenn ..., Kunstverein Wilhelmshöhe, Ettlingen (Cat) 2012 Kollwitzstrasse 52, MIS (Museu da Imagem e do Som), São Paulo (Brazil) 60 Jahre Land Baden-Württemberg/ 60 Kunstwerke für Baden-Württemberg, Städtisches Kunstmuseum Singen (Cat) Galeria Virgilio, São Paulo (Brazil) 2010 Public Sphere, Alternative Space LOOP, Seoul (South Korea) The Garden as a Mirror, Künstlerhaus Bethanien, Berlin Fotosommer / Fokus 0711, Württembergischer Kunstverein, Stuttgart (Cat) Ansehen!, Galerie im Volkspark, Halle (an der Saale) (Cat) O jardim como espelho, Goethe-Institut, Lissabon (Portugal) Fototage Trier, Viehmarktthermen, Trier 2009 Kunststudentinnen und Kunststudenten stellen aus, Kunst- und Ausstellungshalle der Bundesrepublik Deutschland, Bonn (Cat) Summer Reading, Invisibles-Exports, New York (USA) Diplomausstellung, Galerie Kunstbezirk im Gustav-Siegle-Haus, Stuttgart Stipendiaten stellen aus, Schloss Wiepersdorf Übermorgenkünstler, Heidelberger Kunstverein, Heidelberg 2007 Hard Beat Meeting, Tokyo National University of Fine Arts and Music, Tokyo (Japan) Fotosommer / Fokus 0711, Town Hall, Stuttgart (Cat) 2006 Neuropolis, Europäisches Theater- und Medienfestival, Berlin Coming out of the Maultasche, Maccarone, New York (USA) Frames per second, Central station, Stuttgart 2005 Between, Staatliche Akademie der Bildenden Künste Stuttgart (Cat) Between, Hong-Ik University, Seoul (South Korea) (Cat) Skulptur zur Beseitigung des Professors, Kunstmuseum StuttgartScholarships2018 Studio scholarship of the City of Stuttgart / DE2017 Working scholarship for the Cité Interantionale des Arts Paris / FR2014 Artistic Residence at Recife (Fundação Joaquim Nabuc) / BRA 2013 Filmförderung der Medien- und Filmgesellschaft (MFG) / DE2011 Postgraduiertenstipendium der Studienstiftung des deutschen Volkes für Brasilien / DE, BRA 2010Arbeitsstipendium im Herrenhaus Edenkoben / DE2010 Filmförderung der Medien- und Filmgesellschaft / DE2009–2010 Academy scholarship of the Staatliche Akademie der Bildenden Künste Stuttgart / DE2009 Working scholarship at Schloß Wiepersdorf / DE 2007 Baden-Württemberg-Stipendium of the Landesstiftung Baden-Württemberg for a study residence in Tokyo / JP 2006–2010 Scholarship of the Studienstiftung des deutschen VolkesAwards2014 Prêmio Funarte de Arte Contemporânea / BRA 2009 Ring Frei | 19. Bundeswettbewerb Kunststudentinnen und Kunststudenten stellen aus of the Bundesministeriums für Bildung und Forschung / DE 2005 Skulpturen am Radweg, Zweckverband RIO (Regionaler Industriepark Osterburken) / DE

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