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blinkvideo - research of video art, performance and multimedia installations.

For artists we provide a platform for extensive presentation of media works, gallerists get a direct contact to international professional audiences, collectors find a worldwide overview of contemporary trends in moving image, curators can do research via keywords and compilations, teachers use presentation opportunities for students and all professionals get password protected, extensive information about video works worldwide.

B3 – ON DESIRE

With the key topic ON DESIRE, B3 will in fall 2017 reflect on the latest trends relating to the moving image in art and media from a political, technological and aesthetic perspective.  Desire as yearning, wish, lust or hope and its translation into moving images will be explored in an artistic, social, political, sociopolitical and historical perspective and critically examined. . . .

VIDEONALE.16 Festival for Video and Time-Based Arts 2017

The 16th Videonale - Festival for Video and Time-Based Arts, this year took place under the title PERFORM! The exhibitions at the Kunstmuseum Bonn featured recent works by a total of 43 international artists

KINO DER KUNST 2017

a worldwide unique combination of film festival and art exhibition, held its third edition in April 2017. Movie theatres and museums all over Munich presented an International Competition as well as special focuses, artists talks, smposions and multi-channel installations.

Featured videos

Anita Beckers selection of videos for Independent Collector

In an exclusive interview with IC she talks about the technological progress that keeps reinventing the genre and her different roles she faces as a collector, gallerist and curator.

Artemovendo – in collaboration with Goethe Institut Porto Alegre

The video works shown in Artemovendo present a morphology of ambiguous entities, creatures or technical devices. Natural environments are contrasted with artificial, fully computer-designed worlds. Sometimes it is difficult to distinguish whether we have been invited to take a look at the outside world or into a laboratory; even dimensions appear to be chosen arbitrarily. Or do we happen to be entering a microscopically small universe that has been magnified many times over?

"Ajonjolí y otros moles"
Chance, Observation and a Poetics of the Personal

A series of pieces which deal with chance and observation of the every day; that which in our perception is hidden unless we slow down and take a closer look.

Stiftung imai – inter media art institute

The Düsseldorf based foundation imai – inter media art institute was founded in 2006 in order to establish an institution in Germany dedicated to the distribution and preservation of media art and associated activities.

Our Partners

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blinkvideo is a website for the research of video art. Founders: Julia Sökeland, Anita Beckers. blinkvideo ist eine Plattform zur Recherche nach Videokunst

Keren Cytter

Works


Galleries

Galerie Nagel Draxler
Saskia Draxler
Weydingerstr. 2/4
10178 Berlin
Germany

Phone: +49-(0)30-40042641
E-Mail: berlin@nagel-draxler.de




Statement

Keren Cytter was born 1977 in Tel Aviv, Israel. She studied visual art at Avni Institute for Art, Tel Aviv and
later moved to Amsterdam on a scholarship from De Ateliers. Today, she lives and works in Berlin and
New York.

Keren Cytter is best known for her experimental video works that illuminate the interpersonal and the
private, works that are often based on templates of literary or cinematic classics, simultaneously reflecting
the influence of the media. The artist is also concerned with drawing, theater production, performance,
dance, and even writes her own screenplays and novels. In 2008, Keren Cytter formed the dance theater
group Dance International Europe Now (D.I.E. Now).

Among the recurring stylistic elements in Cytter’s videos – in addition to extensive references to cinema and
television – are long monologues and numerous vocal overlays, with sound and image usually not
synchronized. The image of a male actor can be superimposed with a female voice; a simultaneous subtitle
in turn refers to another thing entirely. Cytter, who writes all the scripts herself, uses language according to
the particular mood or atmosphere that she would like to generate: French is used for example as the
language of love, and English as a pragmatic language. At times, notes or stage directions on the particular
filmic work find a self-referential way into the spoken language. A further separate level of language consists
of the subtitles that appear to coincide with what is said, though the content may actually differ. Shorter
loops and both verbal and visual repetition may appear within the usually not longer than ten-minute films.

The artist decomposes the film into its (normally fixed) single components in order to independently
reassemble them again: (amateur) actor, role, voice, spoken word, listened text, language and subtitles are
put together in an unusual mix, mostly asynchronous to each other. With her strategy of deconstruction
Cytter points out how our perception is dependent on certain speech and image structures and shows that
there is a kind of intentional perception that delivers content by using "nuances."

Keren Cytter’s videos were shown in several solo exhibitions: Frankfurter Kunstverein and Kunsthalle
Zurich (both 2005), Kunst-Werke Berlin (2006), MUMOK Vienna (2007), Witte de With, Rotterdam (2008),
Le Plateau Paris and Hammer Museum LA (both 2009), Kunsthaus Baselland and Moderna Museet,
Stockholm (both 2010), Kunstverein Munich and Stedelijk Museum Amsterdam (both 2011), Oakville
Galleries Canada (2012). Cytter’s work has also been exhibited in numerous group exhibitions and film
festivals worldwide (including “Making Worlds” curated by Daniel Birnbaum at Venice Biennial 2009). In
2006, Keren Cytter won the Baloise Art Statement Award at Art Basel and in 2009 the Absolut Art Award.
In the same year, she was nominated for the prestigious “Preis der Nationalgalerie für junge Kunst” in
Berlin.


Biography

born 1977, Tel Aviv, Israel
Lives and works in New York

Education

de Ateliers, Amsterdam, The Netherlands, 2002-2004
The Avni Institute, Tel-Aviv, Israel, 1997-1999

Solo exhibitions

2013
Keren Cytter: Tutorial, Deweer Gallery, Otegem

2012
Video Art Manual, DiverseWorks, Houston, Texas
Video Art Manual, Noga Gallery, Tel Aviv
Don't trust Americans, SCHAU ORT Zürich
Oakville Galleries, Oakville, Canada
Tina is gone, Image Festival, Toronto, Canada
Walter Phillips Gallery at the Banff Centre for the Arts in Alberta, Canada

2011
Video Art Manual, Zach Feuer Gallery, New York
Galleria Raffaella Cortese, Milan, Italy
Keren Cytter – Avalanche Stedelijk Museum, Amsterdam
Fear, Fun and Fire, Deutsche Bank Towers, Frankfurt am Main, Germany
The hottest day of the year, k.m Kunstverien Munich, Germany
Avalanche, The David Roberts Art Foundation, London, UK
Avalanche, Pilar Corrias, London, UK

2010
Konstruktion, Galerie Christian Nagel, Berlin, Germany
Repulsion, Kunsthaus Baselland, Muttenz/Basel, Switzerland
Morality, SCHAU ORT - Elisabeth Kaufmann + Christiane Büntgen, Zurich, Switzerland
Moderna Museet, Stockholm, Sweden
Project Series, Hammer Museum, Los Angeles, CA
History in the Making. If I can‘t dance I don‘t want to be part of your revolution (D.I.E Now), Hebbel am Ufer,
Berlin, Germany; Van Abbemuseum, Eindhofen, The Netherlands

2009
Frac Ile-de-France/Le Plateau, Paris, France
History in the Making. If I can‘t dance I don‘t want to be part of your revolution (D.I.E Now), Tate Modern Turbine
Hall, London, UK
Galeria Estrany de la Mota, Barcelona, Spain
The Mysterious Series, X Initiative, New York, NY
Noga Gallery of Contemporary Art, Tel Aviv, Israel
CCA Center for Contemporary Art, Kitakyushu, Japan
Domestics, Pilar Corrias Gallery, London, UK
Les Ruissellements du Diable, Thierry Goldberg Projects, New York, NY
SCHAU ORT
Page 2 / 6
ScalaMata Gallery, Four Seasons, Venice, Italy

2008
Witte de With, Rotterdam, The Netherlands
Centro Huarte de Arte Contemporáneo, Huarte, Spain
Les Ruisellements du diable, Luettgenmeijer, Berlin, Germany
Les Ruisellements du diable, St. Pauli Kunstverein, Hamburg, Germany
Drawings, Kunstforum Baloise, Basel, Switzerland
CCA Center for Contemporary Art, Kitakyushu, Japan

2007
STUK Kunstcentrum, Leuven, Belgium
Something Happened, CUBITT Artists, London, UK
Dreamtalk, Thierry Goldberg Projects, New York, NY
Something Happened, Elisabeth Kaufmann, Zurich, Switzerland
The Victim, MUMOK, Museum Moderner Kunst Stiftung Ludwig, Vienna, Austria
Collective Gallery, Edinburgh, Ireland

2006
Contemporary Neuromythological Stories, Ellen de Bruijne Projects, Amsterdam, The Netherlands
REPULSION, Noga Gallery, Tel Aviv, Israel Continuity, Elisabeth Kaufmann, Zurich, Switzerland
Atmosphere, GAMeC, Galleria D’arte Moderna e Contemporanea di Bergamo, Bergamo, Italy
I was the good and he was the bad and the ugly, KW, Kunst Werke, Berlin, Germany
The Victim, ART 37 Basel, Statements, Elisabeth Kaufmann, Zurich, Switzerland
'I can never get people to understand that poetry is the expression of excited passion, and that there is no such thing
as a life of passion any more than a continuous earthquake, or an eternal fever. Besides, who would ever shave
themselves in such a state?' Lord Byron, Artis, Den Bosch, The Netherlands

2005
Kunsthalle Zurich, Zurich, Switzerland
Frankfurter Kunstverein, Frankfurt am Main, Germany

2004
the friends series, Dolores; Ellen de Bruijne Projects (with Mark Kent), Amsterdam, The Netherlands
My brain is in the wall, Stedelijk Museum Bureau, Amsterdam, The Netherlands

2003
Videos, Rozenfeld Gallery, Tel Aviv, Israel

2002
Drawings, Rozenfeld Gallery, Tel Aviv, Israel

Selected group exhibitions

2012
Fremde überall – Foreigners everywhere, Jüdisches Museum,Wien
MADE IN GERMANY ZWEI, Sprengel Museum und Kestnergesellschaft, Hannover
Big Picture III (Szenen/Figuren), Kunstsammlung im Ständehaus, Düsseldorf
Images Festival 2012, The Images Festival, Toronto
Found in Translation, Solomon R. Guggenheim Museum, New York, NY
SCHAU ORT
Page 3 / 6

2011
Gareth Moore. CHILDREN´S FILMS, Kunstverein Bielefeld
No Sense of Place, Bergen Kunsthall
The Israeli Center for Digital Art/Mobile Archive, Kunsthaus Baselland, Muttenz
3rd Thessaloniki Biennale of Contemporary Art, State Museum of Contemporary Art, Thessaloniki
Spectrums of Light, Temporary Gallery Cologne, Köln
NUMBER FIVE: Cities of Gold and Mirrors, JULIA STOSCHEK COLLECTION Düsseldorf
Parallel Worlds, Arsenal, Berlin, Germany
Based in Berlin, Berlin, Germany
Videonale 13, Kunstmuseum Bonn
Expended Cinema – Moscow museum of modern art – MMOMA, Moscow
East Ex East – Brand New Gallery, Milan, Italy
Small Fires - Sint-Lukasgalerie, Brussels
The plot, Power plant, Toronto, Canada
3rd Thessaloniki Biennial of Contemporary Art. Greece
'Cinema for Exhibitions', at Fundacion CIAC AC Mexico.

2010
Future Generation Art Prize: 20 Shortlisted Artists, PinchukArtCentre Kiev, Ukraine
8th Gwangju Biennale, Gwangju, Korea
Epilogue (1), Maisterra Valbuena Gallery, Madrid, Spain
curated by_vienna Marko Lulic, Gabriele Senn Galerie, Vienna, Austria
Overview: Israeli Video 2000-2010, Haifa Museum of Art, Haifa
Videozone V: The 5th International Video Art Biennale in Israel, Tel -Aviv
PORTRAITS DE COLLECTIONNEURS - Jocelyne et Fabrice Petignat, MURO Genf
More Pricks Than Kicks, The David Roberts Art Foundation, London
Face your Demons, Milliken Gallery, Stockholm, Sweden
Not Necessarily In That Order, Presentation House Gallery, Vancouver, Canada
Michael Beutler & Friends, Galerie Christian Nagel, Antwerp, Belgium
Tramway, Glasgow International Festival, Glasgow, UK
Paradise Lost Holidays in Hell, CCA Andratx, Spain
Make the Most of Now, Kunsthalle Exnergasse, Vienna, Austria
In Full Bloom, Galleria Raffaella Cortese, Milan, Italy
Tell-Tale Heart, James Cohan Gallery, New York, NY
Morality, Witte de With, Rotterdam, The Netherlands

2009
Nationalgalerie Prize for Young Art, Hamburger Bahnhof, Berlin, Germany
Golden Agers – Silver Surfers, Kunsthaus Baselland, Muttenz, Switzerland
Fare Mondi/Making Worlds: 53rd International Art Exhibition, The Venice Biennial, Venice, Italy
The Generational: Younger Than Jesus, New Museum, New York, NY
KunstFilmBiennale Köln, Cologne, Germany
If I can’t dance I don‘t want to be part of your revolution, Art Center, Dublin, Ireland Rotterdam Film Festival,
Rotterdam, The Netherlands
Highlights from KunstFilmBiennale Köln, KW Institute for Contemporary Art, Berlin, Germany;
Center Pompidu, Paris, France
Shifting Identities, CAC, Vilnius, Lithuania
ars viva 08/09 – Inszenierung / Mise en scène, Museum Abteiberg, Mönchengladbac, Germany; Atelier Augarten,
Vienna, Austria
Time Out of Joint: Recall and Evocation in Recent Art, Whitney Museum, New York Performa 09, New York, NY
SCHAU ORT
Page 4 / 6

2008
Television Delivers People, The Whitney Museum of American Art, New York, NY
The Leisure Suite, The LeRoy Neiman Gallery, Columbia University, New York. NY
Work from the Video & Film Collection of Jean-Conrad & Isabelle Lemaitre, Kunsthalle zu Kiel der Christian-
Albrecht-Universität, Kiel, Germany
Manifesta 7, Trento, Italy
Yokohama Triennale, Yokohama, Japan
Berlin International Film Festival, Expended Forum, Filmhuis, Berlin, Germany
Konzepte der Liebe, Kölner Kunstverein, Cologne, Germany
Narratives in space // Spatial narrations, ACEC Dok, Gent, Belgium Shifting Identities, Kunsthaus Zurich,
Switzerland
Oberhausen Film Festival, Oberhausen, Germany
If I can’t dance I don’t want to join your revolution, De Appel, Amsterdam, The Netherlands; Sala Rekalde, Bilbao,
Spain
Italia Italie Italien Italy, Museo Arcos, Benevento, Italy
Keren Cytter / Knut Klaßen, Galerie Olaf Stüber, Berlin, Germany
2MOVE / Migratory Aesthetics, Stenersenmuseet, Oslo, Norway
50 Moons of Saturn, Turin Triennale, Turin, Italy
Bolzano Short Film Festival, Bolzano, Italy
Notorious, Frac le de France, Le Plateau, Paris, France
Bangkok World Film Festival, Bangkok, Thailand BEFF, Bangkok
Experimental Film Festival, Bangkok, Thailand
ARTLV – Tel Aviv Biennale, Tel Aviv, Israel
ARTFOCUS, Jerusalem, Israel VideoZone, Video Biennale, Tel Aviv, Israel

2007
Cut, Thierry Goldberg Projects, New York, NY
The Lyon Biennial, The History of a Decade That Has Not Yet Been Named, Lyon, France BoundLES, The Henry
Street Settlement, New York, NY If water crystal, crystal water..., Ingalls & Associates, Miami, FL Pawnshop, e-flux,
New York, NY The First Hertzelia Biennial, Hertzelia, Israel The Second Moscow Biennial of Contemporary Art,
Moscow Russia The Floating Feather, Daniel Buchholz Gallery, Cologne, Germany Self fashion Show, Extra City –
Center for Contemporary Art, Antwerp, The Netherlands On the Marriage Broker Joke, Office Baroque Gallery,
Antwerp, The Netherlands
There have to be many and they do(n’t) need to be reconciled with one another, Kunstverein Braunschweig e.V.,
Brunswick, Germany The Shadow Cabinet: ‘Distorted Fabric’, de Appel, Amsterdam, The Netherlands Fake
Movement, Campobase Gallery, Bologna, Italy
Depiction Perversion Repulsion Obsession, Witte de With, Rotterdam, The Netherlands House Trip, ArtForum
Berlin, Germany
Berlin International Film Festival, Expended Forum, BueroFriedrich, Berlin, Germany Zwischenbilanz II, Baloise Art
Forum, Basel, Switzerland
Talking Pictures, K21 Kunstsammlung Nordrhein-Westfalen, Duesseldorf, Germany
CCA/MAP Magazine/Glasgow Film Festival, Glasgow, Ireland

2006
The Floating Feather, Chantal Crousel Gallery, Paris, France
All Hawaii Entrees/ Lunar Reggea, IMMA, Irish Museum of Modern Art, Dublin, Ireland
City Lab, Art Forum, Berlin, Germany
Open Space, Art Cologne, Ellen de Bruijne Projects, Cologne, Germany
The World State, Erik Steen Gallery, Oslo, Norway
Satellite of Love, Witte de With, exploding television, Rotterdam, The Netherland Across.Videos, Rome, Italy

2005
Filmblik Program, Filmhuis, Den HaagDutch open, De Balie, Amsterdam, The Netherlands
SCHAU ORT
Page 5 / 6
Fabrikaat-Avond, Artis, Den Bosch, The Netherlands Disclosed, de Ateliers, Amsterdam, The Netherlands
6th Republic, Eastarea Gallery, Amsterdam, The Netherlands
Short Circuit, Motive Gallery, Amsterdam, The Netherlands
Pilot:2, London, UK Pek Festival, Retrospective, Den Haag, The Netherlands

2004
Videozone, Video Biannale, Tel Aviv, Israel
F&N Tel Aviv, Tel Aviv City Hall, Israel
Interior painting after Richard Hamilton, Kav 16, Tel Aviv, Israel
A4 – 5, Overtoom 301, Amsterdam, The Netherlands

2003
Eeehh..., Overtoom 301, Amsterdam, The Netherlands
Horse Hospital, London, UK
Good Question, Studiokatendrechtstraat 66 Rotterdam, The Netherlands
Wonderyears, Kino, Arsenal, Berlin, Germany
Rshvusvaheline Parnu Filmi, Estonia.

2002
Videozone - Video Biennale, Tel-Aviv, Israel
Wall Painting, Yanko Dada Museum, Ein Hod, The Netherlands

2001
Shoes, Left Side, Tel Aviv, Israel

1998
Nice Plant, Gross Gallery, Tel Aviv, Israel

Awards

Balôise Art Prize, Art Basel, Switzerland, 2006
Ars Viva Prize, Kulturkeis der deutschen Wirschaft, Berlin, 2008
Experimental short film, Bolzano short film festival, 2008
Short-listed for the Preis der Nationalgalerie für junge Kunst, 2009
Absolut Art Award, 2009

Writings and monographs

2012
D.I.E. Now, The True Story of John Webber and His Endless Struggle with the Table of Content, Edited by
Frédérique Bergholtz and Maaike Gouwenberg; Contributions by Catherine Wood, Keren Cytter, Andrew
Kerton, Dafna Maimon.

2010
White Diaries, CCA, kitakyushu
“Keren Cytter – Stockholm, Moderna Museet” – Catalogue, Stockholm. Authors: Magnus af Petersens.

2009
The Amazing True Story of Moshe Klinberg – A Media Star. Read it to believe it. Onestar Press, Paris

2008
The seven most exciting hours of Mr Trier‘s life in twenty-four chapters, Witte de With and STUK
Kunstcentrum, Sternberg Press, Berlin

2007
“Keren Cytter”, Mumok, Vienna, Austria Authors: Marlene Dumas, Rainer Fuchs, Bart van der Heide
SCHAU ORT
Page 6 / 6

2006
“Keren Cytter, I was the good and he was the bad and the ugly,” Authors: Diedrich Diederichsen, Avi
Pitchon, Hila Peleg (Ed), KW Institute for Contemporary Art Berlin u. Revolver.

2005
“The man who climbed the stairs of life and found out they were cinema seats,” Epilog by Beatrix Ruf,
Kunsthalle Zurich, and Nicolaus Schafhausen, Frankfurter Kunstverein (Eds.) Maayan Literature Magazine,
Israel, Novel-Catalog for Published by Lukas & Sternberg.

Collections

Guggenheim, New York
Tate Collection, London
Moderna Museet, Stockholm
FRAC Ile de France, Paris
Hammer Museum, Los Angeles
Fondazione Piemonte
FRAC PACA Marseille
Collection ARCO Madrid
The David Roberts Collection, London
Robert and Renee Drake Collection, The Netherlands
Kadist Art Foundation, Paris
Fondazione per L’Arte Moderna e Contemporanea, Turin
Collection Luciano Russo, Turin
MUMOK, Vienna
Wesman Collection, New York
Goetz collection, Munich
Collection Ringier, Zurich
Kunsthaus Zürich, Zurich
Moderna Museet, Stockholm
Louis Vuitton Foundation
Baloise Collection, Basel
Fondazione Morra Greco, Neaples
Collection Elisabeth Kaufmann, Zurich
Collection Petignat, Geneva

Keren Cytter
born 1977, Tel Aviv, Israel Lives and works in New York Education de Ateliers, Amsterdam, The Netherlands, 2002-2004 The Avni Institute, Tel-Aviv, Israel, 1997-1999 Solo exhibitions 2013 Keren Cytter: Tutorial, Deweer Gallery, Otegem 2012 Video Art Manual, DiverseWorks, Houston, Texas Video Art Manual, Noga Gallery, Tel Aviv Don't trust Americans, SCHAU ORT Zürich Oakville Galleries, Oakville, Canada Tina is gone, Image Festival, Toronto, Canada Walter Phillips Gallery at the Banff Centre for the Arts in Alberta, Canada 2011 Video Art Manual, Zach Feuer Gallery, New York Galleria Raffaella Cortese, Milan, Italy Keren Cytter – Avalanche Stedelijk Museum, Amsterdam Fear, Fun and Fire, Deutsche Bank Towers, Frankfurt am Main, Germany The hottest day of the year, k.m Kunstverien Munich, Germany Avalanche, The David Roberts Art Foundation, London, UK Avalanche, Pilar Corrias, London, UK 2010 Konstruktion, Galerie Christian Nagel, Berlin, Germany Repulsion, Kunsthaus Baselland, Muttenz/Basel, Switzerland Morality, SCHAU ORT - Elisabeth Kaufmann + Christiane Büntgen, Zurich, Switzerland Moderna Museet, Stockholm, Sweden Project Series, Hammer Museum, Los Angeles, CA History in the Making. If I can‘t dance I don‘t want to be part of your revolution (D.I.E Now), Hebbel am Ufer, Berlin, Germany; Van Abbemuseum, Eindhofen, The Netherlands 2009 Frac Ile-de-France/Le Plateau, Paris, France History in the Making. If I can‘t dance I don‘t want to be part of your revolution (D.I.E Now), Tate Modern Turbine Hall, London, UK Galeria Estrany de la Mota, Barcelona, Spain The Mysterious Series, X Initiative, New York, NY Noga Gallery of Contemporary Art, Tel Aviv, Israel CCA Center for Contemporary Art, Kitakyushu, Japan Domestics, Pilar Corrias Gallery, London, UK Les Ruissellements du Diable, Thierry Goldberg Projects, New York, NY SCHAU ORT Page 2 / 6 ScalaMata Gallery, Four Seasons, Venice, Italy 2008 Witte de With, Rotterdam, The Netherlands Centro Huarte de Arte Contemporáneo, Huarte, Spain Les Ruisellements du diable, Luettgenmeijer, Berlin, Germany Les Ruisellements du diable, St. Pauli Kunstverein, Hamburg, Germany Drawings, Kunstforum Baloise, Basel, Switzerland CCA Center for Contemporary Art, Kitakyushu, Japan 2007 STUK Kunstcentrum, Leuven, Belgium Something Happened, CUBITT Artists, London, UK Dreamtalk, Thierry Goldberg Projects, New York, NY Something Happened, Elisabeth Kaufmann, Zurich, Switzerland The Victim, MUMOK, Museum Moderner Kunst Stiftung Ludwig, Vienna, Austria Collective Gallery, Edinburgh, Ireland 2006 Contemporary Neuromythological Stories, Ellen de Bruijne Projects, Amsterdam, The Netherlands REPULSION, Noga Gallery, Tel Aviv, Israel Continuity, Elisabeth Kaufmann, Zurich, Switzerland Atmosphere, GAMeC, Galleria D’arte Moderna e Contemporanea di Bergamo, Bergamo, Italy I was the good and he was the bad and the ugly, KW, Kunst Werke, Berlin, Germany The Victim, ART 37 Basel, Statements, Elisabeth Kaufmann, Zurich, Switzerland 'I can never get people to understand that poetry is the expression of excited passion, and that there is no such thing as a life of passion any more than a continuous earthquake, or an eternal fever. Besides, who would ever shave themselves in such a state?' Lord Byron, Artis, Den Bosch, The Netherlands 2005 Kunsthalle Zurich, Zurich, Switzerland Frankfurter Kunstverein, Frankfurt am Main, Germany 2004 the friends series, Dolores; Ellen de Bruijne Projects (with Mark Kent), Amsterdam, The Netherlands My brain is in the wall, Stedelijk Museum Bureau, Amsterdam, The Netherlands 2003 Videos, Rozenfeld Gallery, Tel Aviv, Israel 2002 Drawings, Rozenfeld Gallery, Tel Aviv, Israel Selected group exhibitions 2012 Fremde überall – Foreigners everywhere, Jüdisches Museum,Wien MADE IN GERMANY ZWEI, Sprengel Museum und Kestnergesellschaft, Hannover Big Picture III (Szenen/Figuren), Kunstsammlung im Ständehaus, Düsseldorf Images Festival 2012, The Images Festival, Toronto Found in Translation, Solomon R. Guggenheim Museum, New York, NY SCHAU ORT Page 3 / 6 2011 Gareth Moore. CHILDREN´S FILMS, Kunstverein Bielefeld No Sense of Place, Bergen Kunsthall The Israeli Center for Digital Art/Mobile Archive, Kunsthaus Baselland, Muttenz 3rd Thessaloniki Biennale of Contemporary Art, State Museum of Contemporary Art, Thessaloniki Spectrums of Light, Temporary Gallery Cologne, Köln NUMBER FIVE: Cities of Gold and Mirrors, JULIA STOSCHEK COLLECTION Düsseldorf Parallel Worlds, Arsenal, Berlin, Germany Based in Berlin, Berlin, Germany Videonale 13, Kunstmuseum Bonn Expended Cinema – Moscow museum of modern art – MMOMA, Moscow East Ex East – Brand New Gallery, Milan, Italy Small Fires - Sint-Lukasgalerie, Brussels The plot, Power plant, Toronto, Canada 3rd Thessaloniki Biennial of Contemporary Art. Greece 'Cinema for Exhibitions', at Fundacion CIAC AC Mexico. 2010 Future Generation Art Prize: 20 Shortlisted Artists, PinchukArtCentre Kiev, Ukraine 8th Gwangju Biennale, Gwangju, Korea Epilogue (1), Maisterra Valbuena Gallery, Madrid, Spain curated by_vienna Marko Lulic, Gabriele Senn Galerie, Vienna, Austria Overview: Israeli Video 2000-2010, Haifa Museum of Art, Haifa Videozone V: The 5th International Video Art Biennale in Israel, Tel -Aviv PORTRAITS DE COLLECTIONNEURS - Jocelyne et Fabrice Petignat, MURO Genf More Pricks Than Kicks, The David Roberts Art Foundation, London Face your Demons, Milliken Gallery, Stockholm, Sweden Not Necessarily In That Order, Presentation House Gallery, Vancouver, Canada Michael Beutler & Friends, Galerie Christian Nagel, Antwerp, Belgium Tramway, Glasgow International Festival, Glasgow, UK Paradise Lost Holidays in Hell, CCA Andratx, Spain Make the Most of Now, Kunsthalle Exnergasse, Vienna, Austria In Full Bloom, Galleria Raffaella Cortese, Milan, Italy Tell-Tale Heart, James Cohan Gallery, New York, NY Morality, Witte de With, Rotterdam, The Netherlands 2009 Nationalgalerie Prize for Young Art, Hamburger Bahnhof, Berlin, Germany Golden Agers – Silver Surfers, Kunsthaus Baselland, Muttenz, Switzerland Fare Mondi/Making Worlds: 53rd International Art Exhibition, The Venice Biennial, Venice, Italy The Generational: Younger Than Jesus, New Museum, New York, NY KunstFilmBiennale Köln, Cologne, Germany If I can’t dance I don‘t want to be part of your revolution, Art Center, Dublin, Ireland Rotterdam Film Festival, Rotterdam, The Netherlands Highlights from KunstFilmBiennale Köln, KW Institute for Contemporary Art, Berlin, Germany; Center Pompidu, Paris, France Shifting Identities, CAC, Vilnius, Lithuania ars viva 08/09 – Inszenierung / Mise en scène, Museum Abteiberg, Mönchengladbac, Germany; Atelier Augarten, Vienna, Austria Time Out of Joint: Recall and Evocation in Recent Art, Whitney Museum, New York Performa 09, New York, NY SCHAU ORT Page 4 / 6 2008 Television Delivers People, The Whitney Museum of American Art, New York, NY The Leisure Suite, The LeRoy Neiman Gallery, Columbia University, New York. NY Work from the Video & Film Collection of Jean-Conrad & Isabelle Lemaitre, Kunsthalle zu Kiel der Christian- Albrecht-Universität, Kiel, Germany Manifesta 7, Trento, Italy Yokohama Triennale, Yokohama, Japan Berlin International Film Festival, Expended Forum, Filmhuis, Berlin, Germany Konzepte der Liebe, Kölner Kunstverein, Cologne, Germany Narratives in space // Spatial narrations, ACEC Dok, Gent, Belgium Shifting Identities, Kunsthaus Zurich, Switzerland Oberhausen Film Festival, Oberhausen, Germany If I can’t dance I don’t want to join your revolution, De Appel, Amsterdam, The Netherlands; Sala Rekalde, Bilbao, Spain Italia Italie Italien Italy, Museo Arcos, Benevento, Italy Keren Cytter / Knut Klaßen, Galerie Olaf Stüber, Berlin, Germany 2MOVE / Migratory Aesthetics, Stenersenmuseet, Oslo, Norway 50 Moons of Saturn, Turin Triennale, Turin, Italy Bolzano Short Film Festival, Bolzano, Italy Notorious, Frac le de France, Le Plateau, Paris, France Bangkok World Film Festival, Bangkok, Thailand BEFF, Bangkok Experimental Film Festival, Bangkok, Thailand ARTLV – Tel Aviv Biennale, Tel Aviv, Israel ARTFOCUS, Jerusalem, Israel VideoZone, Video Biennale, Tel Aviv, Israel 2007 Cut, Thierry Goldberg Projects, New York, NY The Lyon Biennial, The History of a Decade That Has Not Yet Been Named, Lyon, France BoundLES, The Henry Street Settlement, New York, NY If water crystal, crystal water..., Ingalls & Associates, Miami, FL Pawnshop, e-flux, New York, NY The First Hertzelia Biennial, Hertzelia, Israel The Second Moscow Biennial of Contemporary Art, Moscow Russia The Floating Feather, Daniel Buchholz Gallery, Cologne, Germany Self fashion Show, Extra City – Center for Contemporary Art, Antwerp, The Netherlands On the Marriage Broker Joke, Office Baroque Gallery, Antwerp, The Netherlands There have to be many and they do(n’t) need to be reconciled with one another, Kunstverein Braunschweig e.V., Brunswick, Germany The Shadow Cabinet: ‘Distorted Fabric’, de Appel, Amsterdam, The Netherlands Fake Movement, Campobase Gallery, Bologna, Italy Depiction Perversion Repulsion Obsession, Witte de With, Rotterdam, The Netherlands House Trip, ArtForum Berlin, Germany Berlin International Film Festival, Expended Forum, BueroFriedrich, Berlin, Germany Zwischenbilanz II, Baloise Art Forum, Basel, Switzerland Talking Pictures, K21 Kunstsammlung Nordrhein-Westfalen, Duesseldorf, Germany CCA/MAP Magazine/Glasgow Film Festival, Glasgow, Ireland 2006 The Floating Feather, Chantal Crousel Gallery, Paris, France All Hawaii Entrees/ Lunar Reggea, IMMA, Irish Museum of Modern Art, Dublin, Ireland City Lab, Art Forum, Berlin, Germany Open Space, Art Cologne, Ellen de Bruijne Projects, Cologne, Germany The World State, Erik Steen Gallery, Oslo, Norway Satellite of Love, Witte de With, exploding television, Rotterdam, The Netherland Across.Videos, Rome, Italy 2005 Filmblik Program, Filmhuis, Den HaagDutch open, De Balie, Amsterdam, The Netherlands SCHAU ORT Page 5 / 6 Fabrikaat-Avond, Artis, Den Bosch, The Netherlands Disclosed, de Ateliers, Amsterdam, The Netherlands 6th Republic, Eastarea Gallery, Amsterdam, The Netherlands Short Circuit, Motive Gallery, Amsterdam, The Netherlands Pilot:2, London, UK Pek Festival, Retrospective, Den Haag, The Netherlands 2004 Videozone, Video Biannale, Tel Aviv, Israel F&N Tel Aviv, Tel Aviv City Hall, Israel Interior painting after Richard Hamilton, Kav 16, Tel Aviv, Israel A4 – 5, Overtoom 301, Amsterdam, The Netherlands 2003 Eeehh..., Overtoom 301, Amsterdam, The Netherlands Horse Hospital, London, UK Good Question, Studiokatendrechtstraat 66 Rotterdam, The Netherlands Wonderyears, Kino, Arsenal, Berlin, Germany Rshvusvaheline Parnu Filmi, Estonia. 2002 Videozone - Video Biennale, Tel-Aviv, Israel Wall Painting, Yanko Dada Museum, Ein Hod, The Netherlands 2001 Shoes, Left Side, Tel Aviv, Israel 1998 Nice Plant, Gross Gallery, Tel Aviv, Israel Awards Balôise Art Prize, Art Basel, Switzerland, 2006 Ars Viva Prize, Kulturkeis der deutschen Wirschaft, Berlin, 2008 Experimental short film, Bolzano short film festival, 2008 Short-listed for the Preis der Nationalgalerie für junge Kunst, 2009 Absolut Art Award, 2009 Writings and monographs 2012 D.I.E. Now, The True Story of John Webber and His Endless Struggle with the Table of Content, Edited by Frédérique Bergholtz and Maaike Gouwenberg; Contributions by Catherine Wood, Keren Cytter, Andrew Kerton, Dafna Maimon. 2010 White Diaries, CCA, kitakyushu “Keren Cytter – Stockholm, Moderna Museet” – Catalogue, Stockholm. Authors: Magnus af Petersens. 2009 The Amazing True Story of Moshe Klinberg – A Media Star. Read it to believe it. Onestar Press, Paris 2008 The seven most exciting hours of Mr Trier‘s life in twenty-four chapters, Witte de With and STUK Kunstcentrum, Sternberg Press, Berlin 2007 “Keren Cytter”, Mumok, Vienna, Austria Authors: Marlene Dumas, Rainer Fuchs, Bart van der Heide SCHAU ORT Page 6 / 6 2006 “Keren Cytter, I was the good and he was the bad and the ugly,” Authors: Diedrich Diederichsen, Avi Pitchon, Hila Peleg (Ed), KW Institute for Contemporary Art Berlin u. Revolver. 2005 “The man who climbed the stairs of life and found out they were cinema seats,” Epilog by Beatrix Ruf, Kunsthalle Zurich, and Nicolaus Schafhausen, Frankfurter Kunstverein (Eds.) Maayan Literature Magazine, Israel, Novel-Catalog for Published by Lukas & Sternberg. Collections Guggenheim, New York Tate Collection, London Moderna Museet, Stockholm FRAC Ile de France, Paris Hammer Museum, Los Angeles Fondazione Piemonte FRAC PACA Marseille Collection ARCO Madrid The David Roberts Collection, London Robert and Renee Drake Collection, The Netherlands Kadist Art Foundation, Paris Fondazione per L’Arte Moderna e Contemporanea, Turin Collection Luciano Russo, Turin MUMOK, Vienna Wesman Collection, New York Goetz collection, Munich Collection Ringier, Zurich Kunsthaus Zürich, Zurich Moderna Museet, Stockholm Louis Vuitton Foundation Baloise Collection, Basel Fondazione Morra Greco, Neaples Collection Elisabeth Kaufmann, Zurich Collection Petignat, Geneva

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