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blinkvideo - research of video art, performance and multimedia installations.

For artists we provide a platform for extensive presentation of media works, gallerists get a direct contact to international professional audiences, collectors find a worldwide overview of contemporary trends in moving image, curators can do research via keywords and compilations, teachers use presentation opportunities for students and all professionals get password protected, extensive information about video works worldwide.

Nadja Verena Marcin - OPHELIA
Stadtgalerie in Saarbrücken, Germany. 2019

OPHELIA is an interdisciplinary performance that is presented in the Stadtgalerie Saarbrücken as a live action and subsequently as a video installation. It reflects the human-induced destruction of nature and creates references to art, literature and science. Dressed in "Ophelia's" dress and equipped with a diving device, Nadja Verena Marcin will climb into an aquarium and try under water to read the text "The Werld" by Daniil Kharms about human perception.
Image: © Nadja Verena Marcin

Igor Simić - WELTSCHMERZ 
at Galerie Beckers, Frankfurt

The exhibition WELTSCHMERZ shows new works by Serbian artist Igor Simic, which he created in connection with his iOS game Golf Club: Wasteland. For this game he and his award-winning gaming and film company Demagog Studio developed a whole world — a storyline with characters and various landscapes — in a post-apocalyptic scenario. The eerie atmosphere of the carefully crafted visual scenery is accompanied by slow paced, nostalgic, sometimes almost chilling music that evokes the feeling of longing for something lost.
Image: © Igor Simić

Fuzzy dark spot
Video art from Hamburg

The exhibition FUZZY DARK SPOT curated by the Hamburg-based video artist Wolfgang Oelze, at the Falckenberg Collection brings together 56 video works by over 30 mostly Hamburg-based artists ranging from the 1970s to the present day, featuring historical and contemporary productions in both thematic and monographic groups.
image: © Stefan Panhans

REFRACTED REALITIES at VIDEONALE.17

In optics, “refraction” refers to the bending of a beam of light, a change in direction which occurs at the moment when it passes from one medium to another. Through refraction, the light wave alters course, changing the way we perceive the objects it illuminates in the process. This optical deviation requires us to repeatedly correct our gaze, comparing the beginning and end points of our perception with reality, and bringing the object we see clearly into focus. In its figurative sense, refraction refers to a critical reflection on the means and channels of visualization, and by extension the possibility of a rearticulation of our view of things – how they are, were, or apparently always have been.
Image: © Sohrab Hura

Featured videos

Critics’ Pick: Vienna by Nicole Büsing + Heiko Klaas

The group show “Antarctica. An Exhibition on Alienation” was presented in Vienna during the past winter season. Departing from a note written by the Italian cult director Michelangelo Antonioni referring to a potential glacier melting in the Antarctica and a hint to a film, the two curators from the Kunsthalle Wien, Vanessa Joan Müller and Nicolaus Schafhausen, conceived an exhibition on the topic of alienation and contemporary art. The focus was on the latest contemporary photography and video art by the younger generation of artists.
Image: © Isabella Fürnkäs

Expanding Bauhaus.
New Reflections on the Bauhaus Movement in Time-Based Media Art
/ Goethe Institute Netherlands

A screening series selected by Elke Kania (Cologne), Julia Sökeland (Hamburg) and Ludwig Seyfarth (Berlin)

With its combination of various arts such as painting, photography film, architecture, fashion, product and interior design and textile art, the Bauhaus is still considered the epitome of a technologically advanced modernity. Last but not least, the attempt to create the whole society aesthetically, inspired many artists worldwide.
Image: © Adnan Softic

Johan Grimonprez

Johan Grimonprez’s critically acclaimed work dances on the borders of practice and theory, art and cinema, documentary and fiction, demanding a double take on the part of the viewer. Informed by an archeology of present-day media, his work seeks out the tension between the intimate and the bigger picture of globalization. It questions our contemporary sublime, one framed by a fear industry that has infected political and social dialogue. By suggesting new narratives through which to tell a story, his work emphasizes a multiplicity of realities.
image: © Johan Griminprez

Christoph Faulhaber: Revolution & Architecture

With "Revolution & Architecture" Christoph Faulhaber (* 1972 in Osnabrück, lives in Hamburg) conceives, builds, designs and opens a whole series of very different rooms in the Kunsthalle Osnabrück. In order to discover the revolutionary aspect of these "architectures", one has to look at the social implications of interior design in general. In the forum the visitor then enters Faulhaber's cinematic autobiography "Every Picture is an Empty Picture" as in the eye of the cyclone: The work is split into 15 individual films and surrounds the visitor in a circle.
Image: © Christoph Faulhaber

Stiftung imai – inter media art institute

The Düsseldorf based foundation imai – inter media art institute was founded in 2006 in order to establish an institution in Germany dedicated to the distribution and preservation of media art and associated activities.
Image: © Marcel Odenbach

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blinkvideo is a website for the research of video art. Founders: Julia Sökeland, Anita Beckers. blinkvideo ist eine Plattform zur Recherche nach Videokunst

Yelena Popova

Works


Galleries

Philipp von Rosen Galerie
Philipp von Rosen
Aachener Straße 65
50674 Aachen
Germany

Phone: +49 221 27056840
E-Mail: info@philippvonrosen.com




Biography

Education

2009 - 2011 MA Painting, Royal College of Art (RCA), London.

1995 - 2000 BA Set-design & Technology, Moscow Art Theatre School (MHAT), Moscow, Russia.


Solo exhibitions

2013

Solo Show at Jalima Collection, Dusseldorf, Germany

‘Unsoluble Moments’, Knoll Gallery, part of ‘Why Painting Now’, Vienna, Austria

‘The Portrait Gallery’, Harley Gallery, Welbeck Abbey, Nottinghamshire

‘Lobachevsky’s Dream’, Bureau Gallery, Manchester

‘Nameless Nobles’, NN Gallery, Northampton

New Positions, Art Cologne, with Figge von Rosen Gallery

‘The Portrait Gallery’, Cole Gallery, London


2012

‘Portrait Gallery Withdrawn’ part of ‘Abstract Possible’, East Side Projects, Birmingham

‘Olympic Throw’, Zabludowicz Collection ‘Invites’, London

‘Unnamed’, Figge von Rosen Gallery, Berlin

Yelena Popova and Granddad Hill, Trade Gallery, Nottingham


Selected group exhibitions

2014

‘Infinite City’ , Zabludowicz collection, London

‘The Other Side’, Garage project space, Moscow, curated by Snejana Krasteva


2013

Group show, Regina Gallery, Moscow

‘Infinite City’, CCA Wattis Institute for Contemporary Arts, San Francisco, USA

Exchange Project, APT Gallery, London; curated by Claire Undy

‘Like a Monkey with a Miniature Cymbal’, Aid & Abet , Cambridge,

‘The Futures of the Past’: Kunst Raum Riehen, Basel, Switzerland, curated by Heidi Brunschweiler

Group show, Nicodim Gallery, Los Angeles, USA


2012

‘Gaiety is the most outstanding feature of the Soviet Union,’ Saatchi Gallery, London

The Perfect Place To Grow: 175 Years of the Royal College of Art, RCA London

Selma Parlour/ Yelena Popova, Horton Gallery, New York

'Twofold': Gregor Hylla/ Yelena Popova, Outpost Gallery, Norfolk and Norwich Festival

The Red Mansion Art Prize Winners Exhibition 2011/2012, Royal Academy, London

‘Joyful Archipelago’, Yinka Shonibare’s Guest Projects, London


2011

‘New Sensations’, Victoria House, London.

‘Bloomberg New Contemporaries’, at S1 Artspace & Site Gallery, Sheffield; and ICA, London.

‘The Bookmark Project’ The Study at Nottingham Contemporary, curated by Yelena Popova.

‘Keep Doors & Passages Clear’, White Columns Gallery, New York, curated by Tom Godfrey.

‘Tracing Shadows in the Dark’, Blyth Gallery, Imperial College, London.


2010

‘Ztime’, Era Foundation, Young Artists Biennale Moscow, Russia, curated by Anna Buivid.

‘Oasis’, Bury St Edmunds Art Gallery, Bury St Edmunds, curated by Catherine Hemelryk.


2009

‘Indoor Life’, Walden Affairs, Den Haag, Holland, curated by Tom Godfrey.

‘Pan-Demonian’, Art Currencies Institute, New York, USA, curated by Gillian Whitely.


Awards

2013

Shortlisted for The Arts Foundation Awards 2014: Painting

2011

The Outset Prize, The Parallel Prize and The Red Mansion Prize

2010

RCA Oberon Award / Second prize, judged by Peter Blake


Collections

RCA Collection, Saatchi Collection, Zabludowicz Collection, Nottingham Castle Collection

Yelena Popova
Education 2009 - 2011 MA Painting, Royal College of Art (RCA), London. 1995 - 2000 BA Set-design & Technology, Moscow Art Theatre School (MHAT), Moscow, Russia. Solo exhibitions 2013 Solo Show at Jalima Collection, Dusseldorf, Germany ‘Unsoluble Moments’, Knoll Gallery, part of ‘Why Painting Now’, Vienna, Austria ‘The Portrait Gallery’, Harley Gallery, Welbeck Abbey, Nottinghamshire ‘Lobachevsky’s Dream’, Bureau Gallery, Manchester ‘Nameless Nobles’, NN Gallery, Northampton New Positions, Art Cologne, with Figge von Rosen Gallery ‘The Portrait Gallery’, Cole Gallery, London 2012 ‘Portrait Gallery Withdrawn’ part of ‘Abstract Possible’, East Side Projects, Birmingham ‘Olympic Throw’, Zabludowicz Collection ‘Invites’, London ‘Unnamed’, Figge von Rosen Gallery, Berlin Yelena Popova and Granddad Hill, Trade Gallery, Nottingham Selected group exhibitions 2014 ‘Infinite City’ , Zabludowicz collection, London ‘The Other Side’, Garage project space, Moscow, curated by Snejana Krasteva 2013 Group show, Regina Gallery, Moscow ‘Infinite City’, CCA Wattis Institute for Contemporary Arts, San Francisco, USA Exchange Project, APT Gallery, London; curated by Claire Undy ‘Like a Monkey with a Miniature Cymbal’, Aid & Abet , Cambridge, ‘The Futures of the Past’: Kunst Raum Riehen, Basel, Switzerland, curated by Heidi Brunschweiler Group show, Nicodim Gallery, Los Angeles, USA 2012 ‘Gaiety is the most outstanding feature of the Soviet Union,’ Saatchi Gallery, London The Perfect Place To Grow: 175 Years of the Royal College of Art, RCA London Selma Parlour/ Yelena Popova, Horton Gallery, New York 'Twofold': Gregor Hylla/ Yelena Popova, Outpost Gallery, Norfolk and Norwich Festival The Red Mansion Art Prize Winners Exhibition 2011/2012, Royal Academy, London ‘Joyful Archipelago’, Yinka Shonibare’s Guest Projects, London 2011 ‘New Sensations’, Victoria House, London. ‘Bloomberg New Contemporaries’, at S1 Artspace & Site Gallery, Sheffield; and ICA, London. ‘The Bookmark Project’ The Study at Nottingham Contemporary, curated by Yelena Popova. ‘Keep Doors & Passages Clear’, White Columns Gallery, New York, curated by Tom Godfrey. ‘Tracing Shadows in the Dark’, Blyth Gallery, Imperial College, London. 2010 ‘Ztime’, Era Foundation, Young Artists Biennale Moscow, Russia, curated by Anna Buivid. ‘Oasis’, Bury St Edmunds Art Gallery, Bury St Edmunds, curated by Catherine Hemelryk. 2009 ‘Indoor Life’, Walden Affairs, Den Haag, Holland, curated by Tom Godfrey. ‘Pan-Demonian’, Art Currencies Institute, New York, USA, curated by Gillian Whitely. Awards 2013 Shortlisted for The Arts Foundation Awards 2014: Painting 2011 The Outset Prize, The Parallel Prize and The Red Mansion Prize 2010 RCA Oberon Award / Second prize, judged by Peter Blake Collections RCA Collection, Saatchi Collection, Zabludowicz Collection, Nottingham Castle Collection

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