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blinkvideo - research of video art, performance and multimedia installations.

blinkvideo - research of video art, performance and multimedia installations.


blinkvideo the platform for . . .

artists we provide a platform for extensive presentation of media works, gallerists get a direct contact to international professional audiences, collectors find a worldwide overview of contemporary trends in moving image, curators can do research via keywords and compilations, teachers use presentation opportunities for students and all professionals get password protected, extensive information about video works worldwide.

Turning Points / extensional works

Under the title Turning Points, the Kunsthalle Gießen presents selected works from the Collection von Kelterborn, whose focus lies in politically charged and socially critical works by internationally renowned artists. Against the background of digitalisation and globalisation, the works shown reflect our present day as it is marked by numerous upheavals. In this regard there is a strong focus is on video art.

On blinkvideo we show extensional works like the documentary films of Teboho Edkins and background videos as the City Film West Berlin of The Tödliche Doris.
image: © Teboho Edkins

UNSTILLED LIFE: Artist Animations 1980-2020
Curated by Emma Cousin and Paul Carey-Kent

Why this show, here and now? British artist-curator Emma Cousin and writer-curator Paul Carey-Kent recently pulled together a choice of artist animations, thinking that the increasingly vibrant medium is especially suited to the online emphasis of the locked down art world of 2020. Three of them turned out to be represented by Ron Mandos, making the Amsterdam gallery ideal hosts. The cast is international, and to reflect that Tintype gallery in London and Hamburg’s blinkvideo have joined in with variations on the programme. 
Markus Vater Worlds don’t come easy, 2020

Something Between Us
KAI 10 | ARTHENA FOUNDATION, Düsseldorf

The exhibition „Something Between Us“ focuses on both our contemporary lives and the anthropological constants of interpersonal dealings: love, empathy, security, care and safety on the one hand, and hate, role fixation, dependency, reprimand and exclusion on the other. Something Between Us asks how these structures of togetherness are changing in our digital era.
Thomas Taube OCCIDENT, 2020

REFRACTED REALITIES at VIDEONALE.17

In optics, “refraction” refers to the bending of a beam of light, a change in direction which occurs at the moment when it passes from one medium to another. Through refraction, the light wave alters course, changing the way we perceive the objects it illuminates in the process. This optical deviation requires us to repeatedly correct our gaze, comparing the beginning and end points of our perception with reality, and bringing the object we see clearly into focus. In its figurative sense, refraction refers to a critical reflection on the means and channels of visualization, and by extension the possibility of a rearticulation of our view of things – how they are, were, or apparently always have been.
Image: © Sohrab Hura

NEW: Favorites curated by blinkvideo users

What do you like? Over the next few months, we will be showing here selections of works, compiled by you, as a blinkvideo user.

Stefano Miraglia: Hey Blinkvideo members! Here are my eight "must watch" films and videos. Happy to find in this catalogue some of the works that got me interested in artists' moving image when I was a student! (Guillaume Leblon! Daniel Steegmann Mangrané! Marylène Negro!).

Do you have any favorites on blinkvideo ? Or would you like to focus attention on some video works? Or would you like to compile and show videos on a specific topic? You can do so with the new tool on blinkvideo.
Create a favorites list as follows: When you're logged in, a little sign "add to favorite list" will appear below each video. With the click on it, you add the film to your favorites list. When you have collected all the works, open your favorites list and you can share the list with blinkvideo. We will then receive a message and put the compilation online.
We are very curious about your selection!

Critics’ Pick: Vienna by Nicole Büsing + Heiko Klaas

The group show “Antarctica. An Exhibition on Alienation” was presented in Vienna during the past winter season. Departing from a note written by the Italian cult director Michelangelo Antonioni referring to a potential glacier melting in the Antarctica and a hint to a film, the two curators from the Kunsthalle Wien, Vanessa Joan Müller and Nicolaus Schafhausen, conceived an exhibition on the topic of alienation and contemporary art. The focus was on the latest contemporary photography and video art by the younger generation of artists.
Image: © Isabella Fürnkäs

Expanding Bauhaus.
New Reflections on the Bauhaus Movement in Time-Based Media Art / Goethe Institute Netherlands

A screening series selected by Elke Kania (Cologne), Julia Sökeland (Hamburg) and Ludwig Seyfarth (Berlin)

With its combination of various arts such as painting, photography film, architecture, fashion, product and interior design and textile art, the Bauhaus is still considered the epitome of a technologically advanced modernity. Last but not least, the attempt to create the whole society aesthetically, inspired many artists worldwide.
Image: © Adnan Softic

Johan Grimonprez

Johan Grimonprez’s critically acclaimed work dances on the borders of practice and theory, art and cinema, documentary and fiction, demanding a double take on the part of the viewer. Informed by an archeology of present-day media, his work seeks out the tension between the intimate and the bigger picture of globalization. It questions our contemporary sublime, one framed by a fear industry that has infected political and social dialogue. By suggesting new narratives through which to tell a story, his work emphasizes a multiplicity of realities.
image: © Johan Griminprez

Christoph Faulhaber: Revolution & Architecture

With "Revolution & Architecture" Christoph Faulhaber (* 1972 in Osnabrück, lives in Hamburg) conceives, builds, designs and opens a whole series of very different rooms in the Kunsthalle Osnabrück. In order to discover the revolutionary aspect of these "architectures", one has to look at the social implications of interior design in general. In the forum the visitor then enters Faulhaber's cinematic autobiography "Every Picture is an Empty Picture" as in the eye of the cyclone: The work is split into 15 individual films and surrounds the visitor in a circle.
Image: © Christoph Faulhaber

Stiftung imai – inter media art institute

The Düsseldorf based foundation imai – inter media art institute was founded in 2006 in order to establish an institution in Germany dedicated to the distribution and preservation of media art and associated activities.
Image: © Marcel Odenbach

Featured videos

Federico Adorno
La estancia, 2014

Federico Adorno’s film La estancia was awarded the Grand Prize of the City of Oberhausen at this year’s International Short Film Festival Oberhausen. In its statement the jury said: “Through a succession of subtly constructed tableaux, this powerful film is a profound critique of systematic oppression. Instigated by a massacre amidst a land-rights conflict in Paraguay, this haunting work transcends the local context to voice the struggle for essential freedoms.”Many years ago, while he was working at the Swiss NGO “Helvetas Paraguay”, Adorno travelled long distances into the countryside to film short documentaries with peasants, whom he taught how to use a camera and write short stories, which they then shot together. His last two short films are about land rights and property, and how the extensive ownership of land by just a few landowners gives rise to serious conflicts and problems in rural communities. Isla Alta is about the tensions that surround a community when a wealthy rancher goes missing; La estancia depicts the aftermath of a massacre and is based on true events that happened in Paraguay in 2012.

Tobias Yves Zintel
Breed and Educate, 2018

The Film Breed and Educate is based on a collaborative performance with a class from the Hector-Peterson-Schule Berlin Kreuzberg and the HAU. In numerous task based rehearsals eight pupils between 11 and 13 years explored the possibilties of self-education. Based on various materials from found footage to documentary and staged scenes the film circles around the relationship of controlling and self-empowerment in educational systems. Breed and Educate is circling around the question of how lessons should be organised in times of network and algorthim-based learning. Algorithms and neuronal networks have to master problems only once, after they achieved their goal, results can be duplicated and copied any number of times. Kids on the other hand side have to learn everything step by step, the accumulated knowlede can’t be transfered from on kid to the other by „copy and paste“. An allopoetic system is a trivial system, which can be potentially fully explored, controlled and operated by an observer. With a similar theory in mind, the Prussians started to organise schooling in 1717, to prepare pupils for the Prussian Military Academy. What happens almost 300 years later in a school in Berlin, when the relationship between control and self-empowerment is inverted by postmigrant pupils who breed robots, are educated by them and vice versa? “ In Breed and Educate an automated dionsaur is introduced by a twelfe year old boy: “It’s easily trainable”. While he explains the mode of operation, one sees the parallels: the school wouldn’t have any problems with pupils equipped with a suitable operating system downloaded from the internet. Sounds like an uncanny utopia.” (Katrin Bettina Müller)

Lene Markusen
Grad, 2004

Dieter Kiessling
60 Minutes 360 Degrees GK 2010, 2010

A boy is portrayed with a video camera for an hour on a tennis court.During this time the camera turns through 360 degrees. Meanwhile, the whole space is recorded piece by piece. The boy follows the camera movement slowly thus remaining constantly in the centre of the picture.

Clemens von Wedemeyer
Silberhöhe, 2003

In Halle-Silberhöhe in East Germany, the camera records peri-urban area architecture, prefabricated buildings that are deserted and destined to be demolished. The commentary evokes a film editing technique used by Michelangelo Antonioni in his film, L’Eclisse (1962).

Janet Biggs
Fade to White, 2010

In Fade to White, Biggs delves into the desire to explore remote lands. To create this work, the artist embarked on an expedition in the high Arctic, traveling aboard an ice-class, 2-masted schooner, built in 1910. During the voyage, Biggs filmed Fade to White, focusing on a crew member as he navigated the ship through iceberg filled seas, and paddled a kayak past glacier walls and polar bears. As she photographed the explorer, Biggs tested her own will and endurance. The visual tension of her uncompromising imagery bespeaks their mutual struggle to maintain balance and purpose. Yet, the video also reveals the myth of the solitary white male explorer. Biggs explains, "The desire to hold onto the notion of the 'great white north' as a blank space awaiting interpretation only reinforces the idea of the colonial polar hero. The 'virgin' north has now been mapped, surveyed, and mined, but increased knowledge has not replaced endless fantasies of discovery." Loss and change are implicit in the video's title, Fade to White, which refers to an editing technique used to evoke death or transcendence. Biggs integrated her Arctic imagery with sound and video footage of counter tenor John Kelly, whose age, androgyny, and mournful voice parallel the vanishing Arctic landscape and signal the waning of male dominance.

Rebecca Ann Tess
The Tallest, 2014

The »The Tallest« shows pictures shot on-site of the currently tallest buildings in the world. The high-rises are shown as set pieces of global capitalism, visually disappearing into abstraction. The reduced images are reminding of 3D rendering. The simulated image of these buildings circulates in the media for representational and advertising purposes, becomes a substantial object and the actual spatiality becomes a mockup. The narration is undertaken by a computer voice, it describes the competition for the tallest tower at such divers places as Chicago, Dubai, Hong Kong, Kuala Lumpur, Mecca, Nanjing, New York City, Seoul, Shanghai, Shenzhen, Songdo and Taipei.

Johanna Reich
LIGHT ON BLACK ON WHITEHOMAGE TO MALEVICH, 2015

A moving digital light drawing illuminates a white wall. A hand painting a black square on the white surface becomes visible. At the same time the light drawing is painting a light square. In the end the light of the digital light square illuminates the finished black oil painting.

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blinkvideo is a website for the research of video art. Founders: Julia Sökeland, Anita Beckers. blinkvideo ist eine Plattform zur Recherche nach Videokunst

Clément Cogitore

Works


Galleries

for further information contact blinkvideo
Germany

Phone: +49 40 22748986
E-Mail: info@blinkvideo.de




Statement

« Clément Cogitore has a preference for the night (...) but also its metaphors (that of sleep and madness, that of the darkness of history, both collective and personal), whose meaning is never completely revealed to us and that is shown in a fragmentary or enigmatic fashion, glimmers piercing the shadow like so many flashes of meaning: no explanation, only the narratives or tableaux laden with a meaning by turns dreamlike and mystical.


It is in this way that these chronicles, whose invisible narrator Cogitore becomes, take on an irreal coloring that the artificial lighting with which they are bathed to escape, almost imperceptibly, their document destiny and to ultimately reveal their load of strangeness, accentuates: made of ellipses, enigmas, semi-narrative open forms oscillating without being able to decide between documentary and fiction, they are, like dream narratives, incomplete and partial.


Like the image of the dream, the image of the film is not the image of what it shows: it is not a reproduction instrument, but one of transformation and displacement.»


Philippe-Alain Michaud


Philippe-Alain Michaud is an art historian and curator at the Centre Georges Pomidou-Musée national d’art moderne.


Biography

born 1983 in Colmar

Education

2006-2008 Post-diplôme au Fresnoy-Studio national des arts contemporains – Tourcoing
2006 Diplôme National Supérieur d’Expression Plastique avec les félicitations du jury – ESAD Strasbourg
2004 Diplôme National d’Arts Plastiques avec les félicitations du jury – ESAD Strasbourg

Solo shows

2017
Parmis nous - Solo show - Centre Georges Pompidou - Paris Curator : Christine Macel (upcoming)
Braguino - Le BAL - Paris - Curators: Léa Bismuth et Diane Dufour (upcoming)
Exposition personnelle - Galerie Eva Hober - Paris (upcoming)

2016
L’intervalle de résonance – Palais de Tokyo - Paris - Curator : Daria de Beauvais
Ni le ciel ni la terre – Galerie Reinhard Hauff – Stuttgart

2015
Digital Desert – Galerie Whiteproject – Paris

2014
Fictions – Musée d’art moderne et contemporain de Strasbourg – Curator : Estelle Pietrzyck
Visions, Centre européen d’actions artistiques contemporaines – Strasbourg
Rumeurs – Galerie White Project – Paris

2013
Clément Cogitore : Fotografien – Institut français Stuttgart

2012
Rondes de Nuit – Galerie Whiteproject – Paris

2011
Un archipel – Module-Palais de Tokyo – Paris – Curator : Daria de Beauvais
Angelu(s)x – Galerie Saint-Séverin – Paris

Group shows, screenings, (selection)

2016
New directors, new films - MOMA - New York
Paris : 18ème Prix de la fondation d’entreprise Ricard - Curator : Isabelle Cornaro - Paris
Dépenses - LaBanque - Béthune - Curator : Léa Bismuth
Une seule larme peut éteindre l’enfer – Galerie Eva Hober – Paris

2015
Le Fresnoy, Mémoire de l’imagination - Bibliothèque Nationale de France – Paris - Curator : Julien Farenc
Festival de Cannes - Semaine de la critique

2014
Blue Movie – Galerie Eva Hober – Paris
Pièces montrées, 30 ans des FRAC – Frac Alsace – Curator : Olivier Grasser, Roland Recht
Is it yours ? – Museum Baerengasse – Zürich - Curator : Damian Jurt, Dorothée Richter
32° Torino international film festival – Turin – Sélection officielle
43° International festival Cervantino Festival – Mexico – Sélection officielle

2013
Vidéo_Dumbo – Eyebeam – Art+Technology Center – New-York - Curator : Caspar Stracke, Gabriela Monroy
Un nouveau festival: Book Machine – Centre Georges Pompidou – Paris - Curator : Bernard Blistène, Patrick Javault
Passeurs – Galerie Whiteprojects/Galerie Odile Ouizeman – Paris
Paysages intimes – Villa Kier Thossane – Dakar - Curator : Younes Baba-Ali
Kino der Kunst – Film Festival – Munich
Cinemart – International film festival – Rotterdam

2012
Teatro delle esposizione – Villa Medicis – Curator : Alessandro Rabottini
34° Festival international du court-métrage – Clermont-Ferrand – Sélection officielle
Human Right Film Festival – Barcelona – Sélection officielle
29° Kassel international documentary film festival – Kassel – Sélection officielle
Nuit Blanche, Palais de Tokyo, Paris

2011
Quinzaine des réalisateurs/Director’s Fortnight – 64° Festival international du film de Cannes
Other French loves – Museum of fine arts – Boston – Curator : Liz Munsell
Biennale de la jeune création européenne – Montrouge, Geneva, Hamburg, Amarante - Curator : Andrea Ponsini
Rencontres internationales du documentaire de Montréal – Sélection officielle
56° Salon de Montrouge – Panorama de la jeune création – Curator : Stéphane Corréard
Filmwinter – Stuttgart International film festival

2010
Rencontres internationales Paris/Berlin/Madrid – Centre Pompidou – Paris - Curator : Jean-François Rettig, Nathalie Hénon
Regionale 11 – Kunsthaus Baselland – Bâle – Curator : Eric Hattan
Au travers – Kulturwerk T66 – Freiburg – Curator : Florian Tiedje, Marie Prunier
Nature and Lanscape – Biennale de Casablanca – Curator : Mohammed Rachdi
Nuit des musées – Musée de la chasse et de la nature – Paris

2009
Nuit blanche – Espacio Tangente – Burgos
Institut culturel français - Tokyo
International video art festival – Athènes
Proyector – 2° Semana de videoarte international – Espace Menos Uno – Madrid
Rendez vous franco-allemand du film court – Musée d’art moderne et contemporain – Strasbourg

2008
Dans la nuit des images – Grand Palais – Paris – Curator : Alain Fleischer
Panorama 9/10 – Le Fresnoy-Studio national des arts contemporains – Tourcoing - Curator : Bernard Blistène
Temps d’images – Ferme du Buisson – Scène nationale de Marne la Vallée – Curator : José-M Goncalves
Festival international du film – Vendôme
Dérives – Cinémathèque française – Paris

2007
8° International biennal of video and cinema – Santiago
Rencontres internationales Paris-Berlin – Musée du jeu de Paume – Paris
Cinémathèque Québecoise – Montréal
Mirages et désirs – Festival international d’art contemporain d’Izmir

2006
Carte blanche au GREC – Centre Georges Pompidou – Paris
Entrevues – Festival international du film de Belfort
16° Festival international du film – Vendôme
3° Rendez-vous franco-allemand du film court – Musée d’art moderne et contemporain – Strasbourg

Awards and nominations

2016
18TH award Fondation d’entreprise Ricard - Paris
Sciences Po Award for Contemporary Art - Paris
2015
Nomination Salomon Foundation Award For Contemporary Art - New-York
Bal Award for photography - Paris
2012/2013
French Academy Residency Award – Villa Médicis
2014
National Foundation for Contemporary Art (FNAGP) Award - Paris
Nomination Audi Talents Award - Paris
2012/2014
Nomination Sam Art projects Award
2014
Nomination Prix Arte for Contemporary Art
2012
Foundation Beaumarchais Award – SACD – Paris (short film)
Best cinematography award – Lucania International film festival
2011
Grand prize of salon de Montrouge – 56° Salon de Montrouge
Best Film Award – International film festival Belo Horizonte
2010
European First Film Award– Foundation Vevey
FIDLAB Award – Marseille International Film Festival
Special experimentation award – FESANCOR – International film festival Santiago
2007
Jury’s awards – Vendôme International Film Festival
Best photography Award – International student film festival – Belgrade
2006
Grand Prize (Special Mention) – Festival «Entrevues» – Belfort
Award of centre des écritures cinématographiques – Ecrans documentaires – Arcueil

Public collection

Centre Georges Pompidou, Paris
Musée d’art moderne et contemporain de Strasbourg
MAC VAL, Musée d’art contemporain du Val-de-Marne, Vitry-sur-Seine
Fonds Municipal d’Art Contemporain, Paris
Fonds National d’Art Contemporain, Paris
FRAC Alsace, Sélestat

Clément Cogitore
born 1983 in Colmar Education 2006-2008 Post-diplôme au Fresnoy-Studio national des arts contemporains – Tourcoing 2006 Diplôme National Supérieur d’Expression Plastique avec les félicitations du jury – ESAD Strasbourg 2004 Diplôme National d’Arts Plastiques avec les félicitations du jury – ESAD Strasbourg Solo shows 2017 Parmis nous - Solo show - Centre Georges Pompidou - Paris Curator : Christine Macel (upcoming) Braguino - Le BAL - Paris - Curators: Léa Bismuth et Diane Dufour (upcoming) Exposition personnelle - Galerie Eva Hober - Paris (upcoming) 2016 L’intervalle de résonance – Palais de Tokyo - Paris - Curator : Daria de Beauvais Ni le ciel ni la terre – Galerie Reinhard Hauff – Stuttgart 2015 Digital Desert – Galerie Whiteproject – Paris 2014 Fictions – Musée d’art moderne et contemporain de Strasbourg – Curator : Estelle Pietrzyck Visions, Centre européen d’actions artistiques contemporaines – Strasbourg Rumeurs – Galerie White Project – Paris 2013 Clément Cogitore : Fotografien – Institut français Stuttgart 2012 Rondes de Nuit – Galerie Whiteproject – Paris 2011 Un archipel – Module-Palais de Tokyo – Paris – Curator : Daria de Beauvais Angelu(s)x – Galerie Saint-Séverin – Paris Group shows, screenings, (selection) 2016 New directors, new films - MOMA - New York Paris : 18ème Prix de la fondation d’entreprise Ricard - Curator : Isabelle Cornaro - Paris Dépenses - LaBanque - Béthune - Curator : Léa Bismuth Une seule larme peut éteindre l’enfer – Galerie Eva Hober – Paris 2015 Le Fresnoy, Mémoire de l’imagination - Bibliothèque Nationale de France – Paris - Curator : Julien Farenc Festival de Cannes - Semaine de la critique 2014 Blue Movie – Galerie Eva Hober – Paris Pièces montrées, 30 ans des FRAC – Frac Alsace – Curator : Olivier Grasser, Roland Recht Is it yours ? – Museum Baerengasse – Zürich - Curator : Damian Jurt, Dorothée Richter 32° Torino international film festival – Turin – Sélection officielle 43° International festival Cervantino Festival – Mexico – Sélection officielle 2013 Vidéo_Dumbo – Eyebeam – Art+Technology Center – New-York - Curator : Caspar Stracke, Gabriela Monroy Un nouveau festival: Book Machine – Centre Georges Pompidou – Paris - Curator : Bernard Blistène, Patrick Javault Passeurs – Galerie Whiteprojects/Galerie Odile Ouizeman – Paris Paysages intimes – Villa Kier Thossane – Dakar - Curator : Younes Baba-Ali Kino der Kunst – Film Festival – Munich Cinemart – International film festival – Rotterdam 2012 Teatro delle esposizione – Villa Medicis – Curator : Alessandro Rabottini 34° Festival international du court-métrage – Clermont-Ferrand – Sélection officielle Human Right Film Festival – Barcelona – Sélection officielle 29° Kassel international documentary film festival – Kassel – Sélection officielle Nuit Blanche, Palais de Tokyo, Paris 2011 Quinzaine des réalisateurs/Director’s Fortnight – 64° Festival international du film de Cannes Other French loves – Museum of fine arts – Boston – Curator : Liz Munsell Biennale de la jeune création européenne – Montrouge, Geneva, Hamburg, Amarante - Curator : Andrea Ponsini Rencontres internationales du documentaire de Montréal – Sélection officielle 56° Salon de Montrouge – Panorama de la jeune création – Curator : Stéphane Corréard Filmwinter – Stuttgart International film festival 2010 Rencontres internationales Paris/Berlin/Madrid – Centre Pompidou – Paris - Curator : Jean-François Rettig, Nathalie Hénon Regionale 11 – Kunsthaus Baselland – Bâle – Curator : Eric Hattan Au travers – Kulturwerk T66 – Freiburg – Curator : Florian Tiedje, Marie Prunier Nature and Lanscape – Biennale de Casablanca – Curator : Mohammed Rachdi Nuit des musées – Musée de la chasse et de la nature – Paris 2009 Nuit blanche – Espacio Tangente – Burgos Institut culturel français - Tokyo International video art festival – Athènes Proyector – 2° Semana de videoarte international – Espace Menos Uno – Madrid Rendez vous franco-allemand du film court – Musée d’art moderne et contemporain – Strasbourg 2008 Dans la nuit des images – Grand Palais – Paris – Curator : Alain Fleischer Panorama 9/10 – Le Fresnoy-Studio national des arts contemporains – Tourcoing - Curator : Bernard Blistène Temps d’images – Ferme du Buisson – Scène nationale de Marne la Vallée – Curator : José-M Goncalves Festival international du film – Vendôme Dérives – Cinémathèque française – Paris 2007 8° International biennal of video and cinema – Santiago Rencontres internationales Paris-Berlin – Musée du jeu de Paume – Paris Cinémathèque Québecoise – Montréal Mirages et désirs – Festival international d’art contemporain d’Izmir 2006 Carte blanche au GREC – Centre Georges Pompidou – Paris Entrevues – Festival international du film de Belfort 16° Festival international du film – Vendôme 3° Rendez-vous franco-allemand du film court – Musée d’art moderne et contemporain – Strasbourg Awards and nominations 2016 18TH award Fondation d’entreprise Ricard - Paris Sciences Po Award for Contemporary Art - Paris 2015 Nomination Salomon Foundation Award For Contemporary Art - New-York Bal Award for photography - Paris 2012/2013 French Academy Residency Award – Villa Médicis 2014 National Foundation for Contemporary Art (FNAGP) Award - Paris Nomination Audi Talents Award - Paris 2012/2014 Nomination Sam Art projects Award 2014 Nomination Prix Arte for Contemporary Art 2012 Foundation Beaumarchais Award – SACD – Paris (short film) Best cinematography award – Lucania International film festival 2011 Grand prize of salon de Montrouge – 56° Salon de Montrouge Best Film Award – International film festival Belo Horizonte 2010 European First Film Award– Foundation Vevey FIDLAB Award – Marseille International Film Festival Special experimentation award – FESANCOR – International film festival Santiago 2007 Jury’s awards – Vendôme International Film Festival Best photography Award – International student film festival – Belgrade 2006 Grand Prize (Special Mention) – Festival «Entrevues» – Belfort Award of centre des écritures cinématographiques – Ecrans documentaires – Arcueil Public collection Centre Georges Pompidou, Paris Musée d’art moderne et contemporain de Strasbourg MAC VAL, Musée d’art contemporain du Val-de-Marne, Vitry-sur-Seine Fonds Municipal d’Art Contemporain, Paris Fonds National d’Art Contemporain, Paris FRAC Alsace, Sélestat

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