This website uses cookies to analyze the traffic
Information on the use of our website is therefore transferred to Google.

Accept

blinkvideo - research of video art, performance and multimedia installations.

blinkvideo - research of video art, performance and multimedia installations.

blinkvideo the platform for . . .

artists we provide a platform for extensive presentation of media works, gallerists get a direct contact to international professional audiences, collectors find a worldwide overview of contemporary trends in moving image, curators can do research via keywords and compilations, teachers use presentation opportunities for students and all professionals get password protected, extensive information about video works worldwide.

FLUID STATES. SOLID MATTER
Videonale 18.

On what basis do we live, think and act nowadays? And how are we shaping this basis for the future? The works of the exhibition FLUID STATES. SOLID MATTER open a discourse on these questions. How does our thinking of the relationship of human beings to their environment change when we no longer see the body as solid and autonomous - as it has been the case until now - but as fluid. As fluid bodies - or "Bodies of Water", as gender researcher Astrida Neimanis puts it -
we as human beings no longer stand above nature, but in interaction with it, with the living being, with the systems that surround us.
Image: © Ida Kammerloch, Resusci Anne, 2019/2020

Alexandra Meijer-Werner

Between 1993 and 2002 Alexandra Meijer-Werner's artistic work focused on creating video installations with multiple projectors, and combining sound, texture and interaction with the public. She also produced a number of documentaries which evidence her profound interest in personal transformation and the awakening of human consciousness.

Please have a look to an introduction of her work on blinkvideo.
Image: © Eugenia Meijer-Werner

Moving Images / Moving Bodies
Online screening programme in cooperation
with the Goethe-Institut Bulgaria

Curated by Ludwig Seyfarth

Research into the human body and interpersonal relationships remain central themes in video and moving image art. Artists from Bulgaria and Germany, whose work is related in content, will be shown in pairs over the next weeks. The exhibition planned for November 2020 in Sofia has been postponed until 2021. Instead, a consecutive presentation of selected films by artists from Moving Bodies/Moving Images is presented on blinkvideo.
image: © Elitsa Dimitrova

Shooting Ghosts
Online screening programme in cooperation
with the Goethe-Institut Bulgaria

Curators: Kalin Serapionov, Krassimir Terziev

What we propose in this programme is a highly subjective and fragmented view on current practices in moving image in the Bulgarian art scene. We focused on practices that show affinity with speculative narratives - narratives that not just record what is in front of the cinematic eye, but also capture all the ghosts that are unreachable by the apparatus, thus projecting speculative views that intend not merely to describe, but to transform the world.
image: © Veneta Androva

Featured videos

Alexandra Meijer-Werner
Kreislauf / cycle … revolution … circulation, 1997

Kreislauf is an oneiric trip about the continuous cycle of human rebirth. Our dreams create the fabric in which the threads or individual tendencies appear and disappear, only to become visible once again. The dynamic of this video is a weave of repetitions and juxtapositions of the experiences that create the dance of life. Everything is cyclic, nothing disappears; everything is perpetually mutating in landscapes of anguish and joy, violence and calm, solitude and union. The traveler is the active force of his own fate when he realizes that what is most significant in life is the act of living itself.

Björn Braun
without title (excerpt), 2012

Sandra Boeschenstein
Besuchte Linie auf Granit, 2014

I encountered the roundworm in the Alps when I attempted to repair the water catchment of the cabin after a storm. I wished for this animal found at the spring to be a visited line, then searched for potential visitors and found, just nearby, a nest of firebugs in a dried chestnut leaf, which I placed just outside of the image field. The granite slab, roundworm, bugs’ nest and a fly lived their lives within a radius of 100 meters. My part in this was to bring them into direct proximity for the duration of an hour, to focus my camera and to breathe onto the upper part of the lens, in order to increase the atmospheric depth of the picture. Finally, to come to the allegation I’ve made via the title that something was a line that actually is an animal (when normally, in a contrary approach, characteristically formed lines represent animals or the like). The combination of the simplicity in the foundation / bedrock with a simultaneous insecurity in view of scale and nature of this white line, holds my fascination.

Isabella Fürnkäs
In Ekklesia, 2015

The title, ‘In Ekklesia,’ comes from the Greek word ‘ecclesia,’ which refers to the democratic parliament that served Athens in its halcyon days by being open to male citizens every other year. Solon, an Athenian legislator and a sage, allowed all citizens to serve the parliament regardless of their social class in BC 594. The Ecclesia made decisions about war, military strategies, and all judicial and administrative issues. This work satirizes various facets of humans and machines in the 21st century, unconsciously within a dystopian environment. Isabella Fürnkäs introduces a method of combining and overlaying countless images in her work, providing the new experience of sensations that act in ambiguous flows, movements, interference, and interjection. The piece is about the new metaphysical and material connections appearing through digital conversations that are divorced from the general notion of time and space, as well as isolation and alienation. Text by Hyun Jeung Kim (Nam June Paik Art Center Seoul)

Ryan Gander
Man on a bridge - (A study of David Lange) , 2008

A digital video transferred from 16 mm film shows a number of slightly differing takes of the same short sequence: A man walks over a bridge and seems to notice something over the railing to his left hand side. As he moves in for a closer inspection, the film cuts, which is then followed by another take of the same shot.

Wim Catrysse
MSR, 2014

On the Kuwait roads the journey goes in a western direction, past military bases and a line of oil transporters. Dreary sound sequences are pumped out by the radio. In the middle of rubbish heaps by the roadside a pack of wild dogs is trying to find shelter from the wind. Wim Catrysse presents the Kuwait desert both as a post-apocalyptic setting and as protagonist. During the journey, the car window is an obstacle, made even more so by the screen. The viewer, dumped in the desert, does not manage to reach it through the window. MSR, the Main Supply Route, is the main highway used to coordinate military operations in the Gulf War in 1990/91 and the War in Iraq in 2003. Filming is forbidden here, so the pack of wild dogs carries the story at first. But their behaviour keeps on bringing the desert into focus as the principal actor. Underlined by the sound track, its seeming hostility to life awakens the impression of a dystopian timelessness reminiscent of the apocalyptic scenarios in films and makes the viewer feel ill at ease. Catrysse examines conventions, both in a political-dogmatic and in a filmic sense.Nathalie Ladermann

Johanna Reich
CRAWLER, 2020

A crawler is a searchbot in the internet which Johanna Reich uses to collect special comments or phrases about the most discussed topics during the last years like A.I., climate change, digital revolution, gender and the turn of democratic systems. Johanna Reich selects several of the collected phrases composing a robot performance: self-driving projectors move across the exhibition space and project comments about a.i., gender or climate change onto the audience and architecture.

Annika Kahrs
solid surface, with hills, valleys, craters and other topographic...., 2014

solid surface,with hills,valleys,craters and other topographic features,primarily made of ice„solid surface, with hills, valleys, craters and other topographic features, primarily made of ice“ is set in a planetarium with a projected starry sky, in the center of which is situated a light spot, that explores the space. The Film deals with the moment, shortly before the actual visualization of pluto’s surface properties, whereas the entire cupola hall of the planetarium serves as a metaphorical projection surface of Pluto. The round light spot formally points to the shape of the celestial object and functions as placeholder for its soon arising image.

Ann Oren
The World Is Mine, 2017

In cosplay of the Japanese cyber diva Hatsune Miku, the artist moved to Tokyo, seeking an identity in the world of Miku fanatics, where she was drawn into a love affair with one of the fans. Miku is a Vocaloid, a vocal synthesizer software personified by a cute animated character. Her entire persona: lyrics, music and animation – is fan created, and that's her charm. She even performs sold out concerts as a hologram. By transforming herself into a Miku character through cosplay, Oren enters a world of real hardcore fans where fantasy is more real than reality and the differentiation between the two becomes obsolete. The film examines the performative nature of cosplaying – dressing up and playing the role of fictional characters – as a hybrid space where reality blurs into fetishistic fantasies and pop culture clichés. Combining fan-made lyrics and songs, Oren's trials and tribulations in the fictional Miku world unfolds through vague erotic episodes and encounters with characters whose ontological status remains mysterious, bringing to mind the adventures of a modern Alice in a virtual Wonderland.

Jonathan Monaghan
Den of Wolves, 2020

Den of Wolves is a seamlessly-looping video installation drawing on a range of references to weave a new multi-layered mythology. The work follows three bizarre wolves through a series of increasingly surreal retail stores as they search for the regalia of a monarch. Composed of one continuous camera shot, the work is an immersive, dreamlike journey drawing connections between popular culture, institutional authority and technological over-dependence.

Stefan Panhans
HOSTEL Sequel #1: Please Be Careful Out There, Lisa Marie – H.V.Installation Mix, 2018

At transmediale, Stefan Panhans and Andrea Winkler show their work HOSTEL Sequel #1: Please Be Careful Out There, Lisa Marie – Hybrid Version, a new project that combines film, installation, and staccato stage reading (on blinkvideo we are showing a trailer of the integrated film). With everyday racism, celebrity worship, stereotypes, and the dominating power of the economic all on the rise, precariously and flexibly traveling cultural workers of different origin deliver a sort of spoken word battle about their experiences and dreams. They constantly switch roles and, at the same time, form a choir that clashes with the rapped reports of everyday life. As in a collaborative gymnastic exercise—surrounded by scenery made up of set pieces from outfits of airports, hostels, and courier services, from self-optimization tools and game show displays—they fight for a voice and to be heard, building new alliances along the way. for more information: opening of transmediale

Mariola Brillowska
Children Of The Devil, 2011

Mariola Brillowska’s animation film relates the total collapse of the family system in the 21st century. Six cartoon episodes present an unsparing account of how children become murderers of their parents.

Julia Charlotte Richter
Point Blank, 2019

“Point Blank” refers to a film scene from "The Misfits" (1961) that is now re-enacted and further contextualized. In the original scene, the recently divorced main character Roslyn (Marilyn Monroe) rises up against three worn-out cowboys and, in the middle of the desert, confronts the men with all their lacks and lost dreams. In “Point Blank”, we see a young woman wandering around in surreal desert landscapes, a journey into the remoteness of the world and her own inner life. With every step out into the desert, the girl descends into her own depths searching for a place that seems to be suitable for her emotions and words. Unlike Roslyn, the young woman now refers to absent addressees: "Liars", "Murderers" and "Dead Men" she screams and turns around wildly. The words, which spread like bullets in the air, fall back on her. Except for a faint echo, there is no resonance at this place that depicts the obsessions of a distorted, patriarchal society and has become a dramatic backdrop of yearnings within the collective history of cinema. Where Roslyn was able to elicit a terrified astonishment from the three men, the character in Julia Charlotte Richter's video remains to herself and unheard, the desert as the only witness of her manifesto, her anger and her strength.

Ulrich Polster
Frost, 2003 / 2004

The night city. Industrial ruins filmed in contrejour. Memories from childhood. Different places and times combined at the mountain. It is a hollow portrait of Eastern Europe that carries the traces of its history.

Ene-Liis Semper
FF REW, 1998

Dimitri Venkov
The Hymns of Muscovy, 2018

The film is a trip to the planet Muscovy, which is an upside down space twin of the city of Moscow. As the title of the work suggests, the journey also takes us back in time. Gliding along the surface of the planet, we look down to the sky and see historic architectural styles fly by - the exuberant Socialist Classicism aka Stalinist Empire, the laconic and brutish Soviet Modernism, and the hodgepodge of contemporary knock-offs and revivals of the styles of the past. An essential companion to this journey through time and space are Hymnic Variations on the Soviet anthem by the composer Alexander Manotskov. The anthem was written in 1943 and has undergone three editions of lyrics yet musically remained unchanged to now serve as the official anthem of the Russian Federation. Manotskov used an early recording of the anthem as source material to create three electronic variations each corresponding to an architectural style. As if in a twist of Goethe’s phrase, architecture plays its frozen music. Look closely, can you hear it?

Share your thoughts with the blinkvideo community.

Would you like to share your videos online? Or would you like to focus attention on a video work? Or would you like to compile and show videos on a specific topic? You can do so with the new tool on blinkvideo.
Create a favorites list as follows:
When you're logged in, a little sign "add to favorite list" will appear below each video. With the click on it, you add the film to your favorites list. When you have collected all the works, open your favorites list and you can share the list with blinkvideo. We will then receive a message and put the compilation online.
We are very curious about your selection!

Our Partners

Follow us on Instagram

blinkvideo mediaart
blinkvideo is a website for the research of video art. Founders: Julia Sökeland, Anita Beckers. blinkvideo ist eine Plattform zur Recherche nach Videokunst

Clément Cogitore

Works


Galleries

for further information contact blinkvideo
Germany

Phone: +49 40 22748986
E-Mail: info@blinkvideo.de




Statement

« Clément Cogitore has a preference for the night (...) but also its metaphors (that of sleep and madness, that of the darkness of history, both collective and personal), whose meaning is never completely revealed to us and that is shown in a fragmentary or enigmatic fashion, glimmers piercing the shadow like so many flashes of meaning: no explanation, only the narratives or tableaux laden with a meaning by turns dreamlike and mystical.


It is in this way that these chronicles, whose invisible narrator Cogitore becomes, take on an irreal coloring that the artificial lighting with which they are bathed to escape, almost imperceptibly, their document destiny and to ultimately reveal their load of strangeness, accentuates: made of ellipses, enigmas, semi-narrative open forms oscillating without being able to decide between documentary and fiction, they are, like dream narratives, incomplete and partial.


Like the image of the dream, the image of the film is not the image of what it shows: it is not a reproduction instrument, but one of transformation and displacement.»


Philippe-Alain Michaud


Philippe-Alain Michaud is an art historian and curator at the Centre Georges Pomidou-Musée national d’art moderne.


Biography

born 1983 in Colmar

Education

2006-2008 Post-diplôme au Fresnoy-Studio national des arts contemporains – Tourcoing
2006 Diplôme National Supérieur d’Expression Plastique avec les félicitations du jury – ESAD Strasbourg
2004 Diplôme National d’Arts Plastiques avec les félicitations du jury – ESAD Strasbourg

Solo shows

2017
Parmis nous - Solo show - Centre Georges Pompidou - Paris Curator : Christine Macel (upcoming)
Braguino - Le BAL - Paris - Curators: Léa Bismuth et Diane Dufour (upcoming)
Exposition personnelle - Galerie Eva Hober - Paris (upcoming)

2016
L’intervalle de résonance – Palais de Tokyo - Paris - Curator : Daria de Beauvais
Ni le ciel ni la terre – Galerie Reinhard Hauff – Stuttgart

2015
Digital Desert – Galerie Whiteproject – Paris

2014
Fictions – Musée d’art moderne et contemporain de Strasbourg – Curator : Estelle Pietrzyck
Visions, Centre européen d’actions artistiques contemporaines – Strasbourg
Rumeurs – Galerie White Project – Paris

2013
Clément Cogitore : Fotografien – Institut français Stuttgart

2012
Rondes de Nuit – Galerie Whiteproject – Paris

2011
Un archipel – Module-Palais de Tokyo – Paris – Curator : Daria de Beauvais
Angelu(s)x – Galerie Saint-Séverin – Paris

Group shows, screenings, (selection)

2016
New directors, new films - MOMA - New York
Paris : 18ème Prix de la fondation d’entreprise Ricard - Curator : Isabelle Cornaro - Paris
Dépenses - LaBanque - Béthune - Curator : Léa Bismuth
Une seule larme peut éteindre l’enfer – Galerie Eva Hober – Paris

2015
Le Fresnoy, Mémoire de l’imagination - Bibliothèque Nationale de France – Paris - Curator : Julien Farenc
Festival de Cannes - Semaine de la critique

2014
Blue Movie – Galerie Eva Hober – Paris
Pièces montrées, 30 ans des FRAC – Frac Alsace – Curator : Olivier Grasser, Roland Recht
Is it yours ? – Museum Baerengasse – Zürich - Curator : Damian Jurt, Dorothée Richter
32° Torino international film festival – Turin – Sélection officielle
43° International festival Cervantino Festival – Mexico – Sélection officielle

2013
Vidéo_Dumbo – Eyebeam – Art+Technology Center – New-York - Curator : Caspar Stracke, Gabriela Monroy
Un nouveau festival: Book Machine – Centre Georges Pompidou – Paris - Curator : Bernard Blistène, Patrick Javault
Passeurs – Galerie Whiteprojects/Galerie Odile Ouizeman – Paris
Paysages intimes – Villa Kier Thossane – Dakar - Curator : Younes Baba-Ali
Kino der Kunst – Film Festival – Munich
Cinemart – International film festival – Rotterdam

2012
Teatro delle esposizione – Villa Medicis – Curator : Alessandro Rabottini
34° Festival international du court-métrage – Clermont-Ferrand – Sélection officielle
Human Right Film Festival – Barcelona – Sélection officielle
29° Kassel international documentary film festival – Kassel – Sélection officielle
Nuit Blanche, Palais de Tokyo, Paris

2011
Quinzaine des réalisateurs/Director’s Fortnight – 64° Festival international du film de Cannes
Other French loves – Museum of fine arts – Boston – Curator : Liz Munsell
Biennale de la jeune création européenne – Montrouge, Geneva, Hamburg, Amarante - Curator : Andrea Ponsini
Rencontres internationales du documentaire de Montréal – Sélection officielle
56° Salon de Montrouge – Panorama de la jeune création – Curator : Stéphane Corréard
Filmwinter – Stuttgart International film festival

2010
Rencontres internationales Paris/Berlin/Madrid – Centre Pompidou – Paris - Curator : Jean-François Rettig, Nathalie Hénon
Regionale 11 – Kunsthaus Baselland – Bâle – Curator : Eric Hattan
Au travers – Kulturwerk T66 – Freiburg – Curator : Florian Tiedje, Marie Prunier
Nature and Lanscape – Biennale de Casablanca – Curator : Mohammed Rachdi
Nuit des musées – Musée de la chasse et de la nature – Paris

2009
Nuit blanche – Espacio Tangente – Burgos
Institut culturel français - Tokyo
International video art festival – Athènes
Proyector – 2° Semana de videoarte international – Espace Menos Uno – Madrid
Rendez vous franco-allemand du film court – Musée d’art moderne et contemporain – Strasbourg

2008
Dans la nuit des images – Grand Palais – Paris – Curator : Alain Fleischer
Panorama 9/10 – Le Fresnoy-Studio national des arts contemporains – Tourcoing - Curator : Bernard Blistène
Temps d’images – Ferme du Buisson – Scène nationale de Marne la Vallée – Curator : José-M Goncalves
Festival international du film – Vendôme
Dérives – Cinémathèque française – Paris

2007
8° International biennal of video and cinema – Santiago
Rencontres internationales Paris-Berlin – Musée du jeu de Paume – Paris
Cinémathèque Québecoise – Montréal
Mirages et désirs – Festival international d’art contemporain d’Izmir

2006
Carte blanche au GREC – Centre Georges Pompidou – Paris
Entrevues – Festival international du film de Belfort
16° Festival international du film – Vendôme
3° Rendez-vous franco-allemand du film court – Musée d’art moderne et contemporain – Strasbourg

Awards and nominations

2016
18TH award Fondation d’entreprise Ricard - Paris
Sciences Po Award for Contemporary Art - Paris
2015
Nomination Salomon Foundation Award For Contemporary Art - New-York
Bal Award for photography - Paris
2012/2013
French Academy Residency Award – Villa Médicis
2014
National Foundation for Contemporary Art (FNAGP) Award - Paris
Nomination Audi Talents Award - Paris
2012/2014
Nomination Sam Art projects Award
2014
Nomination Prix Arte for Contemporary Art
2012
Foundation Beaumarchais Award – SACD – Paris (short film)
Best cinematography award – Lucania International film festival
2011
Grand prize of salon de Montrouge – 56° Salon de Montrouge
Best Film Award – International film festival Belo Horizonte
2010
European First Film Award– Foundation Vevey
FIDLAB Award – Marseille International Film Festival
Special experimentation award – FESANCOR – International film festival Santiago
2007
Jury’s awards – Vendôme International Film Festival
Best photography Award – International student film festival – Belgrade
2006
Grand Prize (Special Mention) – Festival «Entrevues» – Belfort
Award of centre des écritures cinématographiques – Ecrans documentaires – Arcueil

Public collection

Centre Georges Pompidou, Paris
Musée d’art moderne et contemporain de Strasbourg
MAC VAL, Musée d’art contemporain du Val-de-Marne, Vitry-sur-Seine
Fonds Municipal d’Art Contemporain, Paris
Fonds National d’Art Contemporain, Paris
FRAC Alsace, Sélestat

Clément Cogitore
born 1983 in Colmar Education 2006-2008 Post-diplôme au Fresnoy-Studio national des arts contemporains – Tourcoing 2006 Diplôme National Supérieur d’Expression Plastique avec les félicitations du jury – ESAD Strasbourg 2004 Diplôme National d’Arts Plastiques avec les félicitations du jury – ESAD Strasbourg Solo shows 2017 Parmis nous - Solo show - Centre Georges Pompidou - Paris Curator : Christine Macel (upcoming) Braguino - Le BAL - Paris - Curators: Léa Bismuth et Diane Dufour (upcoming) Exposition personnelle - Galerie Eva Hober - Paris (upcoming) 2016 L’intervalle de résonance – Palais de Tokyo - Paris - Curator : Daria de Beauvais Ni le ciel ni la terre – Galerie Reinhard Hauff – Stuttgart 2015 Digital Desert – Galerie Whiteproject – Paris 2014 Fictions – Musée d’art moderne et contemporain de Strasbourg – Curator : Estelle Pietrzyck Visions, Centre européen d’actions artistiques contemporaines – Strasbourg Rumeurs – Galerie White Project – Paris 2013 Clément Cogitore : Fotografien – Institut français Stuttgart 2012 Rondes de Nuit – Galerie Whiteproject – Paris 2011 Un archipel – Module-Palais de Tokyo – Paris – Curator : Daria de Beauvais Angelu(s)x – Galerie Saint-Séverin – Paris Group shows, screenings, (selection) 2016 New directors, new films - MOMA - New York Paris : 18ème Prix de la fondation d’entreprise Ricard - Curator : Isabelle Cornaro - Paris Dépenses - LaBanque - Béthune - Curator : Léa Bismuth Une seule larme peut éteindre l’enfer – Galerie Eva Hober – Paris 2015 Le Fresnoy, Mémoire de l’imagination - Bibliothèque Nationale de France – Paris - Curator : Julien Farenc Festival de Cannes - Semaine de la critique 2014 Blue Movie – Galerie Eva Hober – Paris Pièces montrées, 30 ans des FRAC – Frac Alsace – Curator : Olivier Grasser, Roland Recht Is it yours ? – Museum Baerengasse – Zürich - Curator : Damian Jurt, Dorothée Richter 32° Torino international film festival – Turin – Sélection officielle 43° International festival Cervantino Festival – Mexico – Sélection officielle 2013 Vidéo_Dumbo – Eyebeam – Art+Technology Center – New-York - Curator : Caspar Stracke, Gabriela Monroy Un nouveau festival: Book Machine – Centre Georges Pompidou – Paris - Curator : Bernard Blistène, Patrick Javault Passeurs – Galerie Whiteprojects/Galerie Odile Ouizeman – Paris Paysages intimes – Villa Kier Thossane – Dakar - Curator : Younes Baba-Ali Kino der Kunst – Film Festival – Munich Cinemart – International film festival – Rotterdam 2012 Teatro delle esposizione – Villa Medicis – Curator : Alessandro Rabottini 34° Festival international du court-métrage – Clermont-Ferrand – Sélection officielle Human Right Film Festival – Barcelona – Sélection officielle 29° Kassel international documentary film festival – Kassel – Sélection officielle Nuit Blanche, Palais de Tokyo, Paris 2011 Quinzaine des réalisateurs/Director’s Fortnight – 64° Festival international du film de Cannes Other French loves – Museum of fine arts – Boston – Curator : Liz Munsell Biennale de la jeune création européenne – Montrouge, Geneva, Hamburg, Amarante - Curator : Andrea Ponsini Rencontres internationales du documentaire de Montréal – Sélection officielle 56° Salon de Montrouge – Panorama de la jeune création – Curator : Stéphane Corréard Filmwinter – Stuttgart International film festival 2010 Rencontres internationales Paris/Berlin/Madrid – Centre Pompidou – Paris - Curator : Jean-François Rettig, Nathalie Hénon Regionale 11 – Kunsthaus Baselland – Bâle – Curator : Eric Hattan Au travers – Kulturwerk T66 – Freiburg – Curator : Florian Tiedje, Marie Prunier Nature and Lanscape – Biennale de Casablanca – Curator : Mohammed Rachdi Nuit des musées – Musée de la chasse et de la nature – Paris 2009 Nuit blanche – Espacio Tangente – Burgos Institut culturel français - Tokyo International video art festival – Athènes Proyector – 2° Semana de videoarte international – Espace Menos Uno – Madrid Rendez vous franco-allemand du film court – Musée d’art moderne et contemporain – Strasbourg 2008 Dans la nuit des images – Grand Palais – Paris – Curator : Alain Fleischer Panorama 9/10 – Le Fresnoy-Studio national des arts contemporains – Tourcoing - Curator : Bernard Blistène Temps d’images – Ferme du Buisson – Scène nationale de Marne la Vallée – Curator : José-M Goncalves Festival international du film – Vendôme Dérives – Cinémathèque française – Paris 2007 8° International biennal of video and cinema – Santiago Rencontres internationales Paris-Berlin – Musée du jeu de Paume – Paris Cinémathèque Québecoise – Montréal Mirages et désirs – Festival international d’art contemporain d’Izmir 2006 Carte blanche au GREC – Centre Georges Pompidou – Paris Entrevues – Festival international du film de Belfort 16° Festival international du film – Vendôme 3° Rendez-vous franco-allemand du film court – Musée d’art moderne et contemporain – Strasbourg Awards and nominations 2016 18TH award Fondation d’entreprise Ricard - Paris Sciences Po Award for Contemporary Art - Paris 2015 Nomination Salomon Foundation Award For Contemporary Art - New-York Bal Award for photography - Paris 2012/2013 French Academy Residency Award – Villa Médicis 2014 National Foundation for Contemporary Art (FNAGP) Award - Paris Nomination Audi Talents Award - Paris 2012/2014 Nomination Sam Art projects Award 2014 Nomination Prix Arte for Contemporary Art 2012 Foundation Beaumarchais Award – SACD – Paris (short film) Best cinematography award – Lucania International film festival 2011 Grand prize of salon de Montrouge – 56° Salon de Montrouge Best Film Award – International film festival Belo Horizonte 2010 European First Film Award– Foundation Vevey FIDLAB Award – Marseille International Film Festival Special experimentation award – FESANCOR – International film festival Santiago 2007 Jury’s awards – Vendôme International Film Festival Best photography Award – International student film festival – Belgrade 2006 Grand Prize (Special Mention) – Festival «Entrevues» – Belfort Award of centre des écritures cinématographiques – Ecrans documentaires – Arcueil Public collection Centre Georges Pompidou, Paris Musée d’art moderne et contemporain de Strasbourg MAC VAL, Musée d’art contemporain du Val-de-Marne, Vitry-sur-Seine Fonds Municipal d’Art Contemporain, Paris Fonds National d’Art Contemporain, Paris FRAC Alsace, Sélestat

Please fill out the application form.

  • Please select
  • Mr.
  • Mrs.
  • Please select
  • Afghanistan
  • Albania
  • Algeria
  • American Samoa
  • Andorra
  • Angola
  • Anguilla
  • Antarctica
  • Antigua and Barbuda
  • Argentina
  • Armenia
  • Aruba
  • Australia
  • Austria
  • Azerbaijan
  • Bahamas
  • Bahrain
  • Bangladesh
  • Barbados
  • Belarus
  • Belgium
  • Belize
  • Benin
  • Bermuda
  • Bhutan
  • Bolivia
  • Bosnia and Herzegovina
  • Botswana
  • Bouvet Island
  • Brazil
  • British Indian Ocean Territory
  • British Virgin Islands
  • Brunei
  • Bulgaria
  • Burkina Faso
  • Burma
  • Burundi
  • Cambodia
  • Cameroon
  • Canada
  • Cape Verde
  • Cayman Islands
  • Central African Republic
  • Chad
  • Chile
  • China
  • Christmas Island
  • Cocos (Keeling) Islands
  • Colombia
  • Comoros
  • Congo Democratic Republic of the
  • Congo Republic of the
  • Cook Islands
  • Costa Rica
  • Cote d'Ivoire
  • Croatia
  • Cuba
  • Curacao
  • Cyprus
  • Czech Republic
  • Denmark
  • Djibouti
  • Dominica
  • Dominican Republic
  • Ecuador
  • Egypt
  • El Salvador
  • Equatorial Guinea
  • Eritrea
  • Estonia
  • Ethiopia
  • Falkland Islands (Islas Malvinas)
  • Faroe Islands
  • Fiji
  • Finland
  • France
  • France Metropolitan
  • French Guiana
  • French Polynesia
  • French Southern and Antarctic Lands
  • Gabon
  • Gambia
  • Georgia
  • Germany
  • Ghana
  • Gibraltar
  • Greece
  • Greenland
  • Grenada
  • Guadeloupe
  • Guam
  • Guatemala
  • Guernsey
  • Guinea
  • Guinea Bissau
  • Guyana
  • Haiti
  • Heard Island and McDonald Islands
  • Holy See (Vatican City)
  • Honduras
  • Hong Kong
  • Hungary
  • Iceland
  • India
  • Indonesia
  • Iran
  • Iraq
  • Ireland
  • Isle of Man
  • Israel
  • Italy
  • Jamaica
  • Japan
  • Jersey
  • Jordan
  • Kazakhstan
  • Kenya
  • Kiribati
  • Korea North
  • Korea South
  • Kosovo
  • Kuwait
  • Kyrgyzstan
  • Laos
  • Latvia
  • Lebanon
  • Lesotho
  • Liberia
  • Libya
  • Liechtenstein
  • Lithuania
  • Luxembourg
  • Macau
  • Macedonia
  • Madagascar
  • Malawi
  • Malaysia
  • Maldives
  • Mali
  • Malta
  • Marshall Islands
  • Martinique
  • Mauritania
  • Mauritius
  • Mayotte
  • Mexico
  • Micronesia Federated States of
  • Moldova
  • Monaco
  • Mongolia
  • Montenegro
  • Montserrat
  • Morocco
  • Mozambique
  • Namibia
  • Nauru
  • Nepal
  • Netherlands
  • New Caledonia
  • New Zealand
  • Nicaragua
  • Niger
  • Nigeria
  • Niue
  • Norfolk Island
  • Northern Mariana Islands
  • Norway
  • Oman
  • Pakistan
  • Palau
  • Panama
  • Papua New Guinea
  • Paraguay
  • Peru
  • Philippines
  • Pitcairn Islands
  • Poland
  • Portugal
  • Puerto Rico
  • Qatar
  • Reunion
  • Romania
  • Russia
  • Rwanda
  • Saint Barthelemy
  • Saint Helena Ascension and Tristan da Cunha
  • Saint Kitts and Nevis
  • Saint Lucia
  • Saint Martin
  • Saint Pierre and Miquelon
  • Saint Vincent and the Grenadines
  • Samoa
  • San Marino
  • Sao Tome and Principe
  • Saudi Arabia
  • Senegal
  • Serbia
  • Seychelles
  • Sierra Leone
  • Singapore
  • Sint Maarten
  • Slovakia
  • Slovenia
  • Solomon Islands
  • Somalia
  • South Africa
  • South Georgia and the Islands
  • South Sudan
  • Spain
  • Sri Lanka
  • Sudan
  • Suriname
  • Svalbard
  • Swaziland
  • Sweden
  • Switzerland
  • Syria
  • Taiwan
  • Tajikistan
  • Tanzania
  • Thailand
  • Timor Leste
  • Togo
  • Tokelau
  • Tonga
  • Trinidad and Tobago
  • Tunisia
  • Turkey
  • Turkmenistan
  • Turks and Caicos Islands
  • Tuvalu
  • Uganda
  • Ukraine
  • United Arab Emirates
  • United Kingdom
  • United States
  • United States Minor Outlying Islands
  • Uruguay
  • Uzbekistan
  • Vanuatu
  • Venezuela
  • Vietnam
  • Virgin Islands
  • Wallis and Futuna
  • West Bank
  • Western Sahara
  • Yemen
  • Zambia
  • Zimbabwe

Data you submit will only be used by us for contact purposes, sending you the password and information about our activities. Your data will not be shared with other companies.


Enter your E-mail address below and we'll get you back to the art.