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blinkvideo - research of video art, performance and multimedia installations.

NEW: Favorites curated by blinkvideo users

What do you like? Over the next few months, we will be showing here selections of works, compiled by you, as a blinkvideo user.

Nasim Weiler: Hello, there are many absolutely wonderful video works on Blinkvideo - here are my three favourites of today, March 26 - a day spent in quarantane in Paris.

Do you have any favorites on blinkvideo ? Or would you like to focus attention on some video works? Or would you like to compile and show videos on a specific topic? You can do so with the new tool on blinkvideo.
Create a favorites list as follows: When you're logged in, a little sign "add to favorite list" will appear below each video. With the click on it, you add the film to your favorites list. When you have collected all the works, open your favorites list and you can share the list with blinkvideo. We will then receive a message and put the compilation online.
We are very curious about your selection!

Nadja Verena Marcin - OPHELIA
Stadtgalerie in Saarbrücken, Germany. 2019

OPHELIA is an interdisciplinary performance that is presented in the Stadtgalerie Saarbrücken as a live action and subsequently as a video installation. It reflects the human-induced destruction of nature and creates references to art, literature and science. Dressed in "Ophelia's" dress and equipped with a diving device, Nadja Verena Marcin will climb into an aquarium and try under water to read the text "The Werld" by Daniil Kharms about human perception.
Image: © Nadja Verena Marcin

Igor Simić - WELTSCHMERZ 
at Galerie Beckers, Frankfurt

The exhibition WELTSCHMERZ shows new works by Serbian artist Igor Simic, which he created in connection with his iOS game Golf Club: Wasteland. For this game he and his award-winning gaming and film company Demagog Studio developed a whole world — a storyline with characters and various landscapes — in a post-apocalyptic scenario. The eerie atmosphere of the carefully crafted visual scenery is accompanied by slow paced, nostalgic, sometimes almost chilling music that evokes the feeling of longing for something lost.
Image: © Igor Simić

Fuzzy dark spot
Video art from Hamburg

The exhibition FUZZY DARK SPOT curated by the Hamburg-based video artist Wolfgang Oelze, at the Falckenberg Collection brings together 56 video works by over 30 mostly Hamburg-based artists ranging from the 1970s to the present day, featuring historical and contemporary productions in both thematic and monographic groups.
image: © Stefan Panhans

REFRACTED REALITIES at VIDEONALE.17

In optics, “refraction” refers to the bending of a beam of light, a change in direction which occurs at the moment when it passes from one medium to another. Through refraction, the light wave alters course, changing the way we perceive the objects it illuminates in the process. This optical deviation requires us to repeatedly correct our gaze, comparing the beginning and end points of our perception with reality, and bringing the object we see clearly into focus. In its figurative sense, refraction refers to a critical reflection on the means and channels of visualization, and by extension the possibility of a rearticulation of our view of things – how they are, were, or apparently always have been.
Image: © Sohrab Hura

Featured videos

Annegret Soltau
Schwanger-Sein I, 1977/78

"My pregnancies in 1978 and 1980 became an important theme for me. This personal experience yielded pictures in which I once again used myself as a model, this time myself in the process of being pregnant. The fear that my role as a mother could jeopardize my life as an artist inspired me to create a great many photos and videos. At this point I was preoccupied with the question of how women combine creativity and motherhood.“ (Annegret Soltau)

Tobias Yves Zintel
Breed and Educate, 2018

The Film Breed and Educate is based on a collaborative performance with a class from the Hector-Peterson-Schule Berlin Kreuzberg and the HAU. In numerous task based rehearsals eight pupils between 11 and 13 years explored the possibilties of self-education. Based on various materials from found footage to documentary and staged scenes the film circles around the relationship of controlling and self-empowerment in educational systems. Breed and Educate is circling around the question of how lessons should be organised in times of network and algorthim-based learning. Algorithms and neuronal networks have to master problems only once, after they achieved their goal, results can be duplicated and copied any number of times. Kids on the other hand side have to learn everything step by step, the accumulated knowlede can’t be transfered from on kid to the other by „copy and paste“. An allopoetic system is a trivial system, which can be potentially fully explored, controlled and operated by an observer. With a similar theory in mind, the Prussians started to organise schooling in 1717, to prepare pupils for the Prussian Military Academy. What happens almost 300 years later in a school in Berlin, when the relationship between control and self-empowerment is inverted by postmigrant pupils who breed robots, are educated by them and vice versa? “ In Breed and Educate an automated dionsaur is introduced by a twelfe year old boy: “It’s easily trainable”. While he explains the mode of operation, one sees the parallels: the school wouldn’t have any problems with pupils equipped with a suitable operating system downloaded from the internet. Sounds like an uncanny utopia.” (Katrin Bettina Müller)

Lene Markusen
Grad, 2004

Dieter Kiessling
60 Minutes 360 Degrees GK 2010, 2010

A boy is portrayed with a video camera for an hour on a tennis court.During this time the camera turns through 360 degrees. Meanwhile, the whole space is recorded piece by piece. The boy follows the camera movement slowly thus remaining constantly in the centre of the picture.

Clemens von Wedemeyer
Silberhöhe, 2003

In Halle-Silberhöhe in East Germany, the camera records peri-urban area architecture, prefabricated buildings that are deserted and destined to be demolished. The commentary evokes a film editing technique used by Michelangelo Antonioni in his film, L’Eclisse (1962).

Janet Biggs
Fade to White, 2010

In Fade to White, Biggs delves into the desire to explore remote lands. To create this work, the artist embarked on an expedition in the high Arctic, traveling aboard an ice-class, 2-masted schooner, built in 1910. During the voyage, Biggs filmed Fade to White, focusing on a crew member as he navigated the ship through iceberg filled seas, and paddled a kayak past glacier walls and polar bears. As she photographed the explorer, Biggs tested her own will and endurance. The visual tension of her uncompromising imagery bespeaks their mutual struggle to maintain balance and purpose. Yet, the video also reveals the myth of the solitary white male explorer. Biggs explains, "The desire to hold onto the notion of the 'great white north' as a blank space awaiting interpretation only reinforces the idea of the colonial polar hero. The 'virgin' north has now been mapped, surveyed, and mined, but increased knowledge has not replaced endless fantasies of discovery." Loss and change are implicit in the video's title, Fade to White, which refers to an editing technique used to evoke death or transcendence. Biggs integrated her Arctic imagery with sound and video footage of counter tenor John Kelly, whose age, androgyny, and mournful voice parallel the vanishing Arctic landscape and signal the waning of male dominance.

Rebecca Ann Tess
The Tallest, 2014

The »The Tallest« shows pictures shot on-site of the currently tallest buildings in the world. The high-rises are shown as set pieces of global capitalism, visually disappearing into abstraction. The reduced images are reminding of 3D rendering. The simulated image of these buildings circulates in the media for representational and advertising purposes, becomes a substantial object and the actual spatiality becomes a mockup. The narration is undertaken by a computer voice, it describes the competition for the tallest tower at such divers places as Chicago, Dubai, Hong Kong, Kuala Lumpur, Mecca, Nanjing, New York City, Seoul, Shanghai, Shenzhen, Songdo and Taipei.

Johanna Reich
LIGHT ON BLACK ON WHITE HOMAGE TO MALEVICH, 2015

A moving digital light drawing illuminates a white wall. A hand painting a black square on the white surface becomes visible. At the same time the light drawing is painting a light square. In the end the light of the digital light square illuminates the finished black oil painting.

Critics’ Pick: Vienna by Nicole Büsing + Heiko Klaas

The group show “Antarctica. An Exhibition on Alienation” was presented in Vienna during the past winter season. Departing from a note written by the Italian cult director Michelangelo Antonioni referring to a potential glacier melting in the Antarctica and a hint to a film, the two curators from the Kunsthalle Wien, Vanessa Joan Müller and Nicolaus Schafhausen, conceived an exhibition on the topic of alienation and contemporary art. The focus was on the latest contemporary photography and video art by the younger generation of artists.
Image: © Isabella Fürnkäs

Expanding Bauhaus.
New Reflections on the Bauhaus Movement in Time-Based Media Art
/ Goethe Institute Netherlands

A screening series selected by Elke Kania (Cologne), Julia Sökeland (Hamburg) and Ludwig Seyfarth (Berlin)

With its combination of various arts such as painting, photography film, architecture, fashion, product and interior design and textile art, the Bauhaus is still considered the epitome of a technologically advanced modernity. Last but not least, the attempt to create the whole society aesthetically, inspired many artists worldwide.
Image: © Adnan Softic

Johan Grimonprez

Johan Grimonprez’s critically acclaimed work dances on the borders of practice and theory, art and cinema, documentary and fiction, demanding a double take on the part of the viewer. Informed by an archeology of present-day media, his work seeks out the tension between the intimate and the bigger picture of globalization. It questions our contemporary sublime, one framed by a fear industry that has infected political and social dialogue. By suggesting new narratives through which to tell a story, his work emphasizes a multiplicity of realities.
image: © Johan Griminprez

Christoph Faulhaber: Revolution & Architecture

With "Revolution & Architecture" Christoph Faulhaber (* 1972 in Osnabrück, lives in Hamburg) conceives, builds, designs and opens a whole series of very different rooms in the Kunsthalle Osnabrück. In order to discover the revolutionary aspect of these "architectures", one has to look at the social implications of interior design in general. In the forum the visitor then enters Faulhaber's cinematic autobiography "Every Picture is an Empty Picture" as in the eye of the cyclone: The work is split into 15 individual films and surrounds the visitor in a circle.
Image: © Christoph Faulhaber

Stiftung imai – inter media art institute

The Düsseldorf based foundation imai – inter media art institute was founded in 2006 in order to establish an institution in Germany dedicated to the distribution and preservation of media art and associated activities.
Image: © Marcel Odenbach

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Petra Cortright

Works


Galleries

Steve Turner Contemporary
Jonathan Hoyt
6830 Santa Monica Blvd
CA 90038 Los Angeles
United States

Phone: +1 323-460-6830.
E-Mail: jonathan@steveturner.la




Biography

Born 1986
Lives and works in Los Angeles

Solo and two-person exhibitions

2013
XXX BLANK BLANK BLANK ..., Steve Turner Contemporary, Los Angeles

2012
VICKY DEEP IN SPRING VALLEY, Club Midnight, Berlin
Void Mastery/Blank Control, The Composing Rooms: The Green Room, London
Video Syrup, Spectacle Theater, Brooklyn (curated by Maggie Lee)

2011
Beholder, Talbot Rice Gallery, University of Edinburgh, Scotland
SO WET, Preteen Gallery, Mexico City

2010
It Takes Strength to be Gentle and Kind, Gloria Maria Gallery, Milan
Avatar 4D, NOMA Gallery, San Francisco (curated by JstChillin)

Selected group exhibitions

2014
Soccer: The Beautiful Game, Los Angeles County Museum of Art, Los Angeles (upcoming)

2013
casting a wide net, Postmasters Gallery, New York
Untitled. Miami Beach (with Steve Turner Contemporary, Los Angeles)
Affordable Care, Mana Wynwood, Miami (presented by Flaunt Magazine and Wildfox)
D, ZweiDrei, Berlin
Frieze Film, Frieze London (curated by Nicola Lees and Victoria Brooks)
Meanwhile…Suddenly and Then, 12th Biennale de Lyon, France
Lonely Girl, Martos Gallery, New York (curated by Asher Penn)
Sneakerotics: Further Material for a Theory of the Young-Girl, Edouard Malingue Gallery (curated by Robin Peckham)
Art Baja Tijuana, Casa GS, Tijuana, Mexico
Zona Maco (with Steve Turner Contemporary, Los Angeles), Mexico City

2012
E-Vapor-8, 319 Scholes, Brooklyn (curated by Francesca Gavin)
Ex-Girlfriends in the Age of Drones, Naherholung Sternchen, Berlin (curated by Una Tittel)

2011
Banal Inferno, CCA: The Center of Contemporary Arts, Glasgow (curated by Benjamin Fallon)
December, De Joode & Kamutzki Winter Auction 2011, Berlin
SPAMM (Super Art Modern Museum), http://spamm.fr/ (curated by Thomas Cheneseau)
LikeArtBasel, Art Basel Miami at Workshop Collective, Miami (sponsored by Artspace, organized by OKFocus,
HORENSETEIN+ and Daniel Leyva, curated by Ryder Ripps)
Notes on a New Nature, 319 Scholes, Brooklyn (curated by Nicholas O'Brien)
Lesbian Kiss Episode, Planet Ummo Project Space, Mexico City
LuckyPDFTV, Frieze Art Fair, London (curated by LuckyPDF)
LAFIAC.com 2011, 38th edition of the FIAC, Paris
PDF, Allegra LaViola Gallery, New York (curated by Patrick Gantert)
Empty Orchestra, Birmingham Contemporary Art Forum, Birmingham (curated by Georgie Park & Samuel Rodgers)
Collect the WWWorld. The Artist as Archivist in the Internet Age, Settimana dell'Arte, Brescia, Italy (curated by
Domenico Quaranta)
Life on the Screen, RE/Mixed Media Festival, New York (curated by Perry Bard)
La imagen transitada, arte y nuevos medios, Espai Cultural Caja Madrid, Barcelona (curated by Andy Davies)
KEEPIN'IT REAL, HungryMan Gallery, Chicago (curated by Robin Juan)
3 Screenings: Eruption, Backspace Collective, Peoria, Illinois (curated Eric Fleischauser and Jesse McLean)
VIDEO VILLAGE 2011: New Media Expeditions, Index Art Center, New Jersey (curated by Noah Collier and
Stephanie Szerlip)
Life on the Screen, Joyce Yahouda Gallery, Montreal (curated by Perry Bard)
Internet Livre – Free Internet, SESC Ribeirão Preto, São Paulo (curated by Renan Araujo)
Minimize BOCA #1, Bozeau Ortega Contemporary Arts, online
Graphics Interchange Format, Mulberry Gallery, Denison University, Ohio (curated by Paddy Johnson)
Getting Closer, Fe Arts Gallery, Pittsburg
Internet Livre, SESC Ribeirão Preto, São Paulo

2010
BYOB LA, Gayle & Ed Roski MFA Gallery at University of Southern California, Los Angeles
Sister Sister City, Thomas Solomon Gallery @ Cottage Home, Los Angeles (curated by Lindsay Lawson)
Domain: Webkam Performance, Live Performance in collaboration with Rhizome.org, SJ01 Biennial, San Jose, CA
Do I Know You, Inman Gallery, Houston
Today and Tomorrow's 5th Birthday SPEED SHOW, or@nin net Internet cafe, Berlin
Made in Internet, ARTBOOK Festival, Krakow, Poland (curated by Marcin Ramocki)
VHS AIDS, Preteen Gallery, Hermosillo, Mexico
Multiplex, Peer to Space Sun Galleries, Munich (curated by VVORK)
TITS VAGINA SEX NUDE BOOBS BRITNEY SPEARS PARIS HILTON JORDAN CAPRI HONEY MOON, Preteen Gallery,
Mexico City
Remember 2010?, The Gallery Space, www.thegalleryspace.info
Surfing Club, plug.in gallery, Basel
Surfing Club, Espace Multimedia Gantner, Bourogne, France
MiARt Art Now!, Milan Art Fair, Gloria Maria Gallery booth, Milan
Brakhage Symposium, Boulder, Colorado
Playlist, Neoncampobase, Bologna, Italy
Preteen Gallery at Circa Labs, Puerto Rico
Don't Worry, Be Happy, Showroom Mama, Rotterdam

2009
No Hay Banda, Reference Gallery, Richmond
Funny Games, Load of Fun, Baltimore
Spun 2: art light noise new video art, Monkeytown, Brooklyn
The True Artist Helps the World by Revealing Mystic Truths, Rapture Heap, Liberty Corner, Dublin
My Biennale Is Better Than Yours, 10th Biennale de Lyon, France
Screen Grab, The Nightingale Theater, Chicago
Speed Conference Call Dating, Envoy Enterprises, New York
SALLYS, Atelier Kreuzberg, Berlin
PROMO Billboard, Np3. Groningen, Holland
New Wave, The Internet Pavilion, The Venice Biennale, Venice
The New Easy, Artnews Projects, Berlin
VVork Show, Munich
Are You Sure You Are You?, Spencer Brownstone Gallery, New York
Forms of Melncholy, Sego Art Center, Provo, Utah
Treasure Room, (Loshadka) Light Industry, Brooklyn
IRL presented by iheartphotograph (Loshadka) Capricious Space, Brooklyn
Rhizome's The Long Gallery, 7 x 7 Series, Why Wherefore, whyandwherefore.com
Women Get Fucked, Alogon Gallery, Chicago
Need Cover Page, Neen.org
Endless Pot of Gold, CD-Rs (Nasty Nets), Sundance International Film Festival

2008
Show #20: Peter Barrickman + Petra Cortright, And/ Or Gallery, Dallas
This is a Magazine: Episode 26, (Loshadka), Milan
The New Easy, Amsterdam
Club Internet, K.I.S.S., http://www.clubinternet.org/August
NETMARES/ NETDREAMS V 3.0, Current Gallery, Baltimore
Young Curators, New Ideas, Bond Street Gallery, Brooklyn
This is a Magazine: Video Object 23, Milan
Build A Fire, Plexus Contemporary, Louisville, Kentucky
Lizard Gear, Loshadka at MTAA's OTO, Brooklyn
Club Internet, FIRST SELECTION http:// www.clubinternet.org/
New York Underground Film Festival, Anthology Film Archives, New York
BITMAP: as good as new, Leonard Pearlstein Gallery at Drexel University, Philadelphia
Montage: Unmonumental Online, The New Museum, New York

2007
BITMAP: as good as new, vertexList, Brooklyn
The Sims: In the Hands of Artists, Chelsea At Museum, New York
Nasty Nets Event, Telic Arts Exchange, Los Angeles

Bibliography

2013
Ugelvig, Jeppe, Frieze London | Interview with Petra Cortright, DIS magazine, October 22
Urquhart, Robert, “The Passion of Petra Cortright,” The Creators Project, October 22
Vasey, George, “Self 2 Selfie,” Art Monthly, November, No. 371
Moulon, Dominique, “Lyon Biennial and Then,” MediaArtDesign.net, November
Maloney, Jennifer, “Auction House Phillips Enters the Digital Age,” Wall Street Journal, September
Williams, Maxwell, “For Petra Cortright, the Web Is the Ultimate Canvas,” The New York Times Style Magazine, November 8
Galperina, Marina, “Frieze Art Film’s Petra Cortright Experiment: Fall in Love Here,” Animal New York, October 21
Schildhause, Chloe, "A Demonstration in Artistic Onus," Flaunt Magazine, October 25
2012
Sterling, Bruce, “Data Mine,” ArtForum, September, 492-93.
Cortright, Petra, HELL_TREE, New York: Badlands Unlimited Editions, Ibook
2011
Cortright, Petra, and Franklin Collao. “RED WEB INTERNET” CAVIAR IZQUIERDA No. 4
2010
Chan, Paul, “Artist Favorites,” Spike Art Quarterly, Winter
2009
Cortright, Petra, “IMG MGMT,: gRAdleNtBOW-2-your-masters” Art F City, artfagcity.com, August

Petra Cortright
Born 1986 Lives and works in Los Angeles Solo and two-person exhibitions 2013 XXX BLANK BLANK BLANK ..., Steve Turner Contemporary, Los Angeles 2012 VICKY DEEP IN SPRING VALLEY, Club Midnight, Berlin Void Mastery/Blank Control, The Composing Rooms: The Green Room, London Video Syrup, Spectacle Theater, Brooklyn (curated by Maggie Lee) 2011 Beholder, Talbot Rice Gallery, University of Edinburgh, Scotland SO WET, Preteen Gallery, Mexico City 2010 It Takes Strength to be Gentle and Kind, Gloria Maria Gallery, Milan Avatar 4D, NOMA Gallery, San Francisco (curated by JstChillin) Selected group exhibitions 2014 Soccer: The Beautiful Game, Los Angeles County Museum of Art, Los Angeles (upcoming) 2013 casting a wide net, Postmasters Gallery, New York Untitled. Miami Beach (with Steve Turner Contemporary, Los Angeles) Affordable Care, Mana Wynwood, Miami (presented by Flaunt Magazine and Wildfox) D, ZweiDrei, Berlin Frieze Film, Frieze London (curated by Nicola Lees and Victoria Brooks) Meanwhile…Suddenly and Then, 12th Biennale de Lyon, France Lonely Girl, Martos Gallery, New York (curated by Asher Penn) Sneakerotics: Further Material for a Theory of the Young-Girl, Edouard Malingue Gallery (curated by Robin Peckham) Art Baja Tijuana, Casa GS, Tijuana, Mexico Zona Maco (with Steve Turner Contemporary, Los Angeles), Mexico City 2012 E-Vapor-8, 319 Scholes, Brooklyn (curated by Francesca Gavin) Ex-Girlfriends in the Age of Drones, Naherholung Sternchen, Berlin (curated by Una Tittel) 2011 Banal Inferno, CCA: The Center of Contemporary Arts, Glasgow (curated by Benjamin Fallon) December, De Joode & Kamutzki Winter Auction 2011, Berlin SPAMM (Super Art Modern Museum), http://spamm.fr/ (curated by Thomas Cheneseau) LikeArtBasel, Art Basel Miami at Workshop Collective, Miami (sponsored by Artspace, organized by OKFocus, HORENSETEIN+ and Daniel Leyva, curated by Ryder Ripps) Notes on a New Nature, 319 Scholes, Brooklyn (curated by Nicholas O'Brien) Lesbian Kiss Episode, Planet Ummo Project Space, Mexico City LuckyPDFTV, Frieze Art Fair, London (curated by LuckyPDF) LAFIAC.com 2011, 38th edition of the FIAC, Paris PDF, Allegra LaViola Gallery, New York (curated by Patrick Gantert) Empty Orchestra, Birmingham Contemporary Art Forum, Birmingham (curated by Georgie Park & Samuel Rodgers) Collect the WWWorld. The Artist as Archivist in the Internet Age, Settimana dell'Arte, Brescia, Italy (curated by Domenico Quaranta) Life on the Screen, RE/Mixed Media Festival, New York (curated by Perry Bard) La imagen transitada, arte y nuevos medios, Espai Cultural Caja Madrid, Barcelona (curated by Andy Davies) KEEPIN'IT REAL, HungryMan Gallery, Chicago (curated by Robin Juan) 3 Screenings: Eruption, Backspace Collective, Peoria, Illinois (curated Eric Fleischauser and Jesse McLean) VIDEO VILLAGE 2011: New Media Expeditions, Index Art Center, New Jersey (curated by Noah Collier and Stephanie Szerlip) Life on the Screen, Joyce Yahouda Gallery, Montreal (curated by Perry Bard) Internet Livre – Free Internet, SESC Ribeirão Preto, São Paulo (curated by Renan Araujo) Minimize BOCA #1, Bozeau Ortega Contemporary Arts, online Graphics Interchange Format, Mulberry Gallery, Denison University, Ohio (curated by Paddy Johnson) Getting Closer, Fe Arts Gallery, Pittsburg Internet Livre, SESC Ribeirão Preto, São Paulo 2010 BYOB LA, Gayle & Ed Roski MFA Gallery at University of Southern California, Los Angeles Sister Sister City, Thomas Solomon Gallery @ Cottage Home, Los Angeles (curated by Lindsay Lawson) Domain: Webkam Performance, Live Performance in collaboration with Rhizome.org, SJ01 Biennial, San Jose, CA Do I Know You, Inman Gallery, Houston Today and Tomorrow's 5th Birthday SPEED SHOW, or@nin net Internet cafe, Berlin Made in Internet, ARTBOOK Festival, Krakow, Poland (curated by Marcin Ramocki) VHS AIDS, Preteen Gallery, Hermosillo, Mexico Multiplex, Peer to Space Sun Galleries, Munich (curated by VVORK) TITS VAGINA SEX NUDE BOOBS BRITNEY SPEARS PARIS HILTON JORDAN CAPRI HONEY MOON, Preteen Gallery, Mexico City Remember 2010?, The Gallery Space, www.thegalleryspace.info Surfing Club, plug.in gallery, Basel Surfing Club, Espace Multimedia Gantner, Bourogne, France MiARt Art Now!, Milan Art Fair, Gloria Maria Gallery booth, Milan Brakhage Symposium, Boulder, Colorado Playlist, Neoncampobase, Bologna, Italy Preteen Gallery at Circa Labs, Puerto Rico Don't Worry, Be Happy, Showroom Mama, Rotterdam 2009 No Hay Banda, Reference Gallery, Richmond Funny Games, Load of Fun, Baltimore Spun 2: art light noise new video art, Monkeytown, Brooklyn The True Artist Helps the World by Revealing Mystic Truths, Rapture Heap, Liberty Corner, Dublin My Biennale Is Better Than Yours, 10th Biennale de Lyon, France Screen Grab, The Nightingale Theater, Chicago Speed Conference Call Dating, Envoy Enterprises, New York SALLYS, Atelier Kreuzberg, Berlin PROMO Billboard, Np3. Groningen, Holland New Wave, The Internet Pavilion, The Venice Biennale, Venice The New Easy, Artnews Projects, Berlin VVork Show, Munich Are You Sure You Are You?, Spencer Brownstone Gallery, New York Forms of Melncholy, Sego Art Center, Provo, Utah Treasure Room, (Loshadka) Light Industry, Brooklyn IRL presented by iheartphotograph (Loshadka) Capricious Space, Brooklyn Rhizome's The Long Gallery, 7 x 7 Series, Why Wherefore, whyandwherefore.com Women Get Fucked, Alogon Gallery, Chicago Need Cover Page, Neen.org Endless Pot of Gold, CD-Rs (Nasty Nets), Sundance International Film Festival 2008 Show #20: Peter Barrickman + Petra Cortright, And/ Or Gallery, Dallas This is a Magazine: Episode 26, (Loshadka), Milan The New Easy, Amsterdam Club Internet, K.I.S.S., http://www.clubinternet.org/August NETMARES/ NETDREAMS V 3.0, Current Gallery, Baltimore Young Curators, New Ideas, Bond Street Gallery, Brooklyn This is a Magazine: Video Object 23, Milan Build A Fire, Plexus Contemporary, Louisville, Kentucky Lizard Gear, Loshadka at MTAA's OTO, Brooklyn Club Internet, FIRST SELECTION http:// www.clubinternet.org/ New York Underground Film Festival, Anthology Film Archives, New York BITMAP: as good as new, Leonard Pearlstein Gallery at Drexel University, Philadelphia Montage: Unmonumental Online, The New Museum, New York 2007 BITMAP: as good as new, vertexList, Brooklyn The Sims: In the Hands of Artists, Chelsea At Museum, New York Nasty Nets Event, Telic Arts Exchange, Los Angeles Bibliography 2013 Ugelvig, Jeppe, Frieze London | Interview with Petra Cortright, DIS magazine, October 22 Urquhart, Robert, “The Passion of Petra Cortright,” The Creators Project, October 22 Vasey, George, “Self 2 Selfie,” Art Monthly, November, No. 371 Moulon, Dominique, “Lyon Biennial and Then,” MediaArtDesign.net, November Maloney, Jennifer, “Auction House Phillips Enters the Digital Age,” Wall Street Journal, September Williams, Maxwell, “For Petra Cortright, the Web Is the Ultimate Canvas,” The New York Times Style Magazine, November 8 Galperina, Marina, “Frieze Art Film’s Petra Cortright Experiment: Fall in Love Here,” Animal New York, October 21 Schildhause, Chloe, A Demonstration in Artistic Onus, Flaunt Magazine, October 25 2012 Sterling, Bruce, “Data Mine,” ArtForum, September, 492-93. Cortright, Petra, HELL_TREE, New York: Badlands Unlimited Editions, Ibook 2011 Cortright, Petra, and Franklin Collao. “RED WEB INTERNET” CAVIAR IZQUIERDA No. 4 2010 Chan, Paul, “Artist Favorites,” Spike Art Quarterly, Winter 2009 Cortright, Petra, “IMG MGMT,: gRAdleNtBOW-2-your-masters” Art F City, artfagcity.com, August

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