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blinkvideo - research of video art, performance and multimedia installations.

NEW: Favorites curated by blinkvideo users

What do you like? Over the next few months, we will be showing here selections of works, compiled by you, as a blinkvideo user.

Jeroen Van Den Tempel: I'm fascinated by video's which invite me to watch out of my framework of daily existence, of my perception of time and space. Which remind me of the real nature of reality, which is streaming. All form is temporary. I’m really intrigued when a universal issue is combined with an issue from daily life. Jeroen van den Tempel

Do you have any favorites on blinkvideo ? Or would you like to focus attention on some video works? Or would you like to compile and show videos on a specific topic? You can do so with the new tool on blinkvideo.
Create a favorites list as follows: When you're logged in, a little sign "add to favorite list" will appear below each video. With the click on it, you add the film to your favorites list. When you have collected all the works, open your favorites list and you can share the list with blinkvideo. We will then receive a message and put the compilation online.
We are very curious about your selection!

Nadja Verena Marcin - OPHELIA
Stadtgalerie in Saarbrücken, Germany. 2019

OPHELIA is an interdisciplinary performance that is presented in the Stadtgalerie Saarbrücken as a live action and subsequently as a video installation. It reflects the human-induced destruction of nature and creates references to art, literature and science. Dressed in "Ophelia's" dress and equipped with a diving device, Nadja Verena Marcin will climb into an aquarium and try under water to read the text "The Werld" by Daniil Kharms about human perception.
Image: © Nadja Verena Marcin

Igor Simić - WELTSCHMERZ 
at Galerie Beckers, Frankfurt

The exhibition WELTSCHMERZ shows new works by Serbian artist Igor Simic, which he created in connection with his iOS game Golf Club: Wasteland. For this game he and his award-winning gaming and film company Demagog Studio developed a whole world — a storyline with characters and various landscapes — in a post-apocalyptic scenario. The eerie atmosphere of the carefully crafted visual scenery is accompanied by slow paced, nostalgic, sometimes almost chilling music that evokes the feeling of longing for something lost.
Image: © Igor Simić

Fuzzy dark spot
Video art from Hamburg

The exhibition FUZZY DARK SPOT curated by the Hamburg-based video artist Wolfgang Oelze, at the Falckenberg Collection brings together 56 video works by over 30 mostly Hamburg-based artists ranging from the 1970s to the present day, featuring historical and contemporary productions in both thematic and monographic groups.
image: © Stefan Panhans

REFRACTED REALITIES at VIDEONALE.17

In optics, “refraction” refers to the bending of a beam of light, a change in direction which occurs at the moment when it passes from one medium to another. Through refraction, the light wave alters course, changing the way we perceive the objects it illuminates in the process. This optical deviation requires us to repeatedly correct our gaze, comparing the beginning and end points of our perception with reality, and bringing the object we see clearly into focus. In its figurative sense, refraction refers to a critical reflection on the means and channels of visualization, and by extension the possibility of a rearticulation of our view of things – how they are, were, or apparently always have been.
Image: © Sohrab Hura

Featured videos

Annegret Soltau
Schwanger-Sein I, 1977/78

"My pregnancies in 1978 and 1980 became an important theme for me. This personal experience yielded pictures in which I once again used myself as a model, this time myself in the process of being pregnant. The fear that my role as a mother could jeopardize my life as an artist inspired me to create a great many photos and videos. At this point I was preoccupied with the question of how women combine creativity and motherhood.“ (Annegret Soltau)

Tobias Yves Zintel
Breed and Educate, 2018

The Film Breed and Educate is based on a collaborative performance with a class from the Hector-Peterson-Schule Berlin Kreuzberg and the HAU. In numerous task based rehearsals eight pupils between 11 and 13 years explored the possibilties of self-education. Based on various materials from found footage to documentary and staged scenes the film circles around the relationship of controlling and self-empowerment in educational systems. Breed and Educate is circling around the question of how lessons should be organised in times of network and algorthim-based learning. Algorithms and neuronal networks have to master problems only once, after they achieved their goal, results can be duplicated and copied any number of times. Kids on the other hand side have to learn everything step by step, the accumulated knowlede can’t be transfered from on kid to the other by „copy and paste“. An allopoetic system is a trivial system, which can be potentially fully explored, controlled and operated by an observer. With a similar theory in mind, the Prussians started to organise schooling in 1717, to prepare pupils for the Prussian Military Academy. What happens almost 300 years later in a school in Berlin, when the relationship between control and self-empowerment is inverted by postmigrant pupils who breed robots, are educated by them and vice versa? “ In Breed and Educate an automated dionsaur is introduced by a twelfe year old boy: “It’s easily trainable”. While he explains the mode of operation, one sees the parallels: the school wouldn’t have any problems with pupils equipped with a suitable operating system downloaded from the internet. Sounds like an uncanny utopia.” (Katrin Bettina Müller)

Lene Markusen
Grad, 2004

Dieter Kiessling
60 Minutes 360 Degrees GK 2010, 2010

A boy is portrayed with a video camera for an hour on a tennis court.During this time the camera turns through 360 degrees. Meanwhile, the whole space is recorded piece by piece. The boy follows the camera movement slowly thus remaining constantly in the centre of the picture.

Clemens von Wedemeyer
Silberhöhe, 2003

In Halle-Silberhöhe in East Germany, the camera records peri-urban area architecture, prefabricated buildings that are deserted and destined to be demolished. The commentary evokes a film editing technique used by Michelangelo Antonioni in his film, L’Eclisse (1962).

Janet Biggs
Fade to White, 2010

In Fade to White, Biggs delves into the desire to explore remote lands. To create this work, the artist embarked on an expedition in the high Arctic, traveling aboard an ice-class, 2-masted schooner, built in 1910. During the voyage, Biggs filmed Fade to White, focusing on a crew member as he navigated the ship through iceberg filled seas, and paddled a kayak past glacier walls and polar bears. As she photographed the explorer, Biggs tested her own will and endurance. The visual tension of her uncompromising imagery bespeaks their mutual struggle to maintain balance and purpose. Yet, the video also reveals the myth of the solitary white male explorer. Biggs explains, "The desire to hold onto the notion of the 'great white north' as a blank space awaiting interpretation only reinforces the idea of the colonial polar hero. The 'virgin' north has now been mapped, surveyed, and mined, but increased knowledge has not replaced endless fantasies of discovery." Loss and change are implicit in the video's title, Fade to White, which refers to an editing technique used to evoke death or transcendence. Biggs integrated her Arctic imagery with sound and video footage of counter tenor John Kelly, whose age, androgyny, and mournful voice parallel the vanishing Arctic landscape and signal the waning of male dominance.

Rebecca Ann Tess
The Tallest, 2014

The »The Tallest« shows pictures shot on-site of the currently tallest buildings in the world. The high-rises are shown as set pieces of global capitalism, visually disappearing into abstraction. The reduced images are reminding of 3D rendering. The simulated image of these buildings circulates in the media for representational and advertising purposes, becomes a substantial object and the actual spatiality becomes a mockup. The narration is undertaken by a computer voice, it describes the competition for the tallest tower at such divers places as Chicago, Dubai, Hong Kong, Kuala Lumpur, Mecca, Nanjing, New York City, Seoul, Shanghai, Shenzhen, Songdo and Taipei.

Johanna Reich
LIGHT ON BLACK ON WHITE HOMAGE TO MALEVICH, 2015

A moving digital light drawing illuminates a white wall. A hand painting a black square on the white surface becomes visible. At the same time the light drawing is painting a light square. In the end the light of the digital light square illuminates the finished black oil painting.

Critics’ Pick: Vienna by Nicole Büsing + Heiko Klaas

The group show “Antarctica. An Exhibition on Alienation” was presented in Vienna during the past winter season. Departing from a note written by the Italian cult director Michelangelo Antonioni referring to a potential glacier melting in the Antarctica and a hint to a film, the two curators from the Kunsthalle Wien, Vanessa Joan Müller and Nicolaus Schafhausen, conceived an exhibition on the topic of alienation and contemporary art. The focus was on the latest contemporary photography and video art by the younger generation of artists.
Image: © Isabella Fürnkäs

Expanding Bauhaus.
New Reflections on the Bauhaus Movement in Time-Based Media Art
/ Goethe Institute Netherlands

A screening series selected by Elke Kania (Cologne), Julia Sökeland (Hamburg) and Ludwig Seyfarth (Berlin)

With its combination of various arts such as painting, photography film, architecture, fashion, product and interior design and textile art, the Bauhaus is still considered the epitome of a technologically advanced modernity. Last but not least, the attempt to create the whole society aesthetically, inspired many artists worldwide.
Image: © Adnan Softic

Johan Grimonprez

Johan Grimonprez’s critically acclaimed work dances on the borders of practice and theory, art and cinema, documentary and fiction, demanding a double take on the part of the viewer. Informed by an archeology of present-day media, his work seeks out the tension between the intimate and the bigger picture of globalization. It questions our contemporary sublime, one framed by a fear industry that has infected political and social dialogue. By suggesting new narratives through which to tell a story, his work emphasizes a multiplicity of realities.
image: © Johan Griminprez

Christoph Faulhaber: Revolution & Architecture

With "Revolution & Architecture" Christoph Faulhaber (* 1972 in Osnabrück, lives in Hamburg) conceives, builds, designs and opens a whole series of very different rooms in the Kunsthalle Osnabrück. In order to discover the revolutionary aspect of these "architectures", one has to look at the social implications of interior design in general. In the forum the visitor then enters Faulhaber's cinematic autobiography "Every Picture is an Empty Picture" as in the eye of the cyclone: The work is split into 15 individual films and surrounds the visitor in a circle.
Image: © Christoph Faulhaber

Stiftung imai – inter media art institute

The Düsseldorf based foundation imai – inter media art institute was founded in 2006 in order to establish an institution in Germany dedicated to the distribution and preservation of media art and associated activities.
Image: © Marcel Odenbach

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for artists we provide a platform for extensive presentation of media works, gallerists get a direct contact to international professional audiences, collectors find a worldwide overview of contemporary trends in moving image, curators can do research via keywords and compilations, teachers use presentation opportunities for students and all professionals get password protected, extensive information about video works worldwide.

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blinkvideo is a website for the research of video art. Founders: Julia Sökeland, Anita Beckers. blinkvideo ist eine Plattform zur Recherche nach Videokunst

Rebecca Ann Tess

Works


Galleries

Philipp von Rosen Galerie
Philipp von Rosen
Aachener Straße 65
50674 Aachen
Germany

Phone: +49 221 27056840
E-Mail: info@philippvonrosen.com




Biography

born 1980 in Annweiler am Trifels, Germany
lives in Berlin.

Education

2007–2009 Master of Fine Art, HfBK Städelschule Frankfurt am Main
2002–2007 Diploma of Fine Art, University of the Arts Berlin
2004–2005 Study of Fine Art, Chelsea College of Art and Design London

Solo shows

2016
Alpha++ at Philipp von Rosen Galerie, Cologne
Upper, Space One, Seoul
12x12 IBB-video space at Berlinische Galerie

2013
Home Time Show Time, Figge von Rosen Galerie, Berlin
Container. A video installation by Rebecca Ann Tess, basis e.V., Frankfurt am Main
Rebecca Ann Tess, Freilichtmuseum Hessenpark, Neu-Anspach

2012
“It takes a company to make art great”, lampione, Frankfurt am Main

2011
A Crime must be Committed, Figge von Rosen Galerie, Berlin

2010
Not Dad Yet Sad!, Figge von Rosen Galerie, Cologne
Dad Dracula is Dead, Nassausicher Kunstverein, Wiesbaden

Group shows

2015
Monitoring, 32. Kassel Documentary Film and Video Festival, Kassel
Turtlelab Studios, Berlin

2014
High Today What’s Tomorrow?, sign CIAT – Contemporary Institute for Art & Thought, Berlin
Big Picture, part of 11th Fair of Culture, Zagreb, Croatia
pop up nak, Galerie Sabine Knust, München

2013
Villa Romana 1905–2013. Das Künstlerhaus in Florenz, Kunst- und Ausstellungshalle der Bundesrepublik Deutschland, Bonn
Risk Society, MOCA Museum of Contemporary Art, Taipei
Qual & Wahl, Pflicht, Freiheit, Zwang, Kunstverein Wolfsburg

2012
AIR – Artist in Residence, Atelierfrankfurt, Frankfurt am Main
Jahresgaben 2012, Neuer Aachener Kunstverein, Aachen
BCC #10: The Gap, Sankt Georgen, Frankfurt am Main
Open Studios, National Art Studio, Seoul
Etna Carrara, Ludwigforum, Aachen
Reality Manifestos – Can Reality Break Bricks?, Kunsthalle Exnergasse, Vienna

2011
km 500 4, Kunsthalle, Mainz
28. Kasseler Dokumentarfilm- und Videofest, Kassel
Filmtage – Lichter Art Award, Saasfee Pavillon, Frankfurt am Main
Villa Romana – Fellows 2011, Villa Romana, Florence

2010
New Frankfurt Internationals: Stories and Stages, Frankfurter Kunstverein
A Thousand Endless Tales – Dancing the Line of Flight, White Space, Zurich
11 Frankfurter Gegen Uni, Institut für vergleichende Irrelevanz, Frankfurt am Main
Krise / Kriza, Goethe-Institut Belgrad
Filmtage – Kunstlichter: Stimulus Kino, Frankfurt am Main
Astronomical Frontiers, BKS Garage, Copenhagen
Das ist die Lebenswelt, NAK Neuer Aachener Kunstverein, Aachen

2009
Videonale 12, Kunst Museum, Bonn
Queer Arts Festival - Threads, QCC/SOMArts Cultural Center, San Francisco
SMart Festival, Open Concept Gallery, Grand Rapids
Naneci Yurdagül zeigt Angst, Geburtshaus Adam Opel, Rüsselsheim
Past Imperfect, European Media Art Event Beursschouwburg, Brussels
Dude, where´s my career?, MMK Zollamt, Frankfurt am Main

2008
Teleport Färgfabriken, Färgfabriken Norr, Östersund
Vertrautes Terrain – Aktuelle Kunst in und über Deutschland, ZKM, Karlsruhe
Tormpe-loeil Polizei, Realism Working Group, Free Class FMM, Frankfurter Kunstverein
Farnsworth Galleries, Project Space Rungestrasse, Berlin
Gender*d*rama, Statthaus Böcklerpark, Berlin

2007
Altenburg: Provinz in Europa, Lindenau Museum, Altenburg
Student Show, Catalyst Arts, Belfast

Screenings

2015
Cairo Video Festival, Cairoc
Message to Man International Film Festival, St. Petersburg
International Short Film Festival, Hamburg
Cinema Akil – Outbox Short Film Festival, Dubai
2014
In the Heat of the Night, Kunstverein Harburger Bahnhof, Hamburg
Short Films by German and Israeli Filmmakers, Kunstmuseum, Bochum
2013
Kunst im Kino, München
2012
Videoart at Midnight #40, Kino Babylon, Berlin
Wisdom of Shadow, Sinopale 4 (Sinop Biennale), Sinop
Home Time Show Time, Villa Romana, Florence
Films by Kerstin Cmelka, Keren Cytter, Rebecca Ann Tess, Elaine MGK, Basel
Rencontres International Paris/Berlin/Madrid, Haus der Kulturen der Welt, Berlin
Basel Art Week, Elaine MGK, Basel
Athens Video Art Festival, Stoa Kourtaki, Athens
2011
Rencontres International Paris/Berlin/Madrid, Gaité Lyrique, Paris
Videovisionen, Edith-Russ-Haus für Medienkunst, Oldenburg
Lichter Kurzfilmnacht, Hafen 2, Frankfurt
2009
Queer cafe, Copenhagen
Entzaubert – Queer DIY Film Festival, Schwarzer Kanal, Berlin

Lectures

2014
Artist Talk, Black Sheep Lecture, Panic Blossom, Seoul
Artist Talk, Department for Culture and Education of the German Consulate General, Shanghai
2012
Reenactment in Video Art, Freie Universität, Berlin
Symposium Reality Manifestos – Can Reality Break Bricks?, Kunsthalle Exnergasse, Vienna
2011
Screening and Artist Talk, Residency Unlimited, New York City
2009
Free Class/FFM, Academies – Along the Rhine, Kölnischer Kunstverein, Cologne

Awards

2012
Artist in Residence Program, Kulturamt Frankfurt, Seoul
Studio Scholarship, Aus der Stadt aufs Land, Freilichtmuseum Hessenpark
2011
Villa Romana Fellowship, Florence
2010
Balmoral Scholarship for New York
2006–2008
German National Academic Foundation
2004–2005
Erasmus/Sokrates Scholarship, London

Rebecca Ann Tess
born 1980 in Annweiler am Trifels, Germany lives in Berlin. Education 2007–2009 Master of Fine Art, HfBK Städelschule Frankfurt am Main 2002–2007 Diploma of Fine Art, University of the Arts Berlin 2004–2005 Study of Fine Art, Chelsea College of Art and Design London Solo shows2016Alpha++ at Philipp von Rosen Galerie, CologneUpper, Space One, Seoul 12x12 IBB-video space at Berlinische Galerie 2013 Home Time Show Time, Figge von Rosen Galerie, Berlin Container. A video installation by Rebecca Ann Tess, basis e.V., Frankfurt am Main Rebecca Ann Tess, Freilichtmuseum Hessenpark, Neu-Anspach 2012 “It takes a company to make art great”, lampione, Frankfurt am Main 2011 A Crime must be Committed, Figge von Rosen Galerie, Berlin 2010 Not Dad Yet Sad!, Figge von Rosen Galerie, Cologne Dad Dracula is Dead, Nassausicher Kunstverein, Wiesbaden Group shows 2015 Monitoring, 32. Kassel Documentary Film and Video Festival, Kassel Turtlelab Studios, Berlin 2014 High Today What’s Tomorrow?, sign CIAT – Contemporary Institute for Art & Thought, Berlin Big Picture, part of 11th Fair of Culture, Zagreb, Croatia pop up nak, Galerie Sabine Knust, München 2013 Villa Romana 1905–2013. Das Künstlerhaus in Florenz, Kunst- und Ausstellungshalle der Bundesrepublik Deutschland, Bonn Risk Society, MOCA Museum of Contemporary Art, Taipei Qual & Wahl, Pflicht, Freiheit, Zwang, Kunstverein Wolfsburg 2012 AIR – Artist in Residence, Atelierfrankfurt, Frankfurt am Main Jahresgaben 2012, Neuer Aachener Kunstverein, Aachen BCC #10: The Gap, Sankt Georgen, Frankfurt am Main Open Studios, National Art Studio, Seoul Etna Carrara, Ludwigforum, Aachen Reality Manifestos – Can Reality Break Bricks?, Kunsthalle Exnergasse, Vienna 2011 km 500 4, Kunsthalle, Mainz 28. Kasseler Dokumentarfilm- und Videofest, Kassel Filmtage – Lichter Art Award, Saasfee Pavillon, Frankfurt am Main Villa Romana – Fellows 2011, Villa Romana, Florence 2010 New Frankfurt Internationals: Stories and Stages, Frankfurter Kunstverein A Thousand Endless Tales – Dancing the Line of Flight, White Space, Zurich 11 Frankfurter Gegen Uni, Institut für vergleichende Irrelevanz, Frankfurt am Main Krise / Kriza, Goethe-Institut Belgrad Filmtage – Kunstlichter: Stimulus Kino, Frankfurt am Main Astronomical Frontiers, BKS Garage, Copenhagen Das ist die Lebenswelt, NAK Neuer Aachener Kunstverein, Aachen 2009 Videonale 12, Kunst Museum, Bonn Queer Arts Festival - Threads, QCC/SOMArts Cultural Center, San Francisco SMart Festival, Open Concept Gallery, Grand Rapids Naneci Yurdagül zeigt Angst, Geburtshaus Adam Opel, Rüsselsheim Past Imperfect, European Media Art Event Beursschouwburg, Brussels Dude, where´s my career?, MMK Zollamt, Frankfurt am Main 2008 Teleport Färgfabriken, Färgfabriken Norr, Östersund Vertrautes Terrain – Aktuelle Kunst in und über Deutschland, ZKM, Karlsruhe Tormpe-loeil Polizei, Realism Working Group, Free Class FMM, Frankfurter Kunstverein Farnsworth Galleries, Project Space Rungestrasse, Berlin Gender*d*rama, Statthaus Böcklerpark, Berlin 2007 Altenburg: Provinz in Europa, Lindenau Museum, Altenburg Student Show, Catalyst Arts, Belfast Screenings 2015 Cairo Video Festival, Cairoc Message to Man International Film Festival, St. Petersburg International Short Film Festival, Hamburg Cinema Akil – Outbox Short Film Festival, Dubai 2014 In the Heat of the Night, Kunstverein Harburger Bahnhof, Hamburg Short Films by German and Israeli Filmmakers, Kunstmuseum, Bochum 2013 Kunst im Kino, München 2012 Videoart at Midnight #40, Kino Babylon, Berlin Wisdom of Shadow, Sinopale 4 (Sinop Biennale), Sinop Home Time Show Time, Villa Romana, Florence Films by Kerstin Cmelka, Keren Cytter, Rebecca Ann Tess, Elaine MGK, Basel Rencontres International Paris/Berlin/Madrid, Haus der Kulturen der Welt, Berlin Basel Art Week, Elaine MGK, Basel Athens Video Art Festival, Stoa Kourtaki, Athens 2011 Rencontres International Paris/Berlin/Madrid, Gaité Lyrique, Paris Videovisionen, Edith-Russ-Haus für Medienkunst, Oldenburg Lichter Kurzfilmnacht, Hafen 2, Frankfurt 2009 Queer cafe, Copenhagen Entzaubert – Queer DIY Film Festival, Schwarzer Kanal, Berlin Lectures 2014 Artist Talk, Black Sheep Lecture, Panic Blossom, Seoul Artist Talk, Department for Culture and Education of the German Consulate General, Shanghai 2012 Reenactment in Video Art, Freie Universität, Berlin Symposium Reality Manifestos – Can Reality Break Bricks?, Kunsthalle Exnergasse, Vienna 2011 Screening and Artist Talk, Residency Unlimited, New York City 2009 Free Class/FFM, Academies – Along the Rhine, Kölnischer Kunstverein, Cologne Awards 2012 Artist in Residence Program, Kulturamt Frankfurt, Seoul Studio Scholarship, Aus der Stadt aufs Land, Freilichtmuseum Hessenpark 2011 Villa Romana Fellowship, Florence 2010 Balmoral Scholarship for New York 2006–2008 German National Academic Foundation 2004–2005 Erasmus/Sokrates Scholarship, London

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