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blinkvideo - research of video art, performance and multimedia installations.

blinkvideo - research of video art, performance and multimedia installations.

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artists we provide a platform for extensive presentation of media works, gallerists get a direct contact to international professional audiences, collectors find a worldwide overview of contemporary trends in moving image, curators can do research via keywords and compilations, teachers use presentation opportunities for students and all professionals get password protected, extensive information about video works worldwide.

FLUID STATES. SOLID MATTER
Videonale 18.

On what basis do we live, think and act nowadays? And how are we shaping this basis for the future? The works of the exhibition FLUID STATES. SOLID MATTER open a discourse on these questions. How does our thinking of the relationship of human beings to their environment change when we no longer see the body as solid and autonomous - as it has been the case until now - but as fluid. As fluid bodies - or "Bodies of Water", as gender researcher Astrida Neimanis puts it -
we as human beings no longer stand above nature, but in interaction with it, with the living being, with the systems that surround us.
Image: © Ida Kammerloch, Resusci Anne, 2019/2020

Alexandra Meijer-Werner

Between 1993 and 2002 Alexandra Meijer-Werner's artistic work focused on creating video installations with multiple projectors, and combining sound, texture and interaction with the public. She also produced a number of documentaries which evidence her profound interest in personal transformation and the awakening of human consciousness.

Please have a look to an introduction of her work on blinkvideo.
Image: © Eugenia Meijer-Werner

Moving Images / Moving Bodies
Online screening programme in cooperation
with the Goethe-Institut Bulgaria

Curated by Ludwig Seyfarth

Research into the human body and interpersonal relationships remain central themes in video and moving image art. Artists from Bulgaria and Germany, whose work is related in content, will be shown in pairs over the next weeks. The exhibition planned for November 2020 in Sofia has been postponed until 2021. Instead, a consecutive presentation of selected films by artists from Moving Bodies/Moving Images is presented on blinkvideo.
image: © Elitsa Dimitrova

Shooting Ghosts
Online screening programme in cooperation
with the Goethe-Institut Bulgaria

Curators: Kalin Serapionov, Krassimir Terziev

What we propose in this programme is a highly subjective and fragmented view on current practices in moving image in the Bulgarian art scene. We focused on practices that show affinity with speculative narratives - narratives that not just record what is in front of the cinematic eye, but also capture all the ghosts that are unreachable by the apparatus, thus projecting speculative views that intend not merely to describe, but to transform the world.
image: © Veneta Androva

Featured videos

Alexandra Meijer-Werner
Kreislauf / cycle … revolution … circulation, 1997

Kreislauf is an oneiric trip about the continuous cycle of human rebirth. Our dreams create the fabric in which the threads or individual tendencies appear and disappear, only to become visible once again. The dynamic of this video is a weave of repetitions and juxtapositions of the experiences that create the dance of life. Everything is cyclic, nothing disappears; everything is perpetually mutating in landscapes of anguish and joy, violence and calm, solitude and union. The traveler is the active force of his own fate when he realizes that what is most significant in life is the act of living itself.

Björn Braun
without title (excerpt), 2012

Sandra Boeschenstein
Besuchte Linie auf Granit, 2014

I encountered the roundworm in the Alps when I attempted to repair the water catchment of the cabin after a storm. I wished for this animal found at the spring to be a visited line, then searched for potential visitors and found, just nearby, a nest of firebugs in a dried chestnut leaf, which I placed just outside of the image field. The granite slab, roundworm, bugs’ nest and a fly lived their lives within a radius of 100 meters. My part in this was to bring them into direct proximity for the duration of an hour, to focus my camera and to breathe onto the upper part of the lens, in order to increase the atmospheric depth of the picture. Finally, to come to the allegation I’ve made via the title that something was a line that actually is an animal (when normally, in a contrary approach, characteristically formed lines represent animals or the like). The combination of the simplicity in the foundation / bedrock with a simultaneous insecurity in view of scale and nature of this white line, holds my fascination.

Isabella Fürnkäs
In Ekklesia, 2015

The title, ‘In Ekklesia,’ comes from the Greek word ‘ecclesia,’ which refers to the democratic parliament that served Athens in its halcyon days by being open to male citizens every other year. Solon, an Athenian legislator and a sage, allowed all citizens to serve the parliament regardless of their social class in BC 594. The Ecclesia made decisions about war, military strategies, and all judicial and administrative issues. This work satirizes various facets of humans and machines in the 21st century, unconsciously within a dystopian environment. Isabella Fürnkäs introduces a method of combining and overlaying countless images in her work, providing the new experience of sensations that act in ambiguous flows, movements, interference, and interjection. The piece is about the new metaphysical and material connections appearing through digital conversations that are divorced from the general notion of time and space, as well as isolation and alienation. Text by Hyun Jeung Kim (Nam June Paik Art Center Seoul)

Ryan Gander
Man on a bridge - (A study of David Lange) , 2008

A digital video transferred from 16 mm film shows a number of slightly differing takes of the same short sequence: A man walks over a bridge and seems to notice something over the railing to his left hand side. As he moves in for a closer inspection, the film cuts, which is then followed by another take of the same shot.

Wim Catrysse
MSR, 2014

On the Kuwait roads the journey goes in a western direction, past military bases and a line of oil transporters. Dreary sound sequences are pumped out by the radio. In the middle of rubbish heaps by the roadside a pack of wild dogs is trying to find shelter from the wind. Wim Catrysse presents the Kuwait desert both as a post-apocalyptic setting and as protagonist. During the journey, the car window is an obstacle, made even more so by the screen. The viewer, dumped in the desert, does not manage to reach it through the window. MSR, the Main Supply Route, is the main highway used to coordinate military operations in the Gulf War in 1990/91 and the War in Iraq in 2003. Filming is forbidden here, so the pack of wild dogs carries the story at first. But their behaviour keeps on bringing the desert into focus as the principal actor. Underlined by the sound track, its seeming hostility to life awakens the impression of a dystopian timelessness reminiscent of the apocalyptic scenarios in films and makes the viewer feel ill at ease. Catrysse examines conventions, both in a political-dogmatic and in a filmic sense.Nathalie Ladermann

Johanna Reich
CRAWLER, 2020

A crawler is a searchbot in the internet which Johanna Reich uses to collect special comments or phrases about the most discussed topics during the last years like A.I., climate change, digital revolution, gender and the turn of democratic systems. Johanna Reich selects several of the collected phrases composing a robot performance: self-driving projectors move across the exhibition space and project comments about a.i., gender or climate change onto the audience and architecture.

Annika Kahrs
solid surface, with hills, valleys, craters and other topographic...., 2014

solid surface,with hills,valleys,craters and other topographic features,primarily made of ice„solid surface, with hills, valleys, craters and other topographic features, primarily made of ice“ is set in a planetarium with a projected starry sky, in the center of which is situated a light spot, that explores the space. The Film deals with the moment, shortly before the actual visualization of pluto’s surface properties, whereas the entire cupola hall of the planetarium serves as a metaphorical projection surface of Pluto. The round light spot formally points to the shape of the celestial object and functions as placeholder for its soon arising image.

Ann Oren
The World Is Mine, 2017

In cosplay of the Japanese cyber diva Hatsune Miku, the artist moved to Tokyo, seeking an identity in the world of Miku fanatics, where she was drawn into a love affair with one of the fans. Miku is a Vocaloid, a vocal synthesizer software personified by a cute animated character. Her entire persona: lyrics, music and animation – is fan created, and that's her charm. She even performs sold out concerts as a hologram. By transforming herself into a Miku character through cosplay, Oren enters a world of real hardcore fans where fantasy is more real than reality and the differentiation between the two becomes obsolete. The film examines the performative nature of cosplaying – dressing up and playing the role of fictional characters – as a hybrid space where reality blurs into fetishistic fantasies and pop culture clichés. Combining fan-made lyrics and songs, Oren's trials and tribulations in the fictional Miku world unfolds through vague erotic episodes and encounters with characters whose ontological status remains mysterious, bringing to mind the adventures of a modern Alice in a virtual Wonderland.

Jonathan Monaghan
Den of Wolves, 2020

Den of Wolves is a seamlessly-looping video installation drawing on a range of references to weave a new multi-layered mythology. The work follows three bizarre wolves through a series of increasingly surreal retail stores as they search for the regalia of a monarch. Composed of one continuous camera shot, the work is an immersive, dreamlike journey drawing connections between popular culture, institutional authority and technological over-dependence.

Stefan Panhans
HOSTEL Sequel #1: Please Be Careful Out There, Lisa Marie – H.V.Installation Mix, 2018

At transmediale, Stefan Panhans and Andrea Winkler show their work HOSTEL Sequel #1: Please Be Careful Out There, Lisa Marie – Hybrid Version, a new project that combines film, installation, and staccato stage reading (on blinkvideo we are showing a trailer of the integrated film). With everyday racism, celebrity worship, stereotypes, and the dominating power of the economic all on the rise, precariously and flexibly traveling cultural workers of different origin deliver a sort of spoken word battle about their experiences and dreams. They constantly switch roles and, at the same time, form a choir that clashes with the rapped reports of everyday life. As in a collaborative gymnastic exercise—surrounded by scenery made up of set pieces from outfits of airports, hostels, and courier services, from self-optimization tools and game show displays—they fight for a voice and to be heard, building new alliances along the way. for more information: opening of transmediale

Mariola Brillowska
Children Of The Devil, 2011

Mariola Brillowska’s animation film relates the total collapse of the family system in the 21st century. Six cartoon episodes present an unsparing account of how children become murderers of their parents.

Julia Charlotte Richter
Point Blank, 2019

“Point Blank” refers to a film scene from "The Misfits" (1961) that is now re-enacted and further contextualized. In the original scene, the recently divorced main character Roslyn (Marilyn Monroe) rises up against three worn-out cowboys and, in the middle of the desert, confronts the men with all their lacks and lost dreams. In “Point Blank”, we see a young woman wandering around in surreal desert landscapes, a journey into the remoteness of the world and her own inner life. With every step out into the desert, the girl descends into her own depths searching for a place that seems to be suitable for her emotions and words. Unlike Roslyn, the young woman now refers to absent addressees: "Liars", "Murderers" and "Dead Men" she screams and turns around wildly. The words, which spread like bullets in the air, fall back on her. Except for a faint echo, there is no resonance at this place that depicts the obsessions of a distorted, patriarchal society and has become a dramatic backdrop of yearnings within the collective history of cinema. Where Roslyn was able to elicit a terrified astonishment from the three men, the character in Julia Charlotte Richter's video remains to herself and unheard, the desert as the only witness of her manifesto, her anger and her strength.

Ulrich Polster
Frost, 2003 / 2004

The night city. Industrial ruins filmed in contrejour. Memories from childhood. Different places and times combined at the mountain. It is a hollow portrait of Eastern Europe that carries the traces of its history.

Ene-Liis Semper
FF REW, 1998

Dimitri Venkov
The Hymns of Muscovy, 2018

The film is a trip to the planet Muscovy, which is an upside down space twin of the city of Moscow. As the title of the work suggests, the journey also takes us back in time. Gliding along the surface of the planet, we look down to the sky and see historic architectural styles fly by - the exuberant Socialist Classicism aka Stalinist Empire, the laconic and brutish Soviet Modernism, and the hodgepodge of contemporary knock-offs and revivals of the styles of the past. An essential companion to this journey through time and space are Hymnic Variations on the Soviet anthem by the composer Alexander Manotskov. The anthem was written in 1943 and has undergone three editions of lyrics yet musically remained unchanged to now serve as the official anthem of the Russian Federation. Manotskov used an early recording of the anthem as source material to create three electronic variations each corresponding to an architectural style. As if in a twist of Goethe’s phrase, architecture plays its frozen music. Look closely, can you hear it?

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blinkvideo is a website for the research of video art. Founders: Julia Sökeland, Anita Beckers. blinkvideo ist eine Plattform zur Recherche nach Videokunst

Sabine Wewer

Works


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for further information contact blinkvideo
Germany

Phone: +49 40 22748986
E-Mail: info@blinkvideo.de




Statement

In my paintings, installations, performances and in the short movies the issue is always movement. The flying birds in the sky are the symbols of my existence – but also all fishes and the floating jellyfishes in the sea. All vehicles that are made for traveling are of interest and all worlds like dream- and model-worlds. Story-telling as exploring the realities of other people and other times that I retell again in a surreal language where I cut Drawings, model-worlds and reality together to a flying, dancing and singing cosmos that is like a trance or like a door into another state of mind.


Biography

Solo exhibitions

2014
ROYAL SHINE KING ?DEUTSCHE BUCHT? , Wilke-Atelier Bremerhaven

2013
MERCURIUM, KMH BASSUM
B.SAMEDI, Ossenfort Productions NYC, New York ,USA
Bilder einer Ausstellung, INGO LIE / SABINE WEWER , Kreismuseum Syke
EVERYTHING THAT HAPPENS IS WHAT I WANT , Video -Performance mit
DANCELAB Prag ,Tschechien

2012
TROIS CHAMBRES A MANHATTAN , Stipendiatengalerie Stuhr
ICH ARBEITE GERN IM DUNKELN , Galerie Mitte, Bremen
INSOMNIA, Galerie Funke, Berlin
THUNDERBOLT, Galerie Falkenberg , Hannover

2011
SEVEN SECRETS , Tuchmacherhaus Diepholz
DELUGE , Galerie Klötze & Schinken, Berlin

2010
MOBY DICK MOTEL,, Hafenmuseum Speicher IX, Bremen mit Silke Thoss / Veronika Schumacher
ALLES WAS ICH WILL PASSIERT , Kulturpalast Wedding Int.,Berlin (Katalog,)

2009
MEMORIAL TO FLYING BIRDS , Galerie Schlehn, Neustadt a.Rbgb.
SPIEGELNEURON , Galerie des Westens, Bremen

2007
MARIANEN FUJIAMA, Speicher IX, Hafenmuseum Bremen (Katalog)
MARIA, Marienkirche zu Heiligenrode , Stuhr (Katalog )
PEARLS THAT WERE HIS EYES, Galerie Crystal Ball, Berlin

2006
Galerie Schlehn, Neustadt a. Rgb., mit Astrid Eggert
THERE YOU GO, Ossenfort Productions , New York City, mit SilkeThoss

2005
CRYSTAL LAB , Galerie 149, Bremerhaven
DER KRONPRINZ AM FUJIJAMA, ART IG Hannover

2004
POR QUÉ TE VAS , Installation am Museum Alcala, Sevilla, Spanien
DER BLINDE PILOT,, Showroom CHECK IN, Flughafen Bremen

2003
FLIGHTTRAINING, Galerie Herold , Bremen
LE VALLON DES ALLISAS, Galerie Angle Contemporain, Frankreich
DAS LIED DER WELT, Stiftskirche Bassum
WEWER, ZINNOBER, ART IG Ratswiese, Hannover

2002
OSTWESTKURIER, Galerie Falkenberg Hannover
DAS BUCH DER DINGE, Galerie Ga De We, Bremen
Church of the Dielectric Union, Los Angeles , USA

2001
KISMET, Glücksforschung , Performance in New York City und Dresden

2000
PETITE ÉCOLE DU CIEL, Templerkirche Clansayes, Frankreich (Katalog)
LIQUID SKIES, Stiftskirche Bassum

1999
KLEINE SCHULE VON AUSLÄNDERN, Gärtnerei Lieblingstraum, Bremen

1997
SCHWONTKOWSKI / WEWER, Städtische Galerie Delmenhorst (Katalog)
PETITE ECOLE DU CIEL, Galerie Angle, Frankreich

1996
DIE WUNDERBAREN WOLKEN , Installation im Treppenhaus des Ministerium für Wissenschaft, Kunst und Kultur Hannover , 7Stock, (Katalog)
Kulturpreis 1996 des Landkreises Diepholz, Kreismuseum Syke

1995
THALHEIMER / WEWER, Galerie Art&Arche, Schloß Wendhausen (Katalog)

1991
PREIS DES KUNSTVEREINS HANNOVER mit Jörg Lange / Brigitte Raabe (Katalog)
PORTRAITS , Galerie Angle, Frankreich, Flyer
50 FEMMES , Salle des Moulinieres,Tulettes, Frankreich

1989
WEWER , Galerie Steinbrecher, Bremen
WEWER Galerie Jan Kana, Contemporary Arts, Berlin
LES ENFANTS TERRIBLES , Galerie Angle, St.Paul-3-Chtx, Frankreich
Galerie Sandmann & Haak ,Studio, Hannover

1987
S.WEWER Gallery Fashion Moda , New York USA
COMPULSION, Jamison &Thomas Gallery, New York mit Jean-Michel Basquiat

Prices, scholarships and teaching contracts

1986-1987
Fulbright Stipendium , State University of NY, USA
1987
Stipendium der Galerie Angle, St. Paul-3-CTX, Frankreich
1990
First prize Bernhard Kaufmann Foundation, Bremen
1991-1993
Price of the Kunstverein Hannover
1993
Niedersächsisches Nachwuchsstipendium Erster Preis der Stadt Achim
1993-2004
Teaching at FHS für Kommunikation/Design, Hannover
1996-1997
Atelierstipendium der Stadt Delmenhorst
1998
First Prize for Photography, Gallery Kubo, Bremen
2001
Teaching assignment at the Design Factory, Hamburg
2004-2008
line a painting class, Hochschule für Applied Sciences & Fine Art Ottersberg
2008
Honorar Professur an der FHS; University of Applied Sciences, Ottersberg
2010
Artist in Residence of the city of Bremen for Berlin
2011
Fotoassistenz für Hoffmann Fotodesign, Grandhotel Heiligendamm
2012
GO WEST scholarship for exhibition: Area 405, Baltimore, USA Curator of the exhibition BESTIARY, Museum Syker Vorwerk with R. Bieler
2013
„Alles was passiert, will ich“ Performance mit DANCELAB, Prag
2014
Wilke Atelier Stipendium, Bremerhaven Bremer Projektförderung für Videos “Gypsycamp” & “Piroschka“, Rumänien

Sabine Wewer
Solo exhibitions 2014 ROYAL SHINE KING ?DEUTSCHE BUCHT? , Wilke-Atelier Bremerhaven 2013 MERCURIUM, KMH BASSUM B.SAMEDI, Ossenfort Productions NYC, New York ,USA Bilder einer Ausstellung, INGO LIE / SABINE WEWER , Kreismuseum Syke EVERYTHING THAT HAPPENS IS WHAT I WANT , Video -Performance mit DANCELAB Prag ,Tschechien 2012 TROIS CHAMBRES A MANHATTAN , Stipendiatengalerie Stuhr ICH ARBEITE GERN IM DUNKELN , Galerie Mitte, Bremen INSOMNIA, Galerie Funke, Berlin THUNDERBOLT, Galerie Falkenberg , Hannover 2011 SEVEN SECRETS , Tuchmacherhaus Diepholz DELUGE , Galerie Klötze & Schinken, Berlin 2010 MOBY DICK MOTEL,, Hafenmuseum Speicher IX, Bremen mit Silke Thoss / Veronika Schumacher ALLES WAS ICH WILL PASSIERT , Kulturpalast Wedding Int.,Berlin (Katalog,) 2009 MEMORIAL TO FLYING BIRDS , Galerie Schlehn, Neustadt a.Rbgb. SPIEGELNEURON , Galerie des Westens, Bremen 2007 MARIANEN FUJIAMA, Speicher IX, Hafenmuseum Bremen (Katalog) MARIA, Marienkirche zu Heiligenrode , Stuhr (Katalog ) PEARLS THAT WERE HIS EYES, Galerie Crystal Ball, Berlin 2006 Galerie Schlehn, Neustadt a. Rgb., mit Astrid Eggert THERE YOU GO, Ossenfort Productions , New York City, mit SilkeThoss 2005 CRYSTAL LAB , Galerie 149, Bremerhaven DER KRONPRINZ AM FUJIJAMA, ART IG Hannover 2004 POR QUÉ TE VAS , Installation am Museum Alcala, Sevilla, Spanien DER BLINDE PILOT,, Showroom CHECK IN, Flughafen Bremen 2003 FLIGHTTRAINING, Galerie Herold , Bremen LE VALLON DES ALLISAS, Galerie Angle Contemporain, Frankreich DAS LIED DER WELT, Stiftskirche Bassum WEWER, ZINNOBER, ART IG Ratswiese, Hannover 2002 OSTWESTKURIER, Galerie Falkenberg Hannover DAS BUCH DER DINGE, Galerie Ga De We, Bremen Church of the Dielectric Union, Los Angeles , USA 2001 KISMET, Glücksforschung , Performance in New York City und Dresden 2000 PETITE ÉCOLE DU CIEL, Templerkirche Clansayes, Frankreich (Katalog) LIQUID SKIES, Stiftskirche Bassum 1999 KLEINE SCHULE VON AUSLÄNDERN, Gärtnerei Lieblingstraum, Bremen 1997 SCHWONTKOWSKI / WEWER, Städtische Galerie Delmenhorst (Katalog) PETITE ECOLE DU CIEL, Galerie Angle, Frankreich 1996 DIE WUNDERBAREN WOLKEN , Installation im Treppenhaus des Ministerium für Wissenschaft, Kunst und Kultur Hannover , 7Stock, (Katalog) Kulturpreis 1996 des Landkreises Diepholz, Kreismuseum Syke 1995 THALHEIMER / WEWER, Galerie Art&Arche, Schloß Wendhausen (Katalog) 1991 PREIS DES KUNSTVEREINS HANNOVER mit Jörg Lange / Brigitte Raabe (Katalog) PORTRAITS , Galerie Angle, Frankreich, Flyer 50 FEMMES , Salle des Moulinieres,Tulettes, Frankreich 1989 WEWER , Galerie Steinbrecher, Bremen WEWER Galerie Jan Kana, Contemporary Arts, Berlin LES ENFANTS TERRIBLES , Galerie Angle, St.Paul-3-Chtx, Frankreich Galerie Sandmann & Haak ,Studio, Hannover 1987 S.WEWER Gallery Fashion Moda , New York USA COMPULSION, Jamison &Thomas Gallery, New York mit Jean-Michel Basquiat Prices, scholarships and teaching contracts 1986-1987 Fulbright Stipendium , State University of NY, USA 1987 Stipendium der Galerie Angle, St. Paul-3-CTX, Frankreich 1990 First prize Bernhard Kaufmann Foundation, Bremen 1991-1993 Price of the Kunstverein Hannover 1993 Niedersächsisches Nachwuchsstipendium Erster Preis der Stadt Achim 1993-2004 Teaching at FHS für Kommunikation/Design, Hannover 1996-1997 Atelierstipendium der Stadt Delmenhorst 1998 First Prize for Photography, Gallery Kubo, Bremen 2001 Teaching assignment at the Design Factory, Hamburg 2004-2008 line a painting class, Hochschule für Applied Sciences & Fine Art Ottersberg 2008 Honorar Professur an der FHS; University of Applied Sciences, Ottersberg 2010 Artist in Residence of the city of Bremen for Berlin 2011 Fotoassistenz für Hoffmann Fotodesign, Grandhotel Heiligendamm 2012 GO WEST scholarship for exhibition: Area 405, Baltimore, USA Curator of the exhibition BESTIARY, Museum Syker Vorwerk with R. Bieler 2013 „Alles was passiert, will ich“ Performance mit DANCELAB, Prag 2014 Wilke Atelier Stipendium, Bremerhaven Bremer Projektförderung für Videos “Gypsycamp” & “Piroschka“, Rumänien

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