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blinkvideo - research of video art, performance and multimedia installations.

For artists we provide a platform for extensive presentation of media works, gallerists get a direct contact to international professional audiences, collectors find a worldwide overview of contemporary trends in moving image, curators can do research via keywords and compilations, teachers use presentation opportunities for students and all professionals get password protected, extensive information about video works worldwide.

Nadja Verena Marcin - OPHELIA
Stadtgalerie in Saarbrücken, Germany. 2019

OPHELIA is an interdisciplinary performance that is presented in the Stadtgalerie Saarbrücken as a live action and subsequently as a video installation. It reflects the human-induced destruction of nature and creates references to art, literature and science. Dressed in "Ophelia's" dress and equipped with a diving device, Nadja Verena Marcin will climb into an aquarium and try under water to read the text "The Werld" by Daniil Kharms about human perception.
Image: © Nadja Verena Marcin

Igor Simić - WELTSCHMERZ 
at Galerie Beckers, Frankfurt

The exhibition WELTSCHMERZ shows new works by Serbian artist Igor Simic, which he created in connection with his iOS game Golf Club: Wasteland. For this game he and his award-winning gaming and film company Demagog Studio developed a whole world — a storyline with characters and various landscapes — in a post-apocalyptic scenario. The eerie atmosphere of the carefully crafted visual scenery is accompanied by slow paced, nostalgic, sometimes almost chilling music that evokes the feeling of longing for something lost.
Image: © Igor Simić

Fuzzy dark spot
Video art from Hamburg

The exhibition FUZZY DARK SPOT curated by the Hamburg-based video artist Wolfgang Oelze, at the Falckenberg Collection brings together 56 video works by over 30 mostly Hamburg-based artists ranging from the 1970s to the present day, featuring historical and contemporary productions in both thematic and monographic groups.
image: © Stefan Panhans

REFRACTED REALITIES at VIDEONALE.17

In optics, “refraction” refers to the bending of a beam of light, a change in direction which occurs at the moment when it passes from one medium to another. Through refraction, the light wave alters course, changing the way we perceive the objects it illuminates in the process. This optical deviation requires us to repeatedly correct our gaze, comparing the beginning and end points of our perception with reality, and bringing the object we see clearly into focus. In its figurative sense, refraction refers to a critical reflection on the means and channels of visualization, and by extension the possibility of a rearticulation of our view of things – how they are, were, or apparently always have been.
Image: © Sohrab Hura

Featured videos

Critics’ Pick: Vienna by Nicole Büsing + Heiko Klaas

The group show “Antarctica. An Exhibition on Alienation” was presented in Vienna during the past winter season. Departing from a note written by the Italian cult director Michelangelo Antonioni referring to a potential glacier melting in the Antarctica and a hint to a film, the two curators from the Kunsthalle Wien, Vanessa Joan Müller and Nicolaus Schafhausen, conceived an exhibition on the topic of alienation and contemporary art. The focus was on the latest contemporary photography and video art by the younger generation of artists.
Image: © Isabella Fürnkäs

Expanding Bauhaus.
New Reflections on the Bauhaus Movement in Time-Based Media Art
/ Goethe Institute Netherlands

A screening series selected by Elke Kania (Cologne), Julia Sökeland (Hamburg) and Ludwig Seyfarth (Berlin)

With its combination of various arts such as painting, photography film, architecture, fashion, product and interior design and textile art, the Bauhaus is still considered the epitome of a technologically advanced modernity. Last but not least, the attempt to create the whole society aesthetically, inspired many artists worldwide.
Image: © Adnan Softic

Johan Grimonprez

Johan Grimonprez’s critically acclaimed work dances on the borders of practice and theory, art and cinema, documentary and fiction, demanding a double take on the part of the viewer. Informed by an archeology of present-day media, his work seeks out the tension between the intimate and the bigger picture of globalization. It questions our contemporary sublime, one framed by a fear industry that has infected political and social dialogue. By suggesting new narratives through which to tell a story, his work emphasizes a multiplicity of realities.
image: © Johan Griminprez

Christoph Faulhaber: Revolution & Architecture

With "Revolution & Architecture" Christoph Faulhaber (* 1972 in Osnabrück, lives in Hamburg) conceives, builds, designs and opens a whole series of very different rooms in the Kunsthalle Osnabrück. In order to discover the revolutionary aspect of these "architectures", one has to look at the social implications of interior design in general. In the forum the visitor then enters Faulhaber's cinematic autobiography "Every Picture is an Empty Picture" as in the eye of the cyclone: The work is split into 15 individual films and surrounds the visitor in a circle.
Image: © Christoph Faulhaber

Stiftung imai – inter media art institute

The Düsseldorf based foundation imai – inter media art institute was founded in 2006 in order to establish an institution in Germany dedicated to the distribution and preservation of media art and associated activities.
Image: © Marcel Odenbach

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blinkvideo is a website for the research of video art. Founders: Julia Sökeland, Anita Beckers. blinkvideo ist eine Plattform zur Recherche nach Videokunst

Nazlı Dinçel

Works


Biography

born 1989, Turkey)


Education

UW-Milwaukee Master of Fine Arts, 2015
UW-Milwaukee Bachelor of Fine Arts, 2011


Selected Solo Screenings

2018
Helen Hill Award Screening | Orphan Film Symposium | MOMI |Queens, NY

2017
Nazli Dincel Retrospective | La Frauga Museco CAV la Neomudejar | Madrid, Spain

2016
Solitary Inner Acts | Spoutnik Cinema, Geneva, Switzerland
Through Her Garden (Bahçesinin içinden) | FOL Cinema, Istanbul, Turkey
Note to Self |Crater Lab, Barcelona, Spain
Note to Self |Dallas Contemporary, Dallas, TX


Selected Group/Festival Screenings

2018
Between Relating and Use | BAFICI Genre Competition | Buenos Aires, Argentina
Shape of a Surface | San Francisco International Film Festival | San Francisco, CA
Between Relating and Use | IFFR Ammodo Tiger Short Competition| Rotterdam, Netherlands

2017
Shape of a Surface | NYFF Projections | NY, NY
Solitary Acts #5, Solitary Acts # 6 | Flaherty NYC Anthology Film Archives, NY, NY

2016
Solitary Acts #5 | Academy Film Archive Presents– EYE Filmmuseum Amsterdam, Netherlands
Her Silent Seaming, Solitary Acts (4,5,6) | FIDMarseille - Focus - Marseille, France
Solitary Acts #5 | Edinburgh International Film Festival - Edinburgh, Scotland
Solitary Acts (4,5,6) | FILMADRID - Vanguards Competition - Madrid, Spain
Solitary Acts #4, Solitary Acts #5 | European Media Arts Festival - Osnabrück, Germany
Her Silent Seaming | MOMI A Matter of Visibility Queens, NY

2015
Her Silent Seaming | Nothing is Not Pleasure Too, Homeworks 7 Beirut, Lebanon


Awards

2018
Between Relating and Use | Jury Award – ICDocs Between Relating and Use | Jury Award - Milwaukee Underground Film Festival 2018
Helen Hill Award - Orphan Film Symposium
Shape of a Surface | Eileen Maitland Award – Ann Arbor Film Festival 2018
2017
Shape of a Surface | Jury Special Mention - FilMadrid Vanguards 2017
Untitled | Marian McMahon Akimbo Award - Images Festival 2017
2016
Solitary Acts #5 | Jury Award - Milwaukee Underground Film Festival
Solitary Acts (4,5,6) | 2nd Place- Unexposed, Durham, NC
2015
Her Silent Seaming | Jury Award - Florida Experimental Film Festival 2015
Her Silent Seaming | Best Experimental - Chicago Underground Film Festival

Nazlı Dinçel
born 1989, Turkey) EducationUW-Milwaukee Master of Fine Arts, 2015UW-Milwaukee Bachelor of Fine Arts, 2011 Selected Solo Screenings 2018 Helen Hill Award Screening | Orphan Film Symposium | MOMI |Queens, NY 2017 Nazli Dincel Retrospective | La Frauga Museco CAV la Neomudejar | Madrid, Spain 2016 Solitary Inner Acts | Spoutnik Cinema, Geneva, SwitzerlandThrough Her Garden (Bahçesinin içinden) | FOL Cinema, Istanbul, TurkeyNote to Self |Crater Lab, Barcelona, SpainNote to Self |Dallas Contemporary, Dallas, TX Selected Group/Festival Screenings 2018 Between Relating and Use | BAFICI Genre Competition | Buenos Aires, ArgentinaShape of a Surface | San Francisco International Film Festival | San Francisco, CABetween Relating and Use | IFFR Ammodo Tiger Short Competition| Rotterdam, Netherlands 2017 Shape of a Surface | NYFF Projections | NY, NYSolitary Acts #5, Solitary Acts # 6 | Flaherty NYC Anthology Film Archives, NY, NY 2016 Solitary Acts #5 | Academy Film Archive Presents– EYE Filmmuseum Amsterdam, NetherlandsHer Silent Seaming, Solitary Acts (4,5,6) | FIDMarseille - Focus - Marseille, FranceSolitary Acts #5 | Edinburgh International Film Festival - Edinburgh, ScotlandSolitary Acts (4,5,6) | FILMADRID - Vanguards Competition - Madrid, SpainSolitary Acts #4, Solitary Acts #5 | European Media Arts Festival - Osnabrück, GermanyHer Silent Seaming | MOMI A Matter of Visibility Queens, NY 2015 Her Silent Seaming | Nothing is Not Pleasure Too, Homeworks 7 Beirut, Lebanon Awards 2018 Between Relating and Use | Jury Award – ICDocs Between Relating and Use | Jury Award - Milwaukee Underground Film Festival 2018Helen Hill Award - Orphan Film SymposiumShape of a Surface | Eileen Maitland Award – Ann Arbor Film Festival 20182017 Shape of a Surface | Jury Special Mention - FilMadrid Vanguards 2017Untitled | Marian McMahon Akimbo Award - Images Festival 20172016 Solitary Acts #5 | Jury Award - Milwaukee Underground Film FestivalSolitary Acts (4,5,6) | 2nd Place- Unexposed, Durham, NC2015 Her Silent Seaming | Jury Award - Florida Experimental Film Festival 2015Her Silent Seaming | Best Experimental - Chicago Underground Film Festival

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