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blinkvideo - research of video art, performance and multimedia installations.

For artists we provide a platform for extensive presentation of media works, gallerists get a direct contact to international professional audiences, collectors find a worldwide overview of contemporary trends in moving image, curators can do research via keywords and compilations, teachers use presentation opportunities for students and all professionals get password protected, extensive information about video works worldwide.

64th International Short Film Festival Oberhausen 2018

In the course of more than five decades, the International Short Film Festival Oberhausen has become one of the world's most respected film events and in its 64th issue over 500 films were shown selected out of more than 7.000 films submitted.

Videoart at High Noon
Critics‘ Pick by Nicole Büsing and Heiko Klaas

Cologne/Brussels. How can video art be presented in a suitable way? While on “blinkvideo” you can enjoy watching video art comfortably from your couch, at your desk or on a train, viewing videos at art fairs often turns out to be quite a challenge. To concentrate on a work of moving pictures in the bustling atmosphere of an art fair requires maximum attention. And yet, this year’s Art Cologne and the simultaneous Art Brussels once more featured a number of intriguing video works, some of which we would like to present you here.

Christoph Faulhaber: Revolution & Architecture

Kunsthalle Osnabrück / June 15 to October 2, 2018
With "Revolution & Architecture" Christoph Faulhaber (* 1972 in Osnabrück, lives in Hamburg) conceives, builds, designs and opens a whole series of very different rooms in the Kunsthalle Osnabrück. In order to discover the revolutionary aspect of these "architectures", one has to look at the social implications of interior design in general. In the forum the visitor then enters Faulhaber's cinematic autobiography "Every Picture is an Empty Picture" as in the eye of the cyclone: The work is split into 15 individual films and surrounds the visitor in a circle.

European Media Art Festival 2018

The various sections of the festival dealt primarily with one theme: the link between media art and journalism – under the heading “Report – Notes from Reality.” It was all about facebook data theft, interference in elections by secret services, the threat of trade war, and dubious arms exports.

Johan Grimonprez

Johan Grimonprez’s critically acclaimed work dances on the borders of practice and theory, art and cinema, documentary and fiction, demanding a double take on the part of the viewer. Informed by an archeology of present-day media, his work seeks out the tension between the intimate and the bigger picture of globalization. It questions our contemporary sublime, one framed by a fear industry that has infected political and social dialogue. By suggesting new narratives through which to tell a story, his work emphasizes a multiplicity of realities.
image: © Johan Griminprez

Breaking News
Von Kelterborn Collection

Over the past 20 years, the Frankfurt couple Mario and Julia von Kelterborn have put together a collection mostly of politically explosive, socially themed video art and photography by internationally known artists. It is their conviction that art can help us to understand the present day with all its complexity, contradictions and disturbing cruelty, but also its positive potential.

image: © Richard Mosse

Featured videos

B3 – ON DESIRE

With the key topic ON DESIRE, B3 will in fall 2017 reflect on the latest trends relating to the moving image in art and media from a political, technological and aesthetic perspective. Desire as yearning, wish, lust or hope and its translation into moving images will be explored in an artistic, social, political, sociopolitical and historical perspective and critically examined. . . .

image: Jesper Just, Servitudes (2015)

KINO DER KUNST

2017 a worldwide unique combination of film festival and art exhibition, held its third edition in April 2017. Movie theatres and museums all over Munich presented an International Competition as well as special focuses, artists talks, smposions and multi-channel installations.

Stiftung imai – inter media art institute

The Düsseldorf based foundation imai – inter media art institute was founded in 2006 in order to establish an institution in Germany dedicated to the distribution and preservation of media art and associated activities.

Artemovendo – in collaboration with Goethe Institut Porto Alegre

The video works shown in Artemovendo present a morphology of ambiguous entities, creatures or technical devices. Natural environments are contrasted with artificial, fully computer-designed worlds. Sometimes it is difficult to distinguish whether we have been invited to take a look at the outside world or into a laboratory; even dimensions appear to be chosen arbitrarily. Or do we happen to be entering a microscopically small universe that has been magnified many times over?

Anna Gaskell. Hide and Seek

Curated by Nadia Ismail

The Kunsthalle Gießen is pleased to present the first institutional solo-exhibition in Germany by the New York based artist Anna Gaskell (*1969 Des Moines/Iowa). The exhibition focuses on photographic and time-based works which have largely characterised the American artists Œuvre since 1996.

Duration: 27.01. - 08.04.2018

image: © Anna Gaskell and Light Manufacturing/Esto, Courtesy: Galerie Gisela Capitain, Köln

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blinkvideo is a website for the research of video art. Founders: Julia Sökeland, Anita Beckers. blinkvideo ist eine Plattform zur Recherche nach Videokunst

Nazlı Dinçel

Works


Biography

born 1989, Turkey)


Education

UW-Milwaukee Master of Fine Arts, 2015
UW-Milwaukee Bachelor of Fine Arts, 2011


Selected Solo Screenings

2018
Helen Hill Award Screening | Orphan Film Symposium | MOMI |Queens, NY

2017
Nazli Dincel Retrospective | La Frauga Museco CAV la Neomudejar | Madrid, Spain

2016
Solitary Inner Acts | Spoutnik Cinema, Geneva, Switzerland
Through Her Garden (Bahçesinin içinden) | FOL Cinema, Istanbul, Turkey
Note to Self |Crater Lab, Barcelona, Spain
Note to Self |Dallas Contemporary, Dallas, TX


Selected Group/Festival Screenings

2018
Between Relating and Use | BAFICI Genre Competition | Buenos Aires, Argentina
Shape of a Surface | San Francisco International Film Festival | San Francisco, CA
Between Relating and Use | IFFR Ammodo Tiger Short Competition| Rotterdam, Netherlands

2017
Shape of a Surface | NYFF Projections | NY, NY
Solitary Acts #5, Solitary Acts # 6 | Flaherty NYC Anthology Film Archives, NY, NY

2016
Solitary Acts #5 | Academy Film Archive Presents– EYE Filmmuseum Amsterdam, Netherlands
Her Silent Seaming, Solitary Acts (4,5,6) | FIDMarseille - Focus - Marseille, France
Solitary Acts #5 | Edinburgh International Film Festival - Edinburgh, Scotland
Solitary Acts (4,5,6) | FILMADRID - Vanguards Competition - Madrid, Spain
Solitary Acts #4, Solitary Acts #5 | European Media Arts Festival - Osnabrück, Germany
Her Silent Seaming | MOMI A Matter of Visibility Queens, NY

2015
Her Silent Seaming | Nothing is Not Pleasure Too, Homeworks 7 Beirut, Lebanon


Awards

2018
Between Relating and Use | Jury Award – ICDocs Between Relating and Use | Jury Award - Milwaukee Underground Film Festival 2018
Helen Hill Award - Orphan Film Symposium
Shape of a Surface | Eileen Maitland Award – Ann Arbor Film Festival 2018
2017
Shape of a Surface | Jury Special Mention - FilMadrid Vanguards 2017
Untitled | Marian McMahon Akimbo Award - Images Festival 2017
2016
Solitary Acts #5 | Jury Award - Milwaukee Underground Film Festival
Solitary Acts (4,5,6) | 2nd Place- Unexposed, Durham, NC
2015
Her Silent Seaming | Jury Award - Florida Experimental Film Festival 2015
Her Silent Seaming | Best Experimental - Chicago Underground Film Festival

Nazlı Dinçel
born 1989, Turkey) EducationUW-Milwaukee Master of Fine Arts, 2015UW-Milwaukee Bachelor of Fine Arts, 2011 Selected Solo Screenings 2018 Helen Hill Award Screening | Orphan Film Symposium | MOMI |Queens, NY 2017 Nazli Dincel Retrospective | La Frauga Museco CAV la Neomudejar | Madrid, Spain 2016 Solitary Inner Acts | Spoutnik Cinema, Geneva, SwitzerlandThrough Her Garden (Bahçesinin içinden) | FOL Cinema, Istanbul, TurkeyNote to Self |Crater Lab, Barcelona, SpainNote to Self |Dallas Contemporary, Dallas, TX Selected Group/Festival Screenings 2018 Between Relating and Use | BAFICI Genre Competition | Buenos Aires, ArgentinaShape of a Surface | San Francisco International Film Festival | San Francisco, CABetween Relating and Use | IFFR Ammodo Tiger Short Competition| Rotterdam, Netherlands 2017 Shape of a Surface | NYFF Projections | NY, NYSolitary Acts #5, Solitary Acts # 6 | Flaherty NYC Anthology Film Archives, NY, NY 2016 Solitary Acts #5 | Academy Film Archive Presents– EYE Filmmuseum Amsterdam, NetherlandsHer Silent Seaming, Solitary Acts (4,5,6) | FIDMarseille - Focus - Marseille, FranceSolitary Acts #5 | Edinburgh International Film Festival - Edinburgh, ScotlandSolitary Acts (4,5,6) | FILMADRID - Vanguards Competition - Madrid, SpainSolitary Acts #4, Solitary Acts #5 | European Media Arts Festival - Osnabrück, GermanyHer Silent Seaming | MOMI A Matter of Visibility Queens, NY 2015 Her Silent Seaming | Nothing is Not Pleasure Too, Homeworks 7 Beirut, Lebanon Awards 2018 Between Relating and Use | Jury Award – ICDocs Between Relating and Use | Jury Award - Milwaukee Underground Film Festival 2018Helen Hill Award - Orphan Film SymposiumShape of a Surface | Eileen Maitland Award – Ann Arbor Film Festival 20182017 Shape of a Surface | Jury Special Mention - FilMadrid Vanguards 2017Untitled | Marian McMahon Akimbo Award - Images Festival 20172016 Solitary Acts #5 | Jury Award - Milwaukee Underground Film FestivalSolitary Acts (4,5,6) | 2nd Place- Unexposed, Durham, NC2015 Her Silent Seaming | Jury Award - Florida Experimental Film Festival 2015Her Silent Seaming | Best Experimental - Chicago Underground Film Festival

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