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blinkvideo - research of video art, performance and multimedia installations.

NEW: Favorites curated by blinkvideo users

What do you like? Over the next few months, we will be showing here selections of works, compiled by you, as a blinkvideo user.

Jeroen Van Den Tempel: I'm fascinated by video's which invite me to watch out of my framework of daily existence, of my perception of time and space. Which remind me of the real nature of reality, which is streaming. All form is temporary. I’m really intrigued when a universal issue is combined with an issue from daily life. Jeroen van den Tempel

Do you have any favorites on blinkvideo ? Or would you like to focus attention on some video works? Or would you like to compile and show videos on a specific topic? You can do so with the new tool on blinkvideo.
Create a favorites list as follows: When you're logged in, a little sign "add to favorite list" will appear below each video. With the click on it, you add the film to your favorites list. When you have collected all the works, open your favorites list and you can share the list with blinkvideo. We will then receive a message and put the compilation online.
We are very curious about your selection!

Nadja Verena Marcin - OPHELIA
Stadtgalerie in Saarbrücken, Germany. 2019

OPHELIA is an interdisciplinary performance that is presented in the Stadtgalerie Saarbrücken as a live action and subsequently as a video installation. It reflects the human-induced destruction of nature and creates references to art, literature and science. Dressed in "Ophelia's" dress and equipped with a diving device, Nadja Verena Marcin will climb into an aquarium and try under water to read the text "The Werld" by Daniil Kharms about human perception.
Image: © Nadja Verena Marcin

Igor Simić - WELTSCHMERZ 
at Galerie Beckers, Frankfurt

The exhibition WELTSCHMERZ shows new works by Serbian artist Igor Simic, which he created in connection with his iOS game Golf Club: Wasteland. For this game he and his award-winning gaming and film company Demagog Studio developed a whole world — a storyline with characters and various landscapes — in a post-apocalyptic scenario. The eerie atmosphere of the carefully crafted visual scenery is accompanied by slow paced, nostalgic, sometimes almost chilling music that evokes the feeling of longing for something lost.
Image: © Igor Simić

Fuzzy dark spot
Video art from Hamburg

The exhibition FUZZY DARK SPOT curated by the Hamburg-based video artist Wolfgang Oelze, at the Falckenberg Collection brings together 56 video works by over 30 mostly Hamburg-based artists ranging from the 1970s to the present day, featuring historical and contemporary productions in both thematic and monographic groups.
image: © Stefan Panhans

REFRACTED REALITIES at VIDEONALE.17

In optics, “refraction” refers to the bending of a beam of light, a change in direction which occurs at the moment when it passes from one medium to another. Through refraction, the light wave alters course, changing the way we perceive the objects it illuminates in the process. This optical deviation requires us to repeatedly correct our gaze, comparing the beginning and end points of our perception with reality, and bringing the object we see clearly into focus. In its figurative sense, refraction refers to a critical reflection on the means and channels of visualization, and by extension the possibility of a rearticulation of our view of things – how they are, were, or apparently always have been.
Image: © Sohrab Hura

Featured videos

Annegret Soltau
Schwanger-Sein I, 1977/78

"My pregnancies in 1978 and 1980 became an important theme for me. This personal experience yielded pictures in which I once again used myself as a model, this time myself in the process of being pregnant. The fear that my role as a mother could jeopardize my life as an artist inspired me to create a great many photos and videos. At this point I was preoccupied with the question of how women combine creativity and motherhood.“ (Annegret Soltau)

Tobias Yves Zintel
Breed and Educate, 2018

The Film Breed and Educate is based on a collaborative performance with a class from the Hector-Peterson-Schule Berlin Kreuzberg and the HAU. In numerous task based rehearsals eight pupils between 11 and 13 years explored the possibilties of self-education. Based on various materials from found footage to documentary and staged scenes the film circles around the relationship of controlling and self-empowerment in educational systems. Breed and Educate is circling around the question of how lessons should be organised in times of network and algorthim-based learning. Algorithms and neuronal networks have to master problems only once, after they achieved their goal, results can be duplicated and copied any number of times. Kids on the other hand side have to learn everything step by step, the accumulated knowlede can’t be transfered from on kid to the other by „copy and paste“. An allopoetic system is a trivial system, which can be potentially fully explored, controlled and operated by an observer. With a similar theory in mind, the Prussians started to organise schooling in 1717, to prepare pupils for the Prussian Military Academy. What happens almost 300 years later in a school in Berlin, when the relationship between control and self-empowerment is inverted by postmigrant pupils who breed robots, are educated by them and vice versa? “ In Breed and Educate an automated dionsaur is introduced by a twelfe year old boy: “It’s easily trainable”. While he explains the mode of operation, one sees the parallels: the school wouldn’t have any problems with pupils equipped with a suitable operating system downloaded from the internet. Sounds like an uncanny utopia.” (Katrin Bettina Müller)

Lene Markusen
Grad, 2004

Dieter Kiessling
60 Minutes 360 Degrees GK 2010, 2010

A boy is portrayed with a video camera for an hour on a tennis court.During this time the camera turns through 360 degrees. Meanwhile, the whole space is recorded piece by piece. The boy follows the camera movement slowly thus remaining constantly in the centre of the picture.

Clemens von Wedemeyer
Silberhöhe, 2003

In Halle-Silberhöhe in East Germany, the camera records peri-urban area architecture, prefabricated buildings that are deserted and destined to be demolished. The commentary evokes a film editing technique used by Michelangelo Antonioni in his film, L’Eclisse (1962).

Janet Biggs
Fade to White, 2010

In Fade to White, Biggs delves into the desire to explore remote lands. To create this work, the artist embarked on an expedition in the high Arctic, traveling aboard an ice-class, 2-masted schooner, built in 1910. During the voyage, Biggs filmed Fade to White, focusing on a crew member as he navigated the ship through iceberg filled seas, and paddled a kayak past glacier walls and polar bears. As she photographed the explorer, Biggs tested her own will and endurance. The visual tension of her uncompromising imagery bespeaks their mutual struggle to maintain balance and purpose. Yet, the video also reveals the myth of the solitary white male explorer. Biggs explains, "The desire to hold onto the notion of the 'great white north' as a blank space awaiting interpretation only reinforces the idea of the colonial polar hero. The 'virgin' north has now been mapped, surveyed, and mined, but increased knowledge has not replaced endless fantasies of discovery." Loss and change are implicit in the video's title, Fade to White, which refers to an editing technique used to evoke death or transcendence. Biggs integrated her Arctic imagery with sound and video footage of counter tenor John Kelly, whose age, androgyny, and mournful voice parallel the vanishing Arctic landscape and signal the waning of male dominance.

Rebecca Ann Tess
The Tallest, 2014

The »The Tallest« shows pictures shot on-site of the currently tallest buildings in the world. The high-rises are shown as set pieces of global capitalism, visually disappearing into abstraction. The reduced images are reminding of 3D rendering. The simulated image of these buildings circulates in the media for representational and advertising purposes, becomes a substantial object and the actual spatiality becomes a mockup. The narration is undertaken by a computer voice, it describes the competition for the tallest tower at such divers places as Chicago, Dubai, Hong Kong, Kuala Lumpur, Mecca, Nanjing, New York City, Seoul, Shanghai, Shenzhen, Songdo and Taipei.

Johanna Reich
LIGHT ON BLACK ON WHITE HOMAGE TO MALEVICH, 2015

A moving digital light drawing illuminates a white wall. A hand painting a black square on the white surface becomes visible. At the same time the light drawing is painting a light square. In the end the light of the digital light square illuminates the finished black oil painting.

Critics’ Pick: Vienna by Nicole Büsing + Heiko Klaas

The group show “Antarctica. An Exhibition on Alienation” was presented in Vienna during the past winter season. Departing from a note written by the Italian cult director Michelangelo Antonioni referring to a potential glacier melting in the Antarctica and a hint to a film, the two curators from the Kunsthalle Wien, Vanessa Joan Müller and Nicolaus Schafhausen, conceived an exhibition on the topic of alienation and contemporary art. The focus was on the latest contemporary photography and video art by the younger generation of artists.
Image: © Isabella Fürnkäs

Expanding Bauhaus.
New Reflections on the Bauhaus Movement in Time-Based Media Art
/ Goethe Institute Netherlands

A screening series selected by Elke Kania (Cologne), Julia Sökeland (Hamburg) and Ludwig Seyfarth (Berlin)

With its combination of various arts such as painting, photography film, architecture, fashion, product and interior design and textile art, the Bauhaus is still considered the epitome of a technologically advanced modernity. Last but not least, the attempt to create the whole society aesthetically, inspired many artists worldwide.
Image: © Adnan Softic

Johan Grimonprez

Johan Grimonprez’s critically acclaimed work dances on the borders of practice and theory, art and cinema, documentary and fiction, demanding a double take on the part of the viewer. Informed by an archeology of present-day media, his work seeks out the tension between the intimate and the bigger picture of globalization. It questions our contemporary sublime, one framed by a fear industry that has infected political and social dialogue. By suggesting new narratives through which to tell a story, his work emphasizes a multiplicity of realities.
image: © Johan Griminprez

Christoph Faulhaber: Revolution & Architecture

With "Revolution & Architecture" Christoph Faulhaber (* 1972 in Osnabrück, lives in Hamburg) conceives, builds, designs and opens a whole series of very different rooms in the Kunsthalle Osnabrück. In order to discover the revolutionary aspect of these "architectures", one has to look at the social implications of interior design in general. In the forum the visitor then enters Faulhaber's cinematic autobiography "Every Picture is an Empty Picture" as in the eye of the cyclone: The work is split into 15 individual films and surrounds the visitor in a circle.
Image: © Christoph Faulhaber

Stiftung imai – inter media art institute

The Düsseldorf based foundation imai – inter media art institute was founded in 2006 in order to establish an institution in Germany dedicated to the distribution and preservation of media art and associated activities.
Image: © Marcel Odenbach

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for artists we provide a platform for extensive presentation of media works, gallerists get a direct contact to international professional audiences, collectors find a worldwide overview of contemporary trends in moving image, curators can do research via keywords and compilations, teachers use presentation opportunities for students and all professionals get password protected, extensive information about video works worldwide.

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blinkvideo is a website for the research of video art. Founders: Julia Sökeland, Anita Beckers. blinkvideo ist eine Plattform zur Recherche nach Videokunst

Mattias Härenstam

Works


Galleries

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Phone: +49 40 22748986
E-Mail: info@blinkvideo.de




Statement

Having grown up in self-proclaimed utopia of the Swedish welfare state in its prime and with a family history of mental illness and suicide, Mattias Härenstams work often deals with the conflict between the polished surface of society and what is hidden beneath it. His practise span over a wide range of different art forms including film, sculpture, installation, printmaking and more. Regardless of material or media, there is a recurrent theme of desire for control and an interest in the situation when it crumbles. Beyond it is the fear of failure and the subsequent fall into some undefined abyss. This "keeping of up appearances at any cost" and the actual cost of doing just that. To me that is not just a psychological or existential state, but just as much a political condition (Mattias Härenstam). It is a personal narrative dealing with issues of control / loss of control and the fear of weakness and failure, especially in relation to a shifting male role model. In his sculptural work he uses classic materials such as stone, wood and bronze but seeks to undermine or subvert them. The once strong, powerful and eternal materials appear as fragile, soft and transitional.


Biography

Born 1971 in Gothenburg, Sweden.
Lives and works in Oslo, Norway.

Educated

at the National Academy of Fine Arts, Bergen, Norway and Staatliche Hochschule für bildende Künste Städelschule, Frankfurt am Main (prof. Herman Nitsch).
mattiasharenstam.com

Selected solo exhibitions

2016
Secrets, Weaknesses, Lies, The Vigeland Museum, Oslo
Branching (with Lars Hertervig), Stavanger Art Museum, Norway
Later that night, Konstepidemin, Gothenburg

2015
Mattias Härenstam, Nils Aas Art Centre, Inderøy, Norway
Mattias Härenstam / Kristine Halmrast, Oppland Art Centre, Lillehammer, Norway

2014
Mattias Härenstam, Art-Claims-Impulse Contemporary Fine Arts, Berlin
Sketches for a re-animation, Konstnärshuset, Stockholm
Reconstruction, Norske Grafikere, Oslo
Sketches for a re-animation, Østfold Art Centre, Fredrikstad, Norway

2013
Temporary Disruption, Luleå Konsthall, Sweden
In the Middle of Sweden, Galleri Rostrum, Malmö, Sweden
Closed Circuit (In the Middle of Sweden), Trafo Kunsthall, Norway

2012
Fear of Failure, Tromsø Fine Art Society, Norway
I know you are there, Kunstnerforbundet, Oslo
28 February 1986, Galleri 54, Gothenburg

2011
28 February 1986, Akershus Art Centre, Norway
Drawing Circles (…the distance is always the same), Tidens krav, Oslo

2009
The Diary of the Unknown Consumer, Skånes Konstförening, Malmö

2008
The Diary of the Unknown Consumer, UKS, Oslo

Selected group exhibitions / festivals

2017
KINO DER KUNST, München / Neues Museum, Nürnberg
Exitus, Galleri F 15, Moss, Norway
Forest in Norway, Hubei Art Museum, China

2015
Impressions. Five centuries of woodcuts, The National Museum of Art, Architecture and Design, Oslo
Exitus, Galerie am Körnerpark, Berlin
Tomrom, Sandefjord and Larvik Fine Art Societies, Norway
Spring depot, Tenthaus, Oslo

2014
Artists Film International, Whitechapel Gallery, London
Letter from Mr. Faustus / Back to Berlin, Herzliya Museum of Contemporary Art, Israel
The Pleasure of negative emotions, KNIPSU, Bergen
FEC European Short Film Festival, Reus, Spain
Brüch Stücke, Theater im Palais / Art-Claims-Impulse, Berlin
Moviebox, Hydrogenfabrikken Kunsthall, Fredrikstad, Norway
Prints, Buskerud Art Centre, Drammen, Norway
Minimalen Short Film Festival, Trondheim, Norway

2013
Norwegian Sculpture Biennale, The Vigeland Museum, Oslo
Audiovisioni Digitali, Museo D’Arte Contemporanea Roma, Rome
between appropriation and interventions, Kunstraum Kreuzberg / Bethanien, Berlin
Video Art & Experimental Film Festival, Tribeca Cinemas, New York
Göteborg International Film Festival, Gothenburg
Jeonju International Film Festival, South Korea
Norwegian Short Film Festival, Grimstad
Spring Exhibition, Kunsthal Charlottenborg, Copenhagen
The Annual National Exhibition of the Visual Arts, Kunstnernes Hus, Oslo
Umeå International Short Film Festival, Sweden.
Portrait in the moving image, IKFU, Jönköpings Läns Museum, Sweden
Trä / Wood 2013, Virserums Konsthall, Sweden.

2012
Videoholica, SAMCA - Museum for Contemporary Art, Sofia
Screengrab, New Media Arts Award, Townsville, Australia
Kort, KinoKino, Sandnes
Videosincracy, Galleria Limiti Inchiusi Arte Contemporanea, Campobasso, Italy
Videoguerrilha, São Paolo, Rio de Janeiro and Brasilia.
Kuala Lumpur Experimental Film Festival, Malaysia
The Annual National Exhibition of the Visual Arts, Kunstnernes Hus, Oslo
The 25th Festival Les Instants Vidéo, Marseille
Festival Miden, Kalamata, Greece
L’Oeil d’Oodaaq, Rennes
Oslo Screen Festival, Oslo
CologneOFF (touring videofestival)

2011
InsideOut Step2 - Latest trends in Western Videoart, White Box Museum of Art, Beijing
OK Video FLESH, National Gallery of Indonesia, Jakarta
Arte Video Roma Festival, Rome
The 24th Festival Les Instants Vidéo, Marseille and Paris.
Vårutstillingen, Fotogalleriet, Oslo
between appropriation and interventions, Christianssands Kunstforening, Norway
That’s entertainment!, The Norwegian Short Film Festival in Grimstad
NewScreen NewCastle, Newcastle
Videoholica, Varna, Bulgaria
21st International Videofestival, Bochum
Art:Screen at Beaconsfield, London and the International Film Festival, Rotterdam.
Flaggfabrikken presenterer Nordic Art Express, touring videoscreening

2010
Spring Exhibition, Kunsthal Charlottenborg, Copenhagen
Art Kino # 7, Rio, Stockholm
Invisible Violence, FestArte, MACRO, Rome.
The Annual National Exhibition of the Visual Arts, Kunstnernes Hus, Oslo
II Baltic Biennale of Contemporary Art, Derzhavin Museum, St Petersburg

2009
NOMAD, Brügge, Belgium
Naturally, Bergen Museum of Natural History
Beyond existence – Do not avoid the void, Cordy House, London
Affluenza, Clerkenwell, London

Public collections

The National Museum of Art, Architecture and Design, Oslo
Oslo Municipal Art Collection
Arts Council, Norway
The Royal Norwegian Foreign Department
Luleå Municipal Art Collection, Sweden

Grants / awards

Lifetime working grant, Norwegian Government, 2010
Nominated for the Lorck Schive Art Prize, 2017
Nominated for the Norwegian Film Award, the Amanda, in the category for Best Short
Film, 2013

Mattias Härenstam
Born 1971 in Gothenburg, Sweden. Lives and works in Oslo, Norway. Educated at the National Academy of Fine Arts, Bergen, Norway and Staatliche Hochschule für bildende Künste Städelschule, Frankfurt am Main (prof. Herman Nitsch).mattiasharenstam.comSelected solo exhibitions 2016 Secrets, Weaknesses, Lies, The Vigeland Museum, Oslo Branching (with Lars Hertervig), Stavanger Art Museum, Norway Later that night, Konstepidemin, Gothenburg 2015 Mattias Härenstam, Nils Aas Art Centre, Inderøy, Norway Mattias Härenstam / Kristine Halmrast, Oppland Art Centre, Lillehammer, Norway 2014 Mattias Härenstam, Art-Claims-Impulse Contemporary Fine Arts, Berlin Sketches for a re-animation, Konstnärshuset, Stockholm Reconstruction, Norske Grafikere, Oslo Sketches for a re-animation, Østfold Art Centre, Fredrikstad, Norway 2013 Temporary Disruption, Luleå Konsthall, Sweden In the Middle of Sweden, Galleri Rostrum, Malmö, Sweden Closed Circuit (In the Middle of Sweden), Trafo Kunsthall, Norway 2012 Fear of Failure, Tromsø Fine Art Society, Norway I know you are there, Kunstnerforbundet, Oslo 28 February 1986, Galleri 54, Gothenburg 2011 28 February 1986, Akershus Art Centre, Norway Drawing Circles (…the distance is always the same), Tidens krav, Oslo 2009 The Diary of the Unknown Consumer, Skånes Konstförening, Malmö 2008 The Diary of the Unknown Consumer, UKS, Oslo Selected group exhibitions / festivals 2017 KINO DER KUNST, München / Neues Museum, Nürnberg Exitus, Galleri F 15, Moss, Norway Forest in Norway, Hubei Art Museum, China 2015 Impressions. Five centuries of woodcuts, The National Museum of Art, Architecture and Design, Oslo Exitus, Galerie am Körnerpark, Berlin Tomrom, Sandefjord and Larvik Fine Art Societies, Norway Spring depot, Tenthaus, Oslo 2014 Artists Film International, Whitechapel Gallery, London Letter from Mr. Faustus / Back to Berlin, Herzliya Museum of Contemporary Art, Israel The Pleasure of negative emotions, KNIPSU, Bergen FEC European Short Film Festival, Reus, Spain Brüch Stücke, Theater im Palais / Art-Claims-Impulse, Berlin Moviebox, Hydrogenfabrikken Kunsthall, Fredrikstad, Norway Prints, Buskerud Art Centre, Drammen, Norway Minimalen Short Film Festival, Trondheim, Norway 2013 Norwegian Sculpture Biennale, The Vigeland Museum, Oslo Audiovisioni Digitali, Museo D’Arte Contemporanea Roma, Rome between appropriation and interventions, Kunstraum Kreuzberg / Bethanien, Berlin Video Art & Experimental Film Festival, Tribeca Cinemas, New York Göteborg International Film Festival, Gothenburg Jeonju International Film Festival, South Korea Norwegian Short Film Festival, Grimstad Spring Exhibition, Kunsthal Charlottenborg, Copenhagen The Annual National Exhibition of the Visual Arts, Kunstnernes Hus, Oslo Umeå International Short Film Festival, Sweden. Portrait in the moving image, IKFU, Jönköpings Läns Museum, Sweden Trä / Wood 2013, Virserums Konsthall, Sweden. 2012 Videoholica, SAMCA - Museum for Contemporary Art, Sofia Screengrab, New Media Arts Award, Townsville, Australia Kort, KinoKino, Sandnes Videosincracy, Galleria Limiti Inchiusi Arte Contemporanea, Campobasso, Italy Videoguerrilha, São Paolo, Rio de Janeiro and Brasilia. Kuala Lumpur Experimental Film Festival, Malaysia The Annual National Exhibition of the Visual Arts, Kunstnernes Hus, Oslo The 25th Festival Les Instants Vidéo, Marseille Festival Miden, Kalamata, Greece L’Oeil d’Oodaaq, Rennes Oslo Screen Festival, Oslo CologneOFF (touring videofestival) 2011 InsideOut Step2 - Latest trends in Western Videoart, White Box Museum of Art, Beijing OK Video FLESH, National Gallery of Indonesia, Jakarta Arte Video Roma Festival, Rome The 24th Festival Les Instants Vidéo, Marseille and Paris. Vårutstillingen, Fotogalleriet, Oslo between appropriation and interventions, Christianssands Kunstforening, Norway That’s entertainment!, The Norwegian Short Film Festival in Grimstad NewScreen NewCastle, Newcastle Videoholica, Varna, Bulgaria 21st International Videofestival, Bochum Art:Screen at Beaconsfield, London and the International Film Festival, Rotterdam. Flaggfabrikken presenterer Nordic Art Express, touring videoscreening 2010 Spring Exhibition, Kunsthal Charlottenborg, Copenhagen Art Kino # 7, Rio, Stockholm Invisible Violence, FestArte, MACRO, Rome. The Annual National Exhibition of the Visual Arts, Kunstnernes Hus, Oslo II Baltic Biennale of Contemporary Art, Derzhavin Museum, St Petersburg 2009 NOMAD, Brügge, Belgium Naturally, Bergen Museum of Natural History Beyond existence – Do not avoid the void, Cordy House, London Affluenza, Clerkenwell, London Public collections The National Museum of Art, Architecture and Design, Oslo Oslo Municipal Art Collection Arts Council, Norway The Royal Norwegian Foreign Department Luleå Municipal Art Collection, Sweden Grants / awards Lifetime working grant, Norwegian Government, 2010 Nominated for the Lorck Schive Art Prize, 2017 Nominated for the Norwegian Film Award, the Amanda, in the category for Best Short Film, 2013

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