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blinkvideo - research of video art, performance and multimedia installations.

blinkvideo - research of video art, performance and multimedia installations.


Moving Images / Moving Bodies
Online screening programme in cooperation
with the Goethe-Institut Bulgaria

Curated by Ludwig Seyfarth

Research into the human body and interpersonal relationships remain central themes in video and moving image art. Artists from Bulgaria and Germany, whose work is related in content, will be shown in pairs over the next weeks. The exhibition planned for November 2020 in Sofia has been postponed until 2021. Instead, a consecutive presentation of selected films by artists from Moving Bodies/Moving Images is presented on blinkvideo.
image: © Elitsa Dimitrova

Shooting Ghosts
Online screening programme in cooperation
with the Goethe-Institut Bulgaria

Curators: Kalin Serapionov, Krassimir Terziev

What we propose in this programme is a highly subjective and fragmented view on current practices in moving image in the Bulgarian art scene. We focused on practices that show affinity with speculative narratives - narratives that not just record what is in front of the cinematic eye, but also capture all the ghosts that are unreachable by the apparatus, thus projecting speculative views that intend not merely to describe, but to transform the world.
image: © Veneta Androva

Moving Images / Moving Bodies

 ‘Moving Images Bulgaria-Germany’ is a project by Goethe-Institut Bulgaria, that includes various online and offline initiatives, starting in November 2020. The online program, realised in partnership with blinkvideo, will consist of two curated programmes: “Moving Images / Moving Bodies”, curated by Ludwig Seyfarth, and “Shooting Ghosts”, curated by Krassimir Terziev and Kalin Serapionov.

First the programme “Shooting Ghosts” will give a selected overview of video art in Bulgaria in general. The programme will be accompanied by an in-depth essay by Krassimir Terziev as well as texts by different authors or the artists themselves on individual films.

Critics’ Pick: Vienna by Nicole Büsing + Heiko Klaas

The group show “Antarctica. An Exhibition on Alienation” was presented in Vienna during the past winter season. Departing from a note written by the Italian cult director Michelangelo Antonioni referring to a potential glacier melting in the Antarctica and a hint to a film, the two curators from the Kunsthalle Wien, Vanessa Joan Müller and Nicolaus Schafhausen, conceived an exhibition on the topic of alienation and contemporary art. The focus was on the latest contemporary photography and video art by the younger generation of artists.
Image: © Isabella Fürnkäs

UNSTILLED LIFE: Artist Animations 1980-2020
Curated by Emma Cousin and Paul Carey-Kent

Why this show, here and now? British artist-curator Emma Cousin and writer-curator Paul Carey-Kent recently pulled together a choice of artist animations, thinking that the increasingly vibrant medium is especially suited to the online emphasis of the locked down art world of 2020. Three of them turned out to be represented by Ron Mandos, making the Amsterdam gallery ideal hosts. The cast is international, and to reflect that Tintype gallery in London and Hamburg’s blinkvideo have joined in with variations on the programme. 
Markus Vater Worlds don’t come easy, 2020

Something Between Us
KAI 10 | ARTHENA FOUNDATION, Düsseldorf

The exhibition „Something Between Us“ focuses on both our contemporary lives and the anthropological constants of interpersonal dealings: love, empathy, security, care and safety on the one hand, and hate, role fixation, dependency, reprimand and exclusion on the other. Something Between Us asks how these structures of togetherness are changing in our digital era.
Thomas Taube OCCIDENT, 2020

REFRACTED REALITIES at VIDEONALE.17

In optics, “refraction” refers to the bending of a beam of light, a change in direction which occurs at the moment when it passes from one medium to another. Through refraction, the light wave alters course, changing the way we perceive the objects it illuminates in the process. This optical deviation requires us to repeatedly correct our gaze, comparing the beginning and end points of our perception with reality, and bringing the object we see clearly into focus. In its figurative sense, refraction refers to a critical reflection on the means and channels of visualization, and by extension the possibility of a rearticulation of our view of things – how they are, were, or apparently always have been.
Image: © Sohrab Hura

NEW: Favorites curated by blinkvideo users

What do you like? Over the next few months, we will be showing here selections of works, compiled by you, as a blinkvideo user.

Stefano Miraglia: Hey Blinkvideo members! Here are my eight "must watch" films and videos. Happy to find in this catalogue some of the works that got me interested in artists' moving image when I was a student! (Guillaume Leblon! Daniel Steegmann Mangrané! Marylène Negro!).

Expanding Bauhaus.
New Reflections on the Bauhaus Movement in Time-Based Media Art / Goethe Institute Netherlands

A screening series selected by Elke Kania (Cologne), Julia Sökeland (Hamburg) and Ludwig Seyfarth (Berlin)

With its combination of various arts such as painting, photography film, architecture, fashion, product and interior design and textile art, the Bauhaus is still considered the epitome of a technologically advanced modernity. Last but not least, the attempt to create the whole society aesthetically, inspired many artists worldwide.
Image: © Adnan Softic

Johan Grimonprez

Johan Grimonprez’s critically acclaimed work dances on the borders of practice and theory, art and cinema, documentary and fiction, demanding a double take on the part of the viewer. Informed by an archeology of present-day media, his work seeks out the tension between the intimate and the bigger picture of globalization. It questions our contemporary sublime, one framed by a fear industry that has infected political and social dialogue. By suggesting new narratives through which to tell a story, his work emphasizes a multiplicity of realities.
image: © Johan Griminprez

Christoph Faulhaber: Revolution & Architecture

With "Revolution & Architecture" Christoph Faulhaber (* 1972 in Osnabrück, lives in Hamburg) conceives, builds, designs and opens a whole series of very different rooms in the Kunsthalle Osnabrück. In order to discover the revolutionary aspect of these "architectures", one has to look at the social implications of interior design in general. In the forum the visitor then enters Faulhaber's cinematic autobiography "Every Picture is an Empty Picture" as in the eye of the cyclone: The work is split into 15 individual films and surrounds the visitor in a circle.
Image: © Christoph Faulhaber

Stiftung imai – inter media art institute

The Düsseldorf based foundation imai – inter media art institute was founded in 2006 in order to establish an institution in Germany dedicated to the distribution and preservation of media art and associated activities.
Image: © Marcel Odenbach

Featured videos

Markus Vater
Im Wald (perfect day), 2011

This Animation has developed from a colloboration with the dutch poet Tjitske Jansen. Initially it reacted on a text of hers dealing with memories in her life. All memories were about events in which she didn’t understand the concepts and actions that had happened, but which she understands now.

Pratchaya Phinthong
A proposal to set (work in progress), 2016

A proposal to set CH4*5.75H20 on fire (work in progress) is an ongoing project that explores methane hydrate, an ice compound that has been identified by scientists as an alternative fuel of future energy. Found in large quantities beneath Arctic permafrost, Antarctic ice and sedimentary deposits, methane hydrate releases natural gas when exposed to increases in temperature or decreases in pressure.Gas released by methane hydrates can be lit, which produces a semi-transparent orange and blue flame.This 16 mm film shows samples of methane hydrates.Through the mobilisation and connection of individuals working across geology, science and art, the project generates awareness of methane hydrate, its chemically volatile nature and implications for energy industries.The film itself performs a kind of material transfer, capturing light emitted by the burning samples and projecting it into the gallery space. For Phinthong, each iteration of the project is a form of extraction that makes its subject more widely visible. Filmed by Phuttipong Aroonpheng. Made with the support of Oleg Blouson,Andrey Khabuev and Oleg Khlystov at the Limnological Institute, Irkutsk, Russia.

Ryan Gander
And You Will be Changed , 2014

'And You Will be Changed (Centre Pompidou, Paris)', 2014, follows curator Emma Lavigne around the empty Centre Pompidou in Paris as she presents the viewer with a tour of an empty space that had housed a now uninstalled Pierre Huyghe exhibition. The show is imagined and told by Lavigne as if the artworks were still there. Exhibited: - Pierre Huyghe +/–,The Artist’s Institute, New York, 2014
- Nouveau Festival (5th Edition), Musée d’Art Moderne, Centre Pompidou, Paris, 2014

Deimantas Narkevicius
Ausgeträumt, 2010

The German word ‘Ausgeträumt’ means a state between dream and reality at the point of waking up.The very first creative attempts by any artist are usually very positive, unaffected by criticism, even naive activities. Refering to myself, I had to be absolutely naive to choose to be a visual artist, in the late 80's when in the Soviet Union, everything was falling apart. There was no precedent of success, or an example to follow in the country which was still isolated. With this film I am re-approaching the state of naivety.

Katja Aufleger
LOVE AFFAIR, 2017

Several lights get shot successively. Some crush at once, quiet or with a blast, others seem like trying not to die.

Janet Biggs
Vanishing point, 2009

Luzia Hürzeler
Being in the Picture, 2007/08

Im Bilde sein [Being in the Picture] is a video installation. The monitor stands on a two-meter-high plinth. The video shows a white wall in front of which my head becomes visible, fully or partially, at short or long intervals. I keep jumping up into the picture, making myself visible through physical activity. These efforts become apparent through the sounds. The jumping height, and thus my visibility, decreases over time, until I finally give up through exhaustion.On the occasion of the exhibition “Spazi aperti” this work was displayed in the entrance hall of the Romanian Academy in Rome, where a number of monumental busts are mounted on plinths.

Johanna Reich
Horizon, 2012

The artist is drawing a line onto a white surface. The line reveals the horizon: it separates the sea from the sky. "To draw a line": this phrase already linguistically contains many different meanings. Beginning with the famous line – the one that cannot be crossed politically – via the (guide)line that is also the conceptual standard, to the simple strike placed beneath an addition, these are key points on the spectrum.“When Johanna Reich draws a line with a broad brush onto a wall, additional content comes into play. There is the track which children draw onto the wall with chalk, the traditional artist myth of the line as a vivid track of creative process, and last but not least the powerfully picturesque action of splattering the wall.”(Johannes Stahl)Johanna Reich (*1977 Minden) studied at the Kunstakademie Münster, the HfbK Hamburg and the Kunsthochschule für Medien Köln. She lives and works in Cologne.

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blinkvideo is a website for the research of video art. Founders: Julia Sökeland, Anita Beckers. blinkvideo ist eine Plattform zur Recherche nach Videokunst

Mattias Härenstam

Works


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for further information contact blinkvideo
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Phone: +49 40 22748986
E-Mail: info@blinkvideo.de




Statement

Having grown up in self-proclaimed utopia of the Swedish welfare state in its prime and with a family history of mental illness and suicide, Mattias Härenstams work often deals with the conflict between the polished surface of society and what is hidden beneath it. His practise span over a wide range of different art forms including film, sculpture, installation, printmaking and more. Regardless of material or media, there is a recurrent theme of desire for control and an interest in the situation when it crumbles. Beyond it is the fear of failure and the subsequent fall into some undefined abyss. This "keeping of up appearances at any cost" and the actual cost of doing just that. To me that is not just a psychological or existential state, but just as much a political condition (Mattias Härenstam). It is a personal narrative dealing with issues of control / loss of control and the fear of weakness and failure, especially in relation to a shifting male role model. In his sculptural work he uses classic materials such as stone, wood and bronze but seeks to undermine or subvert them. The once strong, powerful and eternal materials appear as fragile, soft and transitional.


Biography

Born 1971 in Gothenburg, Sweden.
Lives and works in Oslo, Norway.

Educated

at the National Academy of Fine Arts, Bergen, Norway and Staatliche Hochschule für bildende Künste Städelschule, Frankfurt am Main (prof. Herman Nitsch).
mattiasharenstam.com

Selected solo exhibitions

2016
Secrets, Weaknesses, Lies, The Vigeland Museum, Oslo
Branching (with Lars Hertervig), Stavanger Art Museum, Norway
Later that night, Konstepidemin, Gothenburg

2015
Mattias Härenstam, Nils Aas Art Centre, Inderøy, Norway
Mattias Härenstam / Kristine Halmrast, Oppland Art Centre, Lillehammer, Norway

2014
Mattias Härenstam, Art-Claims-Impulse Contemporary Fine Arts, Berlin
Sketches for a re-animation, Konstnärshuset, Stockholm
Reconstruction, Norske Grafikere, Oslo
Sketches for a re-animation, Østfold Art Centre, Fredrikstad, Norway

2013
Temporary Disruption, Luleå Konsthall, Sweden
In the Middle of Sweden, Galleri Rostrum, Malmö, Sweden
Closed Circuit (In the Middle of Sweden), Trafo Kunsthall, Norway

2012
Fear of Failure, Tromsø Fine Art Society, Norway
I know you are there, Kunstnerforbundet, Oslo
28 February 1986, Galleri 54, Gothenburg

2011
28 February 1986, Akershus Art Centre, Norway
Drawing Circles (…the distance is always the same), Tidens krav, Oslo

2009
The Diary of the Unknown Consumer, Skånes Konstförening, Malmö

2008
The Diary of the Unknown Consumer, UKS, Oslo

Selected group exhibitions / festivals

2017
KINO DER KUNST, München / Neues Museum, Nürnberg
Exitus, Galleri F 15, Moss, Norway
Forest in Norway, Hubei Art Museum, China

2015
Impressions. Five centuries of woodcuts, The National Museum of Art, Architecture and Design, Oslo
Exitus, Galerie am Körnerpark, Berlin
Tomrom, Sandefjord and Larvik Fine Art Societies, Norway
Spring depot, Tenthaus, Oslo

2014
Artists Film International, Whitechapel Gallery, London
Letter from Mr. Faustus / Back to Berlin, Herzliya Museum of Contemporary Art, Israel
The Pleasure of negative emotions, KNIPSU, Bergen
FEC European Short Film Festival, Reus, Spain
Brüch Stücke, Theater im Palais / Art-Claims-Impulse, Berlin
Moviebox, Hydrogenfabrikken Kunsthall, Fredrikstad, Norway
Prints, Buskerud Art Centre, Drammen, Norway
Minimalen Short Film Festival, Trondheim, Norway

2013
Norwegian Sculpture Biennale, The Vigeland Museum, Oslo
Audiovisioni Digitali, Museo D’Arte Contemporanea Roma, Rome
between appropriation and interventions, Kunstraum Kreuzberg / Bethanien, Berlin
Video Art & Experimental Film Festival, Tribeca Cinemas, New York
Göteborg International Film Festival, Gothenburg
Jeonju International Film Festival, South Korea
Norwegian Short Film Festival, Grimstad
Spring Exhibition, Kunsthal Charlottenborg, Copenhagen
The Annual National Exhibition of the Visual Arts, Kunstnernes Hus, Oslo
Umeå International Short Film Festival, Sweden.
Portrait in the moving image, IKFU, Jönköpings Läns Museum, Sweden
Trä / Wood 2013, Virserums Konsthall, Sweden.

2012
Videoholica, SAMCA - Museum for Contemporary Art, Sofia
Screengrab, New Media Arts Award, Townsville, Australia
Kort, KinoKino, Sandnes
Videosincracy, Galleria Limiti Inchiusi Arte Contemporanea, Campobasso, Italy
Videoguerrilha, São Paolo, Rio de Janeiro and Brasilia.
Kuala Lumpur Experimental Film Festival, Malaysia
The Annual National Exhibition of the Visual Arts, Kunstnernes Hus, Oslo
The 25th Festival Les Instants Vidéo, Marseille
Festival Miden, Kalamata, Greece
L’Oeil d’Oodaaq, Rennes
Oslo Screen Festival, Oslo
CologneOFF (touring videofestival)

2011
InsideOut Step2 - Latest trends in Western Videoart, White Box Museum of Art, Beijing
OK Video FLESH, National Gallery of Indonesia, Jakarta
Arte Video Roma Festival, Rome
The 24th Festival Les Instants Vidéo, Marseille and Paris.
Vårutstillingen, Fotogalleriet, Oslo
between appropriation and interventions, Christianssands Kunstforening, Norway
That’s entertainment!, The Norwegian Short Film Festival in Grimstad
NewScreen NewCastle, Newcastle
Videoholica, Varna, Bulgaria
21st International Videofestival, Bochum
Art:Screen at Beaconsfield, London and the International Film Festival, Rotterdam.
Flaggfabrikken presenterer Nordic Art Express, touring videoscreening

2010
Spring Exhibition, Kunsthal Charlottenborg, Copenhagen
Art Kino # 7, Rio, Stockholm
Invisible Violence, FestArte, MACRO, Rome.
The Annual National Exhibition of the Visual Arts, Kunstnernes Hus, Oslo
II Baltic Biennale of Contemporary Art, Derzhavin Museum, St Petersburg

2009
NOMAD, Brügge, Belgium
Naturally, Bergen Museum of Natural History
Beyond existence – Do not avoid the void, Cordy House, London
Affluenza, Clerkenwell, London

Public collections

The National Museum of Art, Architecture and Design, Oslo
Oslo Municipal Art Collection
Arts Council, Norway
The Royal Norwegian Foreign Department
Luleå Municipal Art Collection, Sweden

Grants / awards

Lifetime working grant, Norwegian Government, 2010
Nominated for the Lorck Schive Art Prize, 2017
Nominated for the Norwegian Film Award, the Amanda, in the category for Best Short
Film, 2013

Mattias Härenstam
Born 1971 in Gothenburg, Sweden. Lives and works in Oslo, Norway. Educated at the National Academy of Fine Arts, Bergen, Norway and Staatliche Hochschule für bildende Künste Städelschule, Frankfurt am Main (prof. Herman Nitsch).mattiasharenstam.comSelected solo exhibitions 2016 Secrets, Weaknesses, Lies, The Vigeland Museum, Oslo Branching (with Lars Hertervig), Stavanger Art Museum, Norway Later that night, Konstepidemin, Gothenburg 2015 Mattias Härenstam, Nils Aas Art Centre, Inderøy, Norway Mattias Härenstam / Kristine Halmrast, Oppland Art Centre, Lillehammer, Norway 2014 Mattias Härenstam, Art-Claims-Impulse Contemporary Fine Arts, Berlin Sketches for a re-animation, Konstnärshuset, Stockholm Reconstruction, Norske Grafikere, Oslo Sketches for a re-animation, Østfold Art Centre, Fredrikstad, Norway 2013 Temporary Disruption, Luleå Konsthall, Sweden In the Middle of Sweden, Galleri Rostrum, Malmö, Sweden Closed Circuit (In the Middle of Sweden), Trafo Kunsthall, Norway 2012 Fear of Failure, Tromsø Fine Art Society, Norway I know you are there, Kunstnerforbundet, Oslo 28 February 1986, Galleri 54, Gothenburg 2011 28 February 1986, Akershus Art Centre, Norway Drawing Circles (…the distance is always the same), Tidens krav, Oslo 2009 The Diary of the Unknown Consumer, Skånes Konstförening, Malmö 2008 The Diary of the Unknown Consumer, UKS, Oslo Selected group exhibitions / festivals 2017 KINO DER KUNST, München / Neues Museum, Nürnberg Exitus, Galleri F 15, Moss, Norway Forest in Norway, Hubei Art Museum, China 2015 Impressions. Five centuries of woodcuts, The National Museum of Art, Architecture and Design, Oslo Exitus, Galerie am Körnerpark, Berlin Tomrom, Sandefjord and Larvik Fine Art Societies, Norway Spring depot, Tenthaus, Oslo 2014 Artists Film International, Whitechapel Gallery, London Letter from Mr. Faustus / Back to Berlin, Herzliya Museum of Contemporary Art, Israel The Pleasure of negative emotions, KNIPSU, Bergen FEC European Short Film Festival, Reus, Spain Brüch Stücke, Theater im Palais / Art-Claims-Impulse, Berlin Moviebox, Hydrogenfabrikken Kunsthall, Fredrikstad, Norway Prints, Buskerud Art Centre, Drammen, Norway Minimalen Short Film Festival, Trondheim, Norway 2013 Norwegian Sculpture Biennale, The Vigeland Museum, Oslo Audiovisioni Digitali, Museo D’Arte Contemporanea Roma, Rome between appropriation and interventions, Kunstraum Kreuzberg / Bethanien, Berlin Video Art & Experimental Film Festival, Tribeca Cinemas, New York Göteborg International Film Festival, Gothenburg Jeonju International Film Festival, South Korea Norwegian Short Film Festival, Grimstad Spring Exhibition, Kunsthal Charlottenborg, Copenhagen The Annual National Exhibition of the Visual Arts, Kunstnernes Hus, Oslo Umeå International Short Film Festival, Sweden. Portrait in the moving image, IKFU, Jönköpings Läns Museum, Sweden Trä / Wood 2013, Virserums Konsthall, Sweden. 2012 Videoholica, SAMCA - Museum for Contemporary Art, Sofia Screengrab, New Media Arts Award, Townsville, Australia Kort, KinoKino, Sandnes Videosincracy, Galleria Limiti Inchiusi Arte Contemporanea, Campobasso, Italy Videoguerrilha, São Paolo, Rio de Janeiro and Brasilia. Kuala Lumpur Experimental Film Festival, Malaysia The Annual National Exhibition of the Visual Arts, Kunstnernes Hus, Oslo The 25th Festival Les Instants Vidéo, Marseille Festival Miden, Kalamata, Greece L’Oeil d’Oodaaq, Rennes Oslo Screen Festival, Oslo CologneOFF (touring videofestival) 2011 InsideOut Step2 - Latest trends in Western Videoart, White Box Museum of Art, Beijing OK Video FLESH, National Gallery of Indonesia, Jakarta Arte Video Roma Festival, Rome The 24th Festival Les Instants Vidéo, Marseille and Paris. Vårutstillingen, Fotogalleriet, Oslo between appropriation and interventions, Christianssands Kunstforening, Norway That’s entertainment!, The Norwegian Short Film Festival in Grimstad NewScreen NewCastle, Newcastle Videoholica, Varna, Bulgaria 21st International Videofestival, Bochum Art:Screen at Beaconsfield, London and the International Film Festival, Rotterdam. Flaggfabrikken presenterer Nordic Art Express, touring videoscreening 2010 Spring Exhibition, Kunsthal Charlottenborg, Copenhagen Art Kino # 7, Rio, Stockholm Invisible Violence, FestArte, MACRO, Rome. The Annual National Exhibition of the Visual Arts, Kunstnernes Hus, Oslo II Baltic Biennale of Contemporary Art, Derzhavin Museum, St Petersburg 2009 NOMAD, Brügge, Belgium Naturally, Bergen Museum of Natural History Beyond existence – Do not avoid the void, Cordy House, London Affluenza, Clerkenwell, London Public collections The National Museum of Art, Architecture and Design, Oslo Oslo Municipal Art Collection Arts Council, Norway The Royal Norwegian Foreign Department Luleå Municipal Art Collection, Sweden Grants / awards Lifetime working grant, Norwegian Government, 2010 Nominated for the Lorck Schive Art Prize, 2017 Nominated for the Norwegian Film Award, the Amanda, in the category for Best Short Film, 2013

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