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blinkvideo - research of video art, performance and multimedia installations.

NEW: Favorites curated by blinkvideo users

What do you like? Over the next few months, we will be showing here selections of works, compiled by you, as a blinkvideo user.

Nasim Weiler: Hello, there are many absolutely wonderful video works on Blinkvideo - here are my three favourites of today, March 26 - a day spent in quarantane in Paris.

Do you have any favorites on blinkvideo ? Or would you like to focus attention on some video works? Or would you like to compile and show videos on a specific topic? You can do so with the new tool on blinkvideo.
Create a favorites list as follows: When you're logged in, a little sign "add to favorite list" will appear below each video. With the click on it, you add the film to your favorites list. When you have collected all the works, open your favorites list and you can share the list with blinkvideo. We will then receive a message and put the compilation online.
We are very curious about your selection!

Nadja Verena Marcin - OPHELIA
Stadtgalerie in Saarbrücken, Germany. 2019

OPHELIA is an interdisciplinary performance that is presented in the Stadtgalerie Saarbrücken as a live action and subsequently as a video installation. It reflects the human-induced destruction of nature and creates references to art, literature and science. Dressed in "Ophelia's" dress and equipped with a diving device, Nadja Verena Marcin will climb into an aquarium and try under water to read the text "The Werld" by Daniil Kharms about human perception.
Image: © Nadja Verena Marcin

Igor Simić - WELTSCHMERZ 
at Galerie Beckers, Frankfurt

The exhibition WELTSCHMERZ shows new works by Serbian artist Igor Simic, which he created in connection with his iOS game Golf Club: Wasteland. For this game he and his award-winning gaming and film company Demagog Studio developed a whole world — a storyline with characters and various landscapes — in a post-apocalyptic scenario. The eerie atmosphere of the carefully crafted visual scenery is accompanied by slow paced, nostalgic, sometimes almost chilling music that evokes the feeling of longing for something lost.
Image: © Igor Simić

Fuzzy dark spot
Video art from Hamburg

The exhibition FUZZY DARK SPOT curated by the Hamburg-based video artist Wolfgang Oelze, at the Falckenberg Collection brings together 56 video works by over 30 mostly Hamburg-based artists ranging from the 1970s to the present day, featuring historical and contemporary productions in both thematic and monographic groups.
image: © Stefan Panhans

REFRACTED REALITIES at VIDEONALE.17

In optics, “refraction” refers to the bending of a beam of light, a change in direction which occurs at the moment when it passes from one medium to another. Through refraction, the light wave alters course, changing the way we perceive the objects it illuminates in the process. This optical deviation requires us to repeatedly correct our gaze, comparing the beginning and end points of our perception with reality, and bringing the object we see clearly into focus. In its figurative sense, refraction refers to a critical reflection on the means and channels of visualization, and by extension the possibility of a rearticulation of our view of things – how they are, were, or apparently always have been.
Image: © Sohrab Hura

Featured videos

Annegret Soltau
Schwanger-Sein I, 1977/78

"My pregnancies in 1978 and 1980 became an important theme for me. This personal experience yielded pictures in which I once again used myself as a model, this time myself in the process of being pregnant. The fear that my role as a mother could jeopardize my life as an artist inspired me to create a great many photos and videos. At this point I was preoccupied with the question of how women combine creativity and motherhood.“ (Annegret Soltau)

Tobias Yves Zintel
Breed and Educate, 2018

The Film Breed and Educate is based on a collaborative performance with a class from the Hector-Peterson-Schule Berlin Kreuzberg and the HAU. In numerous task based rehearsals eight pupils between 11 and 13 years explored the possibilties of self-education. Based on various materials from found footage to documentary and staged scenes the film circles around the relationship of controlling and self-empowerment in educational systems. Breed and Educate is circling around the question of how lessons should be organised in times of network and algorthim-based learning. Algorithms and neuronal networks have to master problems only once, after they achieved their goal, results can be duplicated and copied any number of times. Kids on the other hand side have to learn everything step by step, the accumulated knowlede can’t be transfered from on kid to the other by „copy and paste“. An allopoetic system is a trivial system, which can be potentially fully explored, controlled and operated by an observer. With a similar theory in mind, the Prussians started to organise schooling in 1717, to prepare pupils for the Prussian Military Academy. What happens almost 300 years later in a school in Berlin, when the relationship between control and self-empowerment is inverted by postmigrant pupils who breed robots, are educated by them and vice versa? “ In Breed and Educate an automated dionsaur is introduced by a twelfe year old boy: “It’s easily trainable”. While he explains the mode of operation, one sees the parallels: the school wouldn’t have any problems with pupils equipped with a suitable operating system downloaded from the internet. Sounds like an uncanny utopia.” (Katrin Bettina Müller)

Lene Markusen
Grad, 2004

Dieter Kiessling
60 Minutes 360 Degrees GK 2010, 2010

A boy is portrayed with a video camera for an hour on a tennis court.During this time the camera turns through 360 degrees. Meanwhile, the whole space is recorded piece by piece. The boy follows the camera movement slowly thus remaining constantly in the centre of the picture.

Clemens von Wedemeyer
Silberhöhe, 2003

In Halle-Silberhöhe in East Germany, the camera records peri-urban area architecture, prefabricated buildings that are deserted and destined to be demolished. The commentary evokes a film editing technique used by Michelangelo Antonioni in his film, L’Eclisse (1962).

Janet Biggs
Fade to White, 2010

In Fade to White, Biggs delves into the desire to explore remote lands. To create this work, the artist embarked on an expedition in the high Arctic, traveling aboard an ice-class, 2-masted schooner, built in 1910. During the voyage, Biggs filmed Fade to White, focusing on a crew member as he navigated the ship through iceberg filled seas, and paddled a kayak past glacier walls and polar bears. As she photographed the explorer, Biggs tested her own will and endurance. The visual tension of her uncompromising imagery bespeaks their mutual struggle to maintain balance and purpose. Yet, the video also reveals the myth of the solitary white male explorer. Biggs explains, "The desire to hold onto the notion of the 'great white north' as a blank space awaiting interpretation only reinforces the idea of the colonial polar hero. The 'virgin' north has now been mapped, surveyed, and mined, but increased knowledge has not replaced endless fantasies of discovery." Loss and change are implicit in the video's title, Fade to White, which refers to an editing technique used to evoke death or transcendence. Biggs integrated her Arctic imagery with sound and video footage of counter tenor John Kelly, whose age, androgyny, and mournful voice parallel the vanishing Arctic landscape and signal the waning of male dominance.

Rebecca Ann Tess
The Tallest, 2014

The »The Tallest« shows pictures shot on-site of the currently tallest buildings in the world. The high-rises are shown as set pieces of global capitalism, visually disappearing into abstraction. The reduced images are reminding of 3D rendering. The simulated image of these buildings circulates in the media for representational and advertising purposes, becomes a substantial object and the actual spatiality becomes a mockup. The narration is undertaken by a computer voice, it describes the competition for the tallest tower at such divers places as Chicago, Dubai, Hong Kong, Kuala Lumpur, Mecca, Nanjing, New York City, Seoul, Shanghai, Shenzhen, Songdo and Taipei.

Johanna Reich
LIGHT ON BLACK ON WHITE HOMAGE TO MALEVICH, 2015

A moving digital light drawing illuminates a white wall. A hand painting a black square on the white surface becomes visible. At the same time the light drawing is painting a light square. In the end the light of the digital light square illuminates the finished black oil painting.

Critics’ Pick: Vienna by Nicole Büsing + Heiko Klaas

The group show “Antarctica. An Exhibition on Alienation” was presented in Vienna during the past winter season. Departing from a note written by the Italian cult director Michelangelo Antonioni referring to a potential glacier melting in the Antarctica and a hint to a film, the two curators from the Kunsthalle Wien, Vanessa Joan Müller and Nicolaus Schafhausen, conceived an exhibition on the topic of alienation and contemporary art. The focus was on the latest contemporary photography and video art by the younger generation of artists.
Image: © Isabella Fürnkäs

Expanding Bauhaus.
New Reflections on the Bauhaus Movement in Time-Based Media Art
/ Goethe Institute Netherlands

A screening series selected by Elke Kania (Cologne), Julia Sökeland (Hamburg) and Ludwig Seyfarth (Berlin)

With its combination of various arts such as painting, photography film, architecture, fashion, product and interior design and textile art, the Bauhaus is still considered the epitome of a technologically advanced modernity. Last but not least, the attempt to create the whole society aesthetically, inspired many artists worldwide.
Image: © Adnan Softic

Johan Grimonprez

Johan Grimonprez’s critically acclaimed work dances on the borders of practice and theory, art and cinema, documentary and fiction, demanding a double take on the part of the viewer. Informed by an archeology of present-day media, his work seeks out the tension between the intimate and the bigger picture of globalization. It questions our contemporary sublime, one framed by a fear industry that has infected political and social dialogue. By suggesting new narratives through which to tell a story, his work emphasizes a multiplicity of realities.
image: © Johan Griminprez

Christoph Faulhaber: Revolution & Architecture

With "Revolution & Architecture" Christoph Faulhaber (* 1972 in Osnabrück, lives in Hamburg) conceives, builds, designs and opens a whole series of very different rooms in the Kunsthalle Osnabrück. In order to discover the revolutionary aspect of these "architectures", one has to look at the social implications of interior design in general. In the forum the visitor then enters Faulhaber's cinematic autobiography "Every Picture is an Empty Picture" as in the eye of the cyclone: The work is split into 15 individual films and surrounds the visitor in a circle.
Image: © Christoph Faulhaber

Stiftung imai – inter media art institute

The Düsseldorf based foundation imai – inter media art institute was founded in 2006 in order to establish an institution in Germany dedicated to the distribution and preservation of media art and associated activities.
Image: © Marcel Odenbach

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Adad Hannah

Works


Galleries

Pierre-François Ouellette art contemporain
Pierre-François Ouellette
372 Ste-Catherine West #216
H3B 1A2 Montréal, Québec
Canada

Phone: (514) 395 - 6032
E-Mail: pfo@pfoac.com




Statement

Adad Hannah is interested in the way the photographic moment is performed for a camera and his works often take the form of video-recorded tableaux vivants. Through his videos and photographs he explores the nexus of photography, video, sculpture, and performance and how the human body occupies this space.


Biography

Born in New York in 1971
spent his childhood in Israel and England
moved to Vancouver in the early 1980’s
He lives and works between Montreal and Vancouver

Education

2013 PhD, Concordia University, Montreal, Canada
2004 Master of Fine Arts, Concordia University, Montreal, Canada
1998 Bachelor of Fine Arts, Emily Carr Institute of Art & Design, Vancouver, Canada

Selected solo exhibitions

2015
Hannah/Arcand: Burghers of Vancouver, Canadian Cutural Centre, Paris. Curator: Catherine Bedard.
Burghers of Vancouver in Rodin: Metamorphoses, MBAM, Montreal. Curator: Nathalie Bondil.

2014
The Critique of Statical Reason, Victoria Art, Bucharest, Romania. Curator: Marius Tana.
Adad Hannah Recent Works, Equinox Gallery, Vancouver, Canada.
Three Generations, Koffler Centre of the Arts, Toronto, Canada. Curator: Mona Phillip.
Unfixed, Two Rivers Art Gallery, Prince George, Canada. Curator: George Harris

2013
Single Channel, Des Moines Art Center, Iowa, USA. Curator: Laura Burkehalter.
Blackwater Ophelia, Judith & Norman ALIX Art Gallery, Sarnia, Canada. Curator: Lisa Daniels.

2012
Visitors, The Ottawa Art Gallery, Ottawa, Canada. Curator: Ola Wlusek.
Instantes, Centro Multimedia, Mexico City, Mexico. Curator: de Blois & Vergara-Vargas.
Mirroring the Brodsky, I. I. Brodsky Apartment Museum, Saint Petersburg, Russia.
Intimate Encounters, San Antonio Museum of Art, San Antonio, USA. Curator: David Rubin.

2011
The Russians, Pierre-François Ouellette art contemporain, Montreal, Canada.
Reversing and 18 Minutes, LEEUM Museum, Seoul, South Korea. Curator: Kyunghwa Koo.

2010
Adad Hannah: Cuba Still (Remake), Rodman Hall Art Centre, Saint Catherines, Canada.
Masterpieces in Motion, Aldrich Museum, Ridgefield, USA. Curator: Mónica Ramírez-Montagut.
Peinture de genre figure de Still, Le Musée d’art contemporain des Laurentides, Saint-Jérôme, Canada.

2009
The Raft of the Medusa, Pierre-François Ouellette art contemporain, Montreal, Canada.
All Is Vanity (Mirrorless Version), BMO Project Room, Toronto, Canada. Curator: Dawn Cain.

2008
Adad Hannah: Reflections, Pierre-François Ouellette art contemporain, Montreal, Canada.

2007
Videos and Not Videos, Monash University, Melbourne, Australia.
Internal Logic: Camping, Vancouver Art Gallery, Vancouver, Canada.

2006
Adad Hannah: Stills, Ikon Gallery, Birmingham, United Kingdom. Curator: Jonathan Watkins.

Selected group exhibitions

2015
Packaged, venue to be confirmed, Toronto, Canada. Curated by Lois Schklar and Andrea Lacalamita.

2014
Marc Audette and Adad Hannah, Pierre-François Ouellette art contemporain, Toronto, Canada.
Wai Bao OUTsource, AMNUA Nanjing, China. Curator: Doug Louis.
Sympathetic Magic, Mendel Art Gallery, Saskatoon, Canada. Curator: Troy Gronsdahl.

2013
Lost in Space, Linden Centre for Contemporary Arts, Melbourne, Australia. Curator: Matthew Perkins.
Quotation, Confederation Centre Art Gallery, Charlottetown, PEI, Canada. Curator: Pan Wendt.
Mise-en-Scène, Leeum Samsung Museum of Art, Seoul, South Korea. Curator: Kyunghwa Koo.
Switched Over, Victoria Art, Bucharest, Romania. Curator: Marius Tana.

2012
Primer Acto, Museo Tamayo, Mexico City, Mexico. Curator: Andrea Torreblanca.
The Artificial Full Moon, Wroclaw Contemporary Museum, Wroclaw, Poland.
Watch This Space, Art Gallery of Ontario, Toronto, Canada.
Machines, Centre des Arts Enghien-les-Bains, Paris, France. Curator: Alan Theibault.
Seeking Beyond The Surface, University of Essex, Essex, United Kingdom.

2011
Safari, Musée des beaux arts de Montréal, Montreal, Canada. Collaborator: Denys Arcand.
The Savage Transparence, Young Projects, Los Angeles, USA. Curator: Paul Young.
Prague Biennial 5, Microna, Prague, Czech Republic. Curator: Marius Tana & Horea Avram.
Silencia Para Cinco, Museo des Bellas Artes, Santiago, Chile. Curator: Christian Viveros-Faune.
5th International Video Art Biennial, Isreal Centre for Digital Art, Holon, Isreal. Curator: Chen Tamir.
Videoderive dell’arte 3, Museo Civico Villa dei Cedri, Bellinzona, Switzerland.
Canadian Biennial, National Gallery of Canada, Ottawa, Canada. Curator: Josée Drouin-Brisebois.

2010
Sobey Quebec Artists, Musée d’art contemporain de Montréal, Montreal, Canada.
18 Minutes, LEEUM, Samsung Museum of Art, Seoul, South Korea. Curator: Kyunghwa Koo.
Liverpool Biennial, Contemporary Urban Centre, Liverpool, United Kingdom.
Adad Hannah: Cuba Still (Remake), Yukon Arts Centre, Whitehorse, Canada.
The Mirror Effect, Australian Centre for Photography, Sydney, Australia. Curator: Malcolm Smith.

2009
Connecting to Collections 2: Destinations, Gallery Lambton, Sarnia, Canada. Curator: Lisa Daniels.
A Starting Point, Zendai MoMA, Shanghai, China. Curator: Shen Qibin & Biljana Ciric.
Here, Now, or Nowhere, Art Gallery of Grande Prairie, Grande Prairie, Canada. Curator: Micah Lexier.
The Mobile Archive, The Israeli Center for Digital Art, Touring Exhibition.

2008
Single Channel, Galerie Thomas Shulte, Berlin, Germany. Curator: Christopher Eamon.
10th Anniversary Exhibition, Ssamzie Space, Seoul, South Korea.
The Québec Triennial, Musée d’art contemporain de Montréal, Montreal, Canada.
Art Multiples, Ke Center for Contemporary Art, Shanghai, China. Curator: Biljana Ciric.
Intrude, Shanghai Zendai Museum of Modern Art, Shanghai, China. Curator: Biljana Ciric.
Stutter and Twitch, Barnicke Gallery, Toronto, Canada. Curator: Chen Tamir.
Let Me Be Your Mirror, MacKenzie Art Gallery, Regina, Canada. Curator: Timothy Long.

Selected grants & awards

2013
Prix Les Arts et la Ville, Ville de Montréal, Blocks for the Musée
CSLA/AAPC Award of Excellence, Blocks for the Musée
Canada Council for the Arts, Travel Grant

2011
Quebec Arts Council, Research & Creation Grant
Conseil des Arts et des Lettres, Travel Grant

2010
Conseil des Arts et des Lettres, Travel Grant

2009
Conseil des Arts et des Lettres, Research & Creation Grant
Canada Council for the Arts, Victor Martyn Lynch-Staunton Award for Mid-Career Artist

2008
Conseil des Arts et des Lettres, Research & Creation Grant
Canada Council for the Arts, Research & Creation Grant

2007
Conseil des Arts et des Lettres

2006
Canadian Embassy in Seoul
Canadian Embassy in Madrid
Conseil des Arts et des Lettres

2005
Canada Council for the Arts

2004
Best Installation/New Media Award, Images Festival for Folk & Still at Gallery TPW
Bogdanka Poznanovic Award, 8th Videomedeja International Video Festival, Novi Sad, Serbia
Canada Council for the Arts
Conseil des Arts et des Lettres

2003
WRO 03 10th International Media Arts Biennale, Second Place

Public & private collections

National Gallery of Canada, Ottawa, Canada
Musée d’art contemporain de Montréal, Montreal, Canada
Montreal Museum of Fine Arts, Montreal, Canada
Museo Tamayo, Mexico City, Mexico
Musée d’art de Joliette, Joliette, Quebec, Canada
LEEUM Museum, Seoul, South Korea
Art Gallery of Ontario, Toronto, Canada
Musée National des Beaux-Arts du Québec, Quebec City, Canada
Ke Center for Centemporary Art, Shanghai, China
Winnipeg Art Gallery, Winnipeg, Canada
SSamzie Collection, Seoul, South Korea
Zacheta Lower Silesian Society for the Fine Arts, Wroclaw, Poland
Cirque du Soliel, Montreal, Canada
Surrey Art Gallery, Surrey, Canada
Judith & Norman ALIX Art Gallery, Sarnia, Ontario, Canada
Musée d’art contemporain des Laurentides, Saint-Jérôme, Canada
Monash University, Melbourne, Australia
Mordes Collection, Miami, United States
Sir Elton John, London, United Kingdom
The Mobile Archive, The Israeli Center for Digital Art, Holon, Isreal
The Canada Council Art Bank, Ottawa, Canada

Adad Hannah
Born in New York in 1971 spent his childhood in Israel and England moved to Vancouver in the early 1980’s He lives and works between Montreal and Vancouver Education 2013 PhD, Concordia University, Montreal, Canada 2004 Master of Fine Arts, Concordia University, Montreal, Canada 1998 Bachelor of Fine Arts, Emily Carr Institute of Art & Design, Vancouver, Canada Selected solo exhibitions 2015 Hannah/Arcand: Burghers of Vancouver, Canadian Cutural Centre, Paris. Curator: Catherine Bedard.Burghers of Vancouver in Rodin: Metamorphoses, MBAM, Montreal. Curator: Nathalie Bondil. 2014 The Critique of Statical Reason, Victoria Art, Bucharest, Romania. Curator: Marius Tana. Adad Hannah Recent Works, Equinox Gallery, Vancouver, Canada. Three Generations, Koffler Centre of the Arts, Toronto, Canada. Curator: Mona Phillip. Unfixed, Two Rivers Art Gallery, Prince George, Canada. Curator: George Harris 2013 Single Channel, Des Moines Art Center, Iowa, USA. Curator: Laura Burkehalter. Blackwater Ophelia, Judith & Norman ALIX Art Gallery, Sarnia, Canada. Curator: Lisa Daniels. 2012 Visitors, The Ottawa Art Gallery, Ottawa, Canada. Curator: Ola Wlusek. Instantes, Centro Multimedia, Mexico City, Mexico. Curator: de Blois & Vergara-Vargas. Mirroring the Brodsky, I. I. Brodsky Apartment Museum, Saint Petersburg, Russia. Intimate Encounters, San Antonio Museum of Art, San Antonio, USA. Curator: David Rubin. 2011 The Russians, Pierre-François Ouellette art contemporain, Montreal, Canada. Reversing and 18 Minutes, LEEUM Museum, Seoul, South Korea. Curator: Kyunghwa Koo. 2010 Adad Hannah: Cuba Still (Remake), Rodman Hall Art Centre, Saint Catherines, Canada. Masterpieces in Motion, Aldrich Museum, Ridgefield, USA. Curator: Mónica Ramírez-Montagut. Peinture de genre figure de Still, Le Musée d’art contemporain des Laurentides, Saint-Jérôme, Canada. 2009 The Raft of the Medusa, Pierre-François Ouellette art contemporain, Montreal, Canada. All Is Vanity (Mirrorless Version), BMO Project Room, Toronto, Canada. Curator: Dawn Cain. 2008 Adad Hannah: Reflections, Pierre-François Ouellette art contemporain, Montreal, Canada. 2007 Videos and Not Videos, Monash University, Melbourne, Australia. Internal Logic: Camping, Vancouver Art Gallery, Vancouver, Canada. 2006 Adad Hannah: Stills, Ikon Gallery, Birmingham, United Kingdom. Curator: Jonathan Watkins. Selected group exhibitions 2015 Packaged, venue to be confirmed, Toronto, Canada. Curated by Lois Schklar and Andrea Lacalamita. 2014 Marc Audette and Adad Hannah, Pierre-François Ouellette art contemporain, Toronto, Canada. Wai Bao OUTsource, AMNUA Nanjing, China. Curator: Doug Louis. Sympathetic Magic, Mendel Art Gallery, Saskatoon, Canada. Curator: Troy Gronsdahl. 2013 Lost in Space, Linden Centre for Contemporary Arts, Melbourne, Australia. Curator: Matthew Perkins. Quotation, Confederation Centre Art Gallery, Charlottetown, PEI, Canada. Curator: Pan Wendt. Mise-en-Scène, Leeum Samsung Museum of Art, Seoul, South Korea. Curator: Kyunghwa Koo. Switched Over, Victoria Art, Bucharest, Romania. Curator: Marius Tana. 2012 Primer Acto, Museo Tamayo, Mexico City, Mexico. Curator: Andrea Torreblanca. The Artificial Full Moon, Wroclaw Contemporary Museum, Wroclaw, Poland. Watch This Space, Art Gallery of Ontario, Toronto, Canada. Machines, Centre des Arts Enghien-les-Bains, Paris, France. Curator: Alan Theibault. Seeking Beyond The Surface, University of Essex, Essex, United Kingdom. 2011 Safari, Musée des beaux arts de Montréal, Montreal, Canada. Collaborator: Denys Arcand. The Savage Transparence, Young Projects, Los Angeles, USA. Curator: Paul Young. Prague Biennial 5, Microna, Prague, Czech Republic. Curator: Marius Tana & Horea Avram. Silencia Para Cinco, Museo des Bellas Artes, Santiago, Chile. Curator: Christian Viveros-Faune. 5th International Video Art Biennial, Isreal Centre for Digital Art, Holon, Isreal. Curator: Chen Tamir. Videoderive dell’arte 3, Museo Civico Villa dei Cedri, Bellinzona, Switzerland. Canadian Biennial, National Gallery of Canada, Ottawa, Canada. Curator: Josée Drouin-Brisebois. 2010 Sobey Quebec Artists, Musée d’art contemporain de Montréal, Montreal, Canada. 18 Minutes, LEEUM, Samsung Museum of Art, Seoul, South Korea. Curator: Kyunghwa Koo. Liverpool Biennial, Contemporary Urban Centre, Liverpool, United Kingdom. Adad Hannah: Cuba Still (Remake), Yukon Arts Centre, Whitehorse, Canada. The Mirror Effect, Australian Centre for Photography, Sydney, Australia. Curator: Malcolm Smith. 2009 Connecting to Collections 2: Destinations, Gallery Lambton, Sarnia, Canada. Curator: Lisa Daniels. A Starting Point, Zendai MoMA, Shanghai, China. Curator: Shen Qibin & Biljana Ciric. Here, Now, or Nowhere, Art Gallery of Grande Prairie, Grande Prairie, Canada. Curator: Micah Lexier. The Mobile Archive, The Israeli Center for Digital Art, Touring Exhibition. 2008 Single Channel, Galerie Thomas Shulte, Berlin, Germany. Curator: Christopher Eamon. 10th Anniversary Exhibition, Ssamzie Space, Seoul, South Korea. The Québec Triennial, Musée d’art contemporain de Montréal, Montreal, Canada. Art Multiples, Ke Center for Contemporary Art, Shanghai, China. Curator: Biljana Ciric. Intrude, Shanghai Zendai Museum of Modern Art, Shanghai, China. Curator: Biljana Ciric. Stutter and Twitch, Barnicke Gallery, Toronto, Canada. Curator: Chen Tamir. Let Me Be Your Mirror, MacKenzie Art Gallery, Regina, Canada. Curator: Timothy Long. Selected grants & awards 2013 Prix Les Arts et la Ville, Ville de Montréal, Blocks for the Musée CSLA/AAPC Award of Excellence, Blocks for the Musée Canada Council for the Arts, Travel Grant 2011 Quebec Arts Council, Research & Creation Grant Conseil des Arts et des Lettres, Travel Grant 2010 Conseil des Arts et des Lettres, Travel Grant 2009 Conseil des Arts et des Lettres, Research & Creation Grant Canada Council for the Arts, Victor Martyn Lynch-Staunton Award for Mid-Career Artist 2008 Conseil des Arts et des Lettres, Research & Creation Grant Canada Council for the Arts, Research & Creation Grant 2007 Conseil des Arts et des Lettres 2006 Canadian Embassy in Seoul Canadian Embassy in Madrid Conseil des Arts et des Lettres 2005 Canada Council for the Arts 2004 Best Installation/New Media Award, Images Festival for Folk & Still at Gallery TPW Bogdanka Poznanovic Award, 8th Videomedeja International Video Festival, Novi Sad, Serbia Canada Council for the Arts Conseil des Arts et des Lettres 2003 WRO 03 10th International Media Arts Biennale, Second Place Public & private collections National Gallery of Canada, Ottawa, Canada Musée d’art contemporain de Montréal, Montreal, Canada Montreal Museum of Fine Arts, Montreal, Canada Museo Tamayo, Mexico City, Mexico Musée d’art de Joliette, Joliette, Quebec, Canada LEEUM Museum, Seoul, South Korea Art Gallery of Ontario, Toronto, Canada Musée National des Beaux-Arts du Québec, Quebec City, Canada Ke Center for Centemporary Art, Shanghai, China Winnipeg Art Gallery, Winnipeg, Canada SSamzie Collection, Seoul, South Korea Zacheta Lower Silesian Society for the Fine Arts, Wroclaw, Poland Cirque du Soliel, Montreal, Canada Surrey Art Gallery, Surrey, Canada Judith & Norman ALIX Art Gallery, Sarnia, Ontario, Canada Musée d’art contemporain des Laurentides, Saint-Jérôme, Canada Monash University, Melbourne, Australia Mordes Collection, Miami, United States Sir Elton John, London, United Kingdom The Mobile Archive, The Israeli Center for Digital Art, Holon, Isreal The Canada Council Art Bank, Ottawa, Canada

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