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blinkvideo - research of video art, performance and multimedia installations.

NEW: Favorites curated by blinkvideo users

What do you like? Over the next few months, we will be showing here selections of works, compiled by you, as a blinkvideo user.

Jeroen Van Den Tempel: I'm fascinated by video's which invite me to watch out of my framework of daily existence, of my perception of time and space. Which remind me of the real nature of reality, which is streaming. All form is temporary. I’m really intrigued when a universal issue is combined with an issue from daily life. Jeroen van den Tempel

Do you have any favorites on blinkvideo ? Or would you like to focus attention on some video works? Or would you like to compile and show videos on a specific topic? You can do so with the new tool on blinkvideo.
Create a favorites list as follows: When you're logged in, a little sign "add to favorite list" will appear below each video. With the click on it, you add the film to your favorites list. When you have collected all the works, open your favorites list and you can share the list with blinkvideo. We will then receive a message and put the compilation online.
We are very curious about your selection!

Nadja Verena Marcin - OPHELIA
Stadtgalerie in Saarbrücken, Germany. 2019

OPHELIA is an interdisciplinary performance that is presented in the Stadtgalerie Saarbrücken as a live action and subsequently as a video installation. It reflects the human-induced destruction of nature and creates references to art, literature and science. Dressed in "Ophelia's" dress and equipped with a diving device, Nadja Verena Marcin will climb into an aquarium and try under water to read the text "The Werld" by Daniil Kharms about human perception.
Image: © Nadja Verena Marcin

Igor Simić - WELTSCHMERZ 
at Galerie Beckers, Frankfurt

The exhibition WELTSCHMERZ shows new works by Serbian artist Igor Simic, which he created in connection with his iOS game Golf Club: Wasteland. For this game he and his award-winning gaming and film company Demagog Studio developed a whole world — a storyline with characters and various landscapes — in a post-apocalyptic scenario. The eerie atmosphere of the carefully crafted visual scenery is accompanied by slow paced, nostalgic, sometimes almost chilling music that evokes the feeling of longing for something lost.
Image: © Igor Simić

Fuzzy dark spot
Video art from Hamburg

The exhibition FUZZY DARK SPOT curated by the Hamburg-based video artist Wolfgang Oelze, at the Falckenberg Collection brings together 56 video works by over 30 mostly Hamburg-based artists ranging from the 1970s to the present day, featuring historical and contemporary productions in both thematic and monographic groups.
image: © Stefan Panhans

REFRACTED REALITIES at VIDEONALE.17

In optics, “refraction” refers to the bending of a beam of light, a change in direction which occurs at the moment when it passes from one medium to another. Through refraction, the light wave alters course, changing the way we perceive the objects it illuminates in the process. This optical deviation requires us to repeatedly correct our gaze, comparing the beginning and end points of our perception with reality, and bringing the object we see clearly into focus. In its figurative sense, refraction refers to a critical reflection on the means and channels of visualization, and by extension the possibility of a rearticulation of our view of things – how they are, were, or apparently always have been.
Image: © Sohrab Hura

Featured videos

Annegret Soltau
Schwanger-Sein I, 1977/78

"My pregnancies in 1978 and 1980 became an important theme for me. This personal experience yielded pictures in which I once again used myself as a model, this time myself in the process of being pregnant. The fear that my role as a mother could jeopardize my life as an artist inspired me to create a great many photos and videos. At this point I was preoccupied with the question of how women combine creativity and motherhood.“ (Annegret Soltau)

Tobias Yves Zintel
Breed and Educate, 2018

The Film Breed and Educate is based on a collaborative performance with a class from the Hector-Peterson-Schule Berlin Kreuzberg and the HAU. In numerous task based rehearsals eight pupils between 11 and 13 years explored the possibilties of self-education. Based on various materials from found footage to documentary and staged scenes the film circles around the relationship of controlling and self-empowerment in educational systems. Breed and Educate is circling around the question of how lessons should be organised in times of network and algorthim-based learning. Algorithms and neuronal networks have to master problems only once, after they achieved their goal, results can be duplicated and copied any number of times. Kids on the other hand side have to learn everything step by step, the accumulated knowlede can’t be transfered from on kid to the other by „copy and paste“. An allopoetic system is a trivial system, which can be potentially fully explored, controlled and operated by an observer. With a similar theory in mind, the Prussians started to organise schooling in 1717, to prepare pupils for the Prussian Military Academy. What happens almost 300 years later in a school in Berlin, when the relationship between control and self-empowerment is inverted by postmigrant pupils who breed robots, are educated by them and vice versa? “ In Breed and Educate an automated dionsaur is introduced by a twelfe year old boy: “It’s easily trainable”. While he explains the mode of operation, one sees the parallels: the school wouldn’t have any problems with pupils equipped with a suitable operating system downloaded from the internet. Sounds like an uncanny utopia.” (Katrin Bettina Müller)

Lene Markusen
Grad, 2004

Dieter Kiessling
60 Minutes 360 Degrees GK 2010, 2010

A boy is portrayed with a video camera for an hour on a tennis court.During this time the camera turns through 360 degrees. Meanwhile, the whole space is recorded piece by piece. The boy follows the camera movement slowly thus remaining constantly in the centre of the picture.

Clemens von Wedemeyer
Silberhöhe, 2003

In Halle-Silberhöhe in East Germany, the camera records peri-urban area architecture, prefabricated buildings that are deserted and destined to be demolished. The commentary evokes a film editing technique used by Michelangelo Antonioni in his film, L’Eclisse (1962).

Janet Biggs
Fade to White, 2010

In Fade to White, Biggs delves into the desire to explore remote lands. To create this work, the artist embarked on an expedition in the high Arctic, traveling aboard an ice-class, 2-masted schooner, built in 1910. During the voyage, Biggs filmed Fade to White, focusing on a crew member as he navigated the ship through iceberg filled seas, and paddled a kayak past glacier walls and polar bears. As she photographed the explorer, Biggs tested her own will and endurance. The visual tension of her uncompromising imagery bespeaks their mutual struggle to maintain balance and purpose. Yet, the video also reveals the myth of the solitary white male explorer. Biggs explains, "The desire to hold onto the notion of the 'great white north' as a blank space awaiting interpretation only reinforces the idea of the colonial polar hero. The 'virgin' north has now been mapped, surveyed, and mined, but increased knowledge has not replaced endless fantasies of discovery." Loss and change are implicit in the video's title, Fade to White, which refers to an editing technique used to evoke death or transcendence. Biggs integrated her Arctic imagery with sound and video footage of counter tenor John Kelly, whose age, androgyny, and mournful voice parallel the vanishing Arctic landscape and signal the waning of male dominance.

Rebecca Ann Tess
The Tallest, 2014

The »The Tallest« shows pictures shot on-site of the currently tallest buildings in the world. The high-rises are shown as set pieces of global capitalism, visually disappearing into abstraction. The reduced images are reminding of 3D rendering. The simulated image of these buildings circulates in the media for representational and advertising purposes, becomes a substantial object and the actual spatiality becomes a mockup. The narration is undertaken by a computer voice, it describes the competition for the tallest tower at such divers places as Chicago, Dubai, Hong Kong, Kuala Lumpur, Mecca, Nanjing, New York City, Seoul, Shanghai, Shenzhen, Songdo and Taipei.

Johanna Reich
LIGHT ON BLACK ON WHITE HOMAGE TO MALEVICH, 2015

A moving digital light drawing illuminates a white wall. A hand painting a black square on the white surface becomes visible. At the same time the light drawing is painting a light square. In the end the light of the digital light square illuminates the finished black oil painting.

Critics’ Pick: Vienna by Nicole Büsing + Heiko Klaas

The group show “Antarctica. An Exhibition on Alienation” was presented in Vienna during the past winter season. Departing from a note written by the Italian cult director Michelangelo Antonioni referring to a potential glacier melting in the Antarctica and a hint to a film, the two curators from the Kunsthalle Wien, Vanessa Joan Müller and Nicolaus Schafhausen, conceived an exhibition on the topic of alienation and contemporary art. The focus was on the latest contemporary photography and video art by the younger generation of artists.
Image: © Isabella Fürnkäs

Expanding Bauhaus.
New Reflections on the Bauhaus Movement in Time-Based Media Art
/ Goethe Institute Netherlands

A screening series selected by Elke Kania (Cologne), Julia Sökeland (Hamburg) and Ludwig Seyfarth (Berlin)

With its combination of various arts such as painting, photography film, architecture, fashion, product and interior design and textile art, the Bauhaus is still considered the epitome of a technologically advanced modernity. Last but not least, the attempt to create the whole society aesthetically, inspired many artists worldwide.
Image: © Adnan Softic

Johan Grimonprez

Johan Grimonprez’s critically acclaimed work dances on the borders of practice and theory, art and cinema, documentary and fiction, demanding a double take on the part of the viewer. Informed by an archeology of present-day media, his work seeks out the tension between the intimate and the bigger picture of globalization. It questions our contemporary sublime, one framed by a fear industry that has infected political and social dialogue. By suggesting new narratives through which to tell a story, his work emphasizes a multiplicity of realities.
image: © Johan Griminprez

Christoph Faulhaber: Revolution & Architecture

With "Revolution & Architecture" Christoph Faulhaber (* 1972 in Osnabrück, lives in Hamburg) conceives, builds, designs and opens a whole series of very different rooms in the Kunsthalle Osnabrück. In order to discover the revolutionary aspect of these "architectures", one has to look at the social implications of interior design in general. In the forum the visitor then enters Faulhaber's cinematic autobiography "Every Picture is an Empty Picture" as in the eye of the cyclone: The work is split into 15 individual films and surrounds the visitor in a circle.
Image: © Christoph Faulhaber

Stiftung imai – inter media art institute

The Düsseldorf based foundation imai – inter media art institute was founded in 2006 in order to establish an institution in Germany dedicated to the distribution and preservation of media art and associated activities.
Image: © Marcel Odenbach

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blinkvideo is a website for the research of video art. Founders: Julia Sökeland, Anita Beckers. blinkvideo ist eine Plattform zur Recherche nach Videokunst

Alex Gerbaulet

Works


Galleries

pong Film GmbH
10997 Berlin
Germany

Phone: +49-(0)30-61076098
E-Mail: gerbaulet@pong-berlin.de




Statement

”The artist as burglar. This could be the framework of Alex Gerbaulets practice. She breaks into spaces and dissolves frontiers. The body, the house, the village, the land: In her works geographies of the familiar are revealed as closed institutions based on exclusions. At the same time these artificial housings function as metaphors of our consciousness shedding light on what is repressed personally as well as collectively. This is the politics of Alex Gerbaulets practice.”

Katharina Sykora


Biography

born 1977 in Salzgitter
lives in Berlin

Education

2007 Master at the University of Arts in Braunschweig
2006 Diploma in Fine Arts
2000 - 2006 Studies of Fine Arts at the University of Arts in Braunschweig / filmclass (Prof. Birgit Hein)
1996 - 2000 Studies of philosophy and media-science at the Technical University and the University of Arts in Braunschweig, as well as at the University of Vienna

Fellowships

2014 3-month Fellowship of 'Stader Stiftung für Kultur und Geschichte'
2012 6-month Fellowship of Senat Berlin (program for women artists)
2011 Selected for the 9th Berlinale Talent Campus – doc station
2008 Fellowship of the Hans-Böckler-Stiftung and the BBG Braunschweiger Baugenossenschaft eG

Professional experience

2012 - 2014 Member of the artistic staff at the Art School in Kassel
2012 - 2013 Selection Committee of the European Media Art Festival Osnabrück
2007 - 2011 Member of the artistic staff at the University of Arts in Braunschweig
2008 Co-founder of the AnaDoma – Fest for Film and Video / (www.anadoma.de)
2006 - 2010 Selection Committee of the Kasseler Documentaryfilm- and Videofest
2006 - 2007 Lectureships at the University of Arts in Braunschweig
Since 2005 Freelance filmmaker and curator

Exhibitions (extract)

2009
BIG IN JAPAN | ARCUS Studio Moriya | Japan
A Visit from Braunschweig | Organhaus Chongqing | China
Bielefelder Gefühl | Bielefelder Kunstverein

2008
Global Alien–Congress of Culture | Kunstraum Kreuzberg/Béthanien | Berlin
Matrix | Museum auf Abruf (MUSA) | Wien | Österreich
Vertrautes Terrain | ZKM | Karlsruhe

2007
Jedes Mal ist ein erstes Mal ein letztes Mal | BBG Braunschweiger Baugenossenschaft eG | Braunschweig

2006
Gefährliche Kreuzungen – die Grammatik der Toleranz | Ortstermin München | Kunst im öffentlichen Raum
wenn man weiss dass man wegfährt | FORO ARTISTICO | Hannover

2005
MOV!NG ON | NGBK | Berlin
0.T. | Einzelausstellung (mit Michaela Pöschl) | ega – Lounge | Wien
show I Studiogalerie der HBK I Braunschweig

2004
Freie Klasse: Freispiel | Theaterformen | Braunschweig & Hannover
Ethnic Marketing | Centre d’Art Contemporain | Genf | Schweiz
the personal is political, und peinlich | Kunsthalle Exnergasse WUK
Wien | Österreich
Es ist schwer das Reale zu berühren | Kunstverein München

Festivals & screenings (extract)

2015
International Short Film Festival Oberhausen | DE

2011
DANK Haus | Chicago | US
FUTURA Centre for Contemporary Art | Prag | PL

2010
AnaDoma I Braunschweig I DE
ADA I Rotterdam I NL
Photon Gallery I Ljubljana I SI
Grande Filiale Filmfest I Speyer I DE

2009
Sichuan Fine Arts Institut I Chongqing I CN
GAFA I Guanzhou I CN
CAFA I Beijing I CN
Iberia Center for Contemporary Art I Beijing I CN
Instituto Politécnico de Faro I Faro I PT
raumerweiterungshalle I Berlin I DE
Villa Vaudeville I Hannover I DE

2008
AnaDoma I Braunschweig I DE
Fridericianum I Kassel I DE
kabine I Berlin I DE

2007
Entzaubert Queerfilmfest I Berlin I DE
EMAF European Media Art Festival I Osnabrück I DE

2006
Niedersächsische Landesvertretung I Berlin I DE
Braunschweiger Filmfest I Braunschweig I DE

2005
Kunsthalle I Tallinn I EE
Unge Kunstnerers Samfund UKS (The Association of Young Artists) I Oslo I NO
Yeans (artist-run-space) I Gothenburg I SE
Bildmuseet Umeå (University College of Fine Arts) I Umeå I SE

2004
Centre d’Art Contemporain I Genf I CH
Kunstverein München I München I DE
Forum Stadtpark I Graz I AT
Kunsthochschule Weißensee I Berlin I DE

2003
Kunstmuseum I Essen I DE
Kunstmuseum I Wolfsburg I DE
Niedersächsischen Landesvertretung I Berlin I DE
Internationales Bochumer Videofestival I Bochum I DE
Kassler Dokumentarfilm- und Videofest I Kassel I DE

Alex Gerbaulet
born 1977 in Salzgitter lives in Berlin Education 2007 Master at the University of Arts in Braunschweig 2006 Diploma in Fine Arts 2000 - 2006 Studies of Fine Arts at the University of Arts in Braunschweig / filmclass (Prof. Birgit Hein) 1996 - 2000 Studies of philosophy and media-science at the Technical University and the University of Arts in Braunschweig, as well as at the University of Vienna Fellowships 2014 3-month Fellowship of 'Stader Stiftung für Kultur und Geschichte' 2012 6-month Fellowship of Senat Berlin (program for women artists) 2011 Selected for the 9th Berlinale Talent Campus – doc station 2008 Fellowship of the Hans-Böckler-Stiftung and the BBG Braunschweiger Baugenossenschaft eG Professional experience 2012 - 2014 Member of the artistic staff at the Art School in Kassel 2012 - 2013 Selection Committee of the European Media Art Festival Osnabrück 2007 - 2011 Member of the artistic staff at the University of Arts in Braunschweig 2008 Co-founder of the AnaDoma – Fest for Film and Video / (www.anadoma.de) 2006 - 2010 Selection Committee of the Kasseler Documentaryfilm- and Videofest 2006 - 2007 Lectureships at the University of Arts in Braunschweig Since 2005 Freelance filmmaker and curator Exhibitions (extract) 2009 BIG IN JAPAN | ARCUS Studio Moriya | Japan A Visit from Braunschweig | Organhaus Chongqing | China Bielefelder Gefühl | Bielefelder Kunstverein 2008 Global Alien–Congress of Culture | Kunstraum Kreuzberg/Béthanien | Berlin Matrix | Museum auf Abruf (MUSA) | Wien | Österreich Vertrautes Terrain | ZKM | Karlsruhe 2007 Jedes Mal ist ein erstes Mal ein letztes Mal | BBG Braunschweiger Baugenossenschaft eG | Braunschweig 2006 Gefährliche Kreuzungen – die Grammatik der Toleranz | Ortstermin München | Kunst im öffentlichen Raum wenn man weiss dass man wegfährt | FORO ARTISTICO | Hannover 2005 MOV!NG ON | NGBK | Berlin 0.T. | Einzelausstellung (mit Michaela Pöschl) | ega – Lounge | Wien show I Studiogalerie der HBK I Braunschweig 2004 Freie Klasse: Freispiel | Theaterformen | Braunschweig & Hannover Ethnic Marketing | Centre d’Art Contemporain | Genf | Schweiz the personal is political, und peinlich | Kunsthalle Exnergasse WUK Wien | Österreich Es ist schwer das Reale zu berühren | Kunstverein München Festivals & screenings (extract) 2015 International Short Film Festival Oberhausen | DE 2011 DANK Haus | Chicago | US FUTURA Centre for Contemporary Art | Prag | PL 2010 AnaDoma I Braunschweig I DE ADA I Rotterdam I NL Photon Gallery I Ljubljana I SI Grande Filiale Filmfest I Speyer I DE 2009 Sichuan Fine Arts Institut I Chongqing I CN GAFA I Guanzhou I CN CAFA I Beijing I CN Iberia Center for Contemporary Art I Beijing I CN Instituto Politécnico de Faro I Faro I PT raumerweiterungshalle I Berlin I DE Villa Vaudeville I Hannover I DE 2008 AnaDoma I Braunschweig I DE Fridericianum I Kassel I DE kabine I Berlin I DE 2007 Entzaubert Queerfilmfest I Berlin I DE EMAF European Media Art Festival I Osnabrück I DE 2006 Niedersächsische Landesvertretung I Berlin I DE Braunschweiger Filmfest I Braunschweig I DE 2005 Kunsthalle I Tallinn I EE Unge Kunstnerers Samfund UKS (The Association of Young Artists) I Oslo I NO Yeans (artist-run-space) I Gothenburg I SE Bildmuseet Umeå (University College of Fine Arts) I Umeå I SE 2004 Centre d’Art Contemporain I Genf I CH Kunstverein München I München I DE Forum Stadtpark I Graz I AT Kunsthochschule Weißensee I Berlin I DE 2003 Kunstmuseum I Essen I DE Kunstmuseum I Wolfsburg I DE Niedersächsischen Landesvertretung I Berlin I DE Internationales Bochumer Videofestival I Bochum I DE Kassler Dokumentarfilm- und Videofest I Kassel I DE

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