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blinkvideo - research of video art, performance and multimedia installations.

blinkvideo - research of video art, performance and multimedia installations.


Something Between Us
KAI 10 | ARTHENA FOUNDATION, Düsseldorf

The exhibition „Something Between Us“ focuses on both our contemporary lives and the anthropological constants of interpersonal dealings: love, empathy, security, care and safety on the one hand, and hate, role fixation, dependency, reprimand and exclusion on the other. Something Between Us asks how these structures of togetherness are changing in our digital era.
Thomas Taube OCCIDENT, 2020

REFRACTED REALITIES at VIDEONALE.17

In optics, “refraction” refers to the bending of a beam of light, a change in direction which occurs at the moment when it passes from one medium to another. Through refraction, the light wave alters course, changing the way we perceive the objects it illuminates in the process. This optical deviation requires us to repeatedly correct our gaze, comparing the beginning and end points of our perception with reality, and bringing the object we see clearly into focus. In its figurative sense, refraction refers to a critical reflection on the means and channels of visualization, and by extension the possibility of a rearticulation of our view of things – how they are, were, or apparently always have been.
Image: © Sohrab Hura

Fuzzy dark spot
Video art from Hamburg

The exhibition FUZZY DARK SPOT curated by the Hamburg-based video artist Wolfgang Oelze, at the Falckenberg Collection brings together 56 video works by over 30 mostly Hamburg-based artists ranging from the 1970s to the present day, featuring historical and contemporary productions in both thematic and monographic groups.
image: © Stefan Panhans

NEW: Favorites curated by blinkvideo users

What do you like? Over the next few months, we will be showing here selections of works, compiled by you, as a blinkvideo user.

Nasim Weiler: Hello, there are many absolutely wonderful video works on Blinkvideo - here are my three favourites of today, March 26 - a day spent in quarantane in Paris.

Jeroen Van Den Tempel: I'm fascinated by video's which invite me to watch out of my framework of daily existence, of my perception of time and space. Which remind me of the real nature of reality, which is streaming. All form is temporary. I’m really intrigued when a universal issue is combined with an issue from daily life. Jeroen van den Tempel

Do you have any favorites on blinkvideo ? Or would you like to focus attention on some video works? Or would you like to compile and show videos on a specific topic? You can do so with the new tool on blinkvideo.
Create a favorites list as follows: When you're logged in, a little sign "add to favorite list" will appear below each video. With the click on it, you add the film to your favorites list. When you have collected all the works, open your favorites list and you can share the list with blinkvideo. We will then receive a message and put the compilation online.
We are very curious about your selection!

Featured videos

Federico Adorno
La estancia, 2014

Federico Adorno’s film La estancia was awarded the Grand Prize of the City of Oberhausen at this year’s International Short Film Festival Oberhausen. In its statement the jury said: “Through a succession of subtly constructed tableaux, this powerful film is a profound critique of systematic oppression. Instigated by a massacre amidst a land-rights conflict in Paraguay, this haunting work transcends the local context to voice the struggle for essential freedoms.”Many years ago, while he was working at the Swiss NGO “Helvetas Paraguay”, Adorno travelled long distances into the countryside to film short documentaries with peasants, whom he taught how to use a camera and write short stories, which they then shot together. His last two short films are about land rights and property, and how the extensive ownership of land by just a few landowners gives rise to serious conflicts and problems in rural communities. Isla Alta is about the tensions that surround a community when a wealthy rancher goes missing; La estancia depicts the aftermath of a massacre and is based on true events that happened in Paraguay in 2012.

Tobias Yves Zintel
Breed and Educate, 2018

The Film Breed and Educate is based on a collaborative performance with a class from the Hector-Peterson-Schule Berlin Kreuzberg and the HAU. In numerous task based rehearsals eight pupils between 11 and 13 years explored the possibilties of self-education. Based on various materials from found footage to documentary and staged scenes the film circles around the relationship of controlling and self-empowerment in educational systems. Breed and Educate is circling around the question of how lessons should be organised in times of network and algorthim-based learning. Algorithms and neuronal networks have to master problems only once, after they achieved their goal, results can be duplicated and copied any number of times. Kids on the other hand side have to learn everything step by step, the accumulated knowlede can’t be transfered from on kid to the other by „copy and paste“. An allopoetic system is a trivial system, which can be potentially fully explored, controlled and operated by an observer. With a similar theory in mind, the Prussians started to organise schooling in 1717, to prepare pupils for the Prussian Military Academy. What happens almost 300 years later in a school in Berlin, when the relationship between control and self-empowerment is inverted by postmigrant pupils who breed robots, are educated by them and vice versa? “ In Breed and Educate an automated dionsaur is introduced by a twelfe year old boy: “It’s easily trainable”. While he explains the mode of operation, one sees the parallels: the school wouldn’t have any problems with pupils equipped with a suitable operating system downloaded from the internet. Sounds like an uncanny utopia.” (Katrin Bettina Müller)

Lene Markusen
Grad, 2004

Dieter Kiessling
60 Minutes 360 Degrees GK 2010, 2010

A boy is portrayed with a video camera for an hour on a tennis court.During this time the camera turns through 360 degrees. Meanwhile, the whole space is recorded piece by piece. The boy follows the camera movement slowly thus remaining constantly in the centre of the picture.

Clemens von Wedemeyer
Silberhöhe, 2003

In Halle-Silberhöhe in East Germany, the camera records peri-urban area architecture, prefabricated buildings that are deserted and destined to be demolished. The commentary evokes a film editing technique used by Michelangelo Antonioni in his film, L’Eclisse (1962).

Janet Biggs
Fade to White, 2010

In Fade to White, Biggs delves into the desire to explore remote lands. To create this work, the artist embarked on an expedition in the high Arctic, traveling aboard an ice-class, 2-masted schooner, built in 1910. During the voyage, Biggs filmed Fade to White, focusing on a crew member as he navigated the ship through iceberg filled seas, and paddled a kayak past glacier walls and polar bears. As she photographed the explorer, Biggs tested her own will and endurance. The visual tension of her uncompromising imagery bespeaks their mutual struggle to maintain balance and purpose. Yet, the video also reveals the myth of the solitary white male explorer. Biggs explains, "The desire to hold onto the notion of the 'great white north' as a blank space awaiting interpretation only reinforces the idea of the colonial polar hero. The 'virgin' north has now been mapped, surveyed, and mined, but increased knowledge has not replaced endless fantasies of discovery." Loss and change are implicit in the video's title, Fade to White, which refers to an editing technique used to evoke death or transcendence. Biggs integrated her Arctic imagery with sound and video footage of counter tenor John Kelly, whose age, androgyny, and mournful voice parallel the vanishing Arctic landscape and signal the waning of male dominance.

Rebecca Ann Tess
The Tallest, 2014

The »The Tallest« shows pictures shot on-site of the currently tallest buildings in the world. The high-rises are shown as set pieces of global capitalism, visually disappearing into abstraction. The reduced images are reminding of 3D rendering. The simulated image of these buildings circulates in the media for representational and advertising purposes, becomes a substantial object and the actual spatiality becomes a mockup. The narration is undertaken by a computer voice, it describes the competition for the tallest tower at such divers places as Chicago, Dubai, Hong Kong, Kuala Lumpur, Mecca, Nanjing, New York City, Seoul, Shanghai, Shenzhen, Songdo and Taipei.

Johanna Reich
LIGHT ON BLACK ON WHITEHOMAGE TO MALEVICH, 2015

A moving digital light drawing illuminates a white wall. A hand painting a black square on the white surface becomes visible. At the same time the light drawing is painting a light square. In the end the light of the digital light square illuminates the finished black oil painting.

Critics’ Pick: Vienna by Nicole Büsing + Heiko Klaas

The group show “Antarctica. An Exhibition on Alienation” was presented in Vienna during the past winter season. Departing from a note written by the Italian cult director Michelangelo Antonioni referring to a potential glacier melting in the Antarctica and a hint to a film, the two curators from the Kunsthalle Wien, Vanessa Joan Müller and Nicolaus Schafhausen, conceived an exhibition on the topic of alienation and contemporary art. The focus was on the latest contemporary photography and video art by the younger generation of artists.
Image: © Isabella Fürnkäs

Expanding Bauhaus.
New Reflections on the Bauhaus Movement in Time-Based Media Art / Goethe Institute Netherlands

A screening series selected by Elke Kania (Cologne), Julia Sökeland (Hamburg) and Ludwig Seyfarth (Berlin)

With its combination of various arts such as painting, photography film, architecture, fashion, product and interior design and textile art, the Bauhaus is still considered the epitome of a technologically advanced modernity. Last but not least, the attempt to create the whole society aesthetically, inspired many artists worldwide.
Image: © Adnan Softic

Johan Grimonprez

Johan Grimonprez’s critically acclaimed work dances on the borders of practice and theory, art and cinema, documentary and fiction, demanding a double take on the part of the viewer. Informed by an archeology of present-day media, his work seeks out the tension between the intimate and the bigger picture of globalization. It questions our contemporary sublime, one framed by a fear industry that has infected political and social dialogue. By suggesting new narratives through which to tell a story, his work emphasizes a multiplicity of realities.
image: © Johan Griminprez

Christoph Faulhaber: Revolution & Architecture

With "Revolution & Architecture" Christoph Faulhaber (* 1972 in Osnabrück, lives in Hamburg) conceives, builds, designs and opens a whole series of very different rooms in the Kunsthalle Osnabrück. In order to discover the revolutionary aspect of these "architectures", one has to look at the social implications of interior design in general. In the forum the visitor then enters Faulhaber's cinematic autobiography "Every Picture is an Empty Picture" as in the eye of the cyclone: The work is split into 15 individual films and surrounds the visitor in a circle.
Image: © Christoph Faulhaber

Stiftung imai – inter media art institute

The Düsseldorf based foundation imai – inter media art institute was founded in 2006 in order to establish an institution in Germany dedicated to the distribution and preservation of media art and associated activities.
Image: © Marcel Odenbach

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blinkvideo is a website for the research of video art. Founders: Julia Sökeland, Anita Beckers. blinkvideo ist eine Plattform zur Recherche nach Videokunst

Sofie Bird Møller

Works


Galleries

Martin Asbaek Gallery
Martin Asbaek
Bredgade 23
1260 Copenhagen
Denmark

Phone: +45 33 15 40 45
E-Mail: gallery@martinasbaek.com




Biography

Born 1974 in Höje Taastrup/Kopenhagen
lives and works in Berlin and München

Education

2006-2007 Master in Fine Art, Byam Shaw School of Art (Central St. Martins), London
1999-2005 Studium der Malerei an der Akademie der Bildenden Künste, München bei Professor Günther Förg
2005 Diplom
2004 Meisterschülerin
2001-2003 Gaststudentin an der Königlich Dänischen Kunstakademie, Kopenhagen bei Professor Peter Bonde

Selected solo exhibitions * katalog

2016
Deutsche Gesellschaft für Christliche Kunst, München

2015
Sofie Bird Möller, Esbjerg Kunstmuseum, DK

2014
Sofie Bird Möller, Martin Asbaek Gallery, Kopenhagen, DK
48, Sassa Trülzsch, Berlin
The Spirit of Places and other Spaces, Künstlerhaus Bethanien, Berlin

2013
‘Beat Around the Bush’, Jancar Gallery, Los Angeles

2011
'Die tanzende Königin', Sassa Trülzsch, Berlin
'Catch Me if You can', Martin Asbæk Gallery, Kopenhagen

2009
‘Paint the White Horse Black’, Sassa Trülzsch, Berlin

2008
‘Ich will nicht nur, dass ihr mich liebt’, Sassa Trülzsch, Berlin

2006
‘made in denmark’, Lothringer 13/Laden/Apollo 13, München

2005
‘blow-up’, Galerie Florian Sundheimer, München

Selected group exhibitions

2015
Parallel Vienna, Another Destination, eingeladen von Anna Sofie Hvid, Wien, AT
Summer in the City, Martin Asbaek Gallery, Kopenhagen, DK
Berlin Artist‘s Statements, Kunsthalle BWA, kuratiert von Christoph Tannert, Katowice, Polen*
Le Souffleur – Schürmann trifft Ludwig, Ludwig Forum, Aachen
Between Crinkles, kuratiert von Caterina Avataneo, Palazzo Montevecchio, Turin, IT*
Playgrounds, Kunstverein Det Ny Kastet, kuratiert von Anders Moseholm, Thisted

2014
Freundliche Übernahme, kuratiert von Karin Sander u.a., Marta Herford
Sofie Bird Møller & Alexander Laner, Nusser & Baumgart, München
Was bedeutet denn für Immer, Oechsner Galerie, Nürnberg
Jahresgaben, Kunstverein München
Hommage an Günther Förg, Galerie Braun-Falco, München
Summer in the City, Martin Asbaek Gallery, Kopenhagen, DK

2013
East of Encino, North of Moca, Jancar Gallery, Los Angeles, USA
Spirale, kuratiert von Dirk Nümann, Bar Babette, Berlin
Playgrounds, kuratiert von Anders Moseholm, Galerie Leger, Malmö, SWE
Fall Group Show, McKee Gallery, New York
Geist und Form – ten painters from Berlin, kuratiert von Jurriaan Benshop, Grunwald
Group Show, Martin Asbaek Gallery, Kopenhagen, DK
Summer in the City, Martin Asbaek Gallery, Kopenhagen, DK
Andratx on Paper, kuratiert von Patricia Asbaek, Centro Cultural Andratx Kunsthalle, Mallorca, E

2012
‘Zu Gast (3) ‘EAST’, Sammlung Schürmann, Kunstsaele, Berlin Art Berlin Contemporary (abc), Sassa Trülzsch, Berlin
‘The Very Eye of Night’, Jancar Gallery, Los Angeles
‘Foreign Excursions’, McKee Gallery, New York
'Close Encounter', Sassa Trülzsch, Berlin
'Sofie Bird Møller / Bettina Buck', Hopstreet, Brussels
‘recits des trois perverses femmes seulement - (Narratives of the Perverse III), Jancar Gallery, Los Angeles Arte Flor, Chanf, Schweiz
'The Killer Rabbit Ranch Rodeo', curated by Klaus Auderer, nationalmuseum, Berlin
‘pffffff’, Cussler, curated by Dominik Steiner, Berlin
Van Horn Galerie, Düsseldorf (September)

2011
'The Sound of Downloading Makes me Want to Upload', kuratiert von Wilhelm Schürmann im Projektraum zu der Ausstellung 'Photography Calling', Sprengel Museum, Hannover
'Nullportrait', Galerie Zink, Berlin
'From Berlin', Martin Asbæk Gallery, Kopenhagen
'Summer in the City', Martin Asbæk Gallery, Kopenhagen
'Drama', Weisser Salon, Berlin
Benefizausstellung für die Erdbebenopfer in Japan, im Showroom von Art-Report, München
'De Kooning, De Kooning, De Kooning...', kuratiert von Dexter Dalwood,
David Risley Gallery, Kopenhagen
'Free Poems', Kuratiert von Jorunn Hancke Øgstad und Anders Kjellesvik, Podium, Oslo

2010
The Berlin Box, Centro Cultural Andratx Kunsthalle, Mallorca
Diagnosis, kuratiert von Ben Young og Rodney Artiles, Joyce Gordon Gallery, Oakland, Kalifornien
‘The Mentor Show‘, kuratiert von Andreas Schulenburg, Larm Galleri, Kopenhagen
‘Hostile Aestetik Takeover‘, kuratiert von Hannes Gruber, Philip Grözinger, Amélie Grözinger, Lotte Møller, and Sebastiaan Schlicher, Apartment, Berlin

2009
Zeigen, eine Audiotour durch Berlin by Karin Sander, Temporäre Kunsthalle, Berlin
Das Gespinst, Sammlung Schürmann, Museum Abteiberg, Mönchengladbach, Kat.
Anonyme Zeichner, Kunsthaus Bethanien, Berlin
From the Sublime to the Ridiculous, Sammlung Angela Lyra, Athen
Beers II, Byens Kro, Kopenhagen
‘I thought, we were supposed to meet in Paris’, Galerie Lucile Corty, Paris
‘Entropie zu Hause’, Schürmann Berlin

2008
‘Altbau oder Neuland’, Neuland, München, Kat.
‘Freier Eintritt’, Die Änderei, München
The annual Christmas Card, University of the Arts Collection, London
‘Too Hot Not To Be Naked’, Galerie Sassa Trülzsch, Berlin
‘Desert Music’, the Cube, Galleri Tom Christoffersen, Kopenhagen

2007
‘Hüben wie Drüben’, Galleri Tom Christoffersen, Kopenhagen
‘Baby, You Can Drive My Car’, Marienlyst Slot, Helsingoer (DK)
Degree Show, Byam Shaw School of Art, London
‘StopOver’, Daad-Stipendiaten, Ada-Street-Gallery, London
‘Future Maps 2007’, University of the Arts Collection, London

2006
‘Serve and Volley’, Häusler Contemporary, München

2005
‘Lo Spazio’, Galleria Elisabetta Bresciani, Salò, Italien
‘Anne Sofie Bird Møller–Anders W.Ö. Larsen’, Galleri Tom Christoffersen, Kopenhagen

2004
‘ArtCubicle’, Galerie Mathias Kampl, München
‘5’, Luisenstr. 55, München
2003
‘Thai-Danish Exhibition’, Bangkok ‘My-Thai’, Raum Q, Kopenhagen, Kat. ‘Department of Freetime’, Galerie Asbæk, Kopenhagen Open Art, Rathausgalerie, für Galerie Florian Sundheimer, München ‘Stadt ohne Einwohner’, Galerie Florian Sundheimer, München, Kat.

Scholarships

2013 Stipendium zur Förderung nach dem Programm zur Realisierung der Chancengleichheit für Frauen in Forschung und Lehre
2012 CCA Andratx, Mallorca, Spanien (Residency)
2011 Niels Wessel Bagges Kunst-Fond (Dänemark)
2010 Steiner-Stiftung, München (Katalogförderung)
Lfa-Bank, München (Katalogförderung)
Dänisches Kunstfonds (Reisestipendium)
2009 Dänisches Kunstfonds (Reisestipendium)
2008 L. F. Foghts Fond (Katalogförderung)
Dänisches Kunstfonds
2007 L. F. Foghts Fond (Auslandsaufenthalt - London)
Ragnvald og Ida Blix Fond (Auslandsaufenthalt - London)
2006 ‚Accademia di Danimarca’, Rom, drei-monatiger Aufenhalt mit Reise- Stipendium, Dronning Ingrids Fond
DAAD, Deutsche Akademische Austauschdienst, Master in Fine Art, Byam Shaw School of Art, London University of the Arts (2006/07)
Nordea Fonden (Auslandsaufenthalt - London)
Beckett Fonden (Auslandsaufenthalt - London)
Frimodt-Heineke Fonden (Auslandsaufenthalt - London)
2005 Glashandler Johan Franz Ronge’s Fond
2002 Stipendium des Bayrischen Staatsministeriums für Wissenschaft, Forschung und Kunst für ausländische Studierende

Sofie Bird Møller
Born 1974 in Höje Taastrup/Kopenhagen lives and works in Berlin and München Education 2006-2007 Master in Fine Art, Byam Shaw School of Art (Central St. Martins), London 1999-2005 Studium der Malerei an der Akademie der Bildenden Künste, München bei Professor Günther Förg 2005 Diplom 2004 Meisterschülerin 2001-2003 Gaststudentin an der Königlich Dänischen Kunstakademie, Kopenhagen bei Professor Peter Bonde Selected solo exhibitions * katalog 2016 Deutsche Gesellschaft für Christliche Kunst, München 2015 Sofie Bird Möller, Esbjerg Kunstmuseum, DK 2014 Sofie Bird Möller, Martin Asbaek Gallery, Kopenhagen, DK 48, Sassa Trülzsch, Berlin The Spirit of Places and other Spaces, Künstlerhaus Bethanien, Berlin 2013 ‘Beat Around the Bush’, Jancar Gallery, Los Angeles 2011 'Die tanzende Königin', Sassa Trülzsch, Berlin 'Catch Me if You can', Martin Asbæk Gallery, Kopenhagen 2009 ‘Paint the White Horse Black’, Sassa Trülzsch, Berlin 2008 ‘Ich will nicht nur, dass ihr mich liebt’, Sassa Trülzsch, Berlin 2006 ‘made in denmark’, Lothringer 13/Laden/Apollo 13, München 2005 ‘blow-up’, Galerie Florian Sundheimer, München Selected group exhibitions 2015 Parallel Vienna, Another Destination, eingeladen von Anna Sofie Hvid, Wien, AT Summer in the City, Martin Asbaek Gallery, Kopenhagen, DK Berlin Artist‘s Statements, Kunsthalle BWA, kuratiert von Christoph Tannert, Katowice, Polen* Le Souffleur – Schürmann trifft Ludwig, Ludwig Forum, Aachen Between Crinkles, kuratiert von Caterina Avataneo, Palazzo Montevecchio, Turin, IT* Playgrounds, Kunstverein Det Ny Kastet, kuratiert von Anders Moseholm, Thisted 2014 Freundliche Übernahme, kuratiert von Karin Sander u.a., Marta Herford Sofie Bird Møller & Alexander Laner, Nusser & Baumgart, München Was bedeutet denn für Immer, Oechsner Galerie, Nürnberg Jahresgaben, Kunstverein München Hommage an Günther Förg, Galerie Braun-Falco, München Summer in the City, Martin Asbaek Gallery, Kopenhagen, DK 2013 East of Encino, North of Moca, Jancar Gallery, Los Angeles, USA Spirale, kuratiert von Dirk Nümann, Bar Babette, Berlin Playgrounds, kuratiert von Anders Moseholm, Galerie Leger, Malmö, SWE Fall Group Show, McKee Gallery, New York Geist und Form – ten painters from Berlin, kuratiert von Jurriaan Benshop, Grunwald Group Show, Martin Asbaek Gallery, Kopenhagen, DK Summer in the City, Martin Asbaek Gallery, Kopenhagen, DK Andratx on Paper, kuratiert von Patricia Asbaek, Centro Cultural Andratx Kunsthalle, Mallorca, E 2012 ‘Zu Gast (3) ‘EAST’, Sammlung Schürmann, Kunstsaele, Berlin Art Berlin Contemporary (abc), Sassa Trülzsch, Berlin ‘The Very Eye of Night’, Jancar Gallery, Los Angeles ‘Foreign Excursions’, McKee Gallery, New York 'Close Encounter', Sassa Trülzsch, Berlin 'Sofie Bird Møller / Bettina Buck', Hopstreet, Brussels ‘recits des trois perverses femmes seulement - (Narratives of the Perverse III), Jancar Gallery, Los Angeles Arte Flor, Chanf, Schweiz 'The Killer Rabbit Ranch Rodeo', curated by Klaus Auderer, nationalmuseum, Berlin ‘pffffff’, Cussler, curated by Dominik Steiner, Berlin Van Horn Galerie, Düsseldorf (September) 2011 'The Sound of Downloading Makes me Want to Upload', kuratiert von Wilhelm Schürmann im Projektraum zu der Ausstellung 'Photography Calling', Sprengel Museum, Hannover 'Nullportrait', Galerie Zink, Berlin 'From Berlin', Martin Asbæk Gallery, Kopenhagen 'Summer in the City', Martin Asbæk Gallery, Kopenhagen 'Drama', Weisser Salon, Berlin Benefizausstellung für die Erdbebenopfer in Japan, im Showroom von Art-Report, München 'De Kooning, De Kooning, De Kooning...', kuratiert von Dexter Dalwood, David Risley Gallery, Kopenhagen 'Free Poems', Kuratiert von Jorunn Hancke Øgstad und Anders Kjellesvik, Podium, Oslo 2010 The Berlin Box, Centro Cultural Andratx Kunsthalle, Mallorca Diagnosis, kuratiert von Ben Young og Rodney Artiles, Joyce Gordon Gallery, Oakland, Kalifornien ‘The Mentor Show‘, kuratiert von Andreas Schulenburg, Larm Galleri, Kopenhagen ‘Hostile Aestetik Takeover‘, kuratiert von Hannes Gruber, Philip Grözinger, Amélie Grözinger, Lotte Møller, and Sebastiaan Schlicher, Apartment, Berlin 2009 Zeigen, eine Audiotour durch Berlin by Karin Sander, Temporäre Kunsthalle, Berlin Das Gespinst, Sammlung Schürmann, Museum Abteiberg, Mönchengladbach, Kat. Anonyme Zeichner, Kunsthaus Bethanien, Berlin From the Sublime to the Ridiculous, Sammlung Angela Lyra, Athen Beers II, Byens Kro, Kopenhagen ‘I thought, we were supposed to meet in Paris’, Galerie Lucile Corty, Paris ‘Entropie zu Hause’, Schürmann Berlin 2008 ‘Altbau oder Neuland’, Neuland, München, Kat. ‘Freier Eintritt’, Die Änderei, München The annual Christmas Card, University of the Arts Collection, London ‘Too Hot Not To Be Naked’, Galerie Sassa Trülzsch, Berlin ‘Desert Music’, the Cube, Galleri Tom Christoffersen, Kopenhagen 2007 ‘Hüben wie Drüben’, Galleri Tom Christoffersen, Kopenhagen ‘Baby, You Can Drive My Car’, Marienlyst Slot, Helsingoer (DK) Degree Show, Byam Shaw School of Art, London ‘StopOver’, Daad-Stipendiaten, Ada-Street-Gallery, London ‘Future Maps 2007’, University of the Arts Collection, London 2006 ‘Serve and Volley’, Häusler Contemporary, München 2005 ‘Lo Spazio’, Galleria Elisabetta Bresciani, Salò, Italien ‘Anne Sofie Bird Møller–Anders W.Ö. Larsen’, Galleri Tom Christoffersen, Kopenhagen 2004 ‘ArtCubicle’, Galerie Mathias Kampl, München ‘5’, Luisenstr. 55, München 2003 ‘Thai-Danish Exhibition’, Bangkok ‘My-Thai’, Raum Q, Kopenhagen, Kat. ‘Department of Freetime’, Galerie Asbæk, Kopenhagen Open Art, Rathausgalerie, für Galerie Florian Sundheimer, München ‘Stadt ohne Einwohner’, Galerie Florian Sundheimer, München, Kat. Scholarships 2013 Stipendium zur Förderung nach dem Programm zur Realisierung der Chancengleichheit für Frauen in Forschung und Lehre 2012 CCA Andratx, Mallorca, Spanien (Residency) 2011 Niels Wessel Bagges Kunst-Fond (Dänemark) 2010 Steiner-Stiftung, München (Katalogförderung) Lfa-Bank, München (Katalogförderung) Dänisches Kunstfonds (Reisestipendium) 2009 Dänisches Kunstfonds (Reisestipendium) 2008 L. F. Foghts Fond (Katalogförderung) Dänisches Kunstfonds 2007 L. F. Foghts Fond (Auslandsaufenthalt - London) Ragnvald og Ida Blix Fond (Auslandsaufenthalt - London) 2006 ‚Accademia di Danimarca’, Rom, drei-monatiger Aufenhalt mit Reise- Stipendium, Dronning Ingrids Fond DAAD, Deutsche Akademische Austauschdienst, Master in Fine Art, Byam Shaw School of Art, London University of the Arts (2006/07) Nordea Fonden (Auslandsaufenthalt - London) Beckett Fonden (Auslandsaufenthalt - London) Frimodt-Heineke Fonden (Auslandsaufenthalt - London) 2005 Glashandler Johan Franz Ronge’s Fond 2002 Stipendium des Bayrischen Staatsministeriums für Wissenschaft, Forschung und Kunst für ausländische Studierende

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  • United Arab Emirates
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  • United States Minor Outlying Islands
  • Uruguay
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  • West Bank
  • Western Sahara
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