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blinkvideo - research of video art, performance and multimedia installations.

blinkvideo - research of video art, performance and multimedia installations.


Moving Images / Moving Bodies
Online screening programme in cooperation
with the Goethe-Institut Bulgaria

Curated by Ludwig Seyfarth

Research into the human body and interpersonal relationships remain central themes in video and moving image art. Artists from Bulgaria and Germany, whose work is related in content, will be shown in pairs over the next weeks. The exhibition planned for November 2020 in Sofia has been postponed until 2021. Instead, a consecutive presentation of selected films by artists from Moving Bodies/Moving Images is presented on blinkvideo.
image: © Elitsa Dimitrova

Shooting Ghosts
Online screening programme in cooperation
with the Goethe-Institut Bulgaria

Curators: Kalin Serapionov, Krassimir Terziev

What we propose in this programme is a highly subjective and fragmented view on current practices in moving image in the Bulgarian art scene. We focused on practices that show affinity with speculative narratives - narratives that not just record what is in front of the cinematic eye, but also capture all the ghosts that are unreachable by the apparatus, thus projecting speculative views that intend not merely to describe, but to transform the world.
image: © Veneta Androva

Moving Images / Moving Bodies

 ‘Moving Images Bulgaria-Germany’ is a project by Goethe-Institut Bulgaria, that includes various online and offline initiatives, starting in November 2020. The online program, realised in partnership with blinkvideo, will consist of two curated programmes: “Moving Images / Moving Bodies”, curated by Ludwig Seyfarth, and “Shooting Ghosts”, curated by Krassimir Terziev and Kalin Serapionov.

First the programme “Shooting Ghosts” will give a selected overview of video art in Bulgaria in general. The programme will be accompanied by an in-depth essay by Krassimir Terziev as well as texts by different authors or the artists themselves on individual films.

Critics’ Pick: Vienna by Nicole Büsing + Heiko Klaas

The group show “Antarctica. An Exhibition on Alienation” was presented in Vienna during the past winter season. Departing from a note written by the Italian cult director Michelangelo Antonioni referring to a potential glacier melting in the Antarctica and a hint to a film, the two curators from the Kunsthalle Wien, Vanessa Joan Müller and Nicolaus Schafhausen, conceived an exhibition on the topic of alienation and contemporary art. The focus was on the latest contemporary photography and video art by the younger generation of artists.
Image: © Isabella Fürnkäs

UNSTILLED LIFE: Artist Animations 1980-2020
Curated by Emma Cousin and Paul Carey-Kent

Why this show, here and now? British artist-curator Emma Cousin and writer-curator Paul Carey-Kent recently pulled together a choice of artist animations, thinking that the increasingly vibrant medium is especially suited to the online emphasis of the locked down art world of 2020. Three of them turned out to be represented by Ron Mandos, making the Amsterdam gallery ideal hosts. The cast is international, and to reflect that Tintype gallery in London and Hamburg’s blinkvideo have joined in with variations on the programme. 
Markus Vater Worlds don’t come easy, 2020

Something Between Us
KAI 10 | ARTHENA FOUNDATION, Düsseldorf

The exhibition „Something Between Us“ focuses on both our contemporary lives and the anthropological constants of interpersonal dealings: love, empathy, security, care and safety on the one hand, and hate, role fixation, dependency, reprimand and exclusion on the other. Something Between Us asks how these structures of togetherness are changing in our digital era.
Thomas Taube OCCIDENT, 2020

REFRACTED REALITIES at VIDEONALE.17

In optics, “refraction” refers to the bending of a beam of light, a change in direction which occurs at the moment when it passes from one medium to another. Through refraction, the light wave alters course, changing the way we perceive the objects it illuminates in the process. This optical deviation requires us to repeatedly correct our gaze, comparing the beginning and end points of our perception with reality, and bringing the object we see clearly into focus. In its figurative sense, refraction refers to a critical reflection on the means and channels of visualization, and by extension the possibility of a rearticulation of our view of things – how they are, were, or apparently always have been.
Image: © Sohrab Hura

NEW: Favorites curated by blinkvideo users

What do you like? Over the next few months, we will be showing here selections of works, compiled by you, as a blinkvideo user.

Stefano Miraglia: Hey Blinkvideo members! Here are my eight "must watch" films and videos. Happy to find in this catalogue some of the works that got me interested in artists' moving image when I was a student! (Guillaume Leblon! Daniel Steegmann Mangrané! Marylène Negro!).

Expanding Bauhaus.
New Reflections on the Bauhaus Movement in Time-Based Media Art / Goethe Institute Netherlands

A screening series selected by Elke Kania (Cologne), Julia Sökeland (Hamburg) and Ludwig Seyfarth (Berlin)

With its combination of various arts such as painting, photography film, architecture, fashion, product and interior design and textile art, the Bauhaus is still considered the epitome of a technologically advanced modernity. Last but not least, the attempt to create the whole society aesthetically, inspired many artists worldwide.
Image: © Adnan Softic

Johan Grimonprez

Johan Grimonprez’s critically acclaimed work dances on the borders of practice and theory, art and cinema, documentary and fiction, demanding a double take on the part of the viewer. Informed by an archeology of present-day media, his work seeks out the tension between the intimate and the bigger picture of globalization. It questions our contemporary sublime, one framed by a fear industry that has infected political and social dialogue. By suggesting new narratives through which to tell a story, his work emphasizes a multiplicity of realities.
image: © Johan Griminprez

Christoph Faulhaber: Revolution & Architecture

With "Revolution & Architecture" Christoph Faulhaber (* 1972 in Osnabrück, lives in Hamburg) conceives, builds, designs and opens a whole series of very different rooms in the Kunsthalle Osnabrück. In order to discover the revolutionary aspect of these "architectures", one has to look at the social implications of interior design in general. In the forum the visitor then enters Faulhaber's cinematic autobiography "Every Picture is an Empty Picture" as in the eye of the cyclone: The work is split into 15 individual films and surrounds the visitor in a circle.
Image: © Christoph Faulhaber

Stiftung imai – inter media art institute

The Düsseldorf based foundation imai – inter media art institute was founded in 2006 in order to establish an institution in Germany dedicated to the distribution and preservation of media art and associated activities.
Image: © Marcel Odenbach

Featured videos

Markus Vater
Im Wald (perfect day), 2011

This Animation has developed from a colloboration with the dutch poet Tjitske Jansen. Initially it reacted on a text of hers dealing with memories in her life. All memories were about events in which she didn’t understand the concepts and actions that had happened, but which she understands now.

Pratchaya Phinthong
A proposal to set (work in progress), 2016

A proposal to set CH4*5.75H20 on fire (work in progress) is an ongoing project that explores methane hydrate, an ice compound that has been identified by scientists as an alternative fuel of future energy. Found in large quantities beneath Arctic permafrost, Antarctic ice and sedimentary deposits, methane hydrate releases natural gas when exposed to increases in temperature or decreases in pressure.Gas released by methane hydrates can be lit, which produces a semi-transparent orange and blue flame.This 16 mm film shows samples of methane hydrates.Through the mobilisation and connection of individuals working across geology, science and art, the project generates awareness of methane hydrate, its chemically volatile nature and implications for energy industries.The film itself performs a kind of material transfer, capturing light emitted by the burning samples and projecting it into the gallery space. For Phinthong, each iteration of the project is a form of extraction that makes its subject more widely visible. Filmed by Phuttipong Aroonpheng. Made with the support of Oleg Blouson,Andrey Khabuev and Oleg Khlystov at the Limnological Institute, Irkutsk, Russia.

Ryan Gander
And You Will be Changed , 2014

'And You Will be Changed (Centre Pompidou, Paris)', 2014, follows curator Emma Lavigne around the empty Centre Pompidou in Paris as she presents the viewer with a tour of an empty space that had housed a now uninstalled Pierre Huyghe exhibition. The show is imagined and told by Lavigne as if the artworks were still there. Exhibited: - Pierre Huyghe +/–,The Artist’s Institute, New York, 2014
- Nouveau Festival (5th Edition), Musée d’Art Moderne, Centre Pompidou, Paris, 2014

Deimantas Narkevicius
Ausgeträumt, 2010

The German word ‘Ausgeträumt’ means a state between dream and reality at the point of waking up.The very first creative attempts by any artist are usually very positive, unaffected by criticism, even naive activities. Refering to myself, I had to be absolutely naive to choose to be a visual artist, in the late 80's when in the Soviet Union, everything was falling apart. There was no precedent of success, or an example to follow in the country which was still isolated. With this film I am re-approaching the state of naivety.

Katja Aufleger
LOVE AFFAIR, 2017

Several lights get shot successively. Some crush at once, quiet or with a blast, others seem like trying not to die.

Janet Biggs
Vanishing point, 2009

Luzia Hürzeler
Being in the Picture, 2007/08

Im Bilde sein [Being in the Picture] is a video installation. The monitor stands on a two-meter-high plinth. The video shows a white wall in front of which my head becomes visible, fully or partially, at short or long intervals. I keep jumping up into the picture, making myself visible through physical activity. These efforts become apparent through the sounds. The jumping height, and thus my visibility, decreases over time, until I finally give up through exhaustion.On the occasion of the exhibition “Spazi aperti” this work was displayed in the entrance hall of the Romanian Academy in Rome, where a number of monumental busts are mounted on plinths.

Johanna Reich
Horizon, 2012

The artist is drawing a line onto a white surface. The line reveals the horizon: it separates the sea from the sky. "To draw a line": this phrase already linguistically contains many different meanings. Beginning with the famous line – the one that cannot be crossed politically – via the (guide)line that is also the conceptual standard, to the simple strike placed beneath an addition, these are key points on the spectrum.“When Johanna Reich draws a line with a broad brush onto a wall, additional content comes into play. There is the track which children draw onto the wall with chalk, the traditional artist myth of the line as a vivid track of creative process, and last but not least the powerfully picturesque action of splattering the wall.”(Johannes Stahl)Johanna Reich (*1977 Minden) studied at the Kunstakademie Münster, the HfbK Hamburg and the Kunsthochschule für Medien Köln. She lives and works in Cologne.

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blinkvideo is a website for the research of video art. Founders: Julia Sökeland, Anita Beckers. blinkvideo ist eine Plattform zur Recherche nach Videokunst

Dieter Kiessling

Works


Galleries

Hengesbach Gallery
Rolf Hengesbach
Vogelsangstr. 20
42109 Wuppertal
Germany

Phone: +49 (0)202 - 753532
E-Mail: info@hengesbach-gallery.de




Biography

1957 born in Münster GER

1978 - 1986 Studium an der Kunstakademie Münster
1986 Produktionspreis der Internationalen Videonale Bonn
1990 Karl Schmidt-Rottluff Stipendium
Förderpreis des Kulturkreises im BDI
Caspar-von-Zumbusch-Preis
1991 Förderpreis des Landes Nordrhein-Westfalen
1992 Förderpreis zum ersten Deutschen Videopreis
1993 Arbeitsstipendium des Kunstfonds Bonn e.V.
1997 visiting professor at the Hochschule für Künste Bremen
1997 - 2003 Professor for Media Art at the Hochschule für Gestaltung Karlsruhe
2004 - 2005 visiting professor for photography at the Universität Duisburg-Essen
2005 Professor for Media Art at the Kunsthochschule Mainz, Johannes Gutenberg-Universität Mainz

Solo exhibitions

2017
Dieter Kiessling – people in mirrors are closer than they appear, Kunstverein Ruhr, Essen

2016
Dieter Kiessling - behind – in front, Hengesbach Gallery Wuppertal

2013
Hengesbach Gallery Berlin

2012
Kunstbunker, Forum für zeitgenössische Kunst, Nürnberg

2011
Sprengel Museum Hannover

2010
Hengesbach Gallery Berlin
Fruchthalle Kaiserslautern (catalog)

2007
Westfälischer Kunstverein, Münster

2004
Galerie Rolf Hengesbach, Köln
Galerie Zink und Gegner, München

2003
Kunstverein Bochum

2002
Galerie Michael Zink, München

2001
Räume für neue Kunst / Rolf Hengesbach, Wuppertal

1997
Saint-Gervais Genève, Genf

1996
Räume für neue Kunst / Rolf Hengesbach, Wuppertal
Kunstraum, Wuppertal (catalog)

1995
Gesellschaft für Aktuelle Kunst, Bremen (catalog)

1994
Räume für neue Kunst / Rolf Hengesbach, Wuppertal

1991
Thomas Backhauß Galerie, Düsseldorf

1989
Städt. Museum Abteiberg, Mönchengladbach (catalog)

1988
Galerie Hake, Wiesbaden

1987
Galerie Hake, Münster

Group exhibitions

2019
buchstäblich, Kunstraum D21, Leipzig

2018
Konvolution – Künstler Buch Projekte, Osthaus Museum Hagen
den Januarpfad eben – Text, Bild, Bildertext, Künstlerbücher, Alte Kämmerei, Düsseldorf

2017
ungewiss, Hengesbach Gallery Wuppertal
Viajando Pelo Mundo – Arte da Alemanha – Paco Imperial, Rio de Janeiro, Brasilien
absichtlich/zufällig Kunst zwischen Kontrolle und Unberechenbarkeit, Sprengelmuseum Hannover

2016
Mit anderen Augen, Portraitfotografie in Deutschland, Kunstmuseum Bonn, Kunsthalle Nürnberg
DU UND ICH, Hospitalhof Stuttgart
Transmediale, Touch of the Real, Haus der Kulturen der Welt, Berlin
Komma, Kunstverein & Stiftung Springhornhof, Neuenkirchen, Niedersachsen

2015
Form folgt, Kunstraum Alexander Bürkle, Freiburg
Contemporary Art from Germany, Ein Harod Museum of Art, Ein Harod, Israel
Travelling the World – Art from Germany, Busan Museum of Art, Busan, Süd Korea
Mainzer Ansichten, Kunsthalle Mainz
Übermorgenkünstler, Gesellschaft der Freunde junger Kunst, Baden-Baden . (mit Ausstellungskatalog)
AVANT LA DEVANTGARDE, Pade, Düsseldorf

2014
The Paths of German Art from 1949 to the present, Moscow Museum of Modern Art, Moskau, Kranoyarsk Museum Center, Krasyarsk, Russland
Out There, Eiffel Building, Maastricht, Niederlande
„30 Jahre – 30 Stimmen, Teil 1“ Bonner Kunstverein Bonn

2013
Im Fokus! Zeitgenössische Fotografie und Videokunst aus der Sammlung, Kunsthalle Bremen
Bilder im Fluss, Kunstraum Alexander Bürkle, Freiburg
Weltreise, ZKM Museum für neue Kunst Karlsruhe *
Schriftfilme, Schrift als Bild in Bewegung, ZKM Museum für neue Kunst Karlsruhe
Lichtrouten, Lüdenscheid

2012
Ab in die Ecke! Städtische Galerie Delmenhorst *
Bis hier, 50 Jahre Kunstverein Bochum, Kunstverein Bochum *

2011
Artefact Festival, STUK Kunstcentrum, Leuven, Belgien
The New Mainz School, Kunsthalle Mainz
Big Picture II, K21 Ständehaus, Kunstsammlung Nordrhein-Westfalen Düsseldorf
20 Years Hengesbach Gallery, Berlin

2010
Blickmaschinen Centro Andaluz de Arte Contemporáneo Sevilla, Spanien
Secial vision: deeper than surface, deutscher Künstlerbund Projektraum, Berlin

2009
Blickmaschinen oder wie Bilder entstehen, Museum für Gegenwartskunst Siegen
Blickmaschinen, Center for Culture & Communication Foundation and Kunsthalle Budapest *
Videonale 12 *

2008
Out of Time, Neues Museum Weserburg, Bremen
Zerbrechliche Schönheit, Museum Kunstpalast Düsseldorf *

2007
Ablesen, Galerie Müller-Roth, Stuttgart
Freedom of Expression, Espaco Cultural Oi Futuro, Rio de Janeiro

2006
40jahrevideokunst.de Die 80ger Jahre, K21 Kunstsammlung Nordrhein-Westfalen, Düsseldorf *
Small Voice Sounds Big, Total Museum of Contemporary Art, Seoul, Korea *
Traurig sicher, im Training, Grazer Kunstverein, Österreich *
Crossing Screens, imai - inter media art institute, NRW-Forum, Düsseldorf

2005
Video/Text, Zentrum für Kunst und Medientechnologie, Karlsruhe
Park, Zucht und Wildwuchs in der Kunst, Staatliche Kunsthalle Baden-Baden *
Videogracy, Bienal de Video Santiago de Chile 2005 (Kat) *
Bilanz in zwei Akten, Kunstverein Hannover (Kat)

2004
Observatory, Palais im großen Garten, Dresden *
Incidents, de Singel, Internationaal Kunstcentrum, Antwerpen, Belgien *
Schöner Wohnen, BEPART, Platform voor actuele Kunst, Waregem Belgien *

2003
Temporal Values - von Minimal zu Video, Städtische Galerie, Karlsruhe

2002
Minimal / Maximal, National Museum of Contemporary Art, Seoul, Korea *
Sound, G7 Berlin
L’effet Larsen, Casino Luxembourg *

2001
Big Nothing, Staatliche Kunsthalle Baden-Baden *
L’effet Larsen, Centrum für Gegenwartskunst Oberösterreich *
Vor-Sicht Rück-Sicht, 8. Triennale Kleinplastik, Fellbach *
Minimal / Maximal, Chiba City Museum of Art, Chiba, JP, The National Museum of Art, Kyoto
Minimal / Maximal, JP, Fukuoka Art Museum, Fukuoka, Japan *

2000
Orbis Terrarum, Plantin-Moretus Museum, Antwerpen *
One of those Days, Mannheimer Kunstverein *
Die Künstlerstiftung, 25 Jahre Karl Schmidt-Rottluff Stipendium, Kunsthalle, Düsseldorf *

1999
Kunstpreis der Böttcherstraße in Bremen, Kunsthalle Bremen *
Contact Zones: The Art of CD-ROM, Centro de la Imagen, Mexiko City *
Minimal / Maximal, Centro Galego de Arte Contemporánea, Santiago de Compostela, Spanien *
Rewind to the Future, Bonner Kunstverein, Bonn; Neuer Berliner Kunstverein, Berlin *

1998
Minimal / Maximal, Neues Museum Weserburg, Bremen *
Blickwechsel, Museum für Neue Kunst, ZKM, Karlsruhe
11th Biennale of Sydney *

1997
Video-Forum der Art 28'97, Basel
Der Traum vom Sehen, Gasometer Oberhausen
Video Positive: Escaping Gravity, Cornerhouse, Manchester *
Galerie Gaby Kraushaar, Düsseldorf
Zones of Disturbences, steirischer Herbst, Graz, Österreich *

1996
Begegnungen, Kunsthalle Barmen, Wuppertal *
Unterwegs, Kunsthalle, Recklinghausen, (Kat)
Electronic Undercurrents, Statens Museum for Kunst, Kopenhagen *
Objekt Video, Oberösterreichische Landesgalerie, Linz, Österreich *

1995
Art & Electronics, Pao Gallerys, Hong Kong Arts Centre *
Multimediale 4, Zentrum für Kunst und Medientechnologie, Karlsruhe *
Video-Forum der Art 26'95, Basel
European Media Art Festival, Osnabrück *
95 Kwangju Biennale, Kwangju, Korea *
Paradoxien, Galerie der Stadt Schwaz, Östereich

1994
Medienbiennale, Leipzig *
Videoskulptur in Deutschland seit 1963, Kunsthalle, Rostock, DE; Centrum Beeldende Kunst, Groningen, World Wide Video Centre, Den Haag, NL; Museum van Hedendaagse
Kunst, Gent, BE; Circulo de Bellas Artes, Madrid, ES; Galeria Zacheta, Warschau *
Videobrasil, Sesc Pompeji, Sao Paulo *

1993
Gegenbilder, Ausstellung in Münsteraner Kirchen, Münster *
Multimediale 3, Zentrum für Kunst und Medientechnologie, Karlsruhe *
Ausstellung der Karl Schmidt-Rottluff Stipendiaten, Kunsthalle, Düsseldorf *

1992
Tiefgang, Schloßbunker, Mannheim *
Fluxus-Virus, Köln, Aktionsforum Praterinsel, München *
Deutscher Videokunstpreis Südwestfunk Baden-Baden / Zentrum für Kunst und Medientechnologie, Karlsruhe *
Avantgarde Reflex Ost-West, Altes Rathaus, Potsdam *

1991
Videoformes, Festival de la Creation Video, Clermont-Ferrand *
Multimediale 2, Zentrum für Kunst und Medientechnologie, Karlsruhe *
Wortlaut, Galerie Vaclava Spaly, Prag *

1990
Videokunst der 80-er Jahre in der BRD, Tiroler Landesmuseum Ferdinandeum *
4. Internationale Videonale, Bonn *
ARS VIVA 90/91 Heidelberger Kunstverein; Hochschule für Grafik und Buchkunst
Leipzig; Nassauischer Kunstverein, Wiesbaden *

1989
Video-Skulptur retrospektiv und aktuell 1963 - 1989 Kölnischer Kunstverein, DE; Kongresshalle, Berlin; DE; Kunsthaus, Zürich *
Wortlaut, Galerie Schüppenhauer, Köln, Kunstmuseum, Bochum *
Metissage et Croisement, Fonds Regional d'Art Contemporain, Marseille

1988
3. Internationale Videonale, Bonn *
Skulpturenmuseum Glaskasten, Marl *
IX Videoart Festival, Locarno, Schweiz
Deutsche Videokunst 1986 bis 1988, Skulpturenmuseum Glaskasten, Marl *
2nd Fukui International Video Biennale, Fukui, Japan *

1987
Infermental 6, Edition Vancouver
Ars Electronica, Linz, Östereich
Arbeit und Rhythmus, Kunsthalle, Recklinghausen *
Junge Plastik ohne Heimweh, Hamelhalle, Münster *
Neues Video aus der BRD, Museum für Gegenwartskunst, Basel *

1986
2. Internationale Videonale, Bonn *
Elektronische Künste, Wissenschaftszentrum, Bonn *

Dieter Kiessling
1957 born in Münster GER 1978 - 1986 Studium an der Kunstakademie Münster 1986 Produktionspreis der Internationalen Videonale Bonn 1990 Karl Schmidt-Rottluff Stipendium Förderpreis des Kulturkreises im BDI Caspar-von-Zumbusch-Preis 1991 Förderpreis des Landes Nordrhein-Westfalen 1992 Förderpreis zum ersten Deutschen Videopreis 1993 Arbeitsstipendium des Kunstfonds Bonn e.V. 1997 visiting professor at the Hochschule für Künste Bremen 1997 - 2003 Professor for Media Art at the Hochschule für Gestaltung Karlsruhe 2004 - 2005 visiting professor for photography at the Universität Duisburg-Essen 2005 Professor for Media Art at the Kunsthochschule Mainz, Johannes Gutenberg-Universität Mainz Solo exhibitions 2017Dieter Kiessling – people in mirrors are closer than they appear, Kunstverein Ruhr, Essen 2016Dieter Kiessling - behind – in front, Hengesbach Gallery Wuppertal 2013Hengesbach Gallery Berlin2012Kunstbunker, Forum für zeitgenössische Kunst, Nürnberg2011Sprengel Museum Hannover2010Hengesbach Gallery Berlin Fruchthalle Kaiserslautern (catalog)2007Westfälischer Kunstverein, Münster2004Galerie Rolf Hengesbach, Köln Galerie Zink und Gegner, München2003Kunstverein Bochum2002Galerie Michael Zink, München2001Räume für neue Kunst / Rolf Hengesbach, Wuppertal1997Saint-Gervais Genève, Genf1996Räume für neue Kunst / Rolf Hengesbach, Wuppertal Kunstraum, Wuppertal (catalog)1995Gesellschaft für Aktuelle Kunst, Bremen (catalog)1994Räume für neue Kunst / Rolf Hengesbach, Wuppertal1991Thomas Backhauß Galerie, Düsseldorf1989Städt. Museum Abteiberg, Mönchengladbach (catalog)1988Galerie Hake, Wiesbaden1987Galerie Hake, Münster Group exhibitions 2019buchstäblich, Kunstraum D21, Leipzig 2018Konvolution – Künstler Buch Projekte, Osthaus Museum Hagenden Januarpfad eben – Text, Bild, Bildertext, Künstlerbücher, Alte Kämmerei, Düsseldorf2017ungewiss, Hengesbach Gallery WuppertalViajando Pelo Mundo – Arte da Alemanha – Paco Imperial, Rio de Janeiro, Brasilienabsichtlich/zufällig Kunst zwischen Kontrolle und Unberechenbarkeit, Sprengelmuseum Hannover2016Mit anderen Augen, Portraitfotografie in Deutschland, Kunstmuseum Bonn, Kunsthalle NürnbergDU UND ICH, Hospitalhof StuttgartTransmediale, Touch of the Real, Haus der Kulturen der Welt, BerlinKomma, Kunstverein & Stiftung Springhornhof, Neuenkirchen, Niedersachsen2015Form folgt, Kunstraum Alexander Bürkle, FreiburgContemporary Art from Germany, Ein Harod Museum of Art, Ein Harod, IsraelTravelling the World – Art from Germany, Busan Museum of Art, Busan, Süd KoreaMainzer Ansichten, Kunsthalle MainzÜbermorgenkünstler, Gesellschaft der Freunde junger Kunst, Baden-Baden . (mit Ausstellungskatalog)AVANT LA DEVANTGARDE, Pade, Düsseldorf2014The Paths of German Art from 1949 to the present, Moscow Museum of Modern Art, Moskau, Kranoyarsk Museum Center, Krasyarsk, Russland Out There, Eiffel Building, Maastricht, Niederlande „30 Jahre – 30 Stimmen, Teil 1“ Bonner Kunstverein Bonn2013Im Fokus! Zeitgenössische Fotografie und Videokunst aus der Sammlung, Kunsthalle Bremen Bilder im Fluss, Kunstraum Alexander Bürkle, Freiburg Weltreise, ZKM Museum für neue Kunst Karlsruhe * Schriftfilme, Schrift als Bild in Bewegung, ZKM Museum für neue Kunst Karlsruhe Lichtrouten, Lüdenscheid2012Ab in die Ecke! Städtische Galerie Delmenhorst * Bis hier, 50 Jahre Kunstverein Bochum, Kunstverein Bochum *2011Artefact Festival, STUK Kunstcentrum, Leuven, Belgien The New Mainz School, Kunsthalle Mainz Big Picture II, K21 Ständehaus, Kunstsammlung Nordrhein-Westfalen Düsseldorf 20 Years Hengesbach Gallery, Berlin2010Blickmaschinen Centro Andaluz de Arte Contemporáneo Sevilla, Spanien Secial vision: deeper than surface, deutscher Künstlerbund Projektraum, Berlin2009Blickmaschinen oder wie Bilder entstehen, Museum für Gegenwartskunst Siegen Blickmaschinen, Center for Culture & Communication Foundation and Kunsthalle Budapest * Videonale 12 *2008Out of Time, Neues Museum Weserburg, BremenZerbrechliche Schönheit, Museum Kunstpalast Düsseldorf *2007Ablesen, Galerie Müller-Roth, Stuttgart Freedom of Expression, Espaco Cultural Oi Futuro, Rio de Janeiro200640jahrevideokunst.de Die 80ger Jahre, K21 Kunstsammlung Nordrhein-Westfalen, Düsseldorf * Small Voice Sounds Big, Total Museum of Contemporary Art, Seoul, Korea * Traurig sicher, im Training, Grazer Kunstverein, Österreich * Crossing Screens, imai - inter media art institute, NRW-Forum, Düsseldorf2005Video/Text, Zentrum für Kunst und Medientechnologie, Karlsruhe Park, Zucht und Wildwuchs in der Kunst, Staatliche Kunsthalle Baden-Baden * Videogracy, Bienal de Video Santiago de Chile 2005 (Kat) * Bilanz in zwei Akten, Kunstverein Hannover (Kat)2004Observatory, Palais im großen Garten, Dresden * Incidents, de Singel, Internationaal Kunstcentrum, Antwerpen, Belgien * Schöner Wohnen, BEPART, Platform voor actuele Kunst, Waregem Belgien *2003Temporal Values - von Minimal zu Video, Städtische Galerie, Karlsruhe2002Minimal / Maximal, National Museum of Contemporary Art, Seoul, Korea * Sound, G7 Berlin L’effet Larsen, Casino Luxembourg *2001Big Nothing, Staatliche Kunsthalle Baden-Baden * L’effet Larsen, Centrum für Gegenwartskunst Oberösterreich * Vor-Sicht Rück-Sicht, 8. Triennale Kleinplastik, Fellbach * Minimal / Maximal, Chiba City Museum of Art, Chiba, JP, The National Museum of Art, Kyoto Minimal / Maximal, JP, Fukuoka Art Museum, Fukuoka, Japan *2000Orbis Terrarum, Plantin-Moretus Museum, Antwerpen * One of those Days, Mannheimer Kunstverein * Die Künstlerstiftung, 25 Jahre Karl Schmidt-Rottluff Stipendium, Kunsthalle, Düsseldorf *1999Kunstpreis der Böttcherstraße in Bremen, Kunsthalle Bremen * Contact Zones: The Art of CD-ROM, Centro de la Imagen, Mexiko City * Minimal / Maximal, Centro Galego de Arte Contemporánea, Santiago de Compostela, Spanien * Rewind to the Future, Bonner Kunstverein, Bonn; Neuer Berliner Kunstverein, Berlin *1998Minimal / Maximal, Neues Museum Weserburg, Bremen * Blickwechsel, Museum für Neue Kunst, ZKM, Karlsruhe 11th Biennale of Sydney *1997Video-Forum der Art 28'97, Basel Der Traum vom Sehen, Gasometer Oberhausen Video Positive: Escaping Gravity, Cornerhouse, Manchester * Galerie Gaby Kraushaar, Düsseldorf Zones of Disturbences, steirischer Herbst, Graz, Österreich *1996Begegnungen, Kunsthalle Barmen, Wuppertal * Unterwegs, Kunsthalle, Recklinghausen, (Kat) Electronic Undercurrents, Statens Museum for Kunst, Kopenhagen * Objekt Video, Oberösterreichische Landesgalerie, Linz, Österreich *1995Art & Electronics, Pao Gallerys, Hong Kong Arts Centre *Multimediale 4, Zentrum für Kunst und Medientechnologie, Karlsruhe * Video-Forum der Art 26'95, Basel European Media Art Festival, Osnabrück * 95 Kwangju Biennale, Kwangju, Korea * Paradoxien, Galerie der Stadt Schwaz, Östereich1994Medienbiennale, Leipzig * Videoskulptur in Deutschland seit 1963, Kunsthalle, Rostock, DE; Centrum Beeldende Kunst, Groningen, World Wide Video Centre, Den Haag, NL; Museum van Hedendaagse Kunst, Gent, BE; Circulo de Bellas Artes, Madrid, ES; Galeria Zacheta, Warschau * Videobrasil, Sesc Pompeji, Sao Paulo *1993Gegenbilder, Ausstellung in Münsteraner Kirchen, Münster * Multimediale 3, Zentrum für Kunst und Medientechnologie, Karlsruhe * Ausstellung der Karl Schmidt-Rottluff Stipendiaten, Kunsthalle, Düsseldorf *1992Tiefgang, Schloßbunker, Mannheim * Fluxus-Virus, Köln, Aktionsforum Praterinsel, München * Deutscher Videokunstpreis Südwestfunk Baden-Baden / Zentrum für Kunst und Medientechnologie, Karlsruhe * Avantgarde Reflex Ost-West, Altes Rathaus, Potsdam *1991Videoformes, Festival de la Creation Video, Clermont-Ferrand * Multimediale 2, Zentrum für Kunst und Medientechnologie, Karlsruhe * Wortlaut, Galerie Vaclava Spaly, Prag *1990Videokunst der 80-er Jahre in der BRD, Tiroler Landesmuseum Ferdinandeum * 4. Internationale Videonale, Bonn * ARS VIVA 90/91 Heidelberger Kunstverein; Hochschule für Grafik und Buchkunst Leipzig; Nassauischer Kunstverein, Wiesbaden *1989Video-Skulptur retrospektiv und aktuell 1963 - 1989 Kölnischer Kunstverein, DE; Kongresshalle, Berlin; DE; Kunsthaus, Zürich *Wortlaut, Galerie Schüppenhauer, Köln, Kunstmuseum, Bochum * Metissage et Croisement, Fonds Regional d'Art Contemporain, Marseille19883. Internationale Videonale, Bonn *Skulpturenmuseum Glaskasten, Marl * IX Videoart Festival, Locarno, Schweiz Deutsche Videokunst 1986 bis 1988, Skulpturenmuseum Glaskasten, Marl * 2nd Fukui International Video Biennale, Fukui, Japan *1987Infermental 6, Edition Vancouver Ars Electronica, Linz, Östereich Arbeit und Rhythmus, Kunsthalle, Recklinghausen * Junge Plastik ohne Heimweh, Hamelhalle, Münster * Neues Video aus der BRD, Museum für Gegenwartskunst, Basel *19862. Internationale Videonale, Bonn * Elektronische Künste, Wissenschaftszentrum, Bonn *

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