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blinkvideo - research of video art, performance and multimedia installations.

blinkvideo - research of video art, performance and multimedia installations.


Moving Images / Moving Bodies
Online screening programme in cooperation
with the Goethe-Institut Bulgaria

Curated by Ludwig Seyfarth

Research into the human body and interpersonal relationships remain central themes in video and moving image art. Artists from Bulgaria and Germany, whose work is related in content, will be shown in pairs over the next weeks. The exhibition planned for November 2020 in Sofia has been postponed until 2021. Instead, a consecutive presentation of selected films by artists from Moving Bodies/Moving Images is presented on blinkvideo.
image: © Elitsa Dimitrova

Shooting Ghosts
Online screening programme in cooperation
with the Goethe-Institut Bulgaria

Curators: Kalin Serapionov, Krassimir Terziev

What we propose in this programme is a highly subjective and fragmented view on current practices in moving image in the Bulgarian art scene. We focused on practices that show affinity with speculative narratives - narratives that not just record what is in front of the cinematic eye, but also capture all the ghosts that are unreachable by the apparatus, thus projecting speculative views that intend not merely to describe, but to transform the world.
image: © Veneta Androva

Moving Images / Moving Bodies

 ‘Moving Images Bulgaria-Germany’ is a project by Goethe-Institut Bulgaria, that includes various online and offline initiatives, starting in November 2020. The online program, realised in partnership with blinkvideo, will consist of two curated programmes: “Moving Images / Moving Bodies”, curated by Ludwig Seyfarth, and “Shooting Ghosts”, curated by Krassimir Terziev and Kalin Serapionov.

First the programme “Shooting Ghosts” will give a selected overview of video art in Bulgaria in general. The programme will be accompanied by an in-depth essay by Krassimir Terziev as well as texts by different authors or the artists themselves on individual films.

Critics’ Pick: Vienna by Nicole Büsing + Heiko Klaas

The group show “Antarctica. An Exhibition on Alienation” was presented in Vienna during the past winter season. Departing from a note written by the Italian cult director Michelangelo Antonioni referring to a potential glacier melting in the Antarctica and a hint to a film, the two curators from the Kunsthalle Wien, Vanessa Joan Müller and Nicolaus Schafhausen, conceived an exhibition on the topic of alienation and contemporary art. The focus was on the latest contemporary photography and video art by the younger generation of artists.
Image: © Isabella Fürnkäs

UNSTILLED LIFE: Artist Animations 1980-2020
Curated by Emma Cousin and Paul Carey-Kent

Why this show, here and now? British artist-curator Emma Cousin and writer-curator Paul Carey-Kent recently pulled together a choice of artist animations, thinking that the increasingly vibrant medium is especially suited to the online emphasis of the locked down art world of 2020. Three of them turned out to be represented by Ron Mandos, making the Amsterdam gallery ideal hosts. The cast is international, and to reflect that Tintype gallery in London and Hamburg’s blinkvideo have joined in with variations on the programme. 
Markus Vater Worlds don’t come easy, 2020

Something Between Us
KAI 10 | ARTHENA FOUNDATION, Düsseldorf

The exhibition „Something Between Us“ focuses on both our contemporary lives and the anthropological constants of interpersonal dealings: love, empathy, security, care and safety on the one hand, and hate, role fixation, dependency, reprimand and exclusion on the other. Something Between Us asks how these structures of togetherness are changing in our digital era.
Thomas Taube OCCIDENT, 2020

REFRACTED REALITIES at VIDEONALE.17

In optics, “refraction” refers to the bending of a beam of light, a change in direction which occurs at the moment when it passes from one medium to another. Through refraction, the light wave alters course, changing the way we perceive the objects it illuminates in the process. This optical deviation requires us to repeatedly correct our gaze, comparing the beginning and end points of our perception with reality, and bringing the object we see clearly into focus. In its figurative sense, refraction refers to a critical reflection on the means and channels of visualization, and by extension the possibility of a rearticulation of our view of things – how they are, were, or apparently always have been.
Image: © Sohrab Hura

NEW: Favorites curated by blinkvideo users

What do you like? Over the next few months, we will be showing here selections of works, compiled by you, as a blinkvideo user.

Stefano Miraglia: Hey Blinkvideo members! Here are my eight "must watch" films and videos. Happy to find in this catalogue some of the works that got me interested in artists' moving image when I was a student! (Guillaume Leblon! Daniel Steegmann Mangrané! Marylène Negro!).

Expanding Bauhaus.
New Reflections on the Bauhaus Movement in Time-Based Media Art / Goethe Institute Netherlands

A screening series selected by Elke Kania (Cologne), Julia Sökeland (Hamburg) and Ludwig Seyfarth (Berlin)

With its combination of various arts such as painting, photography film, architecture, fashion, product and interior design and textile art, the Bauhaus is still considered the epitome of a technologically advanced modernity. Last but not least, the attempt to create the whole society aesthetically, inspired many artists worldwide.
Image: © Adnan Softic

Johan Grimonprez

Johan Grimonprez’s critically acclaimed work dances on the borders of practice and theory, art and cinema, documentary and fiction, demanding a double take on the part of the viewer. Informed by an archeology of present-day media, his work seeks out the tension between the intimate and the bigger picture of globalization. It questions our contemporary sublime, one framed by a fear industry that has infected political and social dialogue. By suggesting new narratives through which to tell a story, his work emphasizes a multiplicity of realities.
image: © Johan Griminprez

Christoph Faulhaber: Revolution & Architecture

With "Revolution & Architecture" Christoph Faulhaber (* 1972 in Osnabrück, lives in Hamburg) conceives, builds, designs and opens a whole series of very different rooms in the Kunsthalle Osnabrück. In order to discover the revolutionary aspect of these "architectures", one has to look at the social implications of interior design in general. In the forum the visitor then enters Faulhaber's cinematic autobiography "Every Picture is an Empty Picture" as in the eye of the cyclone: The work is split into 15 individual films and surrounds the visitor in a circle.
Image: © Christoph Faulhaber

Stiftung imai – inter media art institute

The Düsseldorf based foundation imai – inter media art institute was founded in 2006 in order to establish an institution in Germany dedicated to the distribution and preservation of media art and associated activities.
Image: © Marcel Odenbach

Featured videos

Markus Vater
Im Wald (perfect day), 2011

This Animation has developed from a colloboration with the dutch poet Tjitske Jansen. Initially it reacted on a text of hers dealing with memories in her life. All memories were about events in which she didn’t understand the concepts and actions that had happened, but which she understands now.

Pratchaya Phinthong
A proposal to set (work in progress), 2016

A proposal to set CH4*5.75H20 on fire (work in progress) is an ongoing project that explores methane hydrate, an ice compound that has been identified by scientists as an alternative fuel of future energy. Found in large quantities beneath Arctic permafrost, Antarctic ice and sedimentary deposits, methane hydrate releases natural gas when exposed to increases in temperature or decreases in pressure.Gas released by methane hydrates can be lit, which produces a semi-transparent orange and blue flame.This 16 mm film shows samples of methane hydrates.Through the mobilisation and connection of individuals working across geology, science and art, the project generates awareness of methane hydrate, its chemically volatile nature and implications for energy industries.The film itself performs a kind of material transfer, capturing light emitted by the burning samples and projecting it into the gallery space. For Phinthong, each iteration of the project is a form of extraction that makes its subject more widely visible. Filmed by Phuttipong Aroonpheng. Made with the support of Oleg Blouson,Andrey Khabuev and Oleg Khlystov at the Limnological Institute, Irkutsk, Russia.

Ryan Gander
And You Will be Changed , 2014

'And You Will be Changed (Centre Pompidou, Paris)', 2014, follows curator Emma Lavigne around the empty Centre Pompidou in Paris as she presents the viewer with a tour of an empty space that had housed a now uninstalled Pierre Huyghe exhibition. The show is imagined and told by Lavigne as if the artworks were still there. Exhibited: - Pierre Huyghe +/–,The Artist’s Institute, New York, 2014
- Nouveau Festival (5th Edition), Musée d’Art Moderne, Centre Pompidou, Paris, 2014

Deimantas Narkevicius
Ausgeträumt, 2010

The German word ‘Ausgeträumt’ means a state between dream and reality at the point of waking up.The very first creative attempts by any artist are usually very positive, unaffected by criticism, even naive activities. Refering to myself, I had to be absolutely naive to choose to be a visual artist, in the late 80's when in the Soviet Union, everything was falling apart. There was no precedent of success, or an example to follow in the country which was still isolated. With this film I am re-approaching the state of naivety.

Katja Aufleger
LOVE AFFAIR, 2017

Several lights get shot successively. Some crush at once, quiet or with a blast, others seem like trying not to die.

Janet Biggs
Vanishing point, 2009

Luzia Hürzeler
Being in the Picture, 2007/08

Im Bilde sein [Being in the Picture] is a video installation. The monitor stands on a two-meter-high plinth. The video shows a white wall in front of which my head becomes visible, fully or partially, at short or long intervals. I keep jumping up into the picture, making myself visible through physical activity. These efforts become apparent through the sounds. The jumping height, and thus my visibility, decreases over time, until I finally give up through exhaustion.On the occasion of the exhibition “Spazi aperti” this work was displayed in the entrance hall of the Romanian Academy in Rome, where a number of monumental busts are mounted on plinths.

Johanna Reich
Horizon, 2012

The artist is drawing a line onto a white surface. The line reveals the horizon: it separates the sea from the sky. "To draw a line": this phrase already linguistically contains many different meanings. Beginning with the famous line – the one that cannot be crossed politically – via the (guide)line that is also the conceptual standard, to the simple strike placed beneath an addition, these are key points on the spectrum.“When Johanna Reich draws a line with a broad brush onto a wall, additional content comes into play. There is the track which children draw onto the wall with chalk, the traditional artist myth of the line as a vivid track of creative process, and last but not least the powerfully picturesque action of splattering the wall.”(Johannes Stahl)Johanna Reich (*1977 Minden) studied at the Kunstakademie Münster, the HfbK Hamburg and the Kunsthochschule für Medien Köln. She lives and works in Cologne.

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Deimantas Narkevicius

Works


Galleries

gb agency
Solene Guillier
18 rue des Quatre Fils
75003 Paris
France

Phone: + 33 1 44 78 00 60
E-Mail: gb@gbagency.fr




Biography

Born in 1964, Utena, Lithuania.
Lives and works in Vilnius, Lithuania

Awards

2018
Award winner of the 64th International Short Film Festival Oberhausen
2008

Vincent Award, Vincent van Gogh Biennial Award for Contemporary Art in Europe
Lithuanian National Culture and Art Prize

Solo Shows

2019
Deimantas Narkevičius, Prefix ICA, Toronto.
2018
Deimantas Narkevičius, Rocking The State, ⇤AŹNIA Centre for Contemporary
Art, Gdańsk.
Deimantas Narkevičius, Screening/Talk, Cinema 1, Centre Pompidou, Paris.
Deimantas Narkevičius, screening/talk, CAST Film Club, Helston.
20 July.2015, Piktogram, Warsaw.
2017
Stains and Scratches, National Gallery, Vilnius.
Salt and Disappearance, gb agency, Paris.
20 JULY.2015, Maureen Paley, London.
2016
Doubled Youth, Baltic Centre for Contemporary Art, Gateshead.
Deimantas Narkevičius, Books on Shelves and Without Letters, The Blank Contemporary Art, Sala alla Porta Sant’Agostino, Bergamo.
2015
Archeology of Memories, Corner House, KGB former building, Riga.
Fact or Fiction, Berwick Film & Media Arts Festival, Berwick.
Sad Songs of War, gb agency, Paris.
Deimantas Narkevičius, Maureen Paley, London.
Da Capo, MSU, Museum of Contemporary Art Zagreb.
2014
Cupboard and a Song, MNAC, National Museum of Contemporary Art,
Bucharest.
Sounds Like The XX Century, Galerija Vartai, Vilnius.
Deimantas Narkevičius, 60th Oberhausen International Short Film Festival,
Oberhausen.
Cupboard and a Play, gb agency, Paris.
2013
Da capo, Le Magasin, Grenoble.
Da capo, Marino Marini Museum, Firenze.
Deimantas Narkevičius, Independent, gb agency, New York.
2012
Deimantas Narkevičius, About Films, Para/Site, Hong Kong.
Videozone: Deimantas Narkevičius, Ludwig Forum für Internationale Kunst,
Aachen.
A Tang of Lomo Film, Galerie Barbara Weiss, Berlin.
2011
The Head, Architektur und Film, Blue Box, Sprengel Museum, Hannover.
Deimantas Narkevičius, Solo film programme, 15th International Short Film
Festival, Winterthur.
Restricted Sensation, gb agency, Paris.
2010
Getting a lost tune, Artra, Milano.
Darkroom Series: Deimantas Narkevičius, Turku Art Museum, Turku.
Sarabande (with Zilvinas Kempinas), Frac Basse Normandie, Caen.
The Unanimous Life, Kunsthallen Brandts, Odense.
2009
Deimantas Narkevičius, gb agency, Paris.
Deimantas Narkevičius, Into the Unknown, BFI Southbank Gallery, British
Film Institute, London.
The Dud Effect, Mala Galerija, Museum of Modern Art, Ljubljana.
The Unanimous Life, Kunsthalle, Bern.
The Unanimous Life,Van Abbemuseum, Eindhoven.
Deimantas Narkevičius, Mamco, Geneva.
2008
The Unanimous Life / La Vida Unanime, Museo Nacional Centro De Arte
Reina Sofia, Madrid.
The Dud Effect, Jan Mot, Brussels.
The Dud Effect, Galerie Barbara Weiss, Berlin.
Genius Seculi, The Center of Contemporary Art, Thessaloniki.
2007
The Role of a Lifetime, Index, Stockholm.
History Continued, Mücsarnok Kunsthalle, Budapest.
Revisiting Solaris, CAC, Contemporary Art Centre, Vilnius.
Revisiting Solaris, Daadgalerie, Berlin.
Among the Things We Touched, Secession, Vienna.
Deimantas Narkevicius (with Jùlius Koller), Art Premiere, gb agency, Art 38,
Basel.
Deimantas Narkevičius, The Documentary FilmPlatform ZONE, The Arts
Center Buda, Kortrijk;The University Movie Theater Film Plateau, Ghent;
MuHKA, Antwerpen.
2006
Deimantas Narkevičius, Screening, Musée National d’Art Moderne, MNAM,
Centre Pompidou, Paris.
This not What you See, Gallery of Contemporary Art, Bunkier Sztuki,
Kraków.
Deimantas Narkevičius, Plug In, Van Abbemuseum, Eindhoven.
Once in the XX Century, Arnolfini, Bristol.
Deimantas Narkevičius, Galerie für Zeitgenössische Kunst, Leipzig.
Instead of Today, gb agency, Paris.
2005
Once in the XX Century, Akademie der Kunst, Berlin.
2004
Two Sculptures, CAC, Contemporary Art Center, Vilnius.
Deimantas Narkevičius, screening, Tate Modern, London.
Deimantas Narkevičius, Foksal Gallery, Warsaw.
Deimantas Narkevičius, Galerie der Stadt ,Schwaz.
Focus on D. Narkevičius, 33rd International Film Festival, Rotterdam.
Deimantas Narkevičius, Screenings, Roseum Contemporary art Center, Malmö.
Legend Coming True, Musée d’Art et d’Histoire du Judaïsme, Paris.
2003
The Role of a Lifetime, Art and Sacred Places, St. Peters Church, Brighton.
Kaimietis, Jan Mot, Brussels.
Either True or Fictitious, Frac des Pays de la Loire, Carquefou.
2002
Deimantas Narkevičius, gb agency, Paris.
Deimantas Narkevičius’s Project, Kunstverein, Munich.
2001
Energy Lituania, Jan Mot, Brussels.
Deimantas Narkevičius, Lithuanian Pavillion, 49th Venice Biennale, Venice.
Deimantas Narkevičius, screenings, Moderna Museet, Stockholm.
2000
8 x 16 x 35, Contemporary Art Centre, Vilnius.
1994
Unforced Reality, Akademija Gallery, Vilnius.

Group Shows

2019
Unexpected Encounters, Arsenals Latvian National Museum of Art, Riga.
The City of Tomorrow, New Tretyakov Gallery, Moscow.
Activity of Matter, gb agency, Paris.
The Missing Planet: Visions & Revisions from Soviet Times, Pecci Museum, Prato.
After leaving / Before arriving,12th Kaunas Biennial, Kaunas.
Phenomenon 3, Anafi Biennial, Anafi.
Post truth, Fake News & Alternative Facts, Haifa Museum of Art, Haifa.
Here We Meet, The Galaxy Museum of Contemporary Art, Chongqing.
Refracted Realities, Videonale 17, Festival for Video and Time-Based Arts,
Kunstmuseum Bonn.
2018
The Ocean After Nature, College of Wooster Art Museum, Wooster.
Screening, AuditoriumArte, Rome.
Archaeology of the Screen, Kumu Art Museum, Tallinn.
VideoVideo, Deimantas Narkevicius and Melik Ohanian, Honor guests, 9th Edition Festival Video Art In Burgundy, Bonnay.
Screening 20 July.2015, AuditoriumArte, Rome.
Motherland in Art, Mocak, Museum of Contemporary Art, Krakow.
Pluses and minuses, On Bialystok’s power station, Arsenal Gallery, Bia⌅ystok.
The Future Is Certain; It’s the Past Which Is Unpredictable, Blaffer Art Museum, Houston.
2017
Vision on vision, Lemaitre video collection, Sema Museum, Seoul.
The Haunted House, National Centre for Contemporary Arts (NCCA),
Moscow.
The Ocean After Nature, Dublin City Gallery, Dublin.
It’s getting better and even better, Arsenal Gallery, Bialystok.
The Future is Certain; It’s the Past Which is Unpredictable, Calvert 22
Foundation, London.
There and not There: (Im)possibility of a monument, 11th Kaunas Biennial,
Kaunas.
In search of Global Poetry: Videos from the Han Nefkens Collection, He
Xiangning Art Museum, Shenzhen
Labor relations,Wroc⌅aw Contemporary Museum, Wroc⌅aw.
The Revolution Is Dead, Long Live The Revolution: Socialist Realism and Its Legacy,
Kunstmuseum, Bern.
2016
Medialization of Monuments; Monumentalization of Media, Temporary Gallery,
Zentrum für zeitgenössische Kunst e.V. / Centre for contemporary art, Köln.
Straub/Huillet/Weiss. Alienation Towards Our Small Familiar World, Temporary
Gallery, Centre for Contemporary Art, Köln.
Quand fondra la neige, où ira le blanc, Opere dalla Collezione Enea Righi,
Palazzo Fortuny, Venice.
Petit déjeuner au crépuscule, Centre d’art image/imatge, Orthez.
Souviens-toi du temps présent, Les Moulins Albigeois, Albi.
En garde, l’art s’engage!, Musée Bartholdi, Colmar.
On the shoulders of giants, Kunsthalle, Mainz.
Labor relations, Wroc⌅aw Contemporary Museum, Wroc⌅aw.
Illumination / Fire Under Snow, Louisiana Museum, Humlebeak.
2015
Networked,10th Kaunas Biennial, Kaunas.
Black Bandits, #Lützow, #Befreiungskriege, #Napoleon, #Waterloo, Haus am Lützowplatz, Berlin.
Gorgona Then and Now & Artist On Vacation 2015, MSU, Museum of
Contemporary Art Zagreb, Zagreb.
Collecting for Tomorrow, New works at Museion, Museion, Bolzano.
The Future of Memory, An exhibition on the infinity of the present time,
Kunsthalle Wien Museumsquartier, Vienna.
1989, Galerie Barbara Weiss, Berlin.
2014
To Sail Beyond the Sunset, Generator, Dundee.
Economie Humaine, Espace d’Art Contemporain HEC, Jouy-en-Josas.
Soleil Politique, The museum between light and shadow, Museion, Museum für
moderne und zeitgenössische Kunst, Bolzano.
Art-Histories, MdM, Museum der Moderne , Salzburg.
Manifesta 10, the European Biennial of Contemporary Art, St. Petersburg.
A Paradise Built in Hell, Kunstverein in Hamburg, Hamburg.
All that Falls, Palais de Tokyo, Paris.
Jaurès et les mineurs, Musée-Mine départemental, Cagnac les Mines.
La disparition des lucioles, Collection Lambert, Prison Sainte-Anne, Avignon.
do it Moscow, Garage Museum of Contemporary Art, Moscow.
More Power, Museum de Fundatie, Paleis a/d Blijmarkt, Zwolle.
Il Piedistallo Vuoto, Fantasmi dall’Est Europa, Museo Civico Archeologico, Bologna.
New display of the collection, Tate Modern, London.
Museum as Hub: Report on the Construction of a Spaceship Module, tranzit, New Museum, New York.
2013
The Way of the Shovel: Art as Archaeology, Museum of Contemporary ArtChicago, Chicago.
A Thousand Years of Non Linear History, Centre Pompidou, MNAM, Paris.
Play! Recapturing the Radical Imagination, Göteborg International Biennial for
Contemporary Art, Göteborg.
A Sense of Place, The Ruth and Elmer Wellin Museum of Art, Hamilton
College, New York.
Susan Vérité, Crac Alsace, Altkirch; Frac Alsace, Sélestat.
Das Reich ohne Mitte, Kunsthalle Mainz, Mainz.
Arte: Affari, Lavoro o Perditempo, Furini Arte Contemporanea, Roma.
Start making sense, Live In Your Head, Institut Curatorial de la Head, Genève.
In the Heart of the Country,The Collection of the Museum of Modern Art in
Warsaw, Museum of Modern Art, Warsaw.
Riding riding, Université de Strasbourg, Palais Universitaire, Salle Vingt-Sept,
Strasbourg.
Part of a Larger Whole. Lithuanian Contemporary Art, CAC,Contemporary Art
Centre, Vilnius.
Inventing a future, gb agency, Paris.
Untited States of Europe, A travelling exhibition about European identity and
today’s Europe, Les Ecluses, fabrique culturelle et numérique, Paris.
2012
Performing Histories (1), MoMA, New York
The Freedom of Sound. John Cage behind the Iron Curtain, Ludwig Muzeum, Budapest. United States of Europe, Kultur Forum Dresden, Dresden. Prestige:phantasmagoria Now, KCCC, Klaipeda Culture Communication Center, Klaipeda. Ante-Memorial,Taipei Biennale, Taipei. Sehnsucht, Gaasbeek Kasteel, Gaasbeek. Fremde Überall, Foreigners Everywhere, An exhibition of works from Pomeranz Collection, Jewish Museum, Vienna. Day for Night: Between Reality and Illusion, City University, New York. You are not alone, Artaids, BACC, Bangkok Art Culture Centre, Bangkok. Paris-Vilnius, un regard sur la photographie lituanienne contemporaine, Ecole Nationale des Beaux-Arts, Paris. Un nouveau festival, Centre Pompidou, MNAM, Musée National d’Art Moderne, Paris. United States Of Europe, Plataforma das Artes, Guimarães. Modern Monsters / Death and Life of Fiction, Taipei Biennial 2012, Taipei. The Collection in Action, Media works from Vito Acconci to Simon Starling, Museion, Museum für moderne und zeitgenössische Kunst, Bolzano. Rearview Mirror: New Art from Central & Eastern Europe, Art Gallery of Alberta, Edmonton, Alberta. Session 3: Rethinking the family archive in Iñaki Bonillas and Deimantas Narkevicius, La Virreina Centre de la Imatge, Barcelona. Affinités, déchirures & attractions, Frac Alsace, Musée Würth, Erstein.
Ecologies of Image, MUSAC, Leon.
Kadist: Pathways Into A Collection, Minsheng Art Museum, Shanghai.
2011 United States Of Europe, Fabry Strefa, Lodz.
The City is a Burning Blazing Bonfire, Cubitt, London.
Deimantas Narkevičius, Ausgeträumt, Art Unlimited, gb agency, Jan Mot and
Barbara Weiss, Art 42, Basel.
Auditorium Moscow, a sketch for a Public Space, Belie Palaty, Moscow.
Side by Side Poland, Germany. A 1000 Years of Art and History, Martin Gropius
Bau, Berlin.
Les impromptus, part 3, Les Armes silencieuses, Centre d’Art Bastille, CAB,
Grenoble.
Au grenier, 4 pièces de mémoire, Musée départemental d’Art Contemporain,
Rochechouart.
Viennale, Vienna International Film Festival, Vienna.
Passé Présent #3, La Plate-Forme, Dunkerque.
Rearview Mirror: New Art from Central & Eastern Europe, The Power Plant,
Toronto.
Ostalgia, New Museum, New York.
The present’s presents, CAN, Centre d'Art Neuchâtel, Neuchâtel.
We Will Live, We Will See, Zabludowicz Collection Curatorial Open 2011,
London.
Hypthesis of self portrait, gb agency, Art 42, Basel
History in Art, MOCAK, Museum of Contemporary Art in Krakow, Krakow.
You are not alone, Artaids, The Joan Miró Foundation, Barcelona.
Space, About a Dream, Kunsthalle Wien, Vienna.
2010 Building Memory, CCA, The Center for Contemporary Art, Rachel & Israel
Pollak Gallery,Tel-Aviv. Million and One Day, National Gallery, Vilnius. Faux Amis / An Ephemeral Video Library, Jeu de Paume, Paris. Lithuanian Art 2000–2010: Ten Years, Contemporary Art Center Vilnius, CAC, Vilnius. Sent by Mail, Galerie Barbara Weiss, Berlin. Höhepunkte der Kölner KunstFilm Biennale, Kunst-Werke Berlin, KW Institute for Contemporary Art, Berlin. Will Be Better, Taking Memory Into the Future, Aargauer Kunsthaus, Aargau. Shockworkers of the Mobile Image, 1. Ural Industrial Biennial, House of Print, Ekaterinburg. There’s Always a cup of sea to Sail In, 29th Sao Paulo Biennial, Sao Paulo. Primeira e última, Galeria Luisa Strina, Sao Paulo. Luc Tuymans: A vision of Central-Europe, Groeningemuseum, Brugge. Vidéothèque éphémère - Faux Amis, Jeu de Paume, Paris. All That Is Solid Melts Into Air, Museu Colecção Berardo, Lisboa.
Res Publica, Moscow Museum of Modern Art, MMOMA, Moscow. Over the Counter, Mucsarnok Kunsthalle, Budapest. LUX Commissions presentation, Tate Modern, London. Das im Entschwinden Erfasste: videokunst, Museum Folkwang, Essen. Postmonument, XIV International Sculpture Biennale, Carrara. Trust, Media City Seoul 2010, Museum of Art, Seoul. The Boy Who Cried Wolf (Lefty Loosey, Righty Tighty), gb agency, Paris. I see things that are not there, Polish Institute, Roma. Art Always Has Its Consequences, Muzeum Sztuki, Lodz. Building Memory, HMKV, Dortmund. The Science of Imagination, Ludwig Museum, Budapest. Art Always Has Its Consequences, Museum of Contemporary Art, Zagreb. Into the Unknown, Ludlow 38, Goethe Institut New York, USA; European Kunsthalle, Cologne. The Promises of the Past, 1950–2010, MNAM, Musée National d’Art Moderne, Centre Pompidou, Paris. Le présent du passé, FRAC Pays de la Loire, Carquefou. Che Cosa Sono Le Nuvole, works of Enea Righi Collection, Museion, Museum für moderne und zeitgenössische Kunst, Bolzano. Into the Unknown, Ludlow 38, New York. The Future under Communism, Star City, Nottingham Contemporary, Nottingham. 1st Ural Industrial Biennial, Shockworkers of the Mobile Image, Ural Industrial Biennial, Yekaterinburg. Documentalist, Collective Gallery, Edinburgh. The Past is a Foreign Country, Centre of Contemporary Art Znaki Czasu, Torun.
2009
Building Memory: four films about architecture, monuments andcommunity,
Contemporary Art Center, CAC, Vilnius.
3xYES, Latest acquisitions, Museum of Modern Art, Warsaw.
Amerikana, Neue Gesellschaft für Bildende Kunst, Berlin
Urban Stories, The X Baltic Triennial of International Art, CAC, Vilnius.
What, How & Whom, 11th International Biennial, Istanbul.
Atlantis I, Hidden Histories, New Identities, XVI. Rohkunstbau, Schloss
Marquardt, Potsdam.
Les visages du mal, BWA Contemporary Art Gallery, Katowice.
Time As Matter, MACBA Collection, New Acquisitions, MACBA, Barcelona.
Monument To Transformation 1989 - 2009, City Gallery, Praha.
Pierre Bismuth, Mario Garcia Torres, Annette Kelm, Deimantas Narkevicius, Jan
Mot, Brussels.
El Pasado En El Presente Y Lo Propio En Lo Ajeno, LABoral Centre for Art and
Creative Industries, Gijón.
At Your Service, David Roberts Art Foundation, London.
Frontières Invisibles, Lille3000, Tri postal, Lille.
Videos Europa, Le Fresnoy, Tourcoing.
DocPoint, Helsinki Documentary Film Festival, Helsinki.
2008
For the First and the Second Time, Contemporary Art Center, CAC, Vilnius.
Ritornell. Neun Geschichten, Galerie im Taxispalais, Innsbruck.
Questioning History, Nederlands Fotomuseum, Rotterdam.
The Greenroom, The Hessel Museum and The Center for Curatorial Studies at
Bard College, Annandale-on-Hudson, New York.
U-Turn, Quadrennial for Contemporary Art, Copenhagen.
Friction and Conflict, Kalmar Konstmuseum, Kalmar.
Cinema Indeed, Narratives and Projections, Institute Itaú Cultural, São Paulo.
Lieux de vie, Mémoire et phantasme de l’enracinement, Abbaye Saint-André,
Centre d’Art Contemporain, Meymac.
ArtFocus 2008, International Biennial of Contemporary Art, Jerusalem.
For Your Eyes Only, on tour 2008/2009, Collections Frac Nord - Pas de
Calais; Fundacio Sunol, Barcelona; Netwerk, Centrum voor hedendaagse
kunst, Aalst; Shanghai Zendai Moma, Shanghai; Venice Video Art Fair, Venice;
Le Fresnoy, Tourcoing; Lothringer 13, Städtische Kunsthalle, München.
WANÅS 2008: Loss, The WANÅS Foundation, Knislinge.
Like an Attali Report, but Different, Kadist Art Foundation, Paris.
The Vincent Award 2008, Stedelijk Museum, Amsterdam.
You Are My Mirror 2 : les lendemains n’ont pas chanté, 49 NORD 6 EST, Frac
Lorraine, Metz.
Modern Ruin, Gallery of Modern Art, Brisbane.
Fusion/Confusion, Museum Folkwang, Essen.
Art Sheffield 08: Yes, No & Other Options, Sheffield.
Screenings, Pro Arte Foundation, Helsinki.
Working Men, Galerie Analix Forever, Genève.
2007
Macba im Frankfurter Kunstverein, Kunstverein, Frankfurt.
Du Machinique et du Vivant, La Réserve, Pacy sur Eure.
Cine y Casi Cine, Museo Nacional Centro de Arte Reina Sofia, Madrid.
So close, so far away, H+F collection, Platform voor Actuel Kunst, Waregem.
Contour 2007, Third Biennial for video art, Mechelen.
Future in the Past, Slovenian Pavilion, The 52nd International Art Exhibition,
Venice Biennale, Venice.
Skulptur Projekte Münster 07, Münster.
La Pensée Sauvage, Kunstverein, Frankfurt.
Urban Connection II, Domaine de Chamarande, Chamarande.
The Art of Failure, Kunsthaus Baselland, Basel.
Der Prozess, Collective Memory and Social History, Prague Biennale 3, Praha.
53rd International Short Film Festival Oberhausen, Oberhausen.
Revolution, Centre d’Art Contemporain, La Passerelle, Brest.
Anachronism, Argos, Brussels.
So Close So Far Away, Crac Alsace, Altkirch.
2006
Plug In,#1, Van Abbemuseum, Eindhoven.
The Last Chapter-Trace Route: Remapping Global Cities, 6th Gwangju Biennial,
Gwangju.
Histoire(s), Le Grand Café, Saint-Nazaire.
Happy Believers, 7th Werkleitz Biennal,Volkspark Halle, Halle.
Une Vision du Monde, La collection vidéo de Jean-Conrad et Isabelle Lemaître,
Maison Rouge, Paris.
35th International Film Festival, Rotterdam.
Biennale Cuvée, O.K Centrum für Gegenwarstskunst, Center for
Contemporary Art, Linz.
2005
Soft Target, BAK, Utrecht.
Delicious, Sint-Truiden.
Petites Compositions entre amis, Séquence 2, gb agency, Paris.
Black Market Worlds, 9th Baltic Triennial, Contemporary Art Center, CAC,
Vilnius.
Prague Biennial, Czech National Museum, Praha.
The Invisible Insurrection of a Million, Sala Rekalde, Bilbao.
2005
Do Not Interrupt Your Activities, Royal College of Art Galleries, London.
Mémoires vives / Schwindel Gefühle, Plattform, Berlin.
Video Rental, e-flux space, New York.
2004
Busan Biennial, Busan.
Time and Again, Stedelijk Museum, Amsterdam.
Instant Europe, Villa Manin, Centro d'Arte Contemporanea, Udine.
The Future is not what it used to be, Galerie für Zeitgenössische Kunst,
Leipzig.
Brainstorming, Topographie de la morale, Centre d’Art Contemporain,
Vassivière.
Films by Anna Klamroth & Deimantas Narkevicius, Contemporary Arts,
Dundee.
Utopia Station Posters, DasTAT/Bockenheimer Depot, Frankfurt.
The Role of a Lifetime, Second Video Festival, Kunstverein Muenchen, Munich.
2003
Now What?, Dreaming a Better World in six Parts, BAK, Utrecht.
Utopia Station Posters, Haus der Kunst, Munich; Vienna.
Links, gb agency, Paris.
Utopia Station, 50th Venice Biennial, Venice.
Déplacements, ARC, Musée d’Art Moderne de la ville de Paris, Paris.
Nouvelles acquisitions, Musée d’Art Moderne de la ville de Paris, Paris.
Bareikis/Narkevicius, National Gallery Zacheta, Warsaw.
Opening show, Die Brücke, Kölnischer Kuntverein, Köln.
Exposing Cinema, International Film Festival, Rotterdam.
2002
Die Aufgabe der Zeit, Kunstverein, Münster.
Museum in Progress, Galleria Continua, San Gimignano.
Nuits blanches, screening, Plus qu’une image, Paris.
Détours, screening, Frac Basse-Normandie, Caen.
Mare Balticum, National Museum of Denmark, Copenhagen.
Centre of Attraction, 8th Baltic Triennial of International Art, Old Printing
House, Vilnius.
Platform of Encounters, Contemporary Art Center, Vilnius.
Parc Humà, una exposicio de criatures globals, Institut de Cultura Palau de la
Virreina, Barcelona.
What is Cinema, 31st International Film Festival, Rotterdam.
Die Aufgabe der Zeit, Kunstverein, Münster.
The Baltic Times, Gallerie im Taxipalais, Innsbrück.
2001
Ausgeträumt..., Secession, Vienna.
Wonder World, Kleines Helmhaus, Zürich.
Oh Europe, The Netherland Foto Instituut, Rotterdam.
Affinités Narratives, gb agency, Paris.
Egzotika, Contemporary Art Center, Vilnius.
2000
Innocent Life, Contemporary Art Centre, CAC, Vilnius.
Inverse Perspectives, EDSIK, Stockholm.
Re: songlines, Halle fur Kunst, Luneburg.
Central Station, Milch Gallery, London.
1999
After the Wall, Moderna Museet, Stockholm.
Lithuanian Art 1989-1999: The Ten Years, Contemporary Art Centre, Vilnius.
Signs of Life, Melbourne International Biennial, Melbourne.
Near and Elsewhere, The Photographers’ Gallery, London.
1998
Utopia, Chateau de Beaumanoir, Le Leslay.
Manifesta 2, Biennale Européenne d’Art Contemporain, Luxembourg.
Cool Places, 7th Triennial of Contemporary Baltic Art, Contemporary Art
Centre, Vilnius.
1997
Ground Control, Baconsfield, London.
Invasion, International Saaremaa Biennial, Kuressare, Saaremaa.
Footnotes, Municipal Museum, Reykjavik.
Focus: Vilnius, Galerie im Trudelhaus, Baden.
1996
For Survival, Experience, Feeling, Contemporary Art Centre,CAC, Vilnius.
Personal Time, Art of Estonia, Latvia and Lithuania 1945-1996, The
Zacheta Gallery of Contemporary Art, Warsaw; Exhibition Hall, SaintPetersburg.
Subordination, Contemporary Art Centre, CAC, Vilnius.
Bread and Salt, Cornehouse, Manchester.
1995
Compulsive Objects, Gallery Rubicon, Dublin.
1995: Art in Lithuania, Contemporary Art Centre, CAC, Vilnius.
Mundane Language, Vilnius.
Artest, Kunsthalle Palazzo, Liestal.
Bread and Salt, Edinburgh College of Art, Edinburgh.
1994
Non-recurring, Contemporary Art Center, CAC, Vilnius.
Bread and Salt, Contemporary Art Center, CAC, Vilnius.
1993
Summer Exhibition, The Delfina Studio Trust, London.
Between Sculpture and Object in Lithuanan, Contemporary Art Center, CAC,
Vilnius.
Good Evils, Picture Gallery, Kaunas.
1992
Forma Anthropologica, Tallinn Art Hall, Tallinn.
Mare Balticum, Nordic Art Center, Helsinki.
Winter Exhibition,The Delfina Studio Trust, London.
1991
Europe Unknown, TPSP Exhibition Hall, Cracow.

Deimantas Narkevicius
Born in 1964, Utena, Lithuania.Lives and works in Vilnius, LithuaniaAwards2018Award winner of the 64th International Short Film Festival Oberhausen2008Vincent Award, Vincent van Gogh Biennial Award for Contemporary Art in EuropeLithuanian National Culture and Art PrizeSolo Shows2019Deimantas Narkevičius, Prefix ICA, Toronto.2018 Deimantas Narkevičius, Rocking The State, ⇤AŹNIA Centre for ContemporaryArt, Gdańsk.Deimantas Narkevičius, Screening/Talk, Cinema 1, Centre Pompidou, Paris.Deimantas Narkevičius, screening/talk, CAST Film Club, Helston.20 July.2015, Piktogram, Warsaw.2017Stains and Scratches, National Gallery, Vilnius.Salt and Disappearance, gb agency, Paris.20 JULY.2015, Maureen Paley, London.2016 Doubled Youth, Baltic Centre for Contemporary Art, Gateshead.Deimantas Narkevičius, Books on Shelves and Without Letters, The Blank Contemporary Art, Sala alla Porta Sant’Agostino, Bergamo.2015 Archeology of Memories, Corner House, KGB former building, Riga.Fact or Fiction, Berwick Film & Media Arts Festival, Berwick.Sad Songs of War, gb agency, Paris.Deimantas Narkevičius, Maureen Paley, London.Da Capo, MSU, Museum of Contemporary Art Zagreb.2014Cupboard and a Song, MNAC, National Museum of Contemporary Art,Bucharest.Sounds Like The XX Century, Galerija Vartai, Vilnius.Deimantas Narkevičius, 60th Oberhausen International Short Film Festival,Oberhausen.Cupboard and a Play, gb agency, Paris.2013 Da capo, Le Magasin, Grenoble.Da capo, Marino Marini Museum, Firenze.Deimantas Narkevičius, Independent, gb agency, New York.2012 Deimantas Narkevičius, About Films, Para/Site, Hong Kong.Videozone: Deimantas Narkevičius, Ludwig Forum für Internationale Kunst,Aachen.A Tang of Lomo Film, Galerie Barbara Weiss, Berlin.2011 The Head, Architektur und Film, Blue Box, Sprengel Museum, Hannover.Deimantas Narkevičius, Solo film programme, 15th International Short FilmFestival, Winterthur.Restricted Sensation, gb agency, Paris.2010 Getting a lost tune, Artra, Milano.Darkroom Series: Deimantas Narkevičius, Turku Art Museum, Turku.Sarabande (with Zilvinas Kempinas), Frac Basse Normandie, Caen.The Unanimous Life, Kunsthallen Brandts, Odense.2009 Deimantas Narkevičius, gb agency, Paris.Deimantas Narkevičius, Into the Unknown, BFI Southbank Gallery, BritishFilm Institute, London.The Dud Effect, Mala Galerija, Museum of Modern Art, Ljubljana.The Unanimous Life, Kunsthalle, Bern.The Unanimous Life,Van Abbemuseum, Eindhoven.Deimantas Narkevičius, Mamco, Geneva.2008 The Unanimous Life / La Vida Unanime, Museo Nacional Centro De ArteReina Sofia, Madrid.The Dud Effect, Jan Mot, Brussels.The Dud Effect, Galerie Barbara Weiss, Berlin.Genius Seculi, The Center of Contemporary Art, Thessaloniki.2007 The Role of a Lifetime, Index, Stockholm.History Continued, Mücsarnok Kunsthalle, Budapest.Revisiting Solaris, CAC, Contemporary Art Centre, Vilnius.Revisiting Solaris, Daadgalerie, Berlin.Among the Things We Touched, Secession, Vienna.Deimantas Narkevicius (with Jùlius Koller), Art Premiere, gb agency, Art 38,Basel.Deimantas Narkevičius, The Documentary FilmPlatform ZONE, The ArtsCenter Buda, Kortrijk;The University Movie Theater Film Plateau, Ghent;MuHKA, Antwerpen.2006 Deimantas Narkevičius, Screening, Musée National d’Art Moderne, MNAM,Centre Pompidou, Paris.This not What you See, Gallery of Contemporary Art, Bunkier Sztuki,Kraków.Deimantas Narkevičius, Plug In, Van Abbemuseum, Eindhoven.Once in the XX Century, Arnolfini, Bristol.Deimantas Narkevičius, Galerie für Zeitgenössische Kunst, Leipzig.Instead of Today, gb agency, Paris.2005 Once in the XX Century, Akademie der Kunst, Berlin.2004 Two Sculptures, CAC, Contemporary Art Center, Vilnius.Deimantas Narkevičius, screening, Tate Modern, London.Deimantas Narkevičius, Foksal Gallery, Warsaw.Deimantas Narkevičius, Galerie der Stadt ,Schwaz.Focus on D. Narkevičius, 33rd International Film Festival, Rotterdam.Deimantas Narkevičius, Screenings, Roseum Contemporary art Center, Malmö.Legend Coming True, Musée d’Art et d’Histoire du Judaïsme, Paris.2003 The Role of a Lifetime, Art and Sacred Places, St. Peters Church, Brighton.Kaimietis, Jan Mot, Brussels.Either True or Fictitious, Frac des Pays de la Loire, Carquefou.2002 Deimantas Narkevičius, gb agency, Paris.Deimantas Narkevičius’s Project, Kunstverein, Munich.2001 Energy Lituania, Jan Mot, Brussels.Deimantas Narkevičius, Lithuanian Pavillion, 49th Venice Biennale, Venice.Deimantas Narkevičius, screenings, Moderna Museet, Stockholm. 20008 x 16 x 35, Contemporary Art Centre, Vilnius.1994 Unforced Reality, Akademija Gallery, Vilnius.Group Shows2019Unexpected Encounters, Arsenals Latvian National Museum of Art, Riga.The City of Tomorrow, New Tretyakov Gallery, Moscow.Activity of Matter, gb agency, Paris.The Missing Planet: Visions & Revisions from Soviet Times, Pecci Museum, Prato.After leaving / Before arriving,12th Kaunas Biennial, Kaunas.Phenomenon 3, Anafi Biennial, Anafi.Post truth, Fake News & Alternative Facts, Haifa Museum of Art, Haifa.Here We Meet, The Galaxy Museum of Contemporary Art, Chongqing.Refracted Realities, Videonale 17, Festival for Video and Time-Based Arts,Kunstmuseum Bonn.2018 The Ocean After Nature, College of Wooster Art Museum, Wooster.Screening, AuditoriumArte, Rome.Archaeology of the Screen, Kumu Art Museum, Tallinn.VideoVideo, Deimantas Narkevicius and Melik Ohanian, Honor guests, 9th Edition Festival Video Art In Burgundy, Bonnay.Screening 20 July.2015, AuditoriumArte, Rome.Motherland in Art, Mocak, Museum of Contemporary Art, Krakow.Pluses and minuses, On Bialystok’s power station, Arsenal Gallery, Bia⌅ystok.The Future Is Certain; It’s the Past Which Is Unpredictable, Blaffer Art Museum, Houston.2017 Vision on vision, Lemaitre video collection, Sema Museum, Seoul.The Haunted House, National Centre for Contemporary Arts (NCCA),Moscow.The Ocean After Nature, Dublin City Gallery, Dublin.It’s getting better and even better, Arsenal Gallery, Bialystok.The Future is Certain; It’s the Past Which is Unpredictable, Calvert 22Foundation, London.There and not There: (Im)possibility of a monument, 11th Kaunas Biennial,Kaunas.In search of Global Poetry: Videos from the Han Nefkens Collection, HeXiangning Art Museum, ShenzhenLabor relations,Wroc⌅aw Contemporary Museum, Wroc⌅aw.The Revolution Is Dead, Long Live The Revolution: Socialist Realism and Its Legacy,Kunstmuseum, Bern.2016 Medialization of Monuments; Monumentalization of Media, Temporary Gallery,Zentrum für zeitgenössische Kunst e.V. / Centre for contemporary art, Köln.Straub/Huillet/Weiss. Alienation Towards Our Small Familiar World, TemporaryGallery, Centre for Contemporary Art, Köln.Quand fondra la neige, où ira le blanc, Opere dalla Collezione Enea Righi,Palazzo Fortuny, Venice.Petit déjeuner au crépuscule, Centre d’art image/imatge, Orthez.Souviens-toi du temps présent, Les Moulins Albigeois, Albi.En garde, l’art s’engage!, Musée Bartholdi, Colmar.On the shoulders of giants, Kunsthalle, Mainz.Labor relations, Wroc⌅aw Contemporary Museum, Wroc⌅aw.Illumination / Fire Under Snow, Louisiana Museum, Humlebeak.2015 Networked,10th Kaunas Biennial, Kaunas.Black Bandits, #Lützow, #Befreiungskriege, #Napoleon, #Waterloo, Haus am Lützowplatz, Berlin.Gorgona Then and Now & Artist On Vacation 2015, MSU, Museum ofContemporary Art Zagreb, Zagreb.Collecting for Tomorrow, New works at Museion, Museion, Bolzano.The Future of Memory, An exhibition on the infinity of the present time,Kunsthalle Wien Museumsquartier, Vienna.1989, Galerie Barbara Weiss, Berlin.2014 To Sail Beyond the Sunset, Generator, Dundee.Economie Humaine, Espace d’Art Contemporain HEC, Jouy-en-Josas.Soleil Politique, The museum between light and shadow, Museion, Museum fürmoderne und zeitgenössische Kunst, Bolzano.Art-Histories, MdM, Museum der Moderne , Salzburg.Manifesta 10, the European Biennial of Contemporary Art, St. Petersburg.A Paradise Built in Hell, Kunstverein in Hamburg, Hamburg.All that Falls, Palais de Tokyo, Paris.Jaurès et les mineurs, Musée-Mine départemental, Cagnac les Mines.La disparition des lucioles, Collection Lambert, Prison Sainte-Anne, Avignon.do it Moscow, Garage Museum of Contemporary Art, Moscow.More Power, Museum de Fundatie, Paleis a/d Blijmarkt, Zwolle.Il Piedistallo Vuoto, Fantasmi dall’Est Europa, Museo Civico Archeologico, Bologna.New display of the collection, Tate Modern, London.Museum as Hub: Report on the Construction of a Spaceship Module, tranzit, New Museum, New York.2013The Way of the Shovel: Art as Archaeology, Museum of Contemporary ArtChicago, Chicago.A Thousand Years of Non Linear History, Centre Pompidou, MNAM, Paris.Play! Recapturing the Radical Imagination, Göteborg International Biennial forContemporary Art, Göteborg.A Sense of Place, The Ruth and Elmer Wellin Museum of Art, HamiltonCollege, New York.Susan Vérité, Crac Alsace, Altkirch; Frac Alsace, Sélestat.Das Reich ohne Mitte, Kunsthalle Mainz, Mainz.Arte: Affari, Lavoro o Perditempo, Furini Arte Contemporanea, Roma.Start making sense, Live In Your Head, Institut Curatorial de la Head, Genève.In the Heart of the Country,The Collection of the Museum of Modern Art inWarsaw, Museum of Modern Art, Warsaw.Riding riding, Université de Strasbourg, Palais Universitaire, Salle Vingt-Sept,Strasbourg.Part of a Larger Whole. Lithuanian Contemporary Art, CAC,Contemporary ArtCentre, Vilnius.Inventing a future, gb agency, Paris.Untited States of Europe, A travelling exhibition about European identity andtoday’s Europe, Les Ecluses, fabrique culturelle et numérique, Paris.2012 Performing Histories (1), MoMA, New YorkThe Freedom of Sound. John Cage behind the Iron Curtain, Ludwig Muzeum, Budapest. United States of Europe, Kultur Forum Dresden, Dresden. Prestige:phantasmagoria Now, KCCC, Klaipeda Culture Communication Center, Klaipeda. Ante-Memorial,Taipei Biennale, Taipei. Sehnsucht, Gaasbeek Kasteel, Gaasbeek. Fremde Überall, Foreigners Everywhere, An exhibition of works from Pomeranz Collection, Jewish Museum, Vienna. Day for Night: Between Reality and Illusion, City University, New York. You are not alone, Artaids, BACC, Bangkok Art Culture Centre, Bangkok. Paris-Vilnius, un regard sur la photographie lituanienne contemporaine, Ecole Nationale des Beaux-Arts, Paris. Un nouveau festival, Centre Pompidou, MNAM, Musée National d’Art Moderne, Paris. United States Of Europe, Plataforma das Artes, Guimarães. Modern Monsters / Death and Life of Fiction, Taipei Biennial 2012, Taipei. The Collection in Action, Media works from Vito Acconci to Simon Starling, Museion, Museum für moderne und zeitgenössische Kunst, Bolzano. Rearview Mirror: New Art from Central & Eastern Europe, Art Gallery of Alberta, Edmonton, Alberta. Session 3: Rethinking the family archive in Iñaki Bonillas and Deimantas Narkevicius, La Virreina Centre de la Imatge, Barcelona. Affinités, déchirures & attractions, Frac Alsace, Musée Würth, Erstein.Ecologies of Image, MUSAC, Leon.Kadist: Pathways Into A Collection, Minsheng Art Museum, Shanghai.2011 United States Of Europe, Fabry Strefa, Lodz.The City is a Burning Blazing Bonfire, Cubitt, London.Deimantas Narkevičius, Ausgeträumt, Art Unlimited, gb agency, Jan Mot andBarbara Weiss, Art 42, Basel.Auditorium Moscow, a sketch for a Public Space, Belie Palaty, Moscow.Side by Side Poland, Germany. A 1000 Years of Art and History, Martin GropiusBau, Berlin.Les impromptus, part 3, Les Armes silencieuses, Centre d’Art Bastille, CAB,Grenoble.Au grenier, 4 pièces de mémoire, Musée départemental d’Art Contemporain,Rochechouart.Viennale, Vienna International Film Festival, Vienna.Passé Présent #3, La Plate-Forme, Dunkerque.Rearview Mirror: New Art from Central & Eastern Europe, The Power Plant,Toronto.Ostalgia, New Museum, New York.The present’s presents, CAN, Centre d'Art Neuchâtel, Neuchâtel.We Will Live, We Will See, Zabludowicz Collection Curatorial Open 2011,London.Hypthesis of self portrait, gb agency, Art 42, BaselHistory in Art, MOCAK, Museum of Contemporary Art in Krakow, Krakow.You are not alone, Artaids, The Joan Miró Foundation, Barcelona.Space, About a Dream, Kunsthalle Wien, Vienna.2010 Building Memory, CCA, The Center for Contemporary Art, Rachel & Israel Pollak Gallery,Tel-Aviv. Million and One Day, National Gallery, Vilnius. Faux Amis / An Ephemeral Video Library, Jeu de Paume, Paris. Lithuanian Art 2000–2010: Ten Years, Contemporary Art Center Vilnius, CAC, Vilnius. Sent by Mail, Galerie Barbara Weiss, Berlin. Höhepunkte der Kölner KunstFilm Biennale, Kunst-Werke Berlin, KW Institute for Contemporary Art, Berlin. Will Be Better, Taking Memory Into the Future, Aargauer Kunsthaus, Aargau. Shockworkers of the Mobile Image, 1. Ural Industrial Biennial, House of Print, Ekaterinburg. There’s Always a cup of sea to Sail In, 29th Sao Paulo Biennial, Sao Paulo. Primeira e última, Galeria Luisa Strina, Sao Paulo. Luc Tuymans: A vision of Central-Europe, Groeningemuseum, Brugge. Vidéothèque éphémère - Faux Amis, Jeu de Paume, Paris. All That Is Solid Melts Into Air, Museu Colecção Berardo, Lisboa.Res Publica, Moscow Museum of Modern Art, MMOMA, Moscow. Over the Counter, Mucsarnok Kunsthalle, Budapest. LUX Commissions presentation, Tate Modern, London. Das im Entschwinden Erfasste: videokunst, Museum Folkwang, Essen. Postmonument, XIV International Sculpture Biennale, Carrara. Trust, Media City Seoul 2010, Museum of Art, Seoul. The Boy Who Cried Wolf (Lefty Loosey, Righty Tighty), gb agency, Paris. I see things that are not there, Polish Institute, Roma. Art Always Has Its Consequences, Muzeum Sztuki, Lodz. Building Memory, HMKV, Dortmund. The Science of Imagination, Ludwig Museum, Budapest. Art Always Has Its Consequences, Museum of Contemporary Art, Zagreb. Into the Unknown, Ludlow 38, Goethe Institut New York, USA; European Kunsthalle, Cologne. The Promises of the Past, 1950–2010, MNAM, Musée National d’Art Moderne, Centre Pompidou, Paris. Le présent du passé, FRAC Pays de la Loire, Carquefou. Che Cosa Sono Le Nuvole, works of Enea Righi Collection, Museion, Museum für moderne und zeitgenössische Kunst, Bolzano. Into the Unknown, Ludlow 38, New York. The Future under Communism, Star City, Nottingham Contemporary, Nottingham. 1st Ural Industrial Biennial, Shockworkers of the Mobile Image, Ural Industrial Biennial, Yekaterinburg. Documentalist, Collective Gallery, Edinburgh. The Past is a Foreign Country, Centre of Contemporary Art Znaki Czasu, Torun. 2009 Building Memory: four films about architecture, monuments andcommunity,Contemporary Art Center, CAC, Vilnius.3xYES, Latest acquisitions, Museum of Modern Art, Warsaw.Amerikana, Neue Gesellschaft für Bildende Kunst, BerlinUrban Stories, The X Baltic Triennial of International Art, CAC, Vilnius.What, How & Whom, 11th International Biennial, Istanbul.Atlantis I, Hidden Histories, New Identities, XVI. Rohkunstbau, SchlossMarquardt, Potsdam.Les visages du mal, BWA Contemporary Art Gallery, Katowice.Time As Matter, MACBA Collection, New Acquisitions, MACBA, Barcelona.Monument To Transformation 1989 - 2009, City Gallery, Praha.Pierre Bismuth, Mario Garcia Torres, Annette Kelm, Deimantas Narkevicius, JanMot, Brussels.El Pasado En El Presente Y Lo Propio En Lo Ajeno, LABoral Centre for Art andCreative Industries, Gijón.At Your Service, David Roberts Art Foundation, London.Frontières Invisibles, Lille3000, Tri postal, Lille.Videos Europa, Le Fresnoy, Tourcoing.DocPoint, Helsinki Documentary Film Festival, Helsinki.2008 For the First and the Second Time, Contemporary Art Center, CAC, Vilnius.Ritornell. Neun Geschichten, Galerie im Taxispalais, Innsbruck.Questioning History, Nederlands Fotomuseum, Rotterdam.The Greenroom, The Hessel Museum and The Center for Curatorial Studies atBard College, Annandale-on-Hudson, New York.U-Turn, Quadrennial for Contemporary Art, Copenhagen.Friction and Conflict, Kalmar Konstmuseum, Kalmar.Cinema Indeed, Narratives and Projections, Institute Itaú Cultural, São Paulo.Lieux de vie, Mémoire et phantasme de l’enracinement, Abbaye Saint-André,Centre d’Art Contemporain, Meymac.ArtFocus 2008, International Biennial of Contemporary Art, Jerusalem.For Your Eyes Only, on tour 2008/2009, Collections Frac Nord - Pas deCalais; Fundacio Sunol, Barcelona; Netwerk, Centrum voor hedendaagsekunst, Aalst; Shanghai Zendai Moma, Shanghai; Venice Video Art Fair, Venice;Le Fresnoy, Tourcoing; Lothringer 13, Städtische Kunsthalle, München.WANÅS 2008: Loss, The WANÅS Foundation, Knislinge.Like an Attali Report, but Different, Kadist Art Foundation, Paris.The Vincent Award 2008, Stedelijk Museum, Amsterdam.You Are My Mirror 2 : les lendemains n’ont pas chanté, 49 NORD 6 EST, FracLorraine, Metz.Modern Ruin, Gallery of Modern Art, Brisbane.Fusion/Confusion, Museum Folkwang, Essen.Art Sheffield 08: Yes, No & Other Options, Sheffield.Screenings, Pro Arte Foundation, Helsinki.Working Men, Galerie Analix Forever, Genève.2007 Macba im Frankfurter Kunstverein, Kunstverein, Frankfurt.Du Machinique et du Vivant, La Réserve, Pacy sur Eure.Cine y Casi Cine, Museo Nacional Centro de Arte Reina Sofia, Madrid.So close, so far away, H+F collection, Platform voor Actuel Kunst, Waregem.Contour 2007, Third Biennial for video art, Mechelen.Future in the Past, Slovenian Pavilion, The 52nd International Art Exhibition,Venice Biennale, Venice.Skulptur Projekte Münster 07, Münster.La Pensée Sauvage, Kunstverein, Frankfurt.Urban Connection II, Domaine de Chamarande, Chamarande.The Art of Failure, Kunsthaus Baselland, Basel.Der Prozess, Collective Memory and Social History, Prague Biennale 3, Praha.53rd International Short Film Festival Oberhausen, Oberhausen.Revolution, Centre d’Art Contemporain, La Passerelle, Brest.Anachronism, Argos, Brussels.So Close So Far Away, Crac Alsace, Altkirch.2006 Plug In,#1, Van Abbemuseum, Eindhoven.The Last Chapter-Trace Route: Remapping Global Cities, 6th Gwangju Biennial,Gwangju.Histoire(s), Le Grand Café, Saint-Nazaire.Happy Believers, 7th Werkleitz Biennal,Volkspark Halle, Halle.Une Vision du Monde, La collection vidéo de Jean-Conrad et Isabelle Lemaître,Maison Rouge, Paris.35th International Film Festival, Rotterdam.Biennale Cuvée, O.K Centrum für Gegenwarstskunst, Center forContemporary Art, Linz.2005 Soft Target, BAK, Utrecht.Delicious, Sint-Truiden.Petites Compositions entre amis, Séquence 2, gb agency, Paris.Black Market Worlds, 9th Baltic Triennial, Contemporary Art Center, CAC,Vilnius.Prague Biennial, Czech National Museum, Praha.The Invisible Insurrection of a Million, Sala Rekalde, Bilbao.2005 Do Not Interrupt Your Activities, Royal College of Art Galleries, London.Mémoires vives / Schwindel Gefühle, Plattform, Berlin.Video Rental, e-flux space, New York.2004 Busan Biennial, Busan.Time and Again, Stedelijk Museum, Amsterdam.Instant Europe, Villa Manin, Centro d'Arte Contemporanea, Udine.The Future is not what it used to be, Galerie für Zeitgenössische Kunst,Leipzig.Brainstorming, Topographie de la morale, Centre d’Art Contemporain,Vassivière.Films by Anna Klamroth & Deimantas Narkevicius, Contemporary Arts,Dundee.Utopia Station Posters, DasTAT/Bockenheimer Depot, Frankfurt.The Role of a Lifetime, Second Video Festival, Kunstverein Muenchen, Munich.2003 Now What?, Dreaming a Better World in six Parts, BAK, Utrecht.Utopia Station Posters, Haus der Kunst, Munich; Vienna.Links, gb agency, Paris.Utopia Station, 50th Venice Biennial, Venice.Déplacements, ARC, Musée d’Art Moderne de la ville de Paris, Paris.Nouvelles acquisitions, Musée d’Art Moderne de la ville de Paris, Paris.Bareikis/Narkevicius, National Gallery Zacheta, Warsaw.Opening show, Die Brücke, Kölnischer Kuntverein, Köln.Exposing Cinema, International Film Festival, Rotterdam.2002Die Aufgabe der Zeit, Kunstverein, Münster.Museum in Progress, Galleria Continua, San Gimignano.Nuits blanches, screening, Plus qu’une image, Paris.Détours, screening, Frac Basse-Normandie, Caen.Mare Balticum, National Museum of Denmark, Copenhagen.Centre of Attraction, 8th Baltic Triennial of International Art, Old PrintingHouse, Vilnius.Platform of Encounters, Contemporary Art Center, Vilnius.Parc Humà, una exposicio de criatures globals, Institut de Cultura Palau de laVirreina, Barcelona.What is Cinema, 31st International Film Festival, Rotterdam.Die Aufgabe der Zeit, Kunstverein, Münster.The Baltic Times, Gallerie im Taxipalais, Innsbrück.2001 Ausgeträumt..., Secession, Vienna.Wonder World, Kleines Helmhaus, Zürich.Oh Europe, The Netherland Foto Instituut, Rotterdam.Affinités Narratives, gb agency, Paris.Egzotika, Contemporary Art Center, Vilnius.2000 Innocent Life, Contemporary Art Centre, CAC, Vilnius.Inverse Perspectives, EDSIK, Stockholm.Re: songlines, Halle fur Kunst, Luneburg.Central Station, Milch Gallery, London.1999 After the Wall, Moderna Museet, Stockholm.Lithuanian Art 1989-1999: The Ten Years, Contemporary Art Centre, Vilnius.Signs of Life, Melbourne International Biennial, Melbourne.Near and Elsewhere, The Photographers’ Gallery, London.1998 Utopia, Chateau de Beaumanoir, Le Leslay.Manifesta 2, Biennale Européenne d’Art Contemporain, Luxembourg.Cool Places, 7th Triennial of Contemporary Baltic Art, Contemporary ArtCentre, Vilnius.1997 Ground Control, Baconsfield, London.Invasion, International Saaremaa Biennial, Kuressare, Saaremaa.Footnotes, Municipal Museum, Reykjavik.Focus: Vilnius, Galerie im Trudelhaus, Baden.1996 For Survival, Experience, Feeling, Contemporary Art Centre,CAC, Vilnius.Personal Time, Art of Estonia, Latvia and Lithuania 1945-1996, TheZacheta Gallery of Contemporary Art, Warsaw; Exhibition Hall, SaintPetersburg.Subordination, Contemporary Art Centre, CAC, Vilnius.Bread and Salt, Cornehouse, Manchester.1995 Compulsive Objects, Gallery Rubicon, Dublin.1995: Art in Lithuania, Contemporary Art Centre, CAC, Vilnius.Mundane Language, Vilnius.Artest, Kunsthalle Palazzo, Liestal.Bread and Salt, Edinburgh College of Art, Edinburgh.1994 Non-recurring, Contemporary Art Center, CAC, Vilnius.Bread and Salt, Contemporary Art Center, CAC, Vilnius.1993 Summer Exhibition, The Delfina Studio Trust, London.Between Sculpture and Object in Lithuanan, Contemporary Art Center, CAC,Vilnius.Good Evils, Picture Gallery, Kaunas.1992 Forma Anthropologica, Tallinn Art Hall, Tallinn.Mare Balticum, Nordic Art Center, Helsinki.Winter Exhibition,The Delfina Studio Trust, London.1991 Europe Unknown, TPSP Exhibition Hall, Cracow.

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