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blinkvideo - research of video art, performance and multimedia installations.

blinkvideo - research of video art, performance and multimedia installations.

blinkvideo the platform for . . .

artists we provide a platform for extensive presentation of media works, gallerists get a direct contact to international professional audiences, collectors find a worldwide overview of contemporary trends in moving image, curators can do research via keywords and compilations, teachers use presentation opportunities for students and all professionals get password protected, extensive information about video works worldwide.

FLUID STATES. SOLID MATTER
Videonale 18.

On what basis do we live, think and act nowadays? And how are we shaping this basis for the future? The works of the exhibition FLUID STATES. SOLID MATTER open a discourse on these questions. How does our thinking of the relationship of human beings to their environment change when we no longer see the body as solid and autonomous - as it has been the case until now - but as fluid. As fluid bodies - or "Bodies of Water", as gender researcher Astrida Neimanis puts it -
we as human beings no longer stand above nature, but in interaction with it, with the living being, with the systems that surround us.
Image: © Ida Kammerloch, Resusci Anne, 2019/2020

Alexandra Meijer-Werner

Between 1993 and 2002 Alexandra Meijer-Werner's artistic work focused on creating video installations with multiple projectors, and combining sound, texture and interaction with the public. She also produced a number of documentaries which evidence her profound interest in personal transformation and the awakening of human consciousness.

Please have a look to an introduction of her work on blinkvideo.
Image: © Eugenia Meijer-Werner

Moving Images / Moving Bodies
Online screening programme in cooperation
with the Goethe-Institut Bulgaria

Curated by Ludwig Seyfarth

Research into the human body and interpersonal relationships remain central themes in video and moving image art. Artists from Bulgaria and Germany, whose work is related in content, will be shown in pairs over the next weeks. The exhibition planned for November 2020 in Sofia has been postponed until 2021. Instead, a consecutive presentation of selected films by artists from Moving Bodies/Moving Images is presented on blinkvideo.
image: © Elitsa Dimitrova

Shooting Ghosts
Online screening programme in cooperation
with the Goethe-Institut Bulgaria

Curators: Kalin Serapionov, Krassimir Terziev

What we propose in this programme is a highly subjective and fragmented view on current practices in moving image in the Bulgarian art scene. We focused on practices that show affinity with speculative narratives - narratives that not just record what is in front of the cinematic eye, but also capture all the ghosts that are unreachable by the apparatus, thus projecting speculative views that intend not merely to describe, but to transform the world.
image: © Veneta Androva

Featured videos

Alexandra Meijer-Werner
Kreislauf / cycle … revolution … circulation, 1997

Kreislauf is an oneiric trip about the continuous cycle of human rebirth. Our dreams create the fabric in which the threads or individual tendencies appear and disappear, only to become visible once again. The dynamic of this video is a weave of repetitions and juxtapositions of the experiences that create the dance of life. Everything is cyclic, nothing disappears; everything is perpetually mutating in landscapes of anguish and joy, violence and calm, solitude and union. The traveler is the active force of his own fate when he realizes that what is most significant in life is the act of living itself.

Björn Braun
without title (excerpt), 2012

Sandra Boeschenstein
Besuchte Linie auf Granit, 2014

I encountered the roundworm in the Alps when I attempted to repair the water catchment of the cabin after a storm. I wished for this animal found at the spring to be a visited line, then searched for potential visitors and found, just nearby, a nest of firebugs in a dried chestnut leaf, which I placed just outside of the image field. The granite slab, roundworm, bugs’ nest and a fly lived their lives within a radius of 100 meters. My part in this was to bring them into direct proximity for the duration of an hour, to focus my camera and to breathe onto the upper part of the lens, in order to increase the atmospheric depth of the picture. Finally, to come to the allegation I’ve made via the title that something was a line that actually is an animal (when normally, in a contrary approach, characteristically formed lines represent animals or the like). The combination of the simplicity in the foundation / bedrock with a simultaneous insecurity in view of scale and nature of this white line, holds my fascination.

Isabella Fürnkäs
In Ekklesia, 2015

The title, ‘In Ekklesia,’ comes from the Greek word ‘ecclesia,’ which refers to the democratic parliament that served Athens in its halcyon days by being open to male citizens every other year. Solon, an Athenian legislator and a sage, allowed all citizens to serve the parliament regardless of their social class in BC 594. The Ecclesia made decisions about war, military strategies, and all judicial and administrative issues. This work satirizes various facets of humans and machines in the 21st century, unconsciously within a dystopian environment. Isabella Fürnkäs introduces a method of combining and overlaying countless images in her work, providing the new experience of sensations that act in ambiguous flows, movements, interference, and interjection. The piece is about the new metaphysical and material connections appearing through digital conversations that are divorced from the general notion of time and space, as well as isolation and alienation. Text by Hyun Jeung Kim (Nam June Paik Art Center Seoul)

Ryan Gander
Man on a bridge - (A study of David Lange) , 2008

A digital video transferred from 16 mm film shows a number of slightly differing takes of the same short sequence: A man walks over a bridge and seems to notice something over the railing to his left hand side. As he moves in for a closer inspection, the film cuts, which is then followed by another take of the same shot.

Wim Catrysse
MSR, 2014

On the Kuwait roads the journey goes in a western direction, past military bases and a line of oil transporters. Dreary sound sequences are pumped out by the radio. In the middle of rubbish heaps by the roadside a pack of wild dogs is trying to find shelter from the wind. Wim Catrysse presents the Kuwait desert both as a post-apocalyptic setting and as protagonist. During the journey, the car window is an obstacle, made even more so by the screen. The viewer, dumped in the desert, does not manage to reach it through the window. MSR, the Main Supply Route, is the main highway used to coordinate military operations in the Gulf War in 1990/91 and the War in Iraq in 2003. Filming is forbidden here, so the pack of wild dogs carries the story at first. But their behaviour keeps on bringing the desert into focus as the principal actor. Underlined by the sound track, its seeming hostility to life awakens the impression of a dystopian timelessness reminiscent of the apocalyptic scenarios in films and makes the viewer feel ill at ease. Catrysse examines conventions, both in a political-dogmatic and in a filmic sense.Nathalie Ladermann

Johanna Reich
CRAWLER, 2020

A crawler is a searchbot in the internet which Johanna Reich uses to collect special comments or phrases about the most discussed topics during the last years like A.I., climate change, digital revolution, gender and the turn of democratic systems. Johanna Reich selects several of the collected phrases composing a robot performance: self-driving projectors move across the exhibition space and project comments about a.i., gender or climate change onto the audience and architecture.

Annika Kahrs
solid surface, with hills, valleys, craters and other topographic...., 2014

solid surface,with hills,valleys,craters and other topographic features,primarily made of ice„solid surface, with hills, valleys, craters and other topographic features, primarily made of ice“ is set in a planetarium with a projected starry sky, in the center of which is situated a light spot, that explores the space. The Film deals with the moment, shortly before the actual visualization of pluto’s surface properties, whereas the entire cupola hall of the planetarium serves as a metaphorical projection surface of Pluto. The round light spot formally points to the shape of the celestial object and functions as placeholder for its soon arising image.

Ann Oren
The World Is Mine, 2017

In cosplay of the Japanese cyber diva Hatsune Miku, the artist moved to Tokyo, seeking an identity in the world of Miku fanatics, where she was drawn into a love affair with one of the fans. Miku is a Vocaloid, a vocal synthesizer software personified by a cute animated character. Her entire persona: lyrics, music and animation – is fan created, and that's her charm. She even performs sold out concerts as a hologram. By transforming herself into a Miku character through cosplay, Oren enters a world of real hardcore fans where fantasy is more real than reality and the differentiation between the two becomes obsolete. The film examines the performative nature of cosplaying – dressing up and playing the role of fictional characters – as a hybrid space where reality blurs into fetishistic fantasies and pop culture clichés. Combining fan-made lyrics and songs, Oren's trials and tribulations in the fictional Miku world unfolds through vague erotic episodes and encounters with characters whose ontological status remains mysterious, bringing to mind the adventures of a modern Alice in a virtual Wonderland.

Jonathan Monaghan
Den of Wolves, 2020

Den of Wolves is a seamlessly-looping video installation drawing on a range of references to weave a new multi-layered mythology. The work follows three bizarre wolves through a series of increasingly surreal retail stores as they search for the regalia of a monarch. Composed of one continuous camera shot, the work is an immersive, dreamlike journey drawing connections between popular culture, institutional authority and technological over-dependence.

Stefan Panhans
HOSTEL Sequel #1: Please Be Careful Out There, Lisa Marie – H.V.Installation Mix, 2018

At transmediale, Stefan Panhans and Andrea Winkler show their work HOSTEL Sequel #1: Please Be Careful Out There, Lisa Marie – Hybrid Version, a new project that combines film, installation, and staccato stage reading (on blinkvideo we are showing a trailer of the integrated film). With everyday racism, celebrity worship, stereotypes, and the dominating power of the economic all on the rise, precariously and flexibly traveling cultural workers of different origin deliver a sort of spoken word battle about their experiences and dreams. They constantly switch roles and, at the same time, form a choir that clashes with the rapped reports of everyday life. As in a collaborative gymnastic exercise—surrounded by scenery made up of set pieces from outfits of airports, hostels, and courier services, from self-optimization tools and game show displays—they fight for a voice and to be heard, building new alliances along the way. for more information: opening of transmediale

Mariola Brillowska
Children Of The Devil, 2011

Mariola Brillowska’s animation film relates the total collapse of the family system in the 21st century. Six cartoon episodes present an unsparing account of how children become murderers of their parents.

Julia Charlotte Richter
Point Blank, 2019

“Point Blank” refers to a film scene from "The Misfits" (1961) that is now re-enacted and further contextualized. In the original scene, the recently divorced main character Roslyn (Marilyn Monroe) rises up against three worn-out cowboys and, in the middle of the desert, confronts the men with all their lacks and lost dreams. In “Point Blank”, we see a young woman wandering around in surreal desert landscapes, a journey into the remoteness of the world and her own inner life. With every step out into the desert, the girl descends into her own depths searching for a place that seems to be suitable for her emotions and words. Unlike Roslyn, the young woman now refers to absent addressees: "Liars", "Murderers" and "Dead Men" she screams and turns around wildly. The words, which spread like bullets in the air, fall back on her. Except for a faint echo, there is no resonance at this place that depicts the obsessions of a distorted, patriarchal society and has become a dramatic backdrop of yearnings within the collective history of cinema. Where Roslyn was able to elicit a terrified astonishment from the three men, the character in Julia Charlotte Richter's video remains to herself and unheard, the desert as the only witness of her manifesto, her anger and her strength.

Ulrich Polster
Frost, 2003 / 2004

The night city. Industrial ruins filmed in contrejour. Memories from childhood. Different places and times combined at the mountain. It is a hollow portrait of Eastern Europe that carries the traces of its history.

Ene-Liis Semper
FF REW, 1998

Dimitri Venkov
The Hymns of Muscovy, 2018

The film is a trip to the planet Muscovy, which is an upside down space twin of the city of Moscow. As the title of the work suggests, the journey also takes us back in time. Gliding along the surface of the planet, we look down to the sky and see historic architectural styles fly by - the exuberant Socialist Classicism aka Stalinist Empire, the laconic and brutish Soviet Modernism, and the hodgepodge of contemporary knock-offs and revivals of the styles of the past. An essential companion to this journey through time and space are Hymnic Variations on the Soviet anthem by the composer Alexander Manotskov. The anthem was written in 1943 and has undergone three editions of lyrics yet musically remained unchanged to now serve as the official anthem of the Russian Federation. Manotskov used an early recording of the anthem as source material to create three electronic variations each corresponding to an architectural style. As if in a twist of Goethe’s phrase, architecture plays its frozen music. Look closely, can you hear it?

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blinkvideo is a website for the research of video art. Founders: Julia Sökeland, Anita Beckers. blinkvideo ist eine Plattform zur Recherche nach Videokunst

Deimantas Narkevicius

Works


Galleries

gb agency
Solene Guillier
18 rue des Quatre Fils
75003 Paris
France

Phone: + 33 1 44 78 00 60
E-Mail: gb@gbagency.fr




Biography

Born in 1964, Utena, Lithuania.
Lives and works in Vilnius, Lithuania

Awards

2018
Award winner of the 64th International Short Film Festival Oberhausen
2008

Vincent Award, Vincent van Gogh Biennial Award for Contemporary Art in Europe
Lithuanian National Culture and Art Prize

Solo Shows

2019
Deimantas Narkevičius, Prefix ICA, Toronto.
2018
Deimantas Narkevičius, Rocking The State, ⇤AŹNIA Centre for Contemporary
Art, Gdańsk.
Deimantas Narkevičius, Screening/Talk, Cinema 1, Centre Pompidou, Paris.
Deimantas Narkevičius, screening/talk, CAST Film Club, Helston.
20 July.2015, Piktogram, Warsaw.
2017
Stains and Scratches, National Gallery, Vilnius.
Salt and Disappearance, gb agency, Paris.
20 JULY.2015, Maureen Paley, London.
2016
Doubled Youth, Baltic Centre for Contemporary Art, Gateshead.
Deimantas Narkevičius, Books on Shelves and Without Letters, The Blank Contemporary Art, Sala alla Porta Sant’Agostino, Bergamo.
2015
Archeology of Memories, Corner House, KGB former building, Riga.
Fact or Fiction, Berwick Film & Media Arts Festival, Berwick.
Sad Songs of War, gb agency, Paris.
Deimantas Narkevičius, Maureen Paley, London.
Da Capo, MSU, Museum of Contemporary Art Zagreb.
2014
Cupboard and a Song, MNAC, National Museum of Contemporary Art,
Bucharest.
Sounds Like The XX Century, Galerija Vartai, Vilnius.
Deimantas Narkevičius, 60th Oberhausen International Short Film Festival,
Oberhausen.
Cupboard and a Play, gb agency, Paris.
2013
Da capo, Le Magasin, Grenoble.
Da capo, Marino Marini Museum, Firenze.
Deimantas Narkevičius, Independent, gb agency, New York.
2012
Deimantas Narkevičius, About Films, Para/Site, Hong Kong.
Videozone: Deimantas Narkevičius, Ludwig Forum für Internationale Kunst,
Aachen.
A Tang of Lomo Film, Galerie Barbara Weiss, Berlin.
2011
The Head, Architektur und Film, Blue Box, Sprengel Museum, Hannover.
Deimantas Narkevičius, Solo film programme, 15th International Short Film
Festival, Winterthur.
Restricted Sensation, gb agency, Paris.
2010
Getting a lost tune, Artra, Milano.
Darkroom Series: Deimantas Narkevičius, Turku Art Museum, Turku.
Sarabande (with Zilvinas Kempinas), Frac Basse Normandie, Caen.
The Unanimous Life, Kunsthallen Brandts, Odense.
2009
Deimantas Narkevičius, gb agency, Paris.
Deimantas Narkevičius, Into the Unknown, BFI Southbank Gallery, British
Film Institute, London.
The Dud Effect, Mala Galerija, Museum of Modern Art, Ljubljana.
The Unanimous Life, Kunsthalle, Bern.
The Unanimous Life,Van Abbemuseum, Eindhoven.
Deimantas Narkevičius, Mamco, Geneva.
2008
The Unanimous Life / La Vida Unanime, Museo Nacional Centro De Arte
Reina Sofia, Madrid.
The Dud Effect, Jan Mot, Brussels.
The Dud Effect, Galerie Barbara Weiss, Berlin.
Genius Seculi, The Center of Contemporary Art, Thessaloniki.
2007
The Role of a Lifetime, Index, Stockholm.
History Continued, Mücsarnok Kunsthalle, Budapest.
Revisiting Solaris, CAC, Contemporary Art Centre, Vilnius.
Revisiting Solaris, Daadgalerie, Berlin.
Among the Things We Touched, Secession, Vienna.
Deimantas Narkevicius (with Jùlius Koller), Art Premiere, gb agency, Art 38,
Basel.
Deimantas Narkevičius, The Documentary FilmPlatform ZONE, The Arts
Center Buda, Kortrijk;The University Movie Theater Film Plateau, Ghent;
MuHKA, Antwerpen.
2006
Deimantas Narkevičius, Screening, Musée National d’Art Moderne, MNAM,
Centre Pompidou, Paris.
This not What you See, Gallery of Contemporary Art, Bunkier Sztuki,
Kraków.
Deimantas Narkevičius, Plug In, Van Abbemuseum, Eindhoven.
Once in the XX Century, Arnolfini, Bristol.
Deimantas Narkevičius, Galerie für Zeitgenössische Kunst, Leipzig.
Instead of Today, gb agency, Paris.
2005
Once in the XX Century, Akademie der Kunst, Berlin.
2004
Two Sculptures, CAC, Contemporary Art Center, Vilnius.
Deimantas Narkevičius, screening, Tate Modern, London.
Deimantas Narkevičius, Foksal Gallery, Warsaw.
Deimantas Narkevičius, Galerie der Stadt ,Schwaz.
Focus on D. Narkevičius, 33rd International Film Festival, Rotterdam.
Deimantas Narkevičius, Screenings, Roseum Contemporary art Center, Malmö.
Legend Coming True, Musée d’Art et d’Histoire du Judaïsme, Paris.
2003
The Role of a Lifetime, Art and Sacred Places, St. Peters Church, Brighton.
Kaimietis, Jan Mot, Brussels.
Either True or Fictitious, Frac des Pays de la Loire, Carquefou.
2002
Deimantas Narkevičius, gb agency, Paris.
Deimantas Narkevičius’s Project, Kunstverein, Munich.
2001
Energy Lituania, Jan Mot, Brussels.
Deimantas Narkevičius, Lithuanian Pavillion, 49th Venice Biennale, Venice.
Deimantas Narkevičius, screenings, Moderna Museet, Stockholm.
2000
8 x 16 x 35, Contemporary Art Centre, Vilnius.
1994
Unforced Reality, Akademija Gallery, Vilnius.

Group Shows

2019
Unexpected Encounters, Arsenals Latvian National Museum of Art, Riga.
The City of Tomorrow, New Tretyakov Gallery, Moscow.
Activity of Matter, gb agency, Paris.
The Missing Planet: Visions & Revisions from Soviet Times, Pecci Museum, Prato.
After leaving / Before arriving,12th Kaunas Biennial, Kaunas.
Phenomenon 3, Anafi Biennial, Anafi.
Post truth, Fake News & Alternative Facts, Haifa Museum of Art, Haifa.
Here We Meet, The Galaxy Museum of Contemporary Art, Chongqing.
Refracted Realities, Videonale 17, Festival for Video and Time-Based Arts,
Kunstmuseum Bonn.
2018
The Ocean After Nature, College of Wooster Art Museum, Wooster.
Screening, AuditoriumArte, Rome.
Archaeology of the Screen, Kumu Art Museum, Tallinn.
VideoVideo, Deimantas Narkevicius and Melik Ohanian, Honor guests, 9th Edition Festival Video Art In Burgundy, Bonnay.
Screening 20 July.2015, AuditoriumArte, Rome.
Motherland in Art, Mocak, Museum of Contemporary Art, Krakow.
Pluses and minuses, On Bialystok’s power station, Arsenal Gallery, Bia⌅ystok.
The Future Is Certain; It’s the Past Which Is Unpredictable, Blaffer Art Museum, Houston.
2017
Vision on vision, Lemaitre video collection, Sema Museum, Seoul.
The Haunted House, National Centre for Contemporary Arts (NCCA),
Moscow.
The Ocean After Nature, Dublin City Gallery, Dublin.
It’s getting better and even better, Arsenal Gallery, Bialystok.
The Future is Certain; It’s the Past Which is Unpredictable, Calvert 22
Foundation, London.
There and not There: (Im)possibility of a monument, 11th Kaunas Biennial,
Kaunas.
In search of Global Poetry: Videos from the Han Nefkens Collection, He
Xiangning Art Museum, Shenzhen
Labor relations,Wroc⌅aw Contemporary Museum, Wroc⌅aw.
The Revolution Is Dead, Long Live The Revolution: Socialist Realism and Its Legacy,
Kunstmuseum, Bern.
2016
Medialization of Monuments; Monumentalization of Media, Temporary Gallery,
Zentrum für zeitgenössische Kunst e.V. / Centre for contemporary art, Köln.
Straub/Huillet/Weiss. Alienation Towards Our Small Familiar World, Temporary
Gallery, Centre for Contemporary Art, Köln.
Quand fondra la neige, où ira le blanc, Opere dalla Collezione Enea Righi,
Palazzo Fortuny, Venice.
Petit déjeuner au crépuscule, Centre d’art image/imatge, Orthez.
Souviens-toi du temps présent, Les Moulins Albigeois, Albi.
En garde, l’art s’engage!, Musée Bartholdi, Colmar.
On the shoulders of giants, Kunsthalle, Mainz.
Labor relations, Wroc⌅aw Contemporary Museum, Wroc⌅aw.
Illumination / Fire Under Snow, Louisiana Museum, Humlebeak.
2015
Networked,10th Kaunas Biennial, Kaunas.
Black Bandits, #Lützow, #Befreiungskriege, #Napoleon, #Waterloo, Haus am Lützowplatz, Berlin.
Gorgona Then and Now & Artist On Vacation 2015, MSU, Museum of
Contemporary Art Zagreb, Zagreb.
Collecting for Tomorrow, New works at Museion, Museion, Bolzano.
The Future of Memory, An exhibition on the infinity of the present time,
Kunsthalle Wien Museumsquartier, Vienna.
1989, Galerie Barbara Weiss, Berlin.
2014
To Sail Beyond the Sunset, Generator, Dundee.
Economie Humaine, Espace d’Art Contemporain HEC, Jouy-en-Josas.
Soleil Politique, The museum between light and shadow, Museion, Museum für
moderne und zeitgenössische Kunst, Bolzano.
Art-Histories, MdM, Museum der Moderne , Salzburg.
Manifesta 10, the European Biennial of Contemporary Art, St. Petersburg.
A Paradise Built in Hell, Kunstverein in Hamburg, Hamburg.
All that Falls, Palais de Tokyo, Paris.
Jaurès et les mineurs, Musée-Mine départemental, Cagnac les Mines.
La disparition des lucioles, Collection Lambert, Prison Sainte-Anne, Avignon.
do it Moscow, Garage Museum of Contemporary Art, Moscow.
More Power, Museum de Fundatie, Paleis a/d Blijmarkt, Zwolle.
Il Piedistallo Vuoto, Fantasmi dall’Est Europa, Museo Civico Archeologico, Bologna.
New display of the collection, Tate Modern, London.
Museum as Hub: Report on the Construction of a Spaceship Module, tranzit, New Museum, New York.
2013
The Way of the Shovel: Art as Archaeology, Museum of Contemporary ArtChicago, Chicago.
A Thousand Years of Non Linear History, Centre Pompidou, MNAM, Paris.
Play! Recapturing the Radical Imagination, Göteborg International Biennial for
Contemporary Art, Göteborg.
A Sense of Place, The Ruth and Elmer Wellin Museum of Art, Hamilton
College, New York.
Susan Vérité, Crac Alsace, Altkirch; Frac Alsace, Sélestat.
Das Reich ohne Mitte, Kunsthalle Mainz, Mainz.
Arte: Affari, Lavoro o Perditempo, Furini Arte Contemporanea, Roma.
Start making sense, Live In Your Head, Institut Curatorial de la Head, Genève.
In the Heart of the Country,The Collection of the Museum of Modern Art in
Warsaw, Museum of Modern Art, Warsaw.
Riding riding, Université de Strasbourg, Palais Universitaire, Salle Vingt-Sept,
Strasbourg.
Part of a Larger Whole. Lithuanian Contemporary Art, CAC,Contemporary Art
Centre, Vilnius.
Inventing a future, gb agency, Paris.
Untited States of Europe, A travelling exhibition about European identity and
today’s Europe, Les Ecluses, fabrique culturelle et numérique, Paris.
2012
Performing Histories (1), MoMA, New York
The Freedom of Sound. John Cage behind the Iron Curtain, Ludwig Muzeum, Budapest. United States of Europe, Kultur Forum Dresden, Dresden. Prestige:phantasmagoria Now, KCCC, Klaipeda Culture Communication Center, Klaipeda. Ante-Memorial,Taipei Biennale, Taipei. Sehnsucht, Gaasbeek Kasteel, Gaasbeek. Fremde Überall, Foreigners Everywhere, An exhibition of works from Pomeranz Collection, Jewish Museum, Vienna. Day for Night: Between Reality and Illusion, City University, New York. You are not alone, Artaids, BACC, Bangkok Art Culture Centre, Bangkok. Paris-Vilnius, un regard sur la photographie lituanienne contemporaine, Ecole Nationale des Beaux-Arts, Paris. Un nouveau festival, Centre Pompidou, MNAM, Musée National d’Art Moderne, Paris. United States Of Europe, Plataforma das Artes, Guimarães. Modern Monsters / Death and Life of Fiction, Taipei Biennial 2012, Taipei. The Collection in Action, Media works from Vito Acconci to Simon Starling, Museion, Museum für moderne und zeitgenössische Kunst, Bolzano. Rearview Mirror: New Art from Central & Eastern Europe, Art Gallery of Alberta, Edmonton, Alberta. Session 3: Rethinking the family archive in Iñaki Bonillas and Deimantas Narkevicius, La Virreina Centre de la Imatge, Barcelona. Affinités, déchirures & attractions, Frac Alsace, Musée Würth, Erstein.
Ecologies of Image, MUSAC, Leon.
Kadist: Pathways Into A Collection, Minsheng Art Museum, Shanghai.
2011 United States Of Europe, Fabry Strefa, Lodz.
The City is a Burning Blazing Bonfire, Cubitt, London.
Deimantas Narkevičius, Ausgeträumt, Art Unlimited, gb agency, Jan Mot and
Barbara Weiss, Art 42, Basel.
Auditorium Moscow, a sketch for a Public Space, Belie Palaty, Moscow.
Side by Side Poland, Germany. A 1000 Years of Art and History, Martin Gropius
Bau, Berlin.
Les impromptus, part 3, Les Armes silencieuses, Centre d’Art Bastille, CAB,
Grenoble.
Au grenier, 4 pièces de mémoire, Musée départemental d’Art Contemporain,
Rochechouart.
Viennale, Vienna International Film Festival, Vienna.
Passé Présent #3, La Plate-Forme, Dunkerque.
Rearview Mirror: New Art from Central & Eastern Europe, The Power Plant,
Toronto.
Ostalgia, New Museum, New York.
The present’s presents, CAN, Centre d'Art Neuchâtel, Neuchâtel.
We Will Live, We Will See, Zabludowicz Collection Curatorial Open 2011,
London.
Hypthesis of self portrait, gb agency, Art 42, Basel
History in Art, MOCAK, Museum of Contemporary Art in Krakow, Krakow.
You are not alone, Artaids, The Joan Miró Foundation, Barcelona.
Space, About a Dream, Kunsthalle Wien, Vienna.
2010 Building Memory, CCA, The Center for Contemporary Art, Rachel & Israel
Pollak Gallery,Tel-Aviv. Million and One Day, National Gallery, Vilnius. Faux Amis / An Ephemeral Video Library, Jeu de Paume, Paris. Lithuanian Art 2000–2010: Ten Years, Contemporary Art Center Vilnius, CAC, Vilnius. Sent by Mail, Galerie Barbara Weiss, Berlin. Höhepunkte der Kölner KunstFilm Biennale, Kunst-Werke Berlin, KW Institute for Contemporary Art, Berlin. Will Be Better, Taking Memory Into the Future, Aargauer Kunsthaus, Aargau. Shockworkers of the Mobile Image, 1. Ural Industrial Biennial, House of Print, Ekaterinburg. There’s Always a cup of sea to Sail In, 29th Sao Paulo Biennial, Sao Paulo. Primeira e última, Galeria Luisa Strina, Sao Paulo. Luc Tuymans: A vision of Central-Europe, Groeningemuseum, Brugge. Vidéothèque éphémère - Faux Amis, Jeu de Paume, Paris. All That Is Solid Melts Into Air, Museu Colecção Berardo, Lisboa.
Res Publica, Moscow Museum of Modern Art, MMOMA, Moscow. Over the Counter, Mucsarnok Kunsthalle, Budapest. LUX Commissions presentation, Tate Modern, London. Das im Entschwinden Erfasste: videokunst, Museum Folkwang, Essen. Postmonument, XIV International Sculpture Biennale, Carrara. Trust, Media City Seoul 2010, Museum of Art, Seoul. The Boy Who Cried Wolf (Lefty Loosey, Righty Tighty), gb agency, Paris. I see things that are not there, Polish Institute, Roma. Art Always Has Its Consequences, Muzeum Sztuki, Lodz. Building Memory, HMKV, Dortmund. The Science of Imagination, Ludwig Museum, Budapest. Art Always Has Its Consequences, Museum of Contemporary Art, Zagreb. Into the Unknown, Ludlow 38, Goethe Institut New York, USA; European Kunsthalle, Cologne. The Promises of the Past, 1950–2010, MNAM, Musée National d’Art Moderne, Centre Pompidou, Paris. Le présent du passé, FRAC Pays de la Loire, Carquefou. Che Cosa Sono Le Nuvole, works of Enea Righi Collection, Museion, Museum für moderne und zeitgenössische Kunst, Bolzano. Into the Unknown, Ludlow 38, New York. The Future under Communism, Star City, Nottingham Contemporary, Nottingham. 1st Ural Industrial Biennial, Shockworkers of the Mobile Image, Ural Industrial Biennial, Yekaterinburg. Documentalist, Collective Gallery, Edinburgh. The Past is a Foreign Country, Centre of Contemporary Art Znaki Czasu, Torun.
2009
Building Memory: four films about architecture, monuments andcommunity,
Contemporary Art Center, CAC, Vilnius.
3xYES, Latest acquisitions, Museum of Modern Art, Warsaw.
Amerikana, Neue Gesellschaft für Bildende Kunst, Berlin
Urban Stories, The X Baltic Triennial of International Art, CAC, Vilnius.
What, How & Whom, 11th International Biennial, Istanbul.
Atlantis I, Hidden Histories, New Identities, XVI. Rohkunstbau, Schloss
Marquardt, Potsdam.
Les visages du mal, BWA Contemporary Art Gallery, Katowice.
Time As Matter, MACBA Collection, New Acquisitions, MACBA, Barcelona.
Monument To Transformation 1989 - 2009, City Gallery, Praha.
Pierre Bismuth, Mario Garcia Torres, Annette Kelm, Deimantas Narkevicius, Jan
Mot, Brussels.
El Pasado En El Presente Y Lo Propio En Lo Ajeno, LABoral Centre for Art and
Creative Industries, Gijón.
At Your Service, David Roberts Art Foundation, London.
Frontières Invisibles, Lille3000, Tri postal, Lille.
Videos Europa, Le Fresnoy, Tourcoing.
DocPoint, Helsinki Documentary Film Festival, Helsinki.
2008
For the First and the Second Time, Contemporary Art Center, CAC, Vilnius.
Ritornell. Neun Geschichten, Galerie im Taxispalais, Innsbruck.
Questioning History, Nederlands Fotomuseum, Rotterdam.
The Greenroom, The Hessel Museum and The Center for Curatorial Studies at
Bard College, Annandale-on-Hudson, New York.
U-Turn, Quadrennial for Contemporary Art, Copenhagen.
Friction and Conflict, Kalmar Konstmuseum, Kalmar.
Cinema Indeed, Narratives and Projections, Institute Itaú Cultural, São Paulo.
Lieux de vie, Mémoire et phantasme de l’enracinement, Abbaye Saint-André,
Centre d’Art Contemporain, Meymac.
ArtFocus 2008, International Biennial of Contemporary Art, Jerusalem.
For Your Eyes Only, on tour 2008/2009, Collections Frac Nord - Pas de
Calais; Fundacio Sunol, Barcelona; Netwerk, Centrum voor hedendaagse
kunst, Aalst; Shanghai Zendai Moma, Shanghai; Venice Video Art Fair, Venice;
Le Fresnoy, Tourcoing; Lothringer 13, Städtische Kunsthalle, München.
WANÅS 2008: Loss, The WANÅS Foundation, Knislinge.
Like an Attali Report, but Different, Kadist Art Foundation, Paris.
The Vincent Award 2008, Stedelijk Museum, Amsterdam.
You Are My Mirror 2 : les lendemains n’ont pas chanté, 49 NORD 6 EST, Frac
Lorraine, Metz.
Modern Ruin, Gallery of Modern Art, Brisbane.
Fusion/Confusion, Museum Folkwang, Essen.
Art Sheffield 08: Yes, No & Other Options, Sheffield.
Screenings, Pro Arte Foundation, Helsinki.
Working Men, Galerie Analix Forever, Genève.
2007
Macba im Frankfurter Kunstverein, Kunstverein, Frankfurt.
Du Machinique et du Vivant, La Réserve, Pacy sur Eure.
Cine y Casi Cine, Museo Nacional Centro de Arte Reina Sofia, Madrid.
So close, so far away, H+F collection, Platform voor Actuel Kunst, Waregem.
Contour 2007, Third Biennial for video art, Mechelen.
Future in the Past, Slovenian Pavilion, The 52nd International Art Exhibition,
Venice Biennale, Venice.
Skulptur Projekte Münster 07, Münster.
La Pensée Sauvage, Kunstverein, Frankfurt.
Urban Connection II, Domaine de Chamarande, Chamarande.
The Art of Failure, Kunsthaus Baselland, Basel.
Der Prozess, Collective Memory and Social History, Prague Biennale 3, Praha.
53rd International Short Film Festival Oberhausen, Oberhausen.
Revolution, Centre d’Art Contemporain, La Passerelle, Brest.
Anachronism, Argos, Brussels.
So Close So Far Away, Crac Alsace, Altkirch.
2006
Plug In,#1, Van Abbemuseum, Eindhoven.
The Last Chapter-Trace Route: Remapping Global Cities, 6th Gwangju Biennial,
Gwangju.
Histoire(s), Le Grand Café, Saint-Nazaire.
Happy Believers, 7th Werkleitz Biennal,Volkspark Halle, Halle.
Une Vision du Monde, La collection vidéo de Jean-Conrad et Isabelle Lemaître,
Maison Rouge, Paris.
35th International Film Festival, Rotterdam.
Biennale Cuvée, O.K Centrum für Gegenwarstskunst, Center for
Contemporary Art, Linz.
2005
Soft Target, BAK, Utrecht.
Delicious, Sint-Truiden.
Petites Compositions entre amis, Séquence 2, gb agency, Paris.
Black Market Worlds, 9th Baltic Triennial, Contemporary Art Center, CAC,
Vilnius.
Prague Biennial, Czech National Museum, Praha.
The Invisible Insurrection of a Million, Sala Rekalde, Bilbao.
2005
Do Not Interrupt Your Activities, Royal College of Art Galleries, London.
Mémoires vives / Schwindel Gefühle, Plattform, Berlin.
Video Rental, e-flux space, New York.
2004
Busan Biennial, Busan.
Time and Again, Stedelijk Museum, Amsterdam.
Instant Europe, Villa Manin, Centro d'Arte Contemporanea, Udine.
The Future is not what it used to be, Galerie für Zeitgenössische Kunst,
Leipzig.
Brainstorming, Topographie de la morale, Centre d’Art Contemporain,
Vassivière.
Films by Anna Klamroth & Deimantas Narkevicius, Contemporary Arts,
Dundee.
Utopia Station Posters, DasTAT/Bockenheimer Depot, Frankfurt.
The Role of a Lifetime, Second Video Festival, Kunstverein Muenchen, Munich.
2003
Now What?, Dreaming a Better World in six Parts, BAK, Utrecht.
Utopia Station Posters, Haus der Kunst, Munich; Vienna.
Links, gb agency, Paris.
Utopia Station, 50th Venice Biennial, Venice.
Déplacements, ARC, Musée d’Art Moderne de la ville de Paris, Paris.
Nouvelles acquisitions, Musée d’Art Moderne de la ville de Paris, Paris.
Bareikis/Narkevicius, National Gallery Zacheta, Warsaw.
Opening show, Die Brücke, Kölnischer Kuntverein, Köln.
Exposing Cinema, International Film Festival, Rotterdam.
2002
Die Aufgabe der Zeit, Kunstverein, Münster.
Museum in Progress, Galleria Continua, San Gimignano.
Nuits blanches, screening, Plus qu’une image, Paris.
Détours, screening, Frac Basse-Normandie, Caen.
Mare Balticum, National Museum of Denmark, Copenhagen.
Centre of Attraction, 8th Baltic Triennial of International Art, Old Printing
House, Vilnius.
Platform of Encounters, Contemporary Art Center, Vilnius.
Parc Humà, una exposicio de criatures globals, Institut de Cultura Palau de la
Virreina, Barcelona.
What is Cinema, 31st International Film Festival, Rotterdam.
Die Aufgabe der Zeit, Kunstverein, Münster.
The Baltic Times, Gallerie im Taxipalais, Innsbrück.
2001
Ausgeträumt..., Secession, Vienna.
Wonder World, Kleines Helmhaus, Zürich.
Oh Europe, The Netherland Foto Instituut, Rotterdam.
Affinités Narratives, gb agency, Paris.
Egzotika, Contemporary Art Center, Vilnius.
2000
Innocent Life, Contemporary Art Centre, CAC, Vilnius.
Inverse Perspectives, EDSIK, Stockholm.
Re: songlines, Halle fur Kunst, Luneburg.
Central Station, Milch Gallery, London.
1999
After the Wall, Moderna Museet, Stockholm.
Lithuanian Art 1989-1999: The Ten Years, Contemporary Art Centre, Vilnius.
Signs of Life, Melbourne International Biennial, Melbourne.
Near and Elsewhere, The Photographers’ Gallery, London.
1998
Utopia, Chateau de Beaumanoir, Le Leslay.
Manifesta 2, Biennale Européenne d’Art Contemporain, Luxembourg.
Cool Places, 7th Triennial of Contemporary Baltic Art, Contemporary Art
Centre, Vilnius.
1997
Ground Control, Baconsfield, London.
Invasion, International Saaremaa Biennial, Kuressare, Saaremaa.
Footnotes, Municipal Museum, Reykjavik.
Focus: Vilnius, Galerie im Trudelhaus, Baden.
1996
For Survival, Experience, Feeling, Contemporary Art Centre,CAC, Vilnius.
Personal Time, Art of Estonia, Latvia and Lithuania 1945-1996, The
Zacheta Gallery of Contemporary Art, Warsaw; Exhibition Hall, SaintPetersburg.
Subordination, Contemporary Art Centre, CAC, Vilnius.
Bread and Salt, Cornehouse, Manchester.
1995
Compulsive Objects, Gallery Rubicon, Dublin.
1995: Art in Lithuania, Contemporary Art Centre, CAC, Vilnius.
Mundane Language, Vilnius.
Artest, Kunsthalle Palazzo, Liestal.
Bread and Salt, Edinburgh College of Art, Edinburgh.
1994
Non-recurring, Contemporary Art Center, CAC, Vilnius.
Bread and Salt, Contemporary Art Center, CAC, Vilnius.
1993
Summer Exhibition, The Delfina Studio Trust, London.
Between Sculpture and Object in Lithuanan, Contemporary Art Center, CAC,
Vilnius.
Good Evils, Picture Gallery, Kaunas.
1992
Forma Anthropologica, Tallinn Art Hall, Tallinn.
Mare Balticum, Nordic Art Center, Helsinki.
Winter Exhibition,The Delfina Studio Trust, London.
1991
Europe Unknown, TPSP Exhibition Hall, Cracow.

Deimantas Narkevicius
Born in 1964, Utena, Lithuania.Lives and works in Vilnius, LithuaniaAwards2018Award winner of the 64th International Short Film Festival Oberhausen2008Vincent Award, Vincent van Gogh Biennial Award for Contemporary Art in EuropeLithuanian National Culture and Art PrizeSolo Shows2019Deimantas Narkevičius, Prefix ICA, Toronto.2018 Deimantas Narkevičius, Rocking The State, ⇤AŹNIA Centre for ContemporaryArt, Gdańsk.Deimantas Narkevičius, Screening/Talk, Cinema 1, Centre Pompidou, Paris.Deimantas Narkevičius, screening/talk, CAST Film Club, Helston.20 July.2015, Piktogram, Warsaw.2017Stains and Scratches, National Gallery, Vilnius.Salt and Disappearance, gb agency, Paris.20 JULY.2015, Maureen Paley, London.2016 Doubled Youth, Baltic Centre for Contemporary Art, Gateshead.Deimantas Narkevičius, Books on Shelves and Without Letters, The Blank Contemporary Art, Sala alla Porta Sant’Agostino, Bergamo.2015 Archeology of Memories, Corner House, KGB former building, Riga.Fact or Fiction, Berwick Film & Media Arts Festival, Berwick.Sad Songs of War, gb agency, Paris.Deimantas Narkevičius, Maureen Paley, London.Da Capo, MSU, Museum of Contemporary Art Zagreb.2014Cupboard and a Song, MNAC, National Museum of Contemporary Art,Bucharest.Sounds Like The XX Century, Galerija Vartai, Vilnius.Deimantas Narkevičius, 60th Oberhausen International Short Film Festival,Oberhausen.Cupboard and a Play, gb agency, Paris.2013 Da capo, Le Magasin, Grenoble.Da capo, Marino Marini Museum, Firenze.Deimantas Narkevičius, Independent, gb agency, New York.2012 Deimantas Narkevičius, About Films, Para/Site, Hong Kong.Videozone: Deimantas Narkevičius, Ludwig Forum für Internationale Kunst,Aachen.A Tang of Lomo Film, Galerie Barbara Weiss, Berlin.2011 The Head, Architektur und Film, Blue Box, Sprengel Museum, Hannover.Deimantas Narkevičius, Solo film programme, 15th International Short FilmFestival, Winterthur.Restricted Sensation, gb agency, Paris.2010 Getting a lost tune, Artra, Milano.Darkroom Series: Deimantas Narkevičius, Turku Art Museum, Turku.Sarabande (with Zilvinas Kempinas), Frac Basse Normandie, Caen.The Unanimous Life, Kunsthallen Brandts, Odense.2009 Deimantas Narkevičius, gb agency, Paris.Deimantas Narkevičius, Into the Unknown, BFI Southbank Gallery, BritishFilm Institute, London.The Dud Effect, Mala Galerija, Museum of Modern Art, Ljubljana.The Unanimous Life, Kunsthalle, Bern.The Unanimous Life,Van Abbemuseum, Eindhoven.Deimantas Narkevičius, Mamco, Geneva.2008 The Unanimous Life / La Vida Unanime, Museo Nacional Centro De ArteReina Sofia, Madrid.The Dud Effect, Jan Mot, Brussels.The Dud Effect, Galerie Barbara Weiss, Berlin.Genius Seculi, The Center of Contemporary Art, Thessaloniki.2007 The Role of a Lifetime, Index, Stockholm.History Continued, Mücsarnok Kunsthalle, Budapest.Revisiting Solaris, CAC, Contemporary Art Centre, Vilnius.Revisiting Solaris, Daadgalerie, Berlin.Among the Things We Touched, Secession, Vienna.Deimantas Narkevicius (with Jùlius Koller), Art Premiere, gb agency, Art 38,Basel.Deimantas Narkevičius, The Documentary FilmPlatform ZONE, The ArtsCenter Buda, Kortrijk;The University Movie Theater Film Plateau, Ghent;MuHKA, Antwerpen.2006 Deimantas Narkevičius, Screening, Musée National d’Art Moderne, MNAM,Centre Pompidou, Paris.This not What you See, Gallery of Contemporary Art, Bunkier Sztuki,Kraków.Deimantas Narkevičius, Plug In, Van Abbemuseum, Eindhoven.Once in the XX Century, Arnolfini, Bristol.Deimantas Narkevičius, Galerie für Zeitgenössische Kunst, Leipzig.Instead of Today, gb agency, Paris.2005 Once in the XX Century, Akademie der Kunst, Berlin.2004 Two Sculptures, CAC, Contemporary Art Center, Vilnius.Deimantas Narkevičius, screening, Tate Modern, London.Deimantas Narkevičius, Foksal Gallery, Warsaw.Deimantas Narkevičius, Galerie der Stadt ,Schwaz.Focus on D. Narkevičius, 33rd International Film Festival, Rotterdam.Deimantas Narkevičius, Screenings, Roseum Contemporary art Center, Malmö.Legend Coming True, Musée d’Art et d’Histoire du Judaïsme, Paris.2003 The Role of a Lifetime, Art and Sacred Places, St. Peters Church, Brighton.Kaimietis, Jan Mot, Brussels.Either True or Fictitious, Frac des Pays de la Loire, Carquefou.2002 Deimantas Narkevičius, gb agency, Paris.Deimantas Narkevičius’s Project, Kunstverein, Munich.2001 Energy Lituania, Jan Mot, Brussels.Deimantas Narkevičius, Lithuanian Pavillion, 49th Venice Biennale, Venice.Deimantas Narkevičius, screenings, Moderna Museet, Stockholm. 20008 x 16 x 35, Contemporary Art Centre, Vilnius.1994 Unforced Reality, Akademija Gallery, Vilnius.Group Shows2019Unexpected Encounters, Arsenals Latvian National Museum of Art, Riga.The City of Tomorrow, New Tretyakov Gallery, Moscow.Activity of Matter, gb agency, Paris.The Missing Planet: Visions & Revisions from Soviet Times, Pecci Museum, Prato.After leaving / Before arriving,12th Kaunas Biennial, Kaunas.Phenomenon 3, Anafi Biennial, Anafi.Post truth, Fake News & Alternative Facts, Haifa Museum of Art, Haifa.Here We Meet, The Galaxy Museum of Contemporary Art, Chongqing.Refracted Realities, Videonale 17, Festival for Video and Time-Based Arts,Kunstmuseum Bonn.2018 The Ocean After Nature, College of Wooster Art Museum, Wooster.Screening, AuditoriumArte, Rome.Archaeology of the Screen, Kumu Art Museum, Tallinn.VideoVideo, Deimantas Narkevicius and Melik Ohanian, Honor guests, 9th Edition Festival Video Art In Burgundy, Bonnay.Screening 20 July.2015, AuditoriumArte, Rome.Motherland in Art, Mocak, Museum of Contemporary Art, Krakow.Pluses and minuses, On Bialystok’s power station, Arsenal Gallery, Bia⌅ystok.The Future Is Certain; It’s the Past Which Is Unpredictable, Blaffer Art Museum, Houston.2017 Vision on vision, Lemaitre video collection, Sema Museum, Seoul.The Haunted House, National Centre for Contemporary Arts (NCCA),Moscow.The Ocean After Nature, Dublin City Gallery, Dublin.It’s getting better and even better, Arsenal Gallery, Bialystok.The Future is Certain; It’s the Past Which is Unpredictable, Calvert 22Foundation, London.There and not There: (Im)possibility of a monument, 11th Kaunas Biennial,Kaunas.In search of Global Poetry: Videos from the Han Nefkens Collection, HeXiangning Art Museum, ShenzhenLabor relations,Wroc⌅aw Contemporary Museum, Wroc⌅aw.The Revolution Is Dead, Long Live The Revolution: Socialist Realism and Its Legacy,Kunstmuseum, Bern.2016 Medialization of Monuments; Monumentalization of Media, Temporary Gallery,Zentrum für zeitgenössische Kunst e.V. / Centre for contemporary art, Köln.Straub/Huillet/Weiss. Alienation Towards Our Small Familiar World, TemporaryGallery, Centre for Contemporary Art, Köln.Quand fondra la neige, où ira le blanc, Opere dalla Collezione Enea Righi,Palazzo Fortuny, Venice.Petit déjeuner au crépuscule, Centre d’art image/imatge, Orthez.Souviens-toi du temps présent, Les Moulins Albigeois, Albi.En garde, l’art s’engage!, Musée Bartholdi, Colmar.On the shoulders of giants, Kunsthalle, Mainz.Labor relations, Wroc⌅aw Contemporary Museum, Wroc⌅aw.Illumination / Fire Under Snow, Louisiana Museum, Humlebeak.2015 Networked,10th Kaunas Biennial, Kaunas.Black Bandits, #Lützow, #Befreiungskriege, #Napoleon, #Waterloo, Haus am Lützowplatz, Berlin.Gorgona Then and Now & Artist On Vacation 2015, MSU, Museum ofContemporary Art Zagreb, Zagreb.Collecting for Tomorrow, New works at Museion, Museion, Bolzano.The Future of Memory, An exhibition on the infinity of the present time,Kunsthalle Wien Museumsquartier, Vienna.1989, Galerie Barbara Weiss, Berlin.2014 To Sail Beyond the Sunset, Generator, Dundee.Economie Humaine, Espace d’Art Contemporain HEC, Jouy-en-Josas.Soleil Politique, The museum between light and shadow, Museion, Museum fürmoderne und zeitgenössische Kunst, Bolzano.Art-Histories, MdM, Museum der Moderne , Salzburg.Manifesta 10, the European Biennial of Contemporary Art, St. Petersburg.A Paradise Built in Hell, Kunstverein in Hamburg, Hamburg.All that Falls, Palais de Tokyo, Paris.Jaurès et les mineurs, Musée-Mine départemental, Cagnac les Mines.La disparition des lucioles, Collection Lambert, Prison Sainte-Anne, Avignon.do it Moscow, Garage Museum of Contemporary Art, Moscow.More Power, Museum de Fundatie, Paleis a/d Blijmarkt, Zwolle.Il Piedistallo Vuoto, Fantasmi dall’Est Europa, Museo Civico Archeologico, Bologna.New display of the collection, Tate Modern, London.Museum as Hub: Report on the Construction of a Spaceship Module, tranzit, New Museum, New York.2013The Way of the Shovel: Art as Archaeology, Museum of Contemporary ArtChicago, Chicago.A Thousand Years of Non Linear History, Centre Pompidou, MNAM, Paris.Play! Recapturing the Radical Imagination, Göteborg International Biennial forContemporary Art, Göteborg.A Sense of Place, The Ruth and Elmer Wellin Museum of Art, HamiltonCollege, New York.Susan Vérité, Crac Alsace, Altkirch; Frac Alsace, Sélestat.Das Reich ohne Mitte, Kunsthalle Mainz, Mainz.Arte: Affari, Lavoro o Perditempo, Furini Arte Contemporanea, Roma.Start making sense, Live In Your Head, Institut Curatorial de la Head, Genève.In the Heart of the Country,The Collection of the Museum of Modern Art inWarsaw, Museum of Modern Art, Warsaw.Riding riding, Université de Strasbourg, Palais Universitaire, Salle Vingt-Sept,Strasbourg.Part of a Larger Whole. Lithuanian Contemporary Art, CAC,Contemporary ArtCentre, Vilnius.Inventing a future, gb agency, Paris.Untited States of Europe, A travelling exhibition about European identity andtoday’s Europe, Les Ecluses, fabrique culturelle et numérique, Paris.2012 Performing Histories (1), MoMA, New YorkThe Freedom of Sound. John Cage behind the Iron Curtain, Ludwig Muzeum, Budapest. United States of Europe, Kultur Forum Dresden, Dresden. Prestige:phantasmagoria Now, KCCC, Klaipeda Culture Communication Center, Klaipeda. Ante-Memorial,Taipei Biennale, Taipei. Sehnsucht, Gaasbeek Kasteel, Gaasbeek. Fremde Überall, Foreigners Everywhere, An exhibition of works from Pomeranz Collection, Jewish Museum, Vienna. Day for Night: Between Reality and Illusion, City University, New York. You are not alone, Artaids, BACC, Bangkok Art Culture Centre, Bangkok. Paris-Vilnius, un regard sur la photographie lituanienne contemporaine, Ecole Nationale des Beaux-Arts, Paris. Un nouveau festival, Centre Pompidou, MNAM, Musée National d’Art Moderne, Paris. United States Of Europe, Plataforma das Artes, Guimarães. Modern Monsters / Death and Life of Fiction, Taipei Biennial 2012, Taipei. The Collection in Action, Media works from Vito Acconci to Simon Starling, Museion, Museum für moderne und zeitgenössische Kunst, Bolzano. Rearview Mirror: New Art from Central & Eastern Europe, Art Gallery of Alberta, Edmonton, Alberta. Session 3: Rethinking the family archive in Iñaki Bonillas and Deimantas Narkevicius, La Virreina Centre de la Imatge, Barcelona. Affinités, déchirures & attractions, Frac Alsace, Musée Würth, Erstein.Ecologies of Image, MUSAC, Leon.Kadist: Pathways Into A Collection, Minsheng Art Museum, Shanghai.2011 United States Of Europe, Fabry Strefa, Lodz.The City is a Burning Blazing Bonfire, Cubitt, London.Deimantas Narkevičius, Ausgeträumt, Art Unlimited, gb agency, Jan Mot andBarbara Weiss, Art 42, Basel.Auditorium Moscow, a sketch for a Public Space, Belie Palaty, Moscow.Side by Side Poland, Germany. A 1000 Years of Art and History, Martin GropiusBau, Berlin.Les impromptus, part 3, Les Armes silencieuses, Centre d’Art Bastille, CAB,Grenoble.Au grenier, 4 pièces de mémoire, Musée départemental d’Art Contemporain,Rochechouart.Viennale, Vienna International Film Festival, Vienna.Passé Présent #3, La Plate-Forme, Dunkerque.Rearview Mirror: New Art from Central & Eastern Europe, The Power Plant,Toronto.Ostalgia, New Museum, New York.The present’s presents, CAN, Centre d'Art Neuchâtel, Neuchâtel.We Will Live, We Will See, Zabludowicz Collection Curatorial Open 2011,London.Hypthesis of self portrait, gb agency, Art 42, BaselHistory in Art, MOCAK, Museum of Contemporary Art in Krakow, Krakow.You are not alone, Artaids, The Joan Miró Foundation, Barcelona.Space, About a Dream, Kunsthalle Wien, Vienna.2010 Building Memory, CCA, The Center for Contemporary Art, Rachel & Israel Pollak Gallery,Tel-Aviv. Million and One Day, National Gallery, Vilnius. Faux Amis / An Ephemeral Video Library, Jeu de Paume, Paris. Lithuanian Art 2000–2010: Ten Years, Contemporary Art Center Vilnius, CAC, Vilnius. Sent by Mail, Galerie Barbara Weiss, Berlin. Höhepunkte der Kölner KunstFilm Biennale, Kunst-Werke Berlin, KW Institute for Contemporary Art, Berlin. Will Be Better, Taking Memory Into the Future, Aargauer Kunsthaus, Aargau. Shockworkers of the Mobile Image, 1. Ural Industrial Biennial, House of Print, Ekaterinburg. There’s Always a cup of sea to Sail In, 29th Sao Paulo Biennial, Sao Paulo. Primeira e última, Galeria Luisa Strina, Sao Paulo. Luc Tuymans: A vision of Central-Europe, Groeningemuseum, Brugge. Vidéothèque éphémère - Faux Amis, Jeu de Paume, Paris. All That Is Solid Melts Into Air, Museu Colecção Berardo, Lisboa.Res Publica, Moscow Museum of Modern Art, MMOMA, Moscow. Over the Counter, Mucsarnok Kunsthalle, Budapest. LUX Commissions presentation, Tate Modern, London. Das im Entschwinden Erfasste: videokunst, Museum Folkwang, Essen. Postmonument, XIV International Sculpture Biennale, Carrara. Trust, Media City Seoul 2010, Museum of Art, Seoul. The Boy Who Cried Wolf (Lefty Loosey, Righty Tighty), gb agency, Paris. I see things that are not there, Polish Institute, Roma. Art Always Has Its Consequences, Muzeum Sztuki, Lodz. Building Memory, HMKV, Dortmund. The Science of Imagination, Ludwig Museum, Budapest. Art Always Has Its Consequences, Museum of Contemporary Art, Zagreb. Into the Unknown, Ludlow 38, Goethe Institut New York, USA; European Kunsthalle, Cologne. The Promises of the Past, 1950–2010, MNAM, Musée National d’Art Moderne, Centre Pompidou, Paris. Le présent du passé, FRAC Pays de la Loire, Carquefou. Che Cosa Sono Le Nuvole, works of Enea Righi Collection, Museion, Museum für moderne und zeitgenössische Kunst, Bolzano. Into the Unknown, Ludlow 38, New York. The Future under Communism, Star City, Nottingham Contemporary, Nottingham. 1st Ural Industrial Biennial, Shockworkers of the Mobile Image, Ural Industrial Biennial, Yekaterinburg. Documentalist, Collective Gallery, Edinburgh. The Past is a Foreign Country, Centre of Contemporary Art Znaki Czasu, Torun. 2009 Building Memory: four films about architecture, monuments andcommunity,Contemporary Art Center, CAC, Vilnius.3xYES, Latest acquisitions, Museum of Modern Art, Warsaw.Amerikana, Neue Gesellschaft für Bildende Kunst, BerlinUrban Stories, The X Baltic Triennial of International Art, CAC, Vilnius.What, How & Whom, 11th International Biennial, Istanbul.Atlantis I, Hidden Histories, New Identities, XVI. Rohkunstbau, SchlossMarquardt, Potsdam.Les visages du mal, BWA Contemporary Art Gallery, Katowice.Time As Matter, MACBA Collection, New Acquisitions, MACBA, Barcelona.Monument To Transformation 1989 - 2009, City Gallery, Praha.Pierre Bismuth, Mario Garcia Torres, Annette Kelm, Deimantas Narkevicius, JanMot, Brussels.El Pasado En El Presente Y Lo Propio En Lo Ajeno, LABoral Centre for Art andCreative Industries, Gijón.At Your Service, David Roberts Art Foundation, London.Frontières Invisibles, Lille3000, Tri postal, Lille.Videos Europa, Le Fresnoy, Tourcoing.DocPoint, Helsinki Documentary Film Festival, Helsinki.2008 For the First and the Second Time, Contemporary Art Center, CAC, Vilnius.Ritornell. Neun Geschichten, Galerie im Taxispalais, Innsbruck.Questioning History, Nederlands Fotomuseum, Rotterdam.The Greenroom, The Hessel Museum and The Center for Curatorial Studies atBard College, Annandale-on-Hudson, New York.U-Turn, Quadrennial for Contemporary Art, Copenhagen.Friction and Conflict, Kalmar Konstmuseum, Kalmar.Cinema Indeed, Narratives and Projections, Institute Itaú Cultural, São Paulo.Lieux de vie, Mémoire et phantasme de l’enracinement, Abbaye Saint-André,Centre d’Art Contemporain, Meymac.ArtFocus 2008, International Biennial of Contemporary Art, Jerusalem.For Your Eyes Only, on tour 2008/2009, Collections Frac Nord - Pas deCalais; Fundacio Sunol, Barcelona; Netwerk, Centrum voor hedendaagsekunst, Aalst; Shanghai Zendai Moma, Shanghai; Venice Video Art Fair, Venice;Le Fresnoy, Tourcoing; Lothringer 13, Städtische Kunsthalle, München.WANÅS 2008: Loss, The WANÅS Foundation, Knislinge.Like an Attali Report, but Different, Kadist Art Foundation, Paris.The Vincent Award 2008, Stedelijk Museum, Amsterdam.You Are My Mirror 2 : les lendemains n’ont pas chanté, 49 NORD 6 EST, FracLorraine, Metz.Modern Ruin, Gallery of Modern Art, Brisbane.Fusion/Confusion, Museum Folkwang, Essen.Art Sheffield 08: Yes, No & Other Options, Sheffield.Screenings, Pro Arte Foundation, Helsinki.Working Men, Galerie Analix Forever, Genève.2007 Macba im Frankfurter Kunstverein, Kunstverein, Frankfurt.Du Machinique et du Vivant, La Réserve, Pacy sur Eure.Cine y Casi Cine, Museo Nacional Centro de Arte Reina Sofia, Madrid.So close, so far away, H+F collection, Platform voor Actuel Kunst, Waregem.Contour 2007, Third Biennial for video art, Mechelen.Future in the Past, Slovenian Pavilion, The 52nd International Art Exhibition,Venice Biennale, Venice.Skulptur Projekte Münster 07, Münster.La Pensée Sauvage, Kunstverein, Frankfurt.Urban Connection II, Domaine de Chamarande, Chamarande.The Art of Failure, Kunsthaus Baselland, Basel.Der Prozess, Collective Memory and Social History, Prague Biennale 3, Praha.53rd International Short Film Festival Oberhausen, Oberhausen.Revolution, Centre d’Art Contemporain, La Passerelle, Brest.Anachronism, Argos, Brussels.So Close So Far Away, Crac Alsace, Altkirch.2006 Plug In,#1, Van Abbemuseum, Eindhoven.The Last Chapter-Trace Route: Remapping Global Cities, 6th Gwangju Biennial,Gwangju.Histoire(s), Le Grand Café, Saint-Nazaire.Happy Believers, 7th Werkleitz Biennal,Volkspark Halle, Halle.Une Vision du Monde, La collection vidéo de Jean-Conrad et Isabelle Lemaître,Maison Rouge, Paris.35th International Film Festival, Rotterdam.Biennale Cuvée, O.K Centrum für Gegenwarstskunst, Center forContemporary Art, Linz.2005 Soft Target, BAK, Utrecht.Delicious, Sint-Truiden.Petites Compositions entre amis, Séquence 2, gb agency, Paris.Black Market Worlds, 9th Baltic Triennial, Contemporary Art Center, CAC,Vilnius.Prague Biennial, Czech National Museum, Praha.The Invisible Insurrection of a Million, Sala Rekalde, Bilbao.2005 Do Not Interrupt Your Activities, Royal College of Art Galleries, London.Mémoires vives / Schwindel Gefühle, Plattform, Berlin.Video Rental, e-flux space, New York.2004 Busan Biennial, Busan.Time and Again, Stedelijk Museum, Amsterdam.Instant Europe, Villa Manin, Centro d'Arte Contemporanea, Udine.The Future is not what it used to be, Galerie für Zeitgenössische Kunst,Leipzig.Brainstorming, Topographie de la morale, Centre d’Art Contemporain,Vassivière.Films by Anna Klamroth & Deimantas Narkevicius, Contemporary Arts,Dundee.Utopia Station Posters, DasTAT/Bockenheimer Depot, Frankfurt.The Role of a Lifetime, Second Video Festival, Kunstverein Muenchen, Munich.2003 Now What?, Dreaming a Better World in six Parts, BAK, Utrecht.Utopia Station Posters, Haus der Kunst, Munich; Vienna.Links, gb agency, Paris.Utopia Station, 50th Venice Biennial, Venice.Déplacements, ARC, Musée d’Art Moderne de la ville de Paris, Paris.Nouvelles acquisitions, Musée d’Art Moderne de la ville de Paris, Paris.Bareikis/Narkevicius, National Gallery Zacheta, Warsaw.Opening show, Die Brücke, Kölnischer Kuntverein, Köln.Exposing Cinema, International Film Festival, Rotterdam.2002Die Aufgabe der Zeit, Kunstverein, Münster.Museum in Progress, Galleria Continua, San Gimignano.Nuits blanches, screening, Plus qu’une image, Paris.Détours, screening, Frac Basse-Normandie, Caen.Mare Balticum, National Museum of Denmark, Copenhagen.Centre of Attraction, 8th Baltic Triennial of International Art, Old PrintingHouse, Vilnius.Platform of Encounters, Contemporary Art Center, Vilnius.Parc Humà, una exposicio de criatures globals, Institut de Cultura Palau de laVirreina, Barcelona.What is Cinema, 31st International Film Festival, Rotterdam.Die Aufgabe der Zeit, Kunstverein, Münster.The Baltic Times, Gallerie im Taxipalais, Innsbrück.2001 Ausgeträumt..., Secession, Vienna.Wonder World, Kleines Helmhaus, Zürich.Oh Europe, The Netherland Foto Instituut, Rotterdam.Affinités Narratives, gb agency, Paris.Egzotika, Contemporary Art Center, Vilnius.2000 Innocent Life, Contemporary Art Centre, CAC, Vilnius.Inverse Perspectives, EDSIK, Stockholm.Re: songlines, Halle fur Kunst, Luneburg.Central Station, Milch Gallery, London.1999 After the Wall, Moderna Museet, Stockholm.Lithuanian Art 1989-1999: The Ten Years, Contemporary Art Centre, Vilnius.Signs of Life, Melbourne International Biennial, Melbourne.Near and Elsewhere, The Photographers’ Gallery, London.1998 Utopia, Chateau de Beaumanoir, Le Leslay.Manifesta 2, Biennale Européenne d’Art Contemporain, Luxembourg.Cool Places, 7th Triennial of Contemporary Baltic Art, Contemporary ArtCentre, Vilnius.1997 Ground Control, Baconsfield, London.Invasion, International Saaremaa Biennial, Kuressare, Saaremaa.Footnotes, Municipal Museum, Reykjavik.Focus: Vilnius, Galerie im Trudelhaus, Baden.1996 For Survival, Experience, Feeling, Contemporary Art Centre,CAC, Vilnius.Personal Time, Art of Estonia, Latvia and Lithuania 1945-1996, TheZacheta Gallery of Contemporary Art, Warsaw; Exhibition Hall, SaintPetersburg.Subordination, Contemporary Art Centre, CAC, Vilnius.Bread and Salt, Cornehouse, Manchester.1995 Compulsive Objects, Gallery Rubicon, Dublin.1995: Art in Lithuania, Contemporary Art Centre, CAC, Vilnius.Mundane Language, Vilnius.Artest, Kunsthalle Palazzo, Liestal.Bread and Salt, Edinburgh College of Art, Edinburgh.1994 Non-recurring, Contemporary Art Center, CAC, Vilnius.Bread and Salt, Contemporary Art Center, CAC, Vilnius.1993 Summer Exhibition, The Delfina Studio Trust, London.Between Sculpture and Object in Lithuanan, Contemporary Art Center, CAC,Vilnius.Good Evils, Picture Gallery, Kaunas.1992 Forma Anthropologica, Tallinn Art Hall, Tallinn.Mare Balticum, Nordic Art Center, Helsinki.Winter Exhibition,The Delfina Studio Trust, London.1991 Europe Unknown, TPSP Exhibition Hall, Cracow.

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