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blinkvideo - research of video art, performance and multimedia installations.

NEW: Favorites curated by blinkvideo users

What do you like? Over the next few months, we will be showing here selections of works, compiled by you, as a blinkvideo user.

Nasim Weiler: Hello, there are many absolutely wonderful video works on Blinkvideo - here are my three favourites of today, March 26 - a day spent in quarantane in Paris.

Do you have any favorites on blinkvideo ? Or would you like to focus attention on some video works? Or would you like to compile and show videos on a specific topic? You can do so with the new tool on blinkvideo.
Create a favorites list as follows: When you're logged in, a little sign "add to favorite list" will appear below each video. With the click on it, you add the film to your favorites list. When you have collected all the works, open your favorites list and you can share the list with blinkvideo. We will then receive a message and put the compilation online.
We are very curious about your selection!

Nadja Verena Marcin - OPHELIA
Stadtgalerie in Saarbrücken, Germany. 2019

OPHELIA is an interdisciplinary performance that is presented in the Stadtgalerie Saarbrücken as a live action and subsequently as a video installation. It reflects the human-induced destruction of nature and creates references to art, literature and science. Dressed in "Ophelia's" dress and equipped with a diving device, Nadja Verena Marcin will climb into an aquarium and try under water to read the text "The Werld" by Daniil Kharms about human perception.
Image: © Nadja Verena Marcin

Igor Simić - WELTSCHMERZ 
at Galerie Beckers, Frankfurt

The exhibition WELTSCHMERZ shows new works by Serbian artist Igor Simic, which he created in connection with his iOS game Golf Club: Wasteland. For this game he and his award-winning gaming and film company Demagog Studio developed a whole world — a storyline with characters and various landscapes — in a post-apocalyptic scenario. The eerie atmosphere of the carefully crafted visual scenery is accompanied by slow paced, nostalgic, sometimes almost chilling music that evokes the feeling of longing for something lost.
Image: © Igor Simić

Fuzzy dark spot
Video art from Hamburg

The exhibition FUZZY DARK SPOT curated by the Hamburg-based video artist Wolfgang Oelze, at the Falckenberg Collection brings together 56 video works by over 30 mostly Hamburg-based artists ranging from the 1970s to the present day, featuring historical and contemporary productions in both thematic and monographic groups.
image: © Stefan Panhans

REFRACTED REALITIES at VIDEONALE.17

In optics, “refraction” refers to the bending of a beam of light, a change in direction which occurs at the moment when it passes from one medium to another. Through refraction, the light wave alters course, changing the way we perceive the objects it illuminates in the process. This optical deviation requires us to repeatedly correct our gaze, comparing the beginning and end points of our perception with reality, and bringing the object we see clearly into focus. In its figurative sense, refraction refers to a critical reflection on the means and channels of visualization, and by extension the possibility of a rearticulation of our view of things – how they are, were, or apparently always have been.
Image: © Sohrab Hura

Featured videos

Annegret Soltau
Schwanger-Sein I, 1977/78

"My pregnancies in 1978 and 1980 became an important theme for me. This personal experience yielded pictures in which I once again used myself as a model, this time myself in the process of being pregnant. The fear that my role as a mother could jeopardize my life as an artist inspired me to create a great many photos and videos. At this point I was preoccupied with the question of how women combine creativity and motherhood.“ (Annegret Soltau)

Tobias Yves Zintel
Breed and Educate, 2018

The Film Breed and Educate is based on a collaborative performance with a class from the Hector-Peterson-Schule Berlin Kreuzberg and the HAU. In numerous task based rehearsals eight pupils between 11 and 13 years explored the possibilties of self-education. Based on various materials from found footage to documentary and staged scenes the film circles around the relationship of controlling and self-empowerment in educational systems. Breed and Educate is circling around the question of how lessons should be organised in times of network and algorthim-based learning. Algorithms and neuronal networks have to master problems only once, after they achieved their goal, results can be duplicated and copied any number of times. Kids on the other hand side have to learn everything step by step, the accumulated knowlede can’t be transfered from on kid to the other by „copy and paste“. An allopoetic system is a trivial system, which can be potentially fully explored, controlled and operated by an observer. With a similar theory in mind, the Prussians started to organise schooling in 1717, to prepare pupils for the Prussian Military Academy. What happens almost 300 years later in a school in Berlin, when the relationship between control and self-empowerment is inverted by postmigrant pupils who breed robots, are educated by them and vice versa? “ In Breed and Educate an automated dionsaur is introduced by a twelfe year old boy: “It’s easily trainable”. While he explains the mode of operation, one sees the parallels: the school wouldn’t have any problems with pupils equipped with a suitable operating system downloaded from the internet. Sounds like an uncanny utopia.” (Katrin Bettina Müller)

Lene Markusen
Grad, 2004

Dieter Kiessling
60 Minutes 360 Degrees GK 2010, 2010

A boy is portrayed with a video camera for an hour on a tennis court.During this time the camera turns through 360 degrees. Meanwhile, the whole space is recorded piece by piece. The boy follows the camera movement slowly thus remaining constantly in the centre of the picture.

Clemens von Wedemeyer
Silberhöhe, 2003

In Halle-Silberhöhe in East Germany, the camera records peri-urban area architecture, prefabricated buildings that are deserted and destined to be demolished. The commentary evokes a film editing technique used by Michelangelo Antonioni in his film, L’Eclisse (1962).

Janet Biggs
Fade to White, 2010

In Fade to White, Biggs delves into the desire to explore remote lands. To create this work, the artist embarked on an expedition in the high Arctic, traveling aboard an ice-class, 2-masted schooner, built in 1910. During the voyage, Biggs filmed Fade to White, focusing on a crew member as he navigated the ship through iceberg filled seas, and paddled a kayak past glacier walls and polar bears. As she photographed the explorer, Biggs tested her own will and endurance. The visual tension of her uncompromising imagery bespeaks their mutual struggle to maintain balance and purpose. Yet, the video also reveals the myth of the solitary white male explorer. Biggs explains, "The desire to hold onto the notion of the 'great white north' as a blank space awaiting interpretation only reinforces the idea of the colonial polar hero. The 'virgin' north has now been mapped, surveyed, and mined, but increased knowledge has not replaced endless fantasies of discovery." Loss and change are implicit in the video's title, Fade to White, which refers to an editing technique used to evoke death or transcendence. Biggs integrated her Arctic imagery with sound and video footage of counter tenor John Kelly, whose age, androgyny, and mournful voice parallel the vanishing Arctic landscape and signal the waning of male dominance.

Rebecca Ann Tess
The Tallest, 2014

The »The Tallest« shows pictures shot on-site of the currently tallest buildings in the world. The high-rises are shown as set pieces of global capitalism, visually disappearing into abstraction. The reduced images are reminding of 3D rendering. The simulated image of these buildings circulates in the media for representational and advertising purposes, becomes a substantial object and the actual spatiality becomes a mockup. The narration is undertaken by a computer voice, it describes the competition for the tallest tower at such divers places as Chicago, Dubai, Hong Kong, Kuala Lumpur, Mecca, Nanjing, New York City, Seoul, Shanghai, Shenzhen, Songdo and Taipei.

Johanna Reich
LIGHT ON BLACK ON WHITE HOMAGE TO MALEVICH, 2015

A moving digital light drawing illuminates a white wall. A hand painting a black square on the white surface becomes visible. At the same time the light drawing is painting a light square. In the end the light of the digital light square illuminates the finished black oil painting.

Critics’ Pick: Vienna by Nicole Büsing + Heiko Klaas

The group show “Antarctica. An Exhibition on Alienation” was presented in Vienna during the past winter season. Departing from a note written by the Italian cult director Michelangelo Antonioni referring to a potential glacier melting in the Antarctica and a hint to a film, the two curators from the Kunsthalle Wien, Vanessa Joan Müller and Nicolaus Schafhausen, conceived an exhibition on the topic of alienation and contemporary art. The focus was on the latest contemporary photography and video art by the younger generation of artists.
Image: © Isabella Fürnkäs

Expanding Bauhaus.
New Reflections on the Bauhaus Movement in Time-Based Media Art
/ Goethe Institute Netherlands

A screening series selected by Elke Kania (Cologne), Julia Sökeland (Hamburg) and Ludwig Seyfarth (Berlin)

With its combination of various arts such as painting, photography film, architecture, fashion, product and interior design and textile art, the Bauhaus is still considered the epitome of a technologically advanced modernity. Last but not least, the attempt to create the whole society aesthetically, inspired many artists worldwide.
Image: © Adnan Softic

Johan Grimonprez

Johan Grimonprez’s critically acclaimed work dances on the borders of practice and theory, art and cinema, documentary and fiction, demanding a double take on the part of the viewer. Informed by an archeology of present-day media, his work seeks out the tension between the intimate and the bigger picture of globalization. It questions our contemporary sublime, one framed by a fear industry that has infected political and social dialogue. By suggesting new narratives through which to tell a story, his work emphasizes a multiplicity of realities.
image: © Johan Griminprez

Christoph Faulhaber: Revolution & Architecture

With "Revolution & Architecture" Christoph Faulhaber (* 1972 in Osnabrück, lives in Hamburg) conceives, builds, designs and opens a whole series of very different rooms in the Kunsthalle Osnabrück. In order to discover the revolutionary aspect of these "architectures", one has to look at the social implications of interior design in general. In the forum the visitor then enters Faulhaber's cinematic autobiography "Every Picture is an Empty Picture" as in the eye of the cyclone: The work is split into 15 individual films and surrounds the visitor in a circle.
Image: © Christoph Faulhaber

Stiftung imai – inter media art institute

The Düsseldorf based foundation imai – inter media art institute was founded in 2006 in order to establish an institution in Germany dedicated to the distribution and preservation of media art and associated activities.
Image: © Marcel Odenbach

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for artists we provide a platform for extensive presentation of media works, gallerists get a direct contact to international professional audiences, collectors find a worldwide overview of contemporary trends in moving image, curators can do research via keywords and compilations, teachers use presentation opportunities for students and all professionals get password protected, extensive information about video works worldwide.

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blinkvideo is a website for the research of video art. Founders: Julia Sökeland, Anita Beckers. blinkvideo ist eine Plattform zur Recherche nach Videokunst

Helena Wittmann

Works


Galleries

VETO e.V.
Friedensallee 122
22763 Hamburg
Germany

E-Mail: info@vetofilm.com




Biography

born 1982 in Neuss, Germany.
Lives and works in Hamburg.

Curriculum Vitae

since 2015
Artistic research assistant at HFBK Hochschule für bildende Künste Hamburg (Hamburg, Academy of Fine Arts)
2007-2014
Studied Fine Arts at HFBK Hochschule für bildende Künste Hamburg (Hamburg, Academy of Fine Arts)
2007
Participation in the classes by artist Guillermo Ueno, Buenos Aires, Argentina
2006-2007
Stay in Buenos Aires, Argentina with support of DAAD (German Academic Exchange Service)
2005-2007
Studied Media Studies and Spanish at University Hamburg
2003-2005
Studied Theatre- and Media Studies at Friedrich-Alexander-University Erlangen-Nürnberg


Exhibitions / Screenings

2018
International Film Festival Rotterdam, Netherlands
FICUNAM International Film Festival, Mexico
Jeonju International Film Festival, South Corea
Istanbul International Independent Film Festival, Turkey
Stranger Than Fiction, Cologne, Germany
Ton-Zeit-Bild, Kassel, Germany
Periphere Film Festival, Marburg, Germany

2017
Venice Film Festival, Settimana Internazionale della Critica, Venice, Italy
Festival de Nouveau Cinema, Montreal, Canada
Berwick Film & Media Arts Festival, Berwick, UK
Filmfest Hamburg, Hamburg, Germany
2. Hamburger Film-In, Hamburg, Germany
Nordische Filmtage, Lübeck, Germany
Filmwoche Duisburg, Duisburg, Germany
“Skulpturen Projekte”, Achter Salon, Hamburg, Germany
ZINEBI Filmfestival, Bilbao, Spain
Kaunas International Film Festival, Lithuania
Lacenodoro International Film Festival, Italy
“Transformations”, ULYS, Odense, Denmark
“Mountains”, Muratcentoventidue Artecontemporanea, Bari, Italy
“Empfindliches Rauschen / Tender Noise”, Gallery Melike Bilir / Level One, Hamburg

2016
“The Wildness of Waves”, Westwerk, Hamburg
“Representing Germany: The Veddel Embassy”, Venice, Italy
“LichtSpielRaum”, AKKU, Stuttgart
“Incertitudes”, Goethe Institut Marseille, France
“New Talents Biennale Cologne”, Cologne
“Komma”, Kunstverein Springhornhof, Neuenkirchen
“Kinship”, Kunstverein Harburger Bahnhof, Hamburg

2015
“Beyond The Surface”, Laborneunzehn, Berlin
“Films about Somewhere”, Galerie Schneeeule, Berlin
FICIC Festival Internacional de Cine Independiente de Cosquín, Argentina
“The Darkness Collection”, Circulo de Bellas Artes, Madrid, Spain
“Your Skin Makes Me Cry”, Kuandu Museum of Fine Arts, Taipei, Taiwan
“Incertitudes”, Goethe Institut Paris, France
“New German Video Art”, Alternative Space, Seoul, Corea
“Your Skin Makes Me Cry”, Goethe Institut Chicago, Chicago, USA
“The Darkness Collection”, Punto de Vista Filmfestival, Pamplona, Spain

2014
New Directors-New Films (MoMA und Film Society of Lincoln Center), New York, USA
Fullframe Festival (MUMOK) Wien, Austria
Festival du Nouveau Cinéma, Montreal, Canada
Petersburger Salon, curated by Pitt Sauerwein, Hamburg
Ann Arbor Film Festival, USA Images Festival, Toronto, Canada
Bucharest International Experimental Film Festival, Romania
Underdox - Filmfestival für Dokument und Experiment, Munich
New Horizons International Film Festival, Warsow, Poland
Curtocircuito International Short Film Festival, Santiago de Compostela, Spain
Int. Kurzfilmfestival Hamburg
Int. Short Film Festival Regensburg
Dresden Int. Short Film Festival
Kyiv, International Short Film Festival, Ukraine
Timishorts Filmfestival, Timisoara, Romania
“Ein Gespräch unter Ahornbäumen” in collaboration with Theresa George, “Folgendes” HfbK, Hamburg

2013
International Short Film Festival Oberhausen
“Noches Alemanas”, Museo Vostell Malpartida , curated by Berta Sichel, Spain
Gruppenausstellung CALL “Macht und Gewohnheit”, Galerie Speckstraße, Hamburg
Symposium “Schutzraum”, kuratiert von Vanessa Nica Müller und Anna-Lena Grau, Bremen
European Media Art Festival, Osnabrück
Curta Cinema, Rio de Janeiro, Brasil
International Short Film Festival Hamburg
Dokfest, Dokumentarfilm- und Videofest Kassel
Documentary Film Festival, Hamburg
“Unten am Havn - Copenhagen meets Hamburg”, Hamburg
FEMINA Film Festival, Rio de Janeiro, Brasil
Open Cinema Film Festival, St. Petersburg, Russia
Filmfest Weiterstadt
Filmfest Münster
Nordisches Filmforum Lübeck
Kurzfilmfestival Flensburg
OZU Filmfestival, Italy
Exground Filmfestival, Wiesbaden
Int. Short Film Festival Istanbul, Turkey
Zwergwerk Oldenburg

2012
Performance “Del efecto coriolis y otras fuerzas, parte 2” (Vom Coriolis Effekt und anderen Kräften, Teil 2) in collaboration with Josefina Gill, Galerie 21, Hamburg
European Media Art Festival Osnabrück
Int. Shortfilmweek Regensburg
Exhibition “Werders Wohnzimmer”, Karlsruhe
Ausstellung “Offline”, Lokal Hamburg

2011
Performance “Del efecto coriolis y otras fuerzas” (Vom Coriolis Effekt und anderen Kräften, Teil 1) in collaboration with Josefina Gill , Universidad Torcuato di Tella, Buenos Aires,Argentina
“Beziehungsweisen” , Gallery Hinterconti, Hamburg
Open Cinema FilmFestival, St. Petersburg, Russia
Int. Videofestival Bochum
Int. ShortFilmFestival Hamburg
Exground Filmfest Wiesbaden
Ambulart, Muestra de arte visual, Ecuador, Mexico, Hamburg
Dukafest, Bosnia and Hercegovina
Landau Int. Short Film Festival Filmzeit Kaufbeuren
Alternative Int. Short Film Festival, Belgrad, Serbia
FEMINA - Festival International de Cinema Feminino, Brasil
Karlsruher Kurzfilmnacht, Karlsruhe

2010
“Experimental Cinema between Documentary and Fiction”, Forgotten Bar Project, Berlin
Opening exhibition of the artist studio “Der Gang”, Hamburg
Ambulart - Muestra de Arte Audiovisual, Ecuador, Mexico, Hamburg
Open Eyes Filmfest Marburg

2009
“Liebes Dilemma”, Gallery Genscher, Hamburg
Gruppenausstellung „Between Art and Idea“, “Museum of Art and Ideas“ Gallery HfbK Hamburg
Clayonnage Compact, Hamburg
„Mauern“, POW, Hamburg

2007
“Volver a cero” (Back to cero) in Zusammenarbeit mit Ximena Cosin, Galerie Tost, Buenos Aires
Exhibition “Offline”, Lokal Hamburg

Awards / grants

2017
Laceno d’Oro Best Feature Film Award for DRIFT at Laceno d’Oro Film Festival, Italy
Special Jury Mention for DRIFT at ZINEBI Bilbao, International Film Festival, Spain
2015

„Neue Kunst in Hamburg“, Travel grant
2015
Work grant for Fine Arts by Kulturbehörde Hamburg (Hamburger Arbeitsstipendium für bildende Kunst)
2014
HFBK-Film Award by Hamburgische Kulturstiftung for 21,3°C
2014
Karl H. Ditze Award 2014 for 21,3°C
2013
Main Award “Experiment” at Int. Short Film Festival Flensburg for WILDNIS (THE WILD)
2010-2013
Scholarship Studienstiftung des deutschen Volkes (German National Academic Foundation)
2013
Project Funding for WILDNIS (THE WILD) by Freundeskreis der HfbK Hamburg

Helena Wittmann
born 1982 in Neuss, Germany.Lives and works in Hamburg. Curriculum Vitae since 2015Artistic research assistant at HFBK Hochschule für bildende Künste Hamburg (Hamburg, Academy of Fine Arts)2007-2014Studied Fine Arts at HFBK Hochschule für bildende Künste Hamburg (Hamburg, Academy of Fine Arts)2007Participation in the classes by artist Guillermo Ueno, Buenos Aires, Argentina2006-2007Stay in Buenos Aires, Argentina with support of DAAD (German Academic Exchange Service)2005-2007Studied Media Studies and Spanish at University Hamburg2003-2005Studied Theatre- and Media Studies at Friedrich-Alexander-University Erlangen-Nürnberg Exhibitions / Screenings2018International Film Festival Rotterdam, NetherlandsFICUNAM International Film Festival, MexicoJeonju International Film Festival, South CoreaIstanbul International Independent Film Festival, TurkeyStranger Than Fiction, Cologne, GermanyTon-Zeit-Bild, Kassel, GermanyPeriphere Film Festival, Marburg, Germany2017Venice Film Festival, Settimana Internazionale della Critica, Venice, ItalyFestival de Nouveau Cinema, Montreal, CanadaBerwick Film & Media Arts Festival, Berwick, UKFilmfest Hamburg, Hamburg, Germany2. Hamburger Film-In, Hamburg, GermanyNordische Filmtage, Lübeck, GermanyFilmwoche Duisburg, Duisburg, Germany“Skulpturen Projekte”, Achter Salon, Hamburg, GermanyZINEBI Filmfestival, Bilbao, SpainKaunas International Film Festival, LithuaniaLacenodoro International Film Festival, Italy“Transformations”, ULYS, Odense, Denmark“Mountains”, Muratcentoventidue Artecontemporanea, Bari, Italy“Empfindliches Rauschen / Tender Noise”, Gallery Melike Bilir / Level One, Hamburg2016“The Wildness of Waves”, Westwerk, Hamburg“Representing Germany: The Veddel Embassy”, Venice, Italy“LichtSpielRaum”, AKKU, Stuttgart“Incertitudes”, Goethe Institut Marseille, France“New Talents Biennale Cologne”, Cologne“Komma”, Kunstverein Springhornhof, Neuenkirchen“Kinship”, Kunstverein Harburger Bahnhof, Hamburg2015“Beyond The Surface”, Laborneunzehn, Berlin“Films about Somewhere”, Galerie Schneeeule, BerlinFICIC Festival Internacional de Cine Independiente de Cosquín, Argentina“The Darkness Collection”, Circulo de Bellas Artes, Madrid, Spain“Your Skin Makes Me Cry”, Kuandu Museum of Fine Arts, Taipei, Taiwan“Incertitudes”, Goethe Institut Paris, France“New German Video Art”, Alternative Space, Seoul, Corea“Your Skin Makes Me Cry”, Goethe Institut Chicago, Chicago, USA“The Darkness Collection”, Punto de Vista Filmfestival, Pamplona, Spain2014New Directors-New Films (MoMA und Film Society of Lincoln Center), New York, USAFullframe Festival (MUMOK) Wien, AustriaFestival du Nouveau Cinéma, Montreal, CanadaPetersburger Salon, curated by Pitt Sauerwein, HamburgAnn Arbor Film Festival, USA Images Festival, Toronto, CanadaBucharest International Experimental Film Festival, RomaniaUnderdox - Filmfestival für Dokument und Experiment, MunichNew Horizons International Film Festival, Warsow, Poland Curtocircuito International Short Film Festival, Santiago de Compostela, SpainInt. Kurzfilmfestival HamburgInt. Short Film Festival RegensburgDresden Int. Short Film FestivalKyiv, International Short Film Festival, UkraineTimishorts Filmfestival, Timisoara, Romania“Ein Gespräch unter Ahornbäumen” in collaboration with Theresa George, “Folgendes” HfbK, Hamburg 2013International Short Film Festival Oberhausen“Noches Alemanas”, Museo Vostell Malpartida , curated by Berta Sichel, SpainGruppenausstellung CALL “Macht und Gewohnheit”, Galerie Speckstraße, HamburgSymposium “Schutzraum”, kuratiert von Vanessa Nica Müller und Anna-Lena Grau, BremenEuropean Media Art Festival, OsnabrückCurta Cinema, Rio de Janeiro, BrasilInternational Short Film Festival HamburgDokfest, Dokumentarfilm- und Videofest KasselDocumentary Film Festival, Hamburg“Unten am Havn - Copenhagen meets Hamburg”, HamburgFEMINA Film Festival, Rio de Janeiro, BrasilOpen Cinema Film Festival, St. Petersburg, RussiaFilmfest WeiterstadtFilmfest MünsterNordisches Filmforum LübeckKurzfilmfestival FlensburgOZU Filmfestival, ItalyExground Filmfestival, WiesbadenInt. Short Film Festival Istanbul, TurkeyZwergwerk Oldenburg2012Performance “Del efecto coriolis y otras fuerzas, parte 2” (Vom Coriolis Effekt und anderen Kräften, Teil 2) in collaboration with Josefina Gill, Galerie 21, HamburgEuropean Media Art Festival OsnabrückInt. Shortfilmweek RegensburgExhibition “Werders Wohnzimmer”, KarlsruheAusstellung “Offline”, Lokal Hamburg 2011Performance “Del efecto coriolis y otras fuerzas” (Vom Coriolis Effekt und anderen Kräften, Teil 1) in collaboration with Josefina Gill , Universidad Torcuato di Tella, Buenos Aires,Argentina“Beziehungsweisen” , Gallery Hinterconti, HamburgOpen Cinema FilmFestival, St. Petersburg, RussiaInt. Videofestival BochumInt. ShortFilmFestival HamburgExground Filmfest WiesbadenAmbulart, Muestra de arte visual, Ecuador, Mexico, HamburgDukafest, Bosnia and HercegovinaLandau Int. Short Film Festival Filmzeit KaufbeurenAlternative Int. Short Film Festival, Belgrad, SerbiaFEMINA - Festival International de Cinema Feminino, BrasilKarlsruher Kurzfilmnacht, Karlsruhe 2010“Experimental Cinema between Documentary and Fiction”, Forgotten Bar Project, BerlinOpening exhibition of the artist studio “Der Gang”, HamburgAmbulart - Muestra de Arte Audiovisual, Ecuador, Mexico, HamburgOpen Eyes Filmfest Marburg 2009“Liebes Dilemma”, Gallery Genscher, HamburgGruppenausstellung „Between Art and Idea“, “Museum of Art and Ideas“ Gallery HfbK HamburgClayonnage Compact, Hamburg„Mauern“, POW, Hamburg 2007“Volver a cero” (Back to cero) in Zusammenarbeit mit Ximena Cosin, Galerie Tost, Buenos AiresExhibition “Offline”, Lokal Hamburg Awards / grants2017Laceno d’Oro Best Feature Film Award for DRIFT at Laceno d’Oro Film Festival, ItalySpecial Jury Mention for DRIFT at ZINEBI Bilbao, International Film Festival, Spain2015 „Neue Kunst in Hamburg“, Travel grant 2015 Work grant for Fine Arts by Kulturbehörde Hamburg (Hamburger Arbeitsstipendium für bildende Kunst) 2014 HFBK-Film Award by Hamburgische Kulturstiftung for 21,3°C 2014 Karl H. Ditze Award 2014 for 21,3°C 2013 Main Award “Experiment” at Int. Short Film Festival Flensburg for WILDNIS (THE WILD) 2010-2013 Scholarship Studienstiftung des deutschen Volkes (German National Academic Foundation) 2013 Project Funding for WILDNIS (THE WILD) by Freundeskreis der HfbK Hamburg

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