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blinkvideo - research of video art, performance and multimedia installations.

blinkvideo - research of video art, performance and multimedia installations.


blinkvideo the platform for . . .

artists we provide a platform for extensive presentation of media works, gallerists get a direct contact to international professional audiences, collectors find a worldwide overview of contemporary trends in moving image, curators can do research via keywords and compilations, teachers use presentation opportunities for students and all professionals get password protected, extensive information about video works worldwide.

Moving Images / Moving Bodies
Online screening programme in cooperation
with the Goethe-Institut Bulgaria

Curated by Ludwig Seyfarth

Research into the human body and interpersonal relationships remain central themes in video and moving image art. Artists from Bulgaria and Germany, whose work is related in content, will be shown in pairs over the next weeks. The exhibition planned for November 2020 in Sofia has been postponed until 2021. Instead, a consecutive presentation of selected films by artists from Moving Bodies/Moving Images is presented on blinkvideo.
image: © Elitsa Dimitrova

Shooting Ghosts
Online screening programme in cooperation
with the Goethe-Institut Bulgaria

Curators: Kalin Serapionov, Krassimir Terziev

What we propose in this programme is a highly subjective and fragmented view on current practices in moving image in the Bulgarian art scene. We focused on practices that show affinity with speculative narratives - narratives that not just record what is in front of the cinematic eye, but also capture all the ghosts that are unreachable by the apparatus, thus projecting speculative views that intend not merely to describe, but to transform the world.
image: © Veneta Androva

UNSTILLED LIFE: Artist Animations 1980-2020
Curated by Emma Cousin and Paul Carey-Kent

Why this show, here and now? British artist-curator Emma Cousin and writer-curator Paul Carey-Kent recently pulled together a choice of artist animations, thinking that the increasingly vibrant medium is especially suited to the online emphasis of the locked down art world of 2020. Three of them turned out to be represented by Ron Mandos, making the Amsterdam gallery ideal hosts. The cast is international, and to reflect that Tintype gallery in London and Hamburg’s blinkvideo have joined in with variations on the programme. 
Markus Vater Worlds don’t come easy, 2020

Expanding Bauhaus.
New Reflections on the Bauhaus Movement in Time-Based Media Art / Goethe Institute Netherlands

A screening series selected by Elke Kania (Cologne), Julia Sökeland (Hamburg) and Ludwig Seyfarth (Berlin)

With its combination of various arts such as painting, photography film, architecture, fashion, product and interior design and textile art, the Bauhaus is still considered the epitome of a technologically advanced modernity. Last but not least, the attempt to create the whole society aesthetically, inspired many artists worldwide.
Image: © Adnan Softic

Featured videos

Alexandra Meijer-Werner
Kreislauf / cycle … revolution … circulation, 1997

Kreislauf is an oneiric trip about the continuous cycle of human rebirth. Our dreams create the fabric in which the threads or individual tendencies appear and disappear, only to become visible once again. The dynamic of this video is a weave of repetitions and juxtapositions of the experiences that create the dance of life. Everything is cyclic, nothing disappears; everything is perpetually mutating in landscapes of anguish and joy, violence and calm, solitude and union. The traveler is the active force of his own fate when he realizes that what is most significant in life is the act of living itself.

Björn Braun
without title (excerpt), 2012

Sandra Boeschenstein
Besuchte Linie auf Granit, 2014

I encountered the roundworm in the Alps when I attempted to repair the water catchment of the cabin after a storm. I wished for this animal found at the spring to be a visited line, then searched for potential visitors and found, just nearby, a nest of firebugs in a dried chestnut leaf, which I placed just outside of the image field. The granite slab, roundworm, bugs’ nest and a fly lived their lives within a radius of 100 meters. My part in this was to bring them into direct proximity for the duration of an hour, to focus my camera and to breathe onto the upper part of the lens, in order to increase the atmospheric depth of the picture. Finally, to come to the allegation I’ve made via the title that something was a line that actually is an animal (when normally, in a contrary approach, characteristically formed lines represent animals or the like). The combination of the simplicity in the foundation / bedrock with a simultaneous insecurity in view of scale and nature of this white line, holds my fascination.

Isabella Fürnkäs
In Ekklesia, 2015

The title, ‘In Ekklesia,’ comes from the Greek word ‘ecclesia,’ which refers to the democratic parliament that served Athens in its halcyon days by being open to male citizens every other year. Solon, an Athenian legislator and a sage, allowed all citizens to serve the parliament regardless of their social class in BC 594. The Ecclesia made decisions about war, military strategies, and all judicial and administrative issues. This work satirizes various facets of humans and machines in the 21st century, unconsciously within a dystopian environment. Isabella Fürnkäs introduces a method of combining and overlaying countless images in her work, providing the new experience of sensations that act in ambiguous flows, movements, interference, and interjection. The piece is about the new metaphysical and material connections appearing through digital conversations that are divorced from the general notion of time and space, as well as isolation and alienation. Text by Hyun Jeung Kim (Nam June Paik Art Center Seoul)

Ryan Gander
Man on a bridge - (A study of David Lange) , 2008

A digital video transferred from 16 mm film shows a number of slightly differing takes of the same short sequence: A man walks over a bridge and seems to notice something over the railing to his left hand side. As he moves in for a closer inspection, the film cuts, which is then followed by another take of the same shot.

Wim Catrysse
MSR, 2014

On the Kuwait roads the journey goes in a western direction, past military bases and a line of oil transporters. Dreary sound sequences are pumped out by the radio. In the middle of rubbish heaps by the roadside a pack of wild dogs is trying to find shelter from the wind. Wim Catrysse presents the Kuwait desert both as a post-apocalyptic setting and as protagonist. During the journey, the car window is an obstacle, made even more so by the screen. The viewer, dumped in the desert, does not manage to reach it through the window. MSR, the Main Supply Route, is the main highway used to coordinate military operations in the Gulf War in 1990/91 and the War in Iraq in 2003. Filming is forbidden here, so the pack of wild dogs carries the story at first. But their behaviour keeps on bringing the desert into focus as the principal actor. Underlined by the sound track, its seeming hostility to life awakens the impression of a dystopian timelessness reminiscent of the apocalyptic scenarios in films and makes the viewer feel ill at ease. Catrysse examines conventions, both in a political-dogmatic and in a filmic sense.Nathalie Ladermann

Johanna Reich
CRAWLER, 2020

A crawler is a searchbot in the internet which Johanna Reich uses to collect special comments or phrases about the most discussed topics during the last years like A.I., climate change, digital revolution, gender and the turn of democratic systems. Johanna Reich selects several of the collected phrases composing a robot performance: self-driving projectors move across the exhibition space and project comments about a.i., gender or climate change onto the audience and architecture.

Annika Kahrs
solid surface, with hills, valleys, craters and other topographic...., 2014

solid surface,with hills,valleys,craters and other topographic features,primarily made of ice„solid surface, with hills, valleys, craters and other topographic features, primarily made of ice“ is set in a planetarium with a projected starry sky, in the center of which is situated a light spot, that explores the space. The Film deals with the moment, shortly before the actual visualization of pluto’s surface properties, whereas the entire cupola hall of the planetarium serves as a metaphorical projection surface of Pluto. The round light spot formally points to the shape of the celestial object and functions as placeholder for its soon arising image.

Ann Oren
The World Is Mine, 2017

In cosplay of the Japanese cyber diva Hatsune Miku, the artist moved to Tokyo, seeking an identity in the world of Miku fanatics, where she was drawn into a love affair with one of the fans. Miku is a Vocaloid, a vocal synthesizer software personified by a cute animated character. Her entire persona: lyrics, music and animation – is fan created, and that's her charm. She even performs sold out concerts as a hologram. By transforming herself into a Miku character through cosplay, Oren enters a world of real hardcore fans where fantasy is more real than reality and the differentiation between the two becomes obsolete. The film examines the performative nature of cosplaying – dressing up and playing the role of fictional characters – as a hybrid space where reality blurs into fetishistic fantasies and pop culture clichés. Combining fan-made lyrics and songs, Oren's trials and tribulations in the fictional Miku world unfolds through vague erotic episodes and encounters with characters whose ontological status remains mysterious, bringing to mind the adventures of a modern Alice in a virtual Wonderland.

Jonathan Monaghan
Den of Wolves, 2020

Den of Wolves is a seamlessly-looping video installation drawing on a range of references to weave a new multi-layered mythology. The work follows three bizarre wolves through a series of increasingly surreal retail stores as they search for the regalia of a monarch. Composed of one continuous camera shot, the work is an immersive, dreamlike journey drawing connections between popular culture, institutional authority and technological over-dependence.

Stefan Panhans
HOSTEL Sequel #1: Please Be Careful Out There, Lisa Marie – H.V.Installation Mix, 2018

At transmediale, Stefan Panhans and Andrea Winkler show their work HOSTEL Sequel #1: Please Be Careful Out There, Lisa Marie – Hybrid Version, a new project that combines film, installation, and staccato stage reading (on blinkvideo we are showing a trailer of the integrated film). With everyday racism, celebrity worship, stereotypes, and the dominating power of the economic all on the rise, precariously and flexibly traveling cultural workers of different origin deliver a sort of spoken word battle about their experiences and dreams. They constantly switch roles and, at the same time, form a choir that clashes with the rapped reports of everyday life. As in a collaborative gymnastic exercise—surrounded by scenery made up of set pieces from outfits of airports, hostels, and courier services, from self-optimization tools and game show displays—they fight for a voice and to be heard, building new alliances along the way. for more information: opening of transmediale

Mariola Brillowska
Children Of The Devil, 2011

Mariola Brillowska’s animation film relates the total collapse of the family system in the 21st century. Six cartoon episodes present an unsparing account of how children become murderers of their parents.

Julia Charlotte Richter
Point Blank, 2019

“Point Blank” refers to a film scene from "The Misfits" (1961) that is now re-enacted and further contextualized. In the original scene, the recently divorced main character Roslyn (Marilyn Monroe) rises up against three worn-out cowboys and, in the middle of the desert, confronts the men with all their lacks and lost dreams. In “Point Blank”, we see a young woman wandering around in surreal desert landscapes, a journey into the remoteness of the world and her own inner life. With every step out into the desert, the girl descends into her own depths searching for a place that seems to be suitable for her emotions and words. Unlike Roslyn, the young woman now refers to absent addressees: "Liars", "Murderers" and "Dead Men" she screams and turns around wildly. The words, which spread like bullets in the air, fall back on her. Except for a faint echo, there is no resonance at this place that depicts the obsessions of a distorted, patriarchal society and has become a dramatic backdrop of yearnings within the collective history of cinema. Where Roslyn was able to elicit a terrified astonishment from the three men, the character in Julia Charlotte Richter's video remains to herself and unheard, the desert as the only witness of her manifesto, her anger and her strength.

Ulrich Polster
Frost, 2003 / 2004

The night city. Industrial ruins filmed in contrejour. Memories from childhood. Different places and times combined at the mountain. It is a hollow portrait of Eastern Europe that carries the traces of its history.

Ene-Liis Semper
FF REW, 1998

Dimitri Venkov
The Hymns of Muscovy, 2018

The film is a trip to the planet Muscovy, which is an upside down space twin of the city of Moscow. As the title of the work suggests, the journey also takes us back in time. Gliding along the surface of the planet, we look down to the sky and see historic architectural styles fly by - the exuberant Socialist Classicism aka Stalinist Empire, the laconic and brutish Soviet Modernism, and the hodgepodge of contemporary knock-offs and revivals of the styles of the past. An essential companion to this journey through time and space are Hymnic Variations on the Soviet anthem by the composer Alexander Manotskov. The anthem was written in 1943 and has undergone three editions of lyrics yet musically remained unchanged to now serve as the official anthem of the Russian Federation. Manotskov used an early recording of the anthem as source material to create three electronic variations each corresponding to an architectural style. As if in a twist of Goethe’s phrase, architecture plays its frozen music. Look closely, can you hear it?

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Would you like to share your videos online? Or would you like to focus attention on a video work? Or would you like to compile and show videos on a specific topic? You can do so with the new tool on blinkvideo.
Create a favorites list as follows:
When you're logged in, a little sign "add to favorite list" will appear below each video. With the click on it, you add the film to your favorites list. When you have collected all the works, open your favorites list and you can share the list with blinkvideo. We will then receive a message and put the compilation online.
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blinkvideo is a website for the research of video art. Founders: Julia Sökeland, Anita Beckers. blinkvideo ist eine Plattform zur Recherche nach Videokunst

Pablo Lobato

Works


Galleries

Luciana Brito Galeria
Julia Brito
R. Gomes de Carvalho 842
04547-003 São Paulo, SP
Brazil

Phone: 55 11 3842 0634
E-Mail: info@lucianabritogaleria.com.br




Biography

born in Bom Despacho, Brazil 1976
lives in Belo Horizonte, Brazil

Education

BA - Faculdade de Comunicação e Artes - PUC Minas
Cinema - PUC Minas / UFMG
Photography - Escola Guignard - UEMG

Solo shows

2014 Coupure, Latence, Galerie Bendana – Pinel, Paris, França
2012 Do Corte, Luciana Brito Galeria, São Paulo, Brazil
2011 Expiração 02, Atelier Subterrânea, Porto Alegre, Brazil
2010 O Que Pode a Expiração, Museu Inimá de Paula, Belo Horizonte, Brazil

Selected group exhibitions and *film festivals

2015
19th International Contemporary Art Festival SESC_Videobrasil. Curadoria: Solange Farkas, Bernardo de Souza, Bitu Cassundé, João Laia e Júlia Rebouças. SESC Pompéia, São Paulo, Brasil.
A Fotografia no Acervo do MAC/PR. Curadoria: Lenora Pedroso. Curitiba, Brasil.
Aquisições Recentes. Museu de Arte do Rio Grande do Sul Ado Malagoli. Porto Alegre, Brasil.
Bienal Internacional de Curitiba – Luz do Mundo. Curadoria: Teixeira Coelho, Daniel Rangel. Curitiba, Brasil
Tensamientos: más allá de la forma. Curadoria: Enrique A. Madrid. Machala, Equador.
Trienal de Artes – Frestas. Curadoria: Josué Matos. Sorocaba, Brasil
*61° International Short Film Festival Oberhausen. Curadoria: Hilke Doering. Oberhausen, Germany
*53° Ann Arbor Film Festival. Curadoria: David Dinnell. Ann Arbor, U.S.

2014
BIM – Bienal de la Imagem en Movimiento. Curadoria: Gabriela Golder. Buenos Aires, Argentina
Bienal de Montevideo. Curadoria: Alfons Hug. Montevideo, Uruguay
Nuit Blanche Video. Carpenters Workshop Gallery. London, England
Pela Superfície das Páginas. Curadoria: Júlio Martins. Espaço Cultural Marcantonio Vilaça. Brasília, DF
Tatu: Futebol, Adversidade e Cultura da Caatinga. Curadoria Paulo Herkenhoff e Eduardo Frota. MAR – Museu de Arte do Rio. Rio de Janeiro, RJ
Distrações da Memória. Curadoria Ana Zavadil. MARGS - Museu de Arte do Rio Grande do Sul Ado Malagoli. Porto Alegre, RS
Viva Maria. Curadoria Maria Montero. Luciana Brito Galeria. São Paulo. SP
O Jogo Só Acaba Quando Termina. Curadoria Alfons Hug. Sesc Vila Mariana. São Paulo, SP (Abril)
Janeiro. Bendana | Pinel Art Contemporain. Paris, France

2013
18th International Contemporary Art Festival SESC_Videobrasil, SESC Pompéia São Paulo, Brazil (November)
Arquivo vivo, Paço das Artes, São Paulo, Brazil (October)
O jogo só acaba quando termina!, Museu Nacional de Brasília, DF, Brazil
Ambiguações, Centro Cultural Banco do Brasil, Rio de Janeiro, Brazil
Obra como arquivo. Arquivo como obra, OVO, São Paulo, Brazil
Sharjah Biennial, Sharjah, United Arab Emirates
Convite à Viagem, Paço Imperial, Rio de Janeiro, Brazil
*Mostra de Cinema de Tiradentes, Tiradentes, Brazil

2012
Poetas en tiempos de escasez, Museo de Arte Contemporáneo, Santiago, Chile
Poetas en tiempos de escasez, Centro de Arte Contemporáneo, Quito, Ecuador
Place of Residence, ShanghART Gallery, Shanghai, China
Via Brazil, Wexner Center for the Arts, Ohio, EUA
À Deriva, Museu de Arte de Joinville, Brazil
Through the Surface of the Pages, Havard University, Cambridge, EUA
The Storytellers, Stenersen Museum, Oslo, Norway
O Fio do Abismo, Casa das Onze Janelas, Belém, Brazil
Poetas en tiempos de escasez, Museo Caraffa, Córdoba, Argentina
Poetas en tiempos de escasez, Centro Cultural de Santa Cruz, Santa Cruz de la Sierra, Bolivia
Videoformes, Clermont-Ferrand, France
O Triunfo do Contemporâneo, Santander Cultural, Porto Alegre, Brazil
Poetas en tiempos de escasez, Galeria Juan Pardo Heeren - ICPNA, Lima, Peru
Convite à viagem, Instituto Itaú Cultural, São Paulo, Brazil

2011
Poetas en tiempos de escasez, SUBTE, Montevideo, Uruguay
Panorama da Arte Brasileira – Itinerários, Itinerâncias, Museu de Arte Moderna de São Paulo, São Paulo, Brazil
17th International Contemporary Art Festival SESC_Videobrasil, São Paulo, Brazil
* São Paulo International Short Film Festival, São Paulo, Brazil
Estratégias para Luzes Acidentais, Galeria Luciana Brito, São Paulo, Brazil
Biennial of Cerveira, Cerveira, Portugal
Sismógrafo, Palácio das Artes - Galeria Alberto da Veiga Guignard, Belo Horizonte, Brazil
* Mostra de Cinema de Tiradentes, Tiradentes, Brazil

2010
O que exatamente vocês fazem, quando fazem ou esperam fazer curadoria?, Centro Cultural Banco do Nordeste, Fortaleza, Brazil
* 43ª Festival de Brasília do Cinema Brasileiro, Brasília, Brazil
O Desejo da Forma - Neoconcretismo and Contemporary Art from Brazil, Akademie der Kunst, Berlin, Germany
Cross Fade, Yerba Buena Center for the Arts, San Francisco, EUA

2009
In and Out of Context, New Museum, New York, EUA
Cartas/Trajetos, Usina Cultura Energisa, João Pessoa, Brazil
Documentary Fortnight, MoMA, New York, EUA
Convite Cordial, Plataforma Revólver, Lisboa, Portugal

2008
Panorâmica, Museo Tamayo Arte Contemporánea, Ciudad de México, México
Oferenda, Rhys Mendes Gallery, Belo Horizonte, Brazil
Preparatória, Museu de Arte da Pampulha, Belo Horizonte, Brazil
Prêmio Atos Visuais, Galeria Fayga Ostrower, Brasília, Brazil
* 55º Sydney Film Festival, Sydney, Australia
* 23º Festival Internacional de Cine en Guadalajara, Guadalajara, México
* Brasil, Museu Nacional Centro de Arte Reina So?a, Madrid, Spain

2007
Panorama da Arte Brasileira – Contraditório, Museu de Arte Moderna de São Paulo, São Paulo, Brazil
* 52º Corona Cork Film Festival, Cork, Ireland
* 13º Encounters Short Film Festival, Bristol, UK
* 29º Festival Internacional del Nuevo Cine Latinoamericano, Havana, Cuba
* Copenhagen International Film Festival, Copenhagen, Denmark
* Festival de Cinema do Rio de Janeiro, Rio de Janeiro, Brazil
* 60º Film Festival Locarno, Locarno, Switzerland
* 38º Tampere Film Festival, Tampere, Finland
* Sundance Film Festival, Park City, EUA
* 36º International Film Festival Rotterdam, Rotterdam, Netherlands
* 22º Mar Del Plata International Film Festival, Mar Del Plata, Argentina
* 24º Miami International Film Festival, Miami, EUA
* 22º Festival Internacional de Cine en Guadalajara, Guadalajara, México

2006
* 59º Film Festival Locarno, Locarno, Switzerland
* Festival de Cinema do Rio de Janeiro, Rio de Janeiro, Brazil
* 30ª Mostra Internacional de Cinema de São Paulo, São Paulo, Brazil
* 10º Festival do Filme Documentário e Etnográ?co, Belo Horizonte, Brazil

2005
Espaços Cegos, Sesc Pinheiros, São Paulo, Brazil
* 15º Festival Internacional de Arte Eletrônica - Videobrasil, São Paulo, Brazil
* Fokus Südamerika - KunstFilmBiennale Köln, Köln, Germany
* K.O. Video Festival, Durban, South Africa

2004
* 7º Cine las Américas - International Flm Festival, Austin, EUA
* 8º Florianópolis Audiovisual Mercosul – FAM, Florianópolis, Brazil
* 26º Festival Internacional del Nuevo Cine Latinoamericano, Havana, Cuba
* 14º Festival Internacional de Arte Eletrônica – Videobrasil, Laboratório Arte Alameda, Ciudad México, México
* Cinema Marginal: Um Cinema de Invenção, Centro Cultural Belo Horizonte, Belo Horizonte, Brazil
* Mostra Curta Minas – FUNCEB, Fundación Centro de Estudos Brasileiros, Buenos Aires, Argentina

2003
En:doze, Galeria de arte da Cemig, Belo Horizonte, Brazil
* 14º Festival Internacional de Curtas-Metragens de São Paulo, São Paulo, Brazil
* 7º Florianópolis Audiovisual Mercosul – FAM, Florianópolis, Brazil
* Indie - Mostra do Cinema Mundial, Belo Horizonte, Brazil
* Mostra Teia, Itaú Cultural, Belo Horizonte, Brazil
* 6ª Mostra de Cinema de Tiradentes, Tiradentes, Brazil
* 14º Festival Internacional de Arte Eletrônica - Videobrasil, São Paulo, Brazil

2002
* Mostra Rumos Itaú Cultural Cinema e Vídeo, Instituto Itaú Cultural, Belo Horizonte, São Paulo e Campinas, Brazil
* 12º Curtacinema - Festival Internacional de Curtas do Rio de Janeiro, Rio de Janeiro, Brazil
* 5ª Mostra de Cinema de Tiradentes, Tiradentes, Brazil

2001
* Festival Internacional de Documentários - É Tudo Verdade, São Paulo e Rio de Janeiro, Brazil
* Panorama Brasil - Mostra Vídeo Itaú Cultural, Belo Horizonte, Brazil
* 13º Festival Internacional de Arte Eletrônica - Videobrasil, São Paulo, Brazil

Bursaires ans residencies

2009
Guggenheim Foundation, New York, EUA
2008
29º Salão Nacional de Arte de Belo Horizonte – Bolsa Pampulha, Belo Horizonte, Brasil
2004
Blind Spaces – Artistic Residency Programme in Durban, South Africa. Organised by CEIA and PULSE, supported by RAIN – Artists’ Initiatives Network

Awards and funding for produktion and resarch

2014
Prêmio de Aquisição LOOP – MACBA’s Foundation
2013
VI Concurso de Videoarte da Fundação Joaquim Nabuco
2012
Prêmio Aquisição do 64º Salão Paranaense, Museu de Arte Contemporânea do Paraná
2011
9º Prêmio Sergio Motta de Arte e Tecnologia
Programa Rumos Artes Visuais
Prêmio Filme em Minas - Finalização
2009
Prêmio Marcantonio Vilaça, Funarte
2008
Prêmio Atos Visuais, Funarte
Fundo Municipal de Incentivo à Cultura de Belo Horizonte
2006
Prêmio Estímulo – Concurso de seleção e concessão de patrocínio à produção de ?lmes de curta-metragem em 35mm. Realizado pela Curta Minas/ABD-MG
2005
Prêmio Filme em Minas para pesquisa e desenvolvimento de projeto audiovisual
2004
DOCTV – Programa de Fomento à Produção e Teledifusão do Documentário Brasileiro
2001
Fundo Municipal de Incentivo à Cultura de Belo Horizonte, Brasil
Programa Rumos Cinema e Vídeo


Pablo Lobato
born in Bom Despacho, Brazil 1976 lives in Belo Horizonte, Brazil Education BA - Faculdade de Comunicação e Artes - PUC Minas Cinema - PUC Minas / UFMG Photography - Escola Guignard - UEMG Solo shows 2014 Coupure, Latence, Galerie Bendana – Pinel, Paris, França 2012 Do Corte, Luciana Brito Galeria, São Paulo, Brazil 2011 Expiração 02, Atelier Subterrânea, Porto Alegre, Brazil 2010 O Que Pode a Expiração, Museu Inimá de Paula, Belo Horizonte, Brazil Selected group exhibitions and *film festivals 2015 19th International Contemporary Art Festival SESC_Videobrasil. Curadoria: Solange Farkas, Bernardo de Souza, Bitu Cassundé, João Laia e Júlia Rebouças. SESC Pompéia, São Paulo, Brasil. A Fotografia no Acervo do MAC/PR. Curadoria: Lenora Pedroso. Curitiba, Brasil. Aquisições Recentes. Museu de Arte do Rio Grande do Sul Ado Malagoli. Porto Alegre, Brasil. Bienal Internacional de Curitiba – Luz do Mundo. Curadoria: Teixeira Coelho, Daniel Rangel. Curitiba, Brasil Tensamientos: más allá de la forma. Curadoria: Enrique A. Madrid. Machala, Equador. Trienal de Artes – Frestas. Curadoria: Josué Matos. Sorocaba, Brasil *61° International Short Film Festival Oberhausen. Curadoria: Hilke Doering. Oberhausen, Germany *53° Ann Arbor Film Festival. Curadoria: David Dinnell. Ann Arbor, U.S. 2014 BIM – Bienal de la Imagem en Movimiento. Curadoria: Gabriela Golder. Buenos Aires, Argentina Bienal de Montevideo. Curadoria: Alfons Hug. Montevideo, Uruguay Nuit Blanche Video. Carpenters Workshop Gallery. London, England Pela Superfície das Páginas. Curadoria: Júlio Martins. Espaço Cultural Marcantonio Vilaça. Brasília, DF Tatu: Futebol, Adversidade e Cultura da Caatinga. Curadoria Paulo Herkenhoff e Eduardo Frota. MAR – Museu de Arte do Rio. Rio de Janeiro, RJ Distrações da Memória. Curadoria Ana Zavadil. MARGS - Museu de Arte do Rio Grande do Sul Ado Malagoli. Porto Alegre, RS Viva Maria. Curadoria Maria Montero. Luciana Brito Galeria. São Paulo. SP O Jogo Só Acaba Quando Termina. Curadoria Alfons Hug. Sesc Vila Mariana. São Paulo, SP (Abril) Janeiro. Bendana | Pinel Art Contemporain. Paris, France 2013 18th International Contemporary Art Festival SESC_Videobrasil, SESC Pompéia São Paulo, Brazil (November) Arquivo vivo, Paço das Artes, São Paulo, Brazil (October) O jogo só acaba quando termina!, Museu Nacional de Brasília, DF, Brazil Ambiguações, Centro Cultural Banco do Brasil, Rio de Janeiro, Brazil Obra como arquivo. Arquivo como obra, OVO, São Paulo, Brazil Sharjah Biennial, Sharjah, United Arab Emirates Convite à Viagem, Paço Imperial, Rio de Janeiro, Brazil *Mostra de Cinema de Tiradentes, Tiradentes, Brazil 2012 Poetas en tiempos de escasez, Museo de Arte Contemporáneo, Santiago, Chile Poetas en tiempos de escasez, Centro de Arte Contemporáneo, Quito, Ecuador Place of Residence, ShanghART Gallery, Shanghai, China Via Brazil, Wexner Center for the Arts, Ohio, EUA À Deriva, Museu de Arte de Joinville, Brazil Through the Surface of the Pages, Havard University, Cambridge, EUA The Storytellers, Stenersen Museum, Oslo, Norway O Fio do Abismo, Casa das Onze Janelas, Belém, Brazil Poetas en tiempos de escasez, Museo Caraffa, Córdoba, Argentina Poetas en tiempos de escasez, Centro Cultural de Santa Cruz, Santa Cruz de la Sierra, Bolivia Videoformes, Clermont-Ferrand, France O Triunfo do Contemporâneo, Santander Cultural, Porto Alegre, Brazil Poetas en tiempos de escasez, Galeria Juan Pardo Heeren - ICPNA, Lima, Peru Convite à viagem, Instituto Itaú Cultural, São Paulo, Brazil 2011 Poetas en tiempos de escasez, SUBTE, Montevideo, Uruguay Panorama da Arte Brasileira – Itinerários, Itinerâncias, Museu de Arte Moderna de São Paulo, São Paulo, Brazil 17th International Contemporary Art Festival SESC_Videobrasil, São Paulo, Brazil * São Paulo International Short Film Festival, São Paulo, Brazil Estratégias para Luzes Acidentais, Galeria Luciana Brito, São Paulo, Brazil Biennial of Cerveira, Cerveira, Portugal Sismógrafo, Palácio das Artes - Galeria Alberto da Veiga Guignard, Belo Horizonte, Brazil * Mostra de Cinema de Tiradentes, Tiradentes, Brazil 2010 O que exatamente vocês fazem, quando fazem ou esperam fazer curadoria?, Centro Cultural Banco do Nordeste, Fortaleza, Brazil * 43ª Festival de Brasília do Cinema Brasileiro, Brasília, Brazil O Desejo da Forma - Neoconcretismo and Contemporary Art from Brazil, Akademie der Kunst, Berlin, Germany Cross Fade, Yerba Buena Center for the Arts, San Francisco, EUA 2009 In and Out of Context, New Museum, New York, EUA Cartas/Trajetos, Usina Cultura Energisa, João Pessoa, Brazil Documentary Fortnight, MoMA, New York, EUA Convite Cordial, Plataforma Revólver, Lisboa, Portugal 2008 Panorâmica, Museo Tamayo Arte Contemporánea, Ciudad de México, México Oferenda, Rhys Mendes Gallery, Belo Horizonte, Brazil Preparatória, Museu de Arte da Pampulha, Belo Horizonte, Brazil Prêmio Atos Visuais, Galeria Fayga Ostrower, Brasília, Brazil * 55º Sydney Film Festival, Sydney, Australia * 23º Festival Internacional de Cine en Guadalajara, Guadalajara, México * Brasil, Museu Nacional Centro de Arte Reina So?a, Madrid, Spain 2007 Panorama da Arte Brasileira – Contraditório, Museu de Arte Moderna de São Paulo, São Paulo, Brazil * 52º Corona Cork Film Festival, Cork, Ireland * 13º Encounters Short Film Festival, Bristol, UK * 29º Festival Internacional del Nuevo Cine Latinoamericano, Havana, Cuba * Copenhagen International Film Festival, Copenhagen, Denmark * Festival de Cinema do Rio de Janeiro, Rio de Janeiro, Brazil * 60º Film Festival Locarno, Locarno, Switzerland * 38º Tampere Film Festival, Tampere, Finland * Sundance Film Festival, Park City, EUA * 36º International Film Festival Rotterdam, Rotterdam, Netherlands * 22º Mar Del Plata International Film Festival, Mar Del Plata, Argentina * 24º Miami International Film Festival, Miami, EUA * 22º Festival Internacional de Cine en Guadalajara, Guadalajara, México 2006 * 59º Film Festival Locarno, Locarno, Switzerland * Festival de Cinema do Rio de Janeiro, Rio de Janeiro, Brazil * 30ª Mostra Internacional de Cinema de São Paulo, São Paulo, Brazil * 10º Festival do Filme Documentário e Etnográ?co, Belo Horizonte, Brazil 2005 Espaços Cegos, Sesc Pinheiros, São Paulo, Brazil * 15º Festival Internacional de Arte Eletrônica - Videobrasil, São Paulo, Brazil * Fokus Südamerika - KunstFilmBiennale Köln, Köln, Germany * K.O. Video Festival, Durban, South Africa 2004 * 7º Cine las Américas - International Flm Festival, Austin, EUA * 8º Florianópolis Audiovisual Mercosul – FAM, Florianópolis, Brazil * 26º Festival Internacional del Nuevo Cine Latinoamericano, Havana, Cuba * 14º Festival Internacional de Arte Eletrônica – Videobrasil, Laboratório Arte Alameda, Ciudad México, México * Cinema Marginal: Um Cinema de Invenção, Centro Cultural Belo Horizonte, Belo Horizonte, Brazil * Mostra Curta Minas – FUNCEB, Fundación Centro de Estudos Brasileiros, Buenos Aires, Argentina 2003 En:doze, Galeria de arte da Cemig, Belo Horizonte, Brazil * 14º Festival Internacional de Curtas-Metragens de São Paulo, São Paulo, Brazil * 7º Florianópolis Audiovisual Mercosul – FAM, Florianópolis, Brazil * Indie - Mostra do Cinema Mundial, Belo Horizonte, Brazil * Mostra Teia, Itaú Cultural, Belo Horizonte, Brazil * 6ª Mostra de Cinema de Tiradentes, Tiradentes, Brazil * 14º Festival Internacional de Arte Eletrônica - Videobrasil, São Paulo, Brazil 2002 * Mostra Rumos Itaú Cultural Cinema e Vídeo, Instituto Itaú Cultural, Belo Horizonte, São Paulo e Campinas, Brazil * 12º Curtacinema - Festival Internacional de Curtas do Rio de Janeiro, Rio de Janeiro, Brazil * 5ª Mostra de Cinema de Tiradentes, Tiradentes, Brazil 2001 * Festival Internacional de Documentários - É Tudo Verdade, São Paulo e Rio de Janeiro, Brazil * Panorama Brasil - Mostra Vídeo Itaú Cultural, Belo Horizonte, Brazil * 13º Festival Internacional de Arte Eletrônica - Videobrasil, São Paulo, Brazil Bursaires ans residencies 2009 Guggenheim Foundation, New York, EUA 2008 29º Salão Nacional de Arte de Belo Horizonte – Bolsa Pampulha, Belo Horizonte, Brasil 2004 Blind Spaces – Artistic Residency Programme in Durban, South Africa. Organised by CEIA and PULSE, supported by RAIN – Artists’ Initiatives Network Awards and funding for produktion and resarch 2014 Prêmio de Aquisição LOOP – MACBA’s Foundation 2013 VI Concurso de Videoarte da Fundação Joaquim Nabuco 2012 Prêmio Aquisição do 64º Salão Paranaense, Museu de Arte Contemporânea do Paraná 2011 9º Prêmio Sergio Motta de Arte e Tecnologia Programa Rumos Artes Visuais Prêmio Filme em Minas - Finalização 2009 Prêmio Marcantonio Vilaça, Funarte 2008 Prêmio Atos Visuais, Funarte Fundo Municipal de Incentivo à Cultura de Belo Horizonte 2006 Prêmio Estímulo – Concurso de seleção e concessão de patrocínio à produção de ?lmes de curta-metragem em 35mm. Realizado pela Curta Minas/ABD-MG 2005 Prêmio Filme em Minas para pesquisa e desenvolvimento de projeto audiovisual 2004 DOCTV – Programa de Fomento à Produção e Teledifusão do Documentário Brasileiro 2001 Fundo Municipal de Incentivo à Cultura de Belo Horizonte, Brasil Programa Rumos Cinema e Vídeo

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