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blinkvideo - research of video art, performance and multimedia installations.

blinkvideo - research of video art, performance and multimedia installations.


Moving Images / Moving Bodies
Online screening programme in cooperation
with the Goethe-Institut Bulgaria

Curated by Ludwig Seyfarth

Research into the human body and interpersonal relationships remain central themes in video and moving image art. Artists from Bulgaria and Germany, whose work is related in content, will be shown in pairs over the next weeks. The exhibition planned for November 2020 in Sofia has been postponed until 2021. Instead, a consecutive presentation of selected films by artists from Moving Bodies/Moving Images is presented on blinkvideo.
image: © Elitsa Dimitrova

Shooting Ghosts
Online screening programme in cooperation
with the Goethe-Institut Bulgaria

Curators: Kalin Serapionov, Krassimir Terziev

What we propose in this programme is a highly subjective and fragmented view on current practices in moving image in the Bulgarian art scene. We focused on practices that show affinity with speculative narratives - narratives that not just record what is in front of the cinematic eye, but also capture all the ghosts that are unreachable by the apparatus, thus projecting speculative views that intend not merely to describe, but to transform the world.
image: © Veneta Androva

Moving Images / Moving Bodies

 ‘Moving Images Bulgaria-Germany’ is a project by Goethe-Institut Bulgaria, that includes various online and offline initiatives, starting in November 2020. The online program, realised in partnership with blinkvideo, will consist of two curated programmes: “Moving Images / Moving Bodies”, curated by Ludwig Seyfarth, and “Shooting Ghosts”, curated by Krassimir Terziev and Kalin Serapionov.

First the programme “Shooting Ghosts” will give a selected overview of video art in Bulgaria in general. The programme will be accompanied by an in-depth essay by Krassimir Terziev as well as texts by different authors or the artists themselves on individual films.

Critics’ Pick: Vienna by Nicole Büsing + Heiko Klaas

The group show “Antarctica. An Exhibition on Alienation” was presented in Vienna during the past winter season. Departing from a note written by the Italian cult director Michelangelo Antonioni referring to a potential glacier melting in the Antarctica and a hint to a film, the two curators from the Kunsthalle Wien, Vanessa Joan Müller and Nicolaus Schafhausen, conceived an exhibition on the topic of alienation and contemporary art. The focus was on the latest contemporary photography and video art by the younger generation of artists.
Image: © Isabella Fürnkäs

UNSTILLED LIFE: Artist Animations 1980-2020
Curated by Emma Cousin and Paul Carey-Kent

Why this show, here and now? British artist-curator Emma Cousin and writer-curator Paul Carey-Kent recently pulled together a choice of artist animations, thinking that the increasingly vibrant medium is especially suited to the online emphasis of the locked down art world of 2020. Three of them turned out to be represented by Ron Mandos, making the Amsterdam gallery ideal hosts. The cast is international, and to reflect that Tintype gallery in London and Hamburg’s blinkvideo have joined in with variations on the programme. 
Markus Vater Worlds don’t come easy, 2020

Something Between Us
KAI 10 | ARTHENA FOUNDATION, Düsseldorf

The exhibition „Something Between Us“ focuses on both our contemporary lives and the anthropological constants of interpersonal dealings: love, empathy, security, care and safety on the one hand, and hate, role fixation, dependency, reprimand and exclusion on the other. Something Between Us asks how these structures of togetherness are changing in our digital era.
Thomas Taube OCCIDENT, 2020

REFRACTED REALITIES at VIDEONALE.17

In optics, “refraction” refers to the bending of a beam of light, a change in direction which occurs at the moment when it passes from one medium to another. Through refraction, the light wave alters course, changing the way we perceive the objects it illuminates in the process. This optical deviation requires us to repeatedly correct our gaze, comparing the beginning and end points of our perception with reality, and bringing the object we see clearly into focus. In its figurative sense, refraction refers to a critical reflection on the means and channels of visualization, and by extension the possibility of a rearticulation of our view of things – how they are, were, or apparently always have been.
Image: © Sohrab Hura

NEW: Favorites curated by blinkvideo users

What do you like? Over the next few months, we will be showing here selections of works, compiled by you, as a blinkvideo user.

Stefano Miraglia: Hey Blinkvideo members! Here are my eight "must watch" films and videos. Happy to find in this catalogue some of the works that got me interested in artists' moving image when I was a student! (Guillaume Leblon! Daniel Steegmann Mangrané! Marylène Negro!).

Expanding Bauhaus.
New Reflections on the Bauhaus Movement in Time-Based Media Art / Goethe Institute Netherlands

A screening series selected by Elke Kania (Cologne), Julia Sökeland (Hamburg) and Ludwig Seyfarth (Berlin)

With its combination of various arts such as painting, photography film, architecture, fashion, product and interior design and textile art, the Bauhaus is still considered the epitome of a technologically advanced modernity. Last but not least, the attempt to create the whole society aesthetically, inspired many artists worldwide.
Image: © Adnan Softic

Johan Grimonprez

Johan Grimonprez’s critically acclaimed work dances on the borders of practice and theory, art and cinema, documentary and fiction, demanding a double take on the part of the viewer. Informed by an archeology of present-day media, his work seeks out the tension between the intimate and the bigger picture of globalization. It questions our contemporary sublime, one framed by a fear industry that has infected political and social dialogue. By suggesting new narratives through which to tell a story, his work emphasizes a multiplicity of realities.
image: © Johan Griminprez

Christoph Faulhaber: Revolution & Architecture

With "Revolution & Architecture" Christoph Faulhaber (* 1972 in Osnabrück, lives in Hamburg) conceives, builds, designs and opens a whole series of very different rooms in the Kunsthalle Osnabrück. In order to discover the revolutionary aspect of these "architectures", one has to look at the social implications of interior design in general. In the forum the visitor then enters Faulhaber's cinematic autobiography "Every Picture is an Empty Picture" as in the eye of the cyclone: The work is split into 15 individual films and surrounds the visitor in a circle.
Image: © Christoph Faulhaber

Stiftung imai – inter media art institute

The Düsseldorf based foundation imai – inter media art institute was founded in 2006 in order to establish an institution in Germany dedicated to the distribution and preservation of media art and associated activities.
Image: © Marcel Odenbach

Featured videos

Markus Vater
Im Wald (perfect day), 2011

This Animation has developed from a colloboration with the dutch poet Tjitske Jansen. Initially it reacted on a text of hers dealing with memories in her life. All memories were about events in which she didn’t understand the concepts and actions that had happened, but which she understands now.

Pratchaya Phinthong
A proposal to set (work in progress), 2016

A proposal to set CH4*5.75H20 on fire (work in progress) is an ongoing project that explores methane hydrate, an ice compound that has been identified by scientists as an alternative fuel of future energy. Found in large quantities beneath Arctic permafrost, Antarctic ice and sedimentary deposits, methane hydrate releases natural gas when exposed to increases in temperature or decreases in pressure.Gas released by methane hydrates can be lit, which produces a semi-transparent orange and blue flame.This 16 mm film shows samples of methane hydrates.Through the mobilisation and connection of individuals working across geology, science and art, the project generates awareness of methane hydrate, its chemically volatile nature and implications for energy industries.The film itself performs a kind of material transfer, capturing light emitted by the burning samples and projecting it into the gallery space. For Phinthong, each iteration of the project is a form of extraction that makes its subject more widely visible. Filmed by Phuttipong Aroonpheng. Made with the support of Oleg Blouson,Andrey Khabuev and Oleg Khlystov at the Limnological Institute, Irkutsk, Russia.

Ryan Gander
And You Will be Changed , 2014

'And You Will be Changed (Centre Pompidou, Paris)', 2014, follows curator Emma Lavigne around the empty Centre Pompidou in Paris as she presents the viewer with a tour of an empty space that had housed a now uninstalled Pierre Huyghe exhibition. The show is imagined and told by Lavigne as if the artworks were still there. Exhibited: - Pierre Huyghe +/–,The Artist’s Institute, New York, 2014
- Nouveau Festival (5th Edition), Musée d’Art Moderne, Centre Pompidou, Paris, 2014

Deimantas Narkevicius
Ausgeträumt, 2010

The German word ‘Ausgeträumt’ means a state between dream and reality at the point of waking up.The very first creative attempts by any artist are usually very positive, unaffected by criticism, even naive activities. Refering to myself, I had to be absolutely naive to choose to be a visual artist, in the late 80's when in the Soviet Union, everything was falling apart. There was no precedent of success, or an example to follow in the country which was still isolated. With this film I am re-approaching the state of naivety.

Katja Aufleger
LOVE AFFAIR, 2017

Several lights get shot successively. Some crush at once, quiet or with a blast, others seem like trying not to die.

Janet Biggs
Vanishing point, 2009

Luzia Hürzeler
Being in the Picture, 2007/08

Im Bilde sein [Being in the Picture] is a video installation. The monitor stands on a two-meter-high plinth. The video shows a white wall in front of which my head becomes visible, fully or partially, at short or long intervals. I keep jumping up into the picture, making myself visible through physical activity. These efforts become apparent through the sounds. The jumping height, and thus my visibility, decreases over time, until I finally give up through exhaustion.On the occasion of the exhibition “Spazi aperti” this work was displayed in the entrance hall of the Romanian Academy in Rome, where a number of monumental busts are mounted on plinths.

Johanna Reich
Horizon, 2012

The artist is drawing a line onto a white surface. The line reveals the horizon: it separates the sea from the sky. "To draw a line": this phrase already linguistically contains many different meanings. Beginning with the famous line – the one that cannot be crossed politically – via the (guide)line that is also the conceptual standard, to the simple strike placed beneath an addition, these are key points on the spectrum.“When Johanna Reich draws a line with a broad brush onto a wall, additional content comes into play. There is the track which children draw onto the wall with chalk, the traditional artist myth of the line as a vivid track of creative process, and last but not least the powerfully picturesque action of splattering the wall.”(Johannes Stahl)Johanna Reich (*1977 Minden) studied at the Kunstakademie Münster, the HfbK Hamburg and the Kunsthochschule für Medien Köln. She lives and works in Cologne.

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blinkvideo is a website for the research of video art. Founders: Julia Sökeland, Anita Beckers. blinkvideo ist eine Plattform zur Recherche nach Videokunst

Mwangi Hutter

Works


Galleries

imai - inter media art institute
Darija Šimunović M.A.
NRW-Forum, Ehrenhof 2
40479 Düsseldorf
Germany

Phone: +49 (0)211–899 87 98
E-Mail: distribution@imaionline.de




Biography

Ingrid Mwangi was born in Nairobi, Kenya. Robert Hutter was born in Ludwigshafen/Rhine, Germany. They both received New Artistic Media degrees from the University of Fine Arts Saar, Saarbrucken, and have received scholarships from the Studienstiftung des Deutschen Volkes, and residency scholarships of the Rhineland-Palatinate studio at the Cité Internationale des Arts, Paris.

After working together for several years and marrying, Mwangi and Hutter merged their names and biographies and became a single artist, Mwangi Hutter. Working with video, photography, installation, sculpture and performance, they use themselves as the sounding board to reflect on changing societal realities, creating aesthetics of self-knowledge and interrelationship.

Mwangi Hutter live and work in Ludwigshafen/Rhine and Berlin, Germany and Nairobi, Kenya.

Selected solo exhibitions

2015
“Burning Desire To Be Touched“, performance installation, Smithsonian Institution, National Museum of African Art, Washington DC
"Turquoise Realm", Alexander Ochs Private, Berlin | Germany
“Cloth to Cover Every Stone“ deFINE ART, SCAD Museum of Art, Savannah, GA, USA

2013
"Mwangi Hutter | Single Entities", Salon, Alexander Ochs Galleries Berlin | Germany

2011
“Paradise: The Hidden Land“, Zeitraumexit, Mannheim, Germany
“Ingrid Mwangi Robert Hutter. Constant Triumph“, Spelman College Museum of Fine Art, Atlanta, GA, USA

2009
“Intruders”, Goethe-Institut, Nairobi, Kenya
“Masked”, Emerson Gallery, Hamilton College, Clinton, New York, USA
“In the Eye of the Beholder“, DARB 1718, Cairo, Egypt


Selected group exhibitions

2015
”Image of a City - Xenopolis“ Deutsche Bank KunstHalle, Berlin, Germany, 16 September - 8 November 2015
“Du sollst dir kein bild von mir machen“, Berlin Cathedral, Germany, 1 March - 14 June 2015
“Feminismen.“, Nordstern Videocenter, Gelsenkirchen, Germany, 27 March - 20 December
“Havana Biennial. Between the idea and the experience“, Havana, Cuba, 22 May - 22 June
"You love me, You love me not" Galeria Municipal do Porto, Portugal
"Spatial Stories: Topographies of Change in Africa", Center for Visual Art, Metropolitan State University of Denver, CO, USA

2014
"Total Art: Contemporary Video", National Museum of Women in the Arts, Washington DC, USA
"Earth Matters: Land as Material and Metaphor in the Arts of Africa", Fowler Museum at UCLA, Los Angeles, CA, USA
"Where we are at!, Other Voices on Gender", BOZAR, Centre for Fine Arts, Brussels, Belgium
”The Divine Comedy: Heaven, Hell, Purgatory Revisited by Contemporary African Artists“, Museum für Moderne Kunst, Frankfurt, Germany / SCAD, Savannah College of Art & Design, GA, USA
"Giving Contours To Shadows", Neuer Berliner Kunstverein, Berlin, Germany
“ART STAYS 2014. 12th International Festival of Contemporary Art. RELATION(S)“, Miheliceva Galerija, Ptuj, Slovenia
"Delta-Beben, Regionale 2014", Wilhelm-Hack-Museum and Kunstverein Ludwigshafen, Germany

2013
”My Joburg“, La Maison Rouge, Paris, France / Staatliche Kunstsammlung, Dresden, Germany
"...Ich bin ein Fremdling gewesen und ihr habt mich beherbergt. Global Art Dedicated to the Refugees", Berlin Cathedral, Baptismal and Matrimonial Chapel, Berlin, Germany
“Glyphs: Acts of Inscription", Pitzer College Art Galleries, Claremont, CA, USA
"Earth Matters: Land as Material and Metaphor in the Arts of Africa", Smithsonian Institution, National Museum of African Art. Washington DC, USA
"Art Connect Film“, Tiwani Contemporary, London, UK
"International Environmental Film Festival. Cool Stories", Museu do Meio Ambiente, Rio de Janeiro, Brasil
"VISIONS. An Atmosphere of Change", Marta Herford Museum, Germany
"CIRCLES“, City of Bamberg, Germany
”Decolonizing the "Cold" War / BE.BOP 2013, Black European Body Politics“, Ballhaus Naunynstrasse, Berlin, Germany
"Traces de femmes", Villa des Arts, Casablanca

Mwangi Hutter
Ingrid Mwangi was born in Nairobi, Kenya. Robert Hutter was born in Ludwigshafen/Rhine, Germany. They both received New Artistic Media degrees from the University of Fine Arts Saar, Saarbrucken, and have received scholarships from the Studienstiftung des Deutschen Volkes, and residency scholarships of the Rhineland-Palatinate studio at the Cité Internationale des Arts, Paris.After working together for several years and marrying, Mwangi and Hutter merged their names and biographies and became a single artist, Mwangi Hutter. Working with video, photography, installation, sculpture and performance, they use themselves as the sounding board to reflect on changing societal realities, creating aesthetics of self-knowledge and interrelationship.Mwangi Hutter live and work in Ludwigshafen/Rhine and Berlin, Germany and Nairobi, Kenya.Selected solo exhibitions 2015 “Burning Desire To Be Touched“, performance installation, Smithsonian Institution, National Museum of African Art, Washington DC Turquoise Realm, Alexander Ochs Private, Berlin | Germany “Cloth to Cover Every Stone“ deFINE ART, SCAD Museum of Art, Savannah, GA, USA 2013 Mwangi Hutter | Single Entities, Salon, Alexander Ochs Galleries Berlin | Germany 2011 “Paradise: The Hidden Land“, Zeitraumexit, Mannheim, Germany “Ingrid Mwangi Robert Hutter. Constant Triumph“, Spelman College Museum of Fine Art, Atlanta, GA, USA 2009 “Intruders”, Goethe-Institut, Nairobi, Kenya “Masked”, Emerson Gallery, Hamilton College, Clinton, New York, USA “In the Eye of the Beholder“, DARB 1718, Cairo, Egypt Selected group exhibitions 2015 ”Image of a City - Xenopolis“ Deutsche Bank KunstHalle, Berlin, Germany, 16 September - 8 November 2015 “Du sollst dir kein bild von mir machen“, Berlin Cathedral, Germany, 1 March - 14 June 2015 “Feminismen.“, Nordstern Videocenter, Gelsenkirchen, Germany, 27 March - 20 December “Havana Biennial. Between the idea and the experience“, Havana, Cuba, 22 May - 22 June You love me, You love me not Galeria Municipal do Porto, Portugal Spatial Stories: Topographies of Change in Africa, Center for Visual Art, Metropolitan State University of Denver, CO, USA 2014 Total Art: Contemporary Video, National Museum of Women in the Arts, Washington DC, USA Earth Matters: Land as Material and Metaphor in the Arts of Africa, Fowler Museum at UCLA, Los Angeles, CA, USA Where we are at!, Other Voices on Gender, BOZAR, Centre for Fine Arts, Brussels, Belgium ”The Divine Comedy: Heaven, Hell, Purgatory Revisited by Contemporary African Artists“, Museum für Moderne Kunst, Frankfurt, Germany / SCAD, Savannah College of Art & Design, GA, USA Giving Contours To Shadows, Neuer Berliner Kunstverein, Berlin, Germany “ART STAYS 2014. 12th International Festival of Contemporary Art. RELATION(S)“, Miheliceva Galerija, Ptuj, Slovenia Delta-Beben, Regionale 2014, Wilhelm-Hack-Museum and Kunstverein Ludwigshafen, Germany 2013 ”My Joburg“, La Maison Rouge, Paris, France / Staatliche Kunstsammlung, Dresden, Germany ...Ich bin ein Fremdling gewesen und ihr habt mich beherbergt. Global Art Dedicated to the Refugees, Berlin Cathedral, Baptismal and Matrimonial Chapel, Berlin, Germany “Glyphs: Acts of Inscription, Pitzer College Art Galleries, Claremont, CA, USA Earth Matters: Land as Material and Metaphor in the Arts of Africa, Smithsonian Institution, National Museum of African Art. Washington DC, USA Art Connect Film“, Tiwani Contemporary, London, UK International Environmental Film Festival. Cool Stories, Museu do Meio Ambiente, Rio de Janeiro, Brasil VISIONS. An Atmosphere of Change, Marta Herford Museum, Germany CIRCLES“, City of Bamberg, Germany ”Decolonizing the Cold War / BE.BOP 2013, Black European Body Politics“, Ballhaus Naunynstrasse, Berlin, Germany Traces de femmes, Villa des Arts, Casablanca

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