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blinkvideo - research of video art, performance and multimedia installations.

blinkvideo - research of video art, performance and multimedia installations.


blinkvideo the platform for . . .

artists we provide a platform for extensive presentation of media works, gallerists get a direct contact to international professional audiences, collectors find a worldwide overview of contemporary trends in moving image, curators can do research via keywords and compilations, teachers use presentation opportunities for students and all professionals get password protected, extensive information about video works worldwide.

Turning Points / extensional works

Under the title Turning Points, the Kunsthalle Gießen presents selected works from the Collection von Kelterborn, whose focus lies in politically charged and socially critical works by internationally renowned artists. Against the background of digitalisation and globalisation, the works shown reflect our present day as it is marked by numerous upheavals. In this regard there is a strong focus is on video art.

On blinkvideo we show extensional works like the documentary films of Teboho Edkins and background videos as the City Film West Berlin of The Tödliche Doris.
image: © Teboho Edkins

UNSTILLED LIFE: Artist Animations 1980-2020
Curated by Emma Cousin and Paul Carey-Kent

Why this show, here and now? British artist-curator Emma Cousin and writer-curator Paul Carey-Kent recently pulled together a choice of artist animations, thinking that the increasingly vibrant medium is especially suited to the online emphasis of the locked down art world of 2020. Three of them turned out to be represented by Ron Mandos, making the Amsterdam gallery ideal hosts. The cast is international, and to reflect that Tintype gallery in London and Hamburg’s blinkvideo have joined in with variations on the programme. 
Markus Vater Worlds don’t come easy, 2020

Something Between Us
KAI 10 | ARTHENA FOUNDATION, Düsseldorf

The exhibition „Something Between Us“ focuses on both our contemporary lives and the anthropological constants of interpersonal dealings: love, empathy, security, care and safety on the one hand, and hate, role fixation, dependency, reprimand and exclusion on the other. Something Between Us asks how these structures of togetherness are changing in our digital era.
Thomas Taube OCCIDENT, 2020

REFRACTED REALITIES at VIDEONALE.17

In optics, “refraction” refers to the bending of a beam of light, a change in direction which occurs at the moment when it passes from one medium to another. Through refraction, the light wave alters course, changing the way we perceive the objects it illuminates in the process. This optical deviation requires us to repeatedly correct our gaze, comparing the beginning and end points of our perception with reality, and bringing the object we see clearly into focus. In its figurative sense, refraction refers to a critical reflection on the means and channels of visualization, and by extension the possibility of a rearticulation of our view of things – how they are, were, or apparently always have been.
Image: © Sohrab Hura

NEW: Favorites curated by blinkvideo users

What do you like? Over the next few months, we will be showing here selections of works, compiled by you, as a blinkvideo user.

Stefano Miraglia: Hey Blinkvideo members! Here are my eight "must watch" films and videos. Happy to find in this catalogue some of the works that got me interested in artists' moving image when I was a student! (Guillaume Leblon! Daniel Steegmann Mangrané! Marylène Negro!).

Do you have any favorites on blinkvideo ? Or would you like to focus attention on some video works? Or would you like to compile and show videos on a specific topic? You can do so with the new tool on blinkvideo.
Create a favorites list as follows: When you're logged in, a little sign "add to favorite list" will appear below each video. With the click on it, you add the film to your favorites list. When you have collected all the works, open your favorites list and you can share the list with blinkvideo. We will then receive a message and put the compilation online.
We are very curious about your selection!

Critics’ Pick: Vienna by Nicole Büsing + Heiko Klaas

The group show “Antarctica. An Exhibition on Alienation” was presented in Vienna during the past winter season. Departing from a note written by the Italian cult director Michelangelo Antonioni referring to a potential glacier melting in the Antarctica and a hint to a film, the two curators from the Kunsthalle Wien, Vanessa Joan Müller and Nicolaus Schafhausen, conceived an exhibition on the topic of alienation and contemporary art. The focus was on the latest contemporary photography and video art by the younger generation of artists.
Image: © Isabella Fürnkäs

Expanding Bauhaus.
New Reflections on the Bauhaus Movement in Time-Based Media Art / Goethe Institute Netherlands

A screening series selected by Elke Kania (Cologne), Julia Sökeland (Hamburg) and Ludwig Seyfarth (Berlin)

With its combination of various arts such as painting, photography film, architecture, fashion, product and interior design and textile art, the Bauhaus is still considered the epitome of a technologically advanced modernity. Last but not least, the attempt to create the whole society aesthetically, inspired many artists worldwide.
Image: © Adnan Softic

Johan Grimonprez

Johan Grimonprez’s critically acclaimed work dances on the borders of practice and theory, art and cinema, documentary and fiction, demanding a double take on the part of the viewer. Informed by an archeology of present-day media, his work seeks out the tension between the intimate and the bigger picture of globalization. It questions our contemporary sublime, one framed by a fear industry that has infected political and social dialogue. By suggesting new narratives through which to tell a story, his work emphasizes a multiplicity of realities.
image: © Johan Griminprez

Christoph Faulhaber: Revolution & Architecture

With "Revolution & Architecture" Christoph Faulhaber (* 1972 in Osnabrück, lives in Hamburg) conceives, builds, designs and opens a whole series of very different rooms in the Kunsthalle Osnabrück. In order to discover the revolutionary aspect of these "architectures", one has to look at the social implications of interior design in general. In the forum the visitor then enters Faulhaber's cinematic autobiography "Every Picture is an Empty Picture" as in the eye of the cyclone: The work is split into 15 individual films and surrounds the visitor in a circle.
Image: © Christoph Faulhaber

Stiftung imai – inter media art institute

The Düsseldorf based foundation imai – inter media art institute was founded in 2006 in order to establish an institution in Germany dedicated to the distribution and preservation of media art and associated activities.
Image: © Marcel Odenbach

Featured videos

Federico Adorno
La estancia, 2014

Federico Adorno’s film La estancia was awarded the Grand Prize of the City of Oberhausen at this year’s International Short Film Festival Oberhausen. In its statement the jury said: “Through a succession of subtly constructed tableaux, this powerful film is a profound critique of systematic oppression. Instigated by a massacre amidst a land-rights conflict in Paraguay, this haunting work transcends the local context to voice the struggle for essential freedoms.”Many years ago, while he was working at the Swiss NGO “Helvetas Paraguay”, Adorno travelled long distances into the countryside to film short documentaries with peasants, whom he taught how to use a camera and write short stories, which they then shot together. His last two short films are about land rights and property, and how the extensive ownership of land by just a few landowners gives rise to serious conflicts and problems in rural communities. Isla Alta is about the tensions that surround a community when a wealthy rancher goes missing; La estancia depicts the aftermath of a massacre and is based on true events that happened in Paraguay in 2012.

Tobias Yves Zintel
Breed and Educate, 2018

The Film Breed and Educate is based on a collaborative performance with a class from the Hector-Peterson-Schule Berlin Kreuzberg and the HAU. In numerous task based rehearsals eight pupils between 11 and 13 years explored the possibilties of self-education. Based on various materials from found footage to documentary and staged scenes the film circles around the relationship of controlling and self-empowerment in educational systems. Breed and Educate is circling around the question of how lessons should be organised in times of network and algorthim-based learning. Algorithms and neuronal networks have to master problems only once, after they achieved their goal, results can be duplicated and copied any number of times. Kids on the other hand side have to learn everything step by step, the accumulated knowlede can’t be transfered from on kid to the other by „copy and paste“. An allopoetic system is a trivial system, which can be potentially fully explored, controlled and operated by an observer. With a similar theory in mind, the Prussians started to organise schooling in 1717, to prepare pupils for the Prussian Military Academy. What happens almost 300 years later in a school in Berlin, when the relationship between control and self-empowerment is inverted by postmigrant pupils who breed robots, are educated by them and vice versa? “ In Breed and Educate an automated dionsaur is introduced by a twelfe year old boy: “It’s easily trainable”. While he explains the mode of operation, one sees the parallels: the school wouldn’t have any problems with pupils equipped with a suitable operating system downloaded from the internet. Sounds like an uncanny utopia.” (Katrin Bettina Müller)

Lene Markusen
Grad, 2004

Dieter Kiessling
60 Minutes 360 Degrees GK 2010, 2010

A boy is portrayed with a video camera for an hour on a tennis court.During this time the camera turns through 360 degrees. Meanwhile, the whole space is recorded piece by piece. The boy follows the camera movement slowly thus remaining constantly in the centre of the picture.

Clemens von Wedemeyer
Silberhöhe, 2003

In Halle-Silberhöhe in East Germany, the camera records peri-urban area architecture, prefabricated buildings that are deserted and destined to be demolished. The commentary evokes a film editing technique used by Michelangelo Antonioni in his film, L’Eclisse (1962).

Janet Biggs
Fade to White, 2010

In Fade to White, Biggs delves into the desire to explore remote lands. To create this work, the artist embarked on an expedition in the high Arctic, traveling aboard an ice-class, 2-masted schooner, built in 1910. During the voyage, Biggs filmed Fade to White, focusing on a crew member as he navigated the ship through iceberg filled seas, and paddled a kayak past glacier walls and polar bears. As she photographed the explorer, Biggs tested her own will and endurance. The visual tension of her uncompromising imagery bespeaks their mutual struggle to maintain balance and purpose. Yet, the video also reveals the myth of the solitary white male explorer. Biggs explains, "The desire to hold onto the notion of the 'great white north' as a blank space awaiting interpretation only reinforces the idea of the colonial polar hero. The 'virgin' north has now been mapped, surveyed, and mined, but increased knowledge has not replaced endless fantasies of discovery." Loss and change are implicit in the video's title, Fade to White, which refers to an editing technique used to evoke death or transcendence. Biggs integrated her Arctic imagery with sound and video footage of counter tenor John Kelly, whose age, androgyny, and mournful voice parallel the vanishing Arctic landscape and signal the waning of male dominance.

Rebecca Ann Tess
The Tallest, 2014

The »The Tallest« shows pictures shot on-site of the currently tallest buildings in the world. The high-rises are shown as set pieces of global capitalism, visually disappearing into abstraction. The reduced images are reminding of 3D rendering. The simulated image of these buildings circulates in the media for representational and advertising purposes, becomes a substantial object and the actual spatiality becomes a mockup. The narration is undertaken by a computer voice, it describes the competition for the tallest tower at such divers places as Chicago, Dubai, Hong Kong, Kuala Lumpur, Mecca, Nanjing, New York City, Seoul, Shanghai, Shenzhen, Songdo and Taipei.

Johanna Reich
LIGHT ON BLACK ON WHITEHOMAGE TO MALEVICH, 2015

A moving digital light drawing illuminates a white wall. A hand painting a black square on the white surface becomes visible. At the same time the light drawing is painting a light square. In the end the light of the digital light square illuminates the finished black oil painting.

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blinkvideo is a website for the research of video art. Founders: Julia Sökeland, Anita Beckers. blinkvideo ist eine Plattform zur Recherche nach Videokunst

Maya Schweizer

Works


Biography

Born 1976 in Paris, France


Education

2007 Universität der Kuenste, Berlin, Meisterschülerin / Master class Diploma
2005 Universität der Kuenste, Berlin, Diploma
2003 Universität der Kuenste, Berlin, class of Lothar Baumgarten
2002 Hochschule fuer Grafik und Buchkunst, HGB, Leipzig
1998 Université d'Aix-en-Provence, Licence Degree
1998-1995 Université d'Aix-en-Provence, art
1995 Aix-en-Provence, Bachelor (art and art history).


Solo Shows

2017
„Die Luke, eine Fliege und dort die Puschkinallee“, Kunstverein Leipzig
„A Tall Tale“ Drawing Room, Hamburg

2016
„Art | Memory | Place“, Irish Museum of Modern Art, IMMA, Dublin Ireland

2015
l´Officielle, Artfair Paris, Galerie, ASPN, Leipzig
„Der sterbende Soldat von Les Milles“, 45cbm Staatliche Kunsthalle Baden-Baden

2014
After the butcher, Maya Schweizer and Antje Majewski, Berlin
I, an archeologist, ASPN Gallery, Leipzig
Edith Seeshow´s Notes, Bratislava’, HIT Gallery, Bratislava, Slovakia

2013
The wizard chooses nine of them with Halina Kliem, TCG Nordica, Kunming, China
Edith Seeshow's Notes, Kunstverein Langenhagen, Germany

2012
It's not about nothing, Galerie Katharina Bittel, Hamburg, Germany

2011
Metropolis, Report from China, Frankfurter Kunstverein, Frankfurt, Germany
Der Turm am See, Galerie Lena Bru¨ning, Berlin, Germany
What would you prefer not to see, Galerie Katharina Bittel, Hamburg, Germany

2010
„Si je me rendormais encore un peu pour oublier toutes ces bêtises“ / „Wie wäre es, wenn ich noch ein wenig weiterschliefe und alle Narrheiten vergässe.“ Art Center 3 bis F, Aix-en-Provence, France
La Même Histoire Ailleurs / The Same Story Elsewhere, Westfaelischer Kunstverein, Muenster, Germany


Group Shows (selection)

2018
"Stadtansichten", Heidelberger Kunstverein
"Women in 3 Acts", Galerie Fotohof, Salzburg. In cooperation with Inda Gallery, Budapest and Fotogalleriet, Oslo.
"The Szechwan Tale", FM Centre for Contemporary Art, Mailand

2017
Anren, Biennale, Anren, China
Whenever The Heart Skips A Beat, Berlin
Destinerrance, ARTEUM, Musée d'art contemporain, Châteauneuf-le-Rouge, France
„The Present Order „– Zweiter Teil, Karin Sander: ZEIGEN. Eine Audiotour durch die Sammlung der GfZK, Galerie für Zeitgenössische Kunst (GfZK), Leipzig
“The Present Order„ Ausstellung der Sammlung der Galerie für Zeitgenössische Kunst, Galerie für Zeitgenössische Kunst (GfZK), Leipzig

2016 „La Répétition Mise à l’Épreuve “ // “Putting Rehearsals to the Test”
Leonard & Bina Ellen Gallery, Montréal, Canada, SBC Galerie d’art
contemporain, Montréal, Canada, VOX, centre de l’image contemporaine, Montréal, Kanada
Marler Medienkunstpreis Skulpturenmuseum Glaskasten Marl, Germany
„A Sense of History“,Videokunstzentrum, Gelsenkirchen, Germany
Exhibition in cooperation with the Neuer Berliner Kunstverein, Berlin.
„Presence/ Absence/ Traces“ POLIN Museum of the History of Polish Jews, Warsaw
„Kinder der strahlenden Stadt”, Kunstraum Dresden, Germany

2015
„Im inneren der Stadt. öffentlicher Raum und Frei-Raum“, GaK, Bremen, Germany
„2.5.0. Object is Meditation and Poetry“, Grassimuseum fu¨r Angewandte Kunst Leipzig, Germany
„Vot ken you mach!“, MWW – Muzeum Wspólczesne, Wroclaw, Poland
„ All Tomorrow´s Past“, Kunsthaus Hamburg

2014
„Sammlungsalphabet“, Sammlungsausstellung, GfZK Leipzig
„Gestern die Stadt von morgen“, Kunstmuseum Mu¨lheim an der Ruhr, Germany
„Kongress der Artikulation“, Kunstraum Kreuzberg Bethanien, Berlin, Germany

2013-14
„Vot ken you mach!“ Kunsthaus Dresden, Germany

2013
Villa Romana 1905–2013 Das Kuenstlerhaus in Florenz,
Bundeskunsthalle, Bonn, Germany
„Last Year at Marienbad, Redux“, efa (Elisabeth Foundation for the Arts, New York, USA
„Letters & Words“, Galerie Katharina Bittel, Hamburg, Germany
„Zurueck nach Morgen“, Galerie fuer zeitgenössische Kunst, Leipzig, Germany

2012
„Des formes de vies“, Morale -Ethos-Disponibilité, Espace Khiasma, Les Lilas, Bei Paris, France
„Die Stadt, die es nicht gibt“, Ludwig Forum Aachen, Germany
„What aout the Ghosts in Town“, The Brno House of Arts, Brno, Czech Republic
„Positioning Osmotic Impulses“, Prison Neukölln, Berlin, Germany
„Jeden Tag eine Linie“, Kunsthaus Kannen, Muenster, Germany
„Ambigous being“, exhibitions in Berlin, Tel Aviv und Taipei:
Tamtamart Berlin / KAV16 Community Gallery Tel Aviv / Hong Gah Museum Taipei
„Viaggio in Italia / Italienische Reise 2010 – 2012“, Werkschauhalle, Leipzig, Germany
„RIPE“, Tape Modern No.26, Berlin, Germany

2011
„Ai Wei Wei is in China“, Fichtebunker, Berlin, Germany
Die Erika Mustermann Collection, im Pavillon vor der Volksbuehne, Berlin, Germany
„Gestrickt, geklebt, geknotet…Art Brut und Textil, Kunsthaus Kannen, Muenster, Germany
„Von Kirchner bis heute – Kuünstler reagieren auf die Sammlung Prinzhorn“ Jubiläumsausstellung zum 10 jährigen Bestehen des Museums Sammlung Prinzhorn, Heidelberg, Germany
„Here and There“, Wallace Gallery, New York, USA

2010
„Here and There“, Oonagh Young Gallery, Dublin, Ireland
„Journeys with no return“, Kunstverein Tiergarten, Germany
„Auto-Kino!“, Temporäre Kunsthalle, Berlin, Germany

2009
„Urban Stories“, The X Baltic Triennial of International Art, CAC Vilnius, Lithuania
„Art in times of uncertainity“, Biennale:2 Thessaloniki, Greece

2008
„Fremder in Frankreich und Deutschland – vom 19. Jh. bis Heute“,
La Cité nationale de l'Immigration, Paris, France

2007
„Wheel“, a young french art scene, Printemps de Septembre Toulouse, France
„Timeout! Art and Sustainability“, Liechtenstein Kunstmuseum, Vaduz, Liechtenstein
„Clemens von Wedemeyer & Maya Schweizer, Films, in Common“ Argos, center for art and media, Brussels, Belgium
„Um-Kehrungen,Interaktion I- Speaker´s corner“, Kunstverein Braunschweig, Germany
„Retour d'Italie. Documents en déplacement“, Galerie Jocelyn Wolff, Paris, France
„Magellaneous Cloud“, Centre Georges Pompidou Paris, France

2006
„Storylines“, Kunstraum Muenchen, Germany
„Of Mice and Men“, Berlin Biennale 4, KW Berlin, Germany
„Storylines“, Kunstverein Göttingen, Germany


Grants


2017 Research Grant from the Berlin Senate

2016 Research artist residency of the Goethe Institute in Naples, and the Morra-Museo Nitsch Foundation, Naples, Italy
Artist residency in the Grenzturm, Flutgraben, Berlin
Residency and production Museum POLIN, Warsaw, Poland

2015-2016 Film project grant from the Goethe Institute, Neaples

2015 "Lieux de Mémoire and Desire", Catalog grant from Kulturstiftung des Freistaates Sachsen (KdFS), Dresden Germany.
Residency and production Askeaton Contemporary Arts, Ireland

2014 Residency at La Non-Maison, Aix-en-Provence, France

2013 Exhibition sponsor from the ifa, (institut fu¨r Auslandsbeziehungen), TCG Nordica, Kunming, China

2011 KAIR - Kosice residency, project of the Robert-Bosch-Foundation and Goethe Institute for the cultural capital Kosice 2013, Slowakia

2010 Grant Residency Program, Art Center 3bis F Aix-en-Provence, France

2008-10 Studio grant of the Karl Hofer Gesellschaft.

2009 Toni und Abrecht Kumm Preis zur Förderung der Bildenden Künste
Artist Program for film and video, Senat Berlin

2008 Artist grant of the Goethe Institute in the Villa Aurora, Los Angeles

2006 Prize of the best German Film, Oberhausen Filmfestival
Grant from the DAP (Department of the visual arts), Paris, France

Maya Schweizer
Born 1976 in Paris, France Education2007 Universität der Kuenste, Berlin, Meisterschülerin / Master class Diploma2005 Universität der Kuenste, Berlin, Diploma2003 Universität der Kuenste, Berlin, class of Lothar Baumgarten2002 Hochschule fuer Grafik und Buchkunst, HGB, Leipzig1998 Université d'Aix-en-Provence, Licence Degree1998-1995 Université d'Aix-en-Provence, art1995 Aix-en-Provence, Bachelor (art and art history). Solo Shows2017 „Die Luke, eine Fliege und dort die Puschkinallee“, Kunstverein Leipzig„A Tall Tale“ Drawing Room, Hamburg 2016 „Art | Memory | Place“, Irish Museum of Modern Art, IMMA, Dublin Ireland 2015 l´Officielle, Artfair Paris, Galerie, ASPN, Leipzig„Der sterbende Soldat von Les Milles“, 45cbm Staatliche Kunsthalle Baden-Baden 2014 After the butcher, Maya Schweizer and Antje Majewski, BerlinI, an archeologist, ASPN Gallery, LeipzigEdith Seeshow´s Notes, Bratislava’, HIT Gallery, Bratislava, Slovakia 2013 The wizard chooses nine of them with Halina Kliem, TCG Nordica, Kunming, ChinaEdith Seeshow's Notes, Kunstverein Langenhagen, Germany 2012 It's not about nothing, Galerie Katharina Bittel, Hamburg, Germany 2011 Metropolis, Report from China, Frankfurter Kunstverein, Frankfurt, GermanyDer Turm am See, Galerie Lena Bru¨ning, Berlin, GermanyWhat would you prefer not to see, Galerie Katharina Bittel, Hamburg, Germany 2010 „Si je me rendormais encore un peu pour oublier toutes ces bêtises“ / „Wie wäre es, wenn ich noch ein wenig weiterschliefe und alle Narrheiten vergässe.“ Art Center 3 bis F, Aix-en-Provence, FranceLa Même Histoire Ailleurs / The Same Story Elsewhere, Westfaelischer Kunstverein, Muenster, Germany Group Shows (selection)2018 Stadtansichten, Heidelberger KunstvereinWomen in 3 Acts, Galerie Fotohof, Salzburg. In cooperation with Inda Gallery, Budapest and Fotogalleriet, Oslo.The Szechwan Tale, FM Centre for Contemporary Art, Mailand 2017 Anren, Biennale, Anren, ChinaWhenever The Heart Skips A Beat, BerlinDestinerrance, ARTEUM, Musée d'art contemporain, Châteauneuf-le-Rouge, France„The Present Order „– Zweiter Teil, Karin Sander: ZEIGEN. Eine Audiotour durch die Sammlung der GfZK, Galerie für Zeitgenössische Kunst (GfZK), Leipzig“The Present Order„ Ausstellung der Sammlung der Galerie für Zeitgenössische Kunst, Galerie für Zeitgenössische Kunst (GfZK), Leipzig 2016 „La Répétition Mise à l’Épreuve “ // “Putting Rehearsals to the Test”Leonard & Bina Ellen Gallery, Montréal, Canada, SBC Galerie d’artcontemporain, Montréal, Canada, VOX, centre de l’image contemporaine, Montréal, KanadaMarler Medienkunstpreis Skulpturenmuseum Glaskasten Marl, Germany„A Sense of History“,Videokunstzentrum, Gelsenkirchen, GermanyExhibition in cooperation with the Neuer Berliner Kunstverein, Berlin.„Presence/ Absence/ Traces“ POLIN Museum of the History of Polish Jews, Warsaw„Kinder der strahlenden Stadt”, Kunstraum Dresden, Germany 2015 „Im inneren der Stadt. öffentlicher Raum und Frei-Raum“, GaK, Bremen, Germany„2.5.0. Object is Meditation and Poetry“, Grassimuseum fu¨r Angewandte Kunst Leipzig, Germany„Vot ken you mach!“, MWW – Muzeum Wspólczesne, Wroclaw, Poland„ All Tomorrow´s Past“, Kunsthaus Hamburg 2014 „Sammlungsalphabet“, Sammlungsausstellung, GfZK Leipzig„Gestern die Stadt von morgen“, Kunstmuseum Mu¨lheim an der Ruhr, Germany„Kongress der Artikulation“, Kunstraum Kreuzberg Bethanien, Berlin, Germany 2013-14 „Vot ken you mach!“ Kunsthaus Dresden, Germany 2013 Villa Romana 1905–2013 Das Kuenstlerhaus in Florenz,Bundeskunsthalle, Bonn, Germany„Last Year at Marienbad, Redux“, efa (Elisabeth Foundation for the Arts, New York, USA„Letters & Words“, Galerie Katharina Bittel, Hamburg, Germany„Zurueck nach Morgen“, Galerie fuer zeitgenössische Kunst, Leipzig, Germany 2012 „Des formes de vies“, Morale -Ethos-Disponibilité, Espace Khiasma, Les Lilas, Bei Paris, France„Die Stadt, die es nicht gibt“, Ludwig Forum Aachen, Germany„What aout the Ghosts in Town“, The Brno House of Arts, Brno, Czech Republic„Positioning Osmotic Impulses“, Prison Neukölln, Berlin, Germany„Jeden Tag eine Linie“, Kunsthaus Kannen, Muenster, Germany„Ambigous being“, exhibitions in Berlin, Tel Aviv und Taipei:Tamtamart Berlin / KAV16 Community Gallery Tel Aviv / Hong Gah Museum Taipei„Viaggio in Italia / Italienische Reise 2010 – 2012“, Werkschauhalle, Leipzig, Germany„RIPE“, Tape Modern No.26, Berlin, Germany 2011 „Ai Wei Wei is in China“, Fichtebunker, Berlin, GermanyDie Erika Mustermann Collection, im Pavillon vor der Volksbuehne, Berlin, Germany„Gestrickt, geklebt, geknotet…Art Brut und Textil, Kunsthaus Kannen, Muenster, Germany„Von Kirchner bis heute – Kuünstler reagieren auf die Sammlung Prinzhorn“ Jubiläumsausstellung zum 10 jährigen Bestehen des Museums Sammlung Prinzhorn, Heidelberg, Germany„Here and There“, Wallace Gallery, New York, USA 2010 „Here and There“, Oonagh Young Gallery, Dublin, Ireland„Journeys with no return“, Kunstverein Tiergarten, Germany„Auto-Kino!“, Temporäre Kunsthalle, Berlin, Germany 2009 „Urban Stories“, The X Baltic Triennial of International Art, CAC Vilnius, Lithuania„Art in times of uncertainity“, Biennale:2 Thessaloniki, Greece 2008 „Fremder in Frankreich und Deutschland – vom 19. Jh. bis Heute“,La Cité nationale de l'Immigration, Paris, France 2007 „Wheel“, a young french art scene, Printemps de Septembre Toulouse, France„Timeout! Art and Sustainability“, Liechtenstein Kunstmuseum, Vaduz, Liechtenstein„Clemens von Wedemeyer & Maya Schweizer, Films, in Common“ Argos, center for art and media, Brussels, Belgium„Um-Kehrungen,Interaktion I- Speaker´s corner“, Kunstverein Braunschweig, Germany„Retour d'Italie. Documents en déplacement“, Galerie Jocelyn Wolff, Paris, France„Magellaneous Cloud“, Centre Georges Pompidou Paris, France 2006 „Storylines“, Kunstraum Muenchen, Germany„Of Mice and Men“, Berlin Biennale 4, KW Berlin, Germany„Storylines“, Kunstverein Göttingen, Germany Grants 2017 Research Grant from the Berlin Senate 2016 Research artist residency of the Goethe Institute in Naples, and the Morra-Museo Nitsch Foundation, Naples, ItalyArtist residency in the Grenzturm, Flutgraben, BerlinResidency and production Museum POLIN, Warsaw, Poland 2015-2016 Film project grant from the Goethe Institute, Neaples 2015 Lieux de Mémoire and Desire, Catalog grant from Kulturstiftung des Freistaates Sachsen (KdFS), Dresden Germany.Residency and production Askeaton Contemporary Arts, Ireland 2014 Residency at La Non-Maison, Aix-en-Provence, France 2013 Exhibition sponsor from the ifa, (institut fu¨r Auslandsbeziehungen), TCG Nordica, Kunming, China 2011 KAIR - Kosice residency, project of the Robert-Bosch-Foundation and Goethe Institute for the cultural capital Kosice 2013, Slowakia 2010 Grant Residency Program, Art Center 3bis F Aix-en-Provence, France 2008-10 Studio grant of the Karl Hofer Gesellschaft. 2009 Toni und Abrecht Kumm Preis zur Förderung der Bildenden KünsteArtist Program for film and video, Senat Berlin 2008 Artist grant of the Goethe Institute in the Villa Aurora, Los Angeles 2006 Prize of the best German Film, Oberhausen FilmfestivalGrant from the DAP (Department of the visual arts), Paris, France

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