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blinkvideo - research of video art, performance and multimedia installations.

blinkvideo - research of video art, performance and multimedia installations.


Moving Images / Moving Bodies
Online screening programme in cooperation
with the Goethe-Institut Bulgaria

Curated by Ludwig Seyfarth

Research into the human body and interpersonal relationships remain central themes in video and moving image art. Artists from Bulgaria and Germany, whose work is related in content, will be shown in pairs over the next weeks. The exhibition planned for November 2020 in Sofia has been postponed until 2021. Instead, a consecutive presentation of selected films by artists from Moving Bodies/Moving Images is presented on blinkvideo.
image: © Elitsa Dimitrova

Shooting Ghosts
Online screening programme in cooperation
with the Goethe-Institut Bulgaria

Curators: Kalin Serapionov, Krassimir Terziev

What we propose in this programme is a highly subjective and fragmented view on current practices in moving image in the Bulgarian art scene. We focused on practices that show affinity with speculative narratives - narratives that not just record what is in front of the cinematic eye, but also capture all the ghosts that are unreachable by the apparatus, thus projecting speculative views that intend not merely to describe, but to transform the world.
image: © Veneta Androva

Moving Images / Moving Bodies

 ‘Moving Images Bulgaria-Germany’ is a project by Goethe-Institut Bulgaria, that includes various online and offline initiatives, starting in November 2020. The online program, realised in partnership with blinkvideo, will consist of two curated programmes: “Moving Images / Moving Bodies”, curated by Ludwig Seyfarth, and “Shooting Ghosts”, curated by Krassimir Terziev and Kalin Serapionov.

First the programme “Shooting Ghosts” will give a selected overview of video art in Bulgaria in general. The programme will be accompanied by an in-depth essay by Krassimir Terziev as well as texts by different authors or the artists themselves on individual films.

Critics’ Pick: Vienna by Nicole Büsing + Heiko Klaas

The group show “Antarctica. An Exhibition on Alienation” was presented in Vienna during the past winter season. Departing from a note written by the Italian cult director Michelangelo Antonioni referring to a potential glacier melting in the Antarctica and a hint to a film, the two curators from the Kunsthalle Wien, Vanessa Joan Müller and Nicolaus Schafhausen, conceived an exhibition on the topic of alienation and contemporary art. The focus was on the latest contemporary photography and video art by the younger generation of artists.
Image: © Isabella Fürnkäs

UNSTILLED LIFE: Artist Animations 1980-2020
Curated by Emma Cousin and Paul Carey-Kent

Why this show, here and now? British artist-curator Emma Cousin and writer-curator Paul Carey-Kent recently pulled together a choice of artist animations, thinking that the increasingly vibrant medium is especially suited to the online emphasis of the locked down art world of 2020. Three of them turned out to be represented by Ron Mandos, making the Amsterdam gallery ideal hosts. The cast is international, and to reflect that Tintype gallery in London and Hamburg’s blinkvideo have joined in with variations on the programme. 
Markus Vater Worlds don’t come easy, 2020

Something Between Us
KAI 10 | ARTHENA FOUNDATION, Düsseldorf

The exhibition „Something Between Us“ focuses on both our contemporary lives and the anthropological constants of interpersonal dealings: love, empathy, security, care and safety on the one hand, and hate, role fixation, dependency, reprimand and exclusion on the other. Something Between Us asks how these structures of togetherness are changing in our digital era.
Thomas Taube OCCIDENT, 2020

REFRACTED REALITIES at VIDEONALE.17

In optics, “refraction” refers to the bending of a beam of light, a change in direction which occurs at the moment when it passes from one medium to another. Through refraction, the light wave alters course, changing the way we perceive the objects it illuminates in the process. This optical deviation requires us to repeatedly correct our gaze, comparing the beginning and end points of our perception with reality, and bringing the object we see clearly into focus. In its figurative sense, refraction refers to a critical reflection on the means and channels of visualization, and by extension the possibility of a rearticulation of our view of things – how they are, were, or apparently always have been.
Image: © Sohrab Hura

NEW: Favorites curated by blinkvideo users

What do you like? Over the next few months, we will be showing here selections of works, compiled by you, as a blinkvideo user.

Stefano Miraglia: Hey Blinkvideo members! Here are my eight "must watch" films and videos. Happy to find in this catalogue some of the works that got me interested in artists' moving image when I was a student! (Guillaume Leblon! Daniel Steegmann Mangrané! Marylène Negro!).

Expanding Bauhaus.
New Reflections on the Bauhaus Movement in Time-Based Media Art / Goethe Institute Netherlands

A screening series selected by Elke Kania (Cologne), Julia Sökeland (Hamburg) and Ludwig Seyfarth (Berlin)

With its combination of various arts such as painting, photography film, architecture, fashion, product and interior design and textile art, the Bauhaus is still considered the epitome of a technologically advanced modernity. Last but not least, the attempt to create the whole society aesthetically, inspired many artists worldwide.
Image: © Adnan Softic

Johan Grimonprez

Johan Grimonprez’s critically acclaimed work dances on the borders of practice and theory, art and cinema, documentary and fiction, demanding a double take on the part of the viewer. Informed by an archeology of present-day media, his work seeks out the tension between the intimate and the bigger picture of globalization. It questions our contemporary sublime, one framed by a fear industry that has infected political and social dialogue. By suggesting new narratives through which to tell a story, his work emphasizes a multiplicity of realities.
image: © Johan Griminprez

Christoph Faulhaber: Revolution & Architecture

With "Revolution & Architecture" Christoph Faulhaber (* 1972 in Osnabrück, lives in Hamburg) conceives, builds, designs and opens a whole series of very different rooms in the Kunsthalle Osnabrück. In order to discover the revolutionary aspect of these "architectures", one has to look at the social implications of interior design in general. In the forum the visitor then enters Faulhaber's cinematic autobiography "Every Picture is an Empty Picture" as in the eye of the cyclone: The work is split into 15 individual films and surrounds the visitor in a circle.
Image: © Christoph Faulhaber

Stiftung imai – inter media art institute

The Düsseldorf based foundation imai – inter media art institute was founded in 2006 in order to establish an institution in Germany dedicated to the distribution and preservation of media art and associated activities.
Image: © Marcel Odenbach

Featured videos

Markus Vater
Im Wald (perfect day), 2011

This Animation has developed from a colloboration with the dutch poet Tjitske Jansen. Initially it reacted on a text of hers dealing with memories in her life. All memories were about events in which she didn’t understand the concepts and actions that had happened, but which she understands now.

Pratchaya Phinthong
A proposal to set (work in progress), 2016

A proposal to set CH4*5.75H20 on fire (work in progress) is an ongoing project that explores methane hydrate, an ice compound that has been identified by scientists as an alternative fuel of future energy. Found in large quantities beneath Arctic permafrost, Antarctic ice and sedimentary deposits, methane hydrate releases natural gas when exposed to increases in temperature or decreases in pressure.Gas released by methane hydrates can be lit, which produces a semi-transparent orange and blue flame.This 16 mm film shows samples of methane hydrates.Through the mobilisation and connection of individuals working across geology, science and art, the project generates awareness of methane hydrate, its chemically volatile nature and implications for energy industries.The film itself performs a kind of material transfer, capturing light emitted by the burning samples and projecting it into the gallery space. For Phinthong, each iteration of the project is a form of extraction that makes its subject more widely visible. Filmed by Phuttipong Aroonpheng. Made with the support of Oleg Blouson,Andrey Khabuev and Oleg Khlystov at the Limnological Institute, Irkutsk, Russia.

Ryan Gander
And You Will be Changed , 2014

'And You Will be Changed (Centre Pompidou, Paris)', 2014, follows curator Emma Lavigne around the empty Centre Pompidou in Paris as she presents the viewer with a tour of an empty space that had housed a now uninstalled Pierre Huyghe exhibition. The show is imagined and told by Lavigne as if the artworks were still there. Exhibited: - Pierre Huyghe +/–,The Artist’s Institute, New York, 2014
- Nouveau Festival (5th Edition), Musée d’Art Moderne, Centre Pompidou, Paris, 2014

Deimantas Narkevicius
Ausgeträumt, 2010

The German word ‘Ausgeträumt’ means a state between dream and reality at the point of waking up.The very first creative attempts by any artist are usually very positive, unaffected by criticism, even naive activities. Refering to myself, I had to be absolutely naive to choose to be a visual artist, in the late 80's when in the Soviet Union, everything was falling apart. There was no precedent of success, or an example to follow in the country which was still isolated. With this film I am re-approaching the state of naivety.

Katja Aufleger
LOVE AFFAIR, 2017

Several lights get shot successively. Some crush at once, quiet or with a blast, others seem like trying not to die.

Janet Biggs
Vanishing point, 2009

Luzia Hürzeler
Being in the Picture, 2007/08

Im Bilde sein [Being in the Picture] is a video installation. The monitor stands on a two-meter-high plinth. The video shows a white wall in front of which my head becomes visible, fully or partially, at short or long intervals. I keep jumping up into the picture, making myself visible through physical activity. These efforts become apparent through the sounds. The jumping height, and thus my visibility, decreases over time, until I finally give up through exhaustion.On the occasion of the exhibition “Spazi aperti” this work was displayed in the entrance hall of the Romanian Academy in Rome, where a number of monumental busts are mounted on plinths.

Johanna Reich
Horizon, 2012

The artist is drawing a line onto a white surface. The line reveals the horizon: it separates the sea from the sky. "To draw a line": this phrase already linguistically contains many different meanings. Beginning with the famous line – the one that cannot be crossed politically – via the (guide)line that is also the conceptual standard, to the simple strike placed beneath an addition, these are key points on the spectrum.“When Johanna Reich draws a line with a broad brush onto a wall, additional content comes into play. There is the track which children draw onto the wall with chalk, the traditional artist myth of the line as a vivid track of creative process, and last but not least the powerfully picturesque action of splattering the wall.”(Johannes Stahl)Johanna Reich (*1977 Minden) studied at the Kunstakademie Münster, the HfbK Hamburg and the Kunsthochschule für Medien Köln. She lives and works in Cologne.

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blinkvideo is a website for the research of video art. Founders: Julia Sökeland, Anita Beckers. blinkvideo ist eine Plattform zur Recherche nach Videokunst

Maya Schweizer

Works


Biography

Born 1976 in Paris, France


Education

2007 Universität der Kuenste, Berlin, Meisterschülerin / Master class Diploma
2005 Universität der Kuenste, Berlin, Diploma
2003 Universität der Kuenste, Berlin, class of Lothar Baumgarten
2002 Hochschule fuer Grafik und Buchkunst, HGB, Leipzig
1998 Université d'Aix-en-Provence, Licence Degree
1998-1995 Université d'Aix-en-Provence, art
1995 Aix-en-Provence, Bachelor (art and art history).


Solo Shows

2017
„Die Luke, eine Fliege und dort die Puschkinallee“, Kunstverein Leipzig
„A Tall Tale“ Drawing Room, Hamburg

2016
„Art | Memory | Place“, Irish Museum of Modern Art, IMMA, Dublin Ireland

2015
l´Officielle, Artfair Paris, Galerie, ASPN, Leipzig
„Der sterbende Soldat von Les Milles“, 45cbm Staatliche Kunsthalle Baden-Baden

2014
After the butcher, Maya Schweizer and Antje Majewski, Berlin
I, an archeologist, ASPN Gallery, Leipzig
Edith Seeshow´s Notes, Bratislava’, HIT Gallery, Bratislava, Slovakia

2013
The wizard chooses nine of them with Halina Kliem, TCG Nordica, Kunming, China
Edith Seeshow's Notes, Kunstverein Langenhagen, Germany

2012
It's not about nothing, Galerie Katharina Bittel, Hamburg, Germany

2011
Metropolis, Report from China, Frankfurter Kunstverein, Frankfurt, Germany
Der Turm am See, Galerie Lena Bru¨ning, Berlin, Germany
What would you prefer not to see, Galerie Katharina Bittel, Hamburg, Germany

2010
„Si je me rendormais encore un peu pour oublier toutes ces bêtises“ / „Wie wäre es, wenn ich noch ein wenig weiterschliefe und alle Narrheiten vergässe.“ Art Center 3 bis F, Aix-en-Provence, France
La Même Histoire Ailleurs / The Same Story Elsewhere, Westfaelischer Kunstverein, Muenster, Germany


Group Shows (selection)

2018
"Stadtansichten", Heidelberger Kunstverein
"Women in 3 Acts", Galerie Fotohof, Salzburg. In cooperation with Inda Gallery, Budapest and Fotogalleriet, Oslo.
"The Szechwan Tale", FM Centre for Contemporary Art, Mailand

2017
Anren, Biennale, Anren, China
Whenever The Heart Skips A Beat, Berlin
Destinerrance, ARTEUM, Musée d'art contemporain, Châteauneuf-le-Rouge, France
„The Present Order „– Zweiter Teil, Karin Sander: ZEIGEN. Eine Audiotour durch die Sammlung der GfZK, Galerie für Zeitgenössische Kunst (GfZK), Leipzig
“The Present Order„ Ausstellung der Sammlung der Galerie für Zeitgenössische Kunst, Galerie für Zeitgenössische Kunst (GfZK), Leipzig

2016 „La Répétition Mise à l’Épreuve “ // “Putting Rehearsals to the Test”
Leonard & Bina Ellen Gallery, Montréal, Canada, SBC Galerie d’art
contemporain, Montréal, Canada, VOX, centre de l’image contemporaine, Montréal, Kanada
Marler Medienkunstpreis Skulpturenmuseum Glaskasten Marl, Germany
„A Sense of History“,Videokunstzentrum, Gelsenkirchen, Germany
Exhibition in cooperation with the Neuer Berliner Kunstverein, Berlin.
„Presence/ Absence/ Traces“ POLIN Museum of the History of Polish Jews, Warsaw
„Kinder der strahlenden Stadt”, Kunstraum Dresden, Germany

2015
„Im inneren der Stadt. öffentlicher Raum und Frei-Raum“, GaK, Bremen, Germany
„2.5.0. Object is Meditation and Poetry“, Grassimuseum fu¨r Angewandte Kunst Leipzig, Germany
„Vot ken you mach!“, MWW – Muzeum Wspólczesne, Wroclaw, Poland
„ All Tomorrow´s Past“, Kunsthaus Hamburg

2014
„Sammlungsalphabet“, Sammlungsausstellung, GfZK Leipzig
„Gestern die Stadt von morgen“, Kunstmuseum Mu¨lheim an der Ruhr, Germany
„Kongress der Artikulation“, Kunstraum Kreuzberg Bethanien, Berlin, Germany

2013-14
„Vot ken you mach!“ Kunsthaus Dresden, Germany

2013
Villa Romana 1905–2013 Das Kuenstlerhaus in Florenz,
Bundeskunsthalle, Bonn, Germany
„Last Year at Marienbad, Redux“, efa (Elisabeth Foundation for the Arts, New York, USA
„Letters & Words“, Galerie Katharina Bittel, Hamburg, Germany
„Zurueck nach Morgen“, Galerie fuer zeitgenössische Kunst, Leipzig, Germany

2012
„Des formes de vies“, Morale -Ethos-Disponibilité, Espace Khiasma, Les Lilas, Bei Paris, France
„Die Stadt, die es nicht gibt“, Ludwig Forum Aachen, Germany
„What aout the Ghosts in Town“, The Brno House of Arts, Brno, Czech Republic
„Positioning Osmotic Impulses“, Prison Neukölln, Berlin, Germany
„Jeden Tag eine Linie“, Kunsthaus Kannen, Muenster, Germany
„Ambigous being“, exhibitions in Berlin, Tel Aviv und Taipei:
Tamtamart Berlin / KAV16 Community Gallery Tel Aviv / Hong Gah Museum Taipei
„Viaggio in Italia / Italienische Reise 2010 – 2012“, Werkschauhalle, Leipzig, Germany
„RIPE“, Tape Modern No.26, Berlin, Germany

2011
„Ai Wei Wei is in China“, Fichtebunker, Berlin, Germany
Die Erika Mustermann Collection, im Pavillon vor der Volksbuehne, Berlin, Germany
„Gestrickt, geklebt, geknotet…Art Brut und Textil, Kunsthaus Kannen, Muenster, Germany
„Von Kirchner bis heute – Kuünstler reagieren auf die Sammlung Prinzhorn“ Jubiläumsausstellung zum 10 jährigen Bestehen des Museums Sammlung Prinzhorn, Heidelberg, Germany
„Here and There“, Wallace Gallery, New York, USA

2010
„Here and There“, Oonagh Young Gallery, Dublin, Ireland
„Journeys with no return“, Kunstverein Tiergarten, Germany
„Auto-Kino!“, Temporäre Kunsthalle, Berlin, Germany

2009
„Urban Stories“, The X Baltic Triennial of International Art, CAC Vilnius, Lithuania
„Art in times of uncertainity“, Biennale:2 Thessaloniki, Greece

2008
„Fremder in Frankreich und Deutschland – vom 19. Jh. bis Heute“,
La Cité nationale de l'Immigration, Paris, France

2007
„Wheel“, a young french art scene, Printemps de Septembre Toulouse, France
„Timeout! Art and Sustainability“, Liechtenstein Kunstmuseum, Vaduz, Liechtenstein
„Clemens von Wedemeyer & Maya Schweizer, Films, in Common“ Argos, center for art and media, Brussels, Belgium
„Um-Kehrungen,Interaktion I- Speaker´s corner“, Kunstverein Braunschweig, Germany
„Retour d'Italie. Documents en déplacement“, Galerie Jocelyn Wolff, Paris, France
„Magellaneous Cloud“, Centre Georges Pompidou Paris, France

2006
„Storylines“, Kunstraum Muenchen, Germany
„Of Mice and Men“, Berlin Biennale 4, KW Berlin, Germany
„Storylines“, Kunstverein Göttingen, Germany


Grants


2017 Research Grant from the Berlin Senate

2016 Research artist residency of the Goethe Institute in Naples, and the Morra-Museo Nitsch Foundation, Naples, Italy
Artist residency in the Grenzturm, Flutgraben, Berlin
Residency and production Museum POLIN, Warsaw, Poland

2015-2016 Film project grant from the Goethe Institute, Neaples

2015 "Lieux de Mémoire and Desire", Catalog grant from Kulturstiftung des Freistaates Sachsen (KdFS), Dresden Germany.
Residency and production Askeaton Contemporary Arts, Ireland

2014 Residency at La Non-Maison, Aix-en-Provence, France

2013 Exhibition sponsor from the ifa, (institut fu¨r Auslandsbeziehungen), TCG Nordica, Kunming, China

2011 KAIR - Kosice residency, project of the Robert-Bosch-Foundation and Goethe Institute for the cultural capital Kosice 2013, Slowakia

2010 Grant Residency Program, Art Center 3bis F Aix-en-Provence, France

2008-10 Studio grant of the Karl Hofer Gesellschaft.

2009 Toni und Abrecht Kumm Preis zur Förderung der Bildenden Künste
Artist Program for film and video, Senat Berlin

2008 Artist grant of the Goethe Institute in the Villa Aurora, Los Angeles

2006 Prize of the best German Film, Oberhausen Filmfestival
Grant from the DAP (Department of the visual arts), Paris, France

Maya Schweizer
Born 1976 in Paris, France Education2007 Universität der Kuenste, Berlin, Meisterschülerin / Master class Diploma2005 Universität der Kuenste, Berlin, Diploma2003 Universität der Kuenste, Berlin, class of Lothar Baumgarten2002 Hochschule fuer Grafik und Buchkunst, HGB, Leipzig1998 Université d'Aix-en-Provence, Licence Degree1998-1995 Université d'Aix-en-Provence, art1995 Aix-en-Provence, Bachelor (art and art history). Solo Shows2017 „Die Luke, eine Fliege und dort die Puschkinallee“, Kunstverein Leipzig„A Tall Tale“ Drawing Room, Hamburg 2016 „Art | Memory | Place“, Irish Museum of Modern Art, IMMA, Dublin Ireland 2015 l´Officielle, Artfair Paris, Galerie, ASPN, Leipzig„Der sterbende Soldat von Les Milles“, 45cbm Staatliche Kunsthalle Baden-Baden 2014 After the butcher, Maya Schweizer and Antje Majewski, BerlinI, an archeologist, ASPN Gallery, LeipzigEdith Seeshow´s Notes, Bratislava’, HIT Gallery, Bratislava, Slovakia 2013 The wizard chooses nine of them with Halina Kliem, TCG Nordica, Kunming, ChinaEdith Seeshow's Notes, Kunstverein Langenhagen, Germany 2012 It's not about nothing, Galerie Katharina Bittel, Hamburg, Germany 2011 Metropolis, Report from China, Frankfurter Kunstverein, Frankfurt, GermanyDer Turm am See, Galerie Lena Bru¨ning, Berlin, GermanyWhat would you prefer not to see, Galerie Katharina Bittel, Hamburg, Germany 2010 „Si je me rendormais encore un peu pour oublier toutes ces bêtises“ / „Wie wäre es, wenn ich noch ein wenig weiterschliefe und alle Narrheiten vergässe.“ Art Center 3 bis F, Aix-en-Provence, FranceLa Même Histoire Ailleurs / The Same Story Elsewhere, Westfaelischer Kunstverein, Muenster, Germany Group Shows (selection)2018 Stadtansichten, Heidelberger KunstvereinWomen in 3 Acts, Galerie Fotohof, Salzburg. In cooperation with Inda Gallery, Budapest and Fotogalleriet, Oslo.The Szechwan Tale, FM Centre for Contemporary Art, Mailand 2017 Anren, Biennale, Anren, ChinaWhenever The Heart Skips A Beat, BerlinDestinerrance, ARTEUM, Musée d'art contemporain, Châteauneuf-le-Rouge, France„The Present Order „– Zweiter Teil, Karin Sander: ZEIGEN. Eine Audiotour durch die Sammlung der GfZK, Galerie für Zeitgenössische Kunst (GfZK), Leipzig“The Present Order„ Ausstellung der Sammlung der Galerie für Zeitgenössische Kunst, Galerie für Zeitgenössische Kunst (GfZK), Leipzig 2016 „La Répétition Mise à l’Épreuve “ // “Putting Rehearsals to the Test”Leonard & Bina Ellen Gallery, Montréal, Canada, SBC Galerie d’artcontemporain, Montréal, Canada, VOX, centre de l’image contemporaine, Montréal, KanadaMarler Medienkunstpreis Skulpturenmuseum Glaskasten Marl, Germany„A Sense of History“,Videokunstzentrum, Gelsenkirchen, GermanyExhibition in cooperation with the Neuer Berliner Kunstverein, Berlin.„Presence/ Absence/ Traces“ POLIN Museum of the History of Polish Jews, Warsaw„Kinder der strahlenden Stadt”, Kunstraum Dresden, Germany 2015 „Im inneren der Stadt. öffentlicher Raum und Frei-Raum“, GaK, Bremen, Germany„2.5.0. Object is Meditation and Poetry“, Grassimuseum fu¨r Angewandte Kunst Leipzig, Germany„Vot ken you mach!“, MWW – Muzeum Wspólczesne, Wroclaw, Poland„ All Tomorrow´s Past“, Kunsthaus Hamburg 2014 „Sammlungsalphabet“, Sammlungsausstellung, GfZK Leipzig„Gestern die Stadt von morgen“, Kunstmuseum Mu¨lheim an der Ruhr, Germany„Kongress der Artikulation“, Kunstraum Kreuzberg Bethanien, Berlin, Germany 2013-14 „Vot ken you mach!“ Kunsthaus Dresden, Germany 2013 Villa Romana 1905–2013 Das Kuenstlerhaus in Florenz,Bundeskunsthalle, Bonn, Germany„Last Year at Marienbad, Redux“, efa (Elisabeth Foundation for the Arts, New York, USA„Letters & Words“, Galerie Katharina Bittel, Hamburg, Germany„Zurueck nach Morgen“, Galerie fuer zeitgenössische Kunst, Leipzig, Germany 2012 „Des formes de vies“, Morale -Ethos-Disponibilité, Espace Khiasma, Les Lilas, Bei Paris, France„Die Stadt, die es nicht gibt“, Ludwig Forum Aachen, Germany„What aout the Ghosts in Town“, The Brno House of Arts, Brno, Czech Republic„Positioning Osmotic Impulses“, Prison Neukölln, Berlin, Germany„Jeden Tag eine Linie“, Kunsthaus Kannen, Muenster, Germany„Ambigous being“, exhibitions in Berlin, Tel Aviv und Taipei:Tamtamart Berlin / KAV16 Community Gallery Tel Aviv / Hong Gah Museum Taipei„Viaggio in Italia / Italienische Reise 2010 – 2012“, Werkschauhalle, Leipzig, Germany„RIPE“, Tape Modern No.26, Berlin, Germany 2011 „Ai Wei Wei is in China“, Fichtebunker, Berlin, GermanyDie Erika Mustermann Collection, im Pavillon vor der Volksbuehne, Berlin, Germany„Gestrickt, geklebt, geknotet…Art Brut und Textil, Kunsthaus Kannen, Muenster, Germany„Von Kirchner bis heute – Kuünstler reagieren auf die Sammlung Prinzhorn“ Jubiläumsausstellung zum 10 jährigen Bestehen des Museums Sammlung Prinzhorn, Heidelberg, Germany„Here and There“, Wallace Gallery, New York, USA 2010 „Here and There“, Oonagh Young Gallery, Dublin, Ireland„Journeys with no return“, Kunstverein Tiergarten, Germany„Auto-Kino!“, Temporäre Kunsthalle, Berlin, Germany 2009 „Urban Stories“, The X Baltic Triennial of International Art, CAC Vilnius, Lithuania„Art in times of uncertainity“, Biennale:2 Thessaloniki, Greece 2008 „Fremder in Frankreich und Deutschland – vom 19. Jh. bis Heute“,La Cité nationale de l'Immigration, Paris, France 2007 „Wheel“, a young french art scene, Printemps de Septembre Toulouse, France„Timeout! Art and Sustainability“, Liechtenstein Kunstmuseum, Vaduz, Liechtenstein„Clemens von Wedemeyer & Maya Schweizer, Films, in Common“ Argos, center for art and media, Brussels, Belgium„Um-Kehrungen,Interaktion I- Speaker´s corner“, Kunstverein Braunschweig, Germany„Retour d'Italie. Documents en déplacement“, Galerie Jocelyn Wolff, Paris, France„Magellaneous Cloud“, Centre Georges Pompidou Paris, France 2006 „Storylines“, Kunstraum Muenchen, Germany„Of Mice and Men“, Berlin Biennale 4, KW Berlin, Germany„Storylines“, Kunstverein Göttingen, Germany Grants 2017 Research Grant from the Berlin Senate 2016 Research artist residency of the Goethe Institute in Naples, and the Morra-Museo Nitsch Foundation, Naples, ItalyArtist residency in the Grenzturm, Flutgraben, BerlinResidency and production Museum POLIN, Warsaw, Poland 2015-2016 Film project grant from the Goethe Institute, Neaples 2015 Lieux de Mémoire and Desire, Catalog grant from Kulturstiftung des Freistaates Sachsen (KdFS), Dresden Germany.Residency and production Askeaton Contemporary Arts, Ireland 2014 Residency at La Non-Maison, Aix-en-Provence, France 2013 Exhibition sponsor from the ifa, (institut fu¨r Auslandsbeziehungen), TCG Nordica, Kunming, China 2011 KAIR - Kosice residency, project of the Robert-Bosch-Foundation and Goethe Institute for the cultural capital Kosice 2013, Slowakia 2010 Grant Residency Program, Art Center 3bis F Aix-en-Provence, France 2008-10 Studio grant of the Karl Hofer Gesellschaft. 2009 Toni und Abrecht Kumm Preis zur Förderung der Bildenden KünsteArtist Program for film and video, Senat Berlin 2008 Artist grant of the Goethe Institute in the Villa Aurora, Los Angeles 2006 Prize of the best German Film, Oberhausen FilmfestivalGrant from the DAP (Department of the visual arts), Paris, France

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