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blinkvideo - research of video art, performance and multimedia installations.

NEW: Favorites curated by blinkvideo users

What do you like? Over the next few months, we will be showing here selections of works, compiled by you, as a blinkvideo user.

Nasim Weiler: Hello, there are many absolutely wonderful video works on Blinkvideo - here are my three favourites of today, March 26 - a day spent in quarantane in Paris.

Do you have any favorites on blinkvideo ? Or would you like to focus attention on some video works? Or would you like to compile and show videos on a specific topic? You can do so with the new tool on blinkvideo.
Create a favorites list as follows: When you're logged in, a little sign "add to favorite list" will appear below each video. With the click on it, you add the film to your favorites list. When you have collected all the works, open your favorites list and you can share the list with blinkvideo. We will then receive a message and put the compilation online.
We are very curious about your selection!

Nadja Verena Marcin - OPHELIA
Stadtgalerie in Saarbrücken, Germany. 2019

OPHELIA is an interdisciplinary performance that is presented in the Stadtgalerie Saarbrücken as a live action and subsequently as a video installation. It reflects the human-induced destruction of nature and creates references to art, literature and science. Dressed in "Ophelia's" dress and equipped with a diving device, Nadja Verena Marcin will climb into an aquarium and try under water to read the text "The Werld" by Daniil Kharms about human perception.
Image: © Nadja Verena Marcin

Igor Simić - WELTSCHMERZ 
at Galerie Beckers, Frankfurt

The exhibition WELTSCHMERZ shows new works by Serbian artist Igor Simic, which he created in connection with his iOS game Golf Club: Wasteland. For this game he and his award-winning gaming and film company Demagog Studio developed a whole world — a storyline with characters and various landscapes — in a post-apocalyptic scenario. The eerie atmosphere of the carefully crafted visual scenery is accompanied by slow paced, nostalgic, sometimes almost chilling music that evokes the feeling of longing for something lost.
Image: © Igor Simić

Fuzzy dark spot
Video art from Hamburg

The exhibition FUZZY DARK SPOT curated by the Hamburg-based video artist Wolfgang Oelze, at the Falckenberg Collection brings together 56 video works by over 30 mostly Hamburg-based artists ranging from the 1970s to the present day, featuring historical and contemporary productions in both thematic and monographic groups.
image: © Stefan Panhans

REFRACTED REALITIES at VIDEONALE.17

In optics, “refraction” refers to the bending of a beam of light, a change in direction which occurs at the moment when it passes from one medium to another. Through refraction, the light wave alters course, changing the way we perceive the objects it illuminates in the process. This optical deviation requires us to repeatedly correct our gaze, comparing the beginning and end points of our perception with reality, and bringing the object we see clearly into focus. In its figurative sense, refraction refers to a critical reflection on the means and channels of visualization, and by extension the possibility of a rearticulation of our view of things – how they are, were, or apparently always have been.
Image: © Sohrab Hura

Featured videos

Annegret Soltau
Schwanger-Sein I, 1977/78

"My pregnancies in 1978 and 1980 became an important theme for me. This personal experience yielded pictures in which I once again used myself as a model, this time myself in the process of being pregnant. The fear that my role as a mother could jeopardize my life as an artist inspired me to create a great many photos and videos. At this point I was preoccupied with the question of how women combine creativity and motherhood.“ (Annegret Soltau)

Tobias Yves Zintel
Breed and Educate, 2018

The Film Breed and Educate is based on a collaborative performance with a class from the Hector-Peterson-Schule Berlin Kreuzberg and the HAU. In numerous task based rehearsals eight pupils between 11 and 13 years explored the possibilties of self-education. Based on various materials from found footage to documentary and staged scenes the film circles around the relationship of controlling and self-empowerment in educational systems. Breed and Educate is circling around the question of how lessons should be organised in times of network and algorthim-based learning. Algorithms and neuronal networks have to master problems only once, after they achieved their goal, results can be duplicated and copied any number of times. Kids on the other hand side have to learn everything step by step, the accumulated knowlede can’t be transfered from on kid to the other by „copy and paste“. An allopoetic system is a trivial system, which can be potentially fully explored, controlled and operated by an observer. With a similar theory in mind, the Prussians started to organise schooling in 1717, to prepare pupils for the Prussian Military Academy. What happens almost 300 years later in a school in Berlin, when the relationship between control and self-empowerment is inverted by postmigrant pupils who breed robots, are educated by them and vice versa? “ In Breed and Educate an automated dionsaur is introduced by a twelfe year old boy: “It’s easily trainable”. While he explains the mode of operation, one sees the parallels: the school wouldn’t have any problems with pupils equipped with a suitable operating system downloaded from the internet. Sounds like an uncanny utopia.” (Katrin Bettina Müller)

Lene Markusen
Grad, 2004

Dieter Kiessling
60 Minutes 360 Degrees GK 2010, 2010

A boy is portrayed with a video camera for an hour on a tennis court.During this time the camera turns through 360 degrees. Meanwhile, the whole space is recorded piece by piece. The boy follows the camera movement slowly thus remaining constantly in the centre of the picture.

Clemens von Wedemeyer
Silberhöhe, 2003

In Halle-Silberhöhe in East Germany, the camera records peri-urban area architecture, prefabricated buildings that are deserted and destined to be demolished. The commentary evokes a film editing technique used by Michelangelo Antonioni in his film, L’Eclisse (1962).

Janet Biggs
Fade to White, 2010

In Fade to White, Biggs delves into the desire to explore remote lands. To create this work, the artist embarked on an expedition in the high Arctic, traveling aboard an ice-class, 2-masted schooner, built in 1910. During the voyage, Biggs filmed Fade to White, focusing on a crew member as he navigated the ship through iceberg filled seas, and paddled a kayak past glacier walls and polar bears. As she photographed the explorer, Biggs tested her own will and endurance. The visual tension of her uncompromising imagery bespeaks their mutual struggle to maintain balance and purpose. Yet, the video also reveals the myth of the solitary white male explorer. Biggs explains, "The desire to hold onto the notion of the 'great white north' as a blank space awaiting interpretation only reinforces the idea of the colonial polar hero. The 'virgin' north has now been mapped, surveyed, and mined, but increased knowledge has not replaced endless fantasies of discovery." Loss and change are implicit in the video's title, Fade to White, which refers to an editing technique used to evoke death or transcendence. Biggs integrated her Arctic imagery with sound and video footage of counter tenor John Kelly, whose age, androgyny, and mournful voice parallel the vanishing Arctic landscape and signal the waning of male dominance.

Rebecca Ann Tess
The Tallest, 2014

The »The Tallest« shows pictures shot on-site of the currently tallest buildings in the world. The high-rises are shown as set pieces of global capitalism, visually disappearing into abstraction. The reduced images are reminding of 3D rendering. The simulated image of these buildings circulates in the media for representational and advertising purposes, becomes a substantial object and the actual spatiality becomes a mockup. The narration is undertaken by a computer voice, it describes the competition for the tallest tower at such divers places as Chicago, Dubai, Hong Kong, Kuala Lumpur, Mecca, Nanjing, New York City, Seoul, Shanghai, Shenzhen, Songdo and Taipei.

Johanna Reich
LIGHT ON BLACK ON WHITE HOMAGE TO MALEVICH, 2015

A moving digital light drawing illuminates a white wall. A hand painting a black square on the white surface becomes visible. At the same time the light drawing is painting a light square. In the end the light of the digital light square illuminates the finished black oil painting.

Critics’ Pick: Vienna by Nicole Büsing + Heiko Klaas

The group show “Antarctica. An Exhibition on Alienation” was presented in Vienna during the past winter season. Departing from a note written by the Italian cult director Michelangelo Antonioni referring to a potential glacier melting in the Antarctica and a hint to a film, the two curators from the Kunsthalle Wien, Vanessa Joan Müller and Nicolaus Schafhausen, conceived an exhibition on the topic of alienation and contemporary art. The focus was on the latest contemporary photography and video art by the younger generation of artists.
Image: © Isabella Fürnkäs

Expanding Bauhaus.
New Reflections on the Bauhaus Movement in Time-Based Media Art
/ Goethe Institute Netherlands

A screening series selected by Elke Kania (Cologne), Julia Sökeland (Hamburg) and Ludwig Seyfarth (Berlin)

With its combination of various arts such as painting, photography film, architecture, fashion, product and interior design and textile art, the Bauhaus is still considered the epitome of a technologically advanced modernity. Last but not least, the attempt to create the whole society aesthetically, inspired many artists worldwide.
Image: © Adnan Softic

Johan Grimonprez

Johan Grimonprez’s critically acclaimed work dances on the borders of practice and theory, art and cinema, documentary and fiction, demanding a double take on the part of the viewer. Informed by an archeology of present-day media, his work seeks out the tension between the intimate and the bigger picture of globalization. It questions our contemporary sublime, one framed by a fear industry that has infected political and social dialogue. By suggesting new narratives through which to tell a story, his work emphasizes a multiplicity of realities.
image: © Johan Griminprez

Christoph Faulhaber: Revolution & Architecture

With "Revolution & Architecture" Christoph Faulhaber (* 1972 in Osnabrück, lives in Hamburg) conceives, builds, designs and opens a whole series of very different rooms in the Kunsthalle Osnabrück. In order to discover the revolutionary aspect of these "architectures", one has to look at the social implications of interior design in general. In the forum the visitor then enters Faulhaber's cinematic autobiography "Every Picture is an Empty Picture" as in the eye of the cyclone: The work is split into 15 individual films and surrounds the visitor in a circle.
Image: © Christoph Faulhaber

Stiftung imai – inter media art institute

The Düsseldorf based foundation imai – inter media art institute was founded in 2006 in order to establish an institution in Germany dedicated to the distribution and preservation of media art and associated activities.
Image: © Marcel Odenbach

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blinkvideo is a website for the research of video art. Founders: Julia Sökeland, Anita Beckers. blinkvideo ist eine Plattform zur Recherche nach Videokunst

Toby Huddlestone

Works


Galleries

Videonale e.V. im Kunstmuseum Bonn
Tasja Langenbach
Friedrich-Ebert-Allee 2
53113 Bonn
Germany

Phone: +49-(0)228-692818
E-Mail: langenbach@videonale.org




Statement

Actions such as rupturing, blurring, interrupting, trans-coding and agitating are interesting ways of formulating questions about things.

I want my practice to question, examine, re-question, re-examine and subvert itself. It is always an investigation of the workings or process of something.

I am always looking into structures (the way things work), deconstructing them, repositioning and altering certain aspects of them, then throwing them back out in a new form. I may repeat this process over and over, never wanting an answer as such, but more in order to investigate and learn through action and play.

The use of duration and repetition is a reoccurring theme as works in the studio are often made in series, and interventions and actions concentrate on a critique and deconstruction of the event.


Biography

Born 1980 in Goole, East Yorkshire
Based in Ramsgate and London

Education

2004-2007 MA Fine Art, University of the West of England.
2000-2003 BA (Hons) Fine Art (1st class honours degree), Swansea Institute of Higher Education.

Solo exhibitions and performances

2013
The John Gingell Award, g39, Cardiff
The Origins of Another Artwork, Market Gallery, Glasgow

2012
Phobos Self-Degradation and 11 Minutes, PAC Home, Plymouth Arts Centre, Plymouth
sculpture/bar/performance - Enclave Projects, Deptford, London

2011
Lecture Apathy, solo performance at LCCA, Riiga, Latvia

2010
To appear to have done something..., ROOM, London
I’m so bored of viewing, Engine Room, Wellington, NZ
Lecture Apathy, VCA, Melbourne and The Physics Room, Christchurch

2009
ON ON / PROTEST APATHY, Outlet, Manchester

2008
Double Yes, Solo show, Plan 9, Bristol
Homage to Bruce, In Focus space, Oriel Davies Gallery, Newtown, Wales

Selected group exhibitions  / projects

2014
Videonale.14 on tour, Videofest 2K14 Bienal Internacional de Video Y Cine Contemporaneo, Baja California, Mexico.
Videonale.14 on tour HudPromo (organised by Bayerisches Haus), Galerie Odessa, Ukraine
Yearbook Edition exhibition, Enclave Projects, London
Falling in Hankering for Classification, Federation House, Castlefield Gallery, Manchester
Performance as Publishing, New York Art Book Fair, MOMA PS1, New York

2013
Videonale.14 on Tour, The Central House of Artists (CHA), Moscow, Russia
MUSLIHAT OK. VIDEO / 6th Jakarta international Video Festival, Jakarta, Indonesia
Appropriation Beyond the Object, Banner Repeater, London
A3 Works, A3 Project Space, Birmingham
Video Dumbo, New York
Brand Innovations for Ubiquitous Authorship, Carroll / Fletcher, London
Words to be Spoken Aloud, curated by Ruth Beale and Nicole Bachmann, Turner Contemporary, Margate
Rule of 3' at Islington Mill, Salford
Videonale v.13, Bonn, Germany

2012
Dawdle, SPACE Studios, London
Young London 2, V22, London
Audio work in Rockmore for the Baltic Triennial, CAC Vilnius, Lithuania.
Document Documenting Documentation, V22 Summer Club, London
It looked like a theatre. Act1, Scene 7: The Apocralypse, hypothetical talks programme curated by Barry Sykes.
Video Apathy screened at Festival of Failure, Chapter Cinema, Chapter Arts Centre, Cardiff.
Shit show at Malgus/Naudet, Manchester
Testing Ground: Acoustic Mirrors, 176 Zabludowicz Collection, London

2011
Again, A Time Machine, Bookworks project at Spike Island, Bristol
Space Exchange, for The Woodmill, Aid and Abet, Cambridge
Performance as Publishing, South London Gallery, London
Airline, ABC Gallery, Christchurch, New Zealand
Resonance 104.4 FM project Gone With the Wind at Raven Row, London
We Are Grammar, group show, Pratt Manhattan Gallery, New York, USA

2010
The Politics of Utopia conference at Bahktin Centre, Sheffield University
Prop, group show at Departure Gallery, London (curated by Louise Ashcroft)
Collaborators 2, group show, R O O M, London
Super8station, Arnolfini, Bristol
Pile on included into Crosstalk Video Festival, Budapest, Hungary

2009
Trade City, group show represented by Exocet, Contemporary Art Manchester
A Line, A Road, Abridged, Group show, Hold and Freight, London
SALE, Royal Standard, Liverpool
Coalesce, curated by Paul O’Neill, SMART Project space, Amsterdam

2008
Did I tell you I used to be a barbarian?, Group Show, Plan 9, Bristol

2007
INTER exchange, exhibition at HIAP and Galleria Huuto, Helsinki, Finland
An-Froo-Ka, group exhibition at Bristol Zoo Gardens

2006
We Have Net Curtains, Hotel MariaKapel in Hoorn, Holland

Commissions, awards and residencies

2013
John Gingell Award, G39, Cardiff
2012
Garden of Reason, commission for National Trust, Ham House, Richmond
2011
Walk the Line, public commission for EXCHANGE RADICAL MOMENTS festival, LCCA, Latvia
Iteration: Again, large-scale temporal public commission, Tasmania
2010
Commission for Liverpool Biennial for DEADPAN at Royal Standard, Liverpool
Public commission for Field Broadcast, curated by Projeckt, Wysing Arts Centre, Cambridge
2009
Artist-in-residence for Contemporary Art Society, Istanbul Biennial
Residency and public commission for OUTPOST, Contemporary Art Norwich (CAN09)
Public commission for Platform, Vaasa, Finland
2007
INTER exchange, Residency with exhibition at HIAP and Galleria Huuto, Helsinki, Finland
2006
Residency with exhibition at Hotel MariaKapel in Hoorn, Holland

Selected curatorial / organisational projects

2013-2015 COLLABORATIVE RESEARCH GROUP, conception of and coordination of an alternative education programme (perceived as an MA in Doing), hosted by CRATE Studio and project Space.
2012-2013 AUTO-ARCHIVE: A research exhibition in four parts, commissioned by Lionel Dobie Project, Manchester, in partnership with Curatorial Timeshare, Enclave, London
2011-2012 EXHIBITION AS MEDIUM programme, CRATE Studio and project Space, Margate. 12-month programme focusing on alternative exhibition formats, the processes of exhibition making and the de-stabilising of production.
2008-2009 Curator of I AM COMEDY, multi-locational exhibition, screening and event project at Worm (Rotterdam), W139 (Amsterdam), HMK (Hoorn) and Arnolfini (Bristol, UK) including work by Kim Noble, Bedwyr Williams and Olaf Breuning.
<>2005-2008 Co-director of Plan 9, Bristol including curating of BRSLAXVAA (2005), UTSTALLRUMM (2007)
2007 INTER exchange. Residency and exhibition exchange between Bristol and Helsinki.
2005 Co-curator of Curating Degree Zero touring archive, Spike Island.

Publications / resource / talks

2014 Year Book Edition, Enclave Projects, London
Young London catalogue, V22 London
2013 Recap, Onwards..., Solo publication, John Gingell Award, g39, Cardiff
Videonale catalogue and DVD
Interruption: Again catalogue
The Nomadic Studio – Art, Life and the Colonisation of Meanwhile Space, Edition Taube, Stuttgart, 2013
2012 Talk, Plymouth Arts Centre
11 minutes transcribed for CCA Glasgow's publication 2HB
Inert Gas Series: Box included in Oscilations, Paris
Art Forum talks series, UTAS, Hobart, Tasmania.
2011 Performative Tactics and the Reinvention of Public Space, Martin Patrick, Art and The Public Sphere
Protest Apathy included in UTOPIA TOOLBOX_, edited by Juliane Stiegel
2010 ‘Context’, presentation and panel discussion at Knowle West Media Centre
2009 Work included in Periphery, YH485 press in association with Gymnasium.
Axisweb curated selection curated by Anthiny Shapland
2008 In discussion:Gisela Motta and Leandro Lima, chair of discussion of Plan 9’s International residency artists presentation discussion.
Underdogs: Artists in Unusual Places, symposium on DIY artists’ initiatives hosted by Plymouth College of Art and Design.
2007 Navigating the International, public seminar at Watershed, Bristol - in discussion with Alessio Antoniolli (Director, Gasworks)

Toby Huddlestone
Born 1980 in Goole, East Yorkshire Based in Ramsgate and London Education 2004-2007 MA Fine Art, University of the West of England. 2000-2003 BA (Hons) Fine Art (1st class honours degree), Swansea Institute of Higher Education. Solo exhibitions and performances 2013 The John Gingell Award, g39, Cardiff The Origins of Another Artwork, Market Gallery, Glasgow 2012 Phobos Self-Degradation and 11 Minutes, PAC Home, Plymouth Arts Centre, Plymouth sculpture/bar/performance - Enclave Projects, Deptford, London 2011 Lecture Apathy, solo performance at LCCA, Riiga, Latvia 2010 To appear to have done something..., ROOM, London I’m so bored of viewing, Engine Room, Wellington, NZ Lecture Apathy, VCA, Melbourne and The Physics Room, Christchurch 2009 ON ON / PROTEST APATHY, Outlet, Manchester 2008 Double Yes, Solo show, Plan 9, Bristol Homage to Bruce, In Focus space, Oriel Davies Gallery, Newtown, Wales Selected group exhibitions  / projects 2014 Videonale.14 on tour, Videofest 2K14 Bienal Internacional de Video Y Cine Contemporaneo, Baja California, Mexico. Videonale.14 on tour HudPromo (organised by Bayerisches Haus), Galerie Odessa, Ukraine Yearbook Edition exhibition, Enclave Projects, London Falling in Hankering for Classification, Federation House, Castlefield Gallery, Manchester Performance as Publishing, New York Art Book Fair, MOMA PS1, New York 2013 Videonale.14 on Tour, The Central House of Artists (CHA), Moscow, Russia MUSLIHAT OK. VIDEO / 6th Jakarta international Video Festival, Jakarta, Indonesia Appropriation Beyond the Object, Banner Repeater, London A3 Works, A3 Project Space, Birmingham Video Dumbo, New York Brand Innovations for Ubiquitous Authorship, Carroll / Fletcher, London Words to be Spoken Aloud, curated by Ruth Beale and Nicole Bachmann, Turner Contemporary, Margate Rule of 3' at Islington Mill, Salford Videonale v.13, Bonn, Germany 2012 Dawdle, SPACE Studios, London Young London 2, V22, London Audio work in Rockmore for the Baltic Triennial, CAC Vilnius, Lithuania. Document Documenting Documentation, V22 Summer Club, London It looked like a theatre. Act1, Scene 7: The Apocralypse, hypothetical talks programme curated by Barry Sykes. Video Apathy screened at Festival of Failure, Chapter Cinema, Chapter Arts Centre, Cardiff. Shit show at Malgus/Naudet, Manchester Testing Ground: Acoustic Mirrors, 176 Zabludowicz Collection, London 2011 Again, A Time Machine, Bookworks project at Spike Island, Bristol Space Exchange, for The Woodmill, Aid and Abet, Cambridge Performance as Publishing, South London Gallery, London Airline, ABC Gallery, Christchurch, New Zealand Resonance 104.4 FM project Gone With the Wind at Raven Row, London We Are Grammar, group show, Pratt Manhattan Gallery, New York, USA 2010 The Politics of Utopia conference at Bahktin Centre, Sheffield University Prop, group show at Departure Gallery, London (curated by Louise Ashcroft) Collaborators 2, group show, R O O M, London Super8station, Arnolfini, Bristol Pile on included into Crosstalk Video Festival, Budapest, Hungary 2009 Trade City, group show represented by Exocet, Contemporary Art Manchester A Line, A Road, Abridged, Group show, Hold and Freight, London SALE, Royal Standard, Liverpool Coalesce, curated by Paul O’Neill, SMART Project space, Amsterdam 2008 Did I tell you I used to be a barbarian?, Group Show, Plan 9, Bristol 2007 INTER exchange, exhibition at HIAP and Galleria Huuto, Helsinki, Finland An-Froo-Ka, group exhibition at Bristol Zoo Gardens 2006 We Have Net Curtains, Hotel MariaKapel in Hoorn, Holland Commissions, awards and residencies 2013 John Gingell Award, G39, Cardiff 2012 Garden of Reason, commission for National Trust, Ham House, Richmond 2011 Walk the Line, public commission for EXCHANGE RADICAL MOMENTS festival, LCCA, Latvia Iteration: Again, large-scale temporal public commission, Tasmania 2010 Commission for Liverpool Biennial for DEADPAN at Royal Standard, Liverpool Public commission for Field Broadcast, curated by Projeckt, Wysing Arts Centre, Cambridge 2009 Artist-in-residence for Contemporary Art Society, Istanbul Biennial Residency and public commission for OUTPOST, Contemporary Art Norwich (CAN09) Public commission for Platform, Vaasa, Finland 2007 INTER exchange, Residency with exhibition at HIAP and Galleria Huuto, Helsinki, Finland 2006 Residency with exhibition at Hotel MariaKapel in Hoorn, Holland Selected curatorial / organisational projects 2013-2015 COLLABORATIVE RESEARCH GROUP, conception of and coordination of an alternative education programme (perceived as an MA in Doing), hosted by CRATE Studio and project Space. 2012-2013 AUTO-ARCHIVE: A research exhibition in four parts, commissioned by Lionel Dobie Project, Manchester, in partnership with Curatorial Timeshare, Enclave, London 2011-2012 EXHIBITION AS MEDIUM programme, CRATE Studio and project Space, Margate. 12-month programme focusing on alternative exhibition formats, the processes of exhibition making and the de-stabilising of production. 2008-2009 Curator of I AM COMEDY, multi-locational exhibition, screening and event project at Worm (Rotterdam), W139 (Amsterdam), HMK (Hoorn) and Arnolfini (Bristol, UK) including work by Kim Noble, Bedwyr Williams and Olaf Breuning. <>2005-2008 Co-director of Plan 9, Bristol including curating of BRSLAXVAA (2005), UTSTALLRUMM (2007) 2007 INTER exchange. Residency and exhibition exchange between Bristol and Helsinki. 2005 Co-curator of Curating Degree Zero touring archive, Spike Island. Publications / resource / talks 2014 Year Book Edition, Enclave Projects, London Young London catalogue, V22 London 2013 Recap, Onwards..., Solo publication, John Gingell Award, g39, Cardiff Videonale catalogue and DVD Interruption: Again catalogue The Nomadic Studio – Art, Life and the Colonisation of Meanwhile Space, Edition Taube, Stuttgart, 2013 2012 Talk, Plymouth Arts Centre 11 minutes transcribed for CCA Glasgow's publication 2HB Inert Gas Series: Box included in Oscilations, Paris Art Forum talks series, UTAS, Hobart, Tasmania. 2011 Performative Tactics and the Reinvention of Public Space, Martin Patrick, Art and The Public Sphere Protest Apathy included in UTOPIA TOOLBOX_, edited by Juliane Stiegel 2010 ‘Context’, presentation and panel discussion at Knowle West Media Centre 2009 Work included in Periphery, YH485 press in association with Gymnasium. Axisweb curated selection curated by Anthiny Shapland 2008 In discussion:Gisela Motta and Leandro Lima, chair of discussion of Plan 9’s International residency artists presentation discussion. Underdogs: Artists in Unusual Places, symposium on DIY artists’ initiatives hosted by Plymouth College of Art and Design. 2007 Navigating the International, public seminar at Watershed, Bristol - in discussion with Alessio Antoniolli (Director, Gasworks)

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  • Western Sahara
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  • Zambia
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