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blinkvideo - research of video art, performance and multimedia installations.

blinkvideo - research of video art, performance and multimedia installations.


Moving Images / Moving Bodies
Online screening programme in cooperation
with the Goethe-Institut Bulgaria

Curated by Ludwig Seyfarth

Research into the human body and interpersonal relationships remain central themes in video and moving image art. Artists from Bulgaria and Germany, whose work is related in content, will be shown in pairs over the next weeks. The exhibition planned for November 2020 in Sofia has been postponed until 2021. Instead, a consecutive presentation of selected films by artists from Moving Bodies/Moving Images is presented on blinkvideo.
image: © Elitsa Dimitrova

Shooting Ghosts
Online screening programme in cooperation
with the Goethe-Institut Bulgaria

Curators: Kalin Serapionov, Krassimir Terziev

What we propose in this programme is a highly subjective and fragmented view on current practices in moving image in the Bulgarian art scene. We focused on practices that show affinity with speculative narratives - narratives that not just record what is in front of the cinematic eye, but also capture all the ghosts that are unreachable by the apparatus, thus projecting speculative views that intend not merely to describe, but to transform the world.
image: © Veneta Androva

Moving Images / Moving Bodies

 ‘Moving Images Bulgaria-Germany’ is a project by Goethe-Institut Bulgaria, that includes various online and offline initiatives, starting in November 2020. The online program, realised in partnership with blinkvideo, will consist of two curated programmes: “Moving Images / Moving Bodies”, curated by Ludwig Seyfarth, and “Shooting Ghosts”, curated by Krassimir Terziev and Kalin Serapionov.

First the programme “Shooting Ghosts” will give a selected overview of video art in Bulgaria in general. The programme will be accompanied by an in-depth essay by Krassimir Terziev as well as texts by different authors or the artists themselves on individual films.

Critics’ Pick: Vienna by Nicole Büsing + Heiko Klaas

The group show “Antarctica. An Exhibition on Alienation” was presented in Vienna during the past winter season. Departing from a note written by the Italian cult director Michelangelo Antonioni referring to a potential glacier melting in the Antarctica and a hint to a film, the two curators from the Kunsthalle Wien, Vanessa Joan Müller and Nicolaus Schafhausen, conceived an exhibition on the topic of alienation and contemporary art. The focus was on the latest contemporary photography and video art by the younger generation of artists.
Image: © Isabella Fürnkäs

UNSTILLED LIFE: Artist Animations 1980-2020
Curated by Emma Cousin and Paul Carey-Kent

Why this show, here and now? British artist-curator Emma Cousin and writer-curator Paul Carey-Kent recently pulled together a choice of artist animations, thinking that the increasingly vibrant medium is especially suited to the online emphasis of the locked down art world of 2020. Three of them turned out to be represented by Ron Mandos, making the Amsterdam gallery ideal hosts. The cast is international, and to reflect that Tintype gallery in London and Hamburg’s blinkvideo have joined in with variations on the programme. 
Markus Vater Worlds don’t come easy, 2020

Something Between Us
KAI 10 | ARTHENA FOUNDATION, Düsseldorf

The exhibition „Something Between Us“ focuses on both our contemporary lives and the anthropological constants of interpersonal dealings: love, empathy, security, care and safety on the one hand, and hate, role fixation, dependency, reprimand and exclusion on the other. Something Between Us asks how these structures of togetherness are changing in our digital era.
Thomas Taube OCCIDENT, 2020

REFRACTED REALITIES at VIDEONALE.17

In optics, “refraction” refers to the bending of a beam of light, a change in direction which occurs at the moment when it passes from one medium to another. Through refraction, the light wave alters course, changing the way we perceive the objects it illuminates in the process. This optical deviation requires us to repeatedly correct our gaze, comparing the beginning and end points of our perception with reality, and bringing the object we see clearly into focus. In its figurative sense, refraction refers to a critical reflection on the means and channels of visualization, and by extension the possibility of a rearticulation of our view of things – how they are, were, or apparently always have been.
Image: © Sohrab Hura

NEW: Favorites curated by blinkvideo users

What do you like? Over the next few months, we will be showing here selections of works, compiled by you, as a blinkvideo user.

Stefano Miraglia: Hey Blinkvideo members! Here are my eight "must watch" films and videos. Happy to find in this catalogue some of the works that got me interested in artists' moving image when I was a student! (Guillaume Leblon! Daniel Steegmann Mangrané! Marylène Negro!).

Expanding Bauhaus.
New Reflections on the Bauhaus Movement in Time-Based Media Art / Goethe Institute Netherlands

A screening series selected by Elke Kania (Cologne), Julia Sökeland (Hamburg) and Ludwig Seyfarth (Berlin)

With its combination of various arts such as painting, photography film, architecture, fashion, product and interior design and textile art, the Bauhaus is still considered the epitome of a technologically advanced modernity. Last but not least, the attempt to create the whole society aesthetically, inspired many artists worldwide.
Image: © Adnan Softic

Johan Grimonprez

Johan Grimonprez’s critically acclaimed work dances on the borders of practice and theory, art and cinema, documentary and fiction, demanding a double take on the part of the viewer. Informed by an archeology of present-day media, his work seeks out the tension between the intimate and the bigger picture of globalization. It questions our contemporary sublime, one framed by a fear industry that has infected political and social dialogue. By suggesting new narratives through which to tell a story, his work emphasizes a multiplicity of realities.
image: © Johan Griminprez

Christoph Faulhaber: Revolution & Architecture

With "Revolution & Architecture" Christoph Faulhaber (* 1972 in Osnabrück, lives in Hamburg) conceives, builds, designs and opens a whole series of very different rooms in the Kunsthalle Osnabrück. In order to discover the revolutionary aspect of these "architectures", one has to look at the social implications of interior design in general. In the forum the visitor then enters Faulhaber's cinematic autobiography "Every Picture is an Empty Picture" as in the eye of the cyclone: The work is split into 15 individual films and surrounds the visitor in a circle.
Image: © Christoph Faulhaber

Stiftung imai – inter media art institute

The Düsseldorf based foundation imai – inter media art institute was founded in 2006 in order to establish an institution in Germany dedicated to the distribution and preservation of media art and associated activities.
Image: © Marcel Odenbach

Featured videos

Markus Vater
Im Wald (perfect day), 2011

This Animation has developed from a colloboration with the dutch poet Tjitske Jansen. Initially it reacted on a text of hers dealing with memories in her life. All memories were about events in which she didn’t understand the concepts and actions that had happened, but which she understands now.

Pratchaya Phinthong
A proposal to set (work in progress), 2016

A proposal to set CH4*5.75H20 on fire (work in progress) is an ongoing project that explores methane hydrate, an ice compound that has been identified by scientists as an alternative fuel of future energy. Found in large quantities beneath Arctic permafrost, Antarctic ice and sedimentary deposits, methane hydrate releases natural gas when exposed to increases in temperature or decreases in pressure.Gas released by methane hydrates can be lit, which produces a semi-transparent orange and blue flame.This 16 mm film shows samples of methane hydrates.Through the mobilisation and connection of individuals working across geology, science and art, the project generates awareness of methane hydrate, its chemically volatile nature and implications for energy industries.The film itself performs a kind of material transfer, capturing light emitted by the burning samples and projecting it into the gallery space. For Phinthong, each iteration of the project is a form of extraction that makes its subject more widely visible. Filmed by Phuttipong Aroonpheng. Made with the support of Oleg Blouson,Andrey Khabuev and Oleg Khlystov at the Limnological Institute, Irkutsk, Russia.

Ryan Gander
And You Will be Changed , 2014

'And You Will be Changed (Centre Pompidou, Paris)', 2014, follows curator Emma Lavigne around the empty Centre Pompidou in Paris as she presents the viewer with a tour of an empty space that had housed a now uninstalled Pierre Huyghe exhibition. The show is imagined and told by Lavigne as if the artworks were still there. Exhibited: - Pierre Huyghe +/–,The Artist’s Institute, New York, 2014
- Nouveau Festival (5th Edition), Musée d’Art Moderne, Centre Pompidou, Paris, 2014

Deimantas Narkevicius
Ausgeträumt, 2010

The German word ‘Ausgeträumt’ means a state between dream and reality at the point of waking up.The very first creative attempts by any artist are usually very positive, unaffected by criticism, even naive activities. Refering to myself, I had to be absolutely naive to choose to be a visual artist, in the late 80's when in the Soviet Union, everything was falling apart. There was no precedent of success, or an example to follow in the country which was still isolated. With this film I am re-approaching the state of naivety.

Katja Aufleger
LOVE AFFAIR, 2017

Several lights get shot successively. Some crush at once, quiet or with a blast, others seem like trying not to die.

Janet Biggs
Vanishing point, 2009

Luzia Hürzeler
Being in the Picture, 2007/08

Im Bilde sein [Being in the Picture] is a video installation. The monitor stands on a two-meter-high plinth. The video shows a white wall in front of which my head becomes visible, fully or partially, at short or long intervals. I keep jumping up into the picture, making myself visible through physical activity. These efforts become apparent through the sounds. The jumping height, and thus my visibility, decreases over time, until I finally give up through exhaustion.On the occasion of the exhibition “Spazi aperti” this work was displayed in the entrance hall of the Romanian Academy in Rome, where a number of monumental busts are mounted on plinths.

Johanna Reich
Horizon, 2012

The artist is drawing a line onto a white surface. The line reveals the horizon: it separates the sea from the sky. "To draw a line": this phrase already linguistically contains many different meanings. Beginning with the famous line – the one that cannot be crossed politically – via the (guide)line that is also the conceptual standard, to the simple strike placed beneath an addition, these are key points on the spectrum.“When Johanna Reich draws a line with a broad brush onto a wall, additional content comes into play. There is the track which children draw onto the wall with chalk, the traditional artist myth of the line as a vivid track of creative process, and last but not least the powerfully picturesque action of splattering the wall.”(Johannes Stahl)Johanna Reich (*1977 Minden) studied at the Kunstakademie Münster, the HfbK Hamburg and the Kunsthochschule für Medien Köln. She lives and works in Cologne.

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blinkvideo is a website for the research of video art. Founders: Julia Sökeland, Anita Beckers. blinkvideo ist eine Plattform zur Recherche nach Videokunst

Toby Huddlestone

Works


Galleries

Videonale e.V. im Kunstmuseum Bonn
Tasja Langenbach
Friedrich-Ebert-Allee 2
53113 Bonn
Germany

Phone: +49-(0)228-692818
E-Mail: langenbach@videonale.org




Statement

Actions such as rupturing, blurring, interrupting, trans-coding and agitating are interesting ways of formulating questions about things.

I want my practice to question, examine, re-question, re-examine and subvert itself. It is always an investigation of the workings or process of something.

I am always looking into structures (the way things work), deconstructing them, repositioning and altering certain aspects of them, then throwing them back out in a new form. I may repeat this process over and over, never wanting an answer as such, but more in order to investigate and learn through action and play.

The use of duration and repetition is a reoccurring theme as works in the studio are often made in series, and interventions and actions concentrate on a critique and deconstruction of the event.


Biography

Born 1980 in Goole, East Yorkshire
Based in Ramsgate and London

Education

2004-2007 MA Fine Art, University of the West of England.
2000-2003 BA (Hons) Fine Art (1st class honours degree), Swansea Institute of Higher Education.

Solo exhibitions and performances

2013
The John Gingell Award, g39, Cardiff
The Origins of Another Artwork, Market Gallery, Glasgow

2012
Phobos Self-Degradation and 11 Minutes, PAC Home, Plymouth Arts Centre, Plymouth
sculpture/bar/performance - Enclave Projects, Deptford, London

2011
Lecture Apathy, solo performance at LCCA, Riiga, Latvia

2010
To appear to have done something..., ROOM, London
I’m so bored of viewing, Engine Room, Wellington, NZ
Lecture Apathy, VCA, Melbourne and The Physics Room, Christchurch

2009
ON ON / PROTEST APATHY, Outlet, Manchester

2008
Double Yes, Solo show, Plan 9, Bristol
Homage to Bruce, In Focus space, Oriel Davies Gallery, Newtown, Wales

Selected group exhibitions  / projects

2014
Videonale.14 on tour, Videofest 2K14 Bienal Internacional de Video Y Cine Contemporaneo, Baja California, Mexico.
Videonale.14 on tour HudPromo (organised by Bayerisches Haus), Galerie Odessa, Ukraine
Yearbook Edition exhibition, Enclave Projects, London
Falling in Hankering for Classification, Federation House, Castlefield Gallery, Manchester
Performance as Publishing, New York Art Book Fair, MOMA PS1, New York

2013
Videonale.14 on Tour, The Central House of Artists (CHA), Moscow, Russia
MUSLIHAT OK. VIDEO / 6th Jakarta international Video Festival, Jakarta, Indonesia
Appropriation Beyond the Object, Banner Repeater, London
A3 Works, A3 Project Space, Birmingham
Video Dumbo, New York
Brand Innovations for Ubiquitous Authorship, Carroll / Fletcher, London
Words to be Spoken Aloud, curated by Ruth Beale and Nicole Bachmann, Turner Contemporary, Margate
Rule of 3' at Islington Mill, Salford
Videonale v.13, Bonn, Germany

2012
Dawdle, SPACE Studios, London
Young London 2, V22, London
Audio work in Rockmore for the Baltic Triennial, CAC Vilnius, Lithuania.
Document Documenting Documentation, V22 Summer Club, London
It looked like a theatre. Act1, Scene 7: The Apocralypse, hypothetical talks programme curated by Barry Sykes.
Video Apathy screened at Festival of Failure, Chapter Cinema, Chapter Arts Centre, Cardiff.
Shit show at Malgus/Naudet, Manchester
Testing Ground: Acoustic Mirrors, 176 Zabludowicz Collection, London

2011
Again, A Time Machine, Bookworks project at Spike Island, Bristol
Space Exchange, for The Woodmill, Aid and Abet, Cambridge
Performance as Publishing, South London Gallery, London
Airline, ABC Gallery, Christchurch, New Zealand
Resonance 104.4 FM project Gone With the Wind at Raven Row, London
We Are Grammar, group show, Pratt Manhattan Gallery, New York, USA

2010
The Politics of Utopia conference at Bahktin Centre, Sheffield University
Prop, group show at Departure Gallery, London (curated by Louise Ashcroft)
Collaborators 2, group show, R O O M, London
Super8station, Arnolfini, Bristol
Pile on included into Crosstalk Video Festival, Budapest, Hungary

2009
Trade City, group show represented by Exocet, Contemporary Art Manchester
A Line, A Road, Abridged, Group show, Hold and Freight, London
SALE, Royal Standard, Liverpool
Coalesce, curated by Paul O’Neill, SMART Project space, Amsterdam

2008
Did I tell you I used to be a barbarian?, Group Show, Plan 9, Bristol

2007
INTER exchange, exhibition at HIAP and Galleria Huuto, Helsinki, Finland
An-Froo-Ka, group exhibition at Bristol Zoo Gardens

2006
We Have Net Curtains, Hotel MariaKapel in Hoorn, Holland

Commissions, awards and residencies

2013
John Gingell Award, G39, Cardiff
2012
Garden of Reason, commission for National Trust, Ham House, Richmond
2011
Walk the Line, public commission for EXCHANGE RADICAL MOMENTS festival, LCCA, Latvia
Iteration: Again, large-scale temporal public commission, Tasmania
2010
Commission for Liverpool Biennial for DEADPAN at Royal Standard, Liverpool
Public commission for Field Broadcast, curated by Projeckt, Wysing Arts Centre, Cambridge
2009
Artist-in-residence for Contemporary Art Society, Istanbul Biennial
Residency and public commission for OUTPOST, Contemporary Art Norwich (CAN09)
Public commission for Platform, Vaasa, Finland
2007
INTER exchange, Residency with exhibition at HIAP and Galleria Huuto, Helsinki, Finland
2006
Residency with exhibition at Hotel MariaKapel in Hoorn, Holland

Selected curatorial / organisational projects

2013-2015 COLLABORATIVE RESEARCH GROUP, conception of and coordination of an alternative education programme (perceived as an MA in Doing), hosted by CRATE Studio and project Space.
2012-2013 AUTO-ARCHIVE: A research exhibition in four parts, commissioned by Lionel Dobie Project, Manchester, in partnership with Curatorial Timeshare, Enclave, London
2011-2012 EXHIBITION AS MEDIUM programme, CRATE Studio and project Space, Margate. 12-month programme focusing on alternative exhibition formats, the processes of exhibition making and the de-stabilising of production.
2008-2009 Curator of I AM COMEDY, multi-locational exhibition, screening and event project at Worm (Rotterdam), W139 (Amsterdam), HMK (Hoorn) and Arnolfini (Bristol, UK) including work by Kim Noble, Bedwyr Williams and Olaf Breuning.
<>2005-2008 Co-director of Plan 9, Bristol including curating of BRSLAXVAA (2005), UTSTALLRUMM (2007)
2007 INTER exchange. Residency and exhibition exchange between Bristol and Helsinki.
2005 Co-curator of Curating Degree Zero touring archive, Spike Island.

Publications / resource / talks

2014 Year Book Edition, Enclave Projects, London
Young London catalogue, V22 London
2013 Recap, Onwards..., Solo publication, John Gingell Award, g39, Cardiff
Videonale catalogue and DVD
Interruption: Again catalogue
The Nomadic Studio – Art, Life and the Colonisation of Meanwhile Space, Edition Taube, Stuttgart, 2013
2012 Talk, Plymouth Arts Centre
11 minutes transcribed for CCA Glasgow's publication 2HB
Inert Gas Series: Box included in Oscilations, Paris
Art Forum talks series, UTAS, Hobart, Tasmania.
2011 Performative Tactics and the Reinvention of Public Space, Martin Patrick, Art and The Public Sphere
Protest Apathy included in UTOPIA TOOLBOX_, edited by Juliane Stiegel
2010 ‘Context’, presentation and panel discussion at Knowle West Media Centre
2009 Work included in Periphery, YH485 press in association with Gymnasium.
Axisweb curated selection curated by Anthiny Shapland
2008 In discussion:Gisela Motta and Leandro Lima, chair of discussion of Plan 9’s International residency artists presentation discussion.
Underdogs: Artists in Unusual Places, symposium on DIY artists’ initiatives hosted by Plymouth College of Art and Design.
2007 Navigating the International, public seminar at Watershed, Bristol - in discussion with Alessio Antoniolli (Director, Gasworks)

Toby Huddlestone
Born 1980 in Goole, East Yorkshire Based in Ramsgate and London Education 2004-2007 MA Fine Art, University of the West of England. 2000-2003 BA (Hons) Fine Art (1st class honours degree), Swansea Institute of Higher Education. Solo exhibitions and performances 2013 The John Gingell Award, g39, Cardiff The Origins of Another Artwork, Market Gallery, Glasgow 2012 Phobos Self-Degradation and 11 Minutes, PAC Home, Plymouth Arts Centre, Plymouth sculpture/bar/performance - Enclave Projects, Deptford, London 2011 Lecture Apathy, solo performance at LCCA, Riiga, Latvia 2010 To appear to have done something..., ROOM, London I’m so bored of viewing, Engine Room, Wellington, NZ Lecture Apathy, VCA, Melbourne and The Physics Room, Christchurch 2009 ON ON / PROTEST APATHY, Outlet, Manchester 2008 Double Yes, Solo show, Plan 9, Bristol Homage to Bruce, In Focus space, Oriel Davies Gallery, Newtown, Wales Selected group exhibitions  / projects 2014 Videonale.14 on tour, Videofest 2K14 Bienal Internacional de Video Y Cine Contemporaneo, Baja California, Mexico. Videonale.14 on tour HudPromo (organised by Bayerisches Haus), Galerie Odessa, Ukraine Yearbook Edition exhibition, Enclave Projects, London Falling in Hankering for Classification, Federation House, Castlefield Gallery, Manchester Performance as Publishing, New York Art Book Fair, MOMA PS1, New York 2013 Videonale.14 on Tour, The Central House of Artists (CHA), Moscow, Russia MUSLIHAT OK. VIDEO / 6th Jakarta international Video Festival, Jakarta, Indonesia Appropriation Beyond the Object, Banner Repeater, London A3 Works, A3 Project Space, Birmingham Video Dumbo, New York Brand Innovations for Ubiquitous Authorship, Carroll / Fletcher, London Words to be Spoken Aloud, curated by Ruth Beale and Nicole Bachmann, Turner Contemporary, Margate Rule of 3' at Islington Mill, Salford Videonale v.13, Bonn, Germany 2012 Dawdle, SPACE Studios, London Young London 2, V22, London Audio work in Rockmore for the Baltic Triennial, CAC Vilnius, Lithuania. Document Documenting Documentation, V22 Summer Club, London It looked like a theatre. Act1, Scene 7: The Apocralypse, hypothetical talks programme curated by Barry Sykes. Video Apathy screened at Festival of Failure, Chapter Cinema, Chapter Arts Centre, Cardiff. Shit show at Malgus/Naudet, Manchester Testing Ground: Acoustic Mirrors, 176 Zabludowicz Collection, London 2011 Again, A Time Machine, Bookworks project at Spike Island, Bristol Space Exchange, for The Woodmill, Aid and Abet, Cambridge Performance as Publishing, South London Gallery, London Airline, ABC Gallery, Christchurch, New Zealand Resonance 104.4 FM project Gone With the Wind at Raven Row, London We Are Grammar, group show, Pratt Manhattan Gallery, New York, USA 2010 The Politics of Utopia conference at Bahktin Centre, Sheffield University Prop, group show at Departure Gallery, London (curated by Louise Ashcroft) Collaborators 2, group show, R O O M, London Super8station, Arnolfini, Bristol Pile on included into Crosstalk Video Festival, Budapest, Hungary 2009 Trade City, group show represented by Exocet, Contemporary Art Manchester A Line, A Road, Abridged, Group show, Hold and Freight, London SALE, Royal Standard, Liverpool Coalesce, curated by Paul O’Neill, SMART Project space, Amsterdam 2008 Did I tell you I used to be a barbarian?, Group Show, Plan 9, Bristol 2007 INTER exchange, exhibition at HIAP and Galleria Huuto, Helsinki, Finland An-Froo-Ka, group exhibition at Bristol Zoo Gardens 2006 We Have Net Curtains, Hotel MariaKapel in Hoorn, Holland Commissions, awards and residencies 2013 John Gingell Award, G39, Cardiff 2012 Garden of Reason, commission for National Trust, Ham House, Richmond 2011 Walk the Line, public commission for EXCHANGE RADICAL MOMENTS festival, LCCA, Latvia Iteration: Again, large-scale temporal public commission, Tasmania 2010 Commission for Liverpool Biennial for DEADPAN at Royal Standard, Liverpool Public commission for Field Broadcast, curated by Projeckt, Wysing Arts Centre, Cambridge 2009 Artist-in-residence for Contemporary Art Society, Istanbul Biennial Residency and public commission for OUTPOST, Contemporary Art Norwich (CAN09) Public commission for Platform, Vaasa, Finland 2007 INTER exchange, Residency with exhibition at HIAP and Galleria Huuto, Helsinki, Finland 2006 Residency with exhibition at Hotel MariaKapel in Hoorn, Holland Selected curatorial / organisational projects 2013-2015 COLLABORATIVE RESEARCH GROUP, conception of and coordination of an alternative education programme (perceived as an MA in Doing), hosted by CRATE Studio and project Space. 2012-2013 AUTO-ARCHIVE: A research exhibition in four parts, commissioned by Lionel Dobie Project, Manchester, in partnership with Curatorial Timeshare, Enclave, London 2011-2012 EXHIBITION AS MEDIUM programme, CRATE Studio and project Space, Margate. 12-month programme focusing on alternative exhibition formats, the processes of exhibition making and the de-stabilising of production. 2008-2009 Curator of I AM COMEDY, multi-locational exhibition, screening and event project at Worm (Rotterdam), W139 (Amsterdam), HMK (Hoorn) and Arnolfini (Bristol, UK) including work by Kim Noble, Bedwyr Williams and Olaf Breuning. <>2005-2008 Co-director of Plan 9, Bristol including curating of BRSLAXVAA (2005), UTSTALLRUMM (2007) 2007 INTER exchange. Residency and exhibition exchange between Bristol and Helsinki. 2005 Co-curator of Curating Degree Zero touring archive, Spike Island. Publications / resource / talks 2014 Year Book Edition, Enclave Projects, London Young London catalogue, V22 London 2013 Recap, Onwards..., Solo publication, John Gingell Award, g39, Cardiff Videonale catalogue and DVD Interruption: Again catalogue The Nomadic Studio – Art, Life and the Colonisation of Meanwhile Space, Edition Taube, Stuttgart, 2013 2012 Talk, Plymouth Arts Centre 11 minutes transcribed for CCA Glasgow's publication 2HB Inert Gas Series: Box included in Oscilations, Paris Art Forum talks series, UTAS, Hobart, Tasmania. 2011 Performative Tactics and the Reinvention of Public Space, Martin Patrick, Art and The Public Sphere Protest Apathy included in UTOPIA TOOLBOX_, edited by Juliane Stiegel 2010 ‘Context’, presentation and panel discussion at Knowle West Media Centre 2009 Work included in Periphery, YH485 press in association with Gymnasium. Axisweb curated selection curated by Anthiny Shapland 2008 In discussion:Gisela Motta and Leandro Lima, chair of discussion of Plan 9’s International residency artists presentation discussion. Underdogs: Artists in Unusual Places, symposium on DIY artists’ initiatives hosted by Plymouth College of Art and Design. 2007 Navigating the International, public seminar at Watershed, Bristol - in discussion with Alessio Antoniolli (Director, Gasworks)

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