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blinkvideo - research of video art, performance and multimedia installations.

blinkvideo - research of video art, performance and multimedia installations.


Moving Images / Moving Bodies
Online screening programme in cooperation
with the Goethe-Institut Bulgaria

Curated by Ludwig Seyfarth

Research into the human body and interpersonal relationships remain central themes in video and moving image art. Artists from Bulgaria and Germany, whose work is related in content, will be shown in pairs over the next weeks. The exhibition planned for November 2020 in Sofia has been postponed until 2021. Instead, a consecutive presentation of selected films by artists from Moving Bodies/Moving Images is presented on blinkvideo.
image: © Elitsa Dimitrova

Shooting Ghosts
Online screening programme in cooperation
with the Goethe-Institut Bulgaria

Curators: Kalin Serapionov, Krassimir Terziev

What we propose in this programme is a highly subjective and fragmented view on current practices in moving image in the Bulgarian art scene. We focused on practices that show affinity with speculative narratives - narratives that not just record what is in front of the cinematic eye, but also capture all the ghosts that are unreachable by the apparatus, thus projecting speculative views that intend not merely to describe, but to transform the world.
image: © Veneta Androva

Moving Images / Moving Bodies

 ‘Moving Images Bulgaria-Germany’ is a project by Goethe-Institut Bulgaria, that includes various online and offline initiatives, starting in November 2020. The online program, realised in partnership with blinkvideo, will consist of two curated programmes: “Moving Images / Moving Bodies”, curated by Ludwig Seyfarth, and “Shooting Ghosts”, curated by Krassimir Terziev and Kalin Serapionov.

First the programme “Shooting Ghosts” will give a selected overview of video art in Bulgaria in general. The programme will be accompanied by an in-depth essay by Krassimir Terziev as well as texts by different authors or the artists themselves on individual films.

Critics’ Pick: Vienna by Nicole Büsing + Heiko Klaas

The group show “Antarctica. An Exhibition on Alienation” was presented in Vienna during the past winter season. Departing from a note written by the Italian cult director Michelangelo Antonioni referring to a potential glacier melting in the Antarctica and a hint to a film, the two curators from the Kunsthalle Wien, Vanessa Joan Müller and Nicolaus Schafhausen, conceived an exhibition on the topic of alienation and contemporary art. The focus was on the latest contemporary photography and video art by the younger generation of artists.
Image: © Isabella Fürnkäs

UNSTILLED LIFE: Artist Animations 1980-2020
Curated by Emma Cousin and Paul Carey-Kent

Why this show, here and now? British artist-curator Emma Cousin and writer-curator Paul Carey-Kent recently pulled together a choice of artist animations, thinking that the increasingly vibrant medium is especially suited to the online emphasis of the locked down art world of 2020. Three of them turned out to be represented by Ron Mandos, making the Amsterdam gallery ideal hosts. The cast is international, and to reflect that Tintype gallery in London and Hamburg’s blinkvideo have joined in with variations on the programme. 
Markus Vater Worlds don’t come easy, 2020

Something Between Us
KAI 10 | ARTHENA FOUNDATION, Düsseldorf

The exhibition „Something Between Us“ focuses on both our contemporary lives and the anthropological constants of interpersonal dealings: love, empathy, security, care and safety on the one hand, and hate, role fixation, dependency, reprimand and exclusion on the other. Something Between Us asks how these structures of togetherness are changing in our digital era.
Thomas Taube OCCIDENT, 2020

REFRACTED REALITIES at VIDEONALE.17

In optics, “refraction” refers to the bending of a beam of light, a change in direction which occurs at the moment when it passes from one medium to another. Through refraction, the light wave alters course, changing the way we perceive the objects it illuminates in the process. This optical deviation requires us to repeatedly correct our gaze, comparing the beginning and end points of our perception with reality, and bringing the object we see clearly into focus. In its figurative sense, refraction refers to a critical reflection on the means and channels of visualization, and by extension the possibility of a rearticulation of our view of things – how they are, were, or apparently always have been.
Image: © Sohrab Hura

NEW: Favorites curated by blinkvideo users

What do you like? Over the next few months, we will be showing here selections of works, compiled by you, as a blinkvideo user.

Stefano Miraglia: Hey Blinkvideo members! Here are my eight "must watch" films and videos. Happy to find in this catalogue some of the works that got me interested in artists' moving image when I was a student! (Guillaume Leblon! Daniel Steegmann Mangrané! Marylène Negro!).

Expanding Bauhaus.
New Reflections on the Bauhaus Movement in Time-Based Media Art / Goethe Institute Netherlands

A screening series selected by Elke Kania (Cologne), Julia Sökeland (Hamburg) and Ludwig Seyfarth (Berlin)

With its combination of various arts such as painting, photography film, architecture, fashion, product and interior design and textile art, the Bauhaus is still considered the epitome of a technologically advanced modernity. Last but not least, the attempt to create the whole society aesthetically, inspired many artists worldwide.
Image: © Adnan Softic

Johan Grimonprez

Johan Grimonprez’s critically acclaimed work dances on the borders of practice and theory, art and cinema, documentary and fiction, demanding a double take on the part of the viewer. Informed by an archeology of present-day media, his work seeks out the tension between the intimate and the bigger picture of globalization. It questions our contemporary sublime, one framed by a fear industry that has infected political and social dialogue. By suggesting new narratives through which to tell a story, his work emphasizes a multiplicity of realities.
image: © Johan Griminprez

Christoph Faulhaber: Revolution & Architecture

With "Revolution & Architecture" Christoph Faulhaber (* 1972 in Osnabrück, lives in Hamburg) conceives, builds, designs and opens a whole series of very different rooms in the Kunsthalle Osnabrück. In order to discover the revolutionary aspect of these "architectures", one has to look at the social implications of interior design in general. In the forum the visitor then enters Faulhaber's cinematic autobiography "Every Picture is an Empty Picture" as in the eye of the cyclone: The work is split into 15 individual films and surrounds the visitor in a circle.
Image: © Christoph Faulhaber

Stiftung imai – inter media art institute

The Düsseldorf based foundation imai – inter media art institute was founded in 2006 in order to establish an institution in Germany dedicated to the distribution and preservation of media art and associated activities.
Image: © Marcel Odenbach

Featured videos

Markus Vater
Im Wald (perfect day), 2011

This Animation has developed from a colloboration with the dutch poet Tjitske Jansen. Initially it reacted on a text of hers dealing with memories in her life. All memories were about events in which she didn’t understand the concepts and actions that had happened, but which she understands now.

Pratchaya Phinthong
A proposal to set (work in progress), 2016

A proposal to set CH4*5.75H20 on fire (work in progress) is an ongoing project that explores methane hydrate, an ice compound that has been identified by scientists as an alternative fuel of future energy. Found in large quantities beneath Arctic permafrost, Antarctic ice and sedimentary deposits, methane hydrate releases natural gas when exposed to increases in temperature or decreases in pressure.Gas released by methane hydrates can be lit, which produces a semi-transparent orange and blue flame.This 16 mm film shows samples of methane hydrates.Through the mobilisation and connection of individuals working across geology, science and art, the project generates awareness of methane hydrate, its chemically volatile nature and implications for energy industries.The film itself performs a kind of material transfer, capturing light emitted by the burning samples and projecting it into the gallery space. For Phinthong, each iteration of the project is a form of extraction that makes its subject more widely visible. Filmed by Phuttipong Aroonpheng. Made with the support of Oleg Blouson,Andrey Khabuev and Oleg Khlystov at the Limnological Institute, Irkutsk, Russia.

Ryan Gander
And You Will be Changed , 2014

'And You Will be Changed (Centre Pompidou, Paris)', 2014, follows curator Emma Lavigne around the empty Centre Pompidou in Paris as she presents the viewer with a tour of an empty space that had housed a now uninstalled Pierre Huyghe exhibition. The show is imagined and told by Lavigne as if the artworks were still there. Exhibited: - Pierre Huyghe +/–,The Artist’s Institute, New York, 2014
- Nouveau Festival (5th Edition), Musée d’Art Moderne, Centre Pompidou, Paris, 2014

Deimantas Narkevicius
Ausgeträumt, 2010

The German word ‘Ausgeträumt’ means a state between dream and reality at the point of waking up.The very first creative attempts by any artist are usually very positive, unaffected by criticism, even naive activities. Refering to myself, I had to be absolutely naive to choose to be a visual artist, in the late 80's when in the Soviet Union, everything was falling apart. There was no precedent of success, or an example to follow in the country which was still isolated. With this film I am re-approaching the state of naivety.

Katja Aufleger
LOVE AFFAIR, 2017

Several lights get shot successively. Some crush at once, quiet or with a blast, others seem like trying not to die.

Janet Biggs
Vanishing point, 2009

Luzia Hürzeler
Being in the Picture, 2007/08

Im Bilde sein [Being in the Picture] is a video installation. The monitor stands on a two-meter-high plinth. The video shows a white wall in front of which my head becomes visible, fully or partially, at short or long intervals. I keep jumping up into the picture, making myself visible through physical activity. These efforts become apparent through the sounds. The jumping height, and thus my visibility, decreases over time, until I finally give up through exhaustion.On the occasion of the exhibition “Spazi aperti” this work was displayed in the entrance hall of the Romanian Academy in Rome, where a number of monumental busts are mounted on plinths.

Johanna Reich
Horizon, 2012

The artist is drawing a line onto a white surface. The line reveals the horizon: it separates the sea from the sky. "To draw a line": this phrase already linguistically contains many different meanings. Beginning with the famous line – the one that cannot be crossed politically – via the (guide)line that is also the conceptual standard, to the simple strike placed beneath an addition, these are key points on the spectrum.“When Johanna Reich draws a line with a broad brush onto a wall, additional content comes into play. There is the track which children draw onto the wall with chalk, the traditional artist myth of the line as a vivid track of creative process, and last but not least the powerfully picturesque action of splattering the wall.”(Johannes Stahl)Johanna Reich (*1977 Minden) studied at the Kunstakademie Münster, the HfbK Hamburg and the Kunsthochschule für Medien Köln. She lives and works in Cologne.

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blinkvideo is a website for the research of video art. Founders: Julia Sökeland, Anita Beckers. blinkvideo ist eine Plattform zur Recherche nach Videokunst

Chih-Chien Wang

Works


Galleries

Pierre-François Ouellette art contemporain
Pierre-François Ouellette
372 Ste-Catherine West #216
H3B 1A2 Montréal, Québec
Canada

Phone: (514) 395 - 6032
E-Mail: pfo@pfoac.com




Statement

My art practice is mainly about the process of dealing with everyday objects, which includes collection, reposition, re-creation and presentation of them. This process builds up my understanding of personal living space and the diversity of urban life. Such concerns also reflect my doubt about the self.


Photography, video and installation are the main formats of my practice. With these media, I aim at mixing the fresh impression of the surface with the diverse context of recreated sceneries. The repetitive motifs include personal surroundings, self-representation, temporary sculptural objects, movements and urban spaces.


Biography

Education:

Sept. 2002- June 2006 M.F.A.
Studio Arts Department, Concordia University, Montréal, Québec, Canada
Sept. 1990 - June 1994 B.F.A.
Cinema and Theatre (Department of Drama), Chinese Culture University, Taipei, Taiwan

Solo exhibitions:

2015
“A Person Who Disappears,” Art Gallery of Mississauga, April 30 – June 21, 2015
“The Act of Forgetting”, Darling Foundry, April 2 – May 24, 2015
“A Helper”, Les Territoires, Montréal, Jan 16 – Feb 14, 2015

2014
“When the Shadows Change Colour”, EXPRESSION, Centre d'exposition de Saint-Hyacinthe, Curator_Sylvain Campeau, November 8, 2014 to February 1, 2015
“Distance to the Sea” Pierre-François Ouellette Art Contemporain, Montréal, Sept 25 - Nov 1

2013
“Translation” Musée regional de Rimouski, Sept 26 – Dec 1
“Green Is Our Shadow” Pierre-François Ouellet art contemporain in Toronto, Sept 12 – Oct 13

2012
“As far as we were; as close as I can” Musée des Beaux-art Montréal, Dec2012 ~ March2013

2011
“Short Sentence” – Pierre-François Ouellette Art Contemporain, Montréal, March 26 ~ May 7

2010
“Watered Plant, February” – The New Gallery, Calgary, May 14 to June 19

2009
“Jelly Project #2” – Gallery 44, Toronto, Sept 11 to Oct 17

2008
“Time has hollows,” Pierre-François Ouellette Art Contemporain, Montréal, July ~ Aug

2007
“Le Nid” – Dare-Dare, Mois de la Photo Montréal, Montréal, Sept 13 to Oct 7
“Off ArtEfact Montréal 2007” – Thérèse Dion Art Contemporain, June 23 to July 14
“Yushan Is Here” – Optica, Montréal, May 11 to June 16

2006
“Home-Scenery” – Artspace, Peterborough, Ontario, Jan 13 to Feb 11

2005
“The Centre of the Forest Is a Lake Like Mirror.” – Dazibao, Montréal, Oct. 13 to Nov. 12
“Temporairement,” – Thérèse Dion Art Contemporain, April 16 to May 15

Duo exhibitions:

2008
“Time has hollows,” Pierre-François Ouellette Art Contemporain, Montréal, July ~ Aug

2007
“Off ArtEfact Montréal 2007” – Thérèse Dion Art Contemporain, June 23 to July 14

Group exhibitions:

2015
“Ateliers Croisés” Musée d’art contemporain de Baie-Saint-Paul, June 20 – Oct 12
“Comme un lac” Musée de Lachine, May 1 – Nov 29

2014 “Luminescences” Pierre-François Ouellette Art Contemporain, Montréal, June 7 - July 12
“Home Sweet Home” – Dazibao, Montréal, 27 March ~ 17 May, 2014

2012
“Orange” – Expression, Saint-Hyacinthe, 15 Sept ~ 28 Oct, 2012

2011
“Memory for the future” – Pierre-François Ouellette Art Contemporain, Montréal, 12-27/08
“Corporel” – Pierre-François Ouellette Art Contemporain, Montréal, 14 July - 6 August
"Vente de Garage 4" – ARTV and Musée d'art contemporain de Montréal, May 5 to July 10

2010
"Acts of Presence" - Musée d'art contemporain de Montréal, Nov 4 2010 to March 27 2011
"It is what it is" - National Gallery of Canada, Ottawa, Nov 5 2010 to Jan 23 2011
“Out of Grace” – Leonard and Bina Ellen Art Gallery, Montréal, Nov. 3 to Dec. 11
“Péripéties” – Maison de la culture Frontenac, Montréal, March 16 to April 18

2009
“Preoccupations” – FOFA, Montréal, Oct 15 to Nov 7
“10 Scents - Nuit Blanche Toronto” – Toronto, Oct 3
“Entre Deux” – Galerie Les Territoires, Montréal, Sept 11 to 29

2008
“Made in China” – Curated by Jacquie Levin-Mauer and Lillian Mauer, Helen Day Art Centre, Stowe, Vermont, September 19 - November 22
“Rearranging Desires: Curating the ‘Other' Within,” FOFA Gallery, Montréal, Oct 6 to 31
“Quebec Triennale“ Musée d'art contemporain de Montréal, May 24 to Septembre 7
“Conceptual Filiations” – Leonard and Bina Ellen Art Gallery, Montréal, May 3 to June 14
“Seeing China” – Zenith Gallery, Beijing, China, April 19 to June 18

2007
“Artefact Montréal 2007 - Urban Sculptures,” Île Sainte-Hélène, June 27 to September 30
Chih-Chien Wang www.chihchienwang.com / www.pfoac.com

2006
“Alone,” curated by Penny Cousineau-Levine, at Gallery TPW, Toronto, Sept 14 to Oct 28
“ReGeneration, 50 Photographers of Tomorrow,” Aperture, New York, April 7 to June 22
“Faking Death – Canadian Art Photography” Jack Shainman Gallery, New York, Jan 6 Feb 4

2005
“ReGeneration, 50 Photographers of Tomorrow” – Musée de l’Elysée, Lausanne, Switzerland, June 23rd to October 23rd

2004
“Photography and Performance – part 2” – Dazibao, April 15th to May 22nd
“Ignition” – Leonard and Bina Ellen Gallery, January 13th to February 13th

Residency

Visiting Artist, Concordia University, 2009 Sept ~ 2011 May
Centre Sagamie, artist in residence, Alma, Québec, Canada, 2008 Dec
“Artist studios in Argentina,” El Basilisco, Buenos Aires, Argentina, June ~ August 2007
“Special collaboration between Dazibao and PRIM,” 2005

Publication and journal:

“L’expe´rience d’oublier et de se souvenir”, Marie-E`ve Charron, Le Devoir, 2 May 2015
“Visual arts: Two artists search for the emotional and intellectual core of existence”, John Pohl, Montreal Gazette, 30 April 2015
“5 Shows to See at the Scotiabank Contact Photography Festival”, Canadian Art, 30 April 2015
“Vire´e des galeries: Chih-Chien Wang et Se´bastien Pesot”, Mario Cloutier and E´ric Cle´ment, La Presse, 26 April 2015
“Chih-Chien Wang au MBAM : invitation au savoir observer”, Éric Clément, La Presse 21Jan2013
“Des espaces, des regards, tout en proximité”, Marie-Ève Charron, Le Devoir, 15 Dec. 2012
“Vendu,” Les Éditions ESSE, Montréal, 2011
“It Is What It Is,” exhibition catalogue, National Gallery of Canada, Ottawa, 2010
“Mediating the Object World: The Gentle Taxonomy of Chih-Chien Wang,” James D. Campbell, exhibition catalogue, Gallery 44, Toronto, 2009
“Preoccupations,” Martha Langford, exhibition catalogue, FOFA Gallery, Montréal, 2009
“ESSE 65”, page 16 ~ 19, Durability and Fragility: Two Distinct Positions, 2009, Montréal
“Rearranging Desires – Curating the ‘Other’ Within,” Chosen Uncertainties: Chih-Chien Wang and the Jelly Project #1, Cynthia Imogen Hammond, FOFA Gallery, 2008
“Nothing is lost, nothing is created, everything is transformed,” The Québec Triennial 2008, Musée D’art Contemporain de Montréal, Page 172 ~ 175 and Page 196, 2008
“Artefact Motréal 2007 – urban sculptures” Page 49, 75, 90, Centre d’art public, Montréal, 2008
“Explorations Narratives; Replaying Narrative,” Le Mois de la Photo à Montréal, Marie Fraser, Page 188 ~ 191, 2007, Montréal
“ETC No. 80”, Données Contradictoires - Sylvain Campeau 2007, Montréal
“Spirale 215”, Combinaisons - François Dion, 2007, Montréal
“Ciel Variable 71”, Domestic Trajectories - Alice Ming Wai Jim, 2006, Montréal
“ReGeneration – 50 Photographers of Tomorrow,” Thames & Hudson, Page 208~211, Edited by William A. Ewing, Nathalie Herschdorfrer, Jean-Christophe Blaser
“Point and Shoot” les essais – Performance and Photography, Dazibao, Montréal, Québec, Canada.
“Public 30” – Eating Things, Toronto, Ontario, Canada. Edited by Scott Toguri McFarlane Chih-Chien Wang www.chihchienwang.com / www.pfoac.com

Grant awarded:

“Assistance to Visual Artists – Project Grants” – The Canada Council for the Arts, 2013
“Artistic Research and Creation” – Conseil des Arts et des Lettres du Québec, 2011
Sponsorship for the artist’s studio at Darling Foundry - Montreal Museum of Fine Arts, 2011
“Assistance to Visual Artists – Project Grants” – The Canada Council for the Arts, 2010
“Assistance to Visual Artists – Project Grants” – The Canada Council for the Arts, 2008
“Artistic Research and Creation” – Conseil des Arts et des Lettres du Québec, 2008
“Assistance to Visual Artists – Project Grants” – The Canada Council for the Arts, 2006
“Artistic Research and Creation” – Conseil des Arts et des Lettres du Québec, 2006
“Digital photography residency,” Concordia University, fall 2006
“Video production and art residency” – Prim and Dazibao, Montréal, 2005
“New media arts” on technologies – CIAM, Montréal, 2003-2004

Public collections:

Musée d'Art Contemporain de Montréal, Musée des Beaux-Arts de Montréal, Musée National des Beaux-Arts du Québec, National Gallery of Canada, Musée de l’Elysée, Lausanne, Switzerland, Hydro Quebec, National Bank of Canada, Royal Bank of Canada, TD Bank, Caisse Desjardins, Caisse de dépôt et placement, CPOA – MNBAQ, BMO Financial Group, City of Montreal, and Canada Council Art Bank

Working experiences:

2011 Sept ~: assistant professor, Concordia University, Montréal
2009 Sept ~ 2011 May: visiting lecturer, Concordia University, Montréal
2002 ~ now: documentary videographer and director, contract based:
Da-Ai Television, Taipei, Taiwan – Root Puti Program: http://www.newdaai.tv/
2005 April ~ 2007: news coordinator in Montréal: Taiwan Macroview TV, Taipei, Taiwan
1997 ~ 2002: documentary videographer:
1999 July ~ 2001 Dec.: Revision Communications, Taipei, Taiwan
1999 March ~ 1999 June: Public Television Service Taiwan, Taipei, Taiwan
1996 Jan. ~ 1999 March: Super TV, Taipei, Taiwan
1995 ~ 1996 Jan: daily news videographer: Super TV, Taipei, Taiwan

Chih-Chien Wang
Education: Sept. 2002- June 2006 M.F.A. Studio Arts Department, Concordia University, Montréal, Québec, Canada Sept. 1990 - June 1994 B.F.A. Cinema and Theatre (Department of Drama), Chinese Culture University, Taipei, Taiwan Solo exhibitions: 2015 “A Person Who Disappears,” Art Gallery of Mississauga, April 30 – June 21, 2015 “The Act of Forgetting”, Darling Foundry, April 2 – May 24, 2015 “A Helper”, Les Territoires, Montréal, Jan 16 – Feb 14, 2015 2014 “When the Shadows Change Colour”, EXPRESSION, Centre d'exposition de Saint-Hyacinthe, Curator_Sylvain Campeau, November 8, 2014 to February 1, 2015 “Distance to the Sea” Pierre-François Ouellette Art Contemporain, Montréal, Sept 25 - Nov 1 2013“Translation” Musée regional de Rimouski, Sept 26 – Dec 1 “Green Is Our Shadow” Pierre-François Ouellet art contemporain in Toronto, Sept 12 – Oct 13 2012 “As far as we were; as close as I can” Musée des Beaux-art Montréal, Dec2012 ~ March2013 2011 “Short Sentence” – Pierre-François Ouellette Art Contemporain, Montréal, March 26 ~ May 7 2010 “Watered Plant, February” – The New Gallery, Calgary, May 14 to June 19 2009 “Jelly Project #2” – Gallery 44, Toronto, Sept 11 to Oct 17 2008 “Time has hollows,” Pierre-François Ouellette Art Contemporain, Montréal, July ~ Aug 2007 “Le Nid” – Dare-Dare, Mois de la Photo Montréal, Montréal, Sept 13 to Oct 7 “Off ArtEfact Montréal 2007” – Thérèse Dion Art Contemporain, June 23 to July 14 “Yushan Is Here” – Optica, Montréal, May 11 to June 16 2006 “Home-Scenery” – Artspace, Peterborough, Ontario, Jan 13 to Feb 11 2005 “The Centre of the Forest Is a Lake Like Mirror.” – Dazibao, Montréal, Oct. 13 to Nov. 12 “Temporairement,” – Thérèse Dion Art Contemporain, April 16 to May 15 Duo exhibitions: 2008“Time has hollows,” Pierre-François Ouellette Art Contemporain, Montréal, July ~ Aug 2007“Off ArtEfact Montréal 2007” – Thérèse Dion Art Contemporain, June 23 to July 14 Group exhibitions: 2015 “Ateliers Croisés” Musée d’art contemporain de Baie-Saint-Paul, June 20 – Oct 12 “Comme un lac” Musée de Lachine, May 1 – Nov 29 2014 “Luminescences” Pierre-François Ouellette Art Contemporain, Montréal, June 7 - July 12 “Home Sweet Home” – Dazibao, Montréal, 27 March ~ 17 May, 2014 2012 “Orange” – Expression, Saint-Hyacinthe, 15 Sept ~ 28 Oct, 2012 2011 “Memory for the future” – Pierre-François Ouellette Art Contemporain, Montréal, 12-27/08 “Corporel” – Pierre-François Ouellette Art Contemporain, Montréal, 14 July - 6 August Vente de Garage 4 – ARTV and Musée d'art contemporain de Montréal, May 5 to July 10 2010 Acts of Presence - Musée d'art contemporain de Montréal, Nov 4 2010 to March 27 2011 It is what it is - National Gallery of Canada, Ottawa, Nov 5 2010 to Jan 23 2011 “Out of Grace” – Leonard and Bina Ellen Art Gallery, Montréal, Nov. 3 to Dec. 11 “Péripéties” – Maison de la culture Frontenac, Montréal, March 16 to April 18 2009 “Preoccupations” – FOFA, Montréal, Oct 15 to Nov 7 “10 Scents - Nuit Blanche Toronto” – Toronto, Oct 3 “Entre Deux” – Galerie Les Territoires, Montréal, Sept 11 to 29 2008 “Made in China” – Curated by Jacquie Levin-Mauer and Lillian Mauer, Helen Day Art Centre, Stowe, Vermont, September 19 - November 22 “Rearranging Desires: Curating the ‘Other' Within,” FOFA Gallery, Montréal, Oct 6 to 31 “Quebec Triennale“ Musée d'art contemporain de Montréal, May 24 to Septembre 7 “Conceptual Filiations” – Leonard and Bina Ellen Art Gallery, Montréal, May 3 to June 14 “Seeing China” – Zenith Gallery, Beijing, China, April 19 to June 18 2007 “Artefact Montréal 2007 - Urban Sculptures,” Île Sainte-Hélène, June 27 to September 30 Chih-Chien Wang www.chihchienwang.com / www.pfoac.com 2006 “Alone,” curated by Penny Cousineau-Levine, at Gallery TPW, Toronto, Sept 14 to Oct 28 “ReGeneration, 50 Photographers of Tomorrow,” Aperture, New York, April 7 to June 22 “Faking Death – Canadian Art Photography” Jack Shainman Gallery, New York, Jan 6 Feb 4 2005 “ReGeneration, 50 Photographers of Tomorrow” – Musée de l’Elysée, Lausanne, Switzerland, June 23rd to October 23rd 2004 “Photography and Performance – part 2” – Dazibao, April 15th to May 22nd “Ignition” – Leonard and Bina Ellen Gallery, January 13th to February 13th Residency Visiting Artist, Concordia University, 2009 Sept ~ 2011 May Centre Sagamie, artist in residence, Alma, Québec, Canada, 2008 Dec “Artist studios in Argentina,” El Basilisco, Buenos Aires, Argentina, June ~ August 2007 “Special collaboration between Dazibao and PRIM,” 2005 Publication and journal: “L’expe´rience d’oublier et de se souvenir”, Marie-E`ve Charron, Le Devoir, 2 May 2015 “Visual arts: Two artists search for the emotional and intellectual core of existence”, John Pohl, Montreal Gazette, 30 April 2015 “5 Shows to See at the Scotiabank Contact Photography Festival”, Canadian Art, 30 April 2015 “Vire´e des galeries: Chih-Chien Wang et Se´bastien Pesot”, Mario Cloutier and E´ric Cle´ment, La Presse, 26 April 2015 “Chih-Chien Wang au MBAM : invitation au savoir observer”, Éric Clément, La Presse 21Jan2013 “Des espaces, des regards, tout en proximité”, Marie-Ève Charron, Le Devoir, 15 Dec. 2012 “Vendu,” Les Éditions ESSE, Montréal, 2011 “It Is What It Is,” exhibition catalogue, National Gallery of Canada, Ottawa, 2010 “Mediating the Object World: The Gentle Taxonomy of Chih-Chien Wang,” James D. Campbell, exhibition catalogue, Gallery 44, Toronto, 2009 “Preoccupations,” Martha Langford, exhibition catalogue, FOFA Gallery, Montréal, 2009 “ESSE 65”, page 16 ~ 19, Durability and Fragility: Two Distinct Positions, 2009, Montréal “Rearranging Desires – Curating the ‘Other’ Within,” Chosen Uncertainties: Chih-Chien Wang and the Jelly Project #1, Cynthia Imogen Hammond, FOFA Gallery, 2008 “Nothing is lost, nothing is created, everything is transformed,” The Québec Triennial 2008, Musée D’art Contemporain de Montréal, Page 172 ~ 175 and Page 196, 2008 “Artefact Motréal 2007 – urban sculptures” Page 49, 75, 90, Centre d’art public, Montréal, 2008 “Explorations Narratives; Replaying Narrative,” Le Mois de la Photo à Montréal, Marie Fraser, Page 188 ~ 191, 2007, Montréal “ETC No. 80”, Données Contradictoires - Sylvain Campeau 2007, Montréal “Spirale 215”, Combinaisons - François Dion, 2007, Montréal “Ciel Variable 71”, Domestic Trajectories - Alice Ming Wai Jim, 2006, Montréal “ReGeneration – 50 Photographers of Tomorrow,” Thames & Hudson, Page 208~211, Edited by William A. Ewing, Nathalie Herschdorfrer, Jean-Christophe Blaser “Point and Shoot” les essais – Performance and Photography, Dazibao, Montréal, Québec, Canada. “Public 30” – Eating Things, Toronto, Ontario, Canada. Edited by Scott Toguri McFarlane Chih-Chien Wang www.chihchienwang.com / www.pfoac.com Grant awarded: “Assistance to Visual Artists – Project Grants” – The Canada Council for the Arts, 2013 “Artistic Research and Creation” – Conseil des Arts et des Lettres du Québec, 2011 Sponsorship for the artist’s studio at Darling Foundry - Montreal Museum of Fine Arts, 2011 “Assistance to Visual Artists – Project Grants” – The Canada Council for the Arts, 2010 “Assistance to Visual Artists – Project Grants” – The Canada Council for the Arts, 2008 “Artistic Research and Creation” – Conseil des Arts et des Lettres du Québec, 2008 “Assistance to Visual Artists – Project Grants” – The Canada Council for the Arts, 2006 “Artistic Research and Creation” – Conseil des Arts et des Lettres du Québec, 2006 “Digital photography residency,” Concordia University, fall 2006 “Video production and art residency” – Prim and Dazibao, Montréal, 2005 “New media arts” on technologies – CIAM, Montréal, 2003-2004 Public collections: Musée d'Art Contemporain de Montréal, Musée des Beaux-Arts de Montréal, Musée National des Beaux-Arts du Québec, National Gallery of Canada, Musée de l’Elysée, Lausanne, Switzerland, Hydro Quebec, National Bank of Canada, Royal Bank of Canada, TD Bank, Caisse Desjardins, Caisse de dépôt et placement, CPOA – MNBAQ, BMO Financial Group, City of Montreal, and Canada Council Art Bank Working experiences: 2011 Sept ~: assistant professor, Concordia University, Montréal 2009 Sept ~ 2011 May: visiting lecturer, Concordia University, Montréal 2002 ~ now: documentary videographer and director, contract based: Da-Ai Television, Taipei, Taiwan – Root Puti Program: http://www.newdaai.tv/ 2005 April ~ 2007: news coordinator in Montréal: Taiwan Macroview TV, Taipei, Taiwan 1997 ~ 2002: documentary videographer: 1999 July ~ 2001 Dec.: Revision Communications, Taipei, Taiwan 1999 March ~ 1999 June: Public Television Service Taiwan, Taipei, Taiwan 1996 Jan. ~ 1999 March: Super TV, Taipei, Taiwan 1995 ~ 1996 Jan: daily news videographer: Super TV, Taipei, Taiwan

Chih-Chien Wang
Time Measurements 3 channels

Artist Chih-Chien Wang
Year 2008
Duration 2:00 min
Contact
Pierre-François Ouellette art contemporain
Pierre-François Ouellette
372 Ste-Catherine West #216
H3B 1A2 Montréal, Québec
Canada

Phone: (514) 395 - 6032
E-Mail: pfo@pfoac.com
Chih-Chien Wang - Time Measurements 3 channels

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