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blinkvideo - research of video art, performance and multimedia installations.

blinkvideo - research of video art, performance and multimedia installations.

blinkvideo the platform for . . .

artists we provide a platform for extensive presentation of media works, gallerists get a direct contact to international professional audiences, collectors find a worldwide overview of contemporary trends in moving image, curators can do research via keywords and compilations, teachers use presentation opportunities for students and all professionals get password protected, extensive information about video works worldwide.

FLUID STATES. SOLID MATTER
Videonale 18.

On what basis do we live, think and act nowadays? And how are we shaping this basis for the future? The works of the exhibition FLUID STATES. SOLID MATTER open a discourse on these questions. How does our thinking of the relationship of human beings to their environment change when we no longer see the body as solid and autonomous - as it has been the case until now - but as fluid. As fluid bodies - or "Bodies of Water", as gender researcher Astrida Neimanis puts it -
we as human beings no longer stand above nature, but in interaction with it, with the living being, with the systems that surround us.
Image: © Ida Kammerloch, Resusci Anne, 2019/2020

Alexandra Meijer-Werner

Between 1993 and 2002 Alexandra Meijer-Werner's artistic work focused on creating video installations with multiple projectors, and combining sound, texture and interaction with the public. She also produced a number of documentaries which evidence her profound interest in personal transformation and the awakening of human consciousness.

Please have a look to an introduction of her work on blinkvideo.
Image: © Eugenia Meijer-Werner

Moving Images / Moving Bodies
Online screening programme in cooperation
with the Goethe-Institut Bulgaria

Curated by Ludwig Seyfarth

Research into the human body and interpersonal relationships remain central themes in video and moving image art. Artists from Bulgaria and Germany, whose work is related in content, will be shown in pairs over the next weeks. The exhibition planned for November 2020 in Sofia has been postponed until 2021. Instead, a consecutive presentation of selected films by artists from Moving Bodies/Moving Images is presented on blinkvideo.
image: © Elitsa Dimitrova

Shooting Ghosts
Online screening programme in cooperation
with the Goethe-Institut Bulgaria

Curators: Kalin Serapionov, Krassimir Terziev

What we propose in this programme is a highly subjective and fragmented view on current practices in moving image in the Bulgarian art scene. We focused on practices that show affinity with speculative narratives - narratives that not just record what is in front of the cinematic eye, but also capture all the ghosts that are unreachable by the apparatus, thus projecting speculative views that intend not merely to describe, but to transform the world.
image: © Veneta Androva

Featured videos

Alexandra Meijer-Werner
Kreislauf / cycle … revolution … circulation, 1997

Kreislauf is an oneiric trip about the continuous cycle of human rebirth. Our dreams create the fabric in which the threads or individual tendencies appear and disappear, only to become visible once again. The dynamic of this video is a weave of repetitions and juxtapositions of the experiences that create the dance of life. Everything is cyclic, nothing disappears; everything is perpetually mutating in landscapes of anguish and joy, violence and calm, solitude and union. The traveler is the active force of his own fate when he realizes that what is most significant in life is the act of living itself.

Björn Braun
without title (excerpt), 2012

Sandra Boeschenstein
Besuchte Linie auf Granit, 2014

I encountered the roundworm in the Alps when I attempted to repair the water catchment of the cabin after a storm. I wished for this animal found at the spring to be a visited line, then searched for potential visitors and found, just nearby, a nest of firebugs in a dried chestnut leaf, which I placed just outside of the image field. The granite slab, roundworm, bugs’ nest and a fly lived their lives within a radius of 100 meters. My part in this was to bring them into direct proximity for the duration of an hour, to focus my camera and to breathe onto the upper part of the lens, in order to increase the atmospheric depth of the picture. Finally, to come to the allegation I’ve made via the title that something was a line that actually is an animal (when normally, in a contrary approach, characteristically formed lines represent animals or the like). The combination of the simplicity in the foundation / bedrock with a simultaneous insecurity in view of scale and nature of this white line, holds my fascination.

Isabella Fürnkäs
In Ekklesia, 2015

The title, ‘In Ekklesia,’ comes from the Greek word ‘ecclesia,’ which refers to the democratic parliament that served Athens in its halcyon days by being open to male citizens every other year. Solon, an Athenian legislator and a sage, allowed all citizens to serve the parliament regardless of their social class in BC 594. The Ecclesia made decisions about war, military strategies, and all judicial and administrative issues. This work satirizes various facets of humans and machines in the 21st century, unconsciously within a dystopian environment. Isabella Fürnkäs introduces a method of combining and overlaying countless images in her work, providing the new experience of sensations that act in ambiguous flows, movements, interference, and interjection. The piece is about the new metaphysical and material connections appearing through digital conversations that are divorced from the general notion of time and space, as well as isolation and alienation. Text by Hyun Jeung Kim (Nam June Paik Art Center Seoul)

Ryan Gander
Man on a bridge - (A study of David Lange) , 2008

A digital video transferred from 16 mm film shows a number of slightly differing takes of the same short sequence: A man walks over a bridge and seems to notice something over the railing to his left hand side. As he moves in for a closer inspection, the film cuts, which is then followed by another take of the same shot.

Wim Catrysse
MSR, 2014

On the Kuwait roads the journey goes in a western direction, past military bases and a line of oil transporters. Dreary sound sequences are pumped out by the radio. In the middle of rubbish heaps by the roadside a pack of wild dogs is trying to find shelter from the wind. Wim Catrysse presents the Kuwait desert both as a post-apocalyptic setting and as protagonist. During the journey, the car window is an obstacle, made even more so by the screen. The viewer, dumped in the desert, does not manage to reach it through the window. MSR, the Main Supply Route, is the main highway used to coordinate military operations in the Gulf War in 1990/91 and the War in Iraq in 2003. Filming is forbidden here, so the pack of wild dogs carries the story at first. But their behaviour keeps on bringing the desert into focus as the principal actor. Underlined by the sound track, its seeming hostility to life awakens the impression of a dystopian timelessness reminiscent of the apocalyptic scenarios in films and makes the viewer feel ill at ease. Catrysse examines conventions, both in a political-dogmatic and in a filmic sense.Nathalie Ladermann

Johanna Reich
CRAWLER, 2020

A crawler is a searchbot in the internet which Johanna Reich uses to collect special comments or phrases about the most discussed topics during the last years like A.I., climate change, digital revolution, gender and the turn of democratic systems. Johanna Reich selects several of the collected phrases composing a robot performance: self-driving projectors move across the exhibition space and project comments about a.i., gender or climate change onto the audience and architecture.

Annika Kahrs
solid surface, with hills, valleys, craters and other topographic...., 2014

solid surface,with hills,valleys,craters and other topographic features,primarily made of ice„solid surface, with hills, valleys, craters and other topographic features, primarily made of ice“ is set in a planetarium with a projected starry sky, in the center of which is situated a light spot, that explores the space. The Film deals with the moment, shortly before the actual visualization of pluto’s surface properties, whereas the entire cupola hall of the planetarium serves as a metaphorical projection surface of Pluto. The round light spot formally points to the shape of the celestial object and functions as placeholder for its soon arising image.

Ann Oren
The World Is Mine, 2017

In cosplay of the Japanese cyber diva Hatsune Miku, the artist moved to Tokyo, seeking an identity in the world of Miku fanatics, where she was drawn into a love affair with one of the fans. Miku is a Vocaloid, a vocal synthesizer software personified by a cute animated character. Her entire persona: lyrics, music and animation – is fan created, and that's her charm. She even performs sold out concerts as a hologram. By transforming herself into a Miku character through cosplay, Oren enters a world of real hardcore fans where fantasy is more real than reality and the differentiation between the two becomes obsolete. The film examines the performative nature of cosplaying – dressing up and playing the role of fictional characters – as a hybrid space where reality blurs into fetishistic fantasies and pop culture clichés. Combining fan-made lyrics and songs, Oren's trials and tribulations in the fictional Miku world unfolds through vague erotic episodes and encounters with characters whose ontological status remains mysterious, bringing to mind the adventures of a modern Alice in a virtual Wonderland.

Jonathan Monaghan
Den of Wolves, 2020

Den of Wolves is a seamlessly-looping video installation drawing on a range of references to weave a new multi-layered mythology. The work follows three bizarre wolves through a series of increasingly surreal retail stores as they search for the regalia of a monarch. Composed of one continuous camera shot, the work is an immersive, dreamlike journey drawing connections between popular culture, institutional authority and technological over-dependence.

Stefan Panhans
HOSTEL Sequel #1: Please Be Careful Out There, Lisa Marie – H.V.Installation Mix, 2018

At transmediale, Stefan Panhans and Andrea Winkler show their work HOSTEL Sequel #1: Please Be Careful Out There, Lisa Marie – Hybrid Version, a new project that combines film, installation, and staccato stage reading (on blinkvideo we are showing a trailer of the integrated film). With everyday racism, celebrity worship, stereotypes, and the dominating power of the economic all on the rise, precariously and flexibly traveling cultural workers of different origin deliver a sort of spoken word battle about their experiences and dreams. They constantly switch roles and, at the same time, form a choir that clashes with the rapped reports of everyday life. As in a collaborative gymnastic exercise—surrounded by scenery made up of set pieces from outfits of airports, hostels, and courier services, from self-optimization tools and game show displays—they fight for a voice and to be heard, building new alliances along the way. for more information: opening of transmediale

Mariola Brillowska
Children Of The Devil, 2011

Mariola Brillowska’s animation film relates the total collapse of the family system in the 21st century. Six cartoon episodes present an unsparing account of how children become murderers of their parents.

Julia Charlotte Richter
Point Blank, 2019

“Point Blank” refers to a film scene from "The Misfits" (1961) that is now re-enacted and further contextualized. In the original scene, the recently divorced main character Roslyn (Marilyn Monroe) rises up against three worn-out cowboys and, in the middle of the desert, confronts the men with all their lacks and lost dreams. In “Point Blank”, we see a young woman wandering around in surreal desert landscapes, a journey into the remoteness of the world and her own inner life. With every step out into the desert, the girl descends into her own depths searching for a place that seems to be suitable for her emotions and words. Unlike Roslyn, the young woman now refers to absent addressees: "Liars", "Murderers" and "Dead Men" she screams and turns around wildly. The words, which spread like bullets in the air, fall back on her. Except for a faint echo, there is no resonance at this place that depicts the obsessions of a distorted, patriarchal society and has become a dramatic backdrop of yearnings within the collective history of cinema. Where Roslyn was able to elicit a terrified astonishment from the three men, the character in Julia Charlotte Richter's video remains to herself and unheard, the desert as the only witness of her manifesto, her anger and her strength.

Ulrich Polster
Frost, 2003 / 2004

The night city. Industrial ruins filmed in contrejour. Memories from childhood. Different places and times combined at the mountain. It is a hollow portrait of Eastern Europe that carries the traces of its history.

Ene-Liis Semper
FF REW, 1998

Dimitri Venkov
The Hymns of Muscovy, 2018

The film is a trip to the planet Muscovy, which is an upside down space twin of the city of Moscow. As the title of the work suggests, the journey also takes us back in time. Gliding along the surface of the planet, we look down to the sky and see historic architectural styles fly by - the exuberant Socialist Classicism aka Stalinist Empire, the laconic and brutish Soviet Modernism, and the hodgepodge of contemporary knock-offs and revivals of the styles of the past. An essential companion to this journey through time and space are Hymnic Variations on the Soviet anthem by the composer Alexander Manotskov. The anthem was written in 1943 and has undergone three editions of lyrics yet musically remained unchanged to now serve as the official anthem of the Russian Federation. Manotskov used an early recording of the anthem as source material to create three electronic variations each corresponding to an architectural style. As if in a twist of Goethe’s phrase, architecture plays its frozen music. Look closely, can you hear it?

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blinkvideo is a website for the research of video art. Founders: Julia Sökeland, Anita Beckers. blinkvideo ist eine Plattform zur Recherche nach Videokunst

Chih-Chien Wang

Works


Galleries

Pierre-François Ouellette art contemporain
Pierre-François Ouellette
372 Ste-Catherine West #216
H3B 1A2 Montréal, Québec
Canada

Phone: (514) 395 - 6032
E-Mail: pfo@pfoac.com




Statement

My art practice is mainly about the process of dealing with everyday objects, which includes collection, reposition, re-creation and presentation of them. This process builds up my understanding of personal living space and the diversity of urban life. Such concerns also reflect my doubt about the self.


Photography, video and installation are the main formats of my practice. With these media, I aim at mixing the fresh impression of the surface with the diverse context of recreated sceneries. The repetitive motifs include personal surroundings, self-representation, temporary sculptural objects, movements and urban spaces.


Biography

Education:

Sept. 2002- June 2006 M.F.A.
Studio Arts Department, Concordia University, Montréal, Québec, Canada
Sept. 1990 - June 1994 B.F.A.
Cinema and Theatre (Department of Drama), Chinese Culture University, Taipei, Taiwan

Solo exhibitions:

2015
“A Person Who Disappears,” Art Gallery of Mississauga, April 30 – June 21, 2015
“The Act of Forgetting”, Darling Foundry, April 2 – May 24, 2015
“A Helper”, Les Territoires, Montréal, Jan 16 – Feb 14, 2015

2014
“When the Shadows Change Colour”, EXPRESSION, Centre d'exposition de Saint-Hyacinthe, Curator_Sylvain Campeau, November 8, 2014 to February 1, 2015
“Distance to the Sea” Pierre-François Ouellette Art Contemporain, Montréal, Sept 25 - Nov 1

2013
“Translation” Musée regional de Rimouski, Sept 26 – Dec 1
“Green Is Our Shadow” Pierre-François Ouellet art contemporain in Toronto, Sept 12 – Oct 13

2012
“As far as we were; as close as I can” Musée des Beaux-art Montréal, Dec2012 ~ March2013

2011
“Short Sentence” – Pierre-François Ouellette Art Contemporain, Montréal, March 26 ~ May 7

2010
“Watered Plant, February” – The New Gallery, Calgary, May 14 to June 19

2009
“Jelly Project #2” – Gallery 44, Toronto, Sept 11 to Oct 17

2008
“Time has hollows,” Pierre-François Ouellette Art Contemporain, Montréal, July ~ Aug

2007
“Le Nid” – Dare-Dare, Mois de la Photo Montréal, Montréal, Sept 13 to Oct 7
“Off ArtEfact Montréal 2007” – Thérèse Dion Art Contemporain, June 23 to July 14
“Yushan Is Here” – Optica, Montréal, May 11 to June 16

2006
“Home-Scenery” – Artspace, Peterborough, Ontario, Jan 13 to Feb 11

2005
“The Centre of the Forest Is a Lake Like Mirror.” – Dazibao, Montréal, Oct. 13 to Nov. 12
“Temporairement,” – Thérèse Dion Art Contemporain, April 16 to May 15

Duo exhibitions:

2008
“Time has hollows,” Pierre-François Ouellette Art Contemporain, Montréal, July ~ Aug

2007
“Off ArtEfact Montréal 2007” – Thérèse Dion Art Contemporain, June 23 to July 14

Group exhibitions:

2015
“Ateliers Croisés” Musée d’art contemporain de Baie-Saint-Paul, June 20 – Oct 12
“Comme un lac” Musée de Lachine, May 1 – Nov 29

2014 “Luminescences” Pierre-François Ouellette Art Contemporain, Montréal, June 7 - July 12
“Home Sweet Home” – Dazibao, Montréal, 27 March ~ 17 May, 2014

2012
“Orange” – Expression, Saint-Hyacinthe, 15 Sept ~ 28 Oct, 2012

2011
“Memory for the future” – Pierre-François Ouellette Art Contemporain, Montréal, 12-27/08
“Corporel” – Pierre-François Ouellette Art Contemporain, Montréal, 14 July - 6 August
"Vente de Garage 4" – ARTV and Musée d'art contemporain de Montréal, May 5 to July 10

2010
"Acts of Presence" - Musée d'art contemporain de Montréal, Nov 4 2010 to March 27 2011
"It is what it is" - National Gallery of Canada, Ottawa, Nov 5 2010 to Jan 23 2011
“Out of Grace” – Leonard and Bina Ellen Art Gallery, Montréal, Nov. 3 to Dec. 11
“Péripéties” – Maison de la culture Frontenac, Montréal, March 16 to April 18

2009
“Preoccupations” – FOFA, Montréal, Oct 15 to Nov 7
“10 Scents - Nuit Blanche Toronto” – Toronto, Oct 3
“Entre Deux” – Galerie Les Territoires, Montréal, Sept 11 to 29

2008
“Made in China” – Curated by Jacquie Levin-Mauer and Lillian Mauer, Helen Day Art Centre, Stowe, Vermont, September 19 - November 22
“Rearranging Desires: Curating the ‘Other' Within,” FOFA Gallery, Montréal, Oct 6 to 31
“Quebec Triennale“ Musée d'art contemporain de Montréal, May 24 to Septembre 7
“Conceptual Filiations” – Leonard and Bina Ellen Art Gallery, Montréal, May 3 to June 14
“Seeing China” – Zenith Gallery, Beijing, China, April 19 to June 18

2007
“Artefact Montréal 2007 - Urban Sculptures,” Île Sainte-Hélène, June 27 to September 30
Chih-Chien Wang www.chihchienwang.com / www.pfoac.com

2006
“Alone,” curated by Penny Cousineau-Levine, at Gallery TPW, Toronto, Sept 14 to Oct 28
“ReGeneration, 50 Photographers of Tomorrow,” Aperture, New York, April 7 to June 22
“Faking Death – Canadian Art Photography” Jack Shainman Gallery, New York, Jan 6 Feb 4

2005
“ReGeneration, 50 Photographers of Tomorrow” – Musée de l’Elysée, Lausanne, Switzerland, June 23rd to October 23rd

2004
“Photography and Performance – part 2” – Dazibao, April 15th to May 22nd
“Ignition” – Leonard and Bina Ellen Gallery, January 13th to February 13th

Residency

Visiting Artist, Concordia University, 2009 Sept ~ 2011 May
Centre Sagamie, artist in residence, Alma, Québec, Canada, 2008 Dec
“Artist studios in Argentina,” El Basilisco, Buenos Aires, Argentina, June ~ August 2007
“Special collaboration between Dazibao and PRIM,” 2005

Publication and journal:

“L’expe´rience d’oublier et de se souvenir”, Marie-E`ve Charron, Le Devoir, 2 May 2015
“Visual arts: Two artists search for the emotional and intellectual core of existence”, John Pohl, Montreal Gazette, 30 April 2015
“5 Shows to See at the Scotiabank Contact Photography Festival”, Canadian Art, 30 April 2015
“Vire´e des galeries: Chih-Chien Wang et Se´bastien Pesot”, Mario Cloutier and E´ric Cle´ment, La Presse, 26 April 2015
“Chih-Chien Wang au MBAM : invitation au savoir observer”, Éric Clément, La Presse 21Jan2013
“Des espaces, des regards, tout en proximité”, Marie-Ève Charron, Le Devoir, 15 Dec. 2012
“Vendu,” Les Éditions ESSE, Montréal, 2011
“It Is What It Is,” exhibition catalogue, National Gallery of Canada, Ottawa, 2010
“Mediating the Object World: The Gentle Taxonomy of Chih-Chien Wang,” James D. Campbell, exhibition catalogue, Gallery 44, Toronto, 2009
“Preoccupations,” Martha Langford, exhibition catalogue, FOFA Gallery, Montréal, 2009
“ESSE 65”, page 16 ~ 19, Durability and Fragility: Two Distinct Positions, 2009, Montréal
“Rearranging Desires – Curating the ‘Other’ Within,” Chosen Uncertainties: Chih-Chien Wang and the Jelly Project #1, Cynthia Imogen Hammond, FOFA Gallery, 2008
“Nothing is lost, nothing is created, everything is transformed,” The Québec Triennial 2008, Musée D’art Contemporain de Montréal, Page 172 ~ 175 and Page 196, 2008
“Artefact Motréal 2007 – urban sculptures” Page 49, 75, 90, Centre d’art public, Montréal, 2008
“Explorations Narratives; Replaying Narrative,” Le Mois de la Photo à Montréal, Marie Fraser, Page 188 ~ 191, 2007, Montréal
“ETC No. 80”, Données Contradictoires - Sylvain Campeau 2007, Montréal
“Spirale 215”, Combinaisons - François Dion, 2007, Montréal
“Ciel Variable 71”, Domestic Trajectories - Alice Ming Wai Jim, 2006, Montréal
“ReGeneration – 50 Photographers of Tomorrow,” Thames & Hudson, Page 208~211, Edited by William A. Ewing, Nathalie Herschdorfrer, Jean-Christophe Blaser
“Point and Shoot” les essais – Performance and Photography, Dazibao, Montréal, Québec, Canada.
“Public 30” – Eating Things, Toronto, Ontario, Canada. Edited by Scott Toguri McFarlane Chih-Chien Wang www.chihchienwang.com / www.pfoac.com

Grant awarded:

“Assistance to Visual Artists – Project Grants” – The Canada Council for the Arts, 2013
“Artistic Research and Creation” – Conseil des Arts et des Lettres du Québec, 2011
Sponsorship for the artist’s studio at Darling Foundry - Montreal Museum of Fine Arts, 2011
“Assistance to Visual Artists – Project Grants” – The Canada Council for the Arts, 2010
“Assistance to Visual Artists – Project Grants” – The Canada Council for the Arts, 2008
“Artistic Research and Creation” – Conseil des Arts et des Lettres du Québec, 2008
“Assistance to Visual Artists – Project Grants” – The Canada Council for the Arts, 2006
“Artistic Research and Creation” – Conseil des Arts et des Lettres du Québec, 2006
“Digital photography residency,” Concordia University, fall 2006
“Video production and art residency” – Prim and Dazibao, Montréal, 2005
“New media arts” on technologies – CIAM, Montréal, 2003-2004

Public collections:

Musée d'Art Contemporain de Montréal, Musée des Beaux-Arts de Montréal, Musée National des Beaux-Arts du Québec, National Gallery of Canada, Musée de l’Elysée, Lausanne, Switzerland, Hydro Quebec, National Bank of Canada, Royal Bank of Canada, TD Bank, Caisse Desjardins, Caisse de dépôt et placement, CPOA – MNBAQ, BMO Financial Group, City of Montreal, and Canada Council Art Bank

Working experiences:

2011 Sept ~: assistant professor, Concordia University, Montréal
2009 Sept ~ 2011 May: visiting lecturer, Concordia University, Montréal
2002 ~ now: documentary videographer and director, contract based:
Da-Ai Television, Taipei, Taiwan – Root Puti Program: http://www.newdaai.tv/
2005 April ~ 2007: news coordinator in Montréal: Taiwan Macroview TV, Taipei, Taiwan
1997 ~ 2002: documentary videographer:
1999 July ~ 2001 Dec.: Revision Communications, Taipei, Taiwan
1999 March ~ 1999 June: Public Television Service Taiwan, Taipei, Taiwan
1996 Jan. ~ 1999 March: Super TV, Taipei, Taiwan
1995 ~ 1996 Jan: daily news videographer: Super TV, Taipei, Taiwan

Chih-Chien Wang
Education: Sept. 2002- June 2006 M.F.A. Studio Arts Department, Concordia University, Montréal, Québec, Canada Sept. 1990 - June 1994 B.F.A. Cinema and Theatre (Department of Drama), Chinese Culture University, Taipei, Taiwan Solo exhibitions: 2015 “A Person Who Disappears,” Art Gallery of Mississauga, April 30 – June 21, 2015 “The Act of Forgetting”, Darling Foundry, April 2 – May 24, 2015 “A Helper”, Les Territoires, Montréal, Jan 16 – Feb 14, 2015 2014 “When the Shadows Change Colour”, EXPRESSION, Centre d'exposition de Saint-Hyacinthe, Curator_Sylvain Campeau, November 8, 2014 to February 1, 2015 “Distance to the Sea” Pierre-François Ouellette Art Contemporain, Montréal, Sept 25 - Nov 1 2013“Translation” Musée regional de Rimouski, Sept 26 – Dec 1 “Green Is Our Shadow” Pierre-François Ouellet art contemporain in Toronto, Sept 12 – Oct 13 2012 “As far as we were; as close as I can” Musée des Beaux-art Montréal, Dec2012 ~ March2013 2011 “Short Sentence” – Pierre-François Ouellette Art Contemporain, Montréal, March 26 ~ May 7 2010 “Watered Plant, February” – The New Gallery, Calgary, May 14 to June 19 2009 “Jelly Project #2” – Gallery 44, Toronto, Sept 11 to Oct 17 2008 “Time has hollows,” Pierre-François Ouellette Art Contemporain, Montréal, July ~ Aug 2007 “Le Nid” – Dare-Dare, Mois de la Photo Montréal, Montréal, Sept 13 to Oct 7 “Off ArtEfact Montréal 2007” – Thérèse Dion Art Contemporain, June 23 to July 14 “Yushan Is Here” – Optica, Montréal, May 11 to June 16 2006 “Home-Scenery” – Artspace, Peterborough, Ontario, Jan 13 to Feb 11 2005 “The Centre of the Forest Is a Lake Like Mirror.” – Dazibao, Montréal, Oct. 13 to Nov. 12 “Temporairement,” – Thérèse Dion Art Contemporain, April 16 to May 15 Duo exhibitions: 2008“Time has hollows,” Pierre-François Ouellette Art Contemporain, Montréal, July ~ Aug 2007“Off ArtEfact Montréal 2007” – Thérèse Dion Art Contemporain, June 23 to July 14 Group exhibitions: 2015 “Ateliers Croisés” Musée d’art contemporain de Baie-Saint-Paul, June 20 – Oct 12 “Comme un lac” Musée de Lachine, May 1 – Nov 29 2014 “Luminescences” Pierre-François Ouellette Art Contemporain, Montréal, June 7 - July 12 “Home Sweet Home” – Dazibao, Montréal, 27 March ~ 17 May, 2014 2012 “Orange” – Expression, Saint-Hyacinthe, 15 Sept ~ 28 Oct, 2012 2011 “Memory for the future” – Pierre-François Ouellette Art Contemporain, Montréal, 12-27/08 “Corporel” – Pierre-François Ouellette Art Contemporain, Montréal, 14 July - 6 August Vente de Garage 4 – ARTV and Musée d'art contemporain de Montréal, May 5 to July 10 2010 Acts of Presence - Musée d'art contemporain de Montréal, Nov 4 2010 to March 27 2011 It is what it is - National Gallery of Canada, Ottawa, Nov 5 2010 to Jan 23 2011 “Out of Grace” – Leonard and Bina Ellen Art Gallery, Montréal, Nov. 3 to Dec. 11 “Péripéties” – Maison de la culture Frontenac, Montréal, March 16 to April 18 2009 “Preoccupations” – FOFA, Montréal, Oct 15 to Nov 7 “10 Scents - Nuit Blanche Toronto” – Toronto, Oct 3 “Entre Deux” – Galerie Les Territoires, Montréal, Sept 11 to 29 2008 “Made in China” – Curated by Jacquie Levin-Mauer and Lillian Mauer, Helen Day Art Centre, Stowe, Vermont, September 19 - November 22 “Rearranging Desires: Curating the ‘Other' Within,” FOFA Gallery, Montréal, Oct 6 to 31 “Quebec Triennale“ Musée d'art contemporain de Montréal, May 24 to Septembre 7 “Conceptual Filiations” – Leonard and Bina Ellen Art Gallery, Montréal, May 3 to June 14 “Seeing China” – Zenith Gallery, Beijing, China, April 19 to June 18 2007 “Artefact Montréal 2007 - Urban Sculptures,” Île Sainte-Hélène, June 27 to September 30 Chih-Chien Wang www.chihchienwang.com / www.pfoac.com 2006 “Alone,” curated by Penny Cousineau-Levine, at Gallery TPW, Toronto, Sept 14 to Oct 28 “ReGeneration, 50 Photographers of Tomorrow,” Aperture, New York, April 7 to June 22 “Faking Death – Canadian Art Photography” Jack Shainman Gallery, New York, Jan 6 Feb 4 2005 “ReGeneration, 50 Photographers of Tomorrow” – Musée de l’Elysée, Lausanne, Switzerland, June 23rd to October 23rd 2004 “Photography and Performance – part 2” – Dazibao, April 15th to May 22nd “Ignition” – Leonard and Bina Ellen Gallery, January 13th to February 13th Residency Visiting Artist, Concordia University, 2009 Sept ~ 2011 May Centre Sagamie, artist in residence, Alma, Québec, Canada, 2008 Dec “Artist studios in Argentina,” El Basilisco, Buenos Aires, Argentina, June ~ August 2007 “Special collaboration between Dazibao and PRIM,” 2005 Publication and journal: “L’expe´rience d’oublier et de se souvenir”, Marie-E`ve Charron, Le Devoir, 2 May 2015 “Visual arts: Two artists search for the emotional and intellectual core of existence”, John Pohl, Montreal Gazette, 30 April 2015 “5 Shows to See at the Scotiabank Contact Photography Festival”, Canadian Art, 30 April 2015 “Vire´e des galeries: Chih-Chien Wang et Se´bastien Pesot”, Mario Cloutier and E´ric Cle´ment, La Presse, 26 April 2015 “Chih-Chien Wang au MBAM : invitation au savoir observer”, Éric Clément, La Presse 21Jan2013 “Des espaces, des regards, tout en proximité”, Marie-Ève Charron, Le Devoir, 15 Dec. 2012 “Vendu,” Les Éditions ESSE, Montréal, 2011 “It Is What It Is,” exhibition catalogue, National Gallery of Canada, Ottawa, 2010 “Mediating the Object World: The Gentle Taxonomy of Chih-Chien Wang,” James D. Campbell, exhibition catalogue, Gallery 44, Toronto, 2009 “Preoccupations,” Martha Langford, exhibition catalogue, FOFA Gallery, Montréal, 2009 “ESSE 65”, page 16 ~ 19, Durability and Fragility: Two Distinct Positions, 2009, Montréal “Rearranging Desires – Curating the ‘Other’ Within,” Chosen Uncertainties: Chih-Chien Wang and the Jelly Project #1, Cynthia Imogen Hammond, FOFA Gallery, 2008 “Nothing is lost, nothing is created, everything is transformed,” The Québec Triennial 2008, Musée D’art Contemporain de Montréal, Page 172 ~ 175 and Page 196, 2008 “Artefact Motréal 2007 – urban sculptures” Page 49, 75, 90, Centre d’art public, Montréal, 2008 “Explorations Narratives; Replaying Narrative,” Le Mois de la Photo à Montréal, Marie Fraser, Page 188 ~ 191, 2007, Montréal “ETC No. 80”, Données Contradictoires - Sylvain Campeau 2007, Montréal “Spirale 215”, Combinaisons - François Dion, 2007, Montréal “Ciel Variable 71”, Domestic Trajectories - Alice Ming Wai Jim, 2006, Montréal “ReGeneration – 50 Photographers of Tomorrow,” Thames & Hudson, Page 208~211, Edited by William A. Ewing, Nathalie Herschdorfrer, Jean-Christophe Blaser “Point and Shoot” les essais – Performance and Photography, Dazibao, Montréal, Québec, Canada. “Public 30” – Eating Things, Toronto, Ontario, Canada. Edited by Scott Toguri McFarlane Chih-Chien Wang www.chihchienwang.com / www.pfoac.com Grant awarded: “Assistance to Visual Artists – Project Grants” – The Canada Council for the Arts, 2013 “Artistic Research and Creation” – Conseil des Arts et des Lettres du Québec, 2011 Sponsorship for the artist’s studio at Darling Foundry - Montreal Museum of Fine Arts, 2011 “Assistance to Visual Artists – Project Grants” – The Canada Council for the Arts, 2010 “Assistance to Visual Artists – Project Grants” – The Canada Council for the Arts, 2008 “Artistic Research and Creation” – Conseil des Arts et des Lettres du Québec, 2008 “Assistance to Visual Artists – Project Grants” – The Canada Council for the Arts, 2006 “Artistic Research and Creation” – Conseil des Arts et des Lettres du Québec, 2006 “Digital photography residency,” Concordia University, fall 2006 “Video production and art residency” – Prim and Dazibao, Montréal, 2005 “New media arts” on technologies – CIAM, Montréal, 2003-2004 Public collections: Musée d'Art Contemporain de Montréal, Musée des Beaux-Arts de Montréal, Musée National des Beaux-Arts du Québec, National Gallery of Canada, Musée de l’Elysée, Lausanne, Switzerland, Hydro Quebec, National Bank of Canada, Royal Bank of Canada, TD Bank, Caisse Desjardins, Caisse de dépôt et placement, CPOA – MNBAQ, BMO Financial Group, City of Montreal, and Canada Council Art Bank Working experiences: 2011 Sept ~: assistant professor, Concordia University, Montréal 2009 Sept ~ 2011 May: visiting lecturer, Concordia University, Montréal 2002 ~ now: documentary videographer and director, contract based: Da-Ai Television, Taipei, Taiwan – Root Puti Program: http://www.newdaai.tv/ 2005 April ~ 2007: news coordinator in Montréal: Taiwan Macroview TV, Taipei, Taiwan 1997 ~ 2002: documentary videographer: 1999 July ~ 2001 Dec.: Revision Communications, Taipei, Taiwan 1999 March ~ 1999 June: Public Television Service Taiwan, Taipei, Taiwan 1996 Jan. ~ 1999 March: Super TV, Taipei, Taiwan 1995 ~ 1996 Jan: daily news videographer: Super TV, Taipei, Taiwan

Chih-Chien Wang
Avellaneda

Artist Chih-Chien Wang
Year 2008
Duration 40:00 min
Edition 5
Technical info master HDCAM, DVD supplied
Contact
Pierre-François Ouellette art contemporain
Pierre-François Ouellette
372 Ste-Catherine West #216
H3B 1A2 Montréal, Québec
Canada

Phone: (514) 395 - 6032
E-Mail: pfo@pfoac.com

About the video

The video consists of two sides of one location, and two groups of professionals. One group was singers who walked onto the flooded floor inside the building to sing, and the other group was theatre performers who gathered outside of the building to talk. Issues were discussed one after another while the space, mood, water and lyrics echo the gathering and departure of the individuals and point to a fate-like end.

Chih-Chien Wang - Avellaneda
The video consists of two sides of one location, and two groups of professionals. One group was singers who walked onto the flooded floor inside the building to sing, and the other group was theatre performers who gathered outside of the building to talk. Issues were discussed one after another while the space, mood, water and lyrics echo the gathering and departure of the individuals and point to a fate-like end.

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